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AIR RAID SIREN | 0:00:02 | 0:00:04 | |
This was Hitler's Blitzkrieg, or lightning war. | 0:00:04 | 0:00:07 | |
During their nine-month bombing campaign, | 0:00:07 | 0:00:09 | |
the Nazis devastated cities and towns | 0:00:09 | 0:00:11 | |
across England, Scotland, Wales and Northern Ireland. | 0:00:11 | 0:00:15 | |
London bore the brunt of the initial raids. | 0:00:15 | 0:00:18 | |
But soon after, the Luftwaffe | 0:00:20 | 0:00:21 | |
began attacking other industrial centres. | 0:00:21 | 0:00:25 | |
I'm David Harewood. | 0:00:25 | 0:00:27 | |
And in this programme, I'm finding out why | 0:00:27 | 0:00:29 | |
my home city of Birmingham became a target. | 0:00:29 | 0:00:32 | |
People genuinely thought that English society might end any day now. | 0:00:32 | 0:00:38 | |
I'll meet some of those who lived through the heaviest bombing of the war. | 0:00:38 | 0:00:42 | |
-So this is actually one of the German incendiary bombs? -Yes. | 0:00:42 | 0:00:47 | |
I'll discover the personal tragedies that history often forgets. | 0:00:47 | 0:00:50 | |
And I said to my auntie, "Is that true, what I've just heard? | 0:00:50 | 0:00:55 | |
"That Mum and Dad are dead?" And she just says, "Yes". | 0:00:55 | 0:00:59 | |
And I'll experience a view of my city that will stay with me forever. | 0:00:59 | 0:01:03 | |
Where I grew up as a child was right in the heart of it, | 0:01:03 | 0:01:07 | |
right in the middle of it, and that's quite fascinating. | 0:01:07 | 0:01:10 | |
I'm a Brummie and extremely proud of it. | 0:01:30 | 0:01:33 | |
But like many people, I've never delved | 0:01:33 | 0:01:35 | |
into my city's history. | 0:01:35 | 0:01:38 | |
I've built an acting career appearing in dramas like Homeland, | 0:01:38 | 0:01:41 | |
playing fictional characters often caught up in terrifying global events. | 0:01:41 | 0:01:46 | |
But today's story is all too real. | 0:01:46 | 0:01:49 | |
And it couldn't be any closer to home. | 0:01:49 | 0:01:51 | |
'I now split my time between London and LA. | 0:01:53 | 0:01:56 | |
'But for a few days at least, I'm back in the West Midlands.' | 0:01:56 | 0:01:59 | |
I'm hoping this journey will educate me about the past | 0:02:00 | 0:02:03 | |
and reconnect me with my roots. | 0:02:03 | 0:02:06 | |
You know, I've obviously been back to Birmingham many times | 0:02:07 | 0:02:10 | |
to visit my family, Mum or Dad... | 0:02:10 | 0:02:12 | |
But it's strange, really. This is probably the first time | 0:02:12 | 0:02:15 | |
I feel I'm coming back to visit the city. | 0:02:15 | 0:02:17 | |
I don't know if I've done that... | 0:02:19 | 0:02:20 | |
..ever. | 0:02:22 | 0:02:24 | |
AMERICAN VOICEOVER: This is my kind of town. | 0:02:27 | 0:02:29 | |
I grew up in 1970s Birmingham. | 0:02:32 | 0:02:34 | |
An exciting, confident place, with its sights set on the future. | 0:02:34 | 0:02:38 | |
I found the city exciting. | 0:02:40 | 0:02:41 | |
The modern buildings reflect its position as | 0:02:41 | 0:02:44 | |
the nation's industrial powerhouse. | 0:02:44 | 0:02:47 | |
You feel as if you've been projected into the 21st century. | 0:02:47 | 0:02:50 | |
The city has always seemed to be changing, developing, regenerating. | 0:02:51 | 0:02:56 | |
'Apart from the Small Heath district, that is. | 0:02:56 | 0:02:59 | |
'This area, where I grew up, has hardly altered at all.' | 0:02:59 | 0:03:02 | |
It's really strange to be back in the place where it all started. | 0:03:02 | 0:03:07 | |
Actually, THIS was my house. | 0:03:07 | 0:03:11 | |
This particular street, this stretch of the street, | 0:03:11 | 0:03:13 | |
was just full of kids round about my age, | 0:03:13 | 0:03:17 | |
and we were forever playing hide-and-seek until midnight, | 0:03:17 | 0:03:24 | |
the wee small hours. | 0:03:24 | 0:03:26 | |
And one of the best places to hide was... | 0:03:26 | 0:03:29 | |
..up there. | 0:03:31 | 0:03:33 | |
So we used to basically get up like this and make our way | 0:03:33 | 0:03:38 | |
to the top of the wall and hide there for literally hours. | 0:03:38 | 0:03:45 | |
Like, 20 of us would just kind of cycle up to Small Heath Park | 0:03:45 | 0:03:49 | |
and just play all day long in the park, | 0:03:49 | 0:03:54 | |
