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Volunteers from the Armed Forces in World War II found to possess | 0:02:40 | 0:02:44 | |
linguistic qualifications were frequently directed into the | 0:02:44 | 0:02:47 | |
Intelligence Corps. At the end of this fortnight, | 0:02:47 | 0:02:50 | |
trainees considered to have shown promise were interviewed by the | 0:02:50 | 0:02:53 | |
selection officer, who went through a pretence of discussing with them | 0:02:53 | 0:02:56 | |
their future. | 0:02:56 | 0:02:58 | |
What the trainee did not realise was that, however encouraging the report | 0:03:02 | 0:03:06 | |
on the major's desk, his fate had been instantly settled from the | 0:03:06 | 0:03:09 | |
moment of the officer's first quick scrutiny of his face. | 0:03:09 | 0:03:12 | |
The selection officer believed that blue was the colour of truth. | 0:03:13 | 0:03:16 | |
To the blue-eyed trainees, therefore, | 0:03:17 | 0:03:20 | |
went the responsible and sometimes glamorous jobs, | 0:03:20 | 0:03:23 | |
while the rest were tipped into the dustbin of what was then called | 0:03:23 | 0:03:26 | |
the Field Security Police. | 0:03:26 | 0:03:27 | |
The escape from this predicament was a posting to an overseas section, | 0:03:29 | 0:03:34 | |
employed primarily as linguists, to bridge the gap between | 0:03:34 | 0:03:37 | |
the military and the civilian population. | 0:03:37 | 0:03:39 | |
On the 1st of September 1943, | 0:03:45 | 0:03:48 | |
I was posted to 312 Field Security Service, | 0:03:48 | 0:03:52 | |
who had been temporarily attached to headquarters staff of the American | 0:03:52 | 0:03:55 | |
Fifth Army. On the 5th of September, | 0:03:55 | 0:03:57 | |
we sailed in the Duchess of Bedford to join the invasion convoy | 0:03:57 | 0:04:01 | |
bound for Salerno. | 0:04:01 | 0:04:02 | |
This was the greatest invasion in this war so far, | 0:04:10 | 0:04:13 | |
probably the greatest in human history. | 0:04:13 | 0:04:15 | |
The sea was crowded to the horizon with uncountable ships, | 0:04:18 | 0:04:22 | |
but we were as lost and ineffective as babes in the wood. | 0:04:22 | 0:04:25 | |
No-one knew where the enemy was, | 0:04:30 | 0:04:32 | |
but the bodies on the beach at least proved he existed. | 0:04:32 | 0:04:35 | |
-MALE VOICE IN A SEA OF NOISE: -There was fighting on the beach | 0:04:44 | 0:04:46 | |
and there was fighting up ahead, | 0:04:46 | 0:04:48 | |
and there was fighting in the harbour and on the banks. | 0:04:48 | 0:04:52 | |
For a while, it didn't matter whether you were in the infantry, | 0:04:52 | 0:04:55 | |
the air forces or the navy. | 0:04:55 | 0:04:57 | |
The fire was hot all around. We could hear big navy guns and the | 0:04:57 | 0:05:03 | |
anti-aircraft guns and the roaring of the dogfighters out at sea. | 0:05:03 | 0:05:08 | |
-Out of the range of our boats... -VOICE BECOMES INDISTINCT | 0:05:09 | 0:05:12 | |
MELANCHOLY PIANO MUSIC PLAYS | 0:05:14 | 0:05:17 | |
At about 11 o'clock, an excited American officer | 0:05:53 | 0:05:55 | |
dashed up in a Jeep. | 0:05:55 | 0:05:57 | |
We'd been issued with a Webley pistol and five rounds | 0:05:57 | 0:06:00 | |
of ammunition apiece. Most of us had never fired a gun. | 0:06:00 | 0:06:03 | |
With these weapons, we were ordered to assist in the defence of army | 0:06:04 | 0:06:07 | |
headquarters against the Mark V and Tiger tanks that were now | 0:06:07 | 0:06:10 | |
rolling towards us. | 0:06:10 | 0:06:12 | |
What this officer did not tell us was that he and the rest of | 0:06:12 | 0:06:16 | |
the officers were quietly pulling out and abandoning their men. | 0:06:16 | 0:06:19 | |
HEAVY ARTILLERY FIRE | 0:06:31 | 0:06:34 | |
Outright panic now started | 0:06:34 | 0:06:36 | |
and spread among the American troops left behind. | 0:06:36 | 0:06:40 | |
In the belief that our position had been infiltrated by German infantry, | 0:06:40 | 0:06:43 | |
they began to shoot each other, | 0:06:43 | 0:06:45 | |
and there were blood-chilling screams from men hit by the bullets. | 0:06:45 | 0:06:49 | |
Then, at four o'clock, we started up our motorbikes, and by God's mercy, | 0:06:52 | 0:06:56 | |
avoiding the panic-stricken fire directed from cover at anything that | 0:06:56 | 0:06:59 | |
moved, reached this field, | 0:06:59 | 0:07:01 | |
with its rabble of shocked and demoralised soldiery. | 0:07:01 | 0:07:04 | |
We crouched in our slit trench under the pink fluttering leaves of the | 0:07:06 | 0:07:10 | |
olives, and watched the fires come closer and the night slowly pass. | 0:07:10 | 0:07:15 | |
We set out to explore a little of our immediate environment. | 0:07:29 | 0:07:33 | |
As the sun began to sink splendidly into the sea at our back, | 0:07:34 | 0:07:37 | |
we wandered at random through this wood, full of chirping birds, | 0:07:37 | 0:07:40 | |
and suddenly found ourselves at the wood's edge. | 0:07:40 | 0:07:42 | |
We looked out into an open space | 0:07:44 | 0:07:47 | |
on a scene of unearthly enchantment. | 0:07:47 | 0:07:49 | |
A few hundred yards away, stood in a row, | 0:07:51 | 0:07:53 | |
the three perfect temples of Paestum - | 0:07:53 | 0:07:56 | |
pink and glowing and glorious in the sun's last rays. | 0:07:56 | 0:08:01 | |
It came as an illumination - | 0:08:01 | 0:08:04 | |
one of the great experiences of life. | 0:08:04 | 0:08:06 | |
We were admiring the splendid husk of the Temple of Neptune when the | 0:08:22 | 0:08:26 | |
war came to us in the shape of a single attacking plane. | 0:08:26 | 0:08:29 | |
Hearing its approach, we crouched under a lintel. | 0:08:30 | 0:08:33 | |
The plane swooped, opened up with its machine guns, | 0:08:33 | 0:08:36 | |
and then passed on to drop a single bomb on the beach, | 0:08:36 | 0:08:38 | |
before heading off northwards. | 0:08:38 | 0:08:39 | |
One of my friends felt a light tap on a pack he was wearing, | 0:08:40 | 0:08:44 | |
caused by a spent machine gun bullet which fell harmlessly to the ground. | 0:08:44 | 0:08:48 | |
The experience was, on the whole, an exhilarating one. | 0:08:49 | 0:08:53 | |
We appreciated the contrast involved, | 0:08:53 | 0:08:55 | |
and no-one experienced alarm. | 0:08:55 | 0:08:57 | |
In our small way, we had become seasoned to the hazards of war. | 0:08:57 | 0:09:01 | |
Some delicate in-built mechanism of the nerves has accepted and | 0:09:01 | 0:09:05 | |
acclimatised itself to a relative loss of security and minor dangers. | 0:09:05 | 0:09:09 | |
MALE VOICE SINGS IN OWN LANGUAGE | 0:09:09 | 0:09:13 | |
We finally got through by Jeep to Salerno, | 0:09:31 | 0:09:34 | |
but found a battle still going on in the outskirts of the town. | 0:09:34 | 0:09:37 | |
GUNFIRE AND EXPLOSIONS | 0:09:37 | 0:09:39 | |
German mortar bombs were exploding in the middle of a small square, | 0:09:43 | 0:09:46 | |
only 100 yards from Security headquarters. | 0:09:46 | 0:09:49 | |
Here, I saw an ugly sight, | 0:09:54 | 0:09:57 | |
a British officer interrogating an Italian civilian, | 0:09:57 | 0:10:00 | |
