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On the morning of 23th January 1901, | 0:00:10 | 0:00:12 | |
Britain woke up to hear that the old queen, | 0:00:12 | 0:00:16 | |
the queen empress, Queen Victoria was dead. | 0:00:16 | 0:00:21 | |
Victoria had reigned for nearly 64 years. | 0:00:22 | 0:00:27 | |
She was the most famous woman in the world. | 0:00:27 | 0:00:30 | |
And it felt like the world was over. | 0:00:30 | 0:00:34 | |
Victoria died in bed, surrounded by her family. | 0:00:39 | 0:00:42 | |
She was clasping a crucifix. | 0:00:42 | 0:00:45 | |
If it was there to ward off evil spirits, it didn't work, | 0:00:45 | 0:00:50 | |
because she died in the arms of her grandson, | 0:00:50 | 0:00:53 | |
the German Kaiser, Wilhelm II, | 0:00:53 | 0:00:56 | |
a man who would do his bit to ensure that the new century | 0:00:56 | 0:01:00 | |
was the bloodiest in human history, | 0:01:00 | 0:01:03 | |
with Victoria's British in the thick of it. | 0:01:03 | 0:01:06 | |
From the death of Queen Victoria to the end of the Second World War | 0:01:19 | 0:01:23 | |
is a paltry space of time... | 0:01:23 | 0:01:25 | |
just 44 years. | 0:01:25 | 0:01:27 | |
And yet during it, this country was shaken from top to toe. | 0:01:27 | 0:01:31 | |
The Empire tottered... | 0:01:32 | 0:01:36 | |
women won the vote... | 0:01:36 | 0:01:38 | |
...democracy came of age... | 0:01:39 | 0:01:42 | |
...and we fought two apocalyptic world wars to defend it. | 0:01:44 | 0:01:51 | |
Dark, funny, surprising, and not so long ago. | 0:01:57 | 0:02:03 | |
These are the years when modern Britain was born. | 0:02:03 | 0:02:09 | |
These people were our grandparents and great-grandparents. | 0:02:47 | 0:02:53 | |
But if we could travel through time to meet them, | 0:02:53 | 0:02:56 | |
would we feel at home in their Britain? | 0:02:56 | 0:02:59 | |
Fabulous wealth was spilling from roaring, belching cities... | 0:02:59 | 0:03:05 | |
But millions went hungry... | 0:03:05 | 0:03:07 | |
really hungry, gaunt hungry. | 0:03:07 | 0:03:11 | |
Shoeless children could be seen on the streets of every town. | 0:03:11 | 0:03:16 | |
We weren't a democracy. | 0:03:18 | 0:03:20 | |
Only a quarter of the adult population had the right to vote. | 0:03:20 | 0:03:23 | |
All of them men. | 0:03:23 | 0:03:25 | |
Government brimmed with aristocrats. | 0:03:30 | 0:03:33 | |
The Tory Prime Minister Lord Salisbury was a very clever | 0:03:35 | 0:03:38 | |
but darkly pessimistic reactionary | 0:03:38 | 0:03:41 | |
who privately referred to voters as "vermin". | 0:03:41 | 0:03:45 | |
Like Queen Victoria, he was above all a figure of empire. | 0:03:46 | 0:03:51 | |
Britain still ruled a quarter of the world's people after all. | 0:03:51 | 0:03:55 | |
But for how long? | 0:03:56 | 0:03:59 | |
In 1901, British troops were fighting a brutal war | 0:04:09 | 0:04:13 | |
over the gold-rich territories of South Africa. | 0:04:13 | 0:04:15 | |
The Boer War was fought | 0:04:18 | 0:04:21 | |
between the largest empire in the history of the world | 0:04:21 | 0:04:24 | |
and a small force of untrained Dutch farmers... | 0:04:24 | 0:04:28 | |
or "Boers". | 0:04:28 | 0:04:29 | |
The British Army arrived here supremely convinced | 0:04:32 | 0:04:36 | |
they were going to give the Boers a damned good thrashing. | 0:04:36 | 0:04:40 | |
They were dressed in their latest cunning uniform, | 0:04:40 | 0:04:44 | |
coloured dust, or to use the Indian word, "khaki". | 0:04:44 | 0:04:48 | |
They had their sabres and their lances | 0:04:48 | 0:04:51 | |
and rather old-fashioned rifles. | 0:04:51 | 0:04:52 | |
The Boers, on the other hand, had the latest German rifles, | 0:04:52 | 0:04:57 | |
they knew how to dig trenches | 0:04:57 | 0:04:59 | |
and they understood the terrain intimately. | 0:04:59 | 0:05:03 | |
19th-century cavalry warfare | 0:05:03 | 0:05:07 | |
was about to meet 20th-century guerrilla fighters... | 0:05:07 | 0:05:12 | |
and somebody was about to get a thrashing. | 0:05:12 | 0:05:16 | |
Running the show was Joseph Chamberlain, | 0:05:20 | 0:05:22 | |
a man bestriding British politics, a master rabble-rouser | 0:05:22 | 0:05:28 | |
and the most fervent imperialist in the high noon of empire. | 0:05:28 | 0:05:33 | |
Chamberlain had built his political power base in Birmingham | 0:05:35 | 0:05:39 | |
as a radical liberal, before moving sharply to the right. | 0:05:39 | 0:05:43 | |
He'd split his own party and joined the Tories. | 0:05:43 | 0:05:48 | |
Joe Chamberlain was a self-made man. | 0:05:49 | 0:05:52 | |
He'd made his millions manufacturing screws in Birmingham. | 0:05:52 | 0:05:55 | |
But he was also self-made for the new media age | 0:05:55 | 0:05:59 | |
with his swish velvet coat, | 0:05:59 | 0:06:02 | |
white orchid in the lapel and his monocle... | 0:06:02 | 0:06:06 | |
as famous in its day as Margaret Thatcher's handbag | 0:06:06 | 0:06:10 | |
or Winston Churchill's cigar. | 0:06:10 | 0:06:13 | |
Chamberlain believed that the new century could be British, | 0:06:15 | 0:06:19 | |
with the Empire expanding and dominating the whole world. | 0:06:19 | 0:06:23 | |
In 1901, for most British people, this seemed perfectly possible, | 0:06:23 | 0:06:28 | |
and they looked to Joe to lead them. | 0:06:28 | 0:06:31 | |
Chamberlain was a political whirlwind. | 0:06:32 | 0:06:36 | |
In Churchill's phrase, "the man who made the weather". | 0:06:36 | 0:06:40 | |
And now he was conjuring up a storm | 0:06:40 | 0:06:44 | |
meant to expand Empire abroad and overturn the old politics at home. | 0:06:44 | 0:06:51 | |
The Boer War was known as "Joe's War" | 0:06:51 | 0:06:55 | |
and Chamberlain was confident of victory. | 0:06:55 | 0:06:58 | |
But the Boers were outmanoeuvring the British - | 0:06:59 | 0:07:02 | |
ambushing the Army and then disappearing into the hills. | 0:07:02 | 0:07:06 | |
The conflict was turning into Imperial Britain's very own Vietnam. | 0:07:09 | 0:07:14 | |
Joe called for drastic measures. | 0:07:16 | 0:07:18 | |
And Commander-in-Chief Lord Kitchener was the man to take them. | 0:07:18 | 0:07:23 | |
In order to flush out the guerrillas, | 0:07:34 | 0:07:36 | |
Kitchener created a vast barbed-wire net, | 0:07:36 | 0:07:41 | |
spreading right across the country, | 0:07:41 | 0:07:44 | |
with 8,000 defensive blockhouses, | 0:07:44 | 0:07:46 | |
like this one, at every corner. | 0:07:46 | 0:07:49 | |
British forces swept through the countryside, | 0:07:49 | 0:07:52 | |
killing cattle and sheep, burning crops. | 0:07:52 | 0:07:57 | |
There were 30,000 undefended Boer farmhouses. | 0:07:57 | 0:08:02 | |
Every single one of them was burned to the ground. | 0:08:03 | 0:08:06 | |
This destruction left thousands of Boer civilians, | 0:08:11 | 0:08:14 | |
mostly women and children, homeless. | 0:08:14 | 0:08:17 | |
