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CLASSIC "RANK" GONG SOUNDS | 0:00:02 | 0:00:04 | |
What about this? | 0:03:00 | 0:03:01 | |
Believe it or not, it's a do-it-yourself railway. | 0:03:01 | 0:03:03 | |
Since 1951, the Tally Clyn gauge railway at Towin | 0:03:04 | 0:03:08 | |
in Wales has been run as a spare time hobby by a group of railway | 0:03:08 | 0:03:11 | |
enthusiasts from all over Britain, who formed a preservation society. | 0:03:11 | 0:03:15 | |
Here are two of them, a post office engineer, and a grocer. | 0:03:18 | 0:03:21 | |
One of their other day jobs in replacing worn out sleepers. | 0:03:21 | 0:03:25 | |
The railway has two full-time drivers, the Jones brothers | 0:03:25 | 0:03:28 | |
whose family has given over 60 years service to this line, | 0:03:28 | 0:03:32 | |
built originally to serve the local slate quarries. | 0:03:32 | 0:03:34 | |
Herbert Jones brings a locomotive into a siding, | 0:03:36 | 0:03:38 | |
while a chemist from Birmingham draws the fire. | 0:03:38 | 0:03:40 | |
Maureen's a London secretary. | 0:03:48 | 0:03:49 | |
She's the sort of girl who watches points. | 0:03:49 | 0:03:51 | |
They've even dug their own slate quarry | 0:04:02 | 0:04:04 | |
to provide ballast for the track. | 0:04:04 | 0:04:06 | |
In between passenger trains, there are 24 a week at the peak | 0:04:06 | 0:04:09 | |
of the season, the ballast train runs up to the quarry, | 0:04:09 | 0:04:12 | |
and then it's all hands to the shovel until every truck's filled. | 0:04:12 | 0:04:15 | |
There's a lot of skilled work to be done behind the scenes. | 0:04:18 | 0:04:20 | |
This chap's a civil engineer. | 0:04:20 | 0:04:21 | |
The Midlander is the only diesel loco on the line. | 0:04:25 | 0:04:27 | |
The servicing of its engine | 0:04:27 | 0:04:29 | |
is in the hands of an account from Chichester. | 0:04:29 | 0:04:31 | |
There's a science student from Derby drilling a cylinder block. | 0:04:36 | 0:04:38 | |
He doesn't want to paint the town red, | 0:04:42 | 0:04:44 | |
he'd rather paint a bogey frame. | 0:04:44 | 0:04:47 | |
Talking of painting, | 0:04:47 | 0:04:48 | |
there she is again, the only girl in the outfit. | 0:04:48 | 0:04:50 | |
I bet she gets all the jobs the others don't want. | 0:04:50 | 0:04:52 | |
Of course, she couldn't do this job. | 0:04:54 | 0:04:56 | |
They're putting a coach on its wheels, | 0:04:56 | 0:04:58 | |
it wouldn't get far without them. | 0:04:58 | 0:04:59 | |
There's only one train on Sunday | 0:05:03 | 0:05:04 | |
and it's nearly time for it to leave on its six-and-a-half-mile trip | 0:05:04 | 0:05:08 | |
into the mountains. | 0:05:08 | 0:05:09 | |
It'll call at five stations and take 45 minutes to do it. | 0:05:09 | 0:05:12 | |
But with such picturesque vistas around, | 0:05:12 | 0:05:14 | |
nobody's thinking of the jet age up here. | 0:05:14 | 0:05:17 | |
Most days the train is packed with society members and holiday makers. | 0:05:17 | 0:05:20 | |
Three o'clock, time to go. | 0:05:28 | 0:05:29 | |
That's another way which this railway is unusual, | 0:05:29 | 0:05:32 | |
the train actually runs to time! | 0:05:32 | 0:05:35 | |
Pop down the road to the Horseguards. | 0:05:53 | 0:05:55 | |
They get changed every day as regular as the sea lions | 0:05:55 | 0:05:57 | |
are fed in the zoo, only here there's no gate money. | 0:05:57 | 0:06:00 | |
If you hit on the right day for strolling down The Mall | 0:06:03 | 0:06:06 | |
you'll meet the Royal Procession | 0:06:06 | 0:06:07 | |
coming back from Trooping the Colour. | 0:06:07 | 0:06:09 | |
Now there's a sight for sore eyes! | 0:06:11 | 0:06:13 | |
But you'll really have sore eyes if you spend too long | 0:06:27 | 0:06:30 | |
looking for the next sight, the fly-past that goes with it. | 0:06:30 | 0:06:33 | |
Motor racing's an expensive sport, | 0:06:38 | 0:06:39 | |
but for free you can watch the finest speedways in the country. | 0:06:39 | 0:06:43 | |
For thrills at top speed | 0:06:43 | 0:06:45 | |
try getting on a bridge across one of the motorways. | 0:06:45 | 0:06:47 | |
Watching people watching is another sport. | 0:06:53 | 0:06:55 | |
You might think this is a standstill motor race | 0:06:55 | 0:06:58 | |
or a new kind of sit-down protest. | 0:06:58 | 0:06:59 | |
In fact, they're watching the gliders, so much safer than | 0:06:59 | 0:07:04 | |
actually going up there, they think. | 0:07:04 | 0:07:05 | |
While the flyer thinks how lucky he | 0:07:05 | 0:07:07 | |
is to be safe, far from the traffic, not to mention the petrol fumes! | 0:07:07 | 0:07:11 | |
Shopping can cost a lot, | 0:07:25 | 0:07:27 | |
but you can pick up many a bargain in your mind | 0:07:27 | 0:07:29 | |
when the shops are closed. | 0:07:29 | 0:07:31 | |
What could be nicer in fine weather than to take a look at the weather. | 0:07:32 | 0:07:36 | |
Stand outside the Weather Shop just below the Air Ministry roof | 0:07:36 | 0:07:39 | |
and make your plans for tomorrow. | 0:07:39 | 0:07:41 | |
Anybody making a hole in the ground | 0:07:42 | 0:07:44 | |
is a surefire draw wherever you are. | 0:07:44 | 0:07:47 | |
The bigger the hole, the better the looking. | 0:07:47 | 0:07:49 | |
In the old days, they used to put up dirty great fences | 0:07:49 | 0:07:52 | |
and you had to peak through the cracks. | 0:07:52 | 0:07:54 | |
# There I was, digging this hole | 0:07:57 | 0:07:59 | |
# Hole in the ground, so big and sort of round, it was | 0:07:59 | 0:08:02 | |
# And there was I, digging it deep | 0:08:02 | 0:08:05 | |
# It was flat at the bottom and the sides were steep | 0:08:05 | 0:08:08 | |
# When along comes this bloke in a bowler | 0:08:08 | 0:08:11 | |
# Which he lifted and scratched his head | 0:08:11 | 0:08:13 | |
# Whoa, he looked down the hole | 0:08:13 | 0:08:15 | |
# Poor, demented soul, and he said... | 0:08:15 | 0:08:18 | |
# Now that's that. # | 0:08:18 | 0:08:19 | |
Now here's Mr HM Hughes of Harlow, Essex. | 0:08:19 | 0:08:22 | |
His projects are relatively small-scale. | 0:08:22 | 0:08:24 | |
This magnificent model of a ship used only 13,500 matches. | 0:08:40 | 0:08:45 | |
As well as the matches, | 0:08:47 | 0:08:48 | |
there's been three years' hard work put into that model. | 0:08:48 | 0:08:51 | |
People are no longer content | 0:09:10 | 0:09:12 | |
to watch others doing the constructional and repair work | 0:09:12 | 0:09:14 | |
around their homes, they're doing it themselves. | 0:09:14 | 0:09:17 | |
A quarter of a million enthusiasts come to this | 0:09:22 | 0:09:24 | |
exhibition in London each year to see the latest developments. | 0:09:24 | 0:09:28 | |
They look at them with professional eyes. | 0:09:28 | 0:09:30 | |
Once bitten by the do-it-yourself bug, | 0:09:30 | 0:09:32 | |
their quest for knowledge becomes endless. | 0:09:32 | 0:09:34 | |
Today, do-it-yourself has spread beyond the home, | 0:09:35 | 0:09:38 | |
and some people have made it quite a business. | 0:09:38 | 0:09:40 | |
It looks very much like any other, but instead of paying a mechanic | 0:09:40 | 0:09:44 | |
to overhaul your car, you "do-it-yourself" | 0:09:44 | 0:09:46 | |
and pay seven and sixpence an hour | 0:09:46 | 0:09:48 | |
for the use of tools and equipment valued at over £1,000. | 0:09:48 | 0:09:51 | |
There's an engineer with 25 years' experience to give you advice | 0:10:08 | 0:10:11 | |
if you need it. | 0:10:11 | 0:10:13 | |
This was the idea of Frank Sawyer, a local haulage contractor. | 0:10:13 | 0:10:16 | |
He finds that motorists take a far greater | 0:10:16 | 0:10:18 | |
interest in their vehicles this way. | 0:10:18 | 0:10:20 | |
They bring them in for regular maintenance | 0:10:20 | 0:10:22 | |
instead of waiting for them to break down by the roadside. | 0:10:22 | 0:10:24 | |
And it's not only old cars that come in. | 0:10:29 | 0:10:31 | |
Does the idea really work in practice? | 0:10:47 | 0:10:49 | |
This is the acid test. | 0:10:49 | 0:10:51 | |
The idea's so successful that more and more garage | 0:10:51 | 0:10:53 | |
proprietors are providing this service up and down the country. | 0:10:53 | 0:10:56 | |
With do-it-yourself, the sky's the limit. | 0:11:02 | 0:11:04 | |
You can even have your own miniature Jodrell Bank. | 0:11:04 | 0:11:07 | |
Frank Hyde, a Clacton radio and television dealer, built this | 0:11:14 | 0:11:17 | |
one himself at Beacon Hill on the Essex coast. | 0:11:17 | 0:11:20 | |
Though it's his hobby, the work he is doing is wholly scientific. | 0:11:20 | 0:11:23 | |
The observation of Jupiter, | 0:11:23 | 0:11:25 | |
the largest of all the planets, | 0:11:25 | 0:11:27 | |
with a diameter 11 times that of the earth. | 0:11:27 | 0:11:29 | |
He's converted this Martello tower, originally built to keep out | 0:11:30 | 0:11:33 | |
Napoleon, into a control tower to translate the radio waves sent out | 0:11:33 | 0:11:37 | |
by heavenly bodies from outside the earth's atmosphere into soundwaves. | 0:11:37 | 0:11:41 | |
It's the first amateur radio astronomy observatory in the world. | 0:11:43 | 0:11:47 | |
The work Frank Hyde's doing is considered so important | 0:11:47 | 0:11:50 | |
that the Americans have helped to pay for some of the equipment. | 0:11:50 | 0:11:53 | |
This section of equipment | 0:11:53 | 0:11:54 | |
is a duplication of what they have in Florida. | 0:11:54 | 0:11:56 | |
This was loaned by a British electronics firm. | 0:11:59 | 0:12:02 | |
And this was bought by Frank Hyde himself. | 0:12:09 | 0:12:11 | |
Jupiter, which is around 400 million miles from the earth, sends out | 0:12:15 | 0:12:19 | |
radiation which has not been found to occur on any other planet. | 0:12:19 | 0:12:23 | |
The experiments are to observe why. | 0:12:23 | 0:12:25 | |
They require observations over long periods | 0:12:25 | 0:12:28 | |
for more than 12 hours at a time. | 0:12:28 | 0:12:30 | |
And these are the sort of sounds you hear from Jupiter. | 0:12:30 | 0:12:32 | |
RADIO FUZZ AND STATIC | 0:12:34 | 0:12:38 | |
The signals come at regular intervals and almost suggest | 0:12:42 | 0:12:44 | |
a form of intelligence, but Jupiter is surrounded by poisonous gases. | 0:12:44 | 0:12:49 | |
With this station, and the one in America working together | 0:12:49 | 0:12:52 | |
and overlapping, information is being gained that will be useful | 0:12:52 | 0:12:55 | |
for future space rocket probes. | 0:12:55 | 0:12:57 | |
Here in a country studio in Kent is Daphne Oram, | 0:13:13 | 0:13:17 | |
a pioneer of a new type of music. | 0:13:17 | 0:13:19 | |
Unlike the traditional composer, | 0:13:19 | 0:13:22 | |
she uses no musical instruments and no musicians. | 0:13:22 | 0:13:26 | |
She produces sounds by electronic devices, some of them | 0:13:26 | 0:13:29 | |
sounds unlike any ever heard before. | 0:13:29 | 0:13:31 | |
She needs no concert hall or opera house to put on a performance, | 0:13:32 | 0:13:35 | |
she can do it on a tape recorder. | 0:13:35 | 0:13:38 | |
The sounds, produced electronically, are recorded on tape. | 0:13:38 | 0:13:42 | |
By mixing the sounds on various tapes together and playing them | 0:13:42 | 0:13:45 | |
at varying speeds, she can produce all sorts of different combinations. | 0:13:45 | 0:13:50 | |
Already electronic music is being used in films, television | 0:13:50 | 0:13:53 | |
and the theatre, and there have been concert performances too. | 0:13:53 | 0:13:56 | |
There are some people that think the music of the future | 0:13:58 | 0:14:00 | |
will sound like this. | 0:14:00 | 0:14:02 | |
CHIMES AND BEEPS | 0:14:03 | 0:14:07 | |
There's music everywhere. | 0:14:23 | 0:14:25 | |
Office workers coming off the train with that Monday morning feeling are | 0:14:25 | 0:14:28 | |
greeted like this. | 0:14:28 | 0:14:29 | |
It's piped music of course, relayed through loud speakers. | 0:14:29 | 0:14:33 | |
Perhaps it gets them in the mood to face that last lap | 0:14:33 | 0:14:36 | |
to work on the bus. | 0:14:36 | 0:14:37 | |
There's no music in London buses...yet! | 0:14:37 | 0:14:40 | |
But once in the office, back it comes. | 0:14:45 | 0:14:47 | |
In the typing pool, background music, | 0:14:52 | 0:14:54 | |
so they say, stops the girls from getting bored with routine. | 0:14:54 | 0:14:57 | |
It helps them concentrate. | 0:14:57 | 0:14:59 | |
Well, there may be exceptions! | 0:14:59 | 0:15:02 | |
Piped music is big business in Britain today. | 0:15:06 | 0:15:09 | |
This one company alone has £1 million's worth of contracts | 0:15:09 | 0:15:12 | |
to supply music 24 hours a day. | 0:15:12 | 0:15:14 | |
On eight-hour tapes, | 0:15:19 | 0:15:20 | |
which automatically change over when completed, | 0:15:20 | 0:15:23 | |
more than 1,000 shops, hotels, pubs, restaurants and factories receive | 0:15:23 | 0:15:28 | |
a carefully worked out music plan, costing from £13 to £300 a month. | 0:15:28 | 0:15:34 | |
It all began back in the '30s when two industrial psychologists | 0:15:36 | 0:15:40 | |
measured the effect of music on productivity, | 0:15:40 | 0:15:42 | |
and found that it certainly helped output. | 0:15:42 | 0:15:45 | |
Music while you work was born. | 0:15:45 | 0:15:46 | |
But the tempo must be just right. | 0:15:52 | 0:15:54 | |
This sort of music would not help to send up | 0:15:54 | 0:15:56 | |
the rate of music at all. | 0:15:56 | 0:15:57 | |
All right for thinking of the boyfriend, of course, | 0:15:57 | 0:16:00 | |
but calculated to take years off the foreman's life. | 0:16:00 | 0:16:03 | |
This would be just as bad. | 0:16:07 | 0:16:08 | |
MUSIC: "Ride of the Valkyries" by Wagner | 0:16:08 | 0:16:10 | |
With music of this tempo you might get a remarkable rise in output, | 0:16:18 | 0:16:21 | |
but think of all the holidays you would need | 0:16:21 | 0:16:23 | |
to recuperate after all that effort. | 0:16:23 | 0:16:25 | |
No, the music must suit the occasion and the mood. | 0:16:32 | 0:16:35 | |
Bright and cheerful for shopping and thinking out prices. | 0:16:35 | 0:16:38 | |
Bright and cheerful to take your mind off the bill. | 0:16:38 | 0:16:40 | |
Even at the hairdressers, there's music to go with the perm. | 0:16:44 | 0:16:48 | |
If you're not musically minded, you can take refuge under the dryer. | 0:16:52 | 0:16:55 | |
Europe is following America and Russia on the way | 0:17:17 | 0:17:20 | |
to the stars, and here's the rocket designed to give her the first big | 0:17:20 | 0:17:23 | |
punch into space, a British rocket with a famous name, Blue Streak. | 0:17:23 | 0:17:27 | |
Not so long ago the work of the dedicated teams of scientists | 0:17:29 | 0:17:32 | |
and engineers who made her was top secret. | 0:17:32 | 0:17:35 | |
Then she was a missile, a weapon. | 0:17:35 | 0:17:37 | |
Today, she's a booster for a space vehicle with a peaceful mission. | 0:17:37 | 0:17:42 | |
Many of Britain's best technicians have helped to make her. | 0:17:42 | 0:17:44 | |
This is her fuel tank, 46 feet long. | 0:17:48 | 0:17:50 | |
Those stainless steel walls are almost as thin as a razor blade, | 0:17:52 | 0:17:55 | |
and they hold 60 tonnes of liquid oxygen and 26 tonnes of kerosene. | 0:17:55 | 0:17:59 | |
After the tank has been made, it's filled with gas | 0:18:00 | 0:18:02 | |
to stop it from buckling. | 0:18:02 | 0:18:04 | |
During flight, these engines develop more than 135 tons of thrust, | 0:18:08 | 0:18:14 | |
equal to the power of 40,000 family cars. | 0:18:14 | 0:18:17 | |
They have got to punch Blue Streak's full weight of 92 tons | 0:18:17 | 0:18:21 | |
to a speed of 8,500 miles an hour. | 0:18:21 | 0:18:23 | |
The countdown has begun. | 0:18:35 | 0:18:37 | |
The control team is ready, in a block house | 0:18:37 | 0:18:39 | |
nearly a quarter of a mile from where Blue Streak stands. | 0:18:39 | 0:18:42 | |
Temperatures, pressures, stresses, | 0:18:43 | 0:18:45 | |
vibration, the flow of fuel - all are recorded as the hours, | 0:18:45 | 0:18:49 | