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|---|---|---|---|
HE EXHALES | 0:00:06 | 0:00:08 | |
Seriously high now. | 0:00:10 | 0:00:11 | |
Oh, that's a wobbly one. | 0:00:11 | 0:00:15 | |
40m now, I reckon. | 0:00:15 | 0:00:17 | |
I can see the cab above me. | 0:00:17 | 0:00:18 | |
What an office that is. | 0:00:20 | 0:00:21 | |
I can see the sea. | 0:00:24 | 0:00:26 | |
'I'm climbing 200 foot to the top of | 0:00:26 | 0:00:29 | |
'a huge crane in the centre of Cardiff.' | 0:00:29 | 0:00:31 | |
This is the last 5m, before the very top. | 0:00:33 | 0:00:37 | |
Just got to straddle my way across here. | 0:00:37 | 0:00:40 | |
Get past this point. | 0:00:40 | 0:00:41 | |
Hello. | 0:00:42 | 0:00:44 | |
You all right, mate? | 0:00:44 | 0:00:45 | |
Wow. | 0:00:45 | 0:00:47 | |
He's just turning it around for a better view, | 0:00:47 | 0:00:49 | |
but he warned us to hold on cos it gets a little bit juddery. | 0:00:49 | 0:00:52 | |
So I'm holding on! | 0:00:52 | 0:00:53 | |
I'm on the building site of the new BBC Wales headquarters | 0:00:54 | 0:00:58 | |
and it's the biggest construction project in the city. | 0:00:58 | 0:01:01 | |
This is a perfect example of how this city is constantly evolving. | 0:01:03 | 0:01:09 | |
Billions of pounds will soon be spent on redevelopment. | 0:01:09 | 0:01:12 | |
It's one of the UK's fastest-growing cities. | 0:01:12 | 0:01:15 | |
But sometimes I feel that this place is a little bit too quick | 0:01:19 | 0:01:22 | |
to forget its past. | 0:01:22 | 0:01:23 | |
I want to learn about those little pieces of history that tell me | 0:01:23 | 0:01:27 | |
all about how Cardiff became the city that it is today. | 0:01:27 | 0:01:30 | |
'My name is Will Millard, | 0:01:33 | 0:01:34 | |
'I'm a writer and an explorer. | 0:01:34 | 0:01:37 | |
'This place is my home, and I love it.' | 0:01:37 | 0:01:40 | |
Great stuff. | 0:01:40 | 0:01:41 | |
I'm going in! | 0:01:43 | 0:01:44 | |
'I'm going to explore how Cardiff grew from | 0:01:45 | 0:01:48 | |
'a tiny, little town into a modern metropolis.' | 0:01:48 | 0:01:51 | |
Ooh, look. | 0:01:53 | 0:01:54 | |
This is something else, down here. | 0:01:54 | 0:01:56 | |
'I've got unprecedented access to places you never get to see, | 0:01:57 | 0:02:01 | |
'and they don't tell the familiar story.' | 0:02:01 | 0:02:04 | |
Oh, my goodness me! Look in this place. | 0:02:04 | 0:02:07 | |
It is satanically dark down there. | 0:02:07 | 0:02:10 | |
Pretty, pretty foreboding. | 0:02:10 | 0:02:12 | |
'I'll be venturing above, below, inside and all around the city. | 0:02:12 | 0:02:17 | |
'It's going to be uncomfortable...' | 0:02:17 | 0:02:19 | |
Wow. | 0:02:19 | 0:02:21 | |
'..exhilarating... | 0:02:21 | 0:02:22 | |
'..and dangerous.' | 0:02:24 | 0:02:25 | |
My heart's starting to go now. | 0:02:26 | 0:02:28 | |
'This is the city as you've never seen it before. | 0:02:28 | 0:02:31 | |
'If you think you know Cardiff then think again. | 0:02:31 | 0:02:34 | |
'It might be our last chance to see some of the history that is | 0:02:34 | 0:02:37 | |
'vanishing right in front of us.' | 0:02:37 | 0:02:40 | |
I'm walked across jungles on my own in Western Africa, | 0:02:40 | 0:02:45 | |
but this is definitely about as scary as it gets for me. | 0:02:45 | 0:02:49 | |
There's not a lot left that predates | 0:03:02 | 0:03:04 | |
the Victorian era in Cardiff. | 0:03:04 | 0:03:06 | |
But the history goes back beyond | 0:03:06 | 0:03:07 | |
the Romans and, for centuries, | 0:03:07 | 0:03:09 | |
it wasn't even a city, | 0:03:09 | 0:03:10 | |
just a tiny trading town. | 0:03:10 | 0:03:12 | |
Hello, Simon, how are you doing? | 0:03:13 | 0:03:15 | |
'I've come to meet artist Simon Fenoulhet. | 0:03:15 | 0:03:17 | |
'He's fascinated by the city's past, | 0:03:17 | 0:03:19 | |
'and he reckons he's found a truly hidden piece of history | 0:03:19 | 0:03:22 | |
'that's remained undiscovered for hundreds of years.' | 0:03:22 | 0:03:26 | |
OK, so why are we here, Simon? | 0:03:26 | 0:03:28 | |
We're in the site of the old Blackfriars Friary, | 0:03:29 | 0:03:32 | |
in the grounds of Cardiff Castle. | 0:03:32 | 0:03:35 | |
And in the 13th century, there were two friaries - one here and | 0:03:35 | 0:03:38 | |
one the other side of the castle, the Greyfriars. | 0:03:38 | 0:03:42 | |
I imagine, back in the 13th century, here, | 0:03:42 | 0:03:44 | |
-Cardiff would have looked very different? -Completely different. | 0:03:44 | 0:03:47 | |
A very small town, a little over 2,000 people. | 0:03:47 | 0:03:50 | |
I'm still a little bit mystified as to why we're exactly here, though? | 0:03:50 | 0:03:54 | |
It's because I want to show you something I've found. | 0:03:54 | 0:03:57 | |
A stone tunnel which has been hidden for many, many years. | 0:03:57 | 0:04:00 | |
'I can't reveal where Simon is taking me | 0:04:01 | 0:04:03 | |
'because it's on private land and it's also unsafe, | 0:04:03 | 0:04:07 | |
'but it's right in the centre of the city.' | 0:04:07 | 0:04:09 | |
Simon, this is ridiculous. | 0:04:10 | 0:04:12 | |
It's not a very big entrance. | 0:04:12 | 0:04:14 | |
Not a very big entrance? How big were these friars? | 0:04:14 | 0:04:16 | |
They must have been midgets! | 0:04:16 | 0:04:18 | |
Are you telling me that you think that was laid in the 13th century? | 0:04:18 | 0:04:21 | |
Yeah. This is the ancient stonework, here, | 0:04:21 | 0:04:23 | |
you can see at the top, and the walls inside. | 0:04:23 | 0:04:26 | |
And the tunnel goes off | 0:04:26 | 0:04:27 | |
at a very acute angle underneath the ground, over here. | 0:04:27 | 0:04:31 | |
Right, I think I'm going to go in first. | 0:04:31 | 0:04:33 | |
I'm going to grab a camera off James, | 0:04:33 | 0:04:35 | |
so you can see what it's like inside. | 0:04:35 | 0:04:37 | |
Now, come on, Simon, have you got any expert tips for me, | 0:04:39 | 0:04:42 | |
apart from turn on the torch and suck your stomach in? | 0:04:42 | 0:04:45 | |
It's a wriggle to begin with. Once you're inside, you can crawl. | 0:04:45 | 0:04:48 | |
Right, let's turn this on, torches are on. | 0:04:48 | 0:04:51 | |
Oh, my goodness me. | 0:04:51 | 0:04:52 | |
Right. | 0:04:53 | 0:04:54 | |
Right, I'm going for it, guys. | 0:04:54 | 0:04:56 | |
See if I can find the night-vision switch. | 0:04:56 | 0:05:00 | |
There we go. Right. | 0:05:00 | 0:05:01 | |
Oh, good grief. | 0:05:03 | 0:05:05 | |
-How are you doing? -It is tight. | 0:05:05 | 0:05:06 | |
Simon, I wish I hadn't had | 0:05:08 | 0:05:09 | |
that extra slice of toast for breakfast, mate! | 0:05:09 | 0:05:12 | |
He's in. | 0:05:14 | 0:05:15 | |
Wow. | 0:05:16 | 0:05:17 | |
Christ, he wasn't lying. | 0:05:20 | 0:05:22 | |
Goodness me. | 0:05:25 | 0:05:26 | |
I can't believe those monks would have been using this, | 0:05:27 | 0:05:33 | |
walking down it. | 0:05:33 | 0:05:34 | |
It's a lot longer than I was expecting as well. | 0:05:36 | 0:05:38 | |
These aren't built for the modern man. | 0:05:41 | 0:05:43 | |
6' 1" of me is really struggling here. | 0:05:43 | 0:05:45 | |
Ah. | 0:05:47 | 0:05:48 | |
You can see here, either the roof's fallen in, or the ground's come up. | 0:05:48 | 0:05:53 | |
I think I'm going to see if I can get over it, actually. | 0:05:53 | 0:05:55 | |
See if I can get over that. | 0:05:55 | 0:05:56 | |
Wow. | 0:06:00 | 0:06:02 | |
This is seriously... | 0:06:02 | 0:06:06 | |
seriously tight. | 0:06:06 | 0:06:08 | |
Over this collapsed mound. | 0:06:08 | 0:06:09 | |
PHONE RINGS Oh, no. | 0:06:09 | 0:06:12 | |
My phone's going off. | 0:06:12 | 0:06:14 | |
Yeah, all good. All good. | 0:06:16 | 0:06:18 | |
I'm just having a look over the mound. | 0:06:19 | 0:06:22 | |
My back is pinned against this | 0:06:22 | 0:06:25 | |
13th-century stone wall ceiling. | 0:06:25 | 0:06:28 | |
HE LAUGHS | 0:06:28 | 0:06:30 | |
My hood... My hood's caught on the roof! | 0:06:30 | 0:06:33 | |
HE GRUNTS | 0:06:34 | 0:06:36 | |
OK, I'm in. I'm over. | 0:06:36 | 0:06:37 | |
That's definitely as far as I can go. | 0:06:41 | 0:06:43 | |
It's completely collapsed beyond this mound. | 0:06:43 | 0:06:45 | |
Ah, you right behind me, mate? | 0:06:47 | 0:06:49 | |
Honestly, Simon, I don't know what to say. What a discovery. | 0:06:49 | 0:06:53 | |
What an incredible, incredible piece of history. | 0:06:53 | 0:06:56 | |
Nothing was built here, since the time of the Greyfriars, | 0:06:56 | 0:07:00 | |
-until the 1960s. -Right. | 0:07:00 | 0:07:02 | |
So, whatever's here's got to be really old. | 0:07:02 | 0:07:05 | |
What on earth was it being used for? | 0:07:06 | 0:07:08 | |
Well, that's the big question, isn't it? | 0:07:08 | 0:07:10 | |
Lots of people think it could have been some sort of escape tunnel, | 0:07:10 | 0:07:13 | |
because it goes directly to the castle from here. | 0:07:13 | 0:07:15 | |
It's a nice thought, | 0:07:15 | 0:07:16 | |
but I wonder if it's more likely to be something like water supply. | 0:07:16 | 0:07:20 | |
-Right. -But it's nice thought to think it could be an escape route | 0:07:20 | 0:07:23 | |
-if the castle was under siege, for example. -Sure. | 0:07:23 | 0:07:27 | |
It's impossible to know have far this tunnel goes past that collapse, | 0:07:28 | 0:07:31 | |
but I can't help but wonder how many more like this | 0:07:31 | 0:07:34 | |
might be hidden under Cardiff? | 0:07:34 | 0:07:36 | |
Like Simon said, back in medieval times, | 0:07:44 | 0:07:47 | |
Cardiff was just a small town, | 0:07:47 | 0:07:49 | |
and it remained like that for hundreds of years, | 0:07:49 | 0:07:51 | |
a rather unremarkable place. | 0:07:51 | 0:07:53 | |
But then, things really began to change, | 0:07:56 | 0:07:58 | |
thanks to one super-rich family - the Butes. | 0:07:58 | 0:08:01 | |
For several generations, their extraordinary wealth | 0:08:01 | 0:08:04 | |
completely changed Cardiff's fortunes. | 0:08:04 | 0:08:07 | |
In the late 18th century, the first Marquess inherited his earldom, | 0:08:07 | 0:08:10 | |
acquiring the castle and a lot of its surrounding land. | 0:08:10 | 0:08:13 | |
After the Glamorganshire Canal opened in 1794, Merthyr's | 0:08:16 | 0:08:20 | |
