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This is the story of how Britain came to be. | 0:00:06 | 0:00:11 | |
Of how our land, and its people, were forged over thousands of years of ancient history. | 0:00:11 | 0:00:17 | |
This Britain is a strange and alien world. | 0:00:21 | 0:00:25 | |
A world that contains the hidden story of our distant, prehistoric past. | 0:00:25 | 0:00:30 | |
'We began as hunters who followed the herds across Europe before Britain was an island.' | 0:00:34 | 0:00:40 | |
Fantastic, after 14,000 years, to get a glimpse | 0:00:40 | 0:00:44 | |
of the way at least one individual was thinking. | 0:00:44 | 0:00:47 | |
'Then the first farmers came, | 0:00:48 | 0:00:50 | |
'building monumental tombs to their ancestors...' | 0:00:50 | 0:00:54 | |
Nothing like this had ever been seen before in Britain. | 0:00:54 | 0:00:58 | |
'..before turning to the heavens | 0:00:59 | 0:01:01 | |
'and creating some of the greatest monuments of the ancient world.' | 0:01:01 | 0:01:05 | |
'Now the journey continues, with the next chapter in our epic story...' | 0:01:08 | 0:01:14 | |
That is magic. | 0:01:14 | 0:01:17 | |
'..an age of bronze, and a whole new way of living. | 0:01:17 | 0:01:21 | |
'The rise of individuals controlling trade and wealth.' | 0:01:21 | 0:01:26 | |
'The beginnings of a practical, domestic, almost modern Britain.' | 0:01:29 | 0:01:35 | |
Britain, 2500 years BC. | 0:01:55 | 0:01:59 | |
This is the height of the Stone Age. | 0:01:59 | 0:02:02 | |
People live by farming the land - growing crops, keeping animals. | 0:02:02 | 0:02:07 | |
There's little evidence of fixed villages, permanent settlement. | 0:02:09 | 0:02:13 | |
Instead, they seek out fresh grazing land and fresh soil, season by season. | 0:02:13 | 0:02:19 | |
Everything they have, clothes, tools, food, is gathered from the world around them. | 0:02:19 | 0:02:26 | |
One material lay at the very heart of their world, as it had done for thousands of years... | 0:02:29 | 0:02:35 | |
Flint. | 0:02:37 | 0:02:38 | |
And it was needed in vast quantities. | 0:02:38 | 0:02:41 | |
Look at this. | 0:02:43 | 0:02:45 | |
It's a moonscape of deep hollows and depressions. | 0:02:45 | 0:02:51 | |
There are literally hundreds of them. | 0:02:51 | 0:02:56 | |
These aren't the product of ancient farming or ancient settlements. | 0:03:03 | 0:03:09 | |
All of this was created by ancient industry. | 0:03:09 | 0:03:14 | |
Each one of these hollows is the remnant of an ancient mine shaft, | 0:03:17 | 0:03:22 | |
and there are 433 of them. | 0:03:22 | 0:03:26 | |
Some of the mine shafts have been excavated, so it's possible to enter | 0:03:30 | 0:03:34 | |
the very ground that was worked by our prehistoric ancestors. | 0:03:34 | 0:03:40 | |
It's a bit deeper than I thought! | 0:03:40 | 0:03:43 | |
Each shaft leads to a network of tunnels, | 0:03:49 | 0:03:51 | |
hacked from the chalk bedrock with basic tools. | 0:03:51 | 0:03:55 | |
This is red deer antler, hunted or collected in the forests above. | 0:03:57 | 0:04:03 | |
And then it's been used, just as the shape suggests, as a pick. | 0:04:03 | 0:04:09 | |
You can see just how cramped the conditions are down here. | 0:04:09 | 0:04:15 | |
And some of | 0:04:15 | 0:04:17 | |
the tunnels are so small, | 0:04:17 | 0:04:19 | |
it's believed that as well as men working down here, | 0:04:19 | 0:04:22 | |
there must have been children because some of the spaces | 0:04:22 | 0:04:25 | |
are just too small to believe it was grown-ups. | 0:04:25 | 0:04:28 | |
Now, here's what all the effort | 0:04:31 | 0:04:34 | |
is in aid of. | 0:04:34 | 0:04:36 | |
This black stuff here, this is flint. | 0:04:36 | 0:04:40 | |
They would have found a complete floor, like a black floor of flint, | 0:04:40 | 0:04:46 | |
as if a black liquid had flowed in and solidified. | 0:04:46 | 0:04:50 | |
Looks like glass, or treacle toffee. | 0:04:50 | 0:04:54 | |
In any case, this | 0:04:54 | 0:04:57 | |
is what this mine was all about. | 0:04:57 | 0:05:00 | |
Flint, the lifeblood of the Stone Age. | 0:05:05 | 0:05:09 | |
If you were going to fell a tree, build a house, shape wood, | 0:05:09 | 0:05:13 | |
make a dug-out canoe, you needed an axe like this. | 0:05:13 | 0:05:17 | |
But Britain, and its ancient dependence on flint, was about to change. | 0:05:21 | 0:05:26 | |
In 2500BC, a radical, unimaginable new technology was about to hit Britain - metal. | 0:05:33 | 0:05:41 | |
We take it for granted. | 0:05:43 | 0:05:45 | |
It's quite literally the scaffolding that holds up the modern world. | 0:05:45 | 0:05:48 | |
So much of what we have, what we depend on, is made of metal. | 0:05:48 | 0:05:53 | |
But 4,500 years ago, no-one in Britain had ever even seen it. | 0:05:53 | 0:05:57 | |
Yet it was about to catapult us out of the Stone Age and into a whole new chapter. | 0:05:57 | 0:06:02 | |
The arrival of metal would bring a social as well as a technological revolution, | 0:06:04 | 0:06:10 | |
the beginning of community life | 0:06:10 | 0:06:12 | |
and a world that begins to look increasingly like our own. | 0:06:12 | 0:06:16 | |
All this change in an era that we call the Bronze Age. | 0:06:16 | 0:06:21 | |
The story of how metal first came to Britain begins much further west, | 0:06:26 | 0:06:31 | |
in the hills of South West Ireland, | 0:06:31 | 0:06:35 | |
because the rocks around this stretch of water in County Kerry are rich in copper ore. | 0:06:35 | 0:06:42 | |
And it was copper from here that was used to make the first metal objects back home in Britain. | 0:06:42 | 0:06:48 | |
Archaeologist Billy O'Brien has spent decades here | 0:06:52 | 0:06:56 | |
discovering evidence of ancient copper workers. | 0:06:56 | 0:06:59 | |
The typical rock I'm seeing is dark with white veins through it. | 0:07:01 | 0:07:05 | |
That's what miners would call the country rock. | 0:07:05 | 0:07:07 | |
It's limestone, with pieces of calcite veining running through it, | 0:07:07 | 0:07:10 | |
but there's no copper minerals in that piece, I'm afraid. | 0:07:10 | 0:07:13 | |
So, when I think about copper, I'm thinking of a green colour. | 0:07:13 | 0:07:17 | |
You're right. Copper oxidises on the surface and becomes green and blue. | 0:07:17 | 0:07:21 | |
-And it's bright colours like that you're looking for. -Right. | 0:07:21 | 0:07:25 | |
-Oh, look. What about that? -Yeah, that's got a lot of copper minerals. | 0:07:30 | 0:07:34 | |
You can see the green staining. | 0:07:34 | 0:07:36 | |
You can see the bright, sparkly silver and gold of the copper sulphide minerals. | 0:07:36 | 0:07:40 | |
Yeah. | 0:07:42 | 0:07:44 | |
Yeah, you can see the green instantly. | 0:07:45 | 0:07:48 | |
And there's even... There's even sparkling. | 0:07:48 | 0:07:51 | |
It's like glitter. | 0:07:51 | 0:07:53 | |
And it's the glitter that's actually the copper. | 0:07:53 | 0:07:56 | |
-That would become the copper? -It's the copper minerals against the limestone. | 0:07:56 | 0:08:01 | |
