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-Meet the Irwins. Janice... -Oh, I'm in heaven. | 0:00:02 | 0:00:04 | |
..Weininger... HE LAUGHS | 0:00:04 | 0:00:07 | |
-..Tiana... -Did people actually eat this? | 0:00:07 | 0:00:10 | |
-..Breanne... -I thought you said rat! | 0:00:10 | 0:00:13 | |
..Shelasah and Romane. CHEERING | 0:00:13 | 0:00:16 | |
They are going back in time through 50 years of black British history. | 0:00:16 | 0:00:21 | |
Starting in 1948, they will discover how post-war Caribbean immigration | 0:00:21 | 0:00:26 | |
changed the way we all live. | 0:00:26 | 0:00:28 | |
From leisure, to work... | 0:00:29 | 0:00:32 | |
Any more fares, please? | 0:00:32 | 0:00:34 | |
-Any more fares, please? -BELL | 0:00:34 | 0:00:35 | |
..music, to sport... | 0:00:35 | 0:00:38 | |
-Oh! -LAUGHTER | 0:00:40 | 0:00:42 | |
..and how it all started in one London suburb. | 0:00:42 | 0:00:46 | |
The Irwin family live in Dagenham, East London. | 0:00:56 | 0:01:00 | |
What's my role in the family? | 0:01:00 | 0:01:03 | |
Obviously, I'm at the all-knowing, all-seeing oracle. | 0:01:03 | 0:01:08 | |
I would say the lecturer. | 0:01:08 | 0:01:11 | |
I'm probably the one who brings in all the opinions and ideas. | 0:01:11 | 0:01:15 | |
Aw! | 0:01:15 | 0:01:17 | |
-I'd describe myself as funny... -HE LAUGHS | 0:01:17 | 0:01:20 | |
..just happy, yeah. | 0:01:20 | 0:01:22 | |
'Ni, san!' | 0:01:22 | 0:01:24 | |
Mum Janice is a former world karate champion. | 0:01:24 | 0:01:28 | |
But she's also an entrepreneur, | 0:01:28 | 0:01:30 | |
ruining a sports centre with husband Weininger. | 0:01:30 | 0:01:33 | |
Come on, ladies, just move it! | 0:01:33 | 0:01:34 | |
Look, look at the legs. Swing the arms. | 0:01:34 | 0:01:37 | |
They were both born in London and raised by West Indian immigrant | 0:01:37 | 0:01:40 | |
parents, who arrived in Britain in the early '60s. | 0:01:40 | 0:01:43 | |
The opportunities that I am afforded at this present time, | 0:01:43 | 0:01:46 | |
the sky's the limit. | 0:01:46 | 0:01:48 | |
'Because my mother, my father,' | 0:01:48 | 0:01:51 | |
those that came from the Windrush Generation, | 0:01:51 | 0:01:54 | |
they did a lot for us. | 0:01:54 | 0:01:56 | |
The family will be leaving their modern lives behind | 0:01:56 | 0:01:59 | |
to travel back in time to experience life as West Indian immigrants | 0:01:59 | 0:02:03 | |
in post-war Britain. | 0:02:03 | 0:02:06 | |
I'm so excited about doing this. | 0:02:06 | 0:02:08 | |
'This will be a brilliant way to show what the West Indians' | 0:02:08 | 0:02:12 | |
have brought here, what contributions we've made. | 0:02:12 | 0:02:16 | |
In 1948, Britain still had extensive colonies across the globe. | 0:02:20 | 0:02:25 | |
But some of them were seeking independence. | 0:02:25 | 0:02:27 | |
In a last ditch attempt to keep the empire together, | 0:02:28 | 0:02:31 | |
the Nationality Act was passed, giving all Commonwealth subjects | 0:02:31 | 0:02:35 | |
the new status of British citizen. | 0:02:35 | 0:02:37 | |
Suddenly, over a quarter of the world's population had the right | 0:02:39 | 0:02:42 | |
to come and live, work and settle in Britain without any restrictions. | 0:02:42 | 0:02:48 | |
All you had to do was get there. | 0:02:48 | 0:02:51 | |
That same year in Kingston, Jamaica, | 0:02:55 | 0:02:57 | |
the Empire Windrush docked en route to Britain. | 0:02:57 | 0:03:00 | |
It was picking up West Indian servicemen to take them | 0:03:02 | 0:03:04 | |
back to barracks in the UK. | 0:03:04 | 0:03:06 | |
To fill the rest of the ship, the captain offered half-price tickets. | 0:03:08 | 0:03:11 | |
Those who could scrape together the £28 and ten shillings | 0:03:13 | 0:03:16 | |
had passage to the motherland. | 0:03:16 | 0:03:18 | |
This is Brixton, | 0:03:26 | 0:03:28 | |
a district of Lambeth, in South London, | 0:03:28 | 0:03:30 | |
and home to one of Britain's most diverse populations. | 0:03:30 | 0:03:33 | |
But in 1948, it was a lower middle-class suburb in serious | 0:03:37 | 0:03:40 | |
decline and still suffering from extensive bomb damage after the war. | 0:03:40 | 0:03:45 | |
For reasons that came about purely by chance, | 0:03:47 | 0:03:50 | |
many of the Windrush passengers would end up here. | 0:03:50 | 0:03:53 | |
To create an authentic experience for the Irwins, | 0:03:57 | 0:04:00 | |
we've been busy transforming | 0:04:00 | 0:04:02 | |
a Brixton flat into the sort of accommodation available at the time. | 0:04:02 | 0:04:05 | |
To help me discover the realities of life for the new arrivals, | 0:04:08 | 0:04:11 | |
I'm joined by social historian, Emma Dabiri. | 0:04:11 | 0:04:14 | |
Well. It's not... It's not very nice, is it? | 0:04:20 | 0:04:24 | |
I guess nice isn't the first word that springs to mind, no. | 0:04:24 | 0:04:28 | |
I mean, it's sort of shabby and smelly. Why? | 0:04:28 | 0:04:31 | |
Well, you have to remember that there is an incredible housing | 0:04:31 | 0:04:34 | |
shortage. The war hasn't been over for very long | 0:04:34 | 0:04:36 | |
and there's very little accommodation that's available. | 0:04:36 | 0:04:39 | |
What is available tends to be in this state of disrepair. | 0:04:39 | 0:04:43 | |
So, they've basically got one ring to cook on, one sink to wash in. | 0:04:43 | 0:04:47 | |
They all just crammed into here with not a lot in the way of facilities? | 0:04:47 | 0:04:51 | |
And while that might seem quite shocking to us, | 0:04:51 | 0:04:54 | |
they're actually really lucky. | 0:04:54 | 0:04:55 | |
Many families would have had access | 0:04:55 | 0:04:57 | |
to the same kind of very limited amenities, but they would have had to share them with the entire house. | 0:04:57 | 0:05:03 | |
-They might have been out in the hall. -Other families living in...? | 0:05:03 | 0:05:06 | |
Yeah, other families, so it would have been communal. | 0:05:06 | 0:05:08 | |
Also, it's quite a hostile environment that a lot of Jamaican | 0:05:08 | 0:05:11 | |
arrivals are coming into and there is intense discrimination and as a | 0:05:11 | 0:05:15 | |
result, lots of people just won't rent to a black tenants. | 0:05:15 | 0:05:19 | |
'Census data shows just how quickly the population of Britain was changing.' | 0:05:19 | 0:05:24 | |
We can see in 1951 that there are 43,000 people here from Commonwealth | 0:05:24 | 0:05:32 | |
countries and then, by 1961, there are 101,000. | 0:05:32 | 0:05:38 | |
-So there's been a huge jump. -From the colonies, it goes up from 21,000 | 0:05:38 | 0:05:40 | |
-to 85,000. -Exactly. -So why would they want to come? | 0:05:40 | 0:05:43 | |
Well, if you think about the Caribbean specifically, | 0:05:43 | 0:05:45 | |
there is a significant shortage of jobs at the time | 0:05:45 | 0:05:48 | |
and Britain has this huge labour shortage. | 0:05:48 | 0:05:52 | |
Which is, basically, rebuilding the country after the war, presumably? | 0:05:52 | 0:05:55 | |
Exactly. | 0:05:55 | 0:05:57 | |
-NEWSREEL: -'Now the end of their journey is near. | 0:05:57 | 0:05:59 | |
'What will they find in the land they regard as an El Dorado?' | 0:05:59 | 0:06:02 | |
-Now, why have you come to England? -To seek a job. | 0:06:02 | 0:06:05 | |
And what sort of job do you want? | 0:06:05 | 0:06:07 | |
Any type, so long as I get a good pay. | 0:06:07 | 0:06:11 | |
After 22 days at sea, | 0:06:13 | 0:06:15 | |
the Windrush was about to arrive at Tilbury Docks with 492 optimistic | 0:06:15 | 0:06:19 | |
West Indian passengers on board. | 0:06:19 | 0:06:21 | |
There was no doubt about it, Britain needed immigrant workers. | 0:06:25 | 0:06:28 | |
But the Government was surprised by their arrival and had no idea what | 0:06:28 | 0:06:31 | |
to do with them. | 0:06:31 | 0:06:33 | |
Until an official discovered an unused building in Clapham, | 0:06:36 | 0:06:40 | |
less than a mile from the centre of Brixton. | 0:06:40 | 0:06:43 | |
The reason we are in Clapham is because of this bunker over here, | 0:06:44 | 0:06:48 | |
which is an air raid bunker. | 0:06:48 | 0:06:49 | |
There were eight of these built across London during the war | 0:06:49 | 0:06:52 | |
and they hold up to 8,000 people, | 0:06:52 | 0:06:54 | |
so they're quite vast and cavernous inside. | 0:06:54 | 0:06:56 | |
-So, they just put them in massive bomb shelters? -Basically. | 0:06:56 | 0:06:59 | |
Following in the footsteps of the original Windrush arrivals, | 0:07:02 | 0:07:05 | |
the Irwin family's first stop will be the Clapham bunker. | 0:07:05 | 0:07:08 | |
And just like so many other Caribbean immigrants, | 0:07:10 | 0:07:12 | |
they've left their youngest child behind. | 0:07:12 | 0:07:16 | |
Families would send for them later, once settled. | 0:07:16 | 0:07:18 | |
-Hi, guys. ALL: -Hello. -Hi, I'm Giles. -I'm Emma. Nice to meet you. | 0:07:20 | 0:07:24 | |
THEY GREET EACH OTHER | 0:07:24 | 0:07:27 | |
-You had to leave Romane behind, I gather? ALL: -Yeah. | 0:07:27 | 0:07:31 | |