and repeatedly hitting him about the head with a chair, | 0:10:00 | 0:10:03 | |
treatment which the Italian, his face a mask of blood, | 0:10:03 | 0:10:08 | |
suffered with stoicism. | 0:10:08 | 0:10:09 | |
At the end of the interrogation, which had not been considered | 0:10:11 | 0:10:14 | |
successful, the officer called in a private of the Hampshires and asked | 0:10:14 | 0:10:17 | |
him, in a pleasant, conversational sort of manner, | 0:10:17 | 0:10:20 | |
"Would you like to take this man away and shoot him?" | 0:10:20 | 0:10:22 | |
The private's reply was to spit on his hands and say, | 0:10:23 | 0:10:26 | |
"I don't mind if I do, sir." | 0:10:26 | 0:10:28 | |
The most revolting episode I have seen since joining the forces. | 0:10:31 | 0:10:35 | |
DRAMATIC ORCHESTRAL MUSIC PLAYS | 0:11:10 | 0:11:13 | |
Kitted out temporarily as an American private with bucket helmet, | 0:11:38 | 0:11:42 | |
hip-clinging trousers and gated boots, | 0:11:42 | 0:11:45 | |
I picked up a lift in an American truck going in the direction of | 0:11:45 | 0:11:48 | |
Naples, which had fallen three days before, | 0:11:48 | 0:11:50 | |
and where I supposed my section would already be installed. | 0:11:50 | 0:11:53 | |
At Battipaglia, it was all change, | 0:11:58 | 0:12:01 | |
with an opportunity for close- quarters study of the effects of | 0:12:01 | 0:12:04 | |
the carpet bombing ordered by General Clark. | 0:12:04 | 0:12:06 | |
The general has become the destroying angel of southern Italy. | 0:12:06 | 0:12:10 | |
Here in Battipaglia, we had an Italian Guernica - | 0:12:11 | 0:12:15 | |
a town transformed in a matter of seconds to a heap of rubble. | 0:12:15 | 0:12:18 | |
An old man who came to beg said that practically nobody had been left | 0:12:19 | 0:12:23 | |
alive, and that the bodies were still under the ruins. | 0:12:23 | 0:12:27 | |
From the stench, and from the sight of the flies streaming like black | 0:12:27 | 0:12:30 | |
smoke into and out of the holes in the ground, | 0:12:30 | 0:12:33 | |
this was entirely believable. | 0:12:33 | 0:12:36 | |
GUNFIRE | 0:13:27 | 0:13:30 | |
Somewhere a few miles short of Naples proper, the road | 0:13:54 | 0:13:57 | |
widened into something like a square, dominated by a vast, | 0:13:57 | 0:14:01 | |
semi-derelict public building, | 0:14:01 | 0:14:03 | |
plastered with notices and with every window blown in. | 0:14:03 | 0:14:07 | |
Here, several trucks had drawn up, | 0:14:07 | 0:14:09 | |
and our driver pulled in to the kerb and stopped, too. | 0:14:09 | 0:14:11 | |
One of the trucks was carrying American army supplies, | 0:14:14 | 0:14:16 | |
and soldiers, immediately joined by several from our truck, | 0:14:16 | 0:14:19 | |
were crowding round this and helping themselves | 0:14:19 | 0:14:21 | |
to whatever they could lay hands on. | 0:14:21 | 0:14:23 | |
Thereafter, crunching through the broken glass that littered the | 0:14:25 | 0:14:28 | |
pavement, each of them carrying a tin of rations, | 0:14:28 | 0:14:31 | |
they were streaming into the municipal building. | 0:14:31 | 0:14:33 | |
I followed them and found myself in a vast room crowded with jostling | 0:14:39 | 0:14:43 | |
soldiery. Here, a row of ladies sat | 0:14:43 | 0:14:47 | |
at intervals of about a yard with their backs to the wall. | 0:14:47 | 0:14:51 | |
These women were dressed in their street clothes and had the ordinary, | 0:14:51 | 0:14:54 | |
well-washed, respectable shopping | 0:14:54 | 0:14:56 | |
and gossiping faces of working-class housewives. | 0:14:56 | 0:14:59 | |
By the side of each woman stood a small pile of tins, | 0:15:01 | 0:15:05 | |
and it soon became clear that it was possible to make love to any one of | 0:15:05 | 0:15:08 | |
them in this very public place by adding another tin to the pile. | 0:15:08 | 0:15:12 | |
The women kept absolutely still. | 0:15:13 | 0:15:16 | |
They said nothing, | 0:15:16 | 0:15:18 | |
and their faces were as empty of expression as graven images. | 0:15:18 | 0:15:21 | |
Once again, reality had betrayed the dream, and the air fell limp. | 0:15:53 | 0:15:58 | |
FAINT OPERA MUSIC | 0:15:58 | 0:16:00 | |
-ARCHIVE: -On October the 1st 1943, | 0:16:03 | 0:16:05 | |
the armies of liberation entered Naples. | 0:16:05 | 0:16:08 | |
UPBEAT JAZZ MUSIC PLAYS | 0:16:11 | 0:16:13 | |
CHEERING AND INDISTINCT CHATTER | 0:17:35 | 0:17:40 | |
WATER SPLASHES | 0:18:04 | 0:18:07 | |
The city of Naples smells of charred wood, with ruins everywhere, | 0:18:27 | 0:18:32 | |
sometimes completely blocking the streets, | 0:18:32 | 0:18:35 | |
bomb craters and abandoned trams. | 0:18:35 | 0:18:37 | |
The main problem is water. | 0:18:40 | 0:18:42 | |
Two tremendous air raids, on August 4th and September 6th, | 0:18:43 | 0:18:45 | |
smashed up all the services, | 0:18:45 | 0:18:47 | |
and there has been no proper water supply since the first of these. | 0:18:47 | 0:18:50 | |
PEOPLE CLAMOUR | 0:19:03 | 0:19:06 | |
To complete the Allies' work of destruction, | 0:19:23 | 0:19:25 | |
German demolition squads have gone round, | 0:19:25 | 0:19:27 | |
blowing up anything of value to the city that still worked. | 0:19:27 | 0:19:30 | |
Such has been the great public thirst of the past few days that | 0:20:04 | 0:20:06 | |
we are told that people have experimented with sea water | 0:20:06 | 0:20:09 | |
in their cooking, | 0:20:09 | 0:20:11 | |
and families have been seen squatting along the seashore round | 0:20:11 | 0:20:14 | |
weird contraptions, | 0:20:14 | 0:20:15 | |
with which they hope to distil sea water for drinking purposes. | 0:20:15 | 0:20:18 | |
Hundreds, possibly thousands of Italians, | 0:20:47 | 0:20:50 | |
most of them women and children, | 0:20:50 | 0:20:52 | |
were in the fields all along the roadside, | 0:20:52 | 0:20:54 | |
driven by their hunger to search for edible plants. | 0:20:54 | 0:20:57 | |
I stopped to speak to a group of them | 0:21:00 | 0:21:02 | |
and they told me that they had left their homes in Naples at daybreak | 0:21:02 | 0:21:05 | |
and had had to walk for between two and three hours to reach the spot | 0:21:05 | 0:21:08 | |
where I found them, seven or eight miles out of town. | 0:21:08 | 0:21:12 | |
I saw other parties netting birds | 0:21:15 | 0:21:18 | |
and these had managed to catch a few sparrows and some tiny warblers, | 0:21:18 | 0:21:22 | |
which they said were common at this time of year, | 0:21:22 | 0:21:25 | |
attracted by the fruit in the orchards. | 0:21:25 | 0:21:27 | |
Along the seafront at Santa Lucia, | 0:21:42 | 0:21:44 | |
a similar spectacle of the desperate hunt for food. | 0:21:44 | 0:21:47 | |
Inexplicably, no boats were allowed out yet to fish. | 0:22:03 | 0:22:06 | |
Nothing, absolutely nothing | 0:22:15 | 0:22:17 | |
that could be tackled by the human digestive system | 0:22:17 | 0:22:20 | |
is wasted in Naples. | 0:22:20 | 0:22:21 | |
There is a persistent rumour | 0:22:23 | 0:22:26 | |
of a decline in the cat population of the city. | 0:22:26 | 0:22:29 | |
-ALL: -Ah... | 0:23:31 | 0:23:32 | |