How on earth would you know it was there? | 0:08:01 | 0:08:04 | |
Surely to the average person thousands of years ago, | 0:08:04 | 0:08:08 | |
a stone is a stone is a stone. How does anyone realise | 0:08:08 | 0:08:11 | |
there's a completely different material hidden in here? | 0:08:11 | 0:08:15 | |
We know there was a history of Stone-Age settlement in this area going back thousands of years. | 0:08:15 | 0:08:20 | |
At some point, they would have noticed that the limestone rocks on this part of the lake | 0:08:20 | 0:08:24 | |
were streaked with copper minerals. They wouldn't have known what to make of this knowledge. | 0:08:24 | 0:08:28 | |
But at some point, they came in contact with people from outside of Ireland | 0:08:28 | 0:08:32 | |
who were metal prospectors, and the two would have come together | 0:08:32 | 0:08:35 | |
and with that outside expertise, they eventually started to mine here. | 0:08:35 | 0:08:39 | |
-So it was a foreign expertise that was required to trigger it all. -Absolutely. | 0:08:39 | 0:08:43 | |
The very first copper mines were dug in the Balkans, far to the south, nearly 6,000 years ago. | 0:08:45 | 0:08:52 | |
By 3000BC, pockets of copper technology were appearing | 0:08:55 | 0:08:59 | |
further west, in northern Italy and along the Mediterranean coast. | 0:08:59 | 0:09:04 | |
But it wasn't until around 2500BC that copper spread through North West Europe. | 0:09:06 | 0:09:12 | |
And prospectors came looking for ore further north still, | 0:09:12 | 0:09:17 | |
in Ireland. | 0:09:17 | 0:09:19 | |
And all of this was cut out by human labour? | 0:09:21 | 0:09:24 | |
There's good scientific evidence from things like isotope analysis that indicate that the first copper | 0:09:24 | 0:09:29 | |
from Ross Island came from this trench. It's called Blue Hole Mine. | 0:09:29 | 0:09:33 | |
And this copper was produced very early on, | 0:09:36 | 0:09:39 | |
and it circulated all over Ireland and then into western Britain. | 0:09:39 | 0:09:43 | |
So when you find the earliest copper tools in Britain, | 0:09:43 | 0:09:46 | |
wherever you find them, the metal for them has come out of this hole? | 0:09:46 | 0:09:49 | |
Certainly the ones in Ireland and western Britain. | 0:09:49 | 0:09:52 | |
Many of the ones in places like Wales and Scotland, | 0:09:52 | 0:09:55 | |
some of the very earliest copper axes came out of this hole. | 0:09:55 | 0:09:58 | |
It's just extraordinary to be able to track a story like metalworking, | 0:09:58 | 0:10:04 | |
like copper, all the way back to one hole in the ground. | 0:10:04 | 0:10:08 | |
It's like following a river right back to a spring, the source. | 0:10:08 | 0:10:12 | |
Next to the mine, workers would have begun to process the rock. | 0:10:16 | 0:10:20 | |
How do you know all of this? | 0:10:22 | 0:10:23 | |
How do you know that this was the process and it was done here? | 0:10:23 | 0:10:27 | |
We know because of the tools we found in the site. | 0:10:27 | 0:10:30 | |
The excavation of this work camp and the surrounding mine site produced thousands of these stone hammers. | 0:10:30 | 0:10:35 | |
You can see they've got grooves around the centre. | 0:10:35 | 0:10:38 | |
That's because there were usually handles put on them like this. | 0:10:38 | 0:10:41 | |
-They've been worked, picked away at. -Exactly. | 0:10:41 | 0:10:43 | |
The purpose of the groove was to grip a handle like this so that you could use it with more force. | 0:10:43 | 0:10:49 | |
-So they had more sophisticated tools than I've got. -Much more sophisticated. | 0:10:49 | 0:10:53 | |
'Most sophisticated of all, the secret of how to transform the rock into gleaming copper.' | 0:10:53 | 0:10:59 | |
Smelting copper ore required cutting edge technology...bellows, | 0:11:04 | 0:11:09 | |
to create fire that was hotter than anything ever seen in Britain before. | 0:11:09 | 0:11:14 | |
If you look at the colour of your flame. | 0:11:14 | 0:11:17 | |
Experience tells you that I know it's ready. | 0:11:17 | 0:11:20 | |
I can see it's ready. | 0:11:20 | 0:11:21 | |
For the locals, the new people who could create glowing metal from rock must have seemed like magicians. | 0:11:21 | 0:11:29 | |
Oh, yeah. | 0:11:29 | 0:11:30 | |
Look at that! | 0:11:30 | 0:11:34 | |
That is magic. Wow. | 0:11:34 | 0:11:39 | |
That's magic now, what was that like 4,500 years ago? | 0:11:41 | 0:11:45 | |
Look, it's actually turning green. | 0:11:47 | 0:11:49 | |
You can see how it reacts straight away with the air as soon as it's out. | 0:11:49 | 0:11:54 | |
Imagine if someone had turned up in your village and said, | 0:11:54 | 0:11:57 | |
"I'll show you something", and then went through that process, | 0:11:57 | 0:12:00 | |
and then to see that, to see that liquid leap in there | 0:12:00 | 0:12:03 | |
and then turn into a recognisable object... | 0:12:03 | 0:12:06 | |
Yeah, it's magic. | 0:12:06 | 0:12:07 | |
That's pure copper. | 0:12:10 | 0:12:11 | |
-I love it. -Yeah. | 0:12:12 | 0:12:14 | |
So, amazingly, it's the raw materials in these hills | 0:12:19 | 0:12:24 | |
and the technology that transformed it into copper | 0:12:24 | 0:12:28 | |
that are, in many ways, the foundations of our modern world. | 0:12:28 | 0:12:33 | |
The people who brought this technology also brought a new and very different culture | 0:12:36 | 0:12:41 | |
that was to spread throughout Britain and transform society. | 0:12:41 | 0:12:46 | |
They made and used a distinctive kind of pottery. | 0:12:47 | 0:12:51 | |
This piece was actually found here. | 0:12:51 | 0:12:54 | |
Before it was broken, it was part of a vessel | 0:12:54 | 0:12:57 | |
that looked a bit like this one. | 0:12:57 | 0:12:59 | |
We call these beakers, and the people who made these, | 0:12:59 | 0:13:03 | |
used these and were often buried with them | 0:13:03 | 0:13:07 | |
alongside them in their graves, | 0:13:07 | 0:13:09 | |
are called the Beaker people. | 0:13:09 | 0:13:11 | |
Around 2500BC, Beaker people first arrived in Britain... | 0:13:16 | 0:13:21 | |
..bringing their new metalworking skills and a whole new culture. | 0:13:24 | 0:13:29 | |
And we know that, at least partly, | 0:13:31 | 0:13:34 | |
because of an early Beaker man who was buried here | 0:13:34 | 0:13:37 | |
on land between this school and that housing estate 4,500 years ago. | 0:13:37 | 0:13:42 | |
And here he is. | 0:13:53 | 0:13:55 | |
We've got beakers here. | 0:13:59 | 0:14:01 | |
Real ones this time. | 0:14:01 | 0:14:04 | |
Terrified at the prospect of even touching them, because | 0:14:04 | 0:14:08 | |
these are some of the oldest, earliest beakers in Britain. | 0:14:08 | 0:14:15 | |
This fragile lovely is a beaker classic. | 0:14:15 | 0:14:21 | |
Now, also in amongst this dazzling array of grave goods | 0:14:23 | 0:14:31 | |
is metal. | 0:14:31 | 0:14:33 | |
There are copper knives in here. | 0:14:33 | 0:14:35 | |
And this isn't just any metal. | 0:14:35 | 0:14:37 | |
Look at this. Here's one of them. | 0:14:37 | 0:14:40 | |
