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Britain is a land rich in ancient history. | 0:00:01 | 0:00:05 | |
Many of the world's greatest Stone Age monuments | 0:00:08 | 0:00:11 | |
are spread right across our countryside. | 0:00:11 | 0:00:13 | |
But right now, a brand new discovery could rival anything | 0:00:15 | 0:00:19 | |
we have from our distant past. | 0:00:19 | 0:00:21 | |
It's the discovery of a lifetime, | 0:00:21 | 0:00:24 | |
unlike anything I've ever seen before. | 0:00:24 | 0:00:26 | |
The excavation of a vast network of buildings on Orkney | 0:00:26 | 0:00:31 | |
is allowing us to recreate an entire Stone Age world. | 0:00:31 | 0:00:34 | |
And 5,000-year-old finds are opening a window | 0:00:38 | 0:00:41 | |
onto the mysteries of Neolithic religion... | 0:00:41 | 0:00:44 | |
..and giving rare glimpses into our human imagination. | 0:00:46 | 0:00:50 | |
The archaeologists believe they've found nothing less | 0:00:52 | 0:00:55 | |
than a temple complex. | 0:00:55 | 0:00:57 | |
This may have been the portal between life and death. | 0:00:59 | 0:01:02 | |
The place where the two worlds met. | 0:01:02 | 0:01:06 | |
The Orkney discovery could even explain | 0:01:06 | 0:01:08 | |
the creation of the most iconic ancient monument of them all. | 0:01:08 | 0:01:12 | |
It's just breathtaking to think that it turns the map of Britain | 0:01:12 | 0:01:16 | |
through 180 degrees. | 0:01:16 | 0:01:18 | |
-The heartland's at the other end. -Yes. | 0:01:18 | 0:01:21 | |
This is the story of the most important Neolithic excavation | 0:01:22 | 0:01:26 | |
taking place in Britain today. | 0:01:26 | 0:01:28 | |
An excavation that's giving new insights | 0:01:29 | 0:01:33 | |
into one of the greatest questions in the whole of ancient history. | 0:01:33 | 0:01:36 | |
Just what did our Neolithic ancestors | 0:01:38 | 0:01:40 | |
believe about their world, | 0:01:40 | 0:01:42 | |
about life, | 0:01:42 | 0:01:45 | |
and the cosmos? | 0:01:45 | 0:01:46 | |
Orkney is a land on the edge of the world. | 0:02:02 | 0:02:04 | |
Scotland and the rest of Britain are away in that direction to the south. | 0:02:04 | 0:02:09 | |
Out there, nothing but the cold emptiness of the North Atlantic. | 0:02:09 | 0:02:12 | |
The locals call Orkney a place between the wind and the water | 0:02:16 | 0:02:20 | |
and standing here today, you get an idea of why. | 0:02:20 | 0:02:24 | |
Over 5,000 years ago, to the north of mainland Britain, | 0:02:35 | 0:02:38 | |
the islands of Orkney were home to a thriving community. | 0:02:38 | 0:02:42 | |
Neolithic people who created some of the most | 0:02:44 | 0:02:47 | |
remarkable monuments in all of prehistory. | 0:02:47 | 0:02:51 | |
These islands are home to the towering Stones of Stenness, | 0:02:53 | 0:02:56 | |
the remains of one of the earliest stone circles in the world. | 0:02:56 | 0:03:00 | |
And just a mile to the north, the Ring of Brodgar, | 0:03:05 | 0:03:09 | |
one of the largest. | 0:03:10 | 0:03:12 | |
It's over 100 metres across | 0:03:15 | 0:03:17 | |
and while there are 21 stones standing today, | 0:03:17 | 0:03:20 | |
in its original form there would have been as many as 60. | 0:03:20 | 0:03:23 | |
It's been estimated that it would have taken 100 men | 0:03:23 | 0:03:27 | |
six months just to cut the ditch. | 0:03:27 | 0:03:31 | |
This is on an epic scale. | 0:03:31 | 0:03:33 | |
Nearby is Skara Brae. | 0:03:36 | 0:03:38 | |
A group of incredibly preserved houses | 0:03:40 | 0:03:43 | |
inhabited by Neolithic farmers 5,000 years ago. | 0:03:43 | 0:03:47 | |
Right. | 0:03:51 | 0:03:52 | |
This is the inside of one of the houses. | 0:03:53 | 0:03:56 | |
What you notice right away is a big square hearth for a big roaring fire. | 0:03:56 | 0:04:00 | |
These are bed recesses, | 0:04:00 | 0:04:03 | |
places where people would have laid out their bedding. | 0:04:03 | 0:04:06 | |
Places like this are magical. | 0:04:07 | 0:04:09 | |
Conjuring up the distant world of the Neolithic before our eyes. | 0:04:09 | 0:04:14 | |
You can almost hear the echoes of voices, | 0:04:16 | 0:04:20 | |
smell the embers of fires, | 0:04:20 | 0:04:23 | |
almost touch those ancient lives. | 0:04:23 | 0:04:26 | |
But yet another site reveals what happened | 0:04:32 | 0:04:35 | |
to a few of them when they died. | 0:04:35 | 0:04:37 | |
Maeshowe is one of the finest passage tombs ever constructed. | 0:04:40 | 0:04:44 | |
Fantastic. | 0:04:49 | 0:04:50 | |
Already you get the sense that you've left one world behind | 0:04:50 | 0:04:54 | |
and come somewhere different. | 0:04:54 | 0:04:57 | |
Right away you notice the similarity between the interior of this tomb | 0:04:57 | 0:05:02 | |
and the interior of the houses in Skara Brae. | 0:05:02 | 0:05:05 | |
Over here, a recess, similar to a bed, | 0:05:07 | 0:05:12 | |
but the people put in there are having a much, much deeper sleep. | 0:05:12 | 0:05:18 | |
But today a new discovery on Orkney | 0:05:22 | 0:05:25 | |
could prove to be the most evocative of all. | 0:05:25 | 0:05:28 | |
A place that helps us to really feel | 0:05:28 | 0:05:31 | |
what the people who once lived here actually believed. | 0:05:31 | 0:05:34 | |
It lies between two lochs on a narrow spit of land called | 0:05:36 | 0:05:40 | |
The Ness of Brodgar. | 0:05:40 | 0:05:43 | |
What the archaeologists have unearthed is extraordinary. | 0:05:43 | 0:05:46 | |
Walls and doorways of buildings preserved after 5,000 years. | 0:05:46 | 0:05:51 | |
What's particularly exciting is that so much remains to be discovered. | 0:05:51 | 0:05:57 | |
I could just get in there myself and start digging it up. | 0:05:57 | 0:06:01 | |
Is there still stone to come out of there or can we...? | 0:06:01 | 0:06:04 | |
You can come and have a scrape, just all of this material. | 0:06:04 | 0:06:07 | |
Hopefully this is going to be the entrance. | 0:06:07 | 0:06:10 | |
How does this rate for you as an archaeologist, working here? | 0:06:12 | 0:06:15 | |
It's amazing. | 0:06:15 | 0:06:17 | |
There's not many buildings in Orkney today on this sort of scale | 0:06:17 | 0:06:20 | |
which gives you an indication of how much it would have dominated the landscape in the Neolithic. | 0:06:20 | 0:06:26 | |
Look at that. | 0:06:31 | 0:06:33 | |
-What's that? -Whale tooth. Whale ivory. | 0:06:33 | 0:06:37 | |
Since 2008, archaeologists have been slowly stripping away | 0:06:37 | 0:06:42 | |
-the layers of history... -Well done. | 0:06:42 | 0:06:44 | |
..under the watchful eye of site director, Nick Card. | 0:06:44 | 0:06:48 | |
This whalebone mace head has been shaped, | 0:06:52 | 0:06:55 | |
there's a kind of curvature to it. | 0:06:55 | 0:06:57 | |
We need to get this out as quickly as possible for conservation. | 0:06:57 | 0:07:01 | |
It's always a bit nerve wracking when you're dealing with something 5000 years old that might be unique. | 0:07:03 | 0:07:10 | |
Things can go wrong. | 0:07:10 | 0:07:12 | |
Right, here we go. | 0:07:15 | 0:07:18 | |
WHISPERS: Well done. | 0:07:22 | 0:07:24 | |
Well done. | 0:07:24 | 0:07:26 | |
WHISTLE Just like that. | 0:07:26 | 0:07:28 | |
With precious objects appearing everyday | 0:07:31 | 0:07:34 | |
the Ness of Brodgar has become a must-see stop | 0:07:34 | 0:07:37 | |
on the tour of Orkney's prehistoric past. | 0:07:37 | 0:07:42 | |
It's probably a whalebone mace head. | 0:07:42 | 0:07:44 | |
A very unusual object. | 0:07:44 | 0:07:46 | |
You should all feel very privileged to see this. | 0:07:46 | 0:07:49 | |
