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Every day is another step into the press-button age. | 0:02:36 | 0:02:40 | |
The pushing of buttons regulates your water supply. | 0:02:40 | 0:02:42 | |
You can even water your garden automatically. | 0:02:42 | 0:02:45 | |
Almost everything you want done, in fact, | 0:02:45 | 0:02:47 | |
can be performed at the turn of a knob or the push of a button, | 0:02:47 | 0:02:50 | |
inside the home or out of it. | 0:02:50 | 0:02:52 | |
Whether it's an improvement on yesterday's iron | 0:02:58 | 0:03:01 | |
or a pocket radio with valves the size of shirt buttons, | 0:03:01 | 0:03:04 | |
almost everything we touch | 0:03:04 | 0:03:06 | |
is another manifestation of the automatic era. | 0:03:06 | 0:03:09 | |
BIG BAND MUSIC PLAYS | 0:03:09 | 0:03:11 | |
Today's new gadget is tomorrow's commonplace, | 0:03:13 | 0:03:16 | |
soon to be taken as much for granted, say, as our daily milk. | 0:03:16 | 0:03:20 | |
Milk is now another highly mechanised industry, | 0:03:21 | 0:03:25 | |
operating at the touch of a switch, | 0:03:25 | 0:03:27 | |
right through to its delivery to your door. | 0:03:27 | 0:03:30 | |
As for the biscuit you take with your morning tea, | 0:03:30 | 0:03:33 | |
now, that really is a press-button product. | 0:03:33 | 0:03:35 | |
It starts its life in this huge automatic mixer, | 0:03:35 | 0:03:38 | |
which signals when it's ready to make a fresh batch | 0:03:38 | 0:03:40 | |
and a mechanical brain sets to work | 0:03:40 | 0:03:42 | |
piping the precise amount of every ingredient to the mixer. | 0:03:42 | 0:03:46 | |
It's conveyed, rolled, cut into shapes, | 0:03:46 | 0:03:49 | |
baked, coated, cooled, wrapped and weighed again, | 0:03:49 | 0:03:51 | |
all automatically, in a vast factory | 0:03:51 | 0:03:53 | |
where machinery seems to have taken over from man almost entirely. | 0:03:53 | 0:03:57 | |
But the industry we take most for granted of all | 0:04:06 | 0:04:09 | |
is the one behind that ordinary light switch - electricity itself, | 0:04:09 | 0:04:13 | |
the lifeblood of the press-button age. | 0:04:13 | 0:04:15 | |
It feeds our automatic brains, works the projector showing this film, | 0:04:15 | 0:04:19 | |
spreads light in our darkening streets. | 0:04:19 | 0:04:22 | |
It has to keep working all the time, adjusting its supply | 0:04:22 | 0:04:25 | |
to the varying calls of a whole country busily pushing buttons. | 0:04:25 | 0:04:29 | |
The Berkeley Nuclear Power Station, on the banks of the River Severn, | 0:04:47 | 0:04:51 | |
is one of the world's first two generating stations | 0:04:51 | 0:04:54 | |
to produce commercial power from nuclear energy. | 0:04:54 | 0:04:57 | |
With its sister station Bradwell in Essex, | 0:04:57 | 0:05:00 | |
Berkeley takes the everyday business of generating electricity | 0:05:00 | 0:05:03 | |
into the strange, awesome world of atomic physics. | 0:05:03 | 0:05:06 | |
Uranium rods do the job that coal or oil do in an ordinary power station. | 0:05:08 | 0:05:12 | |
Here are the turbine generators, all perfectly conventional - | 0:05:13 | 0:05:17 | |
only the source of the heat is different. | 0:05:17 | 0:05:20 | |
All the while, stringent precautions go on to protect the staff | 0:05:22 | 0:05:25 | |
and to protect the reactor from the outside world. | 0:05:25 | 0:05:28 | |
This sensitive giant, a sun imprisoned in steel and concrete. | 0:05:28 | 0:05:32 | |
This man has the simplest and safest of jobs - | 0:05:35 | 0:05:39 | |
he handles uranium in bulk, all perfectly harmless | 0:05:39 | 0:05:42 | |