-ARCHIVE: -The purpose of AMG is to prevent chaos. | 0:23:44 | 0:23:48 | |
Therefore, immediately on occupying a country, | 0:23:48 | 0:23:51 | |
AMG re-establishes civilian government, | 0:23:51 | 0:23:54 | |
brings back order and law. | 0:23:54 | 0:23:56 | |
Field manual 27-5 has it in black and white. | 0:23:57 | 0:24:00 | |
"The object of civil affairs control through military government is to | 0:24:02 | 0:24:06 | |
"assist military operations, to further national policies | 0:24:06 | 0:24:11 | |
"and to fulfil the obligation of | 0:24:11 | 0:24:13 | |
"the occupying forces under international law." | 0:24:13 | 0:24:17 | |
There it is, on paper. | 0:24:17 | 0:24:19 | |
I arrived to find that we had been installed in the palace | 0:24:33 | 0:24:36 | |
of the princes of Satriano, at the end of Naples' impressive seafront, | 0:24:36 | 0:24:40 | |
the Riviera di Chiaia in the Piazza Vittoria. | 0:24:40 | 0:24:44 | |
The four-storey building is in the Neapolitan version | 0:24:44 | 0:24:46 | |
of Spanish baroque | 0:24:46 | 0:24:48 | |
and we occupy its principal floor at the head of a sweep of marble | 0:24:48 | 0:24:51 | |
staircase, with high ceilings, decorated with mouldings, | 0:24:51 | 0:24:55 | |
glittering chandeliers, | 0:24:55 | 0:24:56 | |
enormous wall mirrors and opulent gilded furniture in vaguely French | 0:24:56 | 0:25:01 | |
Empire style. | 0:25:01 | 0:25:02 | |
There are eight majestic rooms but no bathroom | 0:25:06 | 0:25:09 | |
and the lavatory is in a cupboard in the kitchen. | 0:25:09 | 0:25:11 | |
The view across the square is of clustered palms, | 0:25:14 | 0:25:17 | |
much statuary and the Bay of Naples. | 0:25:17 | 0:25:21 | |
The field security officer has done very well by us. | 0:25:22 | 0:25:26 | |
There were military units by the dozen all around Naples who wish to | 0:25:47 | 0:25:50 | |
employ Italian civilians | 0:25:50 | 0:25:52 | |
and all of these had to be vetted by us as security risks. | 0:25:52 | 0:25:56 | |
A suspects file had to be started and this was a job that fell to me. | 0:26:06 | 0:26:09 | |
The labour involved was immense and exceedingly tedious, | 0:26:10 | 0:26:14 | |
and was much complicated by the prevalence in Naples of certain | 0:26:14 | 0:26:17 | |
family names - Espositos and Gennaros turn up by the hundred - | 0:26:17 | 0:26:21 | |
and by the fact that material supplied by our own authorities for | 0:26:21 | 0:26:25 | |
inclusion in the official black book was often vague. | 0:26:25 | 0:26:28 | |
Quite frequently, suspects were not even identified by name but by such | 0:26:33 | 0:26:37 | |
descriptions as "of medium height," "aged between 30 and 40," | 0:26:37 | 0:26:42 | |
"strikingly ugly," or, in one case, | 0:26:42 | 0:26:45 | |
"known to possess an obsessive fear of cats". | 0:26:45 | 0:26:48 | |
Life here promised to be hard-working, sometimes prosaic | 0:26:49 | 0:26:53 | |
and fraught with routines. | 0:26:53 | 0:26:54 | |
There is no notice in the palazzo to say who we are and what we are doing | 0:26:57 | 0:27:00 | |
here, so it's hard to understand why people assume this to be the | 0:27:00 | 0:27:03 | |
headquarters of the British secret police. | 0:27:03 | 0:27:05 | |
However, they do and we are beginning to receive a stream | 0:27:05 | 0:27:08 | |
of visitors, all of them offering their services as informers. | 0:27:08 | 0:27:11 | |
In the main, they are drawn from the professional classes | 0:27:13 | 0:27:16 | |
and hand over beautifully engraved cards describing them | 0:27:16 | 0:27:19 | |
as avvocato, dottore, ingegnere | 0:27:19 | 0:27:22 | |
or professore. | 0:27:22 | 0:27:24 | |
They are all most dignified, some impressive, and they talk in low, | 0:27:24 | 0:27:29 | |
conspiratorial voices. | 0:27:29 | 0:27:30 | |
Among the civilian contacts of these first few days, | 0:28:01 | 0:28:03 | |
my prize acquisition was Vincente Lattarulo, | 0:28:03 | 0:28:08 | |
a man steeped in the knowledge of the ways of Naples. | 0:28:08 | 0:28:11 | |
He proved to be one of the 4,000 lawyers of Naples, 90% of whom - | 0:28:11 | 0:28:15 | |
surplus to the needs of the courts - had never practised and who, | 0:28:15 | 0:28:19 | |
for the most part, lived in extreme penury. | 0:28:19 | 0:28:21 | |
Lattarulo had worked out a scientific system | 0:28:26 | 0:28:29 | |
of self-restraints. | 0:28:29 | 0:28:30 | |
He stayed most of the day in bed and, when he got up, | 0:28:33 | 0:28:35 | |
walked short distances along a planned itinerary, | 0:28:35 | 0:28:38 | |
stopping to rest every few hundred yards in a church. | 0:28:38 | 0:28:42 | |
He ate an evening meal only, | 0:28:42 | 0:28:44 | |
normally composed of a little bread dipped in olive oil, | 0:28:44 | 0:28:47 | |
into which was rubbed a tomato. | 0:28:47 | 0:28:48 | |
It appeared that Lattarulo had a secondary profession, | 0:28:51 | 0:28:54 | |
producing occasional windfalls of revenue. | 0:28:54 | 0:28:57 | |
He admitted, with a touch of pride, to acting as a zio di Roma - | 0:28:57 | 0:29:01 | |
an uncle from Rome - at funerals. | 0:29:01 | 0:29:04 | |
His qualifications were his patrician appearance | 0:29:05 | 0:29:08 | |
and a studied Roman accent and manner. | 0:29:08 | 0:29:11 | |
When the Neapolitans turn to familiarity in ingratiation, | 0:29:11 | 0:29:14 | |
Lattarulo shows a proper Roman aloofness and taciturnity. | 0:29:14 | 0:29:18 | |
This, say the Neapolitans, | 0:29:18 | 0:29:20 | |
who are fulsome and cloying in their greetings, | 0:29:20 | 0:29:22 | |
is how a real Roman gentleman speaks. | 0:29:22 | 0:29:24 | |
How lucky for all concerned that the liberation of Naples happened when | 0:30:13 | 0:30:17 | |
it did and the perfect weather of early autumn helped hardships | 0:30:17 | 0:30:20 | |
of all kinds to be more endurable. | 0:30:20 | 0:30:22 | |
From where I sat sifting wearily through the mountains | 0:30:23 | 0:30:26 | |
of vilification and calumny, | 0:30:26 | 0:30:28 | |
I could refresh myself by looking down into the narrow street | 0:30:28 | 0:30:31 | |
running along one side of the palazzo. | 0:30:31 | 0:30:33 | |
A day off on a remarkably fine Sunday for the season offered an | 0:30:34 | 0:30:38 | |
opportunity for further acquaintance with the neighbourhood. | 0:30:38 | 0:30:41 | |
This is inhabited to bursting point with working-class families, | 0:30:41 | 0:30:46 | |
whose custom it is to live as much as they can of their lives | 0:30:46 | 0:30:48 | |
out of doors - | 0:30:48 | 0:30:49 | |
for which reason this street is as noisy as a tropical aviary. | 0:30:49 | 0:30:53 | |
CHILDREN SCREAM AND MEN SHOUT | 0:31:05 | 0:31:08 | |
Quite early in the morning, | 0:31:08 | 0:31:10 | |
a family living in the house opposite carried out a table | 0:31:10 | 0:31:12 | |
and stood it in the street, close to their doorway. | 0:31:12 | 0:31:15 | |
There were a number of other such tables along the street | 0:31:15 | 0:31:18 | |
and constant social migrations took place, | 0:31:18 | 0:31:21 | |
as neighbours paid each other visits. | 0:31:21 | 0:31:24 | |
People called musically to each other over great distances. | 0:31:24 | 0:31:27 | |
The poor and the rich in Arione live side by side, | 0:31:36 | 0:31:39 | |
constantly rubbing elbows while appearing to be hardly conscious | 0:31:39 | 0:31:42 | |
of each other's presence. | 0:31:42 | 0:31:43 | |
300,000 of the population of Naples inhabit bassi. | 0:31:45 | 0:31:50 | |
In the Vicaria district, | 0:31:50 | 0:31:51 | |
up to three people occupy every two square metres in the basso. | 0:31:51 | 0:31:55 | |
All things in Naples are arranged with as much civility as possible. | 0:31:56 | 0:32:00 | |
-Hello, Joe! -Hello! | 0:32:08 | 0:32:09 | |
5. | 0:32:09 | 0:32:11 | |
Here, Joe! Come on! | 0:32:11 | 0:32:14 | |
Neapolitans take their sex lives very seriously indeed. | 0:32:27 | 0:32:31 | |
A woman called Lola, whom I met at a dinner party, | 0:32:34 | 0:32:37 | |
arrived at HQ and asked if I could help her. | 0:32:37 | 0:32:40 | |
It turned out she had taken a lover who was a captain in the Royal Army | 0:32:44 | 0:32:47 | |
Service Corps, but as he speaks no single word of Italian, | 0:32:47 | 0:32:51 | |
communication can only be carried on by signs | 0:32:51 | 0:32:54 | |
and this gives rise to misunderstanding. | 0:32:54 | 0:32:56 | |
I dance with you, but I won't let you sleep with me. | 0:33:09 | 0:33:12 | |
Who asked you? | 0:33:12 | 0:33:14 | |
-You don't want to sleep with me? -I don't want to dance with you. | 0:33:14 | 0:33:17 | |
-Are you crazy? -Hm. | 0:33:17 | 0:33:18 | |
Watch where you put your hands, GI! | 0:33:23 | 0:33:25 | |
My name is Yossarian. | 0:33:25 | 0:33:28 | |
Watch where you put your hands, Yossarian. | 0:33:28 | 0:33:30 | |
Would I agree to interpret for them and settle certain basic matters? | 0:33:32 | 0:33:36 | |
Captain Frazer turned out to be a tall and handsome man some years | 0:33:37 | 0:33:41 | |
Lola's junior. | 0:33:41 | 0:33:43 | |
She wanted to know all about his marital status and he hers, | 0:33:43 | 0:33:46 | |
and they lied to each other to their hearts' content while I kept a | 0:33:46 | 0:33:49 | |
straight face and interpreted. | 0:33:49 | 0:33:51 | |
She asked me to mention to him, in as tactful a way as possible, | 0:33:55 | 0:33:59 | |
that comment had been caused among her neighbours because he never | 0:33:59 | 0:34:02 | |
called on her during the day. | 0:34:02 | 0:34:04 | |
Conjugal visits at midday are de rigueur in Naples. | 0:34:05 | 0:34:09 | |
When the meeting was over, | 0:34:13 | 0:34:14 | |
we went off for a drink and Frazer confided to me that something was | 0:34:14 | 0:34:18 | |
worrying him too. | 0:34:18 | 0:34:19 | |
On inspecting her buttocks, | 0:34:21 | 0:34:23 | |
he had found them covered with hundreds of pinpoint marks, | 0:34:23 | 0:34:26 | |
some clearly very small scars. | 0:34:26 | 0:34:28 | |
What could they be? | 0:34:28 | 0:34:29 | |
I put his mind at rest. | 0:34:30 | 0:34:32 | |
These were the marks left by the iniezione reconstituenti - | 0:34:33 | 0:34:37 | |
injections which are given in many of the pharmacies of Naples and | 0:34:37 | 0:34:41 | |
which many middle-class women receive daily to keep their sexual | 0:34:41 | 0:34:44 | |
powers at their peak. | 0:34:44 | 0:34:46 | |
Lola had made him understand - | 0:34:48 | 0:34:49 | |
by gestures one could only shudderingly imagine - | 0:34:49 | 0:34:52 | |
that her late husband, | 0:34:52 | 0:34:54 | |
although half-starved and even when in the early stages of tuberculosis | 0:34:54 | 0:34:58 | |
from which he died, | 0:34:58 | 0:34:59 | |
never failed to have intercourse with her | 0:34:59 | 0:35:02 | |
less than six times a night. | 0:35:02 | 0:35:04 | |
She also had a habit, which terrified Frazer, | 0:35:06 | 0:35:09 | |
of keeping an eye on the bedside clock while he performed. | 0:35:09 | 0:35:13 | |
I recommended him to drink - as the locals did - | 0:35:15 | 0:35:17 | |
Marsala with the yolks of egg stirred into it | 0:35:17 | 0:35:20 | |
and to wear a medal of San Rocco, patron of coitus reservatus. | 0:35:20 | 0:35:25 | |
I want to marry you. | 0:35:25 | 0:35:27 | |
-Not possible. -Why not? | 0:35:28 | 0:35:30 | |
-Because crazy. -Why am I crazy? | 0:35:30 | 0:35:32 | |
Because you want to marry me. | 0:35:32 | 0:35:34 | |
Wait, you won't marry me because I'm crazy and you say I'm crazy because | 0:35:34 | 0:35:37 | |
I want to marry you, right? | 0:35:37 | 0:35:38 | |
-Si. -You're crazy. -Why? | 0:35:38 | 0:35:40 | |
Because I love you. | 0:35:42 | 0:35:45 | |
EXPLOSION BOOMS | 0:36:02 | 0:36:05 | |
A narrow escape today while motorcycling along | 0:36:13 | 0:36:16 | |
the Via Partenope. | 0:36:16 | 0:36:18 | |
I was riding towards the Castel Nuovo when I noticed a sudden change | 0:36:18 | 0:36:22 | |
ahead from blue sky, sunshine and shadow to a great opaque whiteness, | 0:36:22 | 0:36:27 | |
shutting off the view of the port. | 0:36:27 | 0:36:29 | |
The effect was one of a whole district blotted out by a pall | 0:36:30 | 0:36:33 | |
of the white smoke sometimes spread | 0:36:33 | 0:36:35 | |
from the chimneys of a factory producing lime. | 0:36:35 | 0:36:38 | |
On turning a bend, I came upon an apocalyptic scene. | 0:36:38 | 0:36:41 | |
A number of buildings, including a bank, | 0:36:43 | 0:36:45 | |
had been pulverised by a terrific explosion that had clearly | 0:36:45 | 0:36:49 | |
just taken place. | 0:36:49 | 0:36:51 | |
Bodies were scattered all over the street. | 0:36:51 | 0:36:55 | |
But here and there among them stood the living, | 0:36:55 | 0:36:56 | |
as motionless as statues and all coated in thick white dust. | 0:36:56 | 0:37:01 | |
What engraved this scene on the mind and the imagination was that nothing | 0:37:03 | 0:37:08 | |
moved and that the silence was total. | 0:37:08 | 0:37:11 | |
This turned out to be one of a series of explosions produced by | 0:37:14 | 0:37:17 | |
delayed-action explosive devices | 0:37:17 | 0:37:20 | |
constructed by the Germans shortly before their departure, | 0:37:20 | 0:37:23 | |
in each case | 0:37:23 | 0:37:24 | |
from several hundred mines buried under principal buildings, | 0:37:24 | 0:37:29 | |
a senseless massacre perpetrated on the Italian civil population. | 0:37:29 | 0:37:34 | |
A tremendous scare this morning | 0:37:52 | 0:37:54 | |
following information given by a captured enemy agent that thousands | 0:37:54 | 0:37:58 | |
of delayed-action mines would explode when the city's electricity | 0:37:58 | 0:38:02 | |
supply was switched on. | 0:38:02 | 0:38:03 | |
This was timed for two o'clock today. | 0:38:04 | 0:38:07 | |
An order was given for the whole of Naples to be evacuated and, | 0:38:08 | 0:38:10 | |
within minutes, army vehicles were tearing up and down the streets, | 0:38:10 | 0:38:13 | |
broadcasting instructions to the civilian population. | 0:38:13 | 0:38:16 | |
The scene as the great exodus started and a million and a half | 0:38:18 | 0:38:21 | |
people left their houses and crowded into the streets | 0:38:21 | 0:38:25 | |