It's a copper knife that would have had a wooden handle coming out to give you a grip on it. | 0:14:40 | 0:14:44 | |
There's the cutting edge. | 0:14:44 | 0:14:46 | |
These are the oldest metal objects found so far in Britain. | 0:14:46 | 0:14:52 | |
And alongside the earliest copper, | 0:14:54 | 0:14:57 | |
and I can't believe I'm about to touch this, | 0:14:57 | 0:15:00 | |
is the earliest gold. | 0:15:00 | 0:15:04 | |
This is the earliest gold jewellery. | 0:15:04 | 0:15:07 | |
It's been wrongly described previously as an earring, | 0:15:07 | 0:15:10 | |
but it's not. It's a decoration for hair. | 0:15:10 | 0:15:15 | |
You would put it on the end of pleated hair, a braid of hair, | 0:15:15 | 0:15:19 | |
just for decoration. Look at that. | 0:15:19 | 0:15:21 | |
Look at how fine it is. | 0:15:21 | 0:15:23 | |
It feels as fragile as the foil on a Terry's Chocolate Orange. | 0:15:23 | 0:15:29 | |
I feel as if with an uncontrolled nervous twitch, | 0:15:29 | 0:15:31 | |
I might crush it flat. But look at it. | 0:15:31 | 0:15:35 | |
Amazing. | 0:15:35 | 0:15:36 | |
Put it down. | 0:15:36 | 0:15:39 | |
Taking a tooth from the Amesbury Archer, | 0:15:43 | 0:15:46 | |
scientists could discover where this new metalworker had come from. | 0:15:46 | 0:15:51 | |
First time we'd ever had a tooth that old in our hands. | 0:15:51 | 0:15:54 | |
It was amazing to be holding something that old from another human being. | 0:15:54 | 0:15:58 | |
Teeth contain traces of atomic elements, strontium and oxygen. | 0:16:00 | 0:16:05 | |
And the pattern of these traces can reveal where someone spent their childhood, | 0:16:05 | 0:16:10 | |
even after thousands of years. | 0:16:10 | 0:16:14 | |
We were absolutely overwhelmed with the results. | 0:16:14 | 0:16:17 | |
It was absolutely amazing. | 0:16:17 | 0:16:19 | |
This guy didn't come from Britain. | 0:16:19 | 0:16:21 | |
The Amesbury Archer wasn't just an early Beaker man, | 0:16:22 | 0:16:26 | |
but one of the original pioneers, | 0:16:26 | 0:16:29 | |
born a thousand miles away in the Alps of Central Europe. | 0:16:29 | 0:16:35 | |
You just can't possibly think of somebody walking all that way. | 0:16:36 | 0:16:40 | |
I was amazed. I was just totally amazed. | 0:16:40 | 0:16:43 | |
And I was absolutely over the moon, because he was different. | 0:16:43 | 0:16:47 | |
You see so many individuals who were just like everybody else, and then | 0:16:47 | 0:16:51 | |
all of a sudden, here's one guy who's just totally different. | 0:16:51 | 0:16:54 | |
After travelling a thousand miles, | 0:16:57 | 0:16:59 | |
the Amesbury Archer ended his days here in Wiltshire, | 0:16:59 | 0:17:04 | |
buried alongside the things that were important to him in life. | 0:17:04 | 0:17:09 | |
All of this, so far, makes him fascinating and compelling. | 0:17:09 | 0:17:15 | |
But there's one last item in here | 0:17:15 | 0:17:17 | |
that makes this individual crucial to our story. | 0:17:17 | 0:17:21 | |
It's this item here. | 0:17:21 | 0:17:26 | |
This is called a cushion stone. | 0:17:26 | 0:17:28 | |
It's used for working and finishing metal. | 0:17:29 | 0:17:34 | |
Look at it. It's seen years of use. | 0:17:34 | 0:17:37 | |
Look how smooth it is. | 0:17:37 | 0:17:38 | |
You would have used the smooth surface of this one to cold work metal | 0:17:38 | 0:17:44 | |
and give it the finishing shape and finishing touches. | 0:17:44 | 0:17:49 | |
So this individual, this pioneer from Europe, | 0:17:49 | 0:17:54 | |
he didn't just own metal things. | 0:17:54 | 0:17:57 | |
He knew how to get metal, how to make metal and how to work metal. | 0:17:57 | 0:18:03 | |
The arrival of Beaker people in Britain was a tipping point in the history of our land. | 0:18:07 | 0:18:13 | |
Before the new people arrived, all our materials were simply collected from the natural world. | 0:18:15 | 0:18:22 | |
Stone, bone, shell, wood, antler, animal sinew. | 0:18:22 | 0:18:28 | |
All of these and more had been used in countless ingenious ways. | 0:18:28 | 0:18:32 | |
And of course, people had been making pottery for over a thousand years. | 0:18:32 | 0:18:36 | |
But the Beaker people had brought something completely new. | 0:18:36 | 0:18:40 | |
Not just copper technology, but gold jewellery, | 0:18:40 | 0:18:45 | |
and the trappings of status, perhaps even wealth. | 0:18:45 | 0:18:49 | |
Metalworkers like the Amesbury Archer were pioneering a new | 0:18:51 | 0:18:54 | |
and very different world to that of the ancient past. | 0:18:54 | 0:18:59 | |
This was nothing less than the end of the Stone Age | 0:18:59 | 0:19:02 | |
and everything that went with it. | 0:19:02 | 0:19:04 | |
Stone-Age Britain had reached its peak with the creation | 0:19:08 | 0:19:12 | |
of massive, cosmically aligned, communal monuments. | 0:19:12 | 0:19:16 | |
Even in death, the ancestors shared a world, | 0:19:19 | 0:19:22 | |
often buried or cremated in communal tombs. | 0:19:22 | 0:19:26 | |
But now, just a few incomers from Europe had brought very different ideas | 0:19:33 | 0:19:37 | |
about how people fitted into society and the world around them. | 0:19:37 | 0:19:43 | |
The Beaker people brought a whole new sense of "self", | 0:19:43 | 0:19:47 | |
of individuality. | 0:19:47 | 0:19:49 | |
Unlike most burials in the Stone Age, | 0:19:49 | 0:19:51 | |
the Amesbury Archer was laid to rest on his own. | 0:19:51 | 0:19:55 | |
He was also buried with possessions - things that showed what he did, who he was. | 0:19:55 | 0:20:01 | |
An acknowledgement of his status, if you like. | 0:20:01 | 0:20:04 | |
For the Beaker people, all of this mattered. | 0:20:04 | 0:20:09 | |
But for British people in the Stone Age, | 0:20:09 | 0:20:11 | |
this was radical thinking. | 0:20:11 | 0:20:14 | |
Right on the cusp of this change, the last great prehistoric monument in Britain was begun. | 0:20:17 | 0:20:23 | |
It's this enormous mound - Silbury Hill. | 0:20:28 | 0:20:32 | |
It's almost certainly the largest prehistoric mound built anywhere in the world. | 0:20:32 | 0:20:37 | |
It's been calculated that it took four million man-hours to build. | 0:20:37 | 0:20:42 | |
And as for what it's for, | 0:20:42 | 0:20:45 | |
I'll be honest with you - nobody knows. | 0:20:45 | 0:20:48 | |
One thing we do know for certain - the people who started building it | 0:20:49 | 0:20:53 | |
didn't live long enough to see it completed. | 0:20:53 | 0:20:55 | |
It was the idea of Silbury Hill that survived, generation after generation. | 0:20:55 | 0:21:01 | |
And now, of course, it's just a mystery. | 0:21:02 | 0:21:06 | |
It could be that this was the last blossoming of the Neolithic | 0:21:09 | 0:21:13 | |
before the new, more individual Beaker ways took over. | 0:21:13 | 0:21:17 | |
Beakers - classic beakers - that give the Beaker people their name, are drinking vessels. | 0:21:17 | 0:21:24 | |
And they're associated with a male-dominated culture of archery, metal-working, and drinking. | 0:21:24 | 0:21:31 | |
Analysis of fragments of real beakers, to see what they contained, | 0:21:31 | 0:21:37 | |
have shown that it was almost certainly alcoholic. | 0:21:37 | 0:21:41 | |
Now... | 0:21:41 | 0:21:43 | |
So, in honour | 0:21:46 | 0:21:47 | |
of the Amesbury Archer and the builders of Silbury Hill, | 0:21:47 | 0:21:52 | |
I'm going to try some. | 0:21:52 | 0:21:54 | |
Good health. | 0:21:54 | 0:21:56 | |
Metal was only one part of the new Beaker culture. | 0:22:03 | 0:22:08 | |
But for all their individual skills and modern outlook, the new metal workers had a problem. | 0:22:08 | 0:22:14 | |
Copper might have looked good, but it was so soft that it was barely better than flint as a tool. | 0:22:14 | 0:22:20 | |
But the Beaker people also knew about another, even more astonishing metal. | 0:22:24 | 0:22:29 | |
The metal that was to open up a whole new age was unlocked from the rocks of the Cornish coast. | 0:22:35 | 0:22:40 | |
'Because to make it, you needed to combine copper with tin.' | 0:22:43 | 0:22:47 | |
Bear with me... | 0:22:56 | 0:22:58 | |
Apparently it's quite distinctive when you see it. | 0:22:58 | 0:23:03 | |
If you don't break an ankle on the way! | 0:23:04 | 0:23:06 | |
Look. | 0:23:08 | 0:23:10 | |
The secret to all of this, | 0:23:10 | 0:23:13 | |
what those early metal-workers were on the hunt for, | 0:23:13 | 0:23:17 | |
is in this ribbon of black-and-white rock. | 0:23:17 | 0:23:21 | |
It's very distinctive. See it? | 0:23:21 | 0:23:24 | |
It's called cassiterite. | 0:23:24 | 0:23:26 | |
A rock that contains tin. | 0:23:26 | 0:23:28 | |
Britain had been a latecomer to the copper age, but the discovery of local tin - | 0:23:33 | 0:23:37 | |
a much rarer metal than copper - was to propel Britain to the very technological forefront of Europe. | 0:23:37 | 0:23:43 | |
If you were very lucky, | 0:23:45 | 0:23:48 | |
you'd find something like this. | 0:23:48 | 0:23:51 | |
I wish you could feel it. | 0:23:51 | 0:23:52 | |
It looks like any ordinary pebble, but trust me, it's as heavy as a cannonball | 0:23:52 | 0:23:57 | |
and when you extract the tin itself, it's as beautiful as silver. | 0:23:57 | 0:24:04 | |
And this is an ingot of tin. | 0:24:07 | 0:24:10 | |
It's very lovely. They say that if you bend it... | 0:24:10 | 0:24:14 | |
CRACKLING | 0:24:14 | 0:24:15 | |
..it crackles. | 0:24:15 | 0:24:17 | |
They call that the cry of tin. | 0:24:17 | 0:24:19 | |
More importantly, if you have copper and you add this, you transform it into bronze. | 0:24:19 | 0:24:26 | |
If you control the bellow speed, it'll hold the perfect temperature for casting. | 0:24:32 | 0:24:36 | |
With just the right mixture of copper and tin, metal workers could | 0:24:42 | 0:24:46 | |
create an alloy that was hard enough to make useful tools and weapons. | 0:24:46 | 0:24:51 | |
An impact that crumples copper... | 0:24:55 | 0:24:57 | |
..is no match for bronze... | 0:25:01 | 0:25:03 | |
..the hardest metal of the ancient world. | 0:25:05 | 0:25:07 | |
No matter how often I do this, I still find it quite challenging. | 0:25:07 | 0:25:11 | |
Moulds were made of stone or clay. | 0:25:14 | 0:25:17 | |
-Fingers crossed, gentlemen. -Everything crossed. | 0:25:18 | 0:25:21 | |
In this case, to cast something that was unknown before bronze came along... | 0:25:23 | 0:25:27 | |
A sword. | 0:25:27 | 0:25:29 | |
That's fantastic. | 0:25:37 | 0:25:39 | |
Loving this. Right. | 0:25:41 | 0:25:44 | |
Can you lift that off? | 0:25:44 | 0:25:46 | |
-OK, this is it. -Right. | 0:25:51 | 0:25:54 | |
-OK, lift it up. -It's like a beating heart. Look at it. | 0:26:03 | 0:26:08 | |
OK, in you go. | 0:26:08 | 0:26:11 | |
-Bit lower.... -Finally. | 0:26:11 | 0:26:13 | |
-That's it. Well done, gentlemen. -Oh, look. | 0:26:21 | 0:26:24 | |
Amazing. | 0:26:24 | 0:26:27 | |
It's like blood. Better than blood. | 0:26:27 | 0:26:29 | |
OK, that's good. | 0:26:29 | 0:26:33 | |
Lift it up a little bit. That's it. We're there. | 0:26:33 | 0:26:36 | |
-Wow, it's so visceral, isn't it? -Oh, definitely. | 0:26:42 | 0:26:45 | |
The moment of truth. | 0:26:51 | 0:26:53 | |
There we go. | 0:27:00 | 0:27:02 | |
Look at that! | 0:27:02 | 0:27:04 | |
That is amazing. Look at the colour of it. | 0:27:09 | 0:27:12 | |
-Are you impressed? -I'm deeply, deeply impressed. | 0:27:14 | 0:27:17 | |
Look at that! | 0:27:17 | 0:27:20 | |
Yeah, it even makes a ring. | 0:27:20 | 0:27:22 | |
-It's a very hard piece of bronze. -Just amazing. | 0:27:22 | 0:27:25 | |
From liquid fire to metal sword in a couple of minutes. | 0:27:28 | 0:27:32 | |
In the hands of master metal-workers, bronze was leading Britain into a whole new age. | 0:27:42 | 0:27:48 | |
Not only technologically, but socially as well. | 0:27:48 | 0:27:51 | |
Look at these, obviously lethal weapons. | 0:27:54 | 0:27:58 | |
But swords are quite a late development in the story of bronze, in the story of metal. | 0:28:00 | 0:28:07 | |
If you're talking about early bronze, then you have to look at axes. | 0:28:07 | 0:28:12 | |
These are some of the earliest bronze objects found so far in Britain. | 0:28:14 | 0:28:19 | |
These date from as early as 2,200 years BC. | 0:28:19 | 0:28:24 | |
A carpenter would have coveted an item like this, | 0:28:24 | 0:28:27 | |
because it would enable him to do a better, faster job. | 0:28:27 | 0:28:31 | |
But bronze axes are about much more than the utility of the object. | 0:28:31 | 0:28:36 | |
They're are about status and prestige. No humble carpenter | 0:28:36 | 0:28:39 | |
could possibly have dreamt of owning something so valuable in the early days of bronze. | 0:28:39 | 0:28:46 | |
Much more than tools, these are objects of desire. | 0:28:46 | 0:28:50 | |
There's a whole range | 0:28:50 | 0:28:53 | |
of sizes, styles, | 0:28:53 | 0:28:55 | |
although still early. | 0:28:55 | 0:28:57 | |
Look at the size of that one. | 0:28:57 | 0:28:59 | |
That's what that was all about - bigger is better. | 0:28:59 | 0:29:02 | |
It's showing off. | 0:29:02 | 0:29:04 | |
And this one, | 0:29:04 | 0:29:06 | |
which looks silvery in colour, rather than the warm gold of bronze, | 0:29:06 | 0:29:10 | |
that silvering has been achieved by flashing tin onto the surface of the bronze. | 0:29:10 | 0:29:16 | |
It doesn't make a better axe, it just makes it more eye-catching. | 0:29:16 | 0:29:21 | |
This ushers in a whole new era, | 0:29:21 | 0:29:24 | |
because for the first time, | 0:29:24 | 0:29:26 | |
there was a different way to get and to demonstrate wealth. | 0:29:26 | 0:29:31 | |
After the time of the priestly class, where status | 0:29:31 | 0:29:36 | |
was conferred on people because of who they were and what they knew, | 0:29:36 | 0:29:40 | |
now there's a different opportunity. | 0:29:40 | 0:29:42 | |
The bronze here has been brought together from many sources. | 0:29:42 | 0:29:46 | |
The copper from South West Ireland, | 0:29:46 | 0:29:49 | |
the tin from Cornwall. | 0:29:49 | 0:29:50 | |
But these were found in the North East of Scotland. | 0:29:50 | 0:29:53 | |