-Sorry about that. -How sad. -Well, it's nice to have you here | 0:07:31 | 0:07:33 | |
anyway, the five of you. | 0:07:33 | 0:07:34 | |
Let's go to where people spent their first night after arriving. | 0:07:34 | 0:07:38 | |
With 180 steps to the bottom, | 0:07:43 | 0:07:45 | |
the bunker was home to many of the Windrush arrivals, | 0:07:45 | 0:07:48 | |
some for four weeks. | 0:07:48 | 0:07:50 | |
They were crammed into tiny bunks in a five-metre-wide tunnel and had to | 0:07:52 | 0:07:55 | |
put up with a constant noise of underground trains. | 0:07:55 | 0:07:59 | |
So, this is where people spend their first night. | 0:07:59 | 0:08:03 | |
-Oh, wow. -Is that a bucket to pee? | 0:08:03 | 0:08:06 | |
-Is that like... -Yeah. -Well, there's no loo, is there? | 0:08:06 | 0:08:09 | |
-What...what is this? -That is just horrible. | 0:08:09 | 0:08:12 | |
It just... Ah-ya-ya. | 0:08:12 | 0:08:15 | |
It's awful. Imagine sleeping under this. | 0:08:15 | 0:08:18 | |
I thought I knew what I was going to experience. | 0:08:18 | 0:08:21 | |
And I never knew about this. | 0:08:21 | 0:08:23 | |
-EMMA: -Well, the arrival of the Windrush caused something of a panic | 0:08:23 | 0:08:26 | |
with the authorities. They didn't know where to place all of you guys. | 0:08:26 | 0:08:29 | |
They thought, "Oh, we've got those empty bomb shelters! | 0:08:29 | 0:08:31 | |
"That will do as temporary accommodation." | 0:08:31 | 0:08:33 | |
That is just horrible. | 0:08:33 | 0:08:35 | |
Coming from someone with so much space and air and light and straight | 0:08:35 | 0:08:39 | |
down into a damp... | 0:08:39 | 0:08:42 | |
-cold... -You think you'd be regretting coming? | 0:08:42 | 0:08:44 | |
Yes, I would. It's almost like a slap in the face if you've come to | 0:08:44 | 0:08:48 | |
help our motherland and whatnot, | 0:08:48 | 0:08:50 | |
and then you come down here and this is your life. | 0:08:50 | 0:08:54 | |
I can't even imagine it. | 0:08:54 | 0:08:56 | |
Look, the good news is that you're not actually living here, | 0:08:56 | 0:08:59 | |
but if you were living here, you wouldn't spend that much time down here, | 0:08:59 | 0:09:02 | |
cos, you know, you've got to earn a living. | 0:09:02 | 0:09:04 | |
-I'd be happy to work after leaving here. -Yeah, that's right. I'd be | 0:09:04 | 0:09:07 | |
-glad to be out of the bunker. -Yeah, absolutely. | 0:09:07 | 0:09:09 | |
Not only did they need somewhere to stay, | 0:09:14 | 0:09:17 | |
our new arrivals needed feeding, too. | 0:09:17 | 0:09:20 | |
Even though Britain was still under strict rationing, | 0:09:20 | 0:09:22 | |
the Women's Voluntary Service stepped in to lay on a proper | 0:09:22 | 0:09:25 | |
British dinner, served in a tent near the bunker. | 0:09:25 | 0:09:28 | |
-Hi, guys. -Hello. -Welcome to your first meal in England. -Wow! | 0:09:30 | 0:09:34 | |
'The Irwins are having the exact same meal.' | 0:09:34 | 0:09:37 | |
It was rationed. You get a very, very small piece of beef. | 0:09:37 | 0:09:40 | |
-Right. -Potatoes are in not such short supply, | 0:09:40 | 0:09:42 | |
-you can have two of those. -Is there any chance of seconds, maybe? | 0:09:42 | 0:09:45 | |
Not until 1954, I'm afraid! | 0:09:45 | 0:09:47 | |
-Oh, right. -If you stick around. How does your lunch look? | 0:09:47 | 0:09:50 | |
Very...bland. | 0:09:50 | 0:09:53 | |
'For many, this would have been | 0:09:53 | 0:09:55 | |
'their first-ever taste of great British cuisine.' | 0:09:55 | 0:09:58 | |
-This is good. -What do you think? | 0:09:58 | 0:10:01 | |
-It's not that bad. -Whatever you leave, I eat. | 0:10:01 | 0:10:05 | |
Because you wouldn't waste it. | 0:10:05 | 0:10:08 | |
There's even dessert. Suet pudding and custard. | 0:10:08 | 0:10:11 | |
-Thank you, Emma. -Oh, I'm in heaven! | 0:10:12 | 0:10:14 | |
-A spider? -That looks like Spotted Dick to me. | 0:10:14 | 0:10:16 | |
Three, two, one. | 0:10:16 | 0:10:18 | |
It is not that bad, actually. | 0:10:19 | 0:10:21 | |
-No, it's quite good. -It's OK. | 0:10:21 | 0:10:22 | |
The thing about this is, we set this up as an experiment, | 0:10:22 | 0:10:25 | |
but it's quite hard not to feel guilty as an English person, | 0:10:25 | 0:10:27 | |
for what it must have looked like to people like the Irwins. | 0:10:27 | 0:10:30 | |
When it came to serving the puddings, | 0:10:30 | 0:10:32 | |
I knew they were supposed to get small portions, because it was rationing. | 0:10:32 | 0:10:35 | |
And I felt so bad now, I gave them bigger portions of pudding, | 0:10:35 | 0:10:37 | |
as I thought, it's the least I can do. | 0:10:37 | 0:10:40 | |
I think Mum and Dad are going to be absolutely fine. | 0:10:40 | 0:10:43 | |
They grew up in the '70s, slightly harder times than now. | 0:10:43 | 0:10:47 | |
The kids are going to find it harder. | 0:10:47 | 0:10:49 | |
While the Irwins finish their lunch, Emma has one more place to show me. | 0:10:54 | 0:10:58 | |
So then, why Brixton? | 0:11:00 | 0:11:02 | |
It's not as if it's famous, it's not on the Monopoly board, | 0:11:02 | 0:11:04 | |
it's not like anyone would have heard of it in Jamaica. | 0:11:04 | 0:11:07 | |
-Why did they settle here? -The answer's quite straightforward, really. | 0:11:07 | 0:11:10 | |
Behind us was the site of the Brixton Labour Exchange. | 0:11:10 | 0:11:13 | |
So this is where people would come to to get work, | 0:11:13 | 0:11:16 | |
and if you think about the location of the bunker in Clapham, | 0:11:16 | 0:11:19 | |
what's between that and this labour exchange, but Brixton? | 0:11:19 | 0:11:23 | |
So it was an obvious place to settle. | 0:11:23 | 0:11:24 | |
# London is the place for me... # | 0:11:24 | 0:11:27 | |
Within three weeks, all the people in the bunker had found a job. | 0:11:29 | 0:11:33 | |
But however qualified, | 0:11:33 | 0:11:35 | |
most new arrivals could expect only to get the hardest work | 0:11:35 | 0:11:38 | |
for the lowest pay. | 0:11:38 | 0:11:40 | |
All members of the family aged over 15 are expected to pull their weight. | 0:11:42 | 0:11:46 | |
Men usually got jobs as manual labourers, | 0:11:48 | 0:11:50 | |
while the women were often cleaners. | 0:11:50 | 0:11:52 | |
Once they got a job, families needed to find somewhere to live. | 0:11:53 | 0:11:56 | |
This was easier said than done. | 0:11:56 | 0:11:58 | |
'It's difficult for a coloured man to find rooms. | 0:12:00 | 0:12:02 | |
'"Sorry, no room."' | 0:12:02 | 0:12:05 | |
In rundown areas like Brixton, | 0:12:07 | 0:12:09 | |
there were plenty of places that no-one else wanted. | 0:12:09 | 0:12:12 | |
The Irwins are about to discover the kind of accommodation that was | 0:12:13 | 0:12:16 | |
offered to an immigrant black family in 1940s Britain. | 0:12:16 | 0:12:19 | |
It smells so bad. | 0:12:21 | 0:12:23 | |
Oh, my God. | 0:12:23 | 0:12:25 | |
-Oh, my God. -Where's the other room? What? | 0:12:27 | 0:12:30 | |
Please don't tell me that's just one bed. | 0:12:30 | 0:12:33 | |
Look at the bed! | 0:12:34 | 0:12:37 | |
Oh, my gosh. | 0:12:37 | 0:12:38 | |
All five of them will be living, | 0:12:38 | 0:12:40 | |
eating and sleeping in this one small room. | 0:12:40 | 0:12:42 | |
With a communal toilet down the hall. | 0:12:42 | 0:12:46 | |
Listen, this is your new shower, | 0:12:46 | 0:12:50 | |
this is your new bath. | 0:12:50 | 0:12:52 | |
That's a washing board. | 0:12:52 | 0:12:54 | |
-What's that? -What's what? | 0:12:54 | 0:12:55 | |
-That? -Yeah. -That's a paraffin heater. | 0:12:55 | 0:12:57 | |
Do you know what, anything's better than underground. | 0:12:57 | 0:13:00 | |
There's a rack to dry clothes on. | 0:13:00 | 0:13:02 | |
I thought you said rat. | 0:13:02 | 0:13:04 | |
-Oh, my God. -So did I! | 0:13:04 | 0:13:06 | |
-There's a rat. -Look at this room. | 0:13:06 | 0:13:08 | |
-I'm going to die. -No, you're not going to die. | 0:13:08 | 0:13:10 | |
Guys, we are living here. | 0:13:10 | 0:13:12 | |
You've got to get used to it. You can't go, "I don't, I don't..." | 0:13:12 | 0:13:15 | |
I think this is quite good. | 0:13:15 | 0:13:17 | |
In comparison to what we are coming from. | 0:13:17 | 0:13:20 | |
And it's warm. | 0:13:20 | 0:13:21 | |
-OMG. -Ew! -Let's see what it is. | 0:13:21 | 0:13:26 | |
"The Irwins." I'm going to read it. | 0:13:26 | 0:13:28 | |
To help them settle in, we've sent some presents. | 0:13:28 | 0:13:31 | |
"Dear Irwin family, welcome to your new home. | 0:13:31 | 0:13:33 | |
"To make your bedsit a bit more homely, | 0:13:33 | 0:13:36 | |
"we've sent you some things to brighten up the room and give you | 0:13:36 | 0:13:40 | |
"a little bit more privacy." | 0:13:40 | 0:13:42 | |
Oh! | 0:13:43 | 0:13:44 | |
Extra blankets were vital when you've gone from an average annual | 0:13:44 | 0:13:47 | |
temperature of 28 degrees to just 12. | 0:13:47 | 0:13:50 | |
The green one's so pretty! | 0:13:50 | 0:13:52 | |
Excuse me! This is ours. | 0:13:52 | 0:13:54 | |
Your parents'. Thank you. | 0:13:54 | 0:13:57 | |
Thank you. Let go. | 0:13:57 | 0:14:00 | |
No. Thank you. | 0:14:00 | 0:14:02 | |
Curtains! And clothes pegs. | 0:14:02 | 0:14:04 | |
We can divide the room. | 0:14:04 | 0:14:06 | |
With everyone sleeping and bathing in the same small space, | 0:14:08 | 0:14:11 | |
Weininger and Shelasah get on with sorting out some privacy. | 0:14:11 | 0:14:15 | |
Are you done? | 0:14:16 | 0:14:18 | |
Two tins of corned beef. | 0:14:20 | 0:14:22 | |
-Cheese. -Janice is discovering how hard it is to feed a family on 1948 | 0:14:22 | 0:14:27 | |
rations. | 0:14:27 | 0:14:29 | |
-Right, that's it. -Can you smell that? | 0:14:29 | 0:14:31 | |
That's disgusting. | 0:14:31 | 0:14:33 | |
No, look. | 0:14:34 | 0:14:36 | |
That actually smells like the cat's food. | 0:14:36 | 0:14:39 | |
Tonight it's corned beef with national loaf, a hard, | 0:14:40 | 0:14:43 | |
brown bread and the only type available under rationing. | 0:14:43 | 0:14:47 | |
-Whoa, hold on. -Is it tough? | 0:14:49 | 0:14:52 | |
The bread? | 0:14:52 | 0:14:54 | |
Wait, wait, wait. Hold on. I'll tell you. | 0:14:54 | 0:14:56 | |
Connoisseur here. | 0:14:56 | 0:14:58 | |
It is like rock. | 0:14:58 | 0:15:00 | |
-This is all right. -He's happy. | 0:15:00 | 0:15:02 | |
I'm feeling this food, you know. | 0:15:02 | 0:15:04 | |
But there's one person missing. | 0:15:05 | 0:15:07 | |
It's weird to not have Romaine here. | 0:15:07 | 0:15:10 | |
I'll be glad when we can bring him in. | 0:15:10 | 0:15:13 | |
-And be one. -And be one. | 0:15:13 | 0:15:15 | |
100%. | 0:15:15 | 0:15:16 | |
What a day it's been. | 0:15:17 | 0:15:19 | |
I always think of my parents coming here in cold weather and just trying | 0:15:19 | 0:15:25 | |
to find somewhere to live and then basically being grateful for the | 0:15:25 | 0:15:29 | |
sort of place we've seen today. | 0:15:29 | 0:15:31 | |
It's quite shocking. I think the reality of it is that we would have | 0:15:31 | 0:15:35 | |
had a lot of mice running about. | 0:15:35 | 0:15:38 | |
You can see the state of the place. | 0:15:38 | 0:15:40 | |
Fortunately, they haven't brought the mice, which I'm pleased about. | 0:15:40 | 0:15:44 | |
Another day means another year. | 0:15:54 | 0:15:57 | |
And the Irwin family have woken up in 1950. | 0:15:59 | 0:16:01 | |
Today is Sunday, and while the men embrace 1950s gender roles, | 0:16:02 | 0:16:07 | |
the women of the house are hard at work. | 0:16:07 | 0:16:11 | |
When is breakfast going to be ready? | 0:16:11 | 0:16:12 | |
I'm not sure why breakfast takes so long, you know? | 0:16:12 | 0:16:14 | |
You're not supposed to be acting, Weininger. | 0:16:14 | 0:16:17 | |
-Yeah, I know. -You're supposed to be looking around the house to see what | 0:16:17 | 0:16:20 | |
you can fix up. | 0:16:20 | 0:16:21 | |
Right, folks. | 0:16:22 | 0:16:24 | |
Breakfast. | 0:16:24 | 0:16:26 | |
Normally if we're having a cooked breakfast, we would have eggs, | 0:16:26 | 0:16:29 | |
bacon, sausage, beans, | 0:16:29 | 0:16:32 | |
toast, bagels. | 0:16:32 | 0:16:37 | |
-Yeah. -Toast and bagels? | 0:16:37 | 0:16:38 | |
-Yeah. -Janice is treating the family to a West Indian favourite. | 0:16:38 | 0:16:43 | |
Condensed milk. | 0:16:43 | 0:16:44 | |
Not only was it easier to buy on rations than butter or jam, | 0:16:45 | 0:16:48 | |
it didn't require a fridge. | 0:16:48 | 0:16:50 | |
I can eat condensed milk just like that, | 0:16:50 | 0:16:53 | |
so I just think it's great how they made do with what they had. | 0:16:53 | 0:16:57 | |
-Yeah, that's true. -I think, brilliant. | 0:16:57 | 0:16:59 | |
And, you know, it's all right with the tea. | 0:16:59 | 0:17:01 | |
By 1950, there were around 1,000 West Indians living in the Brixton area. | 0:17:05 | 0:17:09 | |
And Sunday was an important day for the community, | 0:17:09 | 0:17:13 | |
as almost everyone went to church. | 0:17:13 | 0:17:15 | |
Any spare money was spent on making sure you looked respectable for | 0:17:18 | 0:17:21 | |
the service. | 0:17:21 | 0:17:22 | |
Good to go. | 0:17:22 | 0:17:24 | |
# Lord have mercy... # | 0:17:24 | 0:17:26 | |
But attending an Anglican church wasn't always possible. | 0:17:26 | 0:17:30 | |
Many refused to welcome black people into their all-white | 0:17:30 | 0:17:33 | |
congregations. Something the Church of England has since apologised for. | 0:17:33 | 0:17:37 | |
The West Indian population came up with a solution. | 0:17:42 | 0:17:45 | |
They set up their own. Front rooms and local community halls became | 0:17:45 | 0:17:49 | |
venues for a more West Indian style of Christian worship. | 0:17:49 | 0:17:52 | |
Today, the Irwins are attending a celebratory service led by Bishop | 0:17:58 | 0:18:02 | |
Kenneth McCarthy, who set up the first black church in Brixton. | 0:18:02 | 0:18:06 | |
Now 89, he's still going strong. | 0:18:06 | 0:18:09 | |
I came to England in 1950. | 0:18:10 | 0:18:13 | |
There were so many people coming from the West Indies and when I came | 0:18:13 | 0:18:17 | |
to Brixton, they were wandering about like sheep without a shepherd. | 0:18:17 | 0:18:21 | |
And I felt I ought to do some shepherding. | 0:18:21 | 0:18:24 | |
And to give them something to live for, a purpose, | 0:18:24 | 0:18:29 | |
and I started right here in Brixton to do that, | 0:18:29 | 0:18:33 | |
so you can call me a Brixton boy. | 0:18:33 | 0:18:35 | |
Bishop McCarthy started by preaching to small groups in their own homes, | 0:18:38 | 0:18:42 | |
before investing in a tent where he held regular services. | 0:18:42 | 0:18:45 | |
But he had bigger plans. | 0:18:45 | 0:18:48 | |
We wanted something more permanent. | 0:18:49 | 0:18:51 | |
So I saw a place in Brixton which was a bombsite. | 0:18:51 | 0:18:55 | |
-Oh, wow, OK. -So I went to the council and I said, | 0:18:55 | 0:18:58 | |
could I have a more permanent building and they came back to | 0:18:58 | 0:19:01 | |
me and said, "Reverend, we decide to charge you £1 a year." | 0:19:01 | 0:19:06 | |
Wow! Oh, brilliant. | 0:19:06 | 0:19:10 | |
I would put up the more permanent building and it was our first church in England. | 0:19:10 | 0:19:14 | |
We wanted somewhere where we could give off | 0:19:14 | 0:19:17 | |
our spiritual expression freely. | 0:19:17 | 0:19:20 | |
Music, singing together is one of the things that definitely - | 0:19:30 | 0:19:32 | |
especially for black people, I think - brings everyone together. | 0:19:32 | 0:19:35 | |
Everything the Bishop said would have been really crucial for people | 0:19:35 | 0:19:39 | |
first coming over here, because you wouldn't have really known what | 0:19:39 | 0:19:42 | |
to do with yourself. | 0:19:42 | 0:19:43 | |
So, having someone who'd be able to give that to you, | 0:19:43 | 0:19:45 | |
it would have been so important. | 0:19:45 | 0:19:48 | |
Right, so do you just dip it? Cos there's no ink in this. | 0:20:02 | 0:20:04 | |
Mm, probably. | 0:20:04 | 0:20:06 | |
It's like Shakespeare and that. | 0:20:06 | 0:20:07 | |
Back home, the family are writing letters to little brother Romaine. | 0:20:08 | 0:20:11 | |
I wrote about how the food here isn't that nice. | 0:20:13 | 0:20:17 | |
It's cold and... | 0:20:17 | 0:20:21 | |
it's just not nice, overall. | 0:20:21 | 0:20:23 | |
Dear son, can't wait until you get here. | 0:20:25 | 0:20:29 | |
Mummy, your sister and Shelasah is missing you. | 0:20:29 | 0:20:32 | |
Are! | 0:20:32 | 0:20:33 | |
-Who? -ARE missing you! -It's plural! | 0:20:33 | 0:20:36 | |
-Yeah, are. -It's plural. Is?! -You said is! | 0:20:36 | 0:20:39 | |
Jamaican. | 0:20:39 | 0:20:40 | |
No! | 0:20:40 | 0:20:41 | |
Don't insult Jamaicans like that. | 0:20:43 | 0:20:44 | |
I'm not insulting anyone. | 0:20:44 | 0:20:47 | |
Janice was born in Britain after her parents arrived here, | 0:20:47 | 0:20:50 | |
but they'd had to leave the six children they already had in Grenada. | 0:20:50 | 0:20:54 | |
It was several years before they could afford to send | 0:20:54 | 0:20:57 | |
for her brothers and sisters. | 0:20:57 | 0:20:59 | |
When I think about my mum and dad's situation, they left all six. | 0:21:00 | 0:21:05 | |
For me to know that I'm leaving my baby would have been a problem. | 0:21:05 | 0:21:09 | |
But the fact is that we're trying to do good for them, or make better. | 0:21:09 | 0:21:12 | |
-Yeah, but... -I know it would have been, yeah, tough. | 0:21:12 | 0:21:14 | |
-..we know that it's for a good reason. -Yeah, yeah. | 0:21:14 | 0:21:16 | |
But, from a mother's point of view, | 0:21:16 | 0:21:18 | |
that would have been a hard decision. | 0:21:18 | 0:21:21 | |
It's 1954. | 0:21:34 | 0:21:36 | |
Unlike the majority of her white counterparts, | 0:21:39 | 0:21:41 | |
Janice would have been expected to do all the housework | 0:21:41 | 0:21:44 | |
and work long hours. | 0:21:44 | 0:21:46 | |
The average wage in Britain was now £100 a week. | 0:21:48 | 0:21:50 | |
But, as a black woman, Janice can expect to earn significantly less. | 0:21:52 | 0:21:55 | |
To make up for the low wages, new immigrants often had several jobs. | 0:21:57 | 0:22:00 | |