coal and iron could be transported much faster to Cardiff's seaport. | 0:08:20 | 0:08:23 | |
It was the second Marquess of Bute who capitalised on this. | 0:08:26 | 0:08:29 | |
Using the family money, in 1839 he constructed a masonry dock | 0:08:29 | 0:08:33 | |
to handle the hugely increased sea trade, | 0:08:33 | 0:08:36 | |
and where I'm heading next was part of that development. | 0:08:36 | 0:08:39 | |
The canal here is actually a part of Cardiff that I'd like to think | 0:08:43 | 0:08:46 | |
I know quite well. | 0:08:46 | 0:08:47 | |
I used to walk along this canal every day, on my way to work. | 0:08:47 | 0:08:50 | |
And then, much later, I started fishing it quite a lot as well. | 0:08:50 | 0:08:53 | |
But, really, to be perfectly honest, beyond this stretch, | 0:08:53 | 0:08:55 | |
I don't really know were it goes. | 0:08:55 | 0:08:57 | |
So this is about as much as I know. | 0:09:00 | 0:09:02 | |
The canal comes around the corner there, | 0:09:02 | 0:09:03 | |
it forms something of a moat along the castle wall, | 0:09:03 | 0:09:06 | |
and then it gets to this point, and it disappears completely. | 0:09:06 | 0:09:09 | |
And I really have no idea where it goes next. | 0:09:11 | 0:09:14 | |
But I'm hoping to meet a man who does. | 0:09:14 | 0:09:16 | |
-Hey, Will. -How are you doing? | 0:09:17 | 0:09:18 | |
How are you doing? Callum. Callum Cooper. | 0:09:18 | 0:09:20 | |
-Fantastic to meet you, Callum. -Great, thank you. -Cool. | 0:09:20 | 0:09:23 | |
Where Callum's taking me is not only restricted from the public | 0:09:23 | 0:09:26 | |
but it's also dangerous. | 0:09:26 | 0:09:28 | |
Going in! | 0:09:30 | 0:09:31 | |
Ooh! | 0:09:32 | 0:09:33 | |
God, that smells a bit, doesn't it? | 0:09:35 | 0:09:37 | |
I have never seen the city of Cardiff from this view before. | 0:09:37 | 0:09:41 | |
It's dark, it's quite cold, and half the city's rubbish | 0:09:43 | 0:09:47 | |
has made its way down here, by the looks of things. | 0:09:47 | 0:09:49 | |
When I first came to Cardiff, Callum, I think I just made | 0:09:49 | 0:09:52 | |
the mistake of assuming this was some sort of naturally occurring | 0:09:52 | 0:09:55 | |
canal that ran into a little bit of a moat around the castle. | 0:09:55 | 0:09:57 | |
But, actually, there's much more to it than that, isn't there? | 0:09:57 | 0:10:00 | |
Yeah, I think a lot of people do think that. | 0:10:00 | 0:10:02 | |
But it's a necessary part of operating the docks. | 0:10:02 | 0:10:05 | |
This canal, dock feeder, takes water from Blackweir, | 0:10:05 | 0:10:09 | |
off the River Taff, down to the dock system, | 0:10:09 | 0:10:12 | |
and it keeps the docks topped up with water, so it means we | 0:10:12 | 0:10:15 | |
always can maintain around 39-40 feet of dock level inside the port, | 0:10:15 | 0:10:21 | |
and that's important for shipping. | 0:10:21 | 0:10:23 | |
This canal was built in the 1830s by the Marquess of Bute. | 0:10:24 | 0:10:28 | |
By providing the dock with a continuous water supply, | 0:10:28 | 0:10:31 | |
it allowed ships to load and unload, | 0:10:31 | 0:10:34 | |
even when the tide was out. | 0:10:34 | 0:10:35 | |
It gave Cardiff one of the first | 0:10:35 | 0:10:38 | |
24-hour working docks, | 0:10:38 | 0:10:39 | |
setting the city on its way | 0:10:39 | 0:10:40 | |
to becoming the world's | 0:10:40 | 0:10:42 | |
biggest exporter of coal. | 0:10:42 | 0:10:43 | |
-It's quite a place, this, isn't it, Callum? -It is. | 0:10:45 | 0:10:47 | |
You'd never know you're right in the city centre, really. | 0:10:47 | 0:10:50 | |
Whoa! | 0:10:50 | 0:10:52 | |
I was nearly in, then! | 0:10:53 | 0:10:54 | |
Who built this, Callum? | 0:10:55 | 0:10:57 | |
-During the 1830s, mainly Irish immigrants... -Really? | 0:10:57 | 0:11:01 | |
..from Southern Ireland. | 0:11:01 | 0:11:02 | |
They built the feeder, they built the docks, | 0:11:02 | 0:11:05 | |
and this work put bread on their table. | 0:11:05 | 0:11:07 | |
You can imagine, you're leaving Ireland, probably, what, | 0:11:07 | 0:11:09 | |
around the time of the Great Potato Famine, | 0:11:09 | 0:11:11 | |
you come in here, you're looking for work, | 0:11:11 | 0:11:13 | |
and this is the job that you get, digging out this place. | 0:11:13 | 0:11:16 | |
I mean, it's brutal conditions. | 0:11:16 | 0:11:18 | |
-It's tough walking down here today, isn't it? -Indeed. | 0:11:18 | 0:11:20 | |
But, apart from Callum and the crew, nobody knows we're down here. | 0:11:20 | 0:11:23 | |
And this feels very much like a secret part of the city. | 0:11:23 | 0:11:27 | |
It looks a bit dark and ominous in there. Do you know much | 0:11:27 | 0:11:29 | |
about what's in that tunnel? | 0:11:29 | 0:11:31 | |
My right wader is leaking, | 0:11:31 | 0:11:32 | |
I'm going on the surface route and I'll see you on the other side. | 0:11:32 | 0:11:35 | |
All right, sounds good! | 0:11:35 | 0:11:37 | |
I guess I'm on my own, then. | 0:11:37 | 0:11:39 | |
I don't really know what to expect. | 0:11:39 | 0:11:40 | |
I can tell you now, though, it's actually quite cold in here | 0:11:40 | 0:11:43 | |
now I'm in the dark. | 0:11:43 | 0:11:44 | |
I'm not going to go in alone. I've got my cameras and I've also | 0:11:44 | 0:11:47 | |
got our safety guide, Vasey, who's very kindly agreed to come in. | 0:11:47 | 0:11:51 | |
So I'm going to swap helmets now. | 0:11:51 | 0:11:52 | |
Get the torch on. Hope for the best, isn't it? | 0:11:54 | 0:11:56 | |
Go for it, see what you find. | 0:11:56 | 0:11:57 | |
All right. I'll see you later, lads. | 0:11:57 | 0:11:59 | |
Over 50 million gallons of water run through this canal every day | 0:12:05 | 0:12:09 | |
but Callum has temporarily restricted the flow back at | 0:12:09 | 0:12:12 | |
Blackweir so we can make our way down. | 0:12:12 | 0:12:15 | |
But we haven't got long before the levels rise again. | 0:12:15 | 0:12:18 | |
It's getting deep here. | 0:12:18 | 0:12:20 | |
I'm already well above my belly button. | 0:12:21 | 0:12:23 | |
And you're thinking about the things | 0:12:23 | 0:12:25 | |
that your legs are brushing up against. | 0:12:25 | 0:12:28 | |
Iron rods. Eels. | 0:12:28 | 0:12:30 | |
Maybe there's even some bodies down here, somewhere - who knows? | 0:12:30 | 0:12:33 | |
I can hear cars going over my head. | 0:12:33 | 0:12:36 | |
This is quite something else. | 0:12:36 | 0:12:37 | |
-What do you reckon that is, there? -Manhole cover? -Yeah. | 0:12:39 | 0:12:42 | |
Like you say, there'll be people | 0:12:42 | 0:12:44 | |
putting their feet on there, walking past. | 0:12:44 | 0:12:47 | |
I can't believe I'm right below the centre of the city. | 0:12:47 | 0:12:50 | |
It's an odd mixture of post-war concrete and Victorian construction. | 0:12:55 | 0:12:59 | |
So even down here, | 0:12:59 | 0:13:00 | |
you can see how the modern Cardiff has built over its own past. | 0:13:00 | 0:13:03 | |
The canal runs for over three miles, | 0:13:07 | 0:13:09 | |
much of it hidden under the centre of Cardiff. | 0:13:09 | 0:13:12 | |
It's amazing to think this early 19th-century technology is | 0:13:12 | 0:13:16 | |
still secretly playing a vital role in running the docks today. | 0:13:16 | 0:13:19 | |
It's a very dark, low-looking tunnel over here. | 0:13:22 | 0:13:26 | |
That, that looks eerie. | 0:13:26 | 0:13:28 | |
It's amazing, the dull thud of traffic, we've left that behind now. | 0:13:28 | 0:13:32 | |
It's gone very quiet. | 0:13:32 | 0:13:33 | |
That's one of the city's big pipes. | 0:13:33 | 0:13:35 | |
I don't know whether that's water or sewage or whatever that is. | 0:13:35 | 0:13:39 | |
I think, above me now is actually | 0:13:39 | 0:13:41 | |
the main commercial centre of Cardiff. | 0:13:41 | 0:13:45 | |
I reckon most people shopping and drinking coffee have no idea | 0:13:45 | 0:13:48 | |
that this canal I'm walking down is right under their feet. | 0:13:48 | 0:13:51 | |
Big concrete joists, holding the whole world up above my head. | 0:13:59 | 0:14:02 | |
Stalactites down here as well. | 0:14:02 | 0:14:04 | |
That's awesome. | 0:14:06 | 0:14:07 | |
I mean, that's accumulated there over years and years and years. | 0:14:11 | 0:14:14 | |
We've been walking now for a good 10-15 minutes, | 0:14:19 | 0:14:23 | |
and it's not letting up. It's absolutely pitch-black. | 0:14:23 | 0:14:26 | |
It's nail-straight, though. | 0:14:26 | 0:14:27 | |
As far as the eye can see, there is no daylight. | 0:14:27 | 0:14:30 | |
It is satanically dark down there. | 0:14:30 | 0:14:32 | |
So, I think, unless I'm going to commit to walking all the way | 0:14:34 | 0:14:37 | |
to the docks, this is probably the point I should turn back. | 0:14:37 | 0:14:40 | |
My safety expert tells me the water levels are beginning to rise, | 0:14:43 | 0:14:46 | |
and the current is getting stronger. | 0:14:46 | 0:14:48 | |
It's time to go. | 0:14:48 | 0:14:50 | |
You can really, really feel it in the back of your legs, | 0:14:50 | 0:14:53 | |
walking against it. | 0:14:53 | 0:14:54 | |
I mean, I know on the way back, | 0:14:54 | 0:14:56 | |
how far it is to get back out of here | 0:14:56 | 0:14:59 | |
and to get to relative safety | 0:14:59 | 0:15:00 | |
but I also know that they'll have opened the gates down at | 0:15:00 | 0:15:04 | |
the Blackweir on the Taff now, and this Taff water's coming in. | 0:15:04 | 0:15:08 | |
I certainly wouldn't want to be down here in a storm, | 0:15:08 | 0:15:10 | |
I can tell you that for sure. | 0:15:10 | 0:15:11 | |
Pretty, pretty foreboding. | 0:15:11 | 0:15:13 | |
The key to the entrance where Callum is meeting us | 0:15:17 | 0:15:20 | |
has long since disappeared. | 0:15:20 | 0:15:22 | |
No-one's been down here for years. | 0:15:22 | 0:15:24 | |
Is that you, Will? | 0:15:25 | 0:15:27 | |
Enjoying your journey? | 0:15:27 | 0:15:28 | |
Just got a bit carried away. | 0:15:28 | 0:15:29 | |
Ah. | 0:15:33 | 0:15:34 | |
Out into the sunlight. | 0:15:34 | 0:15:35 | |
What an experience. | 0:15:37 | 0:15:39 | |
Amazing. | 0:15:39 | 0:15:40 | |
The feeder canal flows for over three miles from Blackweir, | 0:15:42 | 0:15:44 | |