The materials are moving all over the country. | 0:29:53 | 0:29:57 | |
If you are someone who can control those trade routes, | 0:29:57 | 0:30:00 | |
if you can get your hands on this | 0:30:00 | 0:30:01 | |
as it moves through your territory and control it, then you've got | 0:30:01 | 0:30:05 | |
personal wealth and you've got the ability to demonstrate and to show | 0:30:05 | 0:30:10 | |
that you are someone who matters. | 0:30:10 | 0:30:12 | |
Now, not everyone had to farm the land. | 0:30:16 | 0:30:19 | |
At least for a few of Britain's population of perhaps a quarter of a million people, | 0:30:19 | 0:30:24 | |
new opportunities were emerging. | 0:30:24 | 0:30:26 | |
Specialist metal-workers, metal-traders and, in particular, | 0:30:28 | 0:30:33 | |
those who controlled trade routes, could become seriously rich. | 0:30:33 | 0:30:37 | |
This was a new self-made elite, | 0:30:37 | 0:30:40 | |
for whom the Stone Age must have seemed a quaint and distant memory. | 0:30:40 | 0:30:44 | |
In the Bronze Age, it wasn't just the ancient, sacred landscapes that were important, | 0:30:51 | 0:30:57 | |
but the practical landscapes of natural harbours and river routes. | 0:30:57 | 0:31:01 | |
One of the most important trade routes was the western entrance to the Great Glen in Scotland, | 0:31:03 | 0:31:09 | |
a place studied by archaeologist Alison Sheridan. | 0:31:09 | 0:31:13 | |
This glen is geographically in a great position to control the flow of metal that's coming from Ireland, | 0:31:13 | 0:31:20 | |
up the Great Glen, to North East Scotland. | 0:31:20 | 0:31:23 | |
-So this valley finds itself at the hub of what is effectively a busy motorway? -Yes, absolutely. | 0:31:23 | 0:31:28 | |
Those people who were able to control the flow of copper or tin or both | 0:31:28 | 0:31:33 | |
were going to make it rich. | 0:31:33 | 0:31:35 | |
The tombs of some of the new, rich bronze elite | 0:31:39 | 0:31:42 | |
of Kilmartin still survive. | 0:31:42 | 0:31:44 | |
Within this huge cairn, there was only ever one person buried. | 0:31:45 | 0:31:50 | |
This is no mass grave. | 0:31:50 | 0:31:53 | |
This is for a single, high-status individual. | 0:31:53 | 0:31:58 | |
This cairn was rebuilt around this modern chamber | 0:32:05 | 0:32:09 | |
that was itself built | 0:32:09 | 0:32:11 | |
to let people see this single grave, this stone-lined cist. | 0:32:11 | 0:32:15 | |
There was only ever one grave in this entire cairn, so this was an important individual. | 0:32:15 | 0:32:23 | |
Most interesting thing of all in here is the lid, | 0:32:23 | 0:32:27 | |
the capstone, that was once laid on top of this cist to seal it. | 0:32:27 | 0:32:32 | |
Before it was put down, it was upgraded, re-worked, | 0:32:32 | 0:32:37 | |
with these axe heads picked and carved into the surface. | 0:32:37 | 0:32:42 | |
They're all over the place here. | 0:32:42 | 0:32:45 | |
So the person, whoever he or she was, was laid to rest in here | 0:32:45 | 0:32:51 | |
and they would spend eternity looking up at this stone, | 0:32:51 | 0:32:54 | |
because it was the axe, the metal of the axes, that was the basis for the wealth and power of these people. | 0:32:54 | 0:33:02 | |
The new wealth fed a new demand for luxury goods. | 0:33:05 | 0:33:10 | |
-Alison, you don't often find or see anything quite as stunning as that, do you? -No. | 0:33:16 | 0:33:22 | |
What is it made of? | 0:33:22 | 0:33:24 | |
It's made of jet from Whitby in Yorkshire. | 0:33:24 | 0:33:27 | |
This necklace had travelled over 300 miles to be worn by one special, very rich woman. | 0:33:27 | 0:33:35 | |
It's actually semi-fossilised wood of the monkey puzzle tree family. | 0:33:37 | 0:33:40 | |
-Isn't that fantastic? -It's great. | 0:33:40 | 0:33:42 | |
You can actually see the grain of the wood, there. | 0:33:42 | 0:33:45 | |
And it feels... It doesn't feel as you would expect it to, | 0:33:45 | 0:33:47 | |
because it looks as if it ought to be much heavier than it is. | 0:33:47 | 0:33:50 | |
-Yes. -It is quite like handing varnished wood. | 0:33:50 | 0:33:53 | |
It's wonderful. It's also warm. | 0:33:53 | 0:33:55 | |
Jet is an amazing stone. It's stone that is light, it's stone that you can burn. | 0:33:55 | 0:34:01 | |
It also has electrostatic properties. | 0:34:01 | 0:34:03 | |
This wasn't just precious bling, this was supernatural power dressing if you like. | 0:34:03 | 0:34:07 | |
It's something which would have protected the woman in her | 0:34:07 | 0:34:11 | |
dangerous journey to the world of the gods and the ancestors. | 0:34:11 | 0:34:14 | |
How old did you say that was? | 0:34:14 | 0:34:16 | |
It's about 4,150 years old. | 0:34:16 | 0:34:18 | |
-And fragile? -Yes! | 0:34:18 | 0:34:20 | |
So this... | 0:34:20 | 0:34:23 | |
-is a replica. -That's right, yes. | 0:34:23 | 0:34:26 | |
It was made for Kilmartin House Museum by a modern-day Whitby jet specialist worker. | 0:34:26 | 0:34:31 | |
-Would you like to try it? -I'd love to. | 0:34:31 | 0:34:33 | |
Oh! | 0:34:35 | 0:34:37 | |
OK. Now, does it feel different than other items of finery you've worn before? | 0:34:37 | 0:34:42 | |
Yes, it makes me feel like a queen. | 0:34:42 | 0:34:45 | |
It's just wonderful. It's so comfortable, so soft, so beautiful. | 0:34:45 | 0:34:49 | |
It would have been originally very tightly strung, | 0:34:49 | 0:34:52 | |
so it's a solid black mass of precious magical material. | 0:34:52 | 0:34:57 | |
So, 4,100 years ago, this part of Britain was centre stage? | 0:34:57 | 0:35:04 | |
Absolutely, yes. At the time, northern Britain and Ireland were the epicentre of cool. | 0:35:04 | 0:35:10 | |
They were the places where the fashion trends were being created. | 0:35:10 | 0:35:14 | |
This is internationally significant. | 0:35:14 | 0:35:17 | |
The person would have held her own among the elite across Europe. | 0:35:17 | 0:35:21 | |
-So Britain is at the centre, not on the periphery? -Yes, absolutely. | 0:35:21 | 0:35:24 | |
If this glen teaches us anything, it's that, by 2000BC, Britain had a real presence in the world. | 0:35:28 | 0:35:35 | |
We had the natural resources and the technical skills that meant we couldn't be ignored. | 0:35:35 | 0:35:40 | |
In the Mediterranean and the rest of Europe, they'd had trade and wealth for centuries. Now we had it too. | 0:35:40 | 0:35:47 | |
The waters around Britain can be some of the most treacherous in the world, | 0:35:53 | 0:35:57 | |
but to trade with Europe, Bronze-Age sailors had to brave them. | 0:35:57 | 0:36:02 | |
And a remarkable discovery made in Dover reveals the sophistication of their maritime prowess. | 0:36:03 | 0:36:10 | |
In 1992, while this underpass was being dug, the evidence emerged from the mud. | 0:36:14 | 0:36:19 | |
Incredibly they found a boat - a big wooden boat - buried 20 feet underground, down here. | 0:36:22 | 0:36:28 | |
It's hard to believe, surrounded down here by all this concrete and these painted tiles, | 0:36:29 | 0:36:36 | |
that 3,500 years ago, the boat came to rest and was gradually buried under layers and layers of mud. | 0:36:36 | 0:36:43 | |