Was there a day early on when you realised | 0:07:50 | 0:07:54 | |
possibly, what you had got your hands on here? | 0:07:54 | 0:07:58 | |
That this was something unusual? | 0:07:58 | 0:08:00 | |
It's an archaeologist's dream site. | 0:08:00 | 0:08:03 | |
The excitement of this site just never fades. | 0:08:03 | 0:08:06 | |
There's nothing else like it in the prehistory of North Europe. | 0:08:06 | 0:08:11 | |
It's more like a site you'd find in Middle East | 0:08:11 | 0:08:13 | |
or the classical Mediterranean world. This site is a one-off. | 0:08:13 | 0:08:16 | |
So right up there with the Aveburys and Stonehenges? | 0:08:16 | 0:08:20 | |
Er, possibly above them. | 0:08:20 | 0:08:24 | |
Only one place in Britain can rival Orkney | 0:08:27 | 0:08:30 | |
for its Neolithic monuments - | 0:08:30 | 0:08:32 | |
The Wessex landscape of Avebury and Stonehenge, | 0:08:36 | 0:08:40 | |
600 miles to the south. | 0:08:40 | 0:08:44 | |
For a long time, this was thought to be the centre of Neolithic culture | 0:08:50 | 0:08:54 | |
but the Orkney discovery could change everything. | 0:08:54 | 0:08:58 | |
The Ness of Brodgar site is revealing an entire complex of ancient buildings, | 0:09:09 | 0:09:14 | |
directly between the two ancient stone circles | 0:09:14 | 0:09:17 | |
and within sight of the passage tomb of Maeshowe. | 0:09:17 | 0:09:20 | |
Experts are just coming to terms with what this new discovery | 0:09:25 | 0:09:28 | |
might mean for our understanding of the Stone Age. | 0:09:28 | 0:09:32 | |
It just blows your mind really | 0:09:32 | 0:09:34 | |
because it's providing us with structures that are bigger | 0:09:34 | 0:09:38 | |
than any other structures we've seen before. | 0:09:38 | 0:09:40 | |
It's posing all sorts of questions. | 0:09:40 | 0:09:43 | |
It clearly wasn't an ordinary domestic site. | 0:09:43 | 0:09:46 | |
How does it relate to the other monuments | 0:09:46 | 0:09:48 | |
Maeshowe and the Stones of Stenness? | 0:09:48 | 0:09:50 | |
The Ness of Brodgar is definitely of international importance. | 0:09:53 | 0:09:57 | |
It's characterised by architectures we don't see on this scale. | 0:09:57 | 0:10:02 | |
The chance to dig, or to work on, or explore buildings in three dimension | 0:10:02 | 0:10:07 | |
is almost unparalleled. | 0:10:07 | 0:10:10 | |
But there's more. | 0:10:12 | 0:10:13 | |
Because so far archaeologists have only dug a small part of the site. | 0:10:13 | 0:10:17 | |
Geophysics has detected up to 100 separate structures | 0:10:22 | 0:10:25 | |
that remain hidden. | 0:10:25 | 0:10:27 | |
A vast area of undisturbed archaeology. | 0:10:28 | 0:10:31 | |
Nick, can you give me an overview, | 0:10:33 | 0:10:36 | |
just describe to me what we're looking at? | 0:10:36 | 0:10:39 | |
What you're looking at is really a tiny percentage | 0:10:39 | 0:10:42 | |
of the scale of the site. | 0:10:42 | 0:10:43 | |
The site basically covers almost 250 metres by 100 metres wide, | 0:10:43 | 0:10:48 | |
five football pitches, so what we're excavating | 0:10:48 | 0:10:51 | |
is only probably less than ten percent of the whole site. | 0:10:51 | 0:10:55 | |
So there's buried archaeology everywhere on this promontory. | 0:10:55 | 0:10:59 | |
Everywhere I think, you know, this whole promontory | 0:10:59 | 0:11:02 | |
is just chock-a-block with archaeology. | 0:11:02 | 0:11:04 | |
So just what was this place? | 0:11:07 | 0:11:09 | |
Why did the community of Orkney go to such trouble to create it? | 0:11:09 | 0:11:13 | |
And what was it used for? | 0:11:15 | 0:11:17 | |
Of all the unknown structures detected by the geophysics, | 0:11:21 | 0:11:25 | |
huge features at either end of the site, | 0:11:25 | 0:11:28 | |
across the width of the promontory were particularly intriguing. | 0:11:28 | 0:11:32 | |
A separate trench was dug to investigate them. | 0:11:34 | 0:11:37 | |
This promontory doesn't just contain buildings. | 0:11:37 | 0:11:41 | |
There's something else going on here. | 0:11:41 | 0:11:43 | |
It's unique. You won't see it anywhere else in Britain. | 0:11:43 | 0:11:46 | |
This is what the archaeologists are calling the lesser wall of Brodgar. | 0:11:48 | 0:11:53 | |
It's two metres wide. | 0:11:53 | 0:11:54 | |
It's called the lesser wall because there's another one | 0:11:54 | 0:11:57 | |
on the other side of the site towards the north. | 0:11:57 | 0:12:01 | |
It's bigger. That's the great wall of Brodgar. | 0:12:01 | 0:12:04 | |
Prehistoric walls this big have never been found before. | 0:12:06 | 0:12:09 | |
It's thought they once stood at over ten feet, | 0:12:11 | 0:12:14 | |
too great to be domestic, or even defensive. | 0:12:14 | 0:12:18 | |
So what were they? | 0:12:18 | 0:12:20 | |
To find out, the geophysics team made a more detailed survey. | 0:12:25 | 0:12:28 | |
Stones, rocks, bricks all have their own little magnetic signature. | 0:12:32 | 0:12:37 | |
We collect all this data | 0:12:37 | 0:12:39 | |
and then process it to produce a map of what's beneath the soil. | 0:12:39 | 0:12:43 | |
Tracking the line of the wall underground provided an answer. | 0:12:43 | 0:12:49 | |
What we were trying to do is define how far that wall actually extended. | 0:12:49 | 0:12:54 | |
With this extra high resolution you can actually see | 0:12:54 | 0:12:57 | |
that it does curve round and continue into where they're excavating, | 0:12:57 | 0:13:01 | |
where they're excavating is up here at top. | 0:13:01 | 0:13:03 | |
That's good news for Nick and his crew because it means the wall is a continuation. | 0:13:03 | 0:13:08 | |
So the buried walls were in fact a single structure, | 0:13:11 | 0:13:15 | |
a perimeter of monumental proportions. | 0:13:15 | 0:13:18 | |
In places, up to 12 feet wide. | 0:13:19 | 0:13:22 | |
Built from almost 10,000 tonnes of quarried rock. | 0:13:23 | 0:13:26 | |
All to hide and protect the complex of buildings within. | 0:13:28 | 0:13:32 | |
I know it's putting you on the spot to ask a question like this at this time, | 0:13:38 | 0:13:43 | |
but how would you interpret what you're seeing just now? | 0:13:43 | 0:13:48 | |
Well, I think to begin with it was being viewed at, | 0:13:48 | 0:13:51 | |
viewed in terms of being a settlement | 0:13:51 | 0:13:54 | |
but I think the scale and the complexity of the buildings | 0:13:54 | 0:13:58 | |
coupled with its huge walled enclosure | 0:13:58 | 0:14:00 | |
make you think along the lines of something like a temple precinct. | 0:14:00 | 0:14:04 | |
-A temple? -A temple, yeah. | 0:14:04 | 0:14:06 | |
That's a big loaded word. | 0:14:06 | 0:14:08 | |
Very loaded, but I think in many ways it kind of sums up | 0:14:08 | 0:14:13 | |
what I think is going on here. | 0:14:13 | 0:14:15 | |
I think it's interesting Nick Card is using the phrase temple complex | 0:14:17 | 0:14:21 | |
and I think he's probably got something there. | 0:14:21 | 0:14:24 | |
Clearly it's surrounded by this wall so it's a kind of sacred precinct. | 0:14:24 | 0:14:28 | |
Yes, it was something special and the fact it is so close | 0:14:28 | 0:14:32 | |
to the Stones of Stenness and Maeshowe | 0:14:32 | 0:14:34 | |
and these standing stones suggest to me | 0:14:34 | 0:14:36 | |
this is all part of a sacred complex. | 0:14:36 | 0:14:41 | |
Now those walls are effectively built to make a statement | 0:14:41 | 0:14:45 | |
simply by virtue of their scale, but they're also built to define | 0:14:45 | 0:14:49 | |
an area within which certain people, certain events, | 0:14:49 | 0:14:53 | |