in Bute Park, to its final destination at the East Dock. | 0:15:44 | 0:15:48 | |
Today, it's an unassuming lake for local residents. | 0:15:50 | 0:15:53 | |
It's hard to believe now, but in the 19th century, | 0:15:53 | 0:15:55 | |
this place was buzzing. | 0:15:55 | 0:15:58 | |
We can get an idea of what it must have looked like | 0:15:58 | 0:16:00 | |
from this footage from 1930. | 0:16:00 | 0:16:02 | |
The Bute family eventually built four enormous docks, | 0:16:06 | 0:16:09 | |
linked to the valleys' coal seams by a railway network. | 0:16:09 | 0:16:12 | |
With nearly nine million tonnes of coal being exported every year, | 0:16:12 | 0:16:16 | |
it made Cardiff the coal capital of the world. | 0:16:16 | 0:16:19 | |
And it was the Welsh coal that fuelled the British Empire. | 0:16:19 | 0:16:23 | |
The city had become one of Britain's most vital assets, | 0:16:24 | 0:16:27 | |
and it needed to be protected. | 0:16:27 | 0:16:30 | |
I'm taking a boat to find out | 0:16:30 | 0:16:31 | |
how the Victorians did just that. | 0:16:31 | 0:16:33 | |
This is it, I'm off. | 0:16:36 | 0:16:37 | |
Heading out of the Cardiff Bay barrage and into the Severn. | 0:16:38 | 0:16:42 | |
Flat Holm Island is the southernmost point of Wales. | 0:16:45 | 0:16:48 | |
It's also still a part of the city, | 0:16:48 | 0:16:50 | |
and this ancient rock has played a vital role in protecting Cardiff. | 0:16:50 | 0:16:54 | |
Today, you can only visit through a specially organised trip. | 0:16:56 | 0:16:59 | |
But back in the Victorian era, 50 soldiers were stationed here. | 0:16:59 | 0:17:03 | |
Queen Victoria feared a French invasion | 0:17:03 | 0:17:06 | |
and, because of Cardiff's importance to the Empire, in 1866, | 0:17:06 | 0:17:10 | |
Flat Holm was chosen as an artillery defence. | 0:17:10 | 0:17:12 | |
There's an almighty piece of hardware | 0:17:13 | 0:17:15 | |
lying on the grass over here. Look at this. | 0:17:15 | 0:17:18 | |
Look at the size of this cannon! | 0:17:19 | 0:17:21 | |
Goodness knows what that could have been used to take out. | 0:17:21 | 0:17:24 | |
It's a piece of formidable defence. | 0:17:24 | 0:17:27 | |
The shells that went into that must have been quite something. | 0:17:27 | 0:17:31 | |
I imagine gave quite a crack as well. | 0:17:31 | 0:17:33 | |
The shells weighed 115lb, | 0:17:33 | 0:17:36 | |
but they could still hit a target several miles away. | 0:17:36 | 0:17:39 | |
Wow. | 0:17:43 | 0:17:45 | |
I'm going to put my torch on. | 0:17:45 | 0:17:46 | |
These underground passageways would have been a dangerous place, | 0:17:48 | 0:17:52 | |
with soldiers handling hundreds of live shells. | 0:17:52 | 0:17:55 | |
It looks like that would have stored quite a lot of ammunition as well. | 0:17:55 | 0:17:58 | |
There were nine huge cannons housed in separate pits, | 0:18:03 | 0:18:06 | |
but what's most fascinating about these guns is that they disappeared. | 0:18:06 | 0:18:11 | |
Sat on a spring-loaded mounting, when a gun was fired... | 0:18:11 | 0:18:15 | |
..the recoil would force it into the pit, where it could be reloaded. | 0:18:17 | 0:18:20 | |
It made it virtually impossible for enemy ships to spot them. | 0:18:20 | 0:18:24 | |
Ingenious. | 0:18:24 | 0:18:25 | |
Peter Sampson is the Flat Holm Society chairman. | 0:18:28 | 0:18:30 | |
He tells me that, as well as a military defence, | 0:18:30 | 0:18:32 | |
this island had another role in protecting Cardiff. | 0:18:32 | 0:18:36 | |
-It's got an ominous presence about it. -It certainly has. | 0:18:36 | 0:18:39 | |
The only offshore isolation hospital in the UK. | 0:18:41 | 0:18:43 | |
You're looking at the cholera hospital. | 0:18:43 | 0:18:46 | |
By the mid-19th century in Cardiff, | 0:18:46 | 0:18:48 | |
nearly 1,000 people had died from cholera. | 0:18:48 | 0:18:51 | |
The disease was rife on the Continent, | 0:18:51 | 0:18:53 | |
and with ships from all over the world docking at the port, | 0:18:53 | 0:18:56 | |
the city couldn't risk further outbreaks. | 0:18:56 | 0:18:59 | |
Flat Holm was Cardiff's first line of defence | 0:18:59 | 0:19:02 | |
against the deadly disease. | 0:19:02 | 0:19:03 | |
Infected vessels were ordered to dock at this island. | 0:19:03 | 0:19:07 | |
What was cholera actually like? | 0:19:08 | 0:19:09 | |
As I understand it, | 0:19:09 | 0:19:11 | |
it give you severe vomiting and diarrhoea, and could be deadly. | 0:19:11 | 0:19:14 | |
It's quiet an extreme length to go to, isn't it? | 0:19:14 | 0:19:16 | |
They really must have been terrified. | 0:19:16 | 0:19:18 | |
They were so afraid of it, they made sure that Cardiff would be | 0:19:18 | 0:19:21 | |
safe by bringing the infected people here to the island. | 0:19:21 | 0:19:25 | |
Goodness me, it's really become quite overgrown, isn't it? | 0:19:25 | 0:19:28 | |
Yeah, this would have been a six-bed ward, | 0:19:28 | 0:19:30 | |
with doors through there to the nursing station, | 0:19:30 | 0:19:32 | |
and the bathrooms, etc. | 0:19:32 | 0:19:34 | |
And in here, there would have been six beds for the infected. | 0:19:34 | 0:19:36 | |
Was it just cholera on here, or was there ever anything else? | 0:19:36 | 0:19:39 | |
One chap was brought over here with bubonic plague. | 0:19:39 | 0:19:41 | |
He died and was cremated. | 0:19:41 | 0:19:44 | |
But the crematorium was a stone furnace, | 0:19:44 | 0:19:48 | |
enclosed in a wooden shed. | 0:19:48 | 0:19:51 | |
And when they cremated him, | 0:19:51 | 0:19:52 | |
actually, they set fire to the wooden shed, | 0:19:52 | 0:19:54 | |
so the crematorium also burned down at the same time as the cremation. | 0:19:54 | 0:19:58 | |
So it was a total cremation. | 0:19:58 | 0:20:00 | |
It's not that funny, is it? | 0:20:00 | 0:20:01 | |
But that certainly did for him, then, | 0:20:01 | 0:20:03 | |
if they actually burnt down the crematorium as well as the body. | 0:20:03 | 0:20:06 | |
-Yes. -Blimey. | 0:20:06 | 0:20:07 | |
It really was used quite a lot to protect the mainland, wasn't it? | 0:20:07 | 0:20:10 | |
You have those gun fortifications down here, | 0:20:10 | 0:20:12 | |
the cholera hospital here stopping the spread of disease. | 0:20:12 | 0:20:15 | |
Well, it was always the main defence against any form of invasion, | 0:20:15 | 0:20:18 | |
either by illness or by enemy. | 0:20:18 | 0:20:21 | |
So it's a main place of defence against anything which could | 0:20:21 | 0:20:24 | |
harm the people of the Channel ports. | 0:20:24 | 0:20:26 | |
The hospital became essential. | 0:20:28 | 0:20:30 | |
Nearly 900 ships a week were coming to Cardiff to load up with coal. | 0:20:30 | 0:20:35 | |
By the time the city opened a third dock in 1874, | 0:20:35 | 0:20:39 | |
it was even possible to walk across the docks by stepping from | 0:20:39 | 0:20:42 | |
deck to deck of the ships moored within them. | 0:20:42 | 0:20:44 | |
As money poured into the city of Cardiff | 0:20:46 | 0:20:49 | |
from the booming coal industry, the population exploded. | 0:20:49 | 0:20:53 | |
It was here in Grangetown | 0:20:53 | 0:20:55 | |
where many of the working class people were housed. | 0:20:55 | 0:20:57 | |
In fact, this area was known | 0:20:57 | 0:20:59 | |
for having some of the poorest of the poor. | 0:20:59 | 0:21:02 | |
There were more paupers living here than anywhere else | 0:21:02 | 0:21:04 | |
in the entire city and an 1873 the census put the average number | 0:21:04 | 0:21:09 | |
of people living in each cottage as 13. | 0:21:09 | 0:21:13 | |
It was very, very different, obviously, for the people | 0:21:13 | 0:21:15 | |
that were managing the money. | 0:21:15 | 0:21:17 | |
For themselves they built huge mansions, | 0:21:17 | 0:21:19 | |
one of which can still be seen today in Llandaff. | 0:21:19 | 0:21:23 | |
This place was built in 1856 by the Insole family. | 0:21:25 | 0:21:29 | |
They owned the Cymmer Colliery in the Rhondda Valley | 0:21:29 | 0:21:31 | |
and it made them extremely wealthy. | 0:21:31 | 0:21:34 | |
For nearly half a century, | 0:21:34 | 0:21:36 | |
these mine owners and coal shippers spent phenomenal sums of money | 0:21:36 | 0:21:39 | |
lavishly improving and redeveloping their mansion. | 0:21:39 | 0:21:42 | |
Most of it has been derelict for nearly three decades | 0:21:43 | 0:21:46 | |
and it's currently closed to the public, | 0:21:46 | 0:21:49 | |
but Gray Hill and Elaine Davey from the Insole Court Trust are going to | 0:21:49 | 0:21:53 | |
show me how Cardiff's Victorian elite used to live. | 0:21:53 | 0:21:56 | |
-Well, welcome to Insole Court. -Follow me. This is a beautiful room. | 0:21:56 | 0:22:00 | |
Oh, wow, look at this. | 0:22:00 | 0:22:02 | |
That is something else, isn't it? | 0:22:02 | 0:22:04 | |
That is amazing, look at that painting. | 0:22:04 | 0:22:07 | |
It looks so medieval, doesn't it? | 0:22:07 | 0:22:09 | |
Well, that's Gothic revival fashion at the time. | 0:22:09 | 0:22:12 | |
Goodness me, so the Insole family would have sat in this room | 0:22:12 | 0:22:14 | |
-with a cigar and some brandy, was it? -That's right, yes. | 0:22:14 | 0:22:17 | |
This was eventually used as the smoking room, | 0:22:17 | 0:22:20 | |
as the gentlemen's smoking room. | 0:22:20 | 0:22:22 | |
-So only men allowed, was it? -I would imagine so. | 0:22:22 | 0:22:25 | |
The evidence of all the smoking is in the lovely Penarth alabaster, | 0:22:25 | 0:22:29 | |
because this pink is quite stained now. | 0:22:29 | 0:22:31 | |
If you think of it compared to the... | 0:22:31 | 0:22:33 | |
-Oh, no way, yeah. -..alabaster in the hall... | 0:22:33 | 0:22:35 | |
I see what you mean, Elaine. At the top here. Look at this. | 0:22:35 | 0:22:38 | |
Actually, you can see, can't you, | 0:22:38 | 0:22:39 | |
that it's much paler down the bottom here and then, | 0:22:39 | 0:22:42 | |
as the smoke's gone up, it's turned it that nicotine brown? | 0:22:42 | 0:22:46 | |
It's like being in one of those sort of old school pubs, isn't it, | 0:22:46 | 0:22:48 | |
where you can still see the ceilings are covered in tar and nicotine? | 0:22:48 | 0:22:52 | |
'The conditions down the Insoles' mines were tough and dangerous. | 0:22:54 | 0:22:58 | |