And here it is. This, quite simply, is the oldest surviving sea-going vessel in the world. | 0:36:51 | 0:36:59 | |
It's absolutely fantastic. | 0:37:01 | 0:37:03 | |
At first sight, it's honestly one of the most impressive archaeological finds I've ever laid eyes on. | 0:37:03 | 0:37:09 | |
'Originally up to 20m long, the Dover Boat would have carried cargo between Britain and mainland Europe. | 0:37:11 | 0:37:18 | |
'Scrap bronze and other metals, perhaps also wool and fabrics.' | 0:37:18 | 0:37:24 | |
A vessel this size would obviously have taken some skilled handling. | 0:37:24 | 0:37:29 | |
It must have been either paddled | 0:37:29 | 0:37:33 | |
with several of these or, the thinking more recently has been | 0:37:33 | 0:37:37 | |
that it might have been rowed, like a rowing boat on a paddling pond, only on a much grander scale. | 0:37:37 | 0:37:45 | |
I've actually been given the privilege of going inside the case. | 0:37:45 | 0:37:49 | |
This is the magic handle that opens the door. | 0:37:49 | 0:37:54 | |
You don't get to do this in normal life! | 0:37:56 | 0:37:59 | |
There's a real atmosphere in here. | 0:38:06 | 0:38:09 | |
I don't know if it's just the case, | 0:38:09 | 0:38:12 | |
but it's almost like being in here with someONE rather than just someTHING. | 0:38:12 | 0:38:18 | |
It's as if the Bronze Age is, | 0:38:18 | 0:38:22 | |
and Bronze-Age people are, preserved in here. | 0:38:22 | 0:38:26 | |
The boat's construction relied on the expert skills of carpenters using bronze axes. | 0:38:31 | 0:38:36 | |
Its hull, four enormous planks, sewn together. | 0:38:36 | 0:38:41 | |
These are twisted yew branches. | 0:38:43 | 0:38:46 | |
They're called withies. They've been used like thread, or cords. | 0:38:46 | 0:38:50 | |
The pieces have been stitched together, | 0:38:50 | 0:38:53 | |
almost as though, rather than wood it was made out of skin, or cloth. It's the same sort of technology. | 0:38:53 | 0:39:00 | |
It's been sewn together on a giant scale. | 0:39:00 | 0:39:04 | |
Close up, there's a detail that reveals | 0:39:07 | 0:39:10 | |
how this boat ended its days. | 0:39:10 | 0:39:12 | |
It was in good nick | 0:39:14 | 0:39:18 | |
but at some point, | 0:39:18 | 0:39:19 | |
people have decided to put it beyond use. | 0:39:19 | 0:39:23 | |
It's been scuttled, if you like. | 0:39:23 | 0:39:25 | |
You can see, at certain points, | 0:39:25 | 0:39:27 | |
where the withies - those twisted yew branches - | 0:39:27 | 0:39:29 | |
have been cut deliberately. | 0:39:29 | 0:39:31 | |
So, for some reason, | 0:39:31 | 0:39:34 | |
it was thought appropriate to put this boat, | 0:39:34 | 0:39:38 | |
this perfectly functional boat, | 0:39:38 | 0:39:39 | |
beyond the use of man. | 0:39:39 | 0:39:41 | |
In ancient Britain, the earth was alive, and sacred. | 0:39:55 | 0:40:00 | |
So anything taken from the earth, | 0:40:00 | 0:40:02 | |
whether wood or bronze, | 0:40:02 | 0:40:04 | |
was only borrowed | 0:40:04 | 0:40:05 | |
and would one day have to be returned. | 0:40:05 | 0:40:08 | |
People in the past seemed to acknowledge a relationship | 0:40:10 | 0:40:14 | |
between themselves, their belongings, and their landscape. | 0:40:14 | 0:40:18 | |
And something unseen. | 0:40:18 | 0:40:20 | |
They accept that there's a relationship, | 0:40:20 | 0:40:24 | |
that there's an obligation, | 0:40:24 | 0:40:27 | |
that comes with ownership. | 0:40:27 | 0:40:29 | |
That death follows life and that debts have to be repaid. | 0:40:29 | 0:40:33 | |
So, an axe is buried, | 0:40:33 | 0:40:36 | |
or thrown away. | 0:40:36 | 0:40:38 | |
A polished mace head goes into a tomb with the ancestors | 0:40:38 | 0:40:42 | |
and a boat like the Dover Boat, | 0:40:42 | 0:40:43 | |
even though it's still serviceable, | 0:40:43 | 0:40:46 | |
has to be returned to the world. | 0:40:46 | 0:40:49 | |
Look at this... | 0:40:51 | 0:40:53 | |
Beautiful. | 0:40:53 | 0:40:55 | |
Rapier. Look how fine it is. | 0:40:55 | 0:40:59 | |
You can imagine the use that was put to, | 0:40:59 | 0:41:02 | |
with the handle here. | 0:41:02 | 0:41:04 | |
But it's been damaged, to put it beyond the use of men. | 0:41:07 | 0:41:10 | |
So it's been bent over someone's knee | 0:41:10 | 0:41:13 | |
and then the edge has been ruined by striking it on a rock. | 0:41:13 | 0:41:18 | |
Look. Before this was given back to the world, it's been snapped, | 0:41:21 | 0:41:28 | |
great force has been used. | 0:41:28 | 0:41:30 | |
This was probably a valuable, cherished object, | 0:41:30 | 0:41:34 | |
but the time came for it to go away. | 0:41:34 | 0:41:37 | |
And so, it was put out of reach, by destroying it. | 0:41:37 | 0:41:41 | |
Bronze-Age discoveries are revealing more than ancient lives, | 0:41:47 | 0:41:50 | |
but ancient beliefs as well. | 0:41:50 | 0:41:54 | |
In some ways, | 0:41:54 | 0:41:56 | |
the people of the Bronze Age | 0:41:56 | 0:41:57 | |
were forging a new, modern way of living. | 0:41:57 | 0:42:02 | |
But with the Dover Boat, | 0:42:02 | 0:42:04 | |
and with those damaged pieces of valuable bronze, | 0:42:04 | 0:42:09 | |
we're also seeing another side to Bronze-Age life. | 0:42:09 | 0:42:12 | |
It's a glimpse of Bronze-Age religion, if you like, | 0:42:12 | 0:42:16 | |
and it's connected with water. | 0:42:16 | 0:42:18 | |
The only evidence we have | 0:42:20 | 0:42:22 | |
is the gifts that were given to the gods. | 0:42:22 | 0:42:25 | |
Rivers, particularly those that flow east in England, | 0:42:25 | 0:42:29 | |
were special places | 0:42:29 | 0:42:31 | |
where people brought treasured personal belongings, | 0:42:31 | 0:42:35 | |
like swords, or cooking pots, | 0:42:35 | 0:42:37 | |
and threw them in. | 0:42:37 | 0:42:38 | |
Archaeologists think that those things | 0:42:38 | 0:42:40 | |
were offerings to appease the gods. | 0:42:40 | 0:42:44 | |
So, living beside nature | 0:42:46 | 0:42:48 | |
and trying to work out how to appease the gods, | 0:42:48 | 0:42:51 | |
how to keep them happy, | 0:42:51 | 0:42:52 | |
would presumably just have been part of everyday life. | 0:42:52 | 0:42:56 | |
In the thousand years since the Beaker people first brought metal to our shores, | 0:43:01 | 0:43:06 | |
a wealthy Bronze-Age elite had emerged. | 0:43:06 | 0:43:09 | |
By 1500BC, Britain was a rich, well-connected land. | 0:43:12 | 0:43:17 | |
But of course, | 0:43:17 | 0:43:18 | |
almost all those riches were the preserve of just a few - | 0:43:18 | 0:43:22 | |
those at the very top of society. | 0:43:22 | 0:43:25 | |
One aspect of Britain had barely changed. | 0:43:26 | 0:43:29 | |
The way people lived their lives | 0:43:29 | 0:43:32 | |
was pretty much the same as it had been in the Stone Age. | 0:43:32 | 0:43:35 | |
They farmed the land as they had done for centuries. | 0:43:35 | 0:43:39 | |
But they moved around, season by season. | 0:43:39 | 0:43:43 | |
Apart from a few exceptions, | 0:43:43 | 0:43:44 | |
there's scant evidence of permanent homes or permanent farms. | 0:43:44 | 0:43:49 | |
But all of this was about to change. | 0:43:49 | 0:43:52 | |
A Bronze-Age site in East Anglia | 0:43:57 | 0:43:58 | |
revealed the remains of something new. | 0:43:58 | 0:44:00 | |
'A permanent farmstead, | 0:44:06 | 0:44:08 | |
'with evidence of houses built to last a lifetime. | 0:44:08 | 0:44:11 | |
'Since the original discovery in the 1980s, | 0:44:14 | 0:44:17 | |
'some of the buildings have been recreated. | 0:44:17 | 0:44:21 | |
'To get a better idea of how Bronze-Age people lived,' | 0:44:21 | 0:44:24 | |
you want to get inside one of the houses. | 0:44:24 | 0:44:27 | |
So there's no way around reconstruction | 0:44:27 | 0:44:29 | |
because although stone foundations survive, | 0:44:29 | 0:44:32 | |
in terms of the roof, they perish. | 0:44:32 | 0:44:34 | |
So there's no alternative but to use archaeological evidence and best guesses | 0:44:34 | 0:44:39 | |
to put together as close a replica of a Bronze-Age house | 0:44:39 | 0:44:44 | |
as we can get. | 0:44:44 | 0:44:45 | |
An entire family would occupy a single room, | 0:44:46 | 0:44:50 | |
with a central hearth for heating and cooking. | 0:44:50 | 0:44:53 | |
It's quite interesting - | 0:44:54 | 0:44:55 | |
you don't need a hole in the roof for the smoke. | 0:44:55 | 0:44:59 | |
The smoke just rises | 0:44:59 | 0:45:00 | |
and sits above head height | 0:45:00 | 0:45:02 | |
and then gradually seeps out through the thatch. | 0:45:02 | 0:45:06 | |
The Bronze-Age roundhouse formed a template for domestic living | 0:45:06 | 0:45:11 | |
that would last for over a thousand years. | 0:45:11 | 0:45:13 | |
'Bronze-Age specialist Francis Pryor discovered Flag Fen | 0:45:21 | 0:45:24 | |
'and he's studied it ever since.' | 0:45:24 | 0:45:27 | |
Francis, what would it have been like | 0:45:28 | 0:45:30 | |
to live in the Bronze Age, | 0:45:30 | 0:45:33 | |
1200 years BC? | 0:45:33 | 0:45:36 | |
People were very relaxed, | 0:45:36 | 0:45:38 | |
they knew their place in society, | 0:45:38 | 0:45:41 | |
they ate well. | 0:45:41 | 0:45:43 | |
The archaeological evidence doesn't suggest | 0:45:43 | 0:45:46 | |
that there was, let's say, | 0:45:46 | 0:45:48 | |
an underclass that was not properly nourished. | 0:45:48 | 0:45:51 | |
Whenever you dig up a Bronze-Age burial, | 0:45:51 | 0:45:54 | |
9 times out of 10 or 90 times out of 100, | 0:45:54 | 0:45:58 | |
the body is well-nourished, the bones are well-formed. | 0:45:58 | 0:46:01 | |
-So they had plenty of calcium and they ate a decent diet. -Right. | 0:46:01 | 0:46:04 | |
One of the things there isn't much evidence for in the Bronze Age | 0:46:04 | 0:46:08 | |
is actual strife. | 0:46:08 | 0:46:10 | |
The population hadn't got SO big | 0:46:10 | 0:46:13 | |
that people were at each other's throats. | 0:46:13 | 0:46:15 | |
Everyone knew what land they owned, | 0:46:15 | 0:46:18 | |
people lived in families, | 0:46:18 | 0:46:19 | |
your week was organised. | 0:46:19 | 0:46:22 | |
Life, I think, in the Bronze Age would have been pretty good. | 0:46:22 | 0:46:25 | |
As the Bronze Age matured, | 0:46:29 | 0:46:31 | |
settled life came with an even bigger change... | 0:46:31 | 0:46:34 | |
a change that was one of the greatest social transformations | 0:46:34 | 0:46:38 | |
in the whole of our history. | 0:46:38 | 0:46:40 | |
This sort of set-up, these houses, | 0:46:40 | 0:46:45 | |
this winding road - | 0:46:45 | 0:46:46 | |
this is our classic view of rural Britain. | 0:46:46 | 0:46:49 | |
Permanent houses led to the beginnings | 0:46:52 | 0:46:55 | |
of the very first villages. | 0:46:55 | 0:46:58 | |
Fields all around, houses close together. These are the neighbours. | 0:46:58 | 0:47:05 | |
And that fundamentally changed the way we related to a place... | 0:47:06 | 0:47:12 | |
and to one another. | 0:47:12 | 0:47:14 | |
It seems normal to us, but it all had to be invented. | 0:47:14 | 0:47:18 | |
The whole idea of getting used to living in the same house for your whole life. | 0:47:18 | 0:47:23 | |
The neighbours - getting used to seeing the same faces day after day. | 0:47:23 | 0:47:28 | |
It seems obvious to us, | 0:47:28 | 0:47:30 | |
but until about 1500BC, | 0:47:30 | 0:47:33 | |
this was shockingly new. | 0:47:33 | 0:47:34 | |
The wild moorlands of Devon | 0:47:39 | 0:47:41 | |
contain evidence of this new way of living. | 0:47:41 | 0:47:43 | |
If it's Bronze-Age Britain you're looking for, | 0:47:49 | 0:47:51 | |
this is the place to come. | 0:47:51 | 0:47:53 | |
Because beyond this patch of woodland, | 0:47:53 | 0:47:55 | |
is the finest relic we have of that ancient landscape. | 0:47:55 | 0:48:00 | |
Dartmoor has the best-preserved Bronze-Age landscape, | 0:48:08 | 0:48:12 | |
not just in Britain, but in the whole of Europe. | 0:48:12 | 0:48:14 | |
These rocky outcrops, called tors, are natural. | 0:48:23 | 0:48:27 | |
But the landscape is also marked by the work of people | 0:48:27 | 0:48:31 | |
who lived on these hills 3,500 years ago. | 0:48:31 | 0:48:34 | |
Faint crisscross markings are relics of Bronze-Age field systems | 0:48:46 | 0:48:51 | |
that divide the land into plots, | 0:48:51 | 0:48:54 | |
farmed by families living in their own homes. | 0:48:54 | 0:48:57 | |
Really, what's impressive about it is the scale! | 0:49:00 | 0:49:03 | |
Within this landscape - | 0:49:04 | 0:49:06 | |
the remains of some of the very earliest Bronze-Age roundhouses. | 0:49:06 | 0:49:10 | |
Proper entrance... | 0:49:16 | 0:49:18 | |
There's nothing temporary or half-hearted about this. | 0:49:23 | 0:49:27 | |
This is permanent. | 0:49:27 | 0:49:28 | |
Whoever built this wasn't moving on in a hurry. | 0:49:29 | 0:49:32 | |
Archaeologist Niall Sharples | 0:49:36 | 0:49:39 | |
has made an extensive study of the Dartmoor landscape and its buildings. | 0:49:39 | 0:49:43 | |
Activity areas. Not rooms, not divided up. | 0:49:46 | 0:49:49 | |
No walls separating the room, but one big room, | 0:49:49 | 0:49:51 | |
but divided into areas where they're doing different things. | 0:49:51 | 0:49:54 | |
So you cook over here and make tools over here... | 0:49:54 | 0:49:57 | |
The other side, over here perhaps, is sleeping and storage, | 0:49:57 | 0:50:01 | |
perhaps a loom, as well, for weaving at the back of the house maybe. | 0:50:01 | 0:50:05 | |
Those kind of activities going on. | 0:50:05 | 0:50:07 | |
When they start building these houses, this is here for their adult lifetime. | 0:50:07 | 0:50:11 | |
Their main social life would be carried out in this house, | 0:50:11 | 0:50:15 | |
and is focused on this house, for 20 to 30 years, something like that. | 0:50:15 | 0:50:19 | |
So it's a permanent part of the landscape. | 0:50:19 | 0:50:21 | |
So, for the very first time in history, | 0:50:21 | 0:50:23 | |
people have a sense of place. | 0:50:23 | 0:50:25 | |
Yeah. Absolutely. That's important. | 0:50:25 | 0:50:29 | |
'Most radical of all - | 0:50:29 | 0:50:30 | |
'these houses aren't isolated farmsteads. | 0:50:30 | 0:50:33 | |