certain proceedings, perhaps even certain powers can be contained. | 0:14:53 | 0:14:56 | |
What Nick and his team have found is something truly unique. | 0:14:58 | 0:15:02 | |
A monumental structure unlike anything found anywhere else. | 0:15:02 | 0:15:06 | |
From the evidence of the archaeology and geophysics, we can recreate | 0:15:08 | 0:15:12 | |
how this place would once have appeared. | 0:15:12 | 0:15:15 | |
It would have stood three metres high. | 0:15:17 | 0:15:20 | |
So it would certainly have prevented anyone out here from seeing | 0:15:20 | 0:15:23 | |
what was going on in there. | 0:15:23 | 0:15:25 | |
And that's presumably why it was built, to control access, | 0:15:25 | 0:15:28 | |
to dictate who was allowed inside and who was to remain excluded. | 0:15:28 | 0:15:33 | |
And it's easy to imagine the world within. | 0:15:33 | 0:15:36 | |
A Stone Age world of ritual and religion. | 0:15:36 | 0:15:39 | |
A place set apart from the wild world outside. | 0:15:39 | 0:15:42 | |
The inner sanctum of a Neolithic temple. | 0:15:42 | 0:15:46 | |
But when was this temple complex built? | 0:15:50 | 0:15:55 | |
And how did it relate to other Neolithic monuments in Britain? | 0:15:55 | 0:15:59 | |
Charcoal samples from beneath the temple's great boundary wall | 0:16:02 | 0:16:08 | |
could be used to date its construction. | 0:16:08 | 0:16:12 | |
Every living organism gets labelled with carbon 14 | 0:16:12 | 0:16:15 | |
but because carbon 14 is radioactive, it gradually decays away. | 0:16:15 | 0:16:19 | |
We know what carbon 14 activity should be in a living organism. | 0:16:22 | 0:16:26 | |
We know the rate at which it decays. | 0:16:26 | 0:16:28 | |
We can measure it in a dead organism and therefore the only unknown | 0:16:28 | 0:16:32 | |
is the time that's elapsed between death and measurement | 0:16:32 | 0:16:36 | |
and that is what we calculate in the radio carbon measurement. | 0:16:36 | 0:16:39 | |
After careful analysis, | 0:16:39 | 0:16:41 | |
the carbon 14 readings revealed just how old this site is. | 0:16:41 | 0:16:46 | |
Nick sent us three charcoal samples | 0:16:48 | 0:16:50 | |
from below the foundation of the lesser wall. | 0:16:50 | 0:16:53 | |
And when we calibrated them they were all in excess of 3,000 BC. | 0:16:53 | 0:16:59 | |
Carbon dating has revealed that the temple wall was | 0:17:02 | 0:17:05 | |
built around the same time as the village of Skara Brae, | 0:17:05 | 0:17:08 | |
the tomb of Maeshowe and the Stones of Stenness. | 0:17:08 | 0:17:13 | |
This was the beginning of a new ritual landscape | 0:17:16 | 0:17:19 | |
that pre-dates our other great Neolithic monument... | 0:17:19 | 0:17:23 | |
far to the South. | 0:17:23 | 0:17:27 | |
The massive trilithons of Stonehenge might be our most famous | 0:17:30 | 0:17:34 | |
Stone Age landmark. | 0:17:34 | 0:17:36 | |
But they're just a third of the weight of | 0:17:36 | 0:17:39 | |
the Ness of Brodgar Wall... | 0:17:39 | 0:17:40 | |
and were dragged into place a full 500 years after the Orkney | 0:17:40 | 0:17:45 | |
temple had been built. | 0:17:45 | 0:17:48 | |
For Stonehenge expert Mike Parker Pearson, | 0:17:50 | 0:17:54 | |
the early Orkney dates have huge implications. | 0:17:54 | 0:17:58 | |
Do you think that people who were building | 0:17:58 | 0:18:01 | |
and thinking about Stonehenge, were well aware of what was going on | 0:18:01 | 0:18:07 | |
at Ness of Brodgar and the stones of Stenness and all the rest? | 0:18:07 | 0:18:12 | |
It's a really difficult question to answer, but the people who are | 0:18:12 | 0:18:17 | |
building this, were using a type of pottery that we call grooved wear, | 0:18:17 | 0:18:22 | |
that's because it's grooved, and, um that originates in Orkney and it's | 0:18:22 | 0:18:28 | |
a style of ceramic which is used throughout Britain by this time. | 0:18:28 | 0:18:34 | |
-But it starts on Orkney? -But it starts on Orkney. | 0:18:34 | 0:18:38 | |
So there's some really important influence that the Orcadians | 0:18:38 | 0:18:42 | |
had over the rest of Britain. | 0:18:42 | 0:18:45 | |
It's just breath-taking I think fundamentally to think it, | 0:18:45 | 0:18:49 | |
it turns the map of Britain through 180 degrees, | 0:18:49 | 0:18:52 | |
that instead of things spreading north, they spread south | 0:18:52 | 0:18:56 | |
from that what we consider to be an isolated archipelago. | 0:18:56 | 0:19:00 | |
Yeah, and the people in the far north are having this huge impact | 0:19:00 | 0:19:04 | |
on what we might consider the British heartland of Stonehenge. | 0:19:04 | 0:19:10 | |
So I think we have a lot of debt if you like for the people | 0:19:10 | 0:19:14 | |
of Stonehenge, to those Neolithic Orcadians. | 0:19:14 | 0:19:17 | |
And perhaps, if we can understand the Orkney temple, we might | 0:19:18 | 0:19:23 | |
be able to unlock the wider secrets of Neolithic ritual and belief. | 0:19:23 | 0:19:28 | |
Just like Stonehenge, | 0:19:33 | 0:19:36 | |
the stone circles of Orkney located either side of the Ness of Brodgar, | 0:19:36 | 0:19:40 | |
are open, windswept places, almost stages, set for ceremony. | 0:19:40 | 0:19:47 | |
But between the two, on its narrow bridge of land, | 0:19:51 | 0:19:54 | |
the temple site is very different. | 0:19:54 | 0:19:57 | |
A secret complex of buildings, bounded by a great enclosing wall. | 0:19:58 | 0:20:03 | |
So what did the buildings look like? | 0:20:06 | 0:20:09 | |
And how were they used? | 0:20:09 | 0:20:12 | |
Over the last three years, Nick Card and his team have been slowly | 0:20:14 | 0:20:18 | |
unearthing the temple itself. | 0:20:18 | 0:20:21 | |
For the farmers who lived here, | 0:20:22 | 0:20:24 | |
quarrying, moving, and constructing these stone buildings was a massive | 0:20:24 | 0:20:29 | |
show of devotion. | 0:20:29 | 0:20:31 | |
How do you go about making sense of what really just | 0:20:33 | 0:20:37 | |
looks like a jumble of slabs to me? | 0:20:37 | 0:20:40 | |
Well, you can see there's wall lines starting to appear and it's | 0:20:40 | 0:20:43 | |
almost by experience you can start to join up the apparent disparate | 0:20:43 | 0:20:49 | |
elements of the site and you start to see structures forming outlines. | 0:20:49 | 0:20:55 | |
It's only by getting to grips with every detail of the stones | 0:20:56 | 0:21:00 | |
that's its possible to understand the temple... | 0:21:00 | 0:21:03 | |
and why it was built. | 0:21:03 | 0:21:05 | |
And here it's being done in incredible detail as lasers scan | 0:21:05 | 0:21:11 | |
the site to produce the most accurate records possible. | 0:21:11 | 0:21:16 | |
Once the scan is complete, a computer can recreate every detail | 0:21:16 | 0:21:20 | |
of the site. | 0:21:20 | 0:21:22 | |
Once we've acquired the data we are able to generate very precise | 0:21:27 | 0:21:31 | |
three dimensional models. | 0:21:31 | 0:21:34 | |
In looking at the Ness of Brodgar what we're able to do is | 0:21:34 | 0:21:37 | |
move around the data and zoom in, zoom out. | 0:21:37 | 0:21:42 | |
We can look in here and see the hearth. | 0:21:42 | 0:21:45 | |
We can also go in and measure particular points. | 0:21:45 | 0:21:48 | |
The fantastic thing about the scanner, the reason why it's | 0:21:48 | 0:21:52 | |
so powerful is that you can scan a site in such a short | 0:21:52 | 0:21:55 | |
period of time, pick up so much information and information that is | 0:21:55 | 0:21:59 | |
dimensionally accurate, the accuracy is about a millimetre. | 0:21:59 | 0:22:03 | |
This gives us a perfect snapshot in time of this excavation. | 0:22:03 | 0:22:08 | |