'It was extremely physical work | 0:22:58 | 0:23:00 | |
'with a real risk of flooding and explosions. | 0:23:00 | 0:23:03 | |
'Children as young as ten were labouring incredibly long hours | 0:23:03 | 0:23:06 | |
'for a pittance. | 0:23:06 | 0:23:08 | |
'Meanwhile, the huge fortunes made from their hard work | 0:23:08 | 0:23:12 | |
'allowed the family to live in absolute luxury.' | 0:23:12 | 0:23:15 | |
Wow! | 0:23:17 | 0:23:19 | |
My goodness me. | 0:23:19 | 0:23:21 | |
That ceiling, there's something almost spiritually moving | 0:23:21 | 0:23:25 | |
about something like that, isn't there? | 0:23:25 | 0:23:27 | |
You almost imagine it in the Vatican City. | 0:23:27 | 0:23:30 | |
It's quite church-like, isn't it? | 0:23:30 | 0:23:31 | |
"The wealth of the mind is the only true wealth", | 0:23:31 | 0:23:33 | |
-and "the fount of wisdom flows through books." -Oh, yes. | 0:23:33 | 0:23:36 | |
You can see what a reading place, | 0:23:36 | 0:23:38 | |
what a place for books this would have been. | 0:23:38 | 0:23:40 | |
I find it quite hard to buy into "the wealth of the mind is | 0:23:40 | 0:23:44 | |
"the only true wealth" whilst looking up at a ceiling | 0:23:44 | 0:23:47 | |
that presumably would have cost tens of thousands of pounds | 0:23:47 | 0:23:51 | |
-in today's money to make. -Absolutely. | 0:23:51 | 0:23:54 | |
'I'm imagining what this place would have looked like in its glory days, | 0:23:54 | 0:23:57 | |
'full of exquisite furniture and all the trappings of the high life. | 0:23:57 | 0:24:02 | |
'Every aspect of design seems to have been the very best, | 0:24:02 | 0:24:05 | |
'the most exclusive, the most expensive, | 0:24:05 | 0:24:09 | |
'right down to the tiniest detail.' | 0:24:09 | 0:24:11 | |
Rabbits, ducks. | 0:24:11 | 0:24:13 | |
'Including the wallpaper, | 0:24:13 | 0:24:15 | |
'which was created by designers to the super rich.' | 0:24:15 | 0:24:18 | |
Oh, my goodness me. | 0:24:20 | 0:24:22 | |
I was expecting you to open this door to a little room, | 0:24:22 | 0:24:24 | |
-not another staircase. -And another set of rooms. | 0:24:24 | 0:24:27 | |
Just goes on and on, doesn't it? | 0:24:27 | 0:24:28 | |
-This is pretty amazing because this was the cold store. -Oh. | 0:24:30 | 0:24:33 | |
-But you've still got that wallpaper. -Oh, yeah. | 0:24:36 | 0:24:39 | |
Even in the cold store. | 0:24:39 | 0:24:41 | |
Even in the cold store, they've got the exclusive wallpaper print. | 0:24:41 | 0:24:45 | |
That says it all, doesn't it? | 0:24:45 | 0:24:46 | |
I mean, talk about Gothic revivalism. | 0:24:52 | 0:24:55 | |
It doesn't get more Gothic than a staircase winding round | 0:24:55 | 0:24:58 | |
up into a castle turret, does it? | 0:24:58 | 0:25:00 | |
'The Insoles lived here for three generations and each dynasty | 0:25:01 | 0:25:05 | |
'put their own stamp on the house, | 0:25:05 | 0:25:07 | |
'bolting on extra features on top of this mishmash of a building.' | 0:25:07 | 0:25:10 | |
This is absolutely spectacular, isn't it? | 0:25:10 | 0:25:13 | |
What a spot they've picked for their place. | 0:25:13 | 0:25:15 | |
Well, they can watch their ships going out with all the coal, | 0:25:15 | 0:25:18 | |
bringing all the money to the family. | 0:25:18 | 0:25:20 | |
There's something about it, though, isn't there? | 0:25:20 | 0:25:22 | |
I mean, you imagine they're kind of up here, | 0:25:22 | 0:25:24 | |
drinking their brandy, smoking their cigars, | 0:25:24 | 0:25:26 | |
they can look out that way to watch the coal... | 0:25:26 | 0:25:28 | |
-Looking over their estate. -But do you think there's something | 0:25:28 | 0:25:30 | |
a little bit gross about it as well, you know, | 0:25:30 | 0:25:32 | |
given the kind of conditions in the mines during that period? | 0:25:32 | 0:25:36 | |
The great irony of Insole Court is that the same year it was built, | 0:25:36 | 0:25:39 | |
160 years ago, there was the largest industrial accident | 0:25:39 | 0:25:42 | |
in South Wales at the time. | 0:25:42 | 0:25:44 | |
114 men and boys lost their lives at the Insoles' colliery in Cymmer, | 0:25:44 | 0:25:49 | |
and although the Insoles themselves and the management of their mines | 0:25:49 | 0:25:55 | |
were acquitted of any wrongdoing, certainly there is some evidence | 0:25:55 | 0:25:59 | |
that as the mine owners they ignored health and safety warnings. | 0:25:59 | 0:26:03 | |
So presumably there was no compensation paid to anyone. | 0:26:03 | 0:26:06 | |
That's right, the miners' families were paid no compensation. | 0:26:06 | 0:26:10 | |
This is a fabulous, ornate piece of design and architecture | 0:26:10 | 0:26:14 | |
and opulence, but it was very much, | 0:26:14 | 0:26:16 | |
like all of South Wales' great houses, | 0:26:16 | 0:26:19 | |
built on the blood, sweat and tears of many thousands of people. | 0:26:19 | 0:26:23 | |
Despite the intriguing architecture and historical importance of | 0:26:26 | 0:26:29 | |
this mansion, until recently it was at risk from demolition. | 0:26:29 | 0:26:33 | |
It's only thanks to a hard-fought campaign | 0:26:33 | 0:26:36 | |
by some passionate supporters that it was saved. | 0:26:36 | 0:26:39 | |
Going around Insole Court today really has brought home to me, | 0:26:40 | 0:26:43 | |
you know, actually just how little we have left in Cardiff, | 0:26:43 | 0:26:47 | |
in the city itself, of that industrial coal era. | 0:26:47 | 0:26:51 | |
There were thousands of mansions just like this in this area | 0:26:51 | 0:26:55 | |
and this is one of the very few that's still standing today. | 0:26:55 | 0:26:58 | |
And it's something that's being forgotten and that's why | 0:26:58 | 0:27:01 | |
it's so, so important that the heritage of this place | 0:27:01 | 0:27:03 | |
continues to carry on, because without it, | 0:27:03 | 0:27:06 | |
all of that is gone. | 0:27:06 | 0:27:08 | |
Insole Court demonstrates the extent to which | 0:27:11 | 0:27:14 | |
the Victorian era brought money and development to Cardiff. | 0:27:14 | 0:27:17 | |
By the 1870s, the coal industry had expanded Cardiff's population | 0:27:18 | 0:27:22 | |
to nearly 60,000, and with that came the demands of modernisation. | 0:27:22 | 0:27:27 | |
Gas lighting first arrived in 1821, but towards the end of the century | 0:27:30 | 0:27:34 | |
it was being used to generate heating and electricity. | 0:27:34 | 0:27:37 | |
As the population increased, | 0:27:37 | 0:27:39 | |
that meant more and more gas had to be produced and then stored. | 0:27:39 | 0:27:42 | |
Locked away on wasteland in the Grangetown area is one of | 0:27:44 | 0:27:47 | |
the few remaining connections to that history. | 0:27:47 | 0:27:50 | |
It's in plain sight for all to see, but like me, I bet most people | 0:27:50 | 0:27:54 | |
have little idea what it was used for, let alone how old it is. | 0:27:54 | 0:27:58 | |
The current owners have agreed to unlock the gates | 0:27:59 | 0:28:02 | |
and let me take a closer look. | 0:28:02 | 0:28:03 | |
This is the gas holder built for gas storage on the old | 0:28:05 | 0:28:08 | |
-Grangetown gasworks site. -Right, OK. | 0:28:08 | 0:28:11 | |
-When was it built? -It was built in 1881. | 0:28:11 | 0:28:13 | |
It's an amazing-looking structure. | 0:28:13 | 0:28:15 | |
And, Ray, you can actually remember | 0:28:15 | 0:28:16 | |
-when this was in use, can't you? -Yes, indeed. | 0:28:16 | 0:28:18 | |
I remember once bringing down my grandfather's lunch | 0:28:18 | 0:28:22 | |
when he was working a long shift, | 0:28:22 | 0:28:24 | |
crawling through all of the hot areas, you know, | 0:28:24 | 0:28:26 | |
-over pools of smoking tar... -WILL LAUGHS | 0:28:26 | 0:28:30 | |
..dodging steam engines. It was very good. | 0:28:30 | 0:28:32 | |
Health and safety was top of the list. | 0:28:32 | 0:28:35 | |
Pretty lax in those days, by the sounds of things! | 0:28:35 | 0:28:38 | |
It's really quite impressive, once you've stood in the middle, | 0:28:38 | 0:28:41 | |
-isn't it? -Yeah, it is, it's like a big theatre, isn't it? | 0:28:41 | 0:28:44 | |
It feels a lot bigger from in here, actually, | 0:28:44 | 0:28:46 | |
-than it does from outside, doesn't it? -Exactly, yeah. | 0:28:46 | 0:28:48 | |
It's almost got that kind of stadium or coliseum feel to it, actually. | 0:28:48 | 0:28:51 | |
The Victorians loved being ornate in everything they did. | 0:28:55 | 0:28:59 | |
For something so functional, | 0:28:59 | 0:29:01 | |
this holder features 16 cast-iron Doric columns with cornices | 0:29:01 | 0:29:06 | |
in the manner of 15th-century Florentine architecture. | 0:29:06 | 0:29:10 | |
That's not just me saying that, | 0:29:11 | 0:29:13 | |
this structure has been officially listed. | 0:29:13 | 0:29:15 | |
There's something about a lot of these industrial sites | 0:29:17 | 0:29:20 | |
that I've been seeing, there's that Victorian flourish, almost. | 0:29:20 | 0:29:24 | |
Why did they go to such effort in what is actually just a gas holder? | 0:29:24 | 0:29:27 | |
Confidence and pride. The Victorians were very confident. | 0:29:27 | 0:29:31 | |
The gasworks on this site burned nearly 400 tonnes of coal a day | 0:29:33 | 0:29:38 | |
to produce gas that would be stored in one of six holders. | 0:29:38 | 0:29:41 | |
These containers consisted of vessels that sat inside | 0:29:43 | 0:29:46 | |
the outer metal framework and they would rise and fall on tracks | 0:29:46 | 0:29:49 | |
that run up and down the side of the walls. | 0:29:49 | 0:29:51 | |
As the gas was pumped into the holder, the vessel would rise. | 0:29:53 | 0:29:56 | |
When the gas was being used, the chamber would fall. | 0:29:56 | 0:29:59 | |
Living next door to these gasworks must have been pretty intense. | 0:30:01 | 0:30:05 | |
It was an inferno of activity, and the local residents | 0:30:05 | 0:30:08 | |
even complained to Parliament in London about the smell. | 0:30:08 | 0:30:11 | |
So when I sit back at home with my gas hob and I can smell that gas | 0:30:15 | 0:30:18 | |
before I spark it, would this place have really stank as well? | 0:30:18 | 0:30:21 | |