was like some biblical calamity. | 0:38:25 | 0:38:27 | |
Everyone had to be got away to the safety of the heights of the Vomero, | 0:38:48 | 0:38:51 | |
Fontanelle and the observatory overlooking the town. | 0:38:51 | 0:38:54 | |
This meant that the bedridden, | 0:38:59 | 0:39:00 | |
the dying and all the women in labour had to be coped with | 0:39:00 | 0:39:03 | |
in some way or other, not to mention the physically and mentally sick | 0:39:03 | 0:39:06 | |
persons in clinics all over the town. | 0:39:06 | 0:39:09 | |
I saw men carrying their old parents on their backs. | 0:39:11 | 0:39:14 | |
And at one moment, a single small explosion set off a panic, | 0:39:14 | 0:39:17 | |
with women and children running screaming in all directions, | 0:39:17 | 0:39:21 | |
leaving trails of urine. | 0:39:21 | 0:39:22 | |
At the Vomero, we took up positions at a spot on the heights where | 0:39:42 | 0:39:45 | |
the road had been intentionally widened to assist visitors | 0:39:45 | 0:39:48 | |
to appreciate the view, which was splendid indeed. | 0:39:48 | 0:39:52 | |
All Naples lay spread out beneath us like an antique map on which the | 0:39:56 | 0:40:00 | |
artist had drawn with almost exaggerated care the many gardens, | 0:40:00 | 0:40:04 | |
the castles, the towers and the cupolas. | 0:40:04 | 0:40:08 | |
For the first time, awaiting the cataclysm, | 0:40:08 | 0:40:12 | |
I appreciated the magnificence of this city, | 0:40:12 | 0:40:16 | |
seen at a distance which cleansed it of its wartime tegument of grime. | 0:40:16 | 0:40:20 | |
And for the first time I realised how un-European, | 0:40:23 | 0:40:27 | |
how Oriental it was. | 0:40:27 | 0:40:28 | |
A great silence had fallen and we looked down and awaited the moment | 0:40:31 | 0:40:35 | |
of devastation. | 0:40:35 | 0:40:37 | |
At about four o'clock, the order came for everyone to go home... | 0:40:38 | 0:40:42 | |
..the result of a carefully organised plot, | 0:40:43 | 0:40:45 | |
designed to cause the maximum disruption to the life of the city. | 0:40:45 | 0:40:49 | |
Lattarulo looked even weaker with hunger today than usual | 0:41:01 | 0:41:05 | |
and swayed from the waist, | 0:41:05 | 0:41:07 | |
eyes closed, even when sitting down. | 0:41:07 | 0:41:09 | |
After our chat, I decided to take him for a meal to one of | 0:41:10 | 0:41:13 | |
the side-street restaurants that have opened in the past few days. | 0:41:13 | 0:41:16 | |
We found the restaurant and took our seats among the middle-class patrons | 0:41:18 | 0:41:21 | |
who kept their overcoats on against the cold. | 0:41:21 | 0:41:23 | |
All the coats were made from our stolen blankets. | 0:41:25 | 0:41:28 | |
No attempt was made to isolate the customers from the street. | 0:41:30 | 0:41:33 | |
Ragged hawk-eyed boys, | 0:41:36 | 0:41:38 | |
the celebrated scugnizzi of Naples, | 0:41:38 | 0:41:41 | |
wandered among the tables ready to dive on | 0:41:41 | 0:41:43 | |
any crusts that appeared to be overlooked | 0:41:43 | 0:41:45 | |
or to snatch up leftovers before they could be thrown to the cats. | 0:41:45 | 0:41:49 | |
Once again, I couldn't help noticing the intelligence, | 0:41:49 | 0:41:52 | |
almost the intellectuality of their expressions. | 0:41:52 | 0:41:55 | |
No attempt was made to chase them away. | 0:41:57 | 0:41:59 | |
They were simply treated as non-existent. | 0:41:59 | 0:42:02 | |
Suddenly, five or six little girls between the ages of nine and twelve | 0:42:13 | 0:42:17 | |
appeared in the doorway. | 0:42:17 | 0:42:19 | |
They wore hideous straight black uniforms, | 0:42:19 | 0:42:23 | |
buttoned under their chins, | 0:42:23 | 0:42:25 | |
and black boots and stockings and their hair | 0:42:25 | 0:42:28 | |
had been shorn short, prison-style. | 0:42:28 | 0:42:30 | |
They were all weeping and, as they clung to each other and groped their | 0:42:33 | 0:42:37 | |
way towards us, bumping into chairs and tables, | 0:42:37 | 0:42:40 | |
I realised they were all blind. | 0:42:40 | 0:42:43 | |
Tragedy and despair had been thrust upon us and would not be shut out. | 0:42:47 | 0:42:51 | |
I expected the indifferent diners to push back their plates, | 0:42:53 | 0:42:56 | |
to get up and hold out their arms, but nobody moved. | 0:42:56 | 0:42:59 | |
Forkfuls of food were thrust into open mouths. | 0:43:01 | 0:43:05 | |
The rattle of conversation continued. | 0:43:05 | 0:43:07 | |
Nobody saw the tears. | 0:43:07 | 0:43:09 | |
They had been brought down here, he found out, | 0:43:14 | 0:43:16 | |
on a half-day's outing by an attendant who seemed unable | 0:43:16 | 0:43:19 | |
or unwilling to stop them from being lured away by the smell of food. | 0:43:19 | 0:43:22 | |
The experience changed my outlook. | 0:43:24 | 0:43:27 | |
Until now, I had clung to the comforting belief that human beings | 0:43:30 | 0:43:33 | |
eventually come to terms with pain and sorrow. | 0:43:33 | 0:43:36 | |
Now I understood I was wrong. | 0:43:37 | 0:43:40 | |
And like Paul, I suffered a conversion. | 0:43:40 | 0:43:44 | |
But to pessimism. | 0:43:44 | 0:43:45 | |
These little girls, any one of whom could be my daughter, | 0:43:46 | 0:43:51 | |
came into the restaurant weeping | 0:43:51 | 0:43:53 | |
and they were weeping when they were led away. | 0:43:53 | 0:43:56 | |
I knew that condemned to everlasting darkness, hunger and loss, | 0:43:56 | 0:44:01 | |
they would weep on incessantly. | 0:44:01 | 0:44:04 | |
They would never recover from their pain and I would never recover from | 0:44:05 | 0:44:09 | |
the memory of it. | 0:44:09 | 0:44:11 | |
-ARCHIVE: -Naples was ripe for epidemic typhus. | 0:45:01 | 0:45:04 | |
The armies of Adolf Hitler had disembowelled the city. | 0:45:04 | 0:45:07 | |
We were stopped at a bottleneck caused by a collapsed building in | 0:45:07 | 0:45:10 | |
the Via Chiatamone | 0:45:10 | 0:45:11 | |
where a sanitary post had been set up. | 0:45:11 | 0:45:13 | |
And here every passer-by was sprayed with a white powder | 0:45:16 | 0:45:19 | |
against the typhus. | 0:45:19 | 0:45:21 | |
The news is that Naples is now officially suffering | 0:45:22 | 0:45:25 | |
from two epidemics... | 0:45:25 | 0:45:26 | |
..smallpox and typhoid. | 0:45:29 | 0:45:31 | |
People accept malaria as a matter of course in this town. | 0:45:33 | 0:45:35 | |
Epidemics, robbers, funerals followed by shrieking women, | 0:45:37 | 0:45:42 | |
deformed and mutilated beggars, legless cripples | 0:45:42 | 0:45:45 | |
dragging themselves about on wheeled platforms, | 0:45:45 | 0:45:48 | |
even raving lunatics they'd no room for in the asylum. | 0:45:48 | 0:45:51 | |
People walked the streets with handkerchiefs pressed over | 0:45:54 | 0:45:56 | |
their mouths and noses as they probably did in the days | 0:45:56 | 0:45:59 | |
of the plagues of old. | 0:45:59 | 0:46:00 | |
This morning I actually found myself in a little square tucked away among | 0:46:02 | 0:46:05 | |
the ruins, where women were dancing to drive the sickness away. | 0:46:05 | 0:46:09 | |