But Lord Kitchener had a plan for them as well. | 0:08:20 | 0:08:24 | |
The British army rounded up around 160,000 women and children, | 0:08:27 | 0:08:31 | |
crammed them into wagons or railway trucks, | 0:08:31 | 0:08:34 | |
and transported them to hastily improvised refugee camps, | 0:08:34 | 0:08:40 | |
which, guarded by the Army, quickly became outdoor prisons | 0:08:40 | 0:08:46 | |
and then, thanks to military incompetence, | 0:08:46 | 0:08:49 | |
not by design, they became places of horror. | 0:08:49 | 0:08:53 | |
Kitchener's policy gave the world a new phrase - | 0:08:53 | 0:08:58 | |
"concentration camps". | 0:08:58 | 0:09:01 | |
In December 1900, a young Cornish woman called Emily Hobhouse | 0:09:12 | 0:09:18 | |
came to South Africa to deliver food and clothing to the camps. | 0:09:18 | 0:09:22 | |
She found women and children living in tents under the relentless sun, | 0:09:22 | 0:09:27 | |
starvation rations, | 0:09:27 | 0:09:28 | |
terrible sanitation, swarms of flies everywhere. | 0:09:28 | 0:09:32 | |
Stepping into one tent. | 0:09:38 | 0:09:41 | |
Hobhouse came across an eight-year-old girl called Lizzie van Zyl. | 0:09:41 | 0:09:44 | |
On the verge of starvation, she was dying of typhoid. | 0:09:46 | 0:09:50 | |
Emily Hobhouse decided it was her duty to tell the people of Britain | 0:09:55 | 0:10:00 | |
exactly what was being done out here in their name. | 0:10:00 | 0:10:03 | |
And she spoke plainly. | 0:10:03 | 0:10:06 | |
She talked of "wholesale cruelty", | 0:10:06 | 0:10:09 | |
"murder to the children" and "a war of extermination". | 0:10:09 | 0:10:14 | |
And Emily Hobhouse was proved horribly right. | 0:10:14 | 0:10:18 | |
26,000 Boer women and children died in British concentration camps, | 0:10:18 | 0:10:25 | |
80% of them under the age of 16. | 0:10:25 | 0:10:29 | |
Back in Britain, a powerful anti-war movement was mobilising. | 0:10:56 | 0:11:01 | |
It was led by the Liberal Party's rising star, David Lloyd George, | 0:11:01 | 0:11:07 | |
the first British politician to be the subject of a biopic. | 0:11:07 | 0:11:11 | |
In December 1901, he was invited to address | 0:11:13 | 0:11:17 | |
an anti-war meeting in Birmingham's Town Hall. | 0:11:17 | 0:11:20 | |
This was the heart of Joe Chamberlain's political power | 0:11:20 | 0:11:25 | |
and Lloyd George had the Liberal turncoat in his sights. | 0:11:25 | 0:11:29 | |
This was too good an opportunity to miss, | 0:11:33 | 0:11:36 | |
but the police told Lloyd George on no account to go to Birmingham. | 0:11:36 | 0:11:40 | |
His appearance here would cause a riot. | 0:11:40 | 0:11:43 | |
There were people in Birmingham who wanted to kill him. | 0:11:43 | 0:11:46 | |
Joe Chamberlain was rubbing his hands with glee. | 0:11:46 | 0:11:50 | |
"If Lloyd George wants his life, he'd better stay away," he said. | 0:11:50 | 0:11:56 | |
And then he twisted the political knife. | 0:11:56 | 0:11:59 | |
"If he doesn't come, I'll see that everyone knows he's afraid. | 0:11:59 | 0:12:05 | |
"If he does, he deserves all he gets." | 0:12:05 | 0:12:10 | |
But Lloyd George didn't flinch. | 0:12:14 | 0:12:16 | |
On December 18 1901, | 0:12:16 | 0:12:20 | |
he boldly stepped onto the stage of the Birmingham Town Hall. | 0:12:20 | 0:12:23 | |
But before he could open his mouth, an angry pro-war mob, 30,000 strong, | 0:12:23 | 0:12:29 | |
smashed all the Town Hall windows, | 0:12:29 | 0:12:32 | |
broke down the door and stormed in. | 0:12:32 | 0:12:35 | |
Two men were killed in the crush. | 0:12:35 | 0:12:37 | |
Many more were injured. | 0:12:37 | 0:12:39 | |
Lloyd George only managed to escape the mob | 0:12:45 | 0:12:48 | |
by disguising himself as a policeman, helmet and all, | 0:12:48 | 0:12:51 | |
and sneaking out of a side entrance. | 0:12:51 | 0:12:53 | |
Back down in London, a vengeful Joe Chamberlain was lurking in his club, | 0:12:53 | 0:12:58 | |
waiting for news. When he heard that Lloyd George had escaped, | 0:12:58 | 0:13:01 | |
he was bitterly disappointed. | 0:13:01 | 0:13:03 | |
The Boers finally surrendered in May 1902. | 0:13:07 | 0:13:12 | |
It had taken two-and-a-half years, the equivalent of £20 billion, | 0:13:13 | 0:13:19 | |
and an army of a quarter of a million British soldiers | 0:13:19 | 0:13:22 | |
to defeat 60,000 Boer farmers. | 0:13:22 | 0:13:26 | |
And so David had given Goliath one heck of a kicking | 0:13:28 | 0:13:32 | |
and there was a massive national crisis of confidence. | 0:13:32 | 0:13:35 | |
Then it was revealed that almost half of the men who'd volunteered | 0:13:35 | 0:13:40 | |
for South Africa were unfit to fight - they were sick or too weak. | 0:13:40 | 0:13:45 | |
Pamphlets began to appear, asking, "Can England survive the century?" | 0:13:45 | 0:13:51 | |
or "What Should England Do To Be Saved?" | 0:13:51 | 0:13:54 | |
The British Empire still stood as tall, | 0:13:54 | 0:13:57 | |
but perhaps now wobbling a bit on feet of clay. | 0:13:57 | 0:14:01 | |
Perhaps to save ourselves, we'd have to go back to nature. | 0:14:03 | 0:14:07 | |
The scientist Francis Galton, a cousin of Charles Darwin's, | 0:14:07 | 0:14:11 | |
believed we could breed better Britons. | 0:14:11 | 0:14:15 | |
Galton found his inspiration | 0:14:15 | 0:14:17 | |
in The Bassett Hound Club Rules And Studbook. | 0:14:17 | 0:14:21 | |
Come on! | 0:14:21 | 0:14:23 | |
He read that each individual puppy | 0:14:23 | 0:14:25 | |
inherited its unique set of splodges and colours from its parents. | 0:14:25 | 0:14:30 | |
Galton came to the conclusion that our genetic inheritance | 0:14:32 | 0:14:36 | |
also dictated our fate | 0:14:36 | 0:14:38 | |
and that nothing could alter it... | 0:14:38 | 0:14:41 | |
not upbringing, not education. | 0:14:41 | 0:14:45 | |
According to Galton, | 0:14:48 | 0:14:49 | |
the poorest classes had little or no civic worth or value | 0:14:49 | 0:14:55 | |
and no chance of getting better, | 0:14:55 | 0:14:56 | |
so they should be discouraged from breeding. | 0:14:56 | 0:15:01 | |
Criminals should be segregated and forbidden from reproducing. | 0:15:01 | 0:15:06 | |
But the upper and middle classes, | 0:15:06 | 0:15:08 | |
brimming with vigour and intelligence and virtue, | 0:15:08 | 0:15:12 | |
should be encouraged to have as many children as possible. | 0:15:12 | 0:15:15 | |
For Galton, human equality was meaningless. | 0:15:15 | 0:15:20 | |
The ravings of a lone eccentric? | 0:15:22 | 0:15:25 | |
Absolutely not. | 0:15:25 | 0:15:28 | |
This was an age of science, | 0:15:28 | 0:15:30 | |
and Galton was a scientific superstar. | 0:15:30 | 0:15:33 | |
Cabinet ministers, bishops, and influential writers, | 0:15:33 | 0:15:37 | |
many of them on the left, | 0:15:37 | 0:15:39 | |
thought he was the man who could save Britain | 0:15:39 | 0:15:42 | |
with his new science of human advancement - eugenics. | 0:15:42 | 0:15:48 | |