So the smell that you smell in gas today is because of an odorant | 0:30:21 | 0:30:24 | |
that we added to it in the network, | 0:30:24 | 0:30:26 | |
but in those days the gas had a particular town gas smell to it | 0:30:26 | 0:30:31 | |
because of the other constituents of the gas. | 0:30:31 | 0:30:33 | |
You'd have tarry smells, you'd have hydrogen sulphide smells, | 0:30:33 | 0:30:37 | |
that bad egg smell as well. | 0:30:37 | 0:30:39 | |
I heard that local women sometimes would bring their children | 0:30:39 | 0:30:42 | |
down here to actually smell the gas on the site because | 0:30:42 | 0:30:46 | |
they believed it had some sort of restorative property. Is that true? | 0:30:46 | 0:30:50 | |
It has been recorded that doctors would send their mothers down | 0:30:50 | 0:30:53 | |
with children if they had a whooping cough or any other kind of | 0:30:53 | 0:30:57 | |
breathing or chest ailment to come and breathe in some of the smells | 0:30:57 | 0:31:00 | |
-from the waste products. -No way. | 0:31:00 | 0:31:03 | |
And it sometimes used to make them sick and it actually seemed | 0:31:03 | 0:31:06 | |
to work quite well, but it's certainly not something | 0:31:06 | 0:31:08 | |
that GPs would advise doing these days. | 0:31:08 | 0:31:10 | |
-WILL LAUGHS -Not on the NHS. | 0:31:10 | 0:31:13 | |
By the end of the 19th century, Cardiff was networked for gas. | 0:31:16 | 0:31:20 | |
The city streets and buildings could be lit 24/7. | 0:31:20 | 0:31:24 | |
The result - literacy went up, crime rates went down. | 0:31:24 | 0:31:29 | |
Thanks to the Victorian ingenuity, | 0:31:29 | 0:31:31 | |
Cardiff was dragged from the Dark Ages into the modern era. | 0:31:31 | 0:31:34 | |
By the end of the 1800s, | 0:31:41 | 0:31:43 | |
20% of all the world's coal exports came from this city. | 0:31:43 | 0:31:47 | |
The place was thriving back then, | 0:31:48 | 0:31:51 | |
but a lot of the coal wealth was controlled by the Bute family. | 0:31:51 | 0:31:55 | |
There were attempts to break that monopoly. | 0:31:56 | 0:31:59 | |
I've come to meet railway historian John Buxton, and he's got the keys | 0:31:59 | 0:32:02 | |
to a hidden construction that can help tell that story. | 0:32:02 | 0:32:07 | |
It's private land, but he's called in some favours to gain us access. | 0:32:07 | 0:32:10 | |
-So, here we are at the tunnel. -Yeah. | 0:32:10 | 0:32:13 | |
-And as you can see, it's quite a structure. -It looks great. -Yeah. | 0:32:13 | 0:32:17 | |
We have to go into the tunnel wearing safety helmets, though. | 0:32:17 | 0:32:21 | |
-OK, I see, no worries. -So here's yours. -Fantastic. | 0:32:21 | 0:32:23 | |
-Great, shall we go and have a look? -Let's go have a look. | 0:32:23 | 0:32:27 | |
-So this is the Wenvoe Tunnel, is it? -Yes. | 0:32:27 | 0:32:29 | |
It's almost like an optical illusion, isn't it? | 0:32:29 | 0:32:31 | |
It just seems so long and dark and there's that tiny little spot | 0:32:31 | 0:32:34 | |
of light right at the back there. | 0:32:34 | 0:32:35 | |
Yes, just over a mile long, and it was built in 1888. | 0:32:35 | 0:32:39 | |
It was a testament to the engineering and the scale of | 0:32:39 | 0:32:42 | |
the coal industry in the late Victorian period. | 0:32:42 | 0:32:45 | |
Right, that's why I understand this is something that's | 0:32:45 | 0:32:47 | |
critically important to the Victorian coal industry in Cardiff. | 0:32:47 | 0:32:50 | |
Oh, yes, this line was a key artery from the coalfields | 0:32:50 | 0:32:53 | |
-to the dock at Barry. -Cool. Let's try and crack her open then. | 0:32:53 | 0:32:56 | |
Let's try and get it open, yes. It might be a bit stiff. | 0:32:56 | 0:32:58 | |
-There we are. -Great stuff. -Not as bad as I thought. | 0:33:03 | 0:33:05 | |
In a classic tale of a self-made man, this tunnel was built by | 0:33:11 | 0:33:15 | |
the engineer and colliery owner David Davies. | 0:33:15 | 0:33:18 | |
Originally a farmer, he became Wales's first millionaire | 0:33:18 | 0:33:21 | |
during the late Victorian era. | 0:33:21 | 0:33:23 | |
Fed up with the Butes' stranglehold on the South Wales coal industry, | 0:33:27 | 0:33:31 | |
Davies was the driving force in getting the neighbouring town | 0:33:31 | 0:33:34 | |
of Barry its own railway and dock system, | 0:33:34 | 0:33:37 | |
therefore bypassing Cardiff altogether. | 0:33:37 | 0:33:39 | |
This tunnel was a key link in transporting the coal from | 0:33:42 | 0:33:45 | |
Davies' mines to Barry. | 0:33:45 | 0:33:47 | |
It took 3,000 men to build it and the fact he was willing to fund such | 0:33:47 | 0:33:51 | |
a huge engineering project shows how much profit there was to be made. | 0:33:51 | 0:33:55 | |
And Davies was right. | 0:33:58 | 0:34:00 | |
By 1901, Barry had overtaken Cardiff | 0:34:00 | 0:34:02 | |
as the world's leading coal exporter. | 0:34:02 | 0:34:05 | |
It looks like a lot of work has gone into constructing this tunnel, John. | 0:34:07 | 0:34:10 | |
Yes, it was a massive effort by hundreds of men. | 0:34:10 | 0:34:12 | |
Basically, it was built with manpower, horsepower and dynamite. | 0:34:12 | 0:34:17 | |
-What would the conditions have been like down here? -Very arduous. | 0:34:17 | 0:34:21 | |
It's a very wet tunnel, as you can see, quite cold, | 0:34:21 | 0:34:24 | |
quite dangerous, obviously, | 0:34:24 | 0:34:26 | |
with dynamite and horses and men moving rocks. | 0:34:26 | 0:34:28 | |
Quite a dangerous job. | 0:34:28 | 0:34:30 | |
And you can see here in the brickwork, | 0:34:30 | 0:34:31 | |
it's a really seriously impressive construction. | 0:34:31 | 0:34:34 | |
A lot of manpower, but also it's very well built, isn't it? | 0:34:34 | 0:34:37 | |
Yeah, it's very well engineered. The Barry Railway, who built this, | 0:34:37 | 0:34:40 | |
had a reputation for building very good structures | 0:34:40 | 0:34:43 | |
and this is no exception. | 0:34:43 | 0:34:44 | |
'The tunnel's only function today is to house a water mains pipe | 0:34:46 | 0:34:50 | |
'that's used to supply Barry. | 0:34:50 | 0:34:52 | |
'Water's a big feature down here anyway - | 0:34:53 | 0:34:55 | |
'the tunnel can flood up to four feet deep | 0:34:55 | 0:34:58 | |
'and water is constantly pouring through the brickwork.' | 0:34:58 | 0:35:01 | |
Goodness me. I reckon this should be all right to drink, shouldn't it? | 0:35:06 | 0:35:10 | |
It should be filtered. | 0:35:10 | 0:35:12 | |
I'll tell you what, John, that's really nice. | 0:35:14 | 0:35:16 | |
We could bottle that and go into business, mate. | 0:35:16 | 0:35:18 | |
This must be the ventilation shaft we're coming up to. | 0:35:21 | 0:35:23 | |
Yeah, just coming up to it now. | 0:35:23 | 0:35:24 | |
We're about halfway through the tunnel. | 0:35:24 | 0:35:26 | |
-But that's a lovely pool of light, isn't it? -It is, yes. | 0:35:26 | 0:35:29 | |
-You can see the sky. -Ah, here we go. | 0:35:31 | 0:35:33 | |
This is a really impressive-looking structure. | 0:35:33 | 0:35:35 | |
-What do you reckon, 40 metres? -At least, I would think, yeah. | 0:35:35 | 0:35:38 | |
That's incredible. That's a really, really cool hole. | 0:35:38 | 0:35:42 | |
Why did they need a ventilation shaft, though? | 0:35:43 | 0:35:46 | |
You need a ventilation shaft, | 0:35:46 | 0:35:47 | |
or it's ideal to have a ventilation shaft in tunnels | 0:35:47 | 0:35:50 | |
when you're operating steam locomotives because you need to | 0:35:50 | 0:35:53 | |
disperse the smoke and the steam from the tunnels as quickly | 0:35:53 | 0:35:56 | |
as possible, and this helps do that. | 0:35:56 | 0:35:58 | |
Right, so would people have been able to stand above ground | 0:35:58 | 0:36:01 | |
and literally see billows of steam? | 0:36:01 | 0:36:03 | |
-Oh, yes, yeah. -Wow. -Certainly, yeah. | 0:36:03 | 0:36:05 | |
Just trying to get my bearings, actually. What's up there? | 0:36:05 | 0:36:08 | |
Well, we're right underneath Culverhouse Cross now, | 0:36:08 | 0:36:10 | |
-the shopping centre. -We never are. -We are, yeah. -You're joking. | 0:36:10 | 0:36:13 | |
-Do you want to pop in and get something? -WILL LAUGHS | 0:36:13 | 0:36:16 | |
You would think that you wouldn't be able to miss | 0:36:16 | 0:36:18 | |
a massive chasm like that, | 0:36:18 | 0:36:20 | |
but all of the times I've been to Culverhouse Cross and driven around | 0:36:20 | 0:36:23 | |
and just had absolutely no idea that this huge shaft | 0:36:23 | 0:36:26 | |
and then massive tunnel was hidden down here. | 0:36:26 | 0:36:29 | |
Yes, well, it is capped over and it's not easy to find. | 0:36:29 | 0:36:32 | |
Are there many other stories for this tunnel? | 0:36:33 | 0:36:36 | |
Well, interestingly, yes. | 0:36:36 | 0:36:38 | |
The royal family, when they visited South Wales in the royal train, | 0:36:38 | 0:36:43 | |
often were stabled in Wenvoe station. | 0:36:43 | 0:36:45 | |
But during the Second World War, | 0:36:45 | 0:36:47 | |
obviously there were air raids on and the Great Western Railway | 0:36:47 | 0:36:50 | |
management were very concerned about the safety of the royal family. | 0:36:50 | 0:36:54 | |
-Sure. -So instead of stabling it in the station, | 0:36:54 | 0:36:56 | |
-they gradually brought it into the tunnel. -You're kidding. | 0:36:56 | 0:36:59 | |
And the royal family stayed overnight | 0:36:59 | 0:37:01 | |
in the train in the tunnel. | 0:37:01 | 0:37:03 | |
I can't believe it. | 0:37:03 | 0:37:05 | |
So you mean to tell me that the royal family would have | 0:37:05 | 0:37:07 | |
sat in here in their train, eating their dinner, | 0:37:07 | 0:37:09 | |
maybe having a gin and tonic, | 0:37:09 | 0:37:11 | |
staring at these walls to avoid bombing? | 0:37:11 | 0:37:14 | |
-It's the safest place to be in an air raid, a tunnel. -That's amazing. | 0:37:14 | 0:37:17 | |
Not very royal, though, is it? | 0:37:17 | 0:37:19 | |
'The last time this tunnel saw a train was in 1963. | 0:37:22 | 0:37:26 | |
'It's been closed ever since a fire in a signal box, | 0:37:26 | 0:37:30 | |
'but this forgotten relic from the Victorian era | 0:37:30 | 0:37:32 | |
'is still one of the longest tunnels in South Wales.' | 0:37:32 | 0:37:36 | |