The war has pushed the Neapolitans back into the Middle Ages. | 0:46:11 | 0:46:15 | |
Churches are suddenly full of images that talk, bleed, sweat, | 0:46:17 | 0:46:22 | |
nod their heads and exude health-giving liquors to be mopped | 0:46:22 | 0:46:25 | |
up by handkerchiefs, or even collected in bottles, and anxious, | 0:46:25 | 0:46:31 | |
ecstatic crowds gather, waiting for these marvels to happen. | 0:46:31 | 0:46:34 | |
Naples has reached a state of nervous exhaustion, | 0:46:36 | 0:46:39 | |
when mass hallucination has become a commonplace | 0:46:39 | 0:46:42 | |
and belief of any kind can be more real than reality. | 0:46:42 | 0:46:47 | |
INDISTINCT SHOUTING | 0:48:33 | 0:48:36 | |
-ARCHIVE: -The port was working again and supplies came flooding in. | 0:48:45 | 0:48:49 | |
Food, bombs, shells, tanks, plane parts, petrol, lorries, | 0:48:49 | 0:48:56 | |
supplies for peace and supplies for war. | 0:48:56 | 0:48:59 | |
The black market flourishes as never before. | 0:49:21 | 0:49:24 | |
65% of the per capita income of Neapolitans derives from | 0:49:25 | 0:49:28 | |
transactions in | 0:49:28 | 0:49:30 | |
stolen Allied supplies, and one third of all supplies and equipment | 0:49:30 | 0:49:34 | |
imported continued to disappear into the black market. | 0:49:34 | 0:49:37 | |
Every single item of Allied equipment, | 0:49:38 | 0:49:40 | |
short of guns and munitions, which are said to be | 0:49:40 | 0:49:43 | |
sold under the counter, is openly displayed for sale | 0:49:43 | 0:49:46 | |
in the Forcella market. | 0:49:46 | 0:49:48 | |
No feat, according to the newspapers and to public rumour, | 0:50:55 | 0:50:58 | |
is too outrageous for this new breed of robber. | 0:50:58 | 0:51:02 | |
Nothing has been too large or too small, | 0:51:05 | 0:51:07 | |
from telegraph poles to phials of penicillin, | 0:51:07 | 0:51:10 | |
to escape the Neapolitan kleptomania. | 0:51:10 | 0:51:12 | |
A week or two ago, | 0:51:18 | 0:51:19 | |
an orchestra playing at the San Carlo to an audience largely clothed | 0:51:19 | 0:51:23 | |
in Allied hospital blankets | 0:51:23 | 0:51:25 | |
returned from a five-minute interval to find all its instruments missing. | 0:51:25 | 0:51:29 | |
A theoretically priceless collection of Roman cameos | 0:51:32 | 0:51:35 | |
was abstracted from the museum | 0:51:35 | 0:51:36 | |
and replaced by modern imitations, the thief only learning, | 0:51:36 | 0:51:40 | |
so the reports go, when he came to dispose of his booty | 0:51:40 | 0:51:43 | |
that the originals themselves were counterfeit. | 0:51:43 | 0:51:45 | |
Now the statues are disappearing from the public squares | 0:51:48 | 0:51:51 | |
and one cemetery has lost most of its tombstones. | 0:51:51 | 0:51:54 | |
Even the manhole covers have been found to have a marketable value, | 0:51:56 | 0:52:00 | |
so that suddenly these too have all gone and everywhere | 0:52:00 | 0:52:04 | |
there are holes in the road. | 0:52:04 | 0:52:07 | |
-1. -What do you say? | 0:52:07 | 0:52:10 | |
Well, let's give it to him. We'll have a try. | 0:52:10 | 0:52:13 | |
-Come on. -There. | 0:52:13 | 0:52:15 | |
-All right. -Let's go. | 0:52:17 | 0:52:21 | |
-Hey, come back! -THEY SHOUT | 0:52:21 | 0:52:24 | |
Already at the end of February, | 0:52:34 | 0:52:36 | |
winter is slipping away and the onset of the melancholy of spring is | 0:52:36 | 0:52:40 | |
announced by the seller of broad beans, who passes under our windows, | 0:52:40 | 0:52:44 | |
always at dusk, with the saddest of cries. | 0:52:44 | 0:52:47 | |
"A fava fresca." | 0:52:47 | 0:52:49 | |
The warmth of the sun comes through and seeps into the cold walls and | 0:52:50 | 0:52:55 | |
the town wakes to new life. | 0:52:55 | 0:52:57 | |
On sale now - and only in this season - is a pagan springtime cake, | 0:52:58 | 0:53:03 | |
pastiera napoletana, made with soft grain of all kinds, | 0:53:03 | 0:53:08 | |
removed from their husks months before ripe | 0:53:08 | 0:53:10 | |
and cooked with orange blossom. | 0:53:10 | 0:53:12 | |
The Vico Satriano, the narrow street overlooked by one | 0:53:22 | 0:53:24 | |
side of our building, | 0:53:24 | 0:53:26 | |
hums with activity as a great, vociferous spring-cleaning | 0:53:26 | 0:53:29 | |
begins and unwanted objects of all kinds - chipped crockery, | 0:53:29 | 0:53:33 | |
broken vessels, | 0:53:33 | 0:53:34 | |
irreparable articles of furniture - follow the slops into the street. | 0:53:34 | 0:53:38 | |
Everyone shouts, gesticulates and sings snatches | 0:53:42 | 0:53:45 | |
of mournful love songs, | 0:53:45 | 0:53:46 | |
such as Ammore Busciardo - "Love The Traitor" - | 0:53:46 | 0:53:51 | |
and a boy has appeared in the street corner beneath us selling for five | 0:53:51 | 0:53:54 | |
lire a collection of 25 of the latest ballads, | 0:53:54 | 0:53:58 | |
all of them dedicated to romantic frustration. | 0:53:58 | 0:54:01 | |
A bad raid last night with heavy civilian casualties, | 0:54:27 | 0:54:30 | |
as usual in the densely populated port areas. | 0:54:30 | 0:54:34 | |
In Santa Lucia, home territory of the Neapolitan ballad, | 0:54:37 | 0:54:40 | |
I saw a heart-rending scene. | 0:54:40 | 0:54:42 | |
A number of tiny children had been dug out of the ruins of a bombed | 0:54:45 | 0:54:48 | |
building and lay side by side in the street. | 0:54:48 | 0:54:51 | |
Where presentable, their faces were uncovered and, in some cases, | 0:54:52 | 0:54:56 | |
brand-new dolls had been thrust into their arms | 0:54:56 | 0:55:00 | |
to accompany them to the other world. | 0:55:00 | 0:55:02 | |
One man climbed into the rubble and was calling into a hole | 0:55:05 | 0:55:09 | |
where he believed his little boy was trapped under hundreds of tons of | 0:55:09 | 0:55:12 | |
masonry, begging him not to die before he could be dug out. | 0:55:12 | 0:55:17 | |
"Hang on, son, only a few minutes longer now. | 0:55:20 | 0:55:23 | |
"We'll have you out of there in a minute. | 0:55:23 | 0:55:26 | |
"Please don't die." | 0:55:26 | 0:55:27 | |
MUSIC: Before It Gets Dark by Rigolo | 0:56:54 | 0:56:58 | |
Today Vesuvius erupted. | 0:57:06 | 0:57:09 | |
It was the most majestic and terrible sight I have ever seen | 0:57:11 | 0:57:15 | |
or ever expect to see. | 0:57:15 | 0:57:16 | |
The smoke from the crater slowly built up into a great bulging shape, | 0:57:18 | 0:57:22 | |
having all the appearance of solidity. | 0:57:22 | 0:57:25 | |
It swelled and expanded so slowly that there was no sign of movement | 0:57:25 | 0:57:29 | |
in the cloud, which by evening | 0:57:29 | 0:57:30 | |
must have risen 30 or 40,000 feet into the sky and measured many miles | 0:57:30 | 0:57:35 | |
across. The sky was fogged over and ash was falling, and | 0:57:35 | 0:57:39 | |
everything, the buildings, streets and fields, | 0:57:39 | 0:57:42 | |
was covered to a depth of a half-inch in a smooth grey pall. | 0:57:42 | 0:57:46 | |
There was fear for the safety of military installations in areas such | 0:57:48 | 0:57:52 | |
as Portici and Torre del Greco, | 0:57:52 | 0:57:53 | |
which always suffer the worst effects of an eruption of Vesuvius, | 0:57:53 | 0:57:58 | |
and I was instructed to find out what the prospects were, if these | 0:57:58 | 0:58:01 | |
could in any way be gauged, of a worsening in the situation. | 0:58:01 | 0:58:05 | |
An increase in the violence of the eruption | 0:58:08 | 0:58:10 | |
and also of the population's fears | 0:58:10 | 0:58:13 | |
following the news that San Sebastiano was about to be carried | 0:58:13 | 0:58:15 | |
away by the lava stream and Cercola was threatened - | 0:58:15 | 0:58:19 | |
I was sent to get an on-the-spot report. | 0:58:19 | 0:58:22 | |
Sticky going all the way through the ash with several skids, | 0:58:23 | 0:58:27 | |
I was right under the great grey cloud, | 0:58:27 | 0:58:29 | |
full of swellings and protuberances like some colossal pulsating brain. | 0:58:29 | 0:58:33 | |
At the time of my arrival at San Sebastiano, | 0:59:47 | 0:59:50 | |
the lava was pushing its way very quietly down the main street, | 0:59:50 | 0:59:55 | |
and about 50 yards from the edge of this great | 0:59:55 | 0:59:58 | |
slowly shifting slag heap, | 0:59:58 | 1:00:01 | |
a crowd of several hundred people, mostly in black, knelt in prayer. | 1:00:01 | 1:00:05 | |
The spectacle of the eruption was totally unexpected. | 1:00:09 | 1:00:12 | |
I had been prepared for rivers of fire but there was no fire and no | 1:00:20 | 1:00:24 | |
burning anywhere, only the slow, deliberate suffocation of the town | 1:00:24 | 1:00:28 | |
under millions of tons of clinkers. | 1:00:28 | 1:00:32 | |
The lava was moving at a rate of only a few yards an hour and it had | 1:00:32 | 1:00:35 | |
covered half the town to a depth of perhaps 30 feet. | 1:00:35 | 1:00:38 | |
The whole process was strangely quiet. | 1:00:41 | 1:00:44 | |
The black slag heap shook, | 1:00:45 | 1:00:47 | |
trembled and jerked a little and cinders rattled down its slope. | 1:00:47 | 1:00:51 | |
Dominant in every way, | 1:00:55 | 1:00:56 | |
for sheer size and the number of persons supporting the platform, | 1:00:56 | 1:00:59 | |
of images confronting the eruption was that of San Sebastiano himself. | 1:00:59 | 1:01:04 | |
But wandering away into a side street, | 1:01:04 | 1:01:07 | |
I noticed the presence of another image also with numerous attendants, | 1:01:07 | 1:01:10 | |
which was covered with a white sheet. | 1:01:10 | 1:01:12 | |
This was an image of San Gennaro, | 1:01:14 | 1:01:16 | |
smuggled in from Naples on an outside chance that it might be | 1:01:16 | 1:01:20 | |
of some use if all else failed. | 1:01:20 | 1:01:22 | |
It is believed by Neapolitans of all political creeds and degrees of | 1:01:54 | 1:01:58 | |
religious conviction that the fortunes of the city | 1:01:58 | 1:02:01 | |
depend on the miracle of San Gennaro. | 1:02:01 | 1:02:04 | |
A good miracle is one in which the blood liquefies quickly... | 1:02:10 | 1:02:14 | |
..while the failure of the miracle is taken as a sign of the saint's | 1:02:15 | 1:02:18 | |
extreme displeasure and regarded as a catastrophe. | 1:02:18 | 1:02:22 | |
Fear is expressed that the blood of San Gennaro may refuse to liquefy | 1:02:24 | 1:02:27 | |
this year and that such a failure might be exploited by secret | 1:02:27 | 1:02:31 | |
anti-Allied factions and troublemakers to set off large-scale | 1:02:31 | 1:02:35 | |
rioting of the kind that has frequently happened in Neapolitan | 1:02:35 | 1:02:38 | |
history when the miracle has failed. | 1:02:38 | 1:02:41 | |
At about eight o'clock, the saint gave way to this new pressure and | 1:03:56 | 1:04:01 | |
the miracle took place. | 1:04:01 | 1:04:02 | |
# Jesce sole | 1:04:19 | 1:04:27 | |
# Jesce sole | 1:04:31 | 1:04:39 | |
# Jesce sole | 1:04:41 | 1:04:48 | |
# Nun te fa' cchiu suspira... # | 1:04:49 | 1:05:03 | |
The fragmentation of Italian politics in reaction to | 1:05:10 | 1:05:13 | |
the long-stagnant acquiescence under fascism continues. | 1:05:13 | 1:05:17 | |
There are now some 60 officially recognised political parties, having | 1:05:17 | 1:05:21 | |
memberships ranging from 100 or so to nearly two million. | 1:05:21 | 1:05:25 | |
Of all the emergent political forces, the most numerous, | 1:05:27 | 1:05:29 | |
powerful and rational outside Naples, | 1:05:29 | 1:05:32 | |
in which the urban subproletariat | 1:05:32 | 1:05:34 | |
is royalist to a man, are the Christian Democrats, | 1:05:34 | 1:05:38 | |
the Social Democrats and Orthodox Communists. | 1:05:38 | 1:05:41 | |
CHEERING | 1:05:44 | 1:05:47 | |
CHEERING | 1:05:55 | 1:05:57 | |
CHEERING | 1:06:03 | 1:06:06 | |
CHEERING | 1:06:10 | 1:06:13 | |
I am concerned at the increasing number of applications by officers | 1:07:05 | 1:07:08 | |
or other ranks to marry Italian civilians. | 1:07:08 | 1:07:10 | |
The Bureau of Psychological Warfare has just stated in its bulletin that | 1:07:12 | 1:07:15 | |
there are 42,000 women in Naples engaged either on a regular | 1:07:15 | 1:07:19 | |
or occasional basis in prostitution. | 1:07:19 | 1:07:22 | |
This, out of a nubile female population of perhaps 150,000, | 1:07:23 | 1:07:29 | |
seems incredible. | 1:07:29 | 1:07:30 | |
Three out of four of these girls I have interviewed will probably | 1:07:33 | 1:07:36 | |
cease to be prostitutes as soon as they can hope to keep alive | 1:07:36 | 1:07:38 | |
by any other means. | 1:07:38 | 1:07:40 | |
Nine out of ten Italian girls have lost their menfolk - | 1:07:41 | 1:07:46 | |
who have either disappeared in battles, | 1:07:46 | 1:07:48 | |
into prisoner-of-war camps or been cut off in the north. | 1:07:48 | 1:07:51 | |
The whole population is out of work. | 1:07:52 | 1:07:54 | |
Nobody produces anything. | 1:07:54 | 1:07:56 | |
How are they to live? | 1:07:56 | 1:07:57 | |
A circular issued by the general officer commanding is probably | 1:08:04 | 1:08:08 | |
the real reason | 1:08:08 | 1:08:09 | |
behind the sudden coming to an end of my investigation into the | 1:08:09 | 1:08:12 | |
suitability of marriages proposed between the British soldiery | 1:08:12 | 1:08:15 | |
and Italian girls in the Naples area. | 1:08:15 | 1:08:17 | |
In the first three months, | 1:08:19 | 1:08:21 | |
43 such vettings have been carried out | 1:08:21 | 1:08:24 | |
and in 12 cases the report has been favourable. | 1:08:24 | 1:08:26 | |
However this may be, I am out of it for good, | 1:08:29 | 1:08:31 | |
having been relieved by the field security officer of this particular | 1:08:31 | 1:08:34 | |
duty in so subtle a fashion that I am bound to suspect that after | 1:08:34 | 1:08:38 | |
a year of close contact with the seamy side of life in Naples, | 1:08:38 | 1:08:42 | |
he's been unable to avoid infection | 1:08:42 | 1:08:44 | |
by the deviousness of the environment. | 1:08:44 | 1:08:46 | |
Hello, Yossarian. | 1:08:57 | 1:08:58 | |
Huh. | 1:09:00 | 1:09:02 | |
-I didn't know. -That I work for Milo? | 1:09:03 | 1:09:06 | |
Everybody works for Milo. | 1:09:06 | 1:09:08 | |
Yeah. | 1:09:09 | 1:09:10 | |
Well, he told me to ask for number 33. | 1:09:11 | 1:09:14 | |