So at any given time, there would've been a complex of buildings. | 0:22:11 | 0:22:15 | |
Several buildings, all of which had to function together as a whole. | 0:22:15 | 0:22:20 | |
-I think so. -Entrances, connecting passageways, roadways, whatever. | 0:22:20 | 0:22:25 | |
It worked together. | 0:22:25 | 0:22:26 | |
It worked. On the whole, a very structured layout to this site. | 0:22:26 | 0:22:31 | |
To the untrained eye at ground level though, | 0:22:33 | 0:22:36 | |
the layout of the buildings still isn't clear. | 0:22:36 | 0:22:40 | |
To really get a sense of what's going on, I've got to go up there. | 0:22:40 | 0:22:44 | |
Looking down from 50 feet gives you a completely different view. | 0:22:51 | 0:22:55 | |
Detailed mapping has revealed 14 separate structures. | 0:22:58 | 0:23:01 | |
But the layouts of three of them have drawn particular attention. | 0:23:04 | 0:23:08 | |
The excavation team has named them structure one, | 0:23:10 | 0:23:14 | |
structure eight | 0:23:14 | 0:23:16 | |
and structure twelve. | 0:23:16 | 0:23:19 | |
At the moment, the archaeologists are calling this structure | 0:23:19 | 0:23:23 | |
over on the left structure one. | 0:23:23 | 0:23:26 | |
This is the first Neolithic building ever to be discovered | 0:23:29 | 0:23:33 | |
with more than one doorway. | 0:23:33 | 0:23:34 | |
structure one has three. | 0:23:36 | 0:23:39 | |
It also has three hearths for fires, | 0:23:41 | 0:23:45 | |
two within the middle of the building | 0:23:45 | 0:23:48 | |
and another right in the middle of one of the doorways. | 0:23:48 | 0:23:52 | |
It all suggests ceremony, | 0:23:52 | 0:23:54 | |
with one entrance perhaps involving symbolic purification by fire. | 0:23:54 | 0:23:59 | |
The things that we see in domestic buildings of the time are reproduced | 0:24:01 | 0:24:05 | |
in the Ness of Brodgar but on a more monumental scale. | 0:24:05 | 0:24:08 | |
There's a familiar pattern to the way space is arranged | 0:24:08 | 0:24:11 | |
in these buildings. | 0:24:11 | 0:24:13 | |
People would've known about it and understood what it meant. | 0:24:13 | 0:24:17 | |
Furthest away | 0:24:17 | 0:24:19 | |
is structure number eight. | 0:24:19 | 0:24:22 | |
In there have been unearthed a lot of artefacts | 0:24:22 | 0:24:25 | |
made of carved whalebone. | 0:24:25 | 0:24:27 | |
Structure eight is a long building with a single entrance. | 0:24:30 | 0:24:35 | |
Like structure one, it also has three hearths. | 0:24:35 | 0:24:38 | |
Stone piers along its walls | 0:24:40 | 0:24:43 | |
divide the internal space into alcoves. | 0:24:43 | 0:24:45 | |
These seem similar to some early Neolithic tombs | 0:24:46 | 0:24:51 | |
that stored the sorted bones of the dead. | 0:24:51 | 0:24:53 | |
Around the piers, within the alcoves, | 0:24:55 | 0:24:59 | |
stone slabs created secret spaces. | 0:24:59 | 0:25:02 | |
Like a church or cathedral, you don't walk straight to the altar, | 0:25:02 | 0:25:06 | |
you go through a series of controlled spaces. | 0:25:06 | 0:25:09 | |
All these things tell me that what you're dealing with | 0:25:09 | 0:25:14 | |
is some form of approach towards the sacred. | 0:25:14 | 0:25:17 | |
Nearest to us is structure twelve, which would appear to be | 0:25:17 | 0:25:22 | |
almost a mirror image of structure eight. | 0:25:22 | 0:25:25 | |
A mirror image, but different. | 0:25:29 | 0:25:31 | |
Here, a highly constricted opening controlled access. | 0:25:33 | 0:25:37 | |
But once inside, like structure eight, | 0:25:40 | 0:25:43 | |
structure twelve had piers that divided its interior | 0:25:43 | 0:25:47 | |
into a set of separate, intimate spaces. | 0:25:47 | 0:25:50 | |
This one is one of the most recent to be exposed by the excavation | 0:25:54 | 0:25:58 | |
so interpretation of it is a long way off. | 0:25:58 | 0:26:00 | |
No-one knows exactly what went on | 0:26:02 | 0:26:04 | |
in these buildings 5,000 years ago. | 0:26:04 | 0:26:07 | |
But taken together, all those entrances and exits, | 0:26:07 | 0:26:12 | |
the hearths for fires, such a symbol of life, | 0:26:12 | 0:26:15 | |
and the separated alcoves so reminiscent of Neolithic tombs, | 0:26:15 | 0:26:21 | |
all of it seemed to fit with the idea of choreographed ceremony, | 0:26:21 | 0:26:25 | |
where progress was guided, restricted | 0:26:25 | 0:26:29 | |
and perhaps sometimes forbidden. | 0:26:29 | 0:26:32 | |
This wall is over 5,000 years old, | 0:26:36 | 0:26:38 | |
and yet it looks like it was built yesterday. | 0:26:38 | 0:26:42 | |
All across the site, | 0:26:42 | 0:26:45 | |
there are more walls, hearths, recesses, passageways. | 0:26:45 | 0:26:49 | |
In fact, there's everything we need | 0:26:49 | 0:26:51 | |
to help us imagine what these place looked like in the Stone Age. | 0:26:51 | 0:26:56 | |
From the outside, those buildings would have been hidden from view, | 0:27:01 | 0:27:05 | |
let alone everything that went on inside them. | 0:27:05 | 0:27:08 | |
Within those massive walls, | 0:27:09 | 0:27:11 | |
the full splendour of this place would have been revealed. | 0:27:11 | 0:27:16 | |
A cluster of solid stone buildings, | 0:27:16 | 0:27:18 | |
even boasting unique stone-tiled roofs. | 0:27:18 | 0:27:21 | |
Around 3,000 BC the community of Orkney laboured to create | 0:27:23 | 0:27:27 | |
this vast temple complex, | 0:27:27 | 0:27:30 | |
within which the mysterious rites of Neolithic beliefs were enacted. | 0:27:30 | 0:27:35 | |
Around 5,000 years ago, The Ness of Brodgar site was built | 0:27:55 | 0:28:00 | |
at a time when life was undergoing a radical transformation. | 0:28:00 | 0:28:05 | |
The arrival of the New Stone Age, the Neolithic, | 0:28:05 | 0:28:09 | |
was the single most momentous shift in all of our history. | 0:28:09 | 0:28:14 | |
It was the moment when we stopped being hunter-gatherers | 0:28:14 | 0:28:17 | |
and became farmers tied to the land and the seasons. | 0:28:17 | 0:28:21 | |
Everything we consider part of the modern world, | 0:28:21 | 0:28:24 | |
towns and cities like this one, lofty buildings, | 0:28:24 | 0:28:27 | |
people going about their business on the streets, | 0:28:27 | 0:28:30 | |
all of that has its roots in the Neolithic. | 0:28:30 | 0:28:33 | |
The coming of farming also brought new beliefs. | 0:28:37 | 0:28:40 | |
Tombs were built to the ancestors | 0:28:42 | 0:28:45 | |
and then, from around 3,000, | 0:28:45 | 0:28:47 | |
monumental stone circles | 0:28:47 | 0:28:49 | |
began to appear across Britain. | 0:28:49 | 0:28:52 | |
These farmers had arrived at an understanding. | 0:28:55 | 0:28:58 | |
They knew just how much they their lives depended | 0:28:58 | 0:29:02 | |
on time and the seasons. | 0:29:02 | 0:29:04 | |
With that understanding came new authority. | 0:29:07 | 0:29:10 | |
Those people who claimed to divine, maybe even control the motions | 0:29:12 | 0:29:16 | |
of the sun and the moon, became powerful. | 0:29:16 | 0:29:19 | |
The Orkney excavation has unearthed polished stone axes and mace heads. | 0:29:26 | 0:29:31 | |
Symbols of power. | 0:29:31 | 0:29:33 | |
'At the National Museum of Scotland, Neolithic specialist | 0:29:35 | 0:29:39 | |
'Alison Sheridan has been studying them.' | 0:29:39 | 0:29:42 | |
What is a mace head for technically? | 0:29:42 | 0:29:45 | |
Well, you could use it as a weapon. You would have it on a hath. | 0:29:45 | 0:29:49 | |
Theoretically, I could deal you a good blow on the head. | 0:29:49 | 0:29:54 | |
But it's also a weapon of power, | 0:29:54 | 0:29:56 | |