It strikes me as a bit of a pity, to be honest, John. | 0:37:36 | 0:37:39 | |
I mean, it's such an incredible structure and it's still in | 0:37:39 | 0:37:41 | |
such fantastic condition. | 0:37:41 | 0:37:43 | |
Do you think there's ever any chance of life after death | 0:37:43 | 0:37:46 | |
for a place like this? | 0:37:46 | 0:37:47 | |
Some tunnels like this have been refurbished and used as | 0:37:47 | 0:37:50 | |
cycleways and walkways, so there is a possibility that it could be | 0:37:50 | 0:37:54 | |
-used for that in the future. -That would be awesome, wouldn't it? | 0:37:54 | 0:37:57 | |
I'll tell you what, though, going to need to do | 0:37:57 | 0:37:59 | |
a bit of cleaning up in here first, aren't they? | 0:37:59 | 0:38:01 | |
You won't get very far on a bicycle through all of this mud, but... | 0:38:01 | 0:38:04 | |
No, there's an awful lot of work to do. | 0:38:04 | 0:38:06 | |
But the structure's here, so who knows what may happen in the future? | 0:38:06 | 0:38:10 | |
Back in the city centre, it's pretty difficult to find any clues | 0:38:12 | 0:38:16 | |
to Cardiff's past before the 19th century. | 0:38:16 | 0:38:19 | |
But I'm told they are there. | 0:38:19 | 0:38:21 | |
Peter Finch is a Cardiff born and bred historian. | 0:38:21 | 0:38:24 | |
I'm meeting him at the site of the old medieval castle that | 0:38:24 | 0:38:27 | |
the Marquess of Bute turned into a Victorian Gothic mansion. | 0:38:27 | 0:38:31 | |
Peter tells me that a stone's throw from here | 0:38:33 | 0:38:36 | |
is a glimpse into life that dates back nearly 2,000 years. | 0:38:36 | 0:38:39 | |
And you can see that we're going down slowly as Womanby Street | 0:38:41 | 0:38:45 | |
bends into Quay Street in front of us, | 0:38:45 | 0:38:47 | |
which itself goes down further to Westgate Street, | 0:38:47 | 0:38:51 | |
which is where the Taff flowed, amazingly. | 0:38:51 | 0:38:54 | |
OK, so literally here... | 0:38:54 | 0:38:56 | |
Literally here, where the cars are going now, | 0:38:56 | 0:38:58 | |
was the River Taff, and the clue is in the name Quay Street. | 0:38:58 | 0:39:03 | |
Why is it called Quay Street? Because there was a quay here. | 0:39:03 | 0:39:06 | |
Way before we had docks, way before we had a canal, | 0:39:06 | 0:39:10 | |
there was a town quay here in which wooden ships would tie up, | 0:39:10 | 0:39:15 | |
coming up the tidal Taff to tie up just here. | 0:39:15 | 0:39:19 | |
'A stone quay was built here around 800 years ago, | 0:39:19 | 0:39:23 | |
'replacing a trading post which had existed since Roman times. | 0:39:23 | 0:39:27 | |
'But in the 1840s, that quay became redundant. | 0:39:27 | 0:39:30 | |
'The celebrated engineer Isambard Kingdom Brunel | 0:39:30 | 0:39:33 | |
'diverted the river so that he could complete the construction | 0:39:33 | 0:39:37 | |
'of the South Wales Railway.' | 0:39:37 | 0:39:39 | |
It must have been an enormous amount of work, to drain this and move it | 0:39:39 | 0:39:43 | |
and to stick the River Taff over there. I mean, why did they bother? | 0:39:43 | 0:39:46 | |
Rivers are dangerous things, particularly the Taff. | 0:39:46 | 0:39:49 | |
Just down there was where St Mary's Church stood | 0:39:49 | 0:39:53 | |
until the floods took its walls away, | 0:39:53 | 0:39:55 | |
washed away its graveyard and took the bones out to sea. | 0:39:55 | 0:40:00 | |
And what Brunel wanted to do was to build a railway station in | 0:40:00 | 0:40:03 | |
the middle of this bogland, and the only way he could do it, | 0:40:03 | 0:40:06 | |
he, as the great engineer he was, worked out, was to move the river. | 0:40:06 | 0:40:12 | |
Moving the river not only affected the geography of the city, | 0:40:12 | 0:40:15 | |
but it also enabled the railways to transport much more | 0:40:15 | 0:40:18 | |
coal down to the docks. | 0:40:18 | 0:40:20 | |
In just 20 years, Cardiff went from shifting 100,000 tonnes a year | 0:40:20 | 0:40:23 | |
via the canal to 2 million tonnes by train. | 0:40:23 | 0:40:26 | |
Come on, now, Peter, you know Cardiff inside out. | 0:40:28 | 0:40:31 | |
If there was one secret spot that you were going to take me to | 0:40:31 | 0:40:33 | |
that was going to absolutely blow my mind, where would it be? | 0:40:33 | 0:40:37 | |
-For a burger. -A burger? | 0:40:37 | 0:40:39 | |
'Every week, thousands of customers come through the | 0:40:39 | 0:40:42 | |
'doors of this fast food restaurant, but upstairs there is a locked door | 0:40:42 | 0:40:47 | |
'that's sealed away an extraordinary piece of Cardiff's past. | 0:40:47 | 0:40:51 | |
'It's now a Grade II listed room, but it's closed to the public for | 0:40:51 | 0:40:54 | |
'reasons of health and safety. | 0:40:54 | 0:40:56 | |
'We're very fortunate they're allowing TV cameras in here | 0:40:56 | 0:40:59 | |
'for the first - and what they say is the last - time.' | 0:40:59 | 0:41:04 | |
Goodness me. Where are you taking me now, Peter? | 0:41:04 | 0:41:06 | |
We'll go through the "staff only", and beyond here. | 0:41:06 | 0:41:12 | |
Oh, my goodness me. | 0:41:12 | 0:41:14 | |
-We find ourselves in the Mahogany Room. -Look at this place. | 0:41:14 | 0:41:18 | |
This is extraordinary. | 0:41:18 | 0:41:20 | |
I would never have believed that there was going to be | 0:41:20 | 0:41:23 | |
a place like this above a burger restaurant. | 0:41:23 | 0:41:25 | |
I've never seen anything like it. | 0:41:27 | 0:41:28 | |
Of course, it wasn't always a burger restaurant. | 0:41:28 | 0:41:31 | |
-If we go back about 300 years or so, this was a pub... -Was it now? | 0:41:31 | 0:41:35 | |
..called the Green Dragon. | 0:41:35 | 0:41:37 | |
-You can see it reflected in the stained glass up there... -Oh, yeah. | 0:41:37 | 0:41:39 | |
..where, you see, a lot of important people who used to come here, | 0:41:39 | 0:41:42 | |
the ship-owners, the councillors, the industrialists of Cardiff, | 0:41:42 | 0:41:46 | |
and important decisions were made in here over a drink | 0:41:46 | 0:41:50 | |
before they were really made in the city hall. | 0:41:50 | 0:41:53 | |
Beneath these flickering gas lamps, | 0:41:53 | 0:41:55 | |
surrounded by this lavish stained glass... | 0:41:55 | 0:41:58 | |
Extremely English, I think. The English flag is up there. | 0:41:58 | 0:42:02 | |
We can see there's a Dutch windmill above my head over here. | 0:42:02 | 0:42:05 | |
-Where's that? Oh, up at the top there? Yeah. -That's right. | 0:42:05 | 0:42:07 | |
-And I can't see anything significantly Welsh about this. -No. | 0:42:07 | 0:42:12 | |
But this was a long time ago, | 0:42:12 | 0:42:13 | |
and Cardiff didn't need to state its Welshness. | 0:42:13 | 0:42:16 | |
It was, I suppose... | 0:42:16 | 0:42:17 | |
It had just been made a city, and it didn't care - not then. | 0:42:17 | 0:42:21 | |
This has to be one of the most unbelievable rooms | 0:42:21 | 0:42:23 | |
I think I've ever been in. | 0:42:23 | 0:42:24 | |
I cannot get my head around the fact that | 0:42:24 | 0:42:26 | |
we're just above a burger restaurant. | 0:42:26 | 0:42:27 | |
When you look at these, sort of, intricacies with the animals | 0:42:27 | 0:42:30 | |
in the alabaster, and all of these incredible wood carvings, | 0:42:30 | 0:42:33 | |
and the stained glass, but then you, kind of, come to this window here, | 0:42:33 | 0:42:36 | |
you look outside, and I think about the amount of times... | 0:42:36 | 0:42:38 | |
I mean, hundreds of times I've walked down that street, | 0:42:38 | 0:42:41 | |
and never once would I have guessed that there was this place. | 0:42:41 | 0:42:44 | |
We don't do the past in Cardiff is what I've learnt. | 0:42:44 | 0:42:48 | |
There are a couple of little bits that hang on, | 0:42:48 | 0:42:50 | |
like the castle and St John's Church, | 0:42:50 | 0:42:53 | |
but virtually everything else gets wiped, as soon as possible. | 0:42:53 | 0:42:56 | |
"Let's get rid of it." | 0:42:56 | 0:42:57 | |
Nothing looks anything like that which it did, | 0:42:57 | 0:43:01 | |
and then you come in and you come upstairs in a place like this, | 0:43:01 | 0:43:04 | |
and, whoa, there it is - the past once again - | 0:43:04 | 0:43:07 | |
and this, magnificently, is one of them. | 0:43:07 | 0:43:09 | |
'Walking through the centre today, | 0:43:14 | 0:43:16 | |
'the modern shop fronts have hidden a lot of the history we have | 0:43:16 | 0:43:20 | |
'still got left, but you only have to look up to see the past. | 0:43:20 | 0:43:24 | |
'Peter's now taking me to Hodge House, | 0:43:24 | 0:43:27 | |
'to access the roof, where only the engineers go these days. | 0:43:27 | 0:43:30 | |
'It's a real monster that was built in 1915 by shop owners, | 0:43:30 | 0:43:35 | |
'the Co-operative Wholesale Society. | 0:43:35 | 0:43:37 | |
'It was an expression of Welsh wealth, opened at the height | 0:43:37 | 0:43:40 | |
'of Cardiff's coal industry.' | 0:43:40 | 0:43:42 | |
And it's styled loosely on the shops in Regent Street in London, | 0:43:42 | 0:43:48 | |
although maybe not quite convincingly. | 0:43:48 | 0:43:52 | |
'Six giant floors up, and there's still further to go to | 0:43:52 | 0:43:55 | |
'take us back into the past.' | 0:43:55 | 0:43:57 | |
-Well... -Great. | 0:43:57 | 0:43:58 | |
I'll tell you, this really is one of those buildings that, | 0:43:58 | 0:44:01 | |
when I'm walking down St Mary's Street, | 0:44:01 | 0:44:02 | |
I just walk straight past without even noticing, | 0:44:02 | 0:44:04 | |
-but luckily I've got keys and permission to go up here. -Terrific. | 0:44:04 | 0:44:09 | |
-If you're up for it, Peter? -Yeah, we'll have a go and give it a go. | 0:44:09 | 0:44:11 | |
Oh, yeah, let's have a look. | 0:44:11 | 0:44:13 | |
It's pretty steep. | 0:44:13 | 0:44:16 | |
Vertical, even. | 0:44:16 | 0:44:17 | |
After you. | 0:44:17 | 0:44:18 | |
I'll catch you. Don't worry. | 0:44:22 | 0:44:23 | |
'Its crowning glory is a four-faced clock tower, | 0:44:25 | 0:44:28 | |
'and it's easy to miss from street level.' | 0:44:28 | 0:44:30 | |
'The clock no longer works, | 0:44:30 | 0:44:32 | |
'and up in this tower it's like time has frozen.' | 0:44:32 | 0:44:34 | |
Wow. This place is awesome. | 0:44:36 | 0:44:38 | |