just great memories of camaraderie, of friendship. | 0:03:54 | 0:03:58 | |
There were Irish kids, Indian kids, black kids, Jamaican kids, | 0:03:58 | 0:04:02 | |
all just playing together. | 0:04:02 | 0:04:03 | |
28 bus, I used to get that to school. | 0:04:05 | 0:04:07 | |
Interesting, really. As a kid growing up, you know, | 0:04:10 | 0:04:15 | |
I never really had a sense of... | 0:04:15 | 0:04:17 | |
of anything other than this place | 0:04:17 | 0:04:20 | |
just being a great place to play, but... | 0:04:20 | 0:04:23 | |
God, there used to be this gorgeous girl who used to live... | 0:04:24 | 0:04:26 | |
I think she used to live...in... | 0:04:26 | 0:04:30 | |
She used to live just opposite us. Absolute stunner. | 0:04:30 | 0:04:33 | |
Can't remember what her name was. | 0:04:33 | 0:04:36 | |
Used to... I think we'll stop right there! | 0:04:36 | 0:04:41 | |
Stop right there. | 0:04:41 | 0:04:42 | |
# Back to life, back to reality. # | 0:04:42 | 0:04:45 | |
'Happy times. And innocent times. | 0:04:45 | 0:04:48 | |
'Like all kids, I lived in the moment, | 0:04:48 | 0:04:50 | |
'and I certainly wasn't interested in dull stuff, like local history.' | 0:04:50 | 0:04:55 | |
The city I grew up in was all about clubs, music, girls. | 0:04:55 | 0:05:00 | |
I never really had a sense, growing up, of the war, | 0:05:00 | 0:05:02 | |
or the damage that Birmingham went through. | 0:05:02 | 0:05:05 | |
I mean, my parents got here in the '60s. | 0:05:05 | 0:05:07 | |
I wonder if they had any sense of the destruction | 0:05:07 | 0:05:10 | |
that Birmingham had gone through. | 0:05:10 | 0:05:12 | |
Probably not. By then, Birmingham's population was changing rapidly | 0:05:16 | 0:05:21 | |
with thousands of new arrivals who had never experienced the Blitz, | 0:05:21 | 0:05:25 | |
coming from the Caribbean and beyond, helping to rebuild Britain. | 0:05:25 | 0:05:29 | |
Birmingham's town planners were also busy, | 0:05:30 | 0:05:33 | |
clearing the bomb-damaged Victorian housing | 0:05:33 | 0:05:35 | |
to create a new city for a new age. | 0:05:35 | 0:05:38 | |
'By the time me, my sister and my two brothers arrived, | 0:05:40 | 0:05:43 | |
'the Birmingham of the Blitz had almost disappeared.' | 0:05:43 | 0:05:47 | |
-Hi, Mum. -Hi! You all right? | 0:05:47 | 0:05:50 | |
'Still, the war had been over for barely 20 years | 0:05:50 | 0:05:53 | |
'when my parents pitched up in Birmingham. | 0:05:53 | 0:05:56 | |
'Surely they had some sense of what had gone on here?' | 0:05:56 | 0:05:59 | |
So, when you arrived, was there any kind of physical evidence, | 0:05:59 | 0:06:02 | |
-any bomb damage, any...? -Not in the '60s, when I first came, | 0:06:02 | 0:06:05 | |
we didn't get that. | 0:06:05 | 0:06:07 | |
I mean, there were still remnants of what happened, | 0:06:07 | 0:06:09 | |
-like when we lived in Oldknow Road, remember? -Oh, yeah, yeah, yeah. | 0:06:09 | 0:06:12 | |
We didn't know what that was, but then we found out | 0:06:12 | 0:06:15 | |
it was the remnants of a shelter in the back... | 0:06:15 | 0:06:19 | |
in the bottom of the garden. | 0:06:19 | 0:06:21 | |
Was there a sense that, you know, the city was on the up, | 0:06:22 | 0:06:27 | |
or was it quite, as you say, it was quite poor? | 0:06:27 | 0:06:30 | |
It was quite poor, to be truthful. It was quite poor. | 0:06:30 | 0:06:33 | |
I was surprised, when I first came here, to see that people were, | 0:06:33 | 0:06:36 | |
literally, as poor as we were in the Caribbean | 0:06:36 | 0:06:39 | |
and most people lived in one room. | 0:06:39 | 0:06:42 | |
-Not a whole house? -No, no! Not like today, | 0:06:42 | 0:06:44 | |
when you have kids and you want a whole house. | 0:06:44 | 0:06:47 | |
Most... A lot of people lived in one room. | 0:06:47 | 0:06:50 | |
Well, it was lovely seeing my mum, | 0:06:51 | 0:06:53 | |
but as I suspected, she didn't really know too much about the war. | 0:06:53 | 0:06:57 | |
I guess, coming here in the '60s, | 0:06:57 | 0:06:59 | |
the Blitz really wasn't part of her story, | 0:06:59 | 0:07:02 | |
so it's going to be really interesting for me to go on | 0:07:02 | 0:07:04 | |
this journey to see if I really do have any connection | 0:07:04 | 0:07:06 | |
to that part of Birmingham's history. | 0:07:06 | 0:07:08 | |