just as the Queen has an orb and sceptre. The sceptre could be | 0:29:56 | 0:30:00 | |
used as a weapon as needs be, | 0:30:00 | 0:30:02 | |
but obviously it's much more important ceremonially. | 0:30:02 | 0:30:05 | |
Why are you able to say that that's a ceremonial item | 0:30:05 | 0:30:10 | |
rather than just a tool? | 0:30:10 | 0:30:12 | |
Because they're very finely made. | 0:30:12 | 0:30:15 | |
Very few of them have any traces of wear. | 0:30:15 | 0:30:19 | |
Only the most powerful, the most important people | 0:30:19 | 0:30:21 | |
would be allowed to have one of these things, | 0:30:21 | 0:30:24 | |
-to commission it. -Just like a badge of office? -Absolutely, yeah. | 0:30:24 | 0:30:28 | |
Mace heads are rare. But at the Ness of Brodgar site, | 0:30:29 | 0:30:33 | |
four have been found within structure eight alone. | 0:30:33 | 0:30:36 | |
But all of them had been broken. | 0:30:38 | 0:30:41 | |
-Does this suggest religion to you? -Yes, it certainly does. | 0:30:41 | 0:30:45 | |
I think the fact that you have a huge proportion of them | 0:30:45 | 0:30:48 | |
that have been broken across the perforation there | 0:30:48 | 0:30:50 | |
suggests that this was all part of the religious rituals of the day. | 0:30:50 | 0:30:55 | |
So we're not talking about lords, | 0:30:55 | 0:30:59 | |
kings, warriors? | 0:30:59 | 0:31:01 | |
The people at the top were the people who had influence | 0:31:01 | 0:31:05 | |
-over the otherworld. -Correct. | 0:31:05 | 0:31:08 | |
It's more likely we're dealing with a theocracy. | 0:31:08 | 0:31:11 | |
So their power is based on their ability to communicate with the gods | 0:31:11 | 0:31:16 | |
and the ancestors and also to control them to some extent. | 0:31:16 | 0:31:20 | |
Does that suggest the Ness of Brodgar site | 0:31:20 | 0:31:23 | |
was some kind of hub or focal point | 0:31:23 | 0:31:26 | |
for much of what was going on in the Neolithic? | 0:31:26 | 0:31:29 | |
Yes, it's a sort of religious HQ, if you like. Absolutely. I think so. | 0:31:29 | 0:31:33 | |
If you can say this is how things are, | 0:31:37 | 0:31:40 | |
this is how things will happen, | 0:31:40 | 0:31:42 | |
then you have that ideological power over people | 0:31:42 | 0:31:46 | |
to tell them that their lives, their world, | 0:31:46 | 0:31:50 | |
their universe, is dictated by forces | 0:31:50 | 0:31:53 | |
which only the people in charge have actual control over. | 0:31:53 | 0:31:57 | |
If you control ritual, if you operate in a way | 0:32:00 | 0:32:04 | |
that allows you to speak with some authority, | 0:32:04 | 0:32:07 | |
both to and perhaps on behalf of the gods, | 0:32:07 | 0:32:09 | |
then you are a person or a group of some standing within society. | 0:32:09 | 0:32:13 | |
So we're looking here at centres which are of great spiritual, | 0:32:13 | 0:32:16 | |
perhaps religious importance, which are always utterly political. | 0:32:16 | 0:32:21 | |
'What is becoming clear is that on Orkney, 5,000 years ago, | 0:32:23 | 0:32:28 | |
'our temple complex wasn't only the beginning of a new belief system, | 0:32:28 | 0:32:32 | |
'but a new social order as well. | 0:32:32 | 0:32:35 | |
'The people who mediated the beliefs that went with it,' | 0:32:37 | 0:32:41 | |
the priests, for want of a better word, were in control. | 0:32:41 | 0:32:45 | |
They were the theocratic leaders of Neolithic Orkney. | 0:32:45 | 0:32:49 | |
It was the advent of a whole new world order | 0:32:49 | 0:32:52 | |
of religion, hierarchy and power. | 0:32:52 | 0:32:56 | |
5,000 years ago, off Britain's northern tip, | 0:33:05 | 0:33:09 | |
Orkney was home to a Neolithic community at the very forefront | 0:33:09 | 0:33:13 | |
of technology, society and religion. | 0:33:13 | 0:33:15 | |
'Today, this place seems so remote. | 0:33:18 | 0:33:21 | |
'Back then it was a modern place, full of wonder.' | 0:33:23 | 0:33:27 | |
The temple complex was built long before the Pyramids of Egypt, | 0:33:29 | 0:33:33 | |
long before the great trilithons of Stonehenge, | 0:33:33 | 0:33:37 | |
pretty much before any building at all. | 0:33:37 | 0:33:41 | |
And that required an organised and sophisticated society. | 0:33:41 | 0:33:46 | |
One clue to just how sophisticated Stone Age Orkney was | 0:33:51 | 0:33:54 | |
has been found in cattle bones | 0:33:54 | 0:33:56 | |
unearthed from within the temple buildings. | 0:33:56 | 0:33:59 | |
By isolating elements from these bones, stable isotope analysis | 0:34:03 | 0:34:07 | |
can determine what an animal ate whilst it was alive. | 0:34:07 | 0:34:12 | |
At the moment, I'm drilling a bit of cow tibia to be sampled. | 0:34:12 | 0:34:16 | |
That research is telling us | 0:34:17 | 0:34:20 | |
that Neolithic farmers on Orkney were innovators. | 0:34:20 | 0:34:23 | |
Analysis from the cattle bones from the Ness of Brodgar | 0:34:25 | 0:34:28 | |
shows very elevated nitrogen levels. | 0:34:28 | 0:34:30 | |
There are a number of reasons this could have happened. | 0:34:32 | 0:34:35 | |
Most likely is the application of manure | 0:34:35 | 0:34:37 | |
to farmland to increase the fertility of the soil. | 0:34:37 | 0:34:41 | |
Basically it shows us they had developed very sophisticated | 0:34:41 | 0:34:45 | |
farming practises that we don't really see in the rest of Britain. | 0:34:45 | 0:34:49 | |
But these weren't just advanced farmers. | 0:34:54 | 0:34:57 | |
Other clues to Orcadian culture | 0:34:57 | 0:35:00 | |
were found within the excavation. | 0:35:00 | 0:35:02 | |
As well as broken ceremonial mace heads, | 0:35:04 | 0:35:07 | |
structure eight revealed more. | 0:35:07 | 0:35:10 | |
Something unexpected and unique on its walls. | 0:35:10 | 0:35:15 | |
It was thought that in the Neolithic, pigment or paint | 0:35:15 | 0:35:19 | |
was only used as make-up, to put designs on the skin, | 0:35:19 | 0:35:24 | |
or for dying textiles. But we don't think that any more. | 0:35:24 | 0:35:28 | |
This stone here has been painted. | 0:35:28 | 0:35:32 | |
It's quite hard to see, | 0:35:32 | 0:35:35 | |
but remember, that was painted 5,000 years ago. | 0:35:35 | 0:35:39 | |
That stone has been under the ground for almost all of that time. | 0:35:39 | 0:35:44 | |
This is the first time painted wall decoration | 0:35:44 | 0:35:47 | |
has been discovered on any Neolithic site. | 0:35:47 | 0:35:51 | |
Incredibly, even tools used by the artists | 0:35:51 | 0:35:55 | |
have been found. | 0:35:55 | 0:35:58 | |
How easily, you think, could that have been overlooked | 0:35:58 | 0:36:02 | |
in the course of excavating a site this size? | 0:36:02 | 0:36:04 | |
It's clay, fired clay. | 0:36:04 | 0:36:08 | |
It's possible what you're looking at here | 0:36:08 | 0:36:11 | |
is part of an artist's tool kit. | 0:36:11 | 0:36:13 | |
one of the artists who was painting panels within the structures | 0:36:13 | 0:36:17 | |
would have had pigment of some kind in a pot like this. | 0:36:17 | 0:36:21 | |
How modest, but how much it has to say. | 0:36:23 | 0:36:26 | |
But what was the pigment used to create the paint? | 0:36:28 | 0:36:32 | |
Orkney is varied geologically. | 0:36:34 | 0:36:38 | |
And that means that a wealth of unusual surface minerals | 0:36:38 | 0:36:41 | |
can be picked up all over the islands. | 0:36:41 | 0:36:44 | |
This is the very stuff. | 0:36:45 | 0:36:47 | |
A small lump of haematite found on this beach, this morning. | 0:36:47 | 0:36:51 | |
This was of interest to Neolithic peoples for a very good reason. | 0:36:51 | 0:36:55 | |