'Economically, there's no doubt that this country has been aided by this | 0:22:03 | 0:22:06 | |
'influx of active workers, who've taken up some of the less pleasant | 0:22:06 | 0:22:09 | |
'jobs Britons have preferred not to do.' | 0:22:09 | 0:22:12 | |
The work might have been hard, but at least you could get a job, | 0:22:17 | 0:22:20 | |
unlike at home in the West Indies. | 0:22:20 | 0:22:21 | |
And in 1954, immigration from the Caribbean rocketed. | 0:22:24 | 0:22:27 | |
10,000 made the journey that year. | 0:22:27 | 0:22:30 | |
With such rapid change and increasing numbers, | 0:22:31 | 0:22:34 | |
anti-immigration sentiment began to be more common. | 0:22:34 | 0:22:37 | |
Soon, there'll be so many people here, there won't be enough | 0:22:37 | 0:22:40 | |
houses and jobs to go around. | 0:22:40 | 0:22:42 | |
But the Nationality Act meant anyone from the colonies could come - | 0:22:42 | 0:22:46 | |
and they did. | 0:22:46 | 0:22:47 | |
The next three years would see the arrival of nearly | 0:22:47 | 0:22:49 | |
75,000 people from the Caribbean. | 0:22:49 | 0:22:52 | |
So, we've got white bread, sausages... | 0:22:56 | 0:23:00 | |
The working members of the family have come home for lunch. | 0:23:00 | 0:23:02 | |
At least rationing is now over, which means the occasional treat. | 0:23:04 | 0:23:07 | |
-Guys, look! -Ketchup! | 0:23:07 | 0:23:09 | |
Ew. | 0:23:09 | 0:23:11 | |
Thanks. | 0:23:11 | 0:23:12 | |
With four wage earners contributing to the household, | 0:23:12 | 0:23:14 | |
there's more good news. | 0:23:14 | 0:23:17 | |
All right. | 0:23:17 | 0:23:18 | |
"Dear Irwin family, | 0:23:18 | 0:23:20 | |
"it's now 1954 and you've all been | 0:23:20 | 0:23:23 | |
"working hard since you arrived. | 0:23:23 | 0:23:25 | |
"You have finally raised enough money to move into your own rented flats." | 0:23:25 | 0:23:31 | |
Oh, brilliant! | 0:23:31 | 0:23:32 | |
Brilliant. | 0:23:32 | 0:23:34 | |
Here's the keys. | 0:23:34 | 0:23:35 | |
That is absolutely super. | 0:23:36 | 0:23:38 | |
Looking forward to somewhere I can have a proper cooker, I hope. | 0:23:38 | 0:23:41 | |
And a kitchen. | 0:23:41 | 0:23:43 | |
-Somewhere with my own room. -And a toilet. | 0:23:43 | 0:23:45 | |
Where the walls aren't stained. | 0:23:45 | 0:23:46 | |
Telly. | 0:23:46 | 0:23:48 | |
-TIANA: -Oh, wow. | 0:23:48 | 0:23:49 | |
While the Irwins pack up, | 0:23:52 | 0:23:55 | |
Emma and I check out their new flat on the other side of Brixton. | 0:23:55 | 0:23:58 | |
Right, well, I mean, this is a very, | 0:24:02 | 0:24:03 | |
very different proposition from the bedsit, isn't it? | 0:24:03 | 0:24:06 | |
Yeah, absolutely. Everything feels a lot more permanent. | 0:24:06 | 0:24:09 | |
There's definitely been an investment in making it homely. | 0:24:09 | 0:24:12 | |
Some very distinct Caribbean features as well | 0:24:12 | 0:24:15 | |
and this glass cabinet would be one of them. | 0:24:15 | 0:24:17 | |
This fish is a classic that anybody familiar with | 0:24:17 | 0:24:21 | |
a Caribbean living room will notice. | 0:24:21 | 0:24:23 | |
These were very common items. | 0:24:23 | 0:24:25 | |
As well, there's often a profusion of | 0:24:25 | 0:24:27 | |
very brightly coloured artificial flowers. | 0:24:27 | 0:24:29 | |
This is not a sort of stopping point any more, | 0:24:29 | 0:24:31 | |
-this is a place they're putting down roots. -Exactly, this is home. | 0:24:31 | 0:24:34 | |
Many of the first immigrants had intended to return to the West Indies after a few years. | 0:24:37 | 0:24:41 | |
But by 1954, it was clear the majority had decided to settle down, | 0:24:41 | 0:24:46 | |
start families and stay for good. | 0:24:46 | 0:24:48 | |
Brixton, like many other urban areas, had to adapt. | 0:24:51 | 0:24:53 | |
'Lambeth and Brixton have been much in the news recently following the | 0:24:55 | 0:24:58 | |
'controversy that has raged over the immigration of West Indians to this country. | 0:24:58 | 0:25:02 | |
'Thousands live in this area. | 0:25:02 | 0:25:04 | |
'To help solve the problems raised when white and coloured people live | 0:25:04 | 0:25:08 | |
'in the same neighbourhood, the borough of Lambeth organised | 0:25:08 | 0:25:11 | |
'a no colour-bar dance. | 0:25:11 | 0:25:13 | |
'The borough's mayor, Councillor White, was there to greet guests - 180 white and 180 coloured - | 0:25:13 | 0:25:18 | |
'as they arrived. | 0:25:18 | 0:25:19 | |
'The rhythm of the mambo was doing its bit towards racial unity.' | 0:25:23 | 0:25:26 | |
Lambeth had one of the fastest changing populations in the country. | 0:25:32 | 0:25:35 | |
So, what does this census tell us about the population itself? | 0:25:35 | 0:25:38 | |
You can see a breakdown of the different boroughs that are housing | 0:25:38 | 0:25:42 | |
the immigrant populations. | 0:25:42 | 0:25:44 | |
And we see here that over 70,000 people that are born in colonies, | 0:25:44 | 0:25:49 | |
we see that Lambeth is home to... | 0:25:49 | 0:25:53 | |
-10,000? -..over 10,000, which is in stark contrast | 0:25:53 | 0:25:56 | |
to all of the other areas. | 0:25:56 | 0:25:58 | |
And Brixton is in Lambeth? | 0:25:58 | 0:25:59 | |
Absolutely. | 0:25:59 | 0:26:00 | |
That's 10,000 people out of a population in the borough | 0:26:00 | 0:26:02 | |
of 220,000. So quite high. | 0:26:02 | 0:26:04 | |
Yes, so definitely a very significant minority. | 0:26:04 | 0:26:07 | |
It's time for the Irwins to leave the bedsit... | 0:26:13 | 0:26:15 | |
..and discover their new, two-bedroom flat. | 0:26:17 | 0:26:19 | |
-Wow. -Oh, wow. | 0:26:26 | 0:26:28 | |
Wowee! | 0:26:28 | 0:26:29 | |
-Cabinet. -The fish! | 0:26:33 | 0:26:35 | |
We had the fish! It's the fish for me. We had one of these fishes. | 0:26:35 | 0:26:39 | |
And the cabinet that you're not allowed to use. | 0:26:39 | 0:26:41 | |
And the glass cabinet, which is fantastic. | 0:26:41 | 0:26:44 | |
The ever, ever living flowers. | 0:26:44 | 0:26:45 | |
I used to remember, like, the dust that used to be on it. | 0:26:45 | 0:26:48 | |
We used to, like, brush it off and stuff. | 0:26:48 | 0:26:50 | |
It's so much nicer on the eyes. | 0:26:50 | 0:26:52 | |
-Homely. -Yeah. -It is a home. | 0:26:52 | 0:26:54 | |
It feels like a home. | 0:26:54 | 0:26:55 | |
Oh, yeah, yeah, yeah. | 0:26:55 | 0:26:57 | |
Thank you, thank you, thank you. | 0:26:57 | 0:26:58 | |
Oh, wow! | 0:27:00 | 0:27:02 | |
Oh, my gosh! There's space! | 0:27:02 | 0:27:04 | |
There's not a bedroom. | 0:27:04 | 0:27:06 | |
-There's a stove. -Wow, this is brilliant. | 0:27:06 | 0:27:07 | |
Oh, my God! | 0:27:07 | 0:27:09 | |
We have these plates! | 0:27:09 | 0:27:11 | |
Look, we have these! We have these plates! | 0:27:11 | 0:27:13 | |
-Oh, my God! -We actually have these plates. | 0:27:13 | 0:27:15 | |
We've got these plates at home. | 0:27:15 | 0:27:18 | |
Oh, wow. We've got vintage. | 0:27:18 | 0:27:20 | |
We have done very well. | 0:27:20 | 0:27:22 | |
Well done to all of us who have been working. | 0:27:22 | 0:27:25 | |
Not only does Janice have a proper kitchen, | 0:27:31 | 0:27:33 | |
she also has far more choice about what she cooks in it. | 0:27:33 | 0:27:36 | |
The family are having steamed fish with Jamaican crackers | 0:27:39 | 0:27:41 | |
and fresh ginger cake - | 0:27:41 | 0:27:43 | |
all bought at the local market. | 0:27:43 | 0:27:45 | |
'Let's go shopping Caribbean-style! | 0:27:48 | 0:27:50 | |
'Take a trip to London Southwest nine. It's here, at Brixton's | 0:27:50 | 0:27:54 | |
'Granville Arcade that our Caribbean market flourishes.' | 0:27:54 | 0:27:57 | |
Unable to buy the food from home in British grocers', | 0:27:59 | 0:28:02 | |
West Indians began to import and sell it to themselves, | 0:28:02 | 0:28:05 | |
setting up shop in places like Brixton. | 0:28:05 | 0:28:07 | |
Thank you, Janice. Much appreciated. | 0:28:10 | 0:28:13 | |
Life is looking up, but it's about to get even better. | 0:28:14 | 0:28:18 | |
With more money and more space, | 0:28:18 | 0:28:19 | |
families like the Irwins were able to send for | 0:28:19 | 0:28:21 | |
those they'd left behind. | 0:28:21 | 0:28:23 | |
So, youngest son Romane is finally here, | 0:28:26 | 0:28:29 | |
accompanied by his Auntie Denise. | 0:28:29 | 0:28:31 | |
Romane! | 0:28:32 | 0:28:33 | |
Aw! | 0:28:34 | 0:28:36 | |
Lookit, Shels, he's been waiting for him for so long. | 0:28:44 | 0:28:46 | |
He's annoying but I've missed him. | 0:28:50 | 0:28:52 | |
I have. I didn't want to endure the pain by myself. | 0:28:52 | 0:28:55 | |
Wonderful, wonderful. | 0:28:55 | 0:28:57 | |
I feel like my family's complete again. | 0:28:57 | 0:29:00 | |
We've moved away from our one-room apartment and we are now in | 0:29:02 | 0:29:08 | |
a better, more flowery, vibrant place. | 0:29:08 | 0:29:12 | |
It, like, matches my dress. | 0:29:12 | 0:29:13 | |
Today was a nice day, because I got to see my family. | 0:29:16 | 0:29:20 | |