To find out, I need to go back to November 1940, when another | 0:07:10 | 0:07:14 | |
Midlands city, Coventry, was flattened by Nazi bombers. | 0:07:14 | 0:07:19 | |
Words are hopelessly inadequate to describe the horror and indignation | 0:07:19 | 0:07:23 | |
felt all over the civilised world at this wanton devastation. | 0:07:23 | 0:07:27 | |
The Germans claimed this was revenge for the Allied bombing of Munich. | 0:07:28 | 0:07:32 | |
But it also marked a shift in their tactics, | 0:07:33 | 0:07:36 | |
widening the Blitz from London to other UK cities. | 0:07:36 | 0:07:41 | |
Coventry's harrowing experience was broadcast around the world, | 0:07:41 | 0:07:45 | |
but less well known is that | 0:07:45 | 0:07:46 | |
Birmingham's turn came just five days later, | 0:07:46 | 0:07:49 | |
with three consecutive nights of raids that | 0:07:49 | 0:07:52 | |
also killed hundreds of people. | 0:07:52 | 0:07:54 | |
Why did my city make it onto Hitler's target list? | 0:07:54 | 0:07:56 | |
I'm meeting up with aerial archaeologist Chris Going. | 0:07:58 | 0:08:02 | |
He has rare intelligence documents that the Germans | 0:08:02 | 0:08:04 | |
prepared before the war started | 0:08:04 | 0:08:07 | |
and they show precisely why Birmingham had to be bombed. | 0:08:07 | 0:08:11 | |
The single most important factory here in the Small Heath | 0:08:11 | 0:08:16 | |
part of town is this - it's the Birmingham Small Arms factory. | 0:08:16 | 0:08:22 | |
Close by, you've also got the Singer works. | 0:08:22 | 0:08:26 | |
Now, where are you on this map? | 0:08:26 | 0:08:28 | |
I lived on a place called Oldknow Road. It's right... | 0:08:28 | 0:08:32 | |
Hang on, let's find it. There it is. There it is. There it is. | 0:08:32 | 0:08:36 | |
It's actually just at the end of the road. | 0:08:36 | 0:08:39 | |
So, I would've been almost smack in the middle of a target. | 0:08:39 | 0:08:43 | |
You're wedged between two of the most important industrial | 0:08:43 | 0:08:47 | |
targets in Birmingham. | 0:08:47 | 0:08:49 | |
-Astonishing. -It is. | 0:08:49 | 0:08:51 | |
Birmingham wasn't the only important industrial centre | 0:08:53 | 0:08:56 | |
in the Luftwaffe's sights. | 0:08:56 | 0:08:57 | |
As the Blitz went on, they attempted to bring war production | 0:08:57 | 0:09:00 | |
to a halt by attacking Nottingham, Sheffield and Newcastle. | 0:09:00 | 0:09:03 | |
But alongside Coventry, Birmingham felt the full force. | 0:09:03 | 0:09:07 | |
Those first three nights of bombing left a trail of destruction | 0:09:08 | 0:09:12 | |
and the Nazis themselves took photographic evidence of their success. | 0:09:12 | 0:09:17 | |
-This is the day after those attacks. -Wow. | 0:09:17 | 0:09:21 | |
A is "zerstorung" - destruction. | 0:09:21 | 0:09:24 | |
They got the Singer works. Here's the BSA works. | 0:09:24 | 0:09:29 | |
When this photograph was taken, which was on the 23rd, | 0:09:29 | 0:09:33 | |
they would be... They'd still be bringing up the bodies. | 0:09:33 | 0:09:36 | |
It's astonishing to know that, actually, I grew up... | 0:09:36 | 0:09:40 | |
the house I grew up in was a target area for the German Luftwaffe. | 0:09:40 | 0:09:45 | |
-I had no idea about that. -Absolutely. | 0:09:45 | 0:09:47 | |
..1005... | 0:09:50 | 0:09:53 | |
'Now I've seen those German documents and photos, | 0:09:53 | 0:09:55 | |
'I want to view my city as their pilots did | 0:09:55 | 0:09:58 | |
'so Chris and I have come to Wellesbourne Mountford Airfield in Warwickshire | 0:09:58 | 0:10:02 | |
'to fly the actual routes the Luftwaffe took back in November 1940. | 0:10:02 | 0:10:06 | |
'Our pilot today is Bill Giles.' | 0:10:08 | 0:10:11 | |
OK, is everyone happy, comfortable, secure? | 0:10:11 | 0:10:15 | |
-Yes. -All good? -All good. -Great. | 0:10:15 | 0:10:18 | |
I've actually been flying quite a lot this year. | 0:10:20 | 0:10:23 | |
But about this time on a 747 or whatever, I'm normally fast asleep, | 0:10:23 | 0:10:28 | |
but taking off in something as small as this is really quite something. | 0:10:28 | 0:10:33 | |
Wow, look at that! Beautiful! | 0:10:50 | 0:10:52 | |
Fantastic visibility. | 0:10:54 | 0:10:55 | |
I can actually start to see, if I'm not mistaken, Birmingham, right? | 0:11:08 | 0:11:13 | |