Rub it against another rock | 0:36:55 | 0:36:58 | |
and you get this rich, rusty red colour. | 0:36:58 | 0:37:02 | |
Also available to them was another form of iron oxide. Limonite. | 0:37:03 | 0:37:08 | |
When you rub this, the powder it gives, | 0:37:08 | 0:37:11 | |
the colour is a warmer, more of an ochre, orangey shade. | 0:37:11 | 0:37:16 | |
You also get this elsewhere on the Orkney islands. | 0:37:16 | 0:37:20 | |
This is lead sulphide or galena. | 0:37:20 | 0:37:22 | |
It gives up a black colour when you rub it against other rocks. | 0:37:22 | 0:37:25 | |
There's another piece of it here. | 0:37:25 | 0:37:28 | |
So all of these colours were freely available | 0:37:28 | 0:37:30 | |
to the Neolithic peoples on the islands. | 0:37:30 | 0:37:33 | |
'But these Stone Age artists didn't only work in paint...' | 0:37:35 | 0:37:39 | |
Hiya, Ann. | 0:37:39 | 0:37:40 | |
'They also used clay.' | 0:37:40 | 0:37:42 | |
Can I see this artwork of yours by any chance? | 0:37:42 | 0:37:46 | |
Wait till you see this. | 0:37:48 | 0:37:51 | |
Now it should be in one piece, but it's broken into two. | 0:37:51 | 0:37:56 | |
It's baked clay, so it's not strangely-shaped stone. | 0:37:56 | 0:38:00 | |
Someone set out to make this. | 0:38:00 | 0:38:03 | |
What you're looking at is a head, | 0:38:03 | 0:38:05 | |
then the torso and the legs down here. | 0:38:05 | 0:38:09 | |
Some people here are calling him the Brodgar Boy. | 0:38:11 | 0:38:15 | |
If they're right that makes it | 0:38:15 | 0:38:18 | |
a very, very rare representation of the human form. | 0:38:18 | 0:38:21 | |
So rare, in fact, that there's only one other known in Britain | 0:38:21 | 0:38:25 | |
or anywhere in northern Europe. | 0:38:25 | 0:38:27 | |
When I first heard this place being described as a temple, | 0:38:29 | 0:38:33 | |
as anyone would, I thought the word sounded a bit grandiose. | 0:38:33 | 0:38:37 | |
Fanciful to use that kind of language. But when you this | 0:38:37 | 0:38:41 | |
and see the site, then temple complex | 0:38:41 | 0:38:44 | |
almost isn't a big enough word. | 0:38:44 | 0:38:47 | |
It's these intimate discoveries that bring us close | 0:38:49 | 0:38:52 | |
to the people who once lived here. | 0:38:52 | 0:38:56 | |
People just like us whose natural human creativity | 0:38:56 | 0:39:00 | |
led them to craft and shape objects and designs. | 0:39:00 | 0:39:03 | |
We often think of the Stone Age as just that, | 0:39:06 | 0:39:10 | |
somewhere cold and grey. | 0:39:10 | 0:39:12 | |
But at that temple complex, we're seeing something else. | 0:39:12 | 0:39:16 | |
A new Stone Age, A new Neolithic, if you like. | 0:39:16 | 0:39:20 | |
It's a site of secret places | 0:39:20 | 0:39:23 | |
linked by many doors. | 0:39:23 | 0:39:26 | |
A place run by a theocracy of priests, | 0:39:26 | 0:39:29 | |
moving through rooms where the walls are decorated | 0:39:29 | 0:39:32 | |
with vivid colours and designs, | 0:39:32 | 0:39:34 | |
all of it illuminated by the flickering lights of fires. | 0:39:34 | 0:39:38 | |
It's at a place like the Ness of Brodgar | 0:39:38 | 0:39:40 | |
that the Stone Age comes back to life. | 0:39:40 | 0:39:42 | |
But just how did the temple precinct | 0:39:45 | 0:39:47 | |
fit into the bigger ritual landscape of Orkney? | 0:39:47 | 0:39:50 | |
Just what did it mean to the people who built it? | 0:39:50 | 0:39:54 | |
And how was it used? | 0:39:57 | 0:40:00 | |
It's from up here with the benefit of a bird's eye view | 0:40:02 | 0:40:05 | |
that you see just why this site is so special. | 0:40:05 | 0:40:08 | |
It sits surrounded by hills, on all sides really, | 0:40:08 | 0:40:12 | |
so it's in a shallow basin. | 0:40:12 | 0:40:15 | |
On one side, there's the freshwater loch of Harray | 0:40:15 | 0:40:18 | |
and on this side, the salt water loch of Stenness. | 0:40:18 | 0:40:21 | |
Set within this dramatic natural landscape is the passage tomb | 0:40:22 | 0:40:27 | |
of Maeshowe to the South... | 0:40:27 | 0:40:28 | |
..the Stones of Stenness. | 0:40:30 | 0:40:32 | |
And to the north, the site of the Ring of Brodgar. | 0:40:33 | 0:40:36 | |
And here, on this promontory, right at the heart of everything, | 0:40:41 | 0:40:45 | |
is the temple complex. | 0:40:45 | 0:40:48 | |
Archaeologists have always been interested in the geography | 0:40:51 | 0:40:54 | |
surrounding our Neolithic monuments. | 0:40:54 | 0:40:57 | |
Because the relationships to their natural setting | 0:40:58 | 0:41:02 | |
may reveal something about their use. | 0:41:02 | 0:41:04 | |
And there's only one other landscape in Britain | 0:41:06 | 0:41:09 | |
that bears comparison to Orkney. | 0:41:09 | 0:41:11 | |
Stonehenge. | 0:41:13 | 0:41:15 | |
Just like the Orkney monuments, | 0:41:17 | 0:41:19 | |
Stonehenge isn't an isolated construction, | 0:41:19 | 0:41:23 | |
but set within something archaeologists call a "ritual landscape". | 0:41:23 | 0:41:27 | |
Stonehenge was related to another monument known as Durrington Walls. | 0:41:32 | 0:41:37 | |
And it's thought that the two were connected | 0:41:40 | 0:41:42 | |
by a processional route along the River Avon. | 0:41:42 | 0:41:45 | |
A leading theory suggests that the landscape between Durrington | 0:41:48 | 0:41:51 | |
and Stonehenge marks a boundary | 0:41:51 | 0:41:54 | |
between a land for the living | 0:41:54 | 0:41:56 | |
and a land for the dead. | 0:41:56 | 0:41:58 | |
Mike Parker Pearson, who developed this theory, | 0:42:00 | 0:42:04 | |
is one of our leading Stonehenge experts. | 0:42:04 | 0:42:07 | |
What is the theory of land of the living, land of the dead? | 0:42:07 | 0:42:12 | |
I think it's the idea that you actually create a separate place | 0:42:12 | 0:42:16 | |
for your ancestors as opposed to where you're living. | 0:42:16 | 0:42:19 | |
This place is full of burials, cremation deposits. | 0:42:19 | 0:42:23 | |
We're currently analysing 60 of them, | 0:42:23 | 0:42:26 | |
and Durrington walls, by contrast, | 0:42:26 | 0:42:29 | |
there aren't any dead. | 0:42:29 | 0:42:30 | |
It's about the living, it's full of houses. | 0:42:30 | 0:42:33 | |
It now seems likely that this idea of a journey to the world of the ancestors | 0:42:35 | 0:42:40 | |
began not here, at Stonehenge, but far to the north, | 0:42:40 | 0:42:44 | |
within the earlier ritual landscape of Orkney. | 0:42:44 | 0:42:48 | |
I think Orkney's probably the first place really to develop this notion. | 0:42:49 | 0:42:54 | |
What you have is actually a natural avenue. | 0:42:54 | 0:42:56 | |
That isthmus which links Brodgar on one hand, | 0:42:56 | 0:43:01 | |
Ness of Brodgar in the middle, | 0:43:01 | 0:43:04 | |
and then on the other side, the Stones of Stenness. | 0:43:04 | 0:43:07 | |
So I think we can see that you've got this contrast | 0:43:07 | 0:43:09 | |
between the Ness of Brodgar and the Stones of Stenness, | 0:43:09 | 0:43:12 | |
AND the great place of the dead at the ring of Brodgar. | 0:43:12 | 0:43:17 | |
When you consider the massive scale of the place, | 0:43:26 | 0:43:29 | |
the towering boundary walls, the roofs of stone tiles, | 0:43:29 | 0:43:33 | |
and then the details, like the painted interior walls, | 0:43:33 | 0:43:38 | |
you surely have to allow a place for the Ness of Brodgar | 0:43:38 | 0:43:41 | |
near the very top of the list of Britain's most iconic Stone Age monuments. | 0:43:41 | 0:43:45 | |
Now we can even suggest how it must have been used. | 0:43:48 | 0:43:52 | |
It's thought that a processional route | 0:43:55 | 0:43:58 | |