'Here on Dartmoor, | 0:50:33 | 0:50:35 | |
'there's evidence of over 5,000 of them.' | 0:50:35 | 0:50:38 | |
There's another house just over there - that's the neighbours. | 0:50:38 | 0:50:41 | |
They would be related kin of some sort. | 0:50:41 | 0:50:44 | |
There's another two houses over there. | 0:50:44 | 0:50:46 | |
5, 6, 7 or 8, maybe up to 12 houses within this group of fields. | 0:50:46 | 0:50:50 | |
Take a tour of the neighbourhood now... | 0:50:54 | 0:50:56 | |
It does feel strangely...familiar, a layout like this. | 0:50:56 | 0:51:02 | |
You know, families, in their own homes, | 0:51:02 | 0:51:04 | |
dotted across the landscape. But they're within reach of each other, you've got help at hand. | 0:51:04 | 0:51:09 | |
Morning, Niall! | 0:51:09 | 0:51:12 | |
Is this rain ever going to stop? | 0:51:12 | 0:51:14 | |
Shall we go and do some farming? | 0:51:14 | 0:51:17 | |
I think I'll just stay in today. | 0:51:17 | 0:51:19 | |
Your children would grow up with their children. | 0:51:19 | 0:51:22 | |
They would reach adulthood, move into their own homes. It's all... | 0:51:22 | 0:51:25 | |
exactly the same as the way we think about | 0:51:25 | 0:51:28 | |
our communities and our neighbours. | 0:51:28 | 0:51:31 | |
-You've got some impressive stones here! -It's good, isn't it? | 0:51:31 | 0:51:34 | |
We're very proud of them. We think it worked out very well. | 0:51:34 | 0:51:37 | |
An Englishman's home is his castle, and all that... | 0:51:37 | 0:51:41 | |
starts now. | 0:51:41 | 0:51:43 | |
'A warm climate had improved productivity, | 0:51:48 | 0:51:51 | |
'perhaps doubling Britain's population | 0:51:51 | 0:51:53 | |
'to around half a million people, in just a few hundred years. | 0:51:53 | 0:51:57 | |
'Settlements weren't unknown before 1500 years BC, | 0:52:01 | 0:52:04 | |
'but now they were occurring everywhere, | 0:52:04 | 0:52:07 | |
'right across Britain and Europe.' | 0:52:07 | 0:52:09 | |
-A fantastic view! -It is. | 0:52:11 | 0:52:14 | |
'Ties to the land that were once tribal and ancestral, | 0:52:18 | 0:52:21 | |
'were now personal and practical. | 0:52:21 | 0:52:24 | |
'Domestic life was placed right at the heart | 0:52:24 | 0:52:27 | |
'of everything these people did.' | 0:52:27 | 0:52:29 | |
Viewed from up here, it's a grand scheme, isn't it? | 0:52:29 | 0:52:32 | |
A very grand scheme. | 0:52:32 | 0:52:34 | |
I mean, there's nothing really like it in any other period. | 0:52:34 | 0:52:37 | |
It's not a pattern of nature, | 0:52:40 | 0:52:42 | |
they wanted to impose something that was man-made. | 0:52:42 | 0:52:45 | |
How're you doing? | 0:52:57 | 0:53:00 | |
Britain had come a long way since 2,500 BC. | 0:53:07 | 0:53:12 | |
We were still in the Stone Age until the Beaker people arrived | 0:53:12 | 0:53:16 | |
and showed us how to make metals, from glittering stones like these. | 0:53:16 | 0:53:20 | |
Until then, we were well behind the rest of Europe. | 0:53:20 | 0:53:24 | |
Then, with the discovery of tin in Cornwall, we had bronze, | 0:53:24 | 0:53:28 | |
and suddenly, we were at the centre of trade. | 0:53:28 | 0:53:32 | |
But it wasn't until this big change, | 0:53:34 | 0:53:36 | |
around 1,500 years BC, | 0:53:36 | 0:53:39 | |
that we began to settle down | 0:53:39 | 0:53:42 | |
into the way of life that we would recognise now. | 0:53:42 | 0:53:45 | |
There was even a sexual revolution. | 0:53:45 | 0:53:48 | |
It's likely that sons and daughters | 0:53:48 | 0:53:51 | |
were exchanged between hamlets 5, 10, 20 miles apart. | 0:53:51 | 0:53:56 | |
If you sent your daughter to be betrothed to a neighbour's son, | 0:53:56 | 0:54:00 | |
that would have forged an alliance between the families - | 0:54:00 | 0:54:04 | |
people that you could look to for help when times turned bad. | 0:54:04 | 0:54:09 | |
A kind of Bronze-Age insurance policy. | 0:54:09 | 0:54:14 | |
In the years since 1,500 years BC, | 0:54:14 | 0:54:17 | |
things begin to look a bit modern. | 0:54:17 | 0:54:21 | |
Those early settlements on Dartmoor, though, didn't last. | 0:54:24 | 0:54:28 | |
Over just a few centuries, | 0:54:32 | 0:54:34 | |
possibly because of climate change and over-farming, | 0:54:34 | 0:54:37 | |
the moors and those first villages were abandoned forever. | 0:54:37 | 0:54:41 | |
But places like Dartmoor | 0:54:47 | 0:54:49 | |
had set a pattern for the rest of Britain... | 0:54:49 | 0:54:52 | |
and for the future. | 0:54:52 | 0:54:54 | |
Through thousands of years of prehistory, | 0:54:59 | 0:55:02 | |
the building blocks of the world WE know had all been invented. | 0:55:02 | 0:55:06 | |
Society and class, | 0:55:06 | 0:55:08 | |
religion and trade. | 0:55:08 | 0:55:11 | |
Now, by 1000 BC, | 0:55:11 | 0:55:14 | |
the first neighbourhoods and settled villages | 0:55:14 | 0:55:17 | |
were seeds from which city life would eventually blossom. | 0:55:17 | 0:55:20 | |
From the strange and distant days of the first hunters, | 0:55:22 | 0:55:25 | |
a very recognisable Britain was beginning to emerge. | 0:55:25 | 0:55:29 | |
The ice finally retreated around 11,000 or 12,000 years ago. | 0:55:36 | 0:55:41 | |
People came. There were shifts in technology and belief, | 0:55:41 | 0:55:45 | |
and all of that has moulded the Britain we know today. | 0:55:45 | 0:55:50 | |
The very shape of the land - as Britain became an island. | 0:55:50 | 0:55:53 | |
The coming of farming, | 0:55:53 | 0:55:54 | |
with ideas of work, and productivity, and community. | 0:55:54 | 0:55:59 | |
But it feels that with the end of the Stone Age | 0:55:59 | 0:56:01 | |
and the coming of Bronze, | 0:56:01 | 0:56:03 | |
the distant, strange world of our very early prehistory | 0:56:03 | 0:56:08 | |
finally came to an end. | 0:56:08 | 0:56:09 | |
It was as if we, as a people, had come of age. | 0:56:15 | 0:56:20 | |
We had the keys to the door, | 0:56:20 | 0:56:22 | |
and we could mould the world in our own image, | 0:56:22 | 0:56:26 | |
as individuals, | 0:56:26 | 0:56:27 | |
taking care of our own families. | 0:56:27 | 0:56:30 | |
But there was a price to pay. | 0:56:30 | 0:56:32 | |
That realisation, that thought, | 0:56:32 | 0:56:35 | |
3,000 or 4,000 years ago, | 0:56:35 | 0:56:38 | |
that we could impose our vision on the world, | 0:56:38 | 0:56:41 | |
brought with it a very grown-up responsibility. | 0:56:41 | 0:56:44 | |
Because what kind of world did we want to shape? | 0:56:44 | 0:56:48 | |
What kind of Britain did we want to build? | 0:56:48 | 0:56:51 | |
Next time, my journey continues. | 0:56:56 | 0:56:59 | |
'From a golden age of bronze...' | 0:57:08 | 0:57:11 | |
And then there's this magnificent cauldron. | 0:57:11 | 0:57:13 | |
It's so modern, somehow. | 0:57:13 | 0:57:14 | |
'..to a Britain in crisis.' | 0:57:15 | 0:57:19 | |
Everything about this place says "keep out". | 0:57:19 | 0:57:23 | |
'A time of economic meltdown, | 0:57:23 | 0:57:25 | |
'sudden climate change... | 0:57:25 | 0:57:27 | |
'..and the dawn of a new era... of iron.' | 0:57:29 | 0:57:33 |