You can see Birmingham ahead of us. We're coming from the south-east. | 0:11:13 | 0:11:17 | |
You can see the Post Office Tower. | 0:11:17 | 0:11:19 | |
I had no idea just how exposed everybody would have been, | 0:11:21 | 0:11:24 | |
but you really see that from this perspective. | 0:11:24 | 0:11:27 | |
Well, it's interesting that you say that. | 0:11:27 | 0:11:30 | |
In December 1940, the Birmingham Post reported | 0:11:30 | 0:11:33 | |
that the bombing of Birmingham was as random as ever, | 0:11:33 | 0:11:36 | |
that the bombs were so scattered across the city, | 0:11:36 | 0:11:41 | |
they couldn't quite fathom what they were aiming at. | 0:11:41 | 0:11:45 | |
There, on your right, is Small Heath. | 0:11:55 | 0:11:58 | |
Here we are, flying over the mighty Blues' ground, | 0:11:58 | 0:12:01 | |
what a gorgeous sight that is! | 0:12:01 | 0:12:02 | |
We're really going to fly directly over my road now, | 0:12:05 | 0:12:08 | |
which is this road here, Oldknow Road. | 0:12:08 | 0:12:11 | |
You can see my house, I know exactly where it is. | 0:12:11 | 0:12:14 | |
And this is the Singer factory, which was badly attacked in November | 0:12:14 | 0:12:19 | |
and there, that whole complex just to the south of the railway line, | 0:12:19 | 0:12:22 | |
-is the BSA works. -We are a stone's throw from the BSA works. | 0:12:22 | 0:12:27 | |
You are absolutely seconds away. | 0:12:27 | 0:12:29 | |
I had no idea, growing up, just how surrounded my road was | 0:12:41 | 0:12:45 | |
by major Second World War manufacturing plants. | 0:12:45 | 0:12:50 | |
It's easy to feel quite detached from up here, | 0:12:50 | 0:12:54 | |
I guess, thinking as a bomber to think that, down there, | 0:12:54 | 0:13:00 | |
there are people working in factories, | 0:13:00 | 0:13:04 | |
working on things that really are going to destroy your countrymen. | 0:13:04 | 0:13:10 | |
You're not thinking about people, | 0:13:10 | 0:13:12 | |
you're just thinking about buildings, shapes in the dark. | 0:13:12 | 0:13:15 | |
You'd probably just be thinking about your target. | 0:13:15 | 0:13:18 | |
Get in, drop my ordnance and get home to my loved ones. | 0:13:18 | 0:13:24 | |
There's no personal feeling at all, you're just coming in, doing a job | 0:13:24 | 0:13:29 | |
and trying to get home. | 0:13:29 | 0:13:31 | |
'So I've now seen Birmingham from the point of view of the bombers. | 0:13:40 | 0:13:43 | |
'But what about those who were bombed? | 0:13:43 | 0:13:46 | |
'I've come to meet a survivor of the Blitz, Barbara Johnson.' | 0:13:46 | 0:13:51 | |
-Hello, David. -Hello, how are you? -Nice to meet you. -Nice to meet you. | 0:13:51 | 0:13:55 | |
'Barbara was only five when the war started. | 0:13:55 | 0:13:58 | |
'She now visits schools, talking about her experiences, | 0:13:58 | 0:14:01 | |
'and she has a treasure chest | 0:14:01 | 0:14:03 | |
'full of memorabilia from Birmingham's Blitz.' | 0:14:03 | 0:14:05 | |
My God! So, who would carry one of these around, then? | 0:14:08 | 0:14:13 | |
The wardens or the ARP men. | 0:14:13 | 0:14:17 | |
So you would hear that sound and everybody would run | 0:14:17 | 0:14:20 | |
and put their masks on? | 0:14:20 | 0:14:22 | |
Yes, put the gas mask on. | 0:14:22 | 0:14:23 | |
-So this is actually one of the German incendiary bombs? -Yes. | 0:14:23 | 0:14:28 | |
The majority of times, when they went off, they lost the tail | 0:14:28 | 0:14:32 | |
but, fortunately for me, I've got one whole. | 0:14:32 | 0:14:36 | |
Sparks came out of there and set fire to buildings. | 0:14:36 | 0:14:39 | |
There's all the holes and sparks would come out of there. | 0:14:39 | 0:14:42 | |
-This is a child's gas mask, under fives. -Look at that! | 0:14:42 | 0:14:47 | |
And this one is for anybody over five and adults. | 0:14:48 | 0:14:53 | |
Issued to all civilians. | 0:14:54 | 0:14:56 | |
But we can't take them out the plastic cases | 0:14:56 | 0:14:59 | |
-because there's asbestos in the bottom. -Oh, right. Asbestos? | 0:14:59 | 0:15:03 | |
Asbestos. And we had them on our faces. | 0:15:03 | 0:15:05 | |
'Barbara was among nearly two million British children evacuated | 0:15:07 | 0:15:11 | |
'when the war started and one of 25,000 from Birmingham. | 0:15:11 | 0:15:15 | |