started at the Stones of Stenness in the land living. | 0:43:58 | 0:44:01 | |
It then travelled north... | 0:44:03 | 0:44:05 | |
..to the temple complex on the Ness of Brodgar. | 0:44:10 | 0:44:13 | |
And then continued to the end of the promontory... | 0:44:16 | 0:44:19 | |
..to finish at the Ring of Brodgar, in the land of the dead. | 0:44:20 | 0:44:24 | |
And that begs an even greater question. | 0:44:27 | 0:44:29 | |
If the temple precinct was the portal between this world and the next, | 0:44:30 | 0:44:35 | |
just what went on within its walls? | 0:44:35 | 0:44:39 | |
Structure eight, shaped like a passage tomb, with hidden alcoves | 0:44:40 | 0:44:44 | |
and structure twelve, with its single constricted entrance, offer clues. | 0:44:44 | 0:44:49 | |
But it was structure one, with its mysterious doorways | 0:44:50 | 0:44:54 | |
and purifying hearths that seemed to suggest a processional route. | 0:44:54 | 0:44:59 | |
Perhaps this was the very point | 0:45:01 | 0:45:03 | |
where those two separate worlds of the living and the dead collided. | 0:45:03 | 0:45:07 | |
I see the site at the time of its use as a place of transition. | 0:45:09 | 0:45:13 | |
The way the architecture guides you in, | 0:45:13 | 0:45:16 | |
makes you move in particular ways. | 0:45:16 | 0:45:18 | |
There would have been a couple of hearths here | 0:45:18 | 0:45:20 | |
that had to be manoeuvred around, and then, unusually, your... | 0:45:20 | 0:45:25 | |
..you have this, er, choice of exits, one here and one in the side. | 0:45:26 | 0:45:30 | |
So there's nothing casual about just coming in here, | 0:45:30 | 0:45:35 | |
it's a building that you come through and are moved through for a specific reason? | 0:45:35 | 0:45:39 | |
I thinks it's something beyond the normal. | 0:45:39 | 0:45:42 | |
-Like a portal from somewhere to somewhere else? -Yes, exactly. | 0:45:42 | 0:45:46 | |
At the Ness of Brodgar, | 0:45:50 | 0:45:51 | |
all sorts of different architectural devices are used. | 0:45:51 | 0:45:55 | |
This is precisely the exactly the sort of construction | 0:45:55 | 0:45:58 | |
you see in passage graves. I would say you literally are confronting | 0:45:58 | 0:46:02 | |
your ancestors or deities. | 0:46:02 | 0:46:03 | |
That is an extremely, if you like, dangerous transaction. | 0:46:03 | 0:46:08 | |
Under those conditions you expect extreme control, | 0:46:08 | 0:46:12 | |
you would expect to see huge boundaries, huge divisions, | 0:46:12 | 0:46:16 | |
decoration on divisions, just what you see at the Ness. | 0:46:16 | 0:46:19 | |
It's showing how the living and the dead are really bound together. | 0:46:21 | 0:46:25 | |
Rites of passage, remembering important ancestors, | 0:46:25 | 0:46:29 | |
connecting those ancestors to cycles in the heavens are cheek-by-jowl | 0:46:29 | 0:46:34 | |
with dwellings, with places where people are living, | 0:46:34 | 0:46:37 | |
the living and the dead are not apart, | 0:46:37 | 0:46:39 | |
and the living can't survive without the dead. | 0:46:39 | 0:46:41 | |
As things stand, | 0:46:47 | 0:46:49 | |
Nick and his team believe that this site on the Ness of Brodgar | 0:46:49 | 0:46:52 | |
witnessed the final scenes in the drama of life and death. | 0:46:52 | 0:46:56 | |
People would have walked down past the Stones of Stenness, | 0:46:56 | 0:46:59 | |
the land of the living, | 0:46:59 | 0:47:00 | |
then they would have crossed the water | 0:47:00 | 0:47:02 | |
before making their way up here, where they were confronted by a huge wall. | 0:47:02 | 0:47:07 | |
Then they would have entered the temple complex itself. | 0:47:11 | 0:47:15 | |
Once inside, the stage was set for the final rituals | 0:47:22 | 0:47:25 | |
celebrating the lives of the ancestors. | 0:47:25 | 0:47:28 | |
Perhaps they walked reverently through different buildings, | 0:47:33 | 0:47:36 | |
taking part in different rituals... | 0:47:36 | 0:47:38 | |
..passing over purifying fires. | 0:47:40 | 0:47:42 | |
They might have offered thanks and asked for guidance | 0:47:47 | 0:47:50 | |
as they communicated with their ancestors and gods. | 0:47:50 | 0:47:55 | |
This may have been the portal between life and death. | 0:47:55 | 0:47:59 | |
The place where the two worlds met. | 0:47:59 | 0:48:02 | |
The life of this religious landscape | 0:48:11 | 0:48:14 | |
extended from around 3,000 BC for almost 1,000 years. | 0:48:14 | 0:48:19 | |
But as Nick and his team study and date what they're finding, | 0:48:21 | 0:48:24 | |
they're now able to build up a chronology of the site. | 0:48:24 | 0:48:27 | |
And they're discovering a sudden change in how it was used. | 0:48:27 | 0:48:31 | |
After centuries of use, structures one, eight and twelve were all demolished, | 0:48:34 | 0:48:39 | |
perhaps signalling an abrupt change in belief. | 0:48:39 | 0:48:43 | |
Then, just one solitary building took their place. | 0:48:44 | 0:48:48 | |
And it was grander than anything that had gone before. | 0:48:50 | 0:48:53 | |
The archaeologists have named it, rather unromantically, | 0:48:58 | 0:49:02 | |
structure ten. | 0:49:02 | 0:49:04 | |
But it would have been far and away the largest building on the whole site. | 0:49:04 | 0:49:08 | |
Each side of the building could have been as much as 25 metres long. | 0:49:08 | 0:49:13 | |
That means when it was complete it would have extended | 0:49:13 | 0:49:16 | |
beyond and underneath that modern bungalow. | 0:49:16 | 0:49:20 | |
Uniquely, what you've got here are walls as much as 5 metre thick, | 0:49:20 | 0:49:25 | |
that's from an inner face here, | 0:49:25 | 0:49:27 | |
all the way across... | 0:49:27 | 0:49:30 | |
to the outer face here. | 0:49:30 | 0:49:31 | |
The roof may have extended out beyond the limits of the walls | 0:49:31 | 0:49:35 | |
to create a covered walkway. | 0:49:35 | 0:49:37 | |
The new building even had its own enclosed forecourt | 0:49:40 | 0:49:44 | |
with two standing stones marking an imposing, ceremonial, entrance. | 0:49:44 | 0:49:48 | |
When this vast building stood alone, | 0:49:52 | 0:49:55 | |
it would have been visible for miles around. | 0:49:55 | 0:49:58 | |
But structure ten's single entrance tells us | 0:50:07 | 0:50:10 | |
that it was never designed for processional movement. | 0:50:10 | 0:50:14 | |
For Nick Card, that suggests that the purpose of these ritual buildings was changing. | 0:50:15 | 0:50:21 | |
You have this kind of massive structure being imposed | 0:50:23 | 0:50:26 | |
on this site, a site which has perhaps for centuries been very high-status | 0:50:26 | 0:50:31 | |
in the lives of the people around here. | 0:50:31 | 0:50:33 | |
Suddenly, structure ten is there, sitting on this very important site. | 0:50:33 | 0:50:38 | |
So does it...do you think it ceases at that point to be a portal, | 0:50:38 | 0:50:43 | |
or some way that people were invited through? | 0:50:43 | 0:50:46 | |
Is structure ten there to say, you know, | 0:50:46 | 0:50:49 | |
that's the end of it, we're here blocking the way? | 0:50:49 | 0:50:53 | |
It does seem to kind of be this, you know, statement, | 0:50:53 | 0:50:56 | |
that is taking away, removing everything that had gone before it. | 0:50:56 | 0:51:00 | |
So maybe the whole idea of this kind of processional way | 0:51:00 | 0:51:03 | |
was also changed with the imposition of this structure. | 0:51:03 | 0:51:06 | |
Around 2300 BC, structure ten was the very last building standing | 0:51:09 | 0:51:14 | |
within the temple complex. | 0:51:14 | 0:51:17 | |
It marked the end of an era. | 0:51:19 | 0:51:21 | |