I'm happy to see my brother again. | 0:29:20 | 0:29:21 | |
I probably missed him the most and, apparently, | 0:29:21 | 0:29:24 | |
I came at the right time, | 0:29:24 | 0:29:26 | |
since what they were living in before was really, really bad. | 0:29:26 | 0:29:30 | |
1956. | 0:29:41 | 0:29:42 | |
1956 was the year of peak immigration from | 0:29:43 | 0:29:47 | |
the West Indies to Britain. | 0:29:47 | 0:29:48 | |
Over 26,000 people would make the journey that year. | 0:29:48 | 0:29:51 | |
Most of the first wave of immigrants had left home to find work | 0:29:54 | 0:29:57 | |
of their own accord. | 0:29:57 | 0:29:58 | |
But, as the UK economy continued to grow, | 0:30:00 | 0:30:02 | |
employers began actively to invite West Indians to come to Britain | 0:30:02 | 0:30:05 | |
to take up specific jobs. | 0:30:05 | 0:30:07 | |
One of the biggest recruiters was London Transport, | 0:30:10 | 0:30:13 | |
which in 1956, set up an office in Barbados. | 0:30:13 | 0:30:15 | |
'Candidates are chosen on the island and some 200 of them come to Britain | 0:30:18 | 0:30:21 | |
'every year to join London's bus conductor force of more than | 0:30:21 | 0:30:24 | |
'14,000 men and women.' | 0:30:24 | 0:30:26 | |
Weininger's own father was a bus conductor. | 0:30:28 | 0:30:31 | |
So, today, he's following in his footsteps. | 0:30:31 | 0:30:33 | |
DING DING | 0:30:39 | 0:30:40 | |
Any more fares, please? Any more fares, please? | 0:30:40 | 0:30:42 | |
I'm supposed to be going to Brixton. | 0:30:42 | 0:30:44 | |
-Brixton? All right. -Yes. | 0:30:44 | 0:30:46 | |
-50p, please. -Thank you. | 0:30:46 | 0:30:48 | |
Thank you very much. | 0:30:48 | 0:30:49 | |
Here to help is celebrated author, Donald Hinds, | 0:30:50 | 0:30:53 | |
one of the very first black bus conductors in Britain. | 0:30:53 | 0:30:55 | |
There were just six in Brixton when he started. | 0:30:57 | 0:31:01 | |
Well, the first thing you'd need is the badge of approval, | 0:31:01 | 0:31:05 | |
so you'd need to have this on. | 0:31:05 | 0:31:07 | |
So that you... | 0:31:07 | 0:31:08 | |
OK, now I'm looking at this badge. Is this actually your badge? | 0:31:08 | 0:31:12 | |
It was the one I used. | 0:31:12 | 0:31:13 | |
It's the only thing I took from London transport. | 0:31:13 | 0:31:16 | |
Wow! | 0:31:16 | 0:31:17 | |
'This instructor is training men to be conductors | 0:31:17 | 0:31:20 | |
'on the London buses.' | 0:31:20 | 0:31:22 | |
Like all new recruits, | 0:31:22 | 0:31:24 | |
Donald was sent to the Chiswick training centre to learn the ropes. | 0:31:24 | 0:31:27 | |
Conductors needed fast mental arithmetic and the ability | 0:31:28 | 0:31:31 | |
to work in a moving vehicle. | 0:31:31 | 0:31:32 | |
Since you are using both, both, erm | 0:31:35 | 0:31:39 | |
hands, don't stand rigid. | 0:31:39 | 0:31:44 | |
Loosen your knee a bit. | 0:31:44 | 0:31:45 | |
Right. | 0:31:45 | 0:31:46 | |
You know, so you move with the bus, | 0:31:46 | 0:31:49 | |
rather than be tossed around because your knees are rigid. | 0:31:49 | 0:31:54 | |
Any more fares, please? Any more fares, please? | 0:31:54 | 0:31:57 | |
Can I have one to Cannon Street, please? | 0:31:57 | 0:31:59 | |
One to Cannon Street, certainly. | 0:31:59 | 0:32:01 | |
Many of today's passengers remember '50s buses first-hand. | 0:32:01 | 0:32:04 | |
I came to London in 1956. | 0:32:04 | 0:32:07 | |
-Wow. -A seven-year-old. | 0:32:07 | 0:32:09 | |
The buses were your open door to London. | 0:32:09 | 0:32:12 | |
My uncle, a lot of our relations came, and they worked for | 0:32:12 | 0:32:15 | |
London Transport and families of staff would get free travel. | 0:32:15 | 0:32:18 | |
So, you know, you didn't have to... | 0:32:19 | 0:32:21 | |
So, that's why we could go all over the place. | 0:32:21 | 0:32:24 | |
And they had lots of amenities. They had a social club, | 0:32:24 | 0:32:27 | |
there was a cricket team, we used to go and follow the team. | 0:32:27 | 0:32:30 | |
So, being a transport person was a whole package. | 0:32:30 | 0:32:33 | |
While London Transport was grateful for its West Indian | 0:32:36 | 0:32:39 | |
employees, this wasn't always the case when it came to passengers. | 0:32:39 | 0:32:42 | |
The ones that I | 0:32:45 | 0:32:48 | |
refused are those who would put the money on the seat and say, | 0:32:48 | 0:32:52 | |
"Oh, I'm going to New Park Road," | 0:32:52 | 0:32:56 | |
and put their money on the seat. So, I still hold my hand out. | 0:32:56 | 0:32:59 | |
-Right. -And I'm not punching that ticket until she takes | 0:32:59 | 0:33:02 | |
the money up and puts it in my hand. | 0:33:02 | 0:33:04 | |
You know, that is... | 0:33:04 | 0:33:06 | |
And then, if you are making change, | 0:33:06 | 0:33:08 | |
the games you have to go through with someone trying | 0:33:08 | 0:33:11 | |
to pull their hand away as if your fingers should touch their hands, | 0:33:11 | 0:33:15 | |
you would suddenly become black. | 0:33:15 | 0:33:17 | |
The thing that got to me most was, when asking for the fares, | 0:33:23 | 0:33:26 | |
the people would pay you, yes, but they would put the money | 0:33:26 | 0:33:29 | |
beside them on the seat. | 0:33:29 | 0:33:32 | |
Erm, almost saying that, yeah, I'll pay, but I'm not willing to, | 0:33:32 | 0:33:37 | |
you know, make contact with you. | 0:33:37 | 0:33:39 | |
My father was a bus conductor, so today, that bus journey was moving. | 0:33:41 | 0:33:48 | |
It's 1959. | 0:33:59 | 0:34:00 | |
As the decade neared its end, | 0:34:01 | 0:34:03 | |
there were well over 100,000 West Indians living in Britain. | 0:34:03 | 0:34:06 | |
-I'm the Big Daddy. -Yeah, cos you cheat! | 0:34:06 | 0:34:08 | |
-How did I cheat? -But, Dad, you do cheat! | 0:34:08 | 0:34:10 | |
How did I cheat? | 0:34:10 | 0:34:11 | |
They were now a visible presence and starting to put | 0:34:11 | 0:34:14 | |
their stamp on British life. | 0:34:14 | 0:34:15 | |
But not everyone was happy living with black people. | 0:34:21 | 0:34:23 | |
In 1958, | 0:34:25 | 0:34:26 | |
violence broke out in Notting Hill as organised racist gangs | 0:34:26 | 0:34:29 | |
targeted the West Indian population who had made the area their home. | 0:34:29 | 0:34:33 | |
'Racial violence. | 0:34:35 | 0:34:36 | |
'An angry crowd of youths chases a negro into a greengrocer's shop. | 0:34:36 | 0:34:40 | |
'Police reinforcements are called out to check the riot, | 0:34:40 | 0:34:42 | |
'one of many that have broken out here in a few days.' | 0:34:42 | 0:34:45 | |
In an attempt to heal the rift caused by the riots, | 0:34:46 | 0:34:49 | |
a Caribbean carnival was organised | 0:34:49 | 0:34:51 | |
by activist and journalist, Claudia Jones. | 0:34:51 | 0:34:53 | |
Her plan would bring the community back together. | 0:34:59 | 0:35:01 | |
First held in Camden in 1959, | 0:35:02 | 0:35:04 | |
it soon found its permanent home in Notting Hill. | 0:35:04 | 0:35:07 | |
It was a huge success. | 0:35:09 | 0:35:11 | |
Decades later, it's still going strong. | 0:35:11 | 0:35:13 | |
To get themselves in the carnival mood, the Irwins are going | 0:35:17 | 0:35:19 | |
to be learning how to play one of its key components. | 0:35:19 | 0:35:22 | |
Steel pan. | 0:35:23 | 0:35:25 | |
Steel pans are the national instrument of Trinidad, | 0:35:30 | 0:35:33 | |
first appearing in the 1930s. | 0:35:33 | 0:35:35 | |
They were originally made from old oil drums. | 0:35:35 | 0:35:37 | |
Still here. | 0:35:39 | 0:35:40 | |
Oh, so still here? OK. | 0:35:40 | 0:35:42 | |
Steel pan was something only men played, | 0:35:44 | 0:35:47 | |
so Janice, Breanne and Tiana are working on some carnival costumes instead. | 0:35:47 | 0:35:51 | |
I need my glasses. | 0:35:51 | 0:35:53 | |
Who's got good eyes? | 0:35:53 | 0:35:54 | |
None of us. | 0:35:54 | 0:35:56 | |
Almost, almost, almost, but that was much better. | 0:36:00 | 0:36:03 | |
Notes are created by hammering out different sized indentations, | 0:36:03 | 0:36:07 | |
with one pan containing as many as 29 different notes. | 0:36:07 | 0:36:11 | |
The trick is to hit them softly. | 0:36:11 | 0:36:12 | |
We've invited EastEnders star Rudolph Walker to join the party. | 0:36:19 | 0:36:23 | |
Rudolph isn't just one of Britain's best loved actors, | 0:36:38 | 0:36:40 | |
he's also an honorary member of the British Association Of Steel Bands. | 0:36:40 | 0:36:44 | |
Carry on, carry on, carry on! | 0:36:47 | 0:36:49 | |
Rudolph was born in Trinidad, | 0:36:50 | 0:36:53 | |
the home of Calypso. | 0:36:53 | 0:36:54 | |
'It's in Trinidad, too, that a carnival is held each year. | 0:36:56 | 0:36:59 | |
'Everyone puts on elaborate fancy dress costumes and for two days, | 0:36:59 | 0:37:04 | |
'the whole island seems to dance.' | 0:37:04 | 0:37:06 | |
To me, as an old Trinidadian, Calypso was my thing, | 0:37:08 | 0:37:11 | |
steel pan was my thing - and it still is. | 0:37:11 | 0:37:14 | |
And when I go to Trinidad, I still long to hear the steel band | 0:37:14 | 0:37:17 | |
or the steel orchestra. | 0:37:17 | 0:37:19 | |
For a young man who had just left Trinidad, | 0:37:19 | 0:37:21 | |
those early Notting Hill carnivals were a great reminder of back home. | 0:37:21 | 0:37:24 | |
Well, I mean, when I came over here, | 0:37:26 | 0:37:27 | |
that was just the early days of the Notting Hill Carnival, | 0:37:27 | 0:37:33 | |
and steel pan was very much in its infancy then. | 0:37:33 | 0:37:36 | |
So, for me, as a young Trinidadian, it was great to hear the steel pan. | 0:37:36 | 0:37:44 | |
But it wasn't...I mean, nowadays, you have them on floats and | 0:37:44 | 0:37:49 | |
you push it. I mean, in those days, guys wore it around their neck. | 0:37:49 | 0:37:52 | |
It's one of the first times I've actually played, but the feeling... | 0:37:52 | 0:37:57 | |
It's just, for me, it was just a real feel-good factor, | 0:37:57 | 0:38:02 | |
just being able to do those little pieces and, once it came together, | 0:38:02 | 0:38:07 | |
wow, I can't believe it. In a very short time, | 0:38:07 | 0:38:09 | |
Marlon has got us getting in tune, just like that. | 0:38:09 | 0:38:12 | |
It really is a great instrument. | 0:38:12 | 0:38:14 | |
It's 1960. | 0:38:34 | 0:38:35 | |
-Ooh, very nice with the pink carpet. -Wow, look at this carpet! | 0:38:36 | 0:38:39 | |
-Look at this! -Etch-a-sketch. | 0:38:39 | 0:38:42 | |
-Where's the TV? -Oh, my gosh! | 0:38:42 | 0:38:43 | |
-I didn't even see the TV! -A black-and-white TV. | 0:38:43 | 0:38:45 | |
And the Irwins are discovering how the new decade | 0:38:45 | 0:38:47 | |
has transformed their home. | 0:38:47 | 0:38:49 | |
The economy is booming and people have more disposable income | 0:38:51 | 0:38:54 | |
than ever before. | 0:38:54 | 0:38:55 | |
Black families were also beginning to enjoy an increased standard of living... | 0:38:56 | 0:39:00 | |
A Singer machine. | 0:39:00 | 0:39:01 | |
Wow. | 0:39:01 | 0:39:03 | |
..as a better paid and more skilled job market opened up to them. | 0:39:03 | 0:39:06 | |
That is brilliant, look at that. | 0:39:06 | 0:39:08 | |
-Music! -Wait, hold on. | 0:39:09 | 0:39:10 | |
This was our CD player of the day. | 0:39:10 | 0:39:13 | |
Shelasah, come and have a look how this works. | 0:39:13 | 0:39:15 | |
I had one of these, literally, sitting on my bed. | 0:39:15 | 0:39:19 | |
I used to stack them, and then when they'd finished playing, | 0:39:19 | 0:39:22 | |
I'd be asleep. | 0:39:22 | 0:39:23 | |
-Oh, wow. -Oh, yeah! | 0:39:26 | 0:39:28 | |
While Janice and the girls check out the new kitchen gadgets... | 0:39:28 | 0:39:31 | |
We've got a Hoover. | 0:39:31 | 0:39:32 | |
-And, look, we've got a little Dutch pot. -Oh, yeah. | 0:39:33 | 0:39:37 | |
..Weininger is trying out a pastime suitable for 1960s man - DIY. | 0:39:37 | 0:39:41 | |
The shorter edges of the sides and end pieces are | 0:39:42 | 0:39:45 | |
nine inches and four and a half... | 0:39:45 | 0:39:47 | |
Let's forget about this inches thing, because, you know, | 0:39:47 | 0:39:49 | |
as men, we don't read instruction or take instruction too well. | 0:39:49 | 0:39:52 | |
Dad, one is just off. | 0:39:56 | 0:39:58 | |
No, no, no, no. | 0:39:58 | 0:40:00 | |
Hold on. | 0:40:00 | 0:40:01 | |
Here you go, girls. | 0:40:01 | 0:40:03 | |
How relaxed are you? | 0:40:03 | 0:40:05 | |
"A girl who takes life in her stride is the envy of her friends. | 0:40:05 | 0:40:09 | |
"Always calm and collected, | 0:40:09 | 0:40:11 | |
"she never lets nerves get the better of her." | 0:40:11 | 0:40:13 | |
Like, this is just so non-stimulating. | 0:40:13 | 0:40:16 | |
I feel like I'd lose my mind. | 0:40:16 | 0:40:18 | |
I'd become a Stepford wife. | 0:40:18 | 0:40:19 | |
Darling, you look wonderful! | 0:40:19 | 0:40:21 | |
Oh, right. | 0:40:21 | 0:40:22 | |
THEY LAUGH | 0:40:23 | 0:40:25 | |
Dad! | 0:40:27 | 0:40:28 | |
Again! Oh, my God. | 0:40:28 | 0:40:31 | |
Mission only just accomplished, | 0:40:31 | 0:40:33 | |
the boys are ready to show off their new creation. | 0:40:33 | 0:40:36 | |
-WEININGER: -Look at this. | 0:40:36 | 0:40:37 | |
Look, it's nice! | 0:40:37 | 0:40:39 | |
It's really good. Look, see? | 0:40:39 | 0:40:40 | |
-JANICE: -Apart from the corner that Daddy broke. Did your dad break it? | 0:40:40 | 0:40:43 | |
-Yeah. -There you go, I knew it. | 0:40:43 | 0:40:44 | |
The table's been made for one thing - dominoes. | 0:40:46 | 0:40:49 | |
We're going to test out the table | 0:40:49 | 0:40:51 | |
just to make sure it's all functioning. | 0:40:51 | 0:40:53 | |
Ready, all right. Seven. | 0:40:54 | 0:40:56 | |
Dominoes were an institution across the Caribbean. | 0:41:00 | 0:41:04 | |
And were played as loudly as possible with plenty of rum, | 0:41:04 | 0:41:07 | |
shouting and slamming pieces down hard on the table. | 0:41:07 | 0:41:10 | |
It was a tradition that remained a firm favourite, | 0:41:11 | 0:41:13 | |
and every house would have at least one set. | 0:41:13 | 0:41:16 | |
But it was a game for the boys. | 0:41:17 | 0:41:19 | |
-WEININGER: -Two, four, six and seven. | 0:41:20 | 0:41:23 | |
I'm not being funny, but sitting here, can I just play? | 0:41:23 | 0:41:25 | |
-BOYS: -No! -No, no, no, no. | 0:41:25 | 0:41:27 | |
The champion of dominoes, it's a woman! | 0:41:27 | 0:41:29 | |
No, no, no, no. The champion of the dominoes in this household... | 0:41:29 | 0:41:33 | |
Double six, see that? | 0:41:33 | 0:41:35 | |
HE CHUCKLES | 0:41:35 | 0:41:37 | |
That's what I'm talking about, son! | 0:41:40 | 0:41:42 | |
THEY SHOUT OVER EACH OTHER | 0:41:42 | 0:41:44 | |
It's going to break. That's why I've sat back. | 0:41:44 | 0:41:46 | |
No, no... | 0:41:46 | 0:41:48 | |
I liked making the dominoes table, | 0:41:48 | 0:41:51 | |
cos I don't really get to do DIY stuff with my dad and my brother, | 0:41:51 | 0:41:55 | |
so it was like a nice experience. | 0:41:55 | 0:41:58 | |
And I liked playing dominoes as well. | 0:41:58 | 0:42:00 | |
And, like, my dad's funny when he plays it. | 0:42:00 | 0:42:03 | |
But he likes to cheat. | 0:42:03 | 0:42:04 | |
It's 1962. | 0:42:07 | 0:42:09 | |
And while the girls enjoy watching their new telly... | 0:42:09 | 0:42:12 | |
-That one? -No, no, that jacket there. | 0:42:12 | 0:42:15 | |
..Weininger and Shelasah are going shopping. | 0:42:15 | 0:42:17 | |
What about the pink shirt? | 0:42:17 | 0:42:19 | |
Or even the pink jacket? | 0:42:19 | 0:42:20 | |
Check this out. No? | 0:42:20 | 0:42:22 | |
West Indian fashion was flamboyant and colourful. | 0:42:22 | 0:42:26 | |
And made an impact as soon as it arrived in Britain. | 0:42:26 | 0:42:28 | |
# Oh, I believe in you... # | 0:42:30 | 0:42:33 | |
I sent the boys to meet London-born singer, Kenny Lynch, | 0:42:34 | 0:42:38 | |
to find out more about '60s style. | 0:42:38 | 0:42:40 | |
Hello, sir. It's Mr Kenny Lynch. | 0:42:43 | 0:42:45 | |
-Nice to see you. -How are you? This is my son, Shelasah. | 0:42:45 | 0:42:48 | |
Hi, Shelasah. | 0:42:48 | 0:42:49 | |
Kenny was renowned for his sharp dress sense. | 0:42:51 | 0:42:54 | |
When I was 17, 18, when I first came into the music business, | 0:42:54 | 0:42:57 | |
all I thought about was clothes. | 0:42:57 | 0:42:58 | |
What was your first impressions of the Caribbeans | 0:43:00 | 0:43:02 | |
-that came over here? -Well, I really liked that people used to look | 0:43:02 | 0:43:06 | |
at them cos they were dressed up in pink, | 0:43:06 | 0:43:08 | |
cos they'd come from Jamaica, Trinidad, | 0:43:08 | 0:43:10 | |
Barbados, and all that, and, of course, | 0:43:10 | 0:43:12 | |
you can wear all those kind of colours over there. | 0:43:12 | 0:43:14 | |
-# Wake me -Yeah | 0:43:14 | 0:43:16 | |
-# Shake me -Yeah... # | 0:43:16 | 0:43:18 | |
All the men in those days looked like Cab Calloway. | 0:43:18 | 0:43:21 | |
Zoot suits and trousers would always be wide there and wide there, | 0:43:21 | 0:43:25 | |
and they'd sort of float down the street like that. | 0:43:25 | 0:43:29 | |
# My boss is a big, fat slob | 0:43:29 | 0:43:32 | |
# Can't even be... # | 0:43:32 | 0:43:34 | |
And the ladies, they used to have all these crinoline dresses, | 0:43:34 | 0:43:38 | |
like as though they were going to a wedding. | 0:43:38 | 0:43:40 | |
-# Shake me -Yeah | 0:43:40 | 0:43:42 | |
# Don't let me sleep too late | 0:43:42 | 0:43:43 | |
# Oh, gotta get up... # | 0:43:43 | 0:43:45 | |
Sunday mornings was like a fashion show. | 0:43:45 | 0:43:48 | |
Everyone used to sit outside and go to church. | 0:43:48 | 0:43:50 | |
# I'm bound to my garbage truck | 0:43:50 | 0:43:53 | |
# I gotta lot... # | 0:43:53 | 0:43:54 | |
Do you think that they influenced '60s fashion? | 0:43:54 | 0:43:58 | |
Some of the lads quite liked the zoot suits. | 0:43:58 | 0:44:01 | |
They got quite popular over here. | 0:44:01 | 0:44:03 | |
People started dressing more brighter and all that. | 0:44:03 | 0:44:06 | |
My dad was a trendy dresser. | 0:44:08 | 0:44:10 | |
He definitely liked his sharp suits and, in my mind, | 0:44:10 | 0:44:14 | |