Mm-hm. 33. | 1:09:14 | 1:09:16 | |
10, please. | 1:09:20 | 1:09:22 | |
No towel, Yossarian? | 1:09:29 | 1:09:31 | |
PIANO PLAYS RAG | 1:09:33 | 1:09:36 | |
A most embarrassing episode happened today. | 1:09:48 | 1:09:50 | |
Mobs of youths began to assault girls found in the company | 1:09:51 | 1:09:55 | |
of Allied soldiers. The girls were chased and, when caught, | 1:09:55 | 1:09:59 | |
their knickers were torn off. | 1:09:59 | 1:10:01 | |
Soldiers who intervened to defend their girls were promptly beaten up. | 1:10:01 | 1:10:04 | |
The incident highlighted an unhappy and deteriorating situation produced | 1:10:06 | 1:10:10 | |
by the encroachment of the Allied presence on the emotional | 1:10:10 | 1:10:13 | |
and romantic life of the city. | 1:10:13 | 1:10:15 | |
Then the foreign soldiers came on the scene and were in immediate | 1:10:19 | 1:10:22 | |
collision with the local boys, who had no work, no prestige, no money, | 1:10:22 | 1:10:25 | |
absolutely nothing to offer the girls. | 1:10:25 | 1:10:27 | |
A British private, wretchedly paid as he is, | 1:10:29 | 1:10:32 | |
earns more than a foreman at the navali mechannica, | 1:10:32 | 1:10:34 | |
while an American private, | 1:10:34 | 1:10:36 | |
who can shower cigarettes, | 1:10:36 | 1:10:37 | |
sweets and even silk stockings in all directions, | 1:10:37 | 1:10:40 | |
has a higher income than any Italian employee in Naples. | 1:10:40 | 1:10:44 | |
Thus, the long, delicate, | 1:10:46 | 1:10:48 | |
intricate business of the old Neapolitan courtship, | 1:10:48 | 1:10:51 | |
as complex as the mating ritual of exotic birds, | 1:10:51 | 1:10:55 | |
is replaced by a brutal, | 1:10:55 | 1:10:57 | |
wordless approach and a crude act of purchase. | 1:10:57 | 1:11:00 | |
One wonders how long it will take the young of Naples | 1:11:03 | 1:11:06 | |
after we have gone to recover from the bitterness of this experience. | 1:11:06 | 1:11:09 | |
MUSIC: Parlami d'Amore Mariu by Mario Lanza | 1:11:09 | 1:11:14 | |
The fact is that we have upset the balance of nature here. | 1:11:51 | 1:11:55 | |
And I have arrived at a time when, in their hearts, | 1:11:57 | 1:12:00 | |
these people must be thoroughly sick and tired of us. | 1:12:00 | 1:12:03 | |
A year ago we liberated them from the fascist monster. | 1:12:04 | 1:12:07 | |
And they still sit doing their best to smile politely at us... | 1:12:08 | 1:12:12 | |
..as hungry as ever, more disease-ridden than ever before, | 1:12:13 | 1:12:17 | |
in the ruins of their beautiful city, | 1:12:17 | 1:12:20 | |
where law and order have ceased to exist. | 1:12:20 | 1:12:21 | |
And what is the prize that is to be eventually won? | 1:12:23 | 1:12:26 | |
The rebirth of democracy. | 1:12:27 | 1:12:29 | |
The glorious prospect of being able one day | 1:12:30 | 1:12:32 | |
to choose their rulers from a list of powerful men, | 1:12:32 | 1:12:35 | |
most of whose corruptions are generally known and accepted | 1:12:35 | 1:12:38 | |
with weary resignation. | 1:12:38 | 1:12:40 | |
The days of Benito Mussolini must seem like a lost paradise compared | 1:12:41 | 1:12:45 | |
with this. | 1:12:45 | 1:12:47 | |
CROWD ROARS | 1:12:57 | 1:13:00 | |
CHEERING | 1:13:57 | 1:13:59 | |
BRASS BAND PLAYS | 1:13:59 | 1:14:02 | |
The thunderbolt has fallen. | 1:15:28 | 1:15:30 | |
Today I was ordered to prepare to leave immediately for Taranto | 1:15:32 | 1:15:36 | |
to embark on the Reina del Pacifico for Port Said, | 1:15:36 | 1:15:39 | |
where I am to pick up 3,000 Russian soldiers | 1:15:39 | 1:15:42 | |
who had been fighting with the Germans | 1:15:42 | 1:15:44 | |
and gone over to the partisans. | 1:15:44 | 1:15:45 | |
The Allied force headquarters' order reads, | 1:15:47 | 1:15:48 | |
"You will be away as long as necessary," | 1:15:48 | 1:15:51 | |
but does not define the duties to be performed. | 1:15:51 | 1:15:54 | |
My intuition warns me that my stay in Naples has come to an end, | 1:15:55 | 1:15:59 | |
so I am left with only hours to spare and no time to say goodbye to | 1:15:59 | 1:16:03 | |
any of the friends scattered through so many towns. | 1:16:03 | 1:16:07 | |
There will be no time for a last glass of Marsala with any of | 1:16:08 | 1:16:12 | |
the scheming syndicates | 1:16:12 | 1:16:13 | |
or the Machiavellian chiefs of police who have always, | 1:16:13 | 1:16:16 | |
for all their innumerable shortcomings, | 1:16:16 | 1:16:19 | |
shown hospitality to me as a stranger. | 1:16:19 | 1:16:21 | |
There will be no time for a last coffee substitute in the Gran Caffe | 1:16:23 | 1:16:27 | |
in the Galleria to say goodbye and good luck to several girls who are | 1:16:27 | 1:16:31 | |
virtually fixtures at the place and bear me no ill will because I was | 1:16:31 | 1:16:35 | |
unable to help them to marry Allied personnel. | 1:16:35 | 1:16:37 | |
I realise that I have had my last meal at Zi Teresa's. | 1:16:39 | 1:16:43 | |
There won't be even a half-hour to spare for a dash up to the Vomero | 1:16:43 | 1:16:46 | |
for a last panoramic view across the gardens of the Villa Floridiana, | 1:16:46 | 1:16:51 | |
of the great grey and red city spread below, | 1:16:51 | 1:16:55 | |
presenting at this distance a totally fallacious aspect | 1:16:55 | 1:16:58 | |
of dignified calm... | 1:16:58 | 1:16:59 | |
..or for a final contemplation of the somnolent Vesuvius, | 1:17:00 | 1:17:04 | |
so changed in outline since its reshaping by the eruption. | 1:17:04 | 1:17:07 | |
A year among the Italians had converted me to such an admiration | 1:17:10 | 1:17:14 | |
for their humanity and culture | 1:17:14 | 1:17:15 | |
that I realised that were I given the chance to be | 1:17:15 | 1:17:18 | |
born again and to choose the place of my birth, | 1:17:18 | 1:17:21 | |
Italy would be the country of my choice. | 1:17:21 | 1:17:23 | |
Perhaps when everything is ready for the move-off, | 1:17:28 | 1:17:31 | |
at half past six tomorrow from the Stazione Centrale, | 1:17:31 | 1:17:34 | |
there will at least be a moment left to call on Lattarulo, | 1:17:34 | 1:17:38 | |
most faithful of my Neapolitan allies. | 1:17:38 | 1:17:40 | |
I know in advance that having staggered under the impact | 1:17:42 | 1:17:45 | |
of the news and then recovered with proper fortitude, he will whisper, | 1:17:45 | 1:17:50 | |
"I've got a treat for you." | 1:17:50 | 1:17:52 | |
This he will describe as caccia, game, | 1:17:53 | 1:17:57 | |
but it will be a muscled city pigeon netted on someone's roof. | 1:17:57 | 1:18:01 | |
He will dash out to find the neighbourhood girl, who will stew it | 1:18:01 | 1:18:04 | |
in garlic and herbs and serve it up on the great ancestral salver. | 1:18:04 | 1:18:07 | |
When it is time to go, he will take my hand and say, | 1:18:17 | 1:18:19 | |
"I'll be at the station tomorrow to see you off." | 1:18:19 | 1:18:22 | |
And I know he will be there, as promised... | 1:18:23 | 1:18:25 | |
..dressed in all the dignity of his zio di Roma suit | 1:18:26 | 1:18:30 | |
for such an occasion. | 1:18:30 | 1:18:31 |