George Bernard Shaw, the playwright | 0:15:48 | 0:15:51 | |
and Britain's leading public intellectual of the time, | 0:15:51 | 0:15:53 | |
said that nothing short of a eugenic religion | 0:15:53 | 0:15:56 | |
would save Britain from moral decline. | 0:15:56 | 0:15:59 | |
"We must never hesitate," he went on, "to carry out the negative aspect | 0:15:59 | 0:16:05 | |
"of eugenics with considerable zest, | 0:16:05 | 0:16:08 | |
"both on the scaffold and on the battlefield." | 0:16:08 | 0:16:11 | |
And these ideas went international. | 0:16:11 | 0:16:15 | |
Scandinavians and Americans carried Galton's ideas back with them. | 0:16:15 | 0:16:19 | |
So did Germans, who formed the Racial Hygiene Society. | 0:16:19 | 0:16:25 | |
From the basset hound studbook to Auschwitz in not many bounds... | 0:16:25 | 0:16:31 | |
Francis Galton's eugenics | 0:16:31 | 0:16:34 | |
was among modern Britain's more doubtful exports. | 0:16:34 | 0:16:38 | |
Thankfully, at just the same moment, there were other thinkers at work. | 0:16:43 | 0:16:46 | |
Saturday, 7 July 1900 | 0:16:47 | 0:16:50 | |
was a hot, sticky day in the narrow back streets of York. | 0:16:50 | 0:16:55 | |
At first light, a shadowy figure stood holding a notebook, | 0:16:55 | 0:16:58 | |
watching the door of a small, dirty pub. | 0:16:58 | 0:17:03 | |
By 6am, people were already rattling the door of the public house. | 0:17:07 | 0:17:13 | |
Everybody who went in, everyone who came out | 0:17:13 | 0:17:17 | |
was duly noted down in the little book. | 0:17:17 | 0:17:19 | |
In all, 550 people went in, 113 of them children. | 0:17:19 | 0:17:26 | |
"Children simply abound here," the investigator wrote. | 0:17:26 | 0:17:31 | |
"I count no less than 13 | 0:17:31 | 0:17:34 | |
"sitting on the public house steps and the pavement." | 0:17:34 | 0:17:38 | |
The observer was one of a team of private inspectors | 0:17:40 | 0:17:44 | |
in an investigation into the living conditions of the poor. | 0:17:44 | 0:17:48 | |
The project was the brainchild of a wealthy Quaker | 0:17:48 | 0:17:52 | |
called Seebohm Rowntree - a member of the sweets and chocolate family. | 0:17:52 | 0:17:56 | |
As the inspectors delved deeper and deeper into the backstreets of York, | 0:17:58 | 0:18:03 | |
their anger and nausea began to smoke from the statistics | 0:18:03 | 0:18:07 | |
and the dry notes. | 0:18:07 | 0:18:09 | |
"Dirty flock bedding in living room placed on box and two chairs." | 0:18:09 | 0:18:14 | |
"Smell of room from dirt and bad air unbearable." | 0:18:14 | 0:18:19 | |
"Nearby, 16 families were sharing one water tap. | 0:18:19 | 0:18:25 | |
"The grating under the water tap | 0:18:25 | 0:18:28 | |
"is used for the disposal of human excreta | 0:18:28 | 0:18:31 | |
"and was partially blocked with it when inspected." | 0:18:31 | 0:18:37 | |
The rich had always blamed the poor for bringing poverty upon themselves | 0:18:40 | 0:18:45 | |
by being idle or feckless. | 0:18:45 | 0:18:48 | |
But Rowntree's study demonstrated in cold, statistical fact | 0:18:48 | 0:18:52 | |
that people slipped into poverty for many different reasons. | 0:18:52 | 0:18:56 | |
The poor were victims. | 0:19:02 | 0:19:04 | |
They weren't genetic failures. They were women without an income | 0:19:04 | 0:19:07 | |
who'd been widowed or deserted, | 0:19:07 | 0:19:10 | |
they were people broken by ill health or old age, unable to work, | 0:19:10 | 0:19:14 | |
or they were in work but simply weren't being paid enough | 0:19:14 | 0:19:17 | |
to keep themselves and their families decently. | 0:19:17 | 0:19:20 | |
Rowntree's book, published in 1901 and called simply Poverty, | 0:19:20 | 0:19:26 | |
is among the most important things written by a British person | 0:19:26 | 0:19:29 | |
in the 20th century. | 0:19:29 | 0:19:31 | |
It set thinking Britain alight. | 0:19:31 | 0:19:33 | |
It convinced a generation of Liberal politicians | 0:19:33 | 0:19:36 | |
they needed to deliver welfare and social reform, | 0:19:36 | 0:19:40 | |
which is perhaps why we've never had | 0:19:40 | 0:19:43 | |
a successful revolutionary movement in this country. | 0:19:43 | 0:19:46 | |
So Seebohm Rowntree didn't only trump Galton, | 0:19:46 | 0:19:50 | |
he trumped the Communist Manifesto as well. | 0:19:50 | 0:19:54 | |
(UP-BEAT MELODY PLAYS) | 0:19:54 | 0:19:57 | |
But it wasn't all pubs and poverty for the Edwardian poor. | 0:20:01 | 0:20:06 | |
# ..Any old iron Any, any, any old iron | 0:20:06 | 0:20:09 | |
# You look neat Talk about a treat | 0:20:09 | 0:20:12 | |
# You look a dapper from your napper to your feet... # | 0:20:12 | 0:20:15 | |
At just this moment, a raucous form of working-class entertainment | 0:20:15 | 0:20:21 | |
was forcing its way into the heart of Britain's cities. | 0:20:21 | 0:20:25 | |
It's hard to imagine | 0:20:30 | 0:20:33 | |
the sights and sounds and smells of the old music hall, | 0:20:33 | 0:20:35 | |
the stench of unwashed bodies and dirty clothes, | 0:20:35 | 0:20:40 | |
the air thick with tobacco smoke from the pipes and the cigars | 0:20:40 | 0:20:44 | |
that all the men would be smoking. | 0:20:44 | 0:20:46 | |
A lot of the audience would be drinking, quite heavily, | 0:20:46 | 0:20:49 | |
and eating during the acts, | 0:20:49 | 0:20:50 | |
so the performers had only a few seconds | 0:20:50 | 0:20:53 | |
to grab the attention of the audience. | 0:20:53 | 0:20:55 | |
And for those who failed, every town had a different tradition. | 0:20:55 | 0:21:00 | |
At Glasgow and Newcastle, for instance, they threw steel rivets. | 0:21:00 | 0:21:04 | |
In the East End of London, it was vegetables and trotter bones. | 0:21:04 | 0:21:08 | |
You'd get dead cats and even dead dogs flying onto the stage, | 0:21:08 | 0:21:12 | |
so it kind of paid to hold a note and tell a good joke. | 0:21:12 | 0:21:17 | |
But Britain had talent. | 0:21:23 | 0:21:26 | |
Music hall was the popular telly of its day - | 0:21:26 | 0:21:29 | |
its songs, the chart toppers, its acts, the pop stars. | 0:21:29 | 0:21:34 | |
And the biggest star of all was Marie Lloyd. | 0:21:35 | 0:21:40 | |
MARIE LLOYD: # I never was a one to go and think meself | 0:21:40 | 0:21:42 | |
# If I liked a thing, I liked it And that's enough | 0:21:42 | 0:21:46 | |
# But there's lots of people say... # | 0:21:46 | 0:21:48 | |
Born in poverty in London's East End, | 0:21:48 | 0:21:51 | |
Marie Lloyd was loved for her working-class cheek and wit. | 0:21:51 | 0:21:56 | |
# Everything if you fancy it | 0:21:56 | 0:21:58 | |
# Get on with it Don't waste no time... # | 0:21:58 | 0:22:01 | |
Her act was mostly sentimental songs | 0:22:01 | 0:22:03 | |
but her bawdy delivery was her trademark. | 0:22:03 | 0:22:07 | |
# ...A little of what you fancy does you good! # | 0:22:07 | 0:22:09 | |
When the London County Council launched a major investigation | 0:22:12 | 0:22:15 | |