'The idea was to remove them from the area of danger | 0:15:17 | 0:15:20 | |
'and place them in safe havens. It didn't always work out that way.' | 0:15:20 | 0:15:25 | |
When I was five, I went on an evacuation to Evesham with my sister. | 0:15:25 | 0:15:32 | |
I was only there for a short while because I started wetting the bed | 0:15:34 | 0:15:38 | |
and the gentleman that we were there with, | 0:15:38 | 0:15:42 | |
he used to get his belt off and used to lash the back of my legs. | 0:15:42 | 0:15:47 | |
-What?! -Every morning. | 0:15:47 | 0:15:49 | |
And in the end, he said I couldn't sleep in his bed any more | 0:15:50 | 0:15:55 | |
and he put me in a cubbyhole on a bag of straw | 0:15:55 | 0:16:00 | |
with a pillow and a blanket | 0:16:00 | 0:16:01 | |
and that's where I was to sleep, a five-year-old. | 0:16:01 | 0:16:04 | |
And my sister was eight, she was at school | 0:16:04 | 0:16:08 | |
and she was able to write a letter home to Mum | 0:16:08 | 0:16:12 | |
and she put in there that we were being treated badly | 0:16:12 | 0:16:17 | |
and so, in September '41, my mum came over to Evesham | 0:16:17 | 0:16:21 | |
and fetched us back. | 0:16:21 | 0:16:23 | |
'Like many evacuees, Barbara returned to the city | 0:16:25 | 0:16:28 | |
'just as the German bombing campaign was getting started. | 0:16:28 | 0:16:32 | |
'It was another unforgettable experience... | 0:16:32 | 0:16:35 | |
'for all the wrong reasons.' | 0:16:35 | 0:16:37 | |
We were all down the shelter and my dad didn't go to war | 0:16:38 | 0:16:41 | |
because he'd got a bit of a heart defect from rheumatic fever | 0:16:41 | 0:16:45 | |
so he used to do fire watching and he'd come and tap the shelter | 0:16:45 | 0:16:49 | |
and Mum got out, but she never used to leave us | 0:16:49 | 0:16:53 | |
and she never came back and I thought, "Where has she gone?" | 0:16:53 | 0:16:56 | |
And then, on the evening, when Dad came home from work... | 0:16:56 | 0:17:00 | |
Sorry. When my mum and dad came home from work, | 0:17:03 | 0:17:05 | |
my mum sat us down and said, "Nana and Grandad have gone to heaven." | 0:17:05 | 0:17:11 | |
She didn't say they were killed, she just said they went to heaven. | 0:17:11 | 0:17:16 | |
-So do you actually have a picture of your grandparents? -Yes, I have. | 0:17:16 | 0:17:20 | |
-Oh, it's up there. -There, it's there. -Right here? | 0:17:20 | 0:17:23 | |
That's the only one I've got. | 0:17:23 | 0:17:26 | |
Louisa and Harry. | 0:17:26 | 0:17:29 | |
She was 68, he was 72. | 0:17:29 | 0:17:32 | |
I feel as though I was robbed of my grandparents. | 0:17:32 | 0:17:37 | |
I loved them so much. | 0:17:37 | 0:17:39 | |
Before doing this programme, | 0:17:39 | 0:17:41 | |
I really didn't know to what extent | 0:17:41 | 0:17:43 | |
Birmingham had been affected by the Blitz | 0:17:43 | 0:17:45 | |
so this has been a real revelation to me. | 0:17:45 | 0:17:47 | |
I had no idea it was hit quite so hard. | 0:17:47 | 0:17:50 | |
Yes, because of the situation that we made everything in Birmingham - | 0:17:50 | 0:17:56 | |
Spitfires, bombs, you name it, we made it. | 0:17:56 | 0:18:00 | |
But it's a shame that Birmingham was forgotten. | 0:18:00 | 0:18:03 | |
It was quite an amazing experience in there, talking to Barbara. | 0:18:07 | 0:18:10 | |
She obviously still feels deeply the scars of war | 0:18:10 | 0:18:13 | |
and it's strange, I kind of decided to do this programme | 0:18:13 | 0:18:16 | |
because I thought it could be interesting. | 0:18:16 | 0:18:18 | |
Actually, now, I feel as though I'm doing the programme | 0:18:18 | 0:18:21 | |
not just for myself, but for people like Barbara, | 0:18:21 | 0:18:23 | |
giving her a voice, really. | 0:18:23 | 0:18:25 | |
This journey into Birmingham's wartime past | 0:18:28 | 0:18:31 | |
gets ever more fascinating, | 0:18:31 | 0:18:33 | |
but no story on how the Midlands suffered during the Blitz | 0:18:33 | 0:18:36 | |
is complete without travelling 20-odd miles east, to Coventry. | 0:18:36 | 0:18:40 | |
When I was a kid, getting the bus to here from Small Heath | 0:18:43 | 0:18:46 | |
was as easy as going into Birmingham City Centre. | 0:18:46 | 0:18:49 | |
I know the place really well, but I've never seen it like this. | 0:18:49 | 0:18:53 | |