until the elements challenge each other deep down in the reactor, | 0:05:42 | 0:05:46 | |
and the broiling chain reaction starts. | 0:05:46 | 0:05:49 | |
From the store to the fuel preparation room. | 0:05:50 | 0:05:53 | |
Here is a uranium rod covered in magnesium. | 0:05:53 | 0:05:56 | |
It's an inch thick. It's less than two feet long. | 0:05:56 | 0:05:59 | |
It's the key to the miracle of the world we live in. | 0:05:59 | 0:06:02 | |
And off it goes to the loading machine, | 0:06:02 | 0:06:04 | |
and so on its way to one of the station's two reactors. | 0:06:04 | 0:06:08 | |
The rods can stay down in the reactor for up to three years, | 0:06:08 | 0:06:11 | |
and all the time, they're being steadily replaced. | 0:06:11 | 0:06:15 | |
These rods are not just too hot to handle - | 0:06:15 | 0:06:18 | |
that would be the understatement of the century. | 0:06:18 | 0:06:20 | |
They are first to be plunged into a cooling bath called a pond, | 0:06:20 | 0:06:24 | |
where they will languish for about three months, | 0:06:24 | 0:06:26 | |
during which time they will be studied. | 0:06:26 | 0:06:29 | |
The modern nuclear power station worker | 0:06:33 | 0:06:35 | |
goes through his precautionary cleansing routines. | 0:06:35 | 0:06:38 | |
If he'd had a dose of radiation, | 0:06:38 | 0:06:40 | |
this Geiger counter would really rouse the whole department | 0:06:40 | 0:06:43 | |
with the sound of bells. It doesn't. | 0:06:43 | 0:06:45 | |
A big thermonuclear reactor is at least as safe as an Atlantic liner | 0:06:48 | 0:06:52 | |
but regulations demand that the check and double check never cease. | 0:06:52 | 0:06:56 | |
500 people look after the whole operation, | 0:06:56 | 0:06:59 | |
from doorman to chief scientist. | 0:06:59 | 0:07:01 | |
There is a great surge upwards in the demand for power. | 0:07:13 | 0:07:16 | |
More and more stations will be built to meet the demand. | 0:07:16 | 0:07:20 | |
Seven of them will be nuclear. | 0:07:20 | 0:07:22 | |
Not cheap, costly to lay down, | 0:07:22 | 0:07:24 | |
but carrying in them, bedded down in deep layers of protective concrete, | 0:07:24 | 0:07:28 | |
the very sun in fury. | 0:07:28 | 0:07:29 | |
The forces of law and order are continually devising new weapons. | 0:07:48 | 0:07:52 | |
The watchman in this Bond Street store, armed only with a truncheon, | 0:07:52 | 0:07:56 | |
may look no match for an armed bandit. | 0:07:56 | 0:07:58 | |
But watch that switch. | 0:08:00 | 0:08:01 | |
It operates radio waves that set off the shop's alarm system. | 0:08:01 | 0:08:05 | |
Modern science is making life harder | 0:08:06 | 0:08:08 | |
for lawbreakers of every description. | 0:08:08 | 0:08:11 | |
That dome on the left sends out sound waves that cannot be heard, | 0:08:11 | 0:08:15 | |
but if anyone interrupted them, they'd send out a signal. | 0:08:15 | 0:08:18 | |
This projector puts out invisible rays that do the same thing | 0:08:18 | 0:08:21 | |
if anyone crosses them. | 0:08:21 | 0:08:23 | |
Recognise that number, 999? | 0:08:30 | 0:08:33 | |
When the call goes through, this is what they'll hear at the other end. | 0:08:33 | 0:08:36 | |
'Police, Scotland Yard. Calling Scotland Yard. | 0:08:36 | 0:08:40 | |
'Burglars have entered the premises of J Smith and Son.' | 0:08:40 | 0:08:46 | |
Alpha Lima 3 from 794, | 0:09:04 | 0:09:05 | |
can I have the assistance of traffic control at Kensington High Street, junction with Old Church Street? | 0:09:05 | 0:09:11 | |