-Check this out. -This is full of surprises. | 0:44:38 | 0:44:41 | |
This is great, isn't it? | 0:44:41 | 0:44:43 | |
Quite... We're right behind the clock face, right? | 0:44:43 | 0:44:46 | |
Oh, look at! Do you know what? That's pretty smooth. | 0:44:46 | 0:44:49 | |
-I reckon something's still moving here... -Oh. -METAL GRINDING | 0:44:49 | 0:44:52 | |
I think we'll call it a day, there, Peter, actually. | 0:44:52 | 0:44:54 | |
Should do. We should do. | 0:44:54 | 0:44:56 | |
-Inexperienced men that we are... -Inexperienced men. | 0:44:56 | 0:44:59 | |
That's awesome, isn't it? | 0:44:59 | 0:45:00 | |
Oh, a bit of a squeeze. | 0:45:01 | 0:45:03 | |
'This bell was cast in 1915, | 0:45:05 | 0:45:07 | |
'but, like the clock downstairs, | 0:45:07 | 0:45:09 | |
'it hasn't functioned in decades.' | 0:45:09 | 0:45:11 | |
How do you think Cardiff was viewed by the rest of the world back then? | 0:45:11 | 0:45:15 | |
Well, back then, at the height of the coal trade, | 0:45:15 | 0:45:18 | |
Cardiff was known throughout the world. | 0:45:18 | 0:45:20 | |
It was a very famous place that appeared in the plays | 0:45:20 | 0:45:24 | |
and the novels that Americans were writing. | 0:45:24 | 0:45:26 | |
Everybody had heard of Cardiff. | 0:45:26 | 0:45:28 | |
We've declined since then. | 0:45:28 | 0:45:29 | |
The First World War was good for Cardiff's trade. | 0:45:29 | 0:45:32 | |
The coal was exported to fund the war, to fuel the ships, | 0:45:32 | 0:45:36 | |
to fuel the trains, | 0:45:36 | 0:45:37 | |
but, after that, the period of the Depression in the '20s, | 0:45:37 | 0:45:41 | |
and Cardiff never recovered. | 0:45:41 | 0:45:43 | |
The world moved on from coal. | 0:45:43 | 0:45:45 | |
So, do you think, then, that it was, sort of, | 0:45:45 | 0:45:47 | |
the case that all of Cardiff's eggs were in one basket, and when | 0:45:47 | 0:45:49 | |
coal started to decline, they found themselves in a lot of trouble? | 0:45:49 | 0:45:52 | |
Yeah, Cardiff, the one-trick pony. | 0:45:52 | 0:45:54 | |
Well, two-trick pony, really, | 0:45:54 | 0:45:56 | |
if you count the steel that was exported from here. | 0:45:56 | 0:45:59 | |
The decline was steady until you got to the 1960s, | 0:45:59 | 0:46:03 | |
and by the 1960s we were exporting nothing. | 0:46:03 | 0:46:06 | |
The trade had ceased. | 0:46:06 | 0:46:07 | |
Although Cardiff became the capital of Wales in 1955, | 0:46:08 | 0:46:13 | |
it struggled to find its feet in the post-war climate, | 0:46:13 | 0:46:16 | |
but it did find a new, secret role as part of the UK's defence | 0:46:16 | 0:46:20 | |
against a terrifying global threat. | 0:46:20 | 0:46:22 | |
After World War II, the prospect of a nuclear war between the USSR | 0:46:26 | 0:46:30 | |
and the western Allies was very real. | 0:46:30 | 0:46:33 | |
Our Government became increasingly worried an atomic bomb could | 0:46:33 | 0:46:36 | |
be dropped on Britain from enemy aircraft. | 0:46:36 | 0:46:39 | |
'For the first time ever, | 0:46:41 | 0:46:42 | |
'we've been given access to film a building that was | 0:46:42 | 0:46:45 | |
'a small part of Cardiff's secret Cold War defence plan, | 0:46:45 | 0:46:49 | |
'hidden on a housing estate in the suburb of Llandaff.' | 0:46:49 | 0:46:53 | |
I'm hoping to find somebody here, though, | 0:46:53 | 0:46:55 | |
who's a bit of a Cold War expert. | 0:46:55 | 0:46:57 | |
Hopefully he knows where the door is. Ah, Jon. | 0:46:57 | 0:47:00 | |
-Hi. -How are you doing? Great to meet you. -Good, thanks. | 0:47:00 | 0:47:03 | |
So what is this place, Jon? It looks like a prison. | 0:47:03 | 0:47:05 | |
Yeah, well, this is a sub control bunker, built in the early '50s, | 0:47:05 | 0:47:08 | |
in case of nuclear war. | 0:47:08 | 0:47:10 | |
-Good grief. -So shall we have a look around? | 0:47:10 | 0:47:12 | |
-Yeah, do you think we're all right? -Yeah, yeah, we... | 0:47:12 | 0:47:15 | |
-We should put our head torches on. -Yeah, I brought two. | 0:47:15 | 0:47:17 | |
Right, here we go, then, Jon. | 0:47:17 | 0:47:18 | |
I'm guessing these lights switches don't work any more. | 0:47:18 | 0:47:21 | |
No, there's no power in here. | 0:47:21 | 0:47:22 | |
-Good grief, there's a lot of stuff on the floor as well. -Yeah. | 0:47:22 | 0:47:24 | |
-It's covered in glass, mate. Watch your step. -All sorts in here. | 0:47:24 | 0:47:27 | |
-Blimey, look at this! -Yeah. -So what was this place used for? | 0:47:27 | 0:47:31 | |
Well, this was a communications sub control bunker. | 0:47:31 | 0:47:34 | |
If there was a nuclear war, | 0:47:34 | 0:47:35 | |
it would have become one of the centres of Government. | 0:47:35 | 0:47:39 | |
And I'm guessing these places, in terms of the general public, | 0:47:39 | 0:47:41 | |
this really was a secret, isn't it? | 0:47:41 | 0:47:43 | |
It's like something out of science fiction, really. | 0:47:43 | 0:47:45 | |
The Government didn't think it was necessary to tell people about these | 0:47:45 | 0:47:48 | |
locations because, in the end, it was just about running the country. | 0:47:48 | 0:47:51 | |
-Right. -So they didn't really care about protecting the public. | 0:47:51 | 0:47:54 | |
So people like you and I, Jon, we would have been toast, | 0:47:54 | 0:47:56 | |
-let's be honest. -I think so. Yeah. | 0:47:56 | 0:47:58 | |
So how long would they have run a place like this for? | 0:47:59 | 0:48:02 | |
Life would have got very difficult here within days and weeks. | 0:48:02 | 0:48:05 | |
-Yeah, it sounds about right. -So, yeah... | 0:48:05 | 0:48:07 | |
-I mean, I haven't seen a toilet yet, Jon. -Yeah. | 0:48:07 | 0:48:09 | |
And, you know, the, sort of, psychological side of it as well | 0:48:09 | 0:48:11 | |
would have been tough for everyone. | 0:48:11 | 0:48:14 | |
Wow. Do you reckon it still works? I'm going to pull the chain. | 0:48:14 | 0:48:17 | |
'But there are toilets, a kitchen and bunk beds. | 0:48:19 | 0:48:22 | |
'For the civil defence personnel lucky enough to be sent here | 0:48:22 | 0:48:25 | |
'in a nuclear attack, the plan was to stay as long as possible.' | 0:48:25 | 0:48:29 | |
'The bunker was designed to be self-sufficient, presumably | 0:48:29 | 0:48:32 | |
'while the rest of the city melted from radiation poisoning. | 0:48:32 | 0:48:36 | |
'It was even equipped with its own generator.' | 0:48:36 | 0:48:38 | |
Can you imagine being stuck in this room next to a diesel generator? | 0:48:38 | 0:48:41 | |
Yeah, it'd be pretty smelly, and pretty loud as well. | 0:48:41 | 0:48:44 | |
Oh, look at this. What's this here, now? | 0:48:44 | 0:48:45 | |
That's a radiation dosimeter by the look of it. | 0:48:45 | 0:48:47 | |
In the event of some sort of nuclear attack, | 0:48:47 | 0:48:49 | |
this would be used to test levels of radiation after a nuclear blast. | 0:48:49 | 0:48:53 | |
-Right. -So I think this is really unusual, actually, | 0:48:53 | 0:48:55 | |
to find in a bunker. | 0:48:55 | 0:48:56 | |
-It's brand-new. -Still looks pretty new. | 0:48:56 | 0:48:58 | |
-That's absolutely spotless. -Yeah. | 0:48:58 | 0:48:59 | |
And lots of bunkers... | 0:48:59 | 0:49:01 | |
'There was also a games room - a welcome distraction perhaps | 0:49:01 | 0:49:04 | |
'to while away the hours of the unfolding nuclear apocalypse.' | 0:49:04 | 0:49:07 | |
-Look, there's a record player here, look. -Oh, yeah. | 0:49:07 | 0:49:09 | |
So some reminders of the outside world here. | 0:49:09 | 0:49:11 | |
Yeah, look, what have we got here? | 0:49:11 | 0:49:13 | |
"American Recordings - You'll Never Be 16 Again". | 0:49:13 | 0:49:15 | |
Well, there's a cruel irony in that in the case of | 0:49:15 | 0:49:17 | |
a nuclear holocaust, isn't there? WILL LAUGHS | 0:49:17 | 0:49:20 | |
-Roy Orbison... -I think that's been deliberately put there, hasn't it? | 0:49:20 | 0:49:22 | |
-Yeah. -Goodness me. | 0:49:22 | 0:49:24 | |
# Oh, no You'll never be 16 again... # | 0:49:24 | 0:49:29 | |
-Looks like it. -I think this probably was a control room. | 0:49:31 | 0:49:33 | |
It looks like someone's thrown some darts through | 0:49:33 | 0:49:35 | |
-the war room map up here. -Yeah. | 0:49:35 | 0:49:36 | |
Yeah, actually you can see bits of the map here, look. | 0:49:36 | 0:49:39 | |
-Just little bit. -Oh, yes! | 0:49:39 | 0:49:40 | |
So this would have been, I think, across the whole wall, actually. | 0:49:40 | 0:49:43 | |
You can just see remnants here. | 0:49:43 | 0:49:45 | |
'In 1953, officials estimated that in the event of | 0:49:45 | 0:49:48 | |
'a nuclear bomb dropped on Wales, over 1.3 million people would die. | 0:49:48 | 0:49:53 | |
'That's some terrifying figures.' | 0:49:53 | 0:49:55 | |
You can imagine if someone levelled a bomb at the city centre, | 0:49:55 | 0:49:58 | |
-this is almost the area that would be fried. -Yeah. | 0:49:58 | 0:50:01 | |
That is a really quite scary, scary thing to consider, isn't it? | 0:50:01 | 0:50:06 | |
'And the more enemy bombers carrying nuclear warheads, | 0:50:06 | 0:50:09 | |
'the more chance of one of them slipping through your defences. | 0:50:09 | 0:50:12 | |
'Spy photographs showed the USSR had quite a few.' | 0:50:12 | 0:50:16 | |
MUSIC: White Cyclosa by Boards Of Canada | 0:50:16 | 0:50:18 | |
'Where we are going next is a stark reminder of the lengths to | 0:50:18 | 0:50:22 | |
'which Britain went to counteract that threat. | 0:50:22 | 0:50:24 | |
'Hidden here in a forest is another bunker from the 1950s, | 0:50:26 | 0:50:29 | |
'that shows Cardiff had its own important role in defending | 0:50:29 | 0:50:32 | |
'Britain from nuclear attack.' | 0:50:32 | 0:50:34 | |
CROWS CAW This is the top of a mountain. | 0:50:34 | 0:50:37 | |
We're on a ridge. We're in a forest. | 0:50:37 | 0:50:39 | |
There's crows croaking in the background, and then there's this | 0:50:39 | 0:50:43 | |
very, very bleak-looking concrete block, | 0:50:43 | 0:50:47 | |
almost, sort of, dropped out of the sky in the middle of | 0:50:47 | 0:50:49 | |
this clearing here. | 0:50:49 | 0:50:51 | |
It all feels... | 0:50:51 | 0:50:53 | |
It feels a bit grim, actually. I'll be completely honest. | 0:50:53 | 0:50:55 | |