But it had one more secret to reveal. | 0:51:21 | 0:51:24 | |
Cattle bones from more than 600 animals have been found | 0:51:26 | 0:51:29 | |
covering the walkway that surrounds this building. | 0:51:29 | 0:51:33 | |
And it's these bones that show how this whole site ended its life. | 0:51:35 | 0:51:40 | |
600 animals suggests there's a mass slaughter of animals going on. | 0:51:44 | 0:51:49 | |
We can see that the bone is fractured. | 0:51:49 | 0:51:52 | |
If you can have a look at this, this isn't an entire bone, | 0:51:52 | 0:51:55 | |
this is...this bone here is what an entire tibia looks like. | 0:51:55 | 0:51:59 | |
The bone has been fractured in order to extract marrow. | 0:51:59 | 0:52:03 | |
They're being prepared for food consumption. | 0:52:03 | 0:52:06 | |
Just one cow can feed over 200 people. | 0:52:06 | 0:52:10 | |
So finding the remains of 600 indicates something hugely significant. | 0:52:10 | 0:52:16 | |
Especially since the evidence points to a single feast. | 0:52:16 | 0:52:21 | |
For thousands of people. | 0:52:21 | 0:52:24 | |
There isn't any extensive evidence for weathering on the bones' surfaces. | 0:52:25 | 0:52:29 | |
And this suggests that once the bone was deposited, | 0:52:29 | 0:52:33 | |
it was very rapidly covered up. | 0:52:33 | 0:52:35 | |
These things suggest that we may be dealing with a single event. | 0:52:36 | 0:52:40 | |
Imagine, 600 head of cattle enough to feed 10,000 people, | 0:52:46 | 0:52:51 | |
all being slaughtered in a single, ritual event. | 0:52:51 | 0:52:54 | |
It would have been an amazing spectacle. | 0:52:54 | 0:52:57 | |
It's not as though those people were having a big party | 0:52:57 | 0:53:00 | |
just to celebrate the end of the year. | 0:53:00 | 0:53:02 | |
The excavated remains suggest it was nothing less than a funeral feast | 0:53:02 | 0:53:06 | |
for the death of the temple complex itself. | 0:53:06 | 0:53:09 | |
At the same time, those people were likely commemorating | 0:53:09 | 0:53:13 | |
the very end of what had been their all-powerful, cosmic religion. | 0:53:13 | 0:53:18 | |
At the end, towards the history of the site, | 0:53:20 | 0:53:24 | |
these structures appear to have been deliberately demolished. | 0:53:24 | 0:53:28 | |
Levelled, filled in with masses amounts of midden. | 0:53:28 | 0:53:31 | |
In part, bits of wall were demolished. | 0:53:32 | 0:53:35 | |
It was as though it was an attempt to erase them from the human memory. | 0:53:35 | 0:53:40 | |
Why go to all that trouble to destroy what had taken decades or centuries to create? | 0:53:40 | 0:53:46 | |
You do wonder. | 0:53:46 | 0:53:47 | |
What it reflects is some major change happening in society, | 0:53:47 | 0:53:51 | |
maybe a change in religion, change in politics. | 0:53:51 | 0:53:54 | |
The Neolithic system was very dynamic, it wasn't a static society. | 0:53:54 | 0:53:59 | |
Throughout the Neolithic, 1,500 years of Neolithic activity in Orkney, | 0:53:59 | 0:54:04 | |
you're looking at major changes happening, developments in that society. | 0:54:04 | 0:54:08 | |
So all of those, maybe, decades or centuries of work | 0:54:08 | 0:54:13 | |
were just deliberately wiped out? | 0:54:13 | 0:54:15 | |
It's like the slate was wiped clean. | 0:54:15 | 0:54:17 | |
The great era when Orkney was the epicentre of Neolithic culture | 0:54:21 | 0:54:25 | |
was drawing to a close | 0:54:25 | 0:54:27 | |
because the Stone Age itself was coming to an end. | 0:54:27 | 0:54:31 | |
All of this is happening around 2,300 BC, | 0:54:33 | 0:54:37 | |
around time when the era of stone is giving way to the era of bronze. | 0:54:37 | 0:54:42 | |
An object, like this one, a beautiful polished stone axe, | 0:54:42 | 0:54:47 | |
Now, objects like this had held sway for perhaps 2,000 years. | 0:54:47 | 0:54:52 | |
At this point, they no longer command the power and authority they once did. | 0:54:52 | 0:54:58 | |
Once you have objects like this one, | 0:54:59 | 0:55:01 | |
a bronze axe, | 0:55:01 | 0:55:02 | |
once these are available, | 0:55:02 | 0:55:05 | |
then metal becomes the hub around which everything else revolves. | 0:55:05 | 0:55:09 | |
There's a new social order, a new economy, | 0:55:09 | 0:55:11 | |
and new beliefs to go along with it. | 0:55:11 | 0:55:14 | |
When it comes to the temple complex on Orkney, | 0:55:14 | 0:55:18 | |
that cattle slaughter begins to look something like a swansong | 0:55:18 | 0:55:23 | |
because although that religious centre had been in existence | 0:55:23 | 0:55:26 | |
for perhaps 1,000 years, | 0:55:26 | 0:55:28 | |
its life was over, and forever, soon after 2300BC. | 0:55:28 | 0:55:34 | |
What certainly came next was a different set of values. | 0:55:34 | 0:55:39 | |
So you have an influx of new ideas from the continent | 0:55:39 | 0:55:43 | |
and you really don't see this in Orkney. | 0:55:43 | 0:55:46 | |
Orkney got left behind at that point. | 0:55:46 | 0:55:49 | |
It is, I think, very clear that Orkney's star is not just in the descent, | 0:55:49 | 0:55:56 | |
it's positively dipped below the horizon. | 0:55:56 | 0:55:59 | |
And with it an entire way of life, | 0:55:59 | 0:56:01 | |
an entire way of thinking about the world, the universe and society. | 0:56:01 | 0:56:06 | |
The effort involved in demolishing and covering structure ten | 0:56:14 | 0:56:17 | |
and the massive wall | 0:56:17 | 0:56:18 | |
would have been almost as great as the effort needed for their construction. | 0:56:18 | 0:56:23 | |
After 1,000 years of use, the death of temple complex, | 0:56:23 | 0:56:28 | |
was itself a powerful, symbolic act. | 0:56:28 | 0:56:31 | |
A year or so after that happened, | 0:56:35 | 0:56:36 | |
it would have been as though nothing had never existed here at all. | 0:56:36 | 0:56:40 | |
And that's how it remained for well over 4,000 years. | 0:56:40 | 0:56:44 | |
Our understanding of Neolithic religion has always been rooted | 0:56:46 | 0:56:51 | |
in the stone circles and tombs that are spread across our countryside. | 0:56:51 | 0:56:56 | |
But this temple complex on Orkney allows us | 0:56:57 | 0:57:00 | |
to glimpse the people who believed in that religion. | 0:57:00 | 0:57:05 | |
It's showing us a sophisticated farming society, | 0:57:09 | 0:57:11 | |
ruled by a theocracy. | 0:57:11 | 0:57:13 | |
And the rituals that connected this world to that of the ancestors. | 0:57:13 | 0:57:18 | |
In short, it's revealing how the people who built this place, | 0:57:21 | 0:57:26 | |
celebrated life's great journey. | 0:57:26 | 0:57:29 | |
And the passage from the land of the living | 0:57:30 | 0:57:33 | |
to the land of the dead. | 0:57:33 | 0:57:36 | |
As an archaeologist, | 0:57:52 | 0:57:55 | |
I've worked on sites where we've found next to nothing. | 0:57:55 | 0:57:58 | |
A few shadowy marks in the soil, | 0:57:58 | 0:58:00 | |
some crumbs of pottery, some worked stone. | 0:58:00 | 0:58:04 | |
The archaeologists working there | 0:58:04 | 0:58:06 | |
are probably having the time of their lives. | 0:58:06 | 0:58:09 | |
What Nick and his team have discovered is already astounding. | 0:58:09 | 0:58:15 | |
I hope that they'll be working there for decades to come. | 0:58:16 | 0:58:21 | |
And I don't think it's too much, | 0:58:21 | 0:58:23 | |
I don't think it's an exaggeration to say that, so far, | 0:58:23 | 0:58:26 | |
they've really only scratched at the surface. | 0:58:26 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:35 | 0:58:37 | |
E-mail us at [email protected] | 0:58:37 | 0:58:41 |