that is '60s all the way. | 0:44:14 | 0:44:17 | |
When you have an overcoat, you always buy with it a scarf. | 0:44:17 | 0:44:20 | |
It was great meeting Kenny and we did recognise | 0:44:20 | 0:44:23 | |
that we bought something different - colour, | 0:44:23 | 0:44:27 | |
vibrancy, sharpness. Really, really good guy. | 0:44:27 | 0:44:33 | |
I've found just the thing for you. | 0:44:33 | 0:44:35 | |
Look at this. That's proper. | 0:44:35 | 0:44:37 | |
You're a gentleman now. | 0:44:37 | 0:44:39 | |
You'll be in Ascot in a couple of weeks. | 0:44:39 | 0:44:42 | |
It's 1963. | 0:44:48 | 0:44:50 | |
There we are. I like this stage. | 0:44:52 | 0:44:54 | |
Mum! Can you turn that off! | 0:44:55 | 0:44:57 | |
Mum! | 0:44:58 | 0:44:59 | |
The Irwins are living in a less open Britain. | 0:44:59 | 0:45:02 | |
Freedom of movement from the colonies is over. | 0:45:02 | 0:45:04 | |
# Simmer down, oh, yeah... # | 0:45:04 | 0:45:07 | |
Keep Britain Britain. | 0:45:07 | 0:45:08 | |
Keep it white, as it should be. | 0:45:08 | 0:45:10 | |
Under mounting pressure, | 0:45:11 | 0:45:12 | |
the Conservative Government passed the Commonwealth Immigration Act | 0:45:12 | 0:45:15 | |
of 1962, and closed the door to all but the most skilled. | 0:45:15 | 0:45:19 | |
For the black people already here, discrimination was still rife. | 0:45:21 | 0:45:24 | |
Companies could legally refuse to employ someone on the basis of race, | 0:45:26 | 0:45:29 | |
and, in 1963, like many other organisations, | 0:45:29 | 0:45:33 | |
the Bristol Bus Company was still operating a colour bar. | 0:45:33 | 0:45:35 | |
Whilst we can obtain white labour in this city, | 0:45:37 | 0:45:41 | |
we intend to go on engaging white labour rather than coloured labour. | 0:45:41 | 0:45:46 | |
Well, we don't want them on here, that's the main reason. | 0:45:46 | 0:45:49 | |
I've come to Bristol to meet 79-year-old Paul Stephenson OBE. | 0:45:51 | 0:45:54 | |
Inspired by the American civil rights movement, | 0:45:56 | 0:45:59 | |
he helped to orchestrate an historic boycott in Bristol | 0:45:59 | 0:46:01 | |
that would have a national effect. | 0:46:01 | 0:46:03 | |
So, Paul, how did you get involved in the boycott, then? | 0:46:05 | 0:46:07 | |
The Bristol Bus Company was openly racist by refusing to employ | 0:46:07 | 0:46:12 | |
Asians and Caribbeans. | 0:46:12 | 0:46:15 | |
The company would rather have a shortage of buses | 0:46:15 | 0:46:19 | |
than allow black people to work on them. | 0:46:19 | 0:46:22 | |
And I felt I wanted to do something. | 0:46:22 | 0:46:24 | |
Paul rang the bus station to apply for a job on behalf of a friend. | 0:46:26 | 0:46:30 | |
I said, "Do you have any vacancies?" | 0:46:30 | 0:46:32 | |
And he said, "Yes, we have vacancies." | 0:46:32 | 0:46:34 | |
But, on the telephone, they had no idea that you or he were black? | 0:46:34 | 0:46:36 | |
Oh, no, I didn't reveal that I was black. | 0:46:36 | 0:46:39 | |
That would have sabotaged the whole thing. | 0:46:39 | 0:46:41 | |
And so the guy came here, | 0:46:41 | 0:46:43 | |
to the Bristol bus station | 0:46:43 | 0:46:45 | |
and said we were offered the job, and the horrified | 0:46:45 | 0:46:48 | |
general manager's secretary said, "We don't employ black people." | 0:46:48 | 0:46:54 | |
And so I said, "Well, I'm going to call a boycott of your bus company." | 0:46:54 | 0:46:58 | |
Paul mobilised Britain's community to support his boycott | 0:47:02 | 0:47:05 | |
and enlisted politicians to speak out for the cause. | 0:47:05 | 0:47:08 | |
I worked in the factories, I was a welfare officer during the war, | 0:47:10 | 0:47:13 | |
I never noticed the disposition of white men not to work | 0:47:13 | 0:47:17 | |
alongside black men, all of us together gave Hitler | 0:47:17 | 0:47:20 | |
a terrific hiding, and, now, | 0:47:20 | 0:47:21 | |
to come up against this, you can understand my surprise. | 0:47:21 | 0:47:25 | |
The battle against racialism here in Britain | 0:47:25 | 0:47:28 | |
knows no boundaries and no limits. | 0:47:28 | 0:47:30 | |
Harold Wilson openly supported me and said, "Last of the colour bar." | 0:47:32 | 0:47:37 | |
After four months of campaigning, the bus company was beaten. | 0:47:39 | 0:47:43 | |
Martin Luther King made his "I Have A Dream" speech on the same day | 0:47:43 | 0:47:49 | |
we got the message the colour bar was over. | 0:47:49 | 0:47:54 | |
Mr Paul Stephenson, you are the young man who brought | 0:47:55 | 0:47:58 | |
-the whole of this business to public notice. -Mm-hm. | 0:47:58 | 0:48:00 | |
-What are you views on it? -Oh, of course, we're very pleased indeed. | 0:48:00 | 0:48:04 | |
I think this is going to be welcomed by coloured people of Bristol and | 0:48:04 | 0:48:07 | |
many Bristolians who came in and gave us their sympathy. | 0:48:07 | 0:48:10 | |
The boycott resonated beyond Bristol, and, in 1965, | 0:48:12 | 0:48:16 | |
Paul's supporter Harold Wilson | 0:48:16 | 0:48:18 | |
passed the historic Race Relations Act, | 0:48:18 | 0:48:20 | |
making discrimination on grounds of race unlawful for the first time. | 0:48:20 | 0:48:24 | |
Paul's actions over 50 years ago means he is still recognised. | 0:48:26 | 0:48:30 | |
-Yes, sir! -That's very kind. -Thanks, man. | 0:48:30 | 0:48:32 | |
Much appreciation. I heard about the good work, man, | 0:48:32 | 0:48:35 | |
and I'm really pleased, man. | 0:48:35 | 0:48:36 | |
-Thanks a lot. -Thanks again, all right? Cheers, thanks, boy. | 0:48:36 | 0:48:40 | |
Thanks. | 0:48:40 | 0:48:42 | |
-You're a local hero. -Oh, well, I don't know about that. | 0:48:42 | 0:48:44 | |
But I often get stopped in the streets and... | 0:48:44 | 0:48:48 | |
-People recognise you? -Oh, yes. | 0:48:48 | 0:48:50 | |
-People do. -Amazing. | 0:48:50 | 0:48:52 | |
Back in the flat, the family are enjoying some classic 1960s telly. | 0:48:58 | 0:49:02 | |
'Take 40 of some of the most beautiful girls in the world, | 0:49:04 | 0:49:06 | |
'then ask a panel of judges...' | 0:49:06 | 0:49:08 | |
The Miss World contest was one Britain's most popular TV shows, | 0:49:08 | 0:49:11 | |
with millions tuning in to watch. | 0:49:11 | 0:49:13 | |
'A girl who wants to be a housewife, and she shouldn't have | 0:49:15 | 0:49:18 | |
'any difficulty about that, is Miss Sweden. | 0:49:18 | 0:49:20 | |
'She took fifth place. | 0:49:20 | 0:49:23 | |
'20-year-old Carole Joan Crawford, from Kingston, Jamaica, at 34-22-34, | 0:49:23 | 0:49:29 | |
'is Miss World for 1963.' | 0:49:29 | 0:49:31 | |
-You didn't expect that, did you? -No, I didn't. | 0:49:31 | 0:49:33 | |
APPLAUSE | 0:49:33 | 0:49:35 | |
Carole Crawford was the first woman of colour to win the event. | 0:49:35 | 0:49:38 | |
Wow. | 0:49:41 | 0:49:42 | |
-Why's she white? -She's not white. | 0:49:43 | 0:49:46 | |
MUSIC: Miss Jamaica by Jimmy Cliff | 0:49:46 | 0:49:50 | |
Any time Jamaica does well, I will always feel good, | 0:49:51 | 0:49:55 | |
but you're seeing somebody that kind of looks Caucasian | 0:49:55 | 0:49:59 | |
and it doesn't represent me, | 0:49:59 | 0:50:00 | |
so I'm not sure how I would have felt personally. | 0:50:00 | 0:50:03 | |
In the Caribbean, you do have the favour | 0:50:03 | 0:50:06 | |
towards a fairer complexion being a better complexion, | 0:50:06 | 0:50:09 | |
so, again, it wouldn't be surprising that the person representing Jamaica | 0:50:09 | 0:50:13 | |
in such a competition at that time would have been of a fairer hue. | 0:50:13 | 0:50:18 | |
She was black, but she looked fair, | 0:50:18 | 0:50:19 | |
and on a black and white television, she looks white. | 0:50:19 | 0:50:22 | |
That is what colourism is, | 0:50:22 | 0:50:24 | |
the fact that within own our communities, | 0:50:24 | 0:50:26 | |
we show preference towards lighter-skinned women, | 0:50:26 | 0:50:29 | |
and I see that even today. | 0:50:29 | 0:50:31 | |
It's 1966. | 0:50:37 | 0:50:39 | |
Oooh! | 0:50:40 | 0:50:42 | |
My new uniform. | 0:50:42 | 0:50:44 | |
You look nice. | 0:50:44 | 0:50:46 | |
# Under our tree | 0:50:46 | 0:50:48 | |
# In the garden... # | 0:50:48 | 0:50:51 | |
Despite the tightening of immigration, | 0:50:51 | 0:50:53 | |
Britain was still in dire need of workers, | 0:50:53 | 0:50:55 | |
and the NHS recruited directly in the West Indies for staff. | 0:50:55 | 0:50:58 | |
Nursing was relatively well paid, | 0:51:02 | 0:51:05 | |
and one of the few skilled jobs | 0:51:05 | 0:51:06 | |
that Caribbean women were actually allowed to do. | 0:51:06 | 0:51:09 | |
By 1966, there were 5,000 Jamaican nurses working in British hospitals. | 0:51:10 | 0:51:15 | |
Among them were trainee nurses Elva, Janet and Martha. | 0:51:18 | 0:51:22 | |
-Girls. -Hello. -This is Elva. | 0:51:22 | 0:51:25 | |
They're visiting to tell Janice | 0:51:25 | 0:51:27 | |
what life was like for black nurses in the 1960s. | 0:51:27 | 0:51:30 | |
-That's me. -How old were you there? If you don't mind me asking. | 0:51:31 | 0:51:34 | |
I was 21. | 0:51:34 | 0:51:37 | |
-Gosh! -See what the uniform looked like? | 0:51:37 | 0:51:39 | |
-Yeah. -So is this the same? | 0:51:39 | 0:51:42 | |
-It's... -Is that the same...? -It's the same. -But it's just pinned. | 0:51:42 | 0:51:46 | |
-Starched, yeah. -Yeah, but it's starched. | 0:51:46 | 0:51:48 | |
-You couldn't go on duty like that. -Pff! -You'd be sent off. | 0:51:48 | 0:51:52 | |
This is after we'd... we were there. | 0:51:52 | 0:51:54 | |
That's in my third year. | 0:51:54 | 0:51:57 | |
Oh, look at this! | 0:51:57 | 0:51:58 | |
And life was very difficult as a nurse. | 0:51:58 | 0:52:01 | |
Because you were black, | 0:52:01 | 0:52:04 | |
you were sent... you were sent to the sluice, | 0:52:04 | 0:52:08 | |
-there was no disposable bedpans... -Ohh! -..no disposable urinals. | 0:52:08 | 0:52:13 | |
-All metal bedpans. -Metal bedpans. | 0:52:13 | 0:52:15 | |
-You had to scrub them. -You had to clean them. -Shining. -Mm-hm. | 0:52:15 | 0:52:19 | |
-Then you had to clean the sluice. -INDISTINCT | 0:52:19 | 0:52:21 | |
-Oh, yes. -Horrible. | 0:52:21 | 0:52:23 | |
One lady said to me, "I don't want you to touch me." | 0:52:23 | 0:52:26 | |
I said, "Fair enough. Why?" | 0:52:26 | 0:52:28 | |
She said, "My son said not to let any of you wogs touch me." | 0:52:28 | 0:52:32 | |
-Yeah. -Yeah. -Wow. | 0:52:32 | 0:52:34 | |
Despite all that you've experienced, would you do it again? | 0:52:34 | 0:52:38 | |
-I would. -Yeah? -I would. I loved it. | 0:52:38 | 0:52:41 | |
If you're a nurse, and a dedicated nurse, | 0:52:41 | 0:52:44 | |
you love what you're doing and you will do it there. | 0:52:44 | 0:52:47 | |
The ladies, the nurses that came and spoke to us today, fantastic, | 0:52:47 | 0:52:52 | |
inspirational and, again, integrity. | 0:52:52 | 0:52:56 | |
I couldn't have lived in the 1950s and '60s | 0:52:56 | 0:52:58 | |
and suffered all the racism | 0:52:58 | 0:52:59 | |
because that would really irritate me but, to them, it's just like, | 0:52:59 | 0:53:03 | |
well, that's not my problem if someone is racist | 0:53:03 | 0:53:05 | |
but I feel like it is. | 0:53:05 | 0:53:06 | |
# The ink is black | 0:53:06 | 0:53:09 | |
# The page is white | 0:53:09 | 0:53:11 | |
# Together we learn... # | 0:53:11 | 0:53:14 | |
It's 1969. | 0:53:14 | 0:53:15 | |
There are now half a million West Indians living in Britain. | 0:53:17 | 0:53:20 | |
Over 200,000 of whom were born here. | 0:53:20 | 0:53:22 | |
Britain was the only home they'd ever known. | 0:53:22 | 0:53:25 | |
The Irwins are celebrating the end of the decade with a blues party. | 0:53:27 | 0:53:30 | |
Blues parties were house parties with a difference. | 0:53:36 | 0:53:39 | |
A private house was opened up to the whole neighbourhood, | 0:53:40 | 0:53:42 | |
who paid an entrance fee to come and dance all night. | 0:53:42 | 0:53:44 | |
Right back when I was a little girl and my parents used to have them, | 0:53:46 | 0:53:50 | |
I remember it being an exciting time. | 0:53:50 | 0:53:52 | |
We would see them setting up the room. | 0:53:52 | 0:53:54 | |
Get all excited cos you'd see everyone coming in their lovely clothes. | 0:53:54 | 0:53:59 | |
And it was all about the dancing. | 0:53:59 | 0:54:01 | |
I'm looking forward to it very much. | 0:54:01 | 0:54:03 | |
Seriously. | 0:54:03 | 0:54:04 | |
Hello! | 0:54:08 | 0:54:09 | |
They've invited family and friends to help see out the decade in style. | 0:54:11 | 0:54:16 | |
Shelasah is on the door, | 0:54:16 | 0:54:17 | |
collecting money to pay for the professional sound system and DJ. | 0:54:17 | 0:54:20 | |
Music was key. | 0:54:23 | 0:54:24 | |
Reggae and ska weren't often heard in Britain's pubs and clubs, | 0:54:24 | 0:54:27 | |
so these parties offered a rare chance to hear the latest records | 0:54:27 | 0:54:30 | |
from West Indian artists. | 0:54:30 | 0:54:31 | |
Emma and I are back to find out how the family have got on | 0:54:37 | 0:54:40 | |
in the first stage of their time-travelling journey. | 0:54:40 | 0:54:45 | |
-£5, please. -You what? | 0:54:45 | 0:54:48 | |
£5. It's a blues party. You've got to pay to get in. | 0:54:48 | 0:54:50 | |
-You want money? -Yeah. -These things aren't for free. | 0:54:50 | 0:54:52 | |
-Is this normal? -Yeah, absolutely. | 0:54:52 | 0:54:55 | |
-And for the girl? -Yeah. -Pay for her, too? -Mm-hm. | 0:54:55 | 0:54:58 | |
It'd better be a good party. | 0:54:58 | 0:54:59 | |
-Hi, guys. -Hello. How are you? -Good to see you. -Pleasure. | 0:55:01 | 0:55:07 | |
Have you come to shake a leg? | 0:55:07 | 0:55:08 | |
No, no... I've come to ask you how you are. | 0:55:08 | 0:55:13 | |
From where we were to where we are now, it's top drawer. | 0:55:13 | 0:55:17 | |
From the one room where we had to do bedroom, kitchen... | 0:55:17 | 0:55:23 | |
living room, we now have... | 0:55:23 | 0:55:25 | |
-Dancing space. You've got a ballroom! -Absolutely. | 0:55:25 | 0:55:28 | |
I'm a nurse now, so that's really moved up our income a lot. | 0:55:30 | 0:55:33 | |
It's just got better and better as the years have gone on. | 0:55:33 | 0:55:37 | |
Well, I've paid my five bob, so do I get a beer with that? | 0:55:37 | 0:55:39 | |
Well, I'll lead you right over to the bar area. | 0:55:39 | 0:55:42 | |
Let's get a drink. | 0:55:42 | 0:55:44 | |
A-ha, you're in here. | 0:55:45 | 0:55:47 | |
-Hello. -Hey, you look gorgeous. | 0:55:47 | 0:55:50 | |
-How are you? -How's it been? | 0:55:50 | 0:55:51 | |
It's getting better than it was. | 0:55:51 | 0:55:53 | |
-Did you see our old house? -We did. | 0:55:53 | 0:55:55 | |
-So you were all sleeping together in the same room? -Yeah. | 0:55:55 | 0:55:57 | |
-How was that? -It was the lack of privacy, I think, | 0:55:57 | 0:56:00 | |
that was quite difficult | 0:56:00 | 0:56:01 | |
and also the fact that Breanne and I had to share a single bed as well. | 0:56:01 | 0:56:05 | |
In those little beds. | 0:56:05 | 0:56:06 | |
-Yeah. -And so how have things improved now in the '60s? | 0:56:06 | 0:56:09 | |
Well, we have a fridge. | 0:56:09 | 0:56:11 | |
-Does it have beer in it? -Yes, it does. | 0:56:11 | 0:56:13 | |
-May I have a couple of beers? -Two, please. | 0:56:13 | 0:56:15 | |
-You've got to pay. -Again?! | 0:56:15 | 0:56:17 | |
Even though I paid to get in? | 0:56:17 | 0:56:18 | |
-Yeah, sorry. -For this teeny-tiny beer? | 0:56:18 | 0:56:21 | |
# Red, red wine... # | 0:56:21 | 0:56:25 | |
From '48 to, you know, the '60s, | 0:56:25 | 0:56:28 | |
the woman's lot - very, very difficult | 0:56:28 | 0:56:32 | |
and for West Indian women to come over | 0:56:32 | 0:56:35 | |
and not only have a household to look after | 0:56:35 | 0:56:38 | |
but on top of it to be going out to work as well, | 0:56:38 | 0:56:41 | |
they never let it get them down. | 0:56:41 | 0:56:43 | |
I can't imagine spending six years in a bedsit like that, | 0:56:43 | 0:56:48 | |
so drab and dreary, on top of all that discrimination. | 0:56:48 | 0:56:53 | |
The people that lived through this, I commend them, honestly. | 0:56:53 | 0:56:56 | |
To get to '69 and be in a position where, you know, | 0:56:56 | 0:57:00 | |
you've got a nicer home, you are living a lot more comfortably, | 0:57:00 | 0:57:03 | |
you've got a steady job, it's great, | 0:57:03 | 0:57:06 | |
but what's really come out of this for me is how, as a community, | 0:57:06 | 0:57:11 | |
they've worked together to get through this experience. | 0:57:11 | 0:57:14 | |
They came with a focus and a goal. | 0:57:15 | 0:57:18 | |
So their tenacity and strength and courage, | 0:57:18 | 0:57:21 | |
to have that goal in mind and stick at it - brilliant. | 0:57:21 | 0:57:24 | |
# Yeah Wonderful world... # | 0:57:33 | 0:57:35 | |
It would be almost impossible to imagine when you saw the Irwins arriving in 1948 | 0:57:35 | 0:57:40 | |
in the clothes they stood up in and a couple of suitcases, | 0:57:40 | 0:57:42 | |
with no friends, with no work, with nowhere to stay, | 0:57:42 | 0:57:45 | |
that they would soon be living like this, | 0:57:45 | 0:57:47 | |
with good jobs and great food and a party and their friends. | 0:57:47 | 0:57:49 | |
They've been through an awful lot in quite a short space of time | 0:57:51 | 0:57:54 | |
and now they're just really looking forward to the '70s and '80s. | 0:57:54 | 0:57:56 | |
Next time... | 0:58:00 | 0:58:02 | |
The Irwins travel through three decades... | 0:58:06 | 0:58:08 | |
Look at you two! | 0:58:09 | 0:58:11 | |
You look like the poster boys for Jamaica. | 0:58:11 | 0:58:13 | |
..to find out how a new generation of black Britons transformed the country. | 0:58:15 | 0:58:19 | |
# Young, gifted and black | 0:58:23 | 0:58:26 | |
# Oh what a lovely precious dream | 0:58:26 | 0:58:31 | |
# To be young, gifted and black | 0:58:31 | 0:58:35 | |
# Open your heart to what I mean | 0:58:35 | 0:58:39 | |
# In the whole world you know | 0:58:39 | 0:58:43 | |
# There's a million boys and girls | 0:58:43 | 0:58:47 | |
-# Who are -Young, gifted and black. # | 0:58:47 | 0:58:50 |