We're coming in from the angle | 0:18:55 | 0:18:58 | |
that most of the bombers from the air fleets two and three | 0:18:58 | 0:19:03 | |
would have flown on the night attacks. | 0:19:03 | 0:19:07 | |
And the first attack which took place, | 0:19:14 | 0:19:17 | |
the night of the 14th and 15th of November, | 0:19:17 | 0:19:20 | |
was on Coventry, but the shock of this night attack, | 0:19:20 | 0:19:25 | |
the destruction that it inflicted on the town, | 0:19:25 | 0:19:29 | |
really changed the regional mood, as well as anything else. | 0:19:29 | 0:19:33 | |
On the 14th November, 1940, it became a city of destruction. | 0:19:33 | 0:19:40 | |
For three nights, the German bombers attacked in their fullest force. | 0:19:40 | 0:19:44 | |
This introduced a new word into the vocabulary of mass murder - | 0:19:44 | 0:19:48 | |
"to coventrate". | 0:19:48 | 0:19:49 | |
From this vantage point, | 0:19:49 | 0:19:51 | |
it's obvious that most of Coventry's centre has had to be replaced. | 0:19:51 | 0:19:55 | |
But, to be honest, I couldn't see many pre-war buildings | 0:19:55 | 0:19:59 | |
during my flight over Birmingham, either. | 0:19:59 | 0:20:01 | |
There's a definite feeling amongst the people I've talked to that, | 0:20:01 | 0:20:04 | |
whilst Coventry's suffering caught Britain's attention, | 0:20:04 | 0:20:07 | |
Birmingham's experience was somehow hidden from public view. | 0:20:07 | 0:20:11 | |
Is that true? And, if so, was there any official reason? | 0:20:11 | 0:20:16 | |
I'm at the BBC Birmingham newsroom to meet media historian Mike Temple. | 0:20:16 | 0:20:22 | |
-ARCHIVE REPORT: -The martyred city of Coventry - | 0:20:22 | 0:20:25 | |
amid the wholesale wreckage of a noble city, | 0:20:25 | 0:20:27 | |
crushed by the force of hundreds of tonnes of bombs, | 0:20:27 | 0:20:31 | |
the steeple of her one-time beautiful 14th century cathedral | 0:20:31 | 0:20:34 | |
looks down on a scene of indescribable desolation. | 0:20:34 | 0:20:38 | |
I remember going to Coventry as a kid and seeing, you know, | 0:20:38 | 0:20:41 | |
the destruction of the cathedral and reading about it. | 0:20:41 | 0:20:45 | |
But I don't remember hearing anything | 0:20:45 | 0:20:47 | |
about the destruction of Birmingham. | 0:20:47 | 0:20:49 | |
Well, many people didn't because, of course, | 0:20:49 | 0:20:51 | |
Coventry and London were the two cities that were highlighted | 0:20:51 | 0:20:54 | |
and, you know, the experiences of Birmingham | 0:20:54 | 0:20:56 | |
were largely hidden behind a sort of...a wartime censorship. | 0:20:56 | 0:21:00 | |
So was there official censorship? | 0:21:00 | 0:21:02 | |
Cos I was under the impression that the reason Birmingham | 0:21:02 | 0:21:06 | |
wasn't reported was because they had Spitfires there, | 0:21:06 | 0:21:09 | |
the BSA factory, they had all the munitions factories there. | 0:21:09 | 0:21:12 | |
Certainly, Birmingham was a key strategic target | 0:21:12 | 0:21:16 | |
for the Germans, a key industrial powerhouse, | 0:21:16 | 0:21:21 | |
if you like, of the UK and of the Midlands. | 0:21:21 | 0:21:23 | |
So that was an official reason but, of course, | 0:21:23 | 0:21:26 | |
another reason was not to spread fear and despondency. | 0:21:26 | 0:21:29 | |
So, in a sense, | 0:21:29 | 0:21:30 | |
it was almost what you might call positive censorship, right? | 0:21:30 | 0:21:33 | |
Yeah, that's a good way of putting it. | 0:21:33 | 0:21:35 | |
It was not censorship in the sense that someone was standing | 0:21:35 | 0:21:38 | |
over your shoulder all the time. | 0:21:38 | 0:21:39 | |
There was a great deal of self-censorship as well. | 0:21:39 | 0:21:41 | |
These pictures from the north-east area... | 0:21:45 | 0:21:47 | |
There, we have a reference to "the north-east area", | 0:21:47 | 0:21:50 | |
an example of the sort of voluntary censorship that was taking place. | 0:21:50 | 0:21:53 | |
Birmingham, typically, was described as "a Midlands town". | 0:21:53 | 0:21:57 | |
Manchester...the Manchester Guardian was not even allowed to report | 0:21:57 | 0:22:00 | |
that Manchester had been hit. | 0:22:00 | 0:22:02 | |
It was "an inland town in north-west England". | 0:22:02 | 0:22:05 | |
All this was supposedly designed so that the enemy wouldn't know | 0:22:05 | 0:22:08 | |
how successful or otherwise they'd been. | 0:22:08 | 0:22:10 | |
What we've seen is a massive destruction in Coventry, | 0:22:10 | 0:22:14 | |
almost apocalyptic scenes of death and destruction. | 0:22:14 | 0:22:20 | |
If we contrast those with the pictures from Birmingham, | 0:22:20 | 0:22:23 | |
which don't have sound, | 0:22:23 | 0:22:24 | |
we see a slightly different view of the world. | 0:22:24 | 0:22:28 | |
So, what we're seeing here in Birmingham is not images | 0:22:28 | 0:22:31 | |
of death and destruction - | 0:22:31 | 0:22:32 | |
what we're seeing is images of "life will go on", if you like. | 0:22:32 | 0:22:35 | |
They're the phlegmatic British population - | 0:22:35 | 0:22:38 | |
we'll carry on, they'll move house, | 0:22:38 | 0:22:40 | |
they'll collect their water, they'll get by. | 0:22:40 | 0:22:44 | |
These pictures are for different purposes. | 0:22:44 | 0:22:46 | |
Look, Joey still survives. | 0:22:46 | 0:22:48 | |
We will go on, the British way of life will continue. | 0:22:48 | 0:22:51 | |
Why would those pictures be broadcast like that? | 0:22:51 | 0:22:54 | |
It was necessary to create that myth, if you like, | 0:22:54 | 0:22:57 | |
of the British people all together, | 0:22:57 | 0:22:59 | |
the fact that, whatever Jerry threw at us, we could take it. | 0:22:59 | 0:23:04 | |
I had no idea | 0:23:04 | 0:23:05 | |
that the way Birmingham's Blitz experience was reported | 0:23:05 | 0:23:08 | |
was a key part of Britain's propaganda war. | 0:23:08 | 0:23:12 | |
No idea at all. | 0:23:12 | 0:23:14 | |
I'm nearing the end of my Blitz journey, | 0:23:19 | 0:23:21 | |
but before I finish, | 0:23:21 | 0:23:23 | |
I want to catch up with Barbara Johnson, | 0:23:23 | 0:23:25 | |
who I met earlier. | 0:23:25 | 0:23:26 | |
Oh, hi. Don't get up... | 0:23:26 | 0:23:29 | |
'She's invited me along to chat to some of her friends from BARA - | 0:23:29 | 0:23:32 | |
'the Birmingham air raid survival group. | 0:23:32 | 0:23:36 | |
'What stories they all have.' | 0:23:36 | 0:23:37 | |
How often did you have to go down into the shelters? | 0:23:39 | 0:23:41 | |
Was it every night, every other night? | 0:23:41 | 0:23:43 | |
Went every night because we lived up on the second floor | 0:23:43 | 0:23:46 | |
and, of course, when the raids started, | 0:23:46 | 0:23:48 | |
you want to be in your shelter | 0:23:48 | 0:23:49 | |
as quickly as you could. | 0:23:49 | 0:23:51 | |
I mean, the noise of the bombs falling | 0:23:51 | 0:23:54 | |
must have been extraordinary. | 0:23:54 | 0:23:55 | |
-Oh, yeah, yeah. Definitely. -Can you remember that? | 0:23:55 | 0:23:59 | |
Yeah, quite frightening, really. | 0:23:59 | 0:24:01 | |
So, whose decision was it to go down into the shelters? | 0:24:01 | 0:24:05 | |
It was your parents'. | 0:24:05 | 0:24:06 | |
My mum used to leave our coats | 0:24:06 | 0:24:08 | |
and shoes ready for us | 0:24:08 | 0:24:10 | |
to put them on and run to the shelters as fast as we could. | 0:24:10 | 0:24:14 | |
My mum made cocoa, she used to make six jugs of cocoa | 0:24:14 | 0:24:20 | |
and we got my grandad's old box on wheels | 0:24:20 | 0:24:23 | |
we used to go around with this box on wheels, | 0:24:23 | 0:24:26 | |
giving drinks of cocoa to the firemen, | 0:24:26 | 0:24:29 | |
because we had some hard winters during the war. | 0:24:29 | 0:24:32 | |
And in the winters, I've even heard their sleeves crack | 0:24:32 | 0:24:35 | |
because they've been frozen. | 0:24:35 | 0:24:37 | |
'Like Barbara, Mary has some painful memories | 0:24:37 | 0:24:40 | |
'of her wartime childhood.' | 0:24:40 | 0:24:42 | |
So, my two elder sisters and myself, | 0:24:42 | 0:24:46 | |
we were all evacuated. | 0:24:46 | 0:24:47 | |
-You didn't get to choose where you went? -Oh, no, no. | 0:24:47 | 0:24:50 | |
We just stood in the field, in a big, long row, | 0:24:50 | 0:24:53 | |
and then people from the village just came along and said, | 0:24:53 | 0:24:57 | |
"Come on, you can come with me. Come on, you can come with me." | 0:24:57 | 0:25:00 | |
And that's how it worked. | 0:25:00 | 0:25:01 | |
And they never thought, you know, "This is a family..." | 0:25:01 | 0:25:04 | |
Oh, no. I mean, they didn't even ask our name. | 0:25:04 | 0:25:08 | |
My two sisters went to other people | 0:25:08 | 0:25:10 | |
and I went to a lady named Mrs Bree. | 0:25:10 | 0:25:12 | |
That was terrifying, really, because, I mean, | 0:25:14 | 0:25:16 | |
I was still only five years of age. | 0:25:16 | 0:25:19 | |
And then, one day, | 0:25:19 | 0:25:20 | |
this gentleman stepped out of a car | 0:25:20 | 0:25:22 | |
and he says, "I'm your uncle." | 0:25:22 | 0:25:26 | |
I'd never seen him before, I hadn't got a clue who he was. | 0:25:26 | 0:25:30 | |
And he says, "You're coming to live with us." | 0:25:30 | 0:25:33 | |
I was really scared because I didn't know the people. | 0:25:33 | 0:25:36 | |
They'd just got one daughter | 0:25:36 | 0:25:39 | |
and I thought, "Well, what's going to happen to me?" | 0:25:39 | 0:25:42 | |
So, I reached about 11 or 12. | 0:25:42 | 0:25:46 | |
I was in the local fish and chip shop, | 0:25:46 | 0:25:50 | |
and I overheard two ladies talking | 0:25:50 | 0:25:53 | |
and they were sort of nodding in my direction. | 0:25:53 | 0:25:57 | |
"Oh, that's the little girl whose mum and dad and sisters got killed." | 0:25:57 | 0:26:01 | |
So, I just couldn't believe what I was hearing. | 0:26:01 | 0:26:04 | |
So, I ran over home and I said to my aunt, | 0:26:04 | 0:26:08 | |
"Is that true, what I've just heard - | 0:26:08 | 0:26:11 | |
"that Mum and Dad are dead?" | 0:26:11 | 0:26:13 | |
And she just said, "Yes." | 0:26:13 | 0:26:15 | |
And I just ran upstairs and I just sobbed and sobbed and sobbed, | 0:26:15 | 0:26:18 | |
and I thought, "I'm never going to see them again", you know. | 0:26:18 | 0:26:22 | |
It was terrible. It really was. | 0:26:22 | 0:26:25 | |
How...how...? | 0:26:26 | 0:26:27 | |
HE CLEARS HIS THROAT | 0:26:27 | 0:26:29 | |
How long was it, um...until you met your sister? | 0:26:34 | 0:26:38 | |
Time went on and, um... | 0:26:38 | 0:26:41 | |
I just asked my aunt and uncle about my sisters, my two elder sisters. | 0:26:41 | 0:26:46 | |
And they did eventually follow them up. | 0:26:46 | 0:26:49 | |
But we never had anything in common because we'd all been split up. | 0:26:49 | 0:26:53 | |
-Thank you very much for that. -Thank you. | 0:26:56 | 0:26:59 | |
Appreciate it. | 0:27:00 | 0:27:01 | |
'I'm an actor, but when you hear stories like that,' | 0:27:03 | 0:27:05 | |
you realise that real life can be much more raw and emotional | 0:27:05 | 0:27:09 | |
than any drama. | 0:27:09 | 0:27:11 | |
I want to end my journey with a visit to The Tree Of Life - | 0:27:12 | 0:27:16 | |
a monument that those ladies | 0:27:16 | 0:27:17 | |
campaigned to have put on public display. | 0:27:17 | 0:27:20 | |
On its base are the names of the victims of Birmingham's Blitz, | 0:27:20 | 0:27:23 | |
including Barbara Johnson's grandparents. | 0:27:23 | 0:27:26 | |
Oh, there they are - the names of her grandfather and grandmother. | 0:27:26 | 0:27:31 | |
Having met Barbara yesterday | 0:27:33 | 0:27:34 | |
'and held a picture of her grandparents, | 0:27:34 | 0:27:37 | |
'I have some kind of physical connection to it, so...' | 0:27:37 | 0:27:40 | |
Yeah, it's quite... | 0:27:42 | 0:27:43 | |
It's quite moving, when you think about it. | 0:27:43 | 0:27:46 | |
I've recognised it really is a tough resolve of people | 0:27:49 | 0:27:53 | |
in this city | 0:27:53 | 0:27:55 | |
and you look at how modern it is now, | 0:27:55 | 0:27:57 | |
you look around and see how it's continuing to evolve | 0:27:57 | 0:28:00 | |
and continuing to grow. | 0:28:00 | 0:28:01 | |
You feel enormously proud | 0:28:01 | 0:28:03 | |
that...not only have we come through an incredibly traumatic experience, | 0:28:03 | 0:28:08 | |
but we continue to move forward. | 0:28:08 | 0:28:10 | |
It makes you feel enormously proud | 0:28:10 | 0:28:13 | |
and I think we owe that generation of people | 0:28:13 | 0:28:17 | |
a tremendous debt of gratitude | 0:28:17 | 0:28:19 | |
because they showed incredible strength | 0:28:19 | 0:28:23 | |
and, if it weren't for them, perhaps, | 0:28:23 | 0:28:26 | |
you know...we'd maybe be facing a very, very different history. | 0:28:26 | 0:28:31 | |
# Why do you whisper, green grass? | 0:28:42 | 0:28:48 | |
# Why tell the trees what ain't so? | 0:28:48 | 0:28:53 | |
# Whispering grass The trees don't have to know... # | 0:28:53 | 0:29:01 |