This is not a nice feeling up here. | 0:50:55 | 0:50:58 | |
So, in truth, it turned out to be a lot more difficult | 0:51:03 | 0:51:07 | |
to get into this bunker than I anticipated, so... | 0:51:07 | 0:51:10 | |
I've put a call in to our safety guy, | 0:51:10 | 0:51:12 | |
and he's turned up with some ropes and some harnesses. | 0:51:12 | 0:51:15 | |
'I'm feeling really anxious about this. | 0:51:17 | 0:51:20 | |
'The only way in now is extremely sketchy, | 0:51:20 | 0:51:23 | |
'and I've got no clue what's down there in the pitch black.' | 0:51:23 | 0:51:26 | |
Could you pass me that camera, John? I'm holding on by my fingertips. | 0:51:26 | 0:51:31 | |
Cool. | 0:51:31 | 0:51:32 | |
-If there IS a bottom. -Just switch to night vision here. | 0:51:32 | 0:51:35 | |
Just flick the infrared on. | 0:51:35 | 0:51:38 | |
There we go. | 0:51:38 | 0:51:40 | |
Wow! | 0:51:40 | 0:51:41 | |
This is something else. | 0:51:41 | 0:51:43 | |
Goodness me. | 0:51:46 | 0:51:48 | |
It is dark, it is tight. | 0:51:48 | 0:51:50 | |
Good grief! | 0:51:53 | 0:51:54 | |
Good grief! | 0:51:56 | 0:51:57 | |
OK... | 0:51:58 | 0:52:00 | |
All right, I'm down. | 0:52:01 | 0:52:02 | |
Tell me when the rope's free. | 0:52:04 | 0:52:05 | |
OK, good to go. | 0:52:05 | 0:52:07 | |
Just sort this camera out. | 0:52:07 | 0:52:09 | |
Wow. OK, so I'm down at the bottom of the shaft. | 0:52:14 | 0:52:18 | |
OK, that's better. | 0:52:26 | 0:52:27 | |
We've got... | 0:52:28 | 0:52:30 | |
some big old switchboard or something in front of me, | 0:52:30 | 0:52:33 | |
looks like there's some batteries. | 0:52:33 | 0:52:35 | |
Just going to try and check the floor down here. | 0:52:35 | 0:52:38 | |
Bit of debris, but it looks more or less safe. | 0:52:38 | 0:52:41 | |
CLATTERING | 0:52:41 | 0:52:42 | |
This isn't very nice now. | 0:52:42 | 0:52:45 | |
Coming in around this old door. | 0:52:45 | 0:52:48 | |
Let's hope there's nothing round there. | 0:52:48 | 0:52:50 | |
Might just use the camera to check. It is... | 0:52:50 | 0:52:53 | |
..pitch, pitch black down here. | 0:52:54 | 0:52:57 | |
CLATTERING | 0:52:57 | 0:53:00 | |
I've walked across jungles on my own in Western Africa... | 0:53:00 | 0:53:04 | |
HE SIGHS | 0:53:04 | 0:53:06 | |
I've stayed with isolated tribes in New Guinea... | 0:53:06 | 0:53:09 | |
but walking around this place just outside of Cardiff | 0:53:09 | 0:53:12 | |
up on the hill, in the dark... | 0:53:12 | 0:53:13 | |
This is definitely about as scary as it gets for me. | 0:53:15 | 0:53:19 | |
Whooo... | 0:53:19 | 0:53:21 | |
HE SIGHS | 0:53:21 | 0:53:23 | |
'That's about as much as I can take here on my own, | 0:53:23 | 0:53:26 | |
'and thankfully, I can hear the rest of the crew making their way down.' | 0:53:26 | 0:53:29 | |
If you can get your foot... | 0:53:29 | 0:53:31 | |
Get your foot on there - that's it, I've got you. | 0:53:31 | 0:53:33 | |
-It's pretty tight, isn't it? -Yeah, yeah. | 0:53:33 | 0:53:36 | |
-All right, mate? -Pretty good. -Welcome to the pit. | 0:53:36 | 0:53:38 | |
-Shall we switch on to the good camera now? -OK. | 0:53:38 | 0:53:41 | |
'With the outbreak of the Korean War in 1950, | 0:53:46 | 0:53:49 | |
'the threat of a nuclear war seemed more serious than ever. | 0:53:49 | 0:53:52 | |
'John tells me this huge bunker was one of about 30 secret bases | 0:53:52 | 0:53:56 | |
'located all over the UK, | 0:53:56 | 0:53:58 | |
'equipped with high-tech radar and communications equipment.' | 0:53:58 | 0:54:02 | |
-That's stairs there! -Stairs, yeah, up to the next level. | 0:54:03 | 0:54:06 | |
I didn't even see any of this stuff. | 0:54:06 | 0:54:08 | |
And it looks as if this is the control room, in here. | 0:54:08 | 0:54:11 | |
Look at this place! | 0:54:12 | 0:54:14 | |
Essentially, this place would have been able to coordinate | 0:54:14 | 0:54:17 | |
large gun emplacements on the coast | 0:54:17 | 0:54:19 | |
to actually fire at incoming enemy aircraft carrying atomic weapons, | 0:54:19 | 0:54:23 | |
so this was the first, kind of, form of atomic defence, | 0:54:23 | 0:54:26 | |
this idea that you would have to shoot them out of the sky. | 0:54:26 | 0:54:29 | |
'This was called an anti-aircraft operations room, | 0:54:29 | 0:54:32 | |
'and it was situated miles from the guns it remotely operated. | 0:54:32 | 0:54:36 | |
'That way, if the guns were hit by the enemy, | 0:54:36 | 0:54:38 | |
'the military personnel were safely hidden here, | 0:54:38 | 0:54:41 | |
'deep inside the bunker.' | 0:54:41 | 0:54:43 | |
These would have been offices of the higher-ups, the military personnel, | 0:54:43 | 0:54:47 | |
looking down on the control room, making decisions. | 0:54:47 | 0:54:49 | |
Exactly, looking down at the maps. | 0:54:49 | 0:54:51 | |
-Making sure nobody's sleeping on the job. -Yeah. | 0:54:53 | 0:54:57 | |
'Dozens of military personnel worked here in secret. | 0:54:58 | 0:55:01 | |
'In the event of a nuclear war, an air purification system | 0:55:01 | 0:55:04 | |
'and water filters meant the bunker could be sealed from radiation, | 0:55:04 | 0:55:08 | |
'allowing the staff to remain down here for months.' | 0:55:08 | 0:55:11 | |
I mean, it looked pretty big from the outside, | 0:55:13 | 0:55:16 | |
but the inside just goes on and on and on. | 0:55:16 | 0:55:20 | |
You see, a lot of people often think about the Second World War | 0:55:20 | 0:55:23 | |
and the Cold War as kind of separate things, | 0:55:23 | 0:55:25 | |
but this sort of place shows you that, you know, | 0:55:25 | 0:55:27 | |
after the end of the Second World War, | 0:55:27 | 0:55:29 | |
Britain was thinking about the world, how it was... | 0:55:29 | 0:55:31 | |
Thinking about military threats, | 0:55:31 | 0:55:33 | |
and this is a really good example of something like that. | 0:55:33 | 0:55:35 | |
It's very much carrying on the kind of World War II thinking | 0:55:35 | 0:55:38 | |
about defence. | 0:55:38 | 0:55:39 | |
What was the point, then, that things started to wind down here | 0:55:39 | 0:55:42 | |
in terms of, you know, the monitoring of the nuclear weapons | 0:55:42 | 0:55:45 | |
that could potentially be brought over by aircraft? | 0:55:45 | 0:55:48 | |
In the 1950s, once the missile technology did get better, these... | 0:55:48 | 0:55:52 | |
The original purpose of this particular structure | 0:55:52 | 0:55:54 | |
became redundant. | 0:55:54 | 0:55:55 | |
And also, new radar technology came in, as well, | 0:55:55 | 0:55:58 | |
so there was no longer any particular reason | 0:55:58 | 0:56:00 | |
to have these types of structures. | 0:56:00 | 0:56:03 | |
I don't think a lot of these Cold War structures | 0:56:06 | 0:56:08 | |
are kind of well-known. | 0:56:08 | 0:56:10 | |
They're not accessible, and in a sense, | 0:56:10 | 0:56:12 | |
the Cold War seems to be almost a shut book, | 0:56:12 | 0:56:14 | |
so people don't really talk about the Cold War any more. | 0:56:14 | 0:56:17 | |
Is funny, isn't it? | 0:56:17 | 0:56:18 | |
You know, if this was a World War I or a World War II site, | 0:56:18 | 0:56:21 | |
there'd be a tour guide out the front, | 0:56:21 | 0:56:23 | |
-probably someone selling ice creams and T-shirts, but... -Yeah. | 0:56:23 | 0:56:25 | |
..the Cold War, it just didn't quite capture... | 0:56:25 | 0:56:28 | |
Well, it's because it was passive defence, in a sense, isn't it? | 0:56:28 | 0:56:31 | |
So these buildings were never used to help the country recover | 0:56:31 | 0:56:34 | |
after a nuclear war. | 0:56:34 | 0:56:35 | |
In a way, it's a hidden history for that reason, as well. | 0:56:35 | 0:56:38 | |
Dozens of these buildings were created, | 0:56:38 | 0:56:40 | |
but then they were never used for their intended purpose. | 0:56:40 | 0:56:43 | |
BIRDSONG | 0:56:44 | 0:56:45 | |
In the 1960s, bunkers like this one | 0:56:45 | 0:56:47 | |
were redesigned as regional war rooms. | 0:56:47 | 0:56:50 | |
Their purpose was to secretly house government officials | 0:56:50 | 0:56:53 | |
who could run the country after a nuclear attack. | 0:56:53 | 0:56:56 | |
Amazingly, this one remained in operation | 0:56:56 | 0:56:59 | |
right up until the early 1990s. | 0:56:59 | 0:57:01 | |
And it was in the early 90s that Cardiff entered | 0:57:08 | 0:57:11 | |
a period of considerable regeneration. | 0:57:11 | 0:57:14 | |
With a huge amount of European funding and private investment, | 0:57:14 | 0:57:18 | |
the city centre, the docks and the Bay were reshaped and rebuilt. | 0:57:18 | 0:57:22 | |
Cardiff became the centre | 0:57:25 | 0:57:26 | |
for Wales's devolved national government. | 0:57:26 | 0:57:29 | |
Billions of pounds of development money | 0:57:30 | 0:57:33 | |
will soon change the Welsh capital once again, | 0:57:33 | 0:57:35 | |
and from the top of the city's biggest building site, | 0:57:35 | 0:57:38 | |
it feels like it's already happening. | 0:57:38 | 0:57:41 | |
I think what I've learned is actually just how new Cardiff is. | 0:57:41 | 0:57:45 | |
Sure, people have lived here for thousands of years, | 0:57:45 | 0:57:47 | |
but the city itself is relatively new, | 0:57:47 | 0:57:50 | |
and its default setting is to delete the past and move on. | 0:57:50 | 0:57:54 | |
On the one hand, that seems fine. | 0:57:54 | 0:57:56 | |
Evolution is really important to any modern-day city, | 0:57:56 | 0:57:59 | |
but there is always a price to pay. | 0:57:59 | 0:58:02 | |
Cardiff was built on the backs of industry and hard graft, | 0:58:02 | 0:58:08 | |
but it's new modern-day character revolves around retail, | 0:58:08 | 0:58:11 | |
finance and communications, | 0:58:11 | 0:58:14 | |
and I worry that with such a new, brave start, | 0:58:14 | 0:58:18 | |
we might just forget where we once came from. | 0:58:18 | 0:58:22 | |
# Cardiff in the sun | 0:58:23 | 0:58:27 | |
# Sha la la la la la la la | 0:58:27 | 0:58:30 | |
# Sha la la la la la la la La la la la la la | 0:58:30 | 0:58:36 | |
# Cardiff in the sun | 0:58:39 | 0:58:43 | |
# Sha la la la la la la la | 0:58:43 | 0:58:46 | |
# Sha la la la la la la la La la la la la la... # | 0:58:46 | 0:58:53 |