into smut in the variety theatre, | 0:22:15 | 0:22:18 | |
Marie Lloyd was summoned to explain herself. | 0:22:18 | 0:22:22 | |
And she stood in front of the committee | 0:22:22 | 0:22:24 | |
and sang three of her most notorious songs, | 0:22:24 | 0:22:27 | |
but with a completely straight, butter-wouldn't-melt innocence | 0:22:27 | 0:22:31 | |
that had them totally confused. Didn't see anything wrong at all. | 0:22:31 | 0:22:33 | |
And then she chose a song their daughters would have known, | 0:22:33 | 0:22:37 | |
Tennyson's Come Into The Garden, Maud - | 0:22:37 | 0:22:40 | |
about as proper as you could get. | 0:22:40 | 0:22:42 | |
But she sang it with such filthy suggestiveness | 0:22:42 | 0:22:46 | |
that they were soon pink and squirming with embarrassment. | 0:22:46 | 0:22:49 | |
And it's said she just looked them in the eye | 0:22:49 | 0:22:52 | |
and laughed and walked off. | 0:22:52 | 0:22:56 | |
MAN: # Come into the garden, Maud | 0:22:56 | 0:22:59 | |
# For the black bat, Night, has flown... # | 0:22:59 | 0:23:04 | |
But this rip-roaring, working-class entertainment | 0:23:05 | 0:23:08 | |
was now finding a new, upmarket audience. | 0:23:08 | 0:23:12 | |
Lavish new music halls were being built all over Britain. | 0:23:14 | 0:23:19 | |
And on Christmas Eve 1904, | 0:23:19 | 0:23:21 | |
the grandest music hall of all was opened. | 0:23:21 | 0:23:24 | |
This was the most magnificent theatre in London, | 0:23:24 | 0:23:29 | |
complete with restaurants, writing-rooms, lounges, | 0:23:29 | 0:23:32 | |
free telephones, and the first lifts to appear in any European theatre. | 0:23:32 | 0:23:37 | |
A train ran from the lobby to the royal box. | 0:23:37 | 0:23:44 | |
And an electric globe topped the building, | 0:23:44 | 0:23:47 | |
spinning in the night sky. | 0:23:47 | 0:23:51 | |
The Coliseum was the brainchild of a showman called Oswald Stoll, | 0:23:54 | 0:23:59 | |
who'd been managing music halls from the age of 14. | 0:23:59 | 0:24:03 | |
From humble beginnings in Liverpool, | 0:24:05 | 0:24:07 | |
Stoll had built up a music hall empire. | 0:24:07 | 0:24:11 | |
The Coliseum was his crowning glory. | 0:24:11 | 0:24:14 | |
Oswald Stoll was a shrewd businessman | 0:24:15 | 0:24:18 | |
who wanted the middle classes | 0:24:18 | 0:24:20 | |
to visit the Coliseum without fear of offence. | 0:24:20 | 0:24:24 | |
So, he decided to tame music hall, censoring the songs | 0:24:24 | 0:24:29 | |
and the patter of the performers before they got on stage. | 0:24:29 | 0:24:32 | |
He put up signs in the Coliseum dressing rooms saying, | 0:24:32 | 0:24:35 | |
"Please do not use any strong language here." | 0:24:35 | 0:24:39 | |
One disgruntled artiste said to him, | 0:24:39 | 0:24:42 | |
"Mr Stoll, you shouldn't be manager of a music hall, | 0:24:42 | 0:24:46 | |
"you should be a bishop." | 0:24:46 | 0:24:48 | |
Stuffy old Stoll was invited | 0:24:50 | 0:24:53 | |
to stage the first ever Royal Command Performance. | 0:24:53 | 0:24:57 | |
This would be his finest hour. | 0:25:01 | 0:25:04 | |
Stoll flooded the auditorium with three million roses. | 0:25:06 | 0:25:12 | |
And a flock of royals, aristocrats and starchy hangers-on | 0:25:12 | 0:25:17 | |
descended on the theatre for the social event of the season, | 0:25:17 | 0:25:20 | |
the performance of the century... | 0:25:20 | 0:25:22 | |
And yet, when it came to it, | 0:25:24 | 0:25:26 | |
the whole evening was curiously flat. | 0:25:26 | 0:25:29 | |
Something to do, perhaps, with the non-appearance | 0:25:29 | 0:25:32 | |
of the only real superstar of music hall, Marie Lloyd. | 0:25:32 | 0:25:36 | |
Stoll had decided that she was a bit vulgar for monarchy | 0:25:36 | 0:25:41 | |
and he'd kept her off the bill. | 0:25:41 | 0:25:43 | |
Marie Lloyd was livid. Did she get her revenge? | 0:25:43 | 0:25:49 | |
Ladies and gentlemen, she got her revenge. | 0:25:49 | 0:25:52 | |
She hired another theatre just down the road | 0:25:52 | 0:25:54 | |
and filled it all for herself | 0:25:54 | 0:25:57 | |
and belted out and sashayed her way through one hit after another | 0:25:57 | 0:26:02 | |
until the audience was roaring and stomping for more. | 0:26:02 | 0:26:06 | |
And on the placards outside her theatre it read, | 0:26:07 | 0:26:11 | |
"Every performance by Marie Lloyd | 0:26:11 | 0:26:13 | |
"is a command performance - by order of the British public." | 0:26:13 | 0:26:18 | |
Now that was the spirit of music hall! | 0:26:18 | 0:26:23 | |
# Cos a little of what you fancy does you good! # | 0:26:23 | 0:26:28 | |
All over Britain, salty little waves of democracy | 0:26:39 | 0:26:42 | |
were beginning to wash around the old order. | 0:26:42 | 0:26:46 | |
But the aristocracy carried on regardless | 0:26:46 | 0:26:49 | |
at its most expansively self-indulgent. | 0:26:49 | 0:26:53 | |
At the centre of the party was the most decadent monarch | 0:26:53 | 0:26:56 | |
of the 20th century, Edward VII, | 0:26:56 | 0:26:59 | |
a sleepy-eyed, avocado-shaped man known as Bertie. | 0:26:59 | 0:27:03 | |
His mother had believed in a life of duty and propriety. | 0:27:06 | 0:27:10 | |
Edward was more interested in indulgence of all kinds. | 0:27:10 | 0:27:16 | |
For the King and his court, | 0:27:16 | 0:27:19 | |
the Edwardian menu involved an astonishing amount of food. | 0:27:19 | 0:27:23 | |
Breakfast was a light meal - | 0:27:23 | 0:27:25 | |
bacon, eggs, sausage, kippers, kedgeree, porridge. | 0:27:25 | 0:27:30 | |
And then, for Edward, | 0:27:30 | 0:27:32 | |
lobster salad or a cold chicken would be a mere snack | 0:27:32 | 0:27:38 | |
to prepare him for lunch. | 0:27:38 | 0:27:40 | |
Never fewer than eight courses. | 0:27:40 | 0:27:44 | |
Welcome respite then until tea - | 0:27:45 | 0:27:48 | |
cold meat, sandwiches, macaroons, | 0:27:48 | 0:27:51 | |
scones, cakes of all kinds. | 0:27:51 | 0:27:56 | |
A welcome respite then before the main event - | 0:27:56 | 0:27:59 | |
dinner, even without guests, the court would expect... | 0:27:59 | 0:28:04 | |
12 courses. | 0:28:04 | 0:28:07 | |
Before a final manful waddle to supper - | 0:28:07 | 0:28:13 | |
cold meat, sandwiches, more cakes and cheese. | 0:28:13 | 0:28:18 | |
And another day of remarkable achievement. | 0:28:20 | 0:28:24 | |
Despite their excesses, royalty and the aristocracy | 0:28:35 | 0:28:38 | |
were still treated with automatic deference and respect. | 0:28:38 | 0:28:42 | |
And the power of heredity still ruled in government. | 0:28:42 | 0:28:47 | |
When Robert, Lord Salisbury, retired as Prime Minister in 1902, | 0:28:49 | 0:28:54 | |
his fellow aristocrats in government selected his nephew, | 0:28:54 | 0:28:58 | |
Arthur Balfour, as the new leader of the Tory party... | 0:28:58 | 0:29:03 | |
and Prime Minister. | 0:29:03 | 0:29:05 | |
Even then, there was serious muttering | 0:29:05 | 0:29:08 | |
about an act of such gross patronage. | 0:29:08 | 0:29:12 | |
It's said that's where we get the phrase "Bob's your uncle" from. | 0:29:12 | 0:29:15 | |
And certainly, Arthur Balfour wasn't an obvious national leader. | 0:29:15 | 0:29:20 | |
He was known for his high intellect, his delicate appearance, | 0:29:20 | 0:29:25 | |
his love of velvet and blue china. | 0:29:25 | 0:29:29 | |
From university days | 0:29:29 | 0:29:30 | |
he'd been nick-named "Miss Balfour", "Tiger Lily" or "Pretty Fanny". | 0:29:30 | 0:29:36 | |
And there were plenty who thought him simply too delicate | 0:29:36 | 0:29:41 | |
for the hurly-burly of imperial politics. | 0:29:41 | 0:29:44 | |
This was the great age of country-house politics. | 0:29:48 | 0:29:53 | |
There were a grand total of two working-class MPs | 0:29:53 | 0:29:57 | |
in the House of Commons. | 0:29:57 | 0:29:59 | |
And Arthur Balfour is said to have remarked once | 0:29:59 | 0:30:02 | |
that he had no idea what a trade union actually was. | 0:30:02 | 0:30:06 | |
Probably a joke but, by then, no longer a very funny one. | 0:30:06 | 0:30:12 | |
At the turn of the century, | 0:30:30 | 0:30:32 | |
trade unions weren't a significant political force. | 0:30:32 | 0:30:36 | |
Industrial unrest was rare. | 0:30:36 | 0:30:38 | |
But in the summer of 1900, | 0:30:38 | 0:30:40 | |
events in South Wales were about to change this. | 0:30:40 | 0:30:43 | |
In the second week of August, | 0:30:45 | 0:30:48 | |
a signalman by the name of John Ewington, | 0:30:48 | 0:30:51 | |
who worked for the Taff Vale Railway Company, | 0:30:51 | 0:30:55 | |
was told he was going to be moved away from his village of Abercynon | 0:30:55 | 0:30:59 | |
to a district 16 miles away. | 0:30:59 | 0:31:01 | |
He had a sick wife and ten children, and he didn't want to go. | 0:31:01 | 0:31:06 | |
But when he protested, he was told that this was really | 0:31:06 | 0:31:09 | |
a punishment for his repeated requests for higher pay. | 0:31:09 | 0:31:14 | |
Now, this is one man's story, nothing much, | 0:31:14 | 0:31:18 | |
but just sometimes a pebble can begin an avalanche. | 0:31:18 | 0:31:23 | |
The union retaliated by calling an all-out strike. | 0:31:27 | 0:31:31 | |
Train services in South Wales came to a stand-still. | 0:31:32 | 0:31:36 | |
Coal was left in heaps at the pitheads. | 0:31:38 | 0:31:41 | |
As the strike entered its second week, | 0:31:44 | 0:31:47 | |
16,000 miners were laid off. | 0:31:47 | 0:31:49 | |
Now, the railway's general manager, | 0:31:52 | 0:31:55 | |
Ammon Beasley, was a rabid anti-trade unionist. | 0:31:55 | 0:31:58 | |
And he brought in blackleg, outside labour, | 0:31:58 | 0:32:01 | |
to keep the line running. | 0:32:01 | 0:32:03 | |
So how did the strikers respond? | 0:32:03 | 0:32:06 | |
Sabotage! They greased the railway lines | 0:32:06 | 0:32:09 | |
so that when the carriages came along, | 0:32:09 | 0:32:12 | |
the wheels started to spin, and the train stopped. | 0:32:12 | 0:32:15 | |
And at that point, the strikers leapt out from these bushes | 0:32:15 | 0:32:19 | |
and un-coupled the carriages. | 0:32:19 | 0:32:21 | |
This was extremely irresponsible and dangerous, | 0:32:21 | 0:32:25 | |
and it worked brilliantly. | 0:32:25 | 0:32:27 | |
Beasley decided that he was going to discuss wages after all | 0:32:27 | 0:32:32 | |
and the strike was called off. | 0:32:32 | 0:32:35 | |
But the battle was far from over. | 0:32:41 | 0:32:43 | |
Beasley took the Railway Workers' Union to court, | 0:32:47 | 0:32:50 | |
where the judge ruled that the union was accountable for the strike, | 0:32:50 | 0:32:54 | |
and should pay all damages and costs, | 0:32:54 | 0:32:56 | |
£23,000, over £2 million today. | 0:32:56 | 0:33:01 | |
Overnight, the unions were crippled. | 0:33:01 | 0:33:04 | |
Striking was now financially impossible. | 0:33:08 | 0:33:12 | |
The Taff Vale Ruling would transform | 0:33:12 | 0:33:15 | |
the trade union movement and British politics. | 0:33:15 | 0:33:18 | |
The union leaders began to realise that if they wanted to change the law, | 0:33:18 | 0:33:23 | |
if they wanted to protect themselves, they had to get their people | 0:33:23 | 0:33:27 | |
inside the aristocrat-barnacled club called Parliament. | 0:33:27 | 0:33:33 | |
They needed MPs. | 0:33:33 | 0:33:35 | |
It didn't happen overnight, but slowly, awkwardly, | 0:33:35 | 0:33:40 | |
in ill-fitting suits, sometimes even in cloth caps, former railwaymen, | 0:33:40 | 0:33:46 | |
former miners, boiler-makers, and lowly clerks, | 0:33:46 | 0:33:50 | |
would start to win their place in the great gothic Palace of Westminster. | 0:33:50 | 0:33:57 | |
Funny, the places a small, local railway can take you. | 0:33:57 | 0:34:01 | |
But, for now, the biggest challenge facing Imperial Britain | 0:34:15 | 0:34:19 | |
wasn't coming from the socialists, | 0:34:19 | 0:34:21 | |
but from the growing industrial competition | 0:34:21 | 0:34:24 | |
from Germany and the United States. | 0:34:24 | 0:34:27 | |
And now, Joe Chamberlain, the great imperialist, | 0:34:28 | 0:34:31 | |
had found a new magic potion | 0:34:31 | 0:34:34 | |
to build a stronger, greater British Empire for the new century. | 0:34:34 | 0:34:39 | |
He returned to his old stomping ground | 0:34:41 | 0:34:44 | |
to make the speech of his life. | 0:34:44 | 0:34:47 | |
On May 15 1903, | 0:34:47 | 0:34:51 | |
Joseph Chamberlain stood on this platform | 0:34:51 | 0:34:53 | |
in Birmingham Town Hall and fired the first shot | 0:34:53 | 0:34:57 | |
in an extraordinary guerrilla campaign | 0:34:57 | 0:35:00 | |
to change the course of British politics. | 0:35:00 | 0:35:02 | |
Everything the Government thought was important | 0:35:02 | 0:35:06 | |
would be swept to one side, he announced, for one issue. | 0:35:06 | 0:35:11 | |
It was about the future of the British Empire. | 0:35:11 | 0:35:14 | |
It was about where we stood in the world. | 0:35:14 | 0:35:17 | |
It was about who would do well and who would go hungry. | 0:35:17 | 0:35:21 | |
It had a very boring name - tariff reform. | 0:35:21 | 0:35:25 | |
But it would tear this country in two. | 0:35:25 | 0:35:29 | |
Victorian Britain had been built on international free trade. | 0:35:39 | 0:35:44 | |
It was almost a national religion. | 0:35:44 | 0:35:47 | |
But now, both Germany and America were using import taxes, or tariffs, | 0:35:47 | 0:35:52 | |
as a defensive wall to protect their increasingly mighty markets | 0:35:52 | 0:35:57 | |
from British competition. | 0:35:57 | 0:35:59 | |
Chamberlain's response was beautifully simple. | 0:36:02 | 0:36:06 | |
We should throw a similar wall around the British Empire. | 0:36:06 | 0:36:10 | |
We'd tax all foreign manufactures and food coming from outside. | 0:36:10 | 0:36:16 | |