The Ministry of Transport's traffic experiment, | 0:09:11 | 0:09:13 | |
which uses closed circuit cameras at six strategic points, | 0:09:13 | 0:09:17 | |
relies on the radio link with the police on the spot. | 0:09:17 | 0:09:19 | |
The Greater London Council is extending this scheme to the whole of London. | 0:09:19 | 0:09:23 | |
This is ERNIE, | 0:10:04 | 0:10:06 | |
the computer who selects the prize-winning premium savings bonds. | 0:10:06 | 0:10:10 | |
ERNIE is a masterpiece of scientific random, | 0:10:10 | 0:10:12 | |
the most impartial picker of numbers out of a hat in existence. | 0:10:12 | 0:10:16 | |
And if you have the luck to hear from ERNIE, | 0:10:26 | 0:10:29 | |
it's said to be quite an enjoyable experience. | 0:10:29 | 0:10:32 | |
In this electronic age, | 0:10:35 | 0:10:37 | |
computers are rapidly becoming man's best friend. | 0:10:37 | 0:10:40 | |
To look at, they're about as exciting as filing cabinets. | 0:10:40 | 0:10:43 | |
Inside, a jungle of circuits, along which eager electric pulses | 0:10:43 | 0:10:47 | |
can solve mathematical problems at the speed of light. | 0:10:47 | 0:10:50 | |
Computer simply means reckoner. | 0:10:50 | 0:10:52 | |
Since the beginning of time, nature's built-in computers have | 0:10:52 | 0:10:56 | |
played a vital part in reckoning with life and solving its problems. | 0:10:56 | 0:11:00 | |
This little animal has a problem - he wants a meal. | 0:11:00 | 0:11:03 | |
His computer's answer? | 0:11:03 | 0:11:05 | |
Over there, quick! Steady, got it! | 0:11:05 | 0:11:08 | |
From chameleon to car driver. | 0:11:09 | 0:11:11 | |
What goes on in his computer? | 0:11:11 | 0:11:13 | |
The experts would say that a steady visual feedback | 0:11:13 | 0:11:16 | |
is being reviewed against background of the driver's experience, | 0:11:16 | 0:11:19 | |
and reissued as adjustments to his performance. | 0:11:19 | 0:11:22 | |
Are those people going to board that bus? | 0:11:22 | 0:11:24 | |
Yes, so he brakes. | 0:11:24 | 0:11:26 | |
Early in life, he meets his first supplementary computer - | 0:11:26 | 0:11:29 | |
the simplest form of adding machine. | 0:11:29 | 0:11:31 | |
But later, he may need something like this | 0:11:33 | 0:11:35 | |
to enable him to work out the complex calculations in his job, | 0:11:35 | 0:11:38 | |
some of which no human brain could tackle. | 0:11:38 | 0:11:41 | |
You have to put information in before you can get any out, | 0:11:41 | 0:11:44 | |
and it goes in in the form of figures and instructions. | 0:11:44 | 0:11:47 | |
They're coded onto punched tape or punched cards, | 0:11:47 | 0:11:50 | |
which are fed into what is called the memory unit. | 0:11:50 | 0:11:53 | |
It can take hours, days, or even months, | 0:11:53 | 0:11:55 | |
according to the size of the problem, | 0:11:55 | 0:11:57 | |
to work out all the instructions to be fed into the computer, | 0:11:57 | 0:12:01 | |
but once this has been done, it can produce in a flash | 0:12:01 | 0:12:04 | |
the answers to the calculations it's asked to make. | 0:12:04 | 0:12:06 | |
The skill and precision which go into building a computer | 0:12:12 | 0:12:15 | |
explain its high cost. | 0:12:15 | 0:12:17 | |
How much does it cost? | 0:12:17 | 0:12:19 | |
Well, Manchester University has installed | 0:12:19 | 0:12:21 | |
a British-made monster costing over £2 million. | 0:12:21 | 0:12:24 | |
It's said to be the world's most advanced. | 0:12:24 | 0:12:26 | |
It can take half a million instructions per second. | 0:12:26 | 0:12:29 | |
Yesterday, the valve-operated computer was cumbersome. | 0:12:51 | 0:12:54 | |
Today, it shares with the radio the transistor look. | 0:12:54 | 0:12:58 | |
Tomorrow, especially in space machinery, | 0:12:58 | 0:13:00 | |
where every cubic inch is vital, | 0:13:00 | 0:13:02 | |
computers and their component parts will shrink still more. | 0:13:02 | 0:13:06 | |
This shows the shrinking process of one particular component | 0:13:23 | 0:13:26 | |
from man-size to electronic jewellery. | 0:13:26 | 0:13:28 | |
But that's almost big by comparison. | 0:13:32 | 0:13:34 | |
For here are nine transistors mounted on a pin's head. | 0:13:34 | 0:13:37 | |
This is a world where sizes can be compared with | 0:13:37 | 0:13:40 | |
the thickness of a human hair. | 0:13:40 | 0:13:42 | |
These are the telephone girls, | 0:13:57 | 0:13:58 | |
the operators with the pretty, faceless voices | 0:13:58 | 0:14:01 | |
that are such an important part of daily life, | 0:14:01 | 0:14:04 | |
the girls we never see. | 0:14:04 | 0:14:06 | |
20 years ago, there were 35,000 of them in Britain. | 0:14:06 | 0:14:09 | |
They handled 200 million calls a month. | 0:14:09 | 0:14:12 | |
Today, there are nearly three times as many calls, | 0:14:12 | 0:14:15 | |
but nothing like three times as many operators. | 0:14:15 | 0:14:18 | |
For, month by month, Britain's telephone service | 0:14:18 | 0:14:22 | |
becomes more and more automatic. | 0:14:22 | 0:14:24 | |
The latest triumph of the skills of the design engineers | 0:14:24 | 0:14:27 | |
is the Post Office Tower in central London. | 0:14:27 | 0:14:29 | |
This ultra-modern stalagmite | 0:14:29 | 0:14:31 | |
is the main telephone and TV junction of the country. | 0:14:31 | 0:14:34 | |
Its feelers are its microwave aerials, precisely positioned | 0:14:36 | 0:14:39 | |
to pick up signals from the linking stations in the national network. | 0:14:39 | 0:14:43 | |
This 85-foot diameter dish aerial at Goonhilly Down near Land's End | 0:14:51 | 0:14:55 | |
is the British end of the system by which television pictures | 0:14:55 | 0:14:59 | |
can be sent across the Atlantic via the satellite Telstar. | 0:14:59 | 0:15:02 | |
Information giving the exact position of the 170lb satellite, | 0:15:02 | 0:15:06 | |
as it orbits the globe 500 to 2,000 miles high, | 0:15:06 | 0:15:09 | |
is fed into Goonhilly from the United States. | 0:15:09 | 0:15:12 | |
A computer, or electrical brain, | 0:15:12 | 0:15:14 | |
converts this data into angles and rate of passing, | 0:15:14 | 0:15:17 | |
and automatically positions the dish aerial | 0:15:17 | 0:15:20 | |
for the arrival of Telstar over the horizon. | 0:15:20 | 0:15:22 | |
The satellite will take 30 minutes to pass. | 0:15:22 | 0:15:25 | |
Its position must be tracked to one 50th of a second | 0:15:25 | 0:15:28 | |
to get the best reception. | 0:15:28 | 0:15:29 | |
Zero second approaches, | 0:15:33 | 0:15:35 | |
when picture and sound come through simultaneously. | 0:15:35 | 0:15:38 | |
The satellite has been picked up, | 0:15:38 | 0:15:40 | |
slowly the aerial starts tracking it, and the picture comes through. | 0:15:40 | 0:15:45 | |
Goonhilly then relays it to London | 0:15:57 | 0:16:00 | |
for television viewers in Britain and throughout Europe. | 0:16:00 | 0:16:03 | |
At the tower itself, the country's main television switchboard | 0:16:03 | 0:16:07 | |
looks very different from the rows of plugs on the boards of old. | 0:16:07 | 0:16:10 | |
Here, the programmes are monitored before being beamed | 0:16:10 | 0:16:13 | |
to various parts of the BBC and commercial networks. | 0:16:13 | 0:16:16 | |
This sort of work goes on ceaselessly, | 0:16:21 | 0:16:23 | |
and the traffic gets heavier year by year. | 0:16:23 | 0:16:25 | |
Maybe, years from now, the laser beam may be able to carry | 0:16:27 | 0:16:30 | |
far more traffic than can be contained even at the tower today. | 0:16:30 | 0:16:34 | |
The future of telecommunications may belong to it. | 0:16:34 | 0:16:37 | |
When that day comes, the signal box, with its head in the clouds, | 0:16:37 | 0:16:40 | |
will be there, ready to cope. | 0:16:40 | 0:16:42 | |
It's no longer a matter of eating out, but eating high, | 0:16:54 | 0:16:57 | |
and, for background, a constantly shifting view of London | 0:16:57 | 0:17:01 | |
and its surrounding counties. | 0:17:01 | 0:17:03 | |
Here, you satisfy your appetite 520 feet high, | 0:17:03 | 0:17:06 | |
with a pigeon's eye view of the capital that's a revelation, | 0:17:06 | 0:17:10 | |
even to Londoners who thought they knew their own city. | 0:17:10 | 0:17:13 | |
Crossing from the stationary to the moving part of the restaurant | 0:17:24 | 0:17:27 | |
presents no problems, | 0:17:27 | 0:17:28 | |
but for waiters it's sometimes puzzle find-the-customers, | 0:17:28 | 0:17:31 | |
whose table has moved since the waiter took their order. | 0:17:31 | 0:17:34 | |
Orders are transferred to the restaurant two floors down | 0:17:37 | 0:17:40 | |
in miniature high-speed lifts set in the central area of the Tower. | 0:17:40 | 0:17:44 | |
On average, 4,500 people a day take the vertical ride | 0:17:47 | 0:17:51 | |
to the three observation galleries just beneath the restaurant. | 0:17:51 | 0:17:54 | |
There's priority in the lifts | 0:17:54 | 0:17:56 | |
for diners on the way up to the restaurant, | 0:17:56 | 0:17:58 | |
and if the attendants' specially designed uniform caps make them look like space flight conductors, | 0:17:58 | 0:18:04 | |
well, that's just what they are! | 0:18:04 | 0:18:06 | |
These high-speed lifts climb at 1,000 feet a minute, | 0:18:06 | 0:18:09 | |
and if you're not used to vertical take-off, | 0:18:09 | 0:18:11 | |
there's always a first time. | 0:18:11 | 0:18:13 | |
Up here in this world of panorama, | 0:18:22 | 0:18:24 | |
the clear view depends as much on these men as on the weather. | 0:18:24 | 0:18:27 | |
Keeping the Tower's windows clean is a big job, | 0:18:27 | 0:18:30 | |
with 50,000 square feet of glass to look after, | 0:18:30 | 0:18:32 | |
and the window cleaner turns the restaurant's rotation to advantage. | 0:18:32 | 0:18:36 | |
He has the triple-glazed windows come round to him. | 0:18:36 | 0:18:40 | |
The hovercraft shook the world when it made its first public appearance. | 0:19:06 | 0:19:10 | |
And for the inventor, ex-boat builder Christopher Cockerell, | 0:19:10 | 0:19:14 | |
part of a dream had come true. | 0:19:14 | 0:19:15 | |
I started working on the idea in my boat yard on the Norfolk Broads. | 0:19:16 | 0:19:21 | |
Messing about with boats soon made me think that there must be | 0:19:21 | 0:19:24 | |
some less wasteful way than just pushing them through the water. | 0:19:24 | 0:19:28 | |
A motorboat creates a lot of wash, | 0:19:28 | 0:19:30 | |
and this all represents power going to waste. | 0:19:30 | 0:19:33 | |
I tried various methods of achieving a film of air between | 0:19:33 | 0:19:36 | |
the bottom of the boat and the water, | 0:19:36 | 0:19:39 | |
so that the boat could glide on air. | 0:19:39 | 0:19:41 | |
In the end I thought of a solution, | 0:19:41 | 0:19:43 | |
and I made up a simple model out of a couple of tins. | 0:19:43 | 0:19:46 | |
It worked, and showed that one could get a thrust using the tins, | 0:19:49 | 0:19:52 | |
much greater than the thrust from an ordinary jet. | 0:19:52 | 0:19:55 | |
At last, it was taken up by the National Research Development Corporation | 0:19:55 | 0:20:00 | |
and things began to happen. | 0:20:00 | 0:20:01 | |
In short time, Saunders Roe were hard at it, | 0:20:01 | 0:20:04 | |
designing an experimental craft with everyone working at top speed. | 0:20:04 | 0:20:08 | |
Soon, models began to appear. | 0:20:08 | 0:20:11 | |
These were tested in the tanks and over grass. | 0:20:11 | 0:20:14 | |
These models led to the four-tonne experimental hovercraft. | 0:20:18 | 0:20:22 | |
Well, this is the hovercraft. | 0:20:24 | 0:20:26 | |
I'm Peter Lamb, chief test pilot for Saunders Roe, who built her. | 0:20:26 | 0:20:31 | |
It's quite a simple machine. | 0:20:33 | 0:20:35 | |
A fan in the chimney on top is driven by an engine, | 0:20:35 | 0:20:38 | |
and blows air out of the jets underneath. | 0:20:38 | 0:20:41 | |
To drive the car forward, the air is blown out backwards, | 0:20:41 | 0:20:46 | |
and to drive the craft backwards, or to act as a brake, | 0:20:46 | 0:20:49 | |
the air is blown out forwards. | 0:20:49 | 0:20:51 | |
I operate it like this. | 0:20:53 | 0:20:54 | |
The rudders are in the jets. | 0:20:55 | 0:20:57 | |
There are little flaps which are moved to keep her level. | 0:20:57 | 0:21:01 | |
The first flight was certainly an experience. | 0:21:02 | 0:21:05 | |
A crowd of press photographers came along to watch. | 0:21:14 | 0:21:16 | |
They didn't know what to expect at first, but they soon got used to | 0:21:16 | 0:21:19 | |
the idea of four tonnes of ironmongery floating on air. | 0:21:19 | 0:21:22 | |
We went the whole hog that day, and later, | 0:21:25 | 0:21:28 | |
tried her in the water for the first time. | 0:21:28 | 0:21:30 | |
Would she rise? | 0:21:30 | 0:21:32 | |
I started the engine and, a moment later, we were poised, | 0:21:32 | 0:21:35 | |
hovering 15 inches above the sea. | 0:21:35 | 0:21:38 | |
At first, I couldn't see much from the cockpit | 0:21:38 | 0:21:40 | |
but, under way, vision improved. | 0:21:40 | 0:21:42 | |
Since our first test, | 0:21:45 | 0:21:46 | |
I've been putting the hovercraft through her paces almost every day. | 0:21:46 | 0:21:50 | |
Come aboard, we'll go for a trip. | 0:21:56 | 0:21:58 | |
The engine makes a Dickens of a row, so I won't say much more. | 0:22:00 | 0:22:03 | |
To us, the hovercraft is sure to come, | 0:22:34 | 0:22:36 | |
but you mustn't think it will all come in a minute. | 0:22:36 | 0:22:38 | |
There's a lot of work to be done. | 0:22:38 | 0:22:40 | |
We started with two tins and now we have the Saunders Roe craft, | 0:22:40 | 0:22:45 | |
and, one of these days, | 0:22:45 | 0:22:46 | |
you'll be crossing the Channel on a cushion of air. | 0:22:46 | 0:22:49 | |
Saturday the 25th of July, 1959 was the day on which | 0:22:51 | 0:22:53 | |
Christopher Cockerell's prophecy began to come true. | 0:22:53 | 0:22:56 | |
On this day, the hovercraft made its first successful crossing of the English Channel, | 0:22:56 | 0:23:00 | |
skimming in a cloud of spray through the entrance to Dover harbour shortly after dawn. | 0:23:00 | 0:23:05 | |
Holidaymakers had got up early to welcome the arrival. | 0:23:08 | 0:23:11 | |
Here was a Channel crossing that had made history | 0:23:11 | 0:23:14 | |
and perhaps opened the way to a new form of travel. | 0:23:14 | 0:23:17 | |
And the spray flies! | 0:23:39 | 0:23:41 | |
At 70 miles an hour, the VA3 rides three feet clear of the water, | 0:23:43 | 0:23:47 | |
like a low-flying aeroplane. | 0:23:47 | 0:23:49 | |
But compared with an aeroplane of the same weight, | 0:23:49 | 0:23:52 | |
the hovercraft needs only a quarter of the power for the same speed. | 0:23:52 | 0:23:56 | |
Ideal for sea trips up to 100 miles, | 0:23:56 | 0:23:58 | |
the larger hovercraft of today | 0:23:58 | 0:23:59 | |
would make excellent long-distance ferries. | 0:23:59 | 0:24:02 | |
Passenger fares would work out at about thruppence a mile, | 0:24:02 | 0:24:05 | |
the same as a bus. | 0:24:05 | 0:24:06 | |
The hovercraft principle of lifting a vehicle on a cushion of air | 0:24:36 | 0:24:40 | |
can be used in hundreds of different ways. | 0:24:40 | 0:24:42 | |
One company has fitted it to a conventional vehicle | 0:24:42 | 0:24:45 | |
for use over rough ground. | 0:24:45 | 0:24:47 | |
If the going gets too rough or boggy, | 0:24:47 | 0:24:49 | |
a fan is switched on to build up an air cushion underneath, | 0:24:49 | 0:24:53 | |
so taking weight off the wheels. | 0:24:53 | 0:24:54 | |
And here's the latest thing in wheelbarrows - the hover barrow. | 0:24:56 | 0:25:00 | |
Just the slightest push, | 0:25:00 | 0:25:01 | |
and it glides at a height of a few inches | 0:25:01 | 0:25:04 | |
over mud, sand, snow or slush. | 0:25:04 | 0:25:06 | |
Then, for family use, there's the hover scooter. | 0:25:09 | 0:25:12 | |
This one was built for his own use by Mr Don Robertson | 0:25:12 | 0:25:16 | |
at his Surrey home for as little as £250. | 0:25:16 | 0:25:18 | |
If you feel like piloting a hovercraft yourself, | 0:25:23 | 0:25:26 | |
you can always join the fast-growing amateur hovercraft movement, | 0:25:26 | 0:25:30 | |
one of the enthusiasts of which is Lord Brassey. | 0:25:30 | 0:25:33 | |
There's nothing like a hovercraft for avoiding traffic jams, | 0:25:35 | 0:25:38 | |
and women drivers are welcome. | 0:25:38 | 0:25:40 | |
Looking ahead to the future, | 0:25:49 | 0:25:51 | |
we can expect to find hover rail trains like this, | 0:25:51 | 0:25:54 | |
linking city centres to airports. | 0:25:54 | 0:25:56 | |
The train lifts itself onto a cushion of air produced from jets, | 0:25:58 | 0:26:02 | |
and then a rear thrust pushes it forward. | 0:26:02 | 0:26:04 | |
Here's a plane that can do what no aircraft | 0:26:36 | 0:26:38 | |
has ever been able to do before. | 0:26:38 | 0:26:40 | |
It's as manoeuvrable as a fighter | 0:26:40 | 0:26:42 | |
and can fly above the speed of sound at more than 700 miles per hour. | 0:26:42 | 0:26:46 | |
Yet it can land and take off vertically just like a helicopter. | 0:26:46 | 0:26:50 | |
It can even hover in flight, | 0:26:50 | 0:26:52 | |
an astonishing performance by an aircraft which has | 0:26:52 | 0:26:55 | |
introduced a new concept into flying. | 0:26:55 | 0:26:57 | |
It's called the Kestrel, | 0:27:03 | 0:27:05 | |
after the bird that can hover for minutes | 0:27:05 | 0:27:07 | |
before swooping to attack its prey. | 0:27:07 | 0:27:09 | |
This all-British plane is so revolutionary that | 0:27:09 | 0:27:12 | |
a special international squadron was formed to assess its capabilities. | 0:27:12 | 0:27:16 | |
While hovering, the Kestrel can turn in any direction | 0:27:19 | 0:27:22 | |
and even go backwards, | 0:27:22 | 0:27:24 | |
and yet it can climb faster than the modern jet fighter. | 0:27:24 | 0:27:27 | |
Subtitles by Red Bee Media Ltd | 0:28:53 | 0:28:57 |