Free trade inside. | 0:36:16 | 0:36:18 | |
British industry would supply British colonies, | 0:36:18 | 0:36:21 | |
the British colonies would feed the British people. | 0:36:21 | 0:36:24 | |
And the clincher - | 0:36:24 | 0:36:26 | |
the taxes on the foreign stuff | 0:36:26 | 0:36:29 | |
would be spent at home on old-age pensions. | 0:36:29 | 0:36:32 | |
Everybody wins. | 0:36:32 | 0:36:35 | |
(APPLAUSE) | 0:36:35 | 0:36:38 | |
Brilliant....except for this. | 0:36:44 | 0:36:48 | |
Chamberlain's wall of taxes would have meant British industry becoming | 0:36:48 | 0:36:53 | |
flabbier, less competitive compared to the Germans and the Americans. | 0:36:53 | 0:36:58 | |
At the start of a new century, | 0:36:58 | 0:37:01 | |
Britain would have been turning her back, | 0:37:01 | 0:37:03 | |
flinching from the rest of the world. | 0:37:03 | 0:37:06 | |
And most important, those taxes on foreign goods | 0:37:06 | 0:37:11 | |
would make food at home more expensive, | 0:37:11 | 0:37:14 | |
particularly harsh on the urban poor. | 0:37:14 | 0:37:18 | |
Very soon, Chamberlain's critics were calling his tariffs "stomach taxes". | 0:37:18 | 0:37:23 | |
MAN: # All the members but one In the House of Parliament | 0:37:24 | 0:37:28 | |
# Of free trade and protection They were having an argument | 0:37:28 | 0:37:32 | |
# Oh, what an argument...! # | 0:37:32 | 0:37:36 | |
Chamberlain had already torn the Liberal Party apart. | 0:37:38 | 0:37:41 | |
Now he was working his dark magic on the Tories. | 0:37:41 | 0:37:45 | |
A podgy young Conservative MP called Winston Churchill was so appalled | 0:37:45 | 0:37:50 | |
by Chamberlain's protectionist campaign | 0:37:50 | 0:37:52 | |
that he crossed the floor of the House of Commons himself | 0:37:52 | 0:37:56 | |
and joined the Liberals. | 0:37:56 | 0:37:57 | |
Scenting blood, the Liberal Shadow Chancellor, | 0:38:02 | 0:38:05 | |
Henry Herbert Asquith, went on the attack. | 0:38:05 | 0:38:08 | |
Free trade or fortress empire? | 0:38:11 | 0:38:14 | |
The argument raged for three whole years, | 0:38:14 | 0:38:17 | |
on platforms, in Parliament, and on music hall stages. | 0:38:17 | 0:38:21 | |
MAN: # ..Protection you desire Protects what you require | 0:38:21 | 0:38:25 | |
# But let's have free trade among the girls. # | 0:38:25 | 0:38:29 | |
Every week, millions followed the twists and turns of Joe's campaign | 0:38:35 | 0:38:39 | |
by picking up copies of a recent invention - | 0:38:39 | 0:38:43 | |
newspapers people actually wanted to read. | 0:38:43 | 0:38:47 | |
Literacy had been on the rise in England and Wales | 0:38:47 | 0:38:50 | |
ever since the Victorian education reforms. | 0:38:50 | 0:38:53 | |
The Scots were able to read already, of course. | 0:38:54 | 0:38:58 | |
The result was a revolution on Fleet Street. | 0:39:02 | 0:39:06 | |
And the man leading the way | 0:39:08 | 0:39:10 | |
was one of the "new men" of the more democratic 20th century. | 0:39:10 | 0:39:14 | |
His name was Alfred Harmsworth. | 0:39:14 | 0:39:17 | |
Alfred Harmsworth knew what poverty meant. | 0:39:19 | 0:39:22 | |
At times, when he was young, | 0:39:22 | 0:39:23 | |
his mother had to keep him warm by wrapping him in newspapers. | 0:39:23 | 0:39:28 | |
And the family next door went bankrupt | 0:39:28 | 0:39:31 | |
and all of them killed themselves. | 0:39:31 | 0:39:34 | |
But Alfred grew up | 0:39:34 | 0:39:35 | |
to be a golden-haired, strikingly handsome young man, | 0:39:35 | 0:39:39 | |
almost unable to contain his energy and ambition. | 0:39:39 | 0:39:43 | |
He was one of those determined not to know to his place. | 0:39:43 | 0:39:47 | |
Harmsworth had an uncanny instinct | 0:39:52 | 0:39:55 | |
for what the man and woman in the street was interested in. | 0:39:55 | 0:39:59 | |
"Did they really want tens of thousands of words | 0:39:59 | 0:40:02 | |
"of Parliamentary reports? | 0:40:02 | 0:40:04 | |
"Long letters from bishops? | 0:40:05 | 0:40:07 | |
"Boring reporting with no pictures? | 0:40:09 | 0:40:11 | |
"No! They wanted sensation, | 0:40:12 | 0:40:15 | |
"gossip, laughter." | 0:40:15 | 0:40:17 | |
Among the phrases coined by Harmsworth is "tabloid newspaper". | 0:40:21 | 0:40:25 | |
He also said, "When a dog bites a man, it isn't news. | 0:40:25 | 0:40:29 | |
"When man bites dog, it is." | 0:40:29 | 0:40:32 | |
And he told his journalists, | 0:40:32 | 0:40:35 | |
"The three things which are always news things | 0:40:35 | 0:40:39 | |
"are health things, sex things and money things..." | 0:40:39 | 0:40:42 | |
which, broadly speaking, remains true. | 0:40:42 | 0:40:45 | |
Harmsworth built up a powerful publishing empire, | 0:40:50 | 0:40:53 | |
crowned by the Daily Mail. | 0:40:53 | 0:40:54 | |
For the Edwardians, the Daily Mail was a really big, new thing. | 0:40:59 | 0:41:04 | |
All the old ways of journalism, | 0:41:04 | 0:41:06 | |
endless reporting of dull speeches junked. | 0:41:06 | 0:41:10 | |
In its place, first person, "I was there" reporting. | 0:41:10 | 0:41:15 | |
Short, dramatic stories. | 0:41:15 | 0:41:17 | |
Big and early use of pictures. | 0:41:17 | 0:41:19 | |
And above all, controversy. | 0:41:19 | 0:41:21 | |
Get people angry, get them talking, | 0:41:21 | 0:41:24 | |
get them stirred up today, and they'll be back for more tomorrow. | 0:41:24 | 0:41:28 | |
Harmsworth followed the Mail with the Mirror, | 0:41:34 | 0:41:36 | |
and in 1907 bought the Times. | 0:41:36 | 0:41:39 | |
By then he was known as "the Napoleon of Fleet Street". | 0:41:39 | 0:41:43 | |
Alfred Harmsworth represented a new force in Britain - | 0:41:45 | 0:41:49 | |
crude, unpredictable, but brimming with energy. | 0:41:49 | 0:41:55 | |
HG Wells accused him of "plastering the nation with rubbish" | 0:41:55 | 0:41:59 | |
and Lord Salisbury huffily dismissed the Daily Mail as | 0:41:59 | 0:42:03 | |
"a paper by office boys for office boys". | 0:42:03 | 0:42:07 | |
But they were both completely missing the point. | 0:42:07 | 0:42:11 | |
Harmsworth's readers were the rising force in Britain. | 0:42:11 | 0:42:16 | |
Dismiss them at your peril. | 0:42:16 | 0:42:19 | |
This was the voice of Britain's new democracy. | 0:42:19 | 0:42:23 | |
(TOOTING) | 0:42:27 | 0:42:29 | |
But not all the change-makers were targeting the masses. | 0:42:35 | 0:42:40 | |
In March 1904, two men were about to bring new flash and swagger | 0:42:40 | 0:42:45 | |
onto the roads of Britain. | 0:42:45 | 0:42:48 | |
They were an odd couple, | 0:42:48 | 0:42:49 | |
one, the wealthy son and heir of a titled landowner and a speed-freak. | 0:42:49 | 0:42:54 | |
The other, a self-made man. | 0:42:56 | 0:42:58 | |
He'd left school at nine and was now the proud owner | 0:42:58 | 0:43:02 | |
of a tiny electrical engineering works in Manchester. | 0:43:02 | 0:43:04 | |
Their names were Charles Rolls and Henry Royce. | 0:43:07 | 0:43:11 | |
Unimpressed by foreign cars, Royce had taken one to pieces | 0:43:19 | 0:43:24 | |
and rebuilt it from top to bottom, | 0:43:24 | 0:43:26 | |
creating a vastly improved new model. | 0:43:26 | 0:43:30 | |
When Charles Rolls heard about the new car, he was instantly intrigued. | 0:43:33 | 0:43:38 | |
Perhaps Mr Royce might care to join him in London? | 0:43:38 | 0:43:42 | |
No go. Mr Royce was far too busy. | 0:43:42 | 0:43:45 | |
He wasn't budging. | 0:43:45 | 0:43:46 | |
So Rolls the aristocrat had to get in the train | 0:43:50 | 0:43:54 | |
and come north to Manchester | 0:43:54 | 0:43:56 | |
to meet Royce, the self-made, working-class engineer. | 0:43:56 | 0:44:00 | |
And that's part of the point. | 0:44:00 | 0:44:02 | |
Power was shifting. | 0:44:02 | 0:44:04 | |
Rolls had to go to see Royce. | 0:44:04 | 0:44:06 | |
Not Royce to Rolls. | 0:44:06 | 0:44:08 | |
At any rate, they met for lunch here in the dining room | 0:44:08 | 0:44:12 | |
of the city's newly built Midland Hotel. | 0:44:12 | 0:44:15 | |
And perhaps surprisingly, the meal was a great success. | 0:44:15 | 0:44:19 | |
And after it they went for a spin in Royce's new car. | 0:44:19 | 0:44:22 | |
When he got back home to London, | 0:44:22 | 0:44:25 | |
Rolls dragged his business partner out of bed and told him, | 0:44:25 | 0:44:28 | |
"I've just met the greatest motor engineer in the world." | 0:44:28 | 0:44:33 | |
Rolls-Royce was born. | 0:44:33 | 0:44:35 | |
Before Rolls-Royce, cars were derided | 0:44:40 | 0:44:44 | |
as entirely unreliable foreign toys. | 0:44:44 | 0:44:46 | |
They were noisy, dirty, clunking machines. | 0:44:57 | 0:45:01 | |
Charles Rolls' marketing skills, | 0:45:08 | 0:45:10 | |
combined with Henry Royce's engineering genius would change this. | 0:45:10 | 0:45:16 | |
But what really made Rolls-Royce's reputation was this glittering cracker. | 0:45:23 | 0:45:28 | |
This is not a Rolls-Royce Silver Ghost, | 0:45:28 | 0:45:31 | |
this is the Rolls-Royce Silver Ghost. | 0:45:31 | 0:45:34 | |
Unique. It's one of the most valuable cars on the planet, | 0:45:34 | 0:45:39 | |
worth at least £25 million. | 0:45:39 | 0:45:43 | |
But in 1907, what flabbergasted | 0:45:43 | 0:45:47 | |
even the most hardened car fanatics was its performance. | 0:45:47 | 0:45:51 | |
Fast, powerful, reliable and remarkably quiet. | 0:45:51 | 0:45:57 | |
Not one of the best... | 0:45:57 | 0:45:59 | |
the best in the world. | 0:45:59 | 0:46:01 | |
Charles Rolls was soon moving on to conquer the next speed frontier - | 0:46:09 | 0:46:14 | |
flight. | 0:46:14 | 0:46:16 | |
He was eager to leave the road behind. | 0:46:16 | 0:46:18 | |
"No dust, police traps or taxes," he explained. | 0:46:18 | 0:46:23 | |
He became a national hero | 0:46:26 | 0:46:28 | |
when he completed the first 90-minute flight to France and back. | 0:46:28 | 0:46:33 | |
Then, on July the 12th 1910, | 0:46:35 | 0:46:38 | |
Rolls came to Bournemouth to take part in an air show. | 0:46:38 | 0:46:42 | |
It was a gusty day, | 0:46:42 | 0:46:44 | |
bad weather for flying something made out of canvas and sticks. | 0:46:44 | 0:46:48 | |
A French pilot had already been up and crashed. | 0:46:48 | 0:46:51 | |
But he was unhurt, and he came to Rolls and said, | 0:46:51 | 0:46:56 | |
"Look, don't do this." | 0:46:56 | 0:46:58 | |
Rolls, celebrity daredevil, ignored him, took off, | 0:46:58 | 0:47:02 | |
made a perfect circuit of the airfield, | 0:47:02 | 0:47:04 | |
and then came in to land at a spot just opposite the judges' tent. | 0:47:04 | 0:47:08 | |
People watching thought he was coming in a bit too fast. | 0:47:08 | 0:47:11 | |
Then there was a sickening crack, part of the aircraft fell off, | 0:47:11 | 0:47:15 | |
followed by the rest of the aircraft... | 0:47:15 | 0:47:17 | |
and the Honourable Charles Rolls. | 0:47:17 | 0:47:20 | |
Rolls was killed instantly, | 0:47:27 | 0:47:30 | |
the first British casualty of the new age of flight. | 0:47:30 | 0:47:35 | |
A photographer rushed forward to get a picture. | 0:47:35 | 0:47:38 | |
But he was set upon and his camera smashed. | 0:47:38 | 0:47:42 | |
And so ended one of the most successful marriages | 0:47:42 | 0:47:47 | |
between marketing and industry in our history. | 0:47:47 | 0:47:51 | |
Had aristocratic flair and elan worked a little more often, | 0:47:51 | 0:47:58 | |
hand in hand, with northern engineering grit and genius, | 0:47:58 | 0:48:03 | |
then our industrial history would have been a great deal more successful. | 0:48:03 | 0:48:08 | |
In the north of England, | 0:48:15 | 0:48:18 | |
another challenge to the old order was gaining momentum. | 0:48:18 | 0:48:21 | |
In October 1903, a small group of women met | 0:48:23 | 0:48:27 | |
in this terraced house in the centre of Manchester, | 0:48:27 | 0:48:30 | |
the home of the widow and political activist Emmeline Pankhurst | 0:48:30 | 0:48:34 | |
and her three daughters Christabel, Silvia and Adela. | 0:48:34 | 0:48:39 | |
And at that meeting, in this parlour, | 0:48:40 | 0:48:43 | |
they set up the Women's Social and Political Union. | 0:48:43 | 0:48:47 | |
Now, this was an age of do-goodery and busybodies, | 0:48:47 | 0:48:51 | |
organisations of all kinds, politely, deferentially lobbying politicians | 0:48:51 | 0:48:56 | |
for reforms, including votes for women. | 0:48:56 | 0:49:00 | |
But the WSPU was going to be very different. | 0:49:00 | 0:49:03 | |
Little did the women gathered here know that before long, | 0:49:03 | 0:49:07 | |
one of them wouldn't be sitting in the parlour, | 0:49:07 | 0:49:09 | |
but in a prison cell. | 0:49:09 | 0:49:11 | |
In 1903, more women than ever before were in work, | 0:49:15 | 0:49:20 | |
but the limits were suffocating. | 0:49:20 | 0:49:23 | |
There were only six women architects, | 0:49:23 | 0:49:27 | |
three vets, two accountants. | 0:49:27 | 0:49:30 | |
Women were allowed to study, but at Oxford and Cambridge, | 0:49:30 | 0:49:34 | |
they weren't allowed to graduate. | 0:49:34 | 0:49:36 | |
And women still weren't allowed to vote. | 0:49:38 | 0:49:40 | |
On the morning of the 13th October 1905, | 0:49:45 | 0:49:49 | |
Christabel Pankhurst was still respectable. | 0:49:49 | 0:49:51 | |
She was a well-dressed, middle-class law student. | 0:49:51 | 0:49:55 | |
But she was on her way to break just about every taboo she could think of. | 0:49:55 | 0:50:00 | |
She was walking along here with her new friend, Annie Kenney, | 0:50:00 | 0:50:05 | |
a working-class mill girl, known as "the blue-eyed beggar". | 0:50:05 | 0:50:10 | |
But what they were planning was truly shocking. | 0:50:10 | 0:50:13 | |
Because they were on their way to a huge political meeting | 0:50:13 | 0:50:16 | |
at Manchester's Free Trade Hall, | 0:50:16 | 0:50:18 | |
and they were determined, at all costs, to be arrested. | 0:50:18 | 0:50:23 | |
The meeting was a Liberal rally attended by the MPs Sir Edward Grey | 0:50:29 | 0:50:35 | |
and Winston Churchill. | 0:50:35 | 0:50:37 | |
Christabel and Annie jumped up onto their seats and yelled, | 0:50:37 | 0:50:41 | |
"Will the Liberals give women the vote?" | 0:50:41 | 0:50:44 | |
They refused to answer. | 0:50:44 | 0:50:46 | |
So the women unfurled a banner emblazoned with the words | 0:50:46 | 0:50:51 | |
"votes for women". | 0:50:51 | 0:50:52 | |
Some people in the hall told them to, "Shut up!" | 0:50:52 | 0:50:55 | |
Others cried, "Let the women speak!" | 0:50:55 | 0:50:57 | |
The police ordered them to act like ladies. | 0:50:57 | 0:51:02 | |
In response, Christabel spat at the policemen and started to hit them. | 0:51:02 | 0:51:06 | |
Exasperated, the police bundled both of them outside onto the street. | 0:51:06 | 0:51:11 | |
It was proving a little harder | 0:51:11 | 0:51:13 | |
to get arrested than Christabel had imagined, | 0:51:13 | 0:51:16 | |
so again, she spat at the officers and hit them. | 0:51:16 | 0:51:20 | |
And this time, they were arrested. | 0:51:20 | 0:51:23 | |
"Never mind," said Annie Kenney, "we've got what we wanted." | 0:51:23 | 0:51:27 | |
"Yes," said Christabel, "I wanted to assault a policeman." | 0:51:27 | 0:51:31 | |
They were convicted and offered the choice of prison or a fine. | 0:51:31 | 0:51:35 | |
And they chose prison. | 0:51:35 | 0:51:36 | |
WOMEN: # Shout, shout! | 0:51:38 | 0:51:40 | |
# Up with your song! | 0:51:40 | 0:51:43 | |
# Cry with the wind For the dawn is breaking... # | 0:51:43 | 0:51:48 | |
Annie Kenney went to Manchester's Strangeways Prison for three days. | 0:51:48 | 0:51:53 | |
Christabel Pankhurst for six. | 0:51:53 | 0:51:55 | |
And their short imprisonment was an inspiration to women all over Britain. | 0:51:58 | 0:52:02 | |
When Annie and Christabel emerged from Strangeways, | 0:52:05 | 0:52:08 | |
there was a great crowd cheering them. | 0:52:08 | 0:52:11 | |
And then, on the 19th October, | 0:52:11 | 0:52:14 | |
thousands of people went back to the scene of the crime, | 0:52:14 | 0:52:16 | |
the Free Trade Hall, to welcome the women on their return from prison. | 0:52:16 | 0:52:21 | |
Here, in Manchester, the suffragette movement had taken a decisive step | 0:52:21 | 0:52:26 | |
and there would be no going back. | 0:52:26 | 0:52:29 | |
But at the end of 1905, | 0:52:45 | 0:52:47 | |
Joe Chamberlain was still making the political weather, | 0:52:47 | 0:52:51 | |
still dominating the headlines. | 0:52:51 | 0:52:54 | |
For two-and-a-half years he'd been campaigning for a fortress empire, | 0:52:54 | 0:52:58 | |
defended by protectionist tariffs. | 0:52:58 | 0:53:00 | |
In the process, he'd split his own party - the Conservatives - in two. | 0:53:02 | 0:53:07 | |
The Prime Minister, poor "Pretty Fanny", sat uneasily on the fence | 0:53:10 | 0:53:14 | |
while his government descended into civil war | 0:53:14 | 0:53:17 | |
and the free-trade Liberals were winning ground. | 0:53:17 | 0:53:21 | |
Because Britain was never going to accept a policy | 0:53:21 | 0:53:24 | |
that would increase the price of food. | 0:53:24 | 0:53:27 | |
Quite simply, Joe Chamberlain, the man who'd offered the British | 0:53:27 | 0:53:32 | |
an alternative 20th century, had lost the argument. | 0:53:32 | 0:53:36 | |
But he was going to draw blood and bring the Prime Minister down with him, | 0:53:36 | 0:53:41 | |
and publicly he attacked Arthur Balfour as | 0:53:41 | 0:53:44 | |
the "lamest man ever to govern the march of an army". | 0:53:44 | 0:53:48 | |
Last straw. | 0:53:48 | 0:53:50 | |
In December 1905, | 0:53:50 | 0:53:52 | |
Balfour called a general election, for one thing was certain - | 0:53:52 | 0:53:57 | |
the Liberals couldn't win it. | 0:53:57 | 0:53:59 | |
Could they not? | 0:53:59 | 0:54:01 | |
Balfour couldn't have been more wrong. | 0:54:06 | 0:54:08 | |
The Liberals successfully positioned themselves as the party of the people. | 0:54:08 | 0:54:13 | |
They campaigned on a manifesto | 0:54:13 | 0:54:15 | |
of social welfare, free trade and reform. | 0:54:15 | 0:54:18 | |
And they won a landslide victory. | 0:54:18 | 0:54:21 | |
The Tories were annihilated. | 0:54:21 | 0:54:23 | |
Even Arthur Balfour lost his seat. | 0:54:23 | 0:54:26 | |
"What a smash!" declared Chamberlain, | 0:54:31 | 0:54:35 | |
who seemed rather chuffed that he'd now managed to destroy | 0:54:35 | 0:54:38 | |
two political parties in the course of his extraordinary career. | 0:54:38 | 0:54:43 | |
But his political failure over tariff reform | 0:54:43 | 0:54:47 | |
was soon followed by personal disaster. | 0:54:47 | 0:54:51 | |
Six months after the general election, | 0:54:51 | 0:54:53 | |
Chamberlain failed to turn up for a dinner appointment. | 0:54:53 | 0:54:57 | |
And his wife found him lying helpless on the bathroom floor, | 0:54:57 | 0:55:03 | |
struck down by a devastating stroke. | 0:55:03 | 0:55:06 | |
Joe Chamberlain never fully regained his extraordinary powers of speech. | 0:55:10 | 0:55:16 | |
But through a miraculous effort of iron Victorian will, | 0:55:16 | 0:55:19 | |
he did return to the Commons benches. | 0:55:19 | 0:55:22 | |
And the man who'd set out | 0:55:23 | 0:55:25 | |
to transform Britain in so many different ways, | 0:55:25 | 0:55:29 | |
now found Parliament radically changed. | 0:55:29 | 0:55:32 | |
And more change, much greater change, was on the way. | 0:55:33 | 0:55:38 | |
29 new MPs dedicated to defending the interests of the working class | 0:55:40 | 0:55:45 | |
were now sitting in Parliament. | 0:55:45 | 0:55:47 | |
They would soon take on a new name, the Labour Party. | 0:55:48 | 0:55:52 | |
That 1906 election was a big blow for country-house government. | 0:55:54 | 0:55:59 | |
A new generation was coming in... | 0:55:59 | 0:56:02 | |
Asquith, Lloyd George, Winston Churchill. | 0:56:02 | 0:56:05 | |
And as for Joe Chamberlain, | 0:56:05 | 0:56:08 | |
who'd done so much to shake the old order, | 0:56:08 | 0:56:11 | |
he was condemned to a pitiful Parliamentary afterlife, | 0:56:11 | 0:56:15 | |
left lolling voiceless on the benches he had once commanded. | 0:56:15 | 0:56:20 | |
The last great Victorian radical could only watch | 0:56:20 | 0:56:25 | |
as the young century's first great age of reform | 0:56:25 | 0:56:29 | |
flared into life all around him. | 0:56:29 | 0:56:32 | |
A new dawn, was it not? | 0:56:32 | 0:56:36 | |
In the next programme, a German invasion... | 0:56:54 | 0:56:58 | |
...magnificent men... | 0:56:59 | 0:57:01 | |
fighting women... | 0:57:01 | 0:57:03 | |
and Charlie Chaplin. | 0:57:03 | 0:57:06 | |
Subtitles by Red Bee Media Ltd | 0:57:15 | 0:57:18 | |
E-mail [email protected] | 0:57:18 | 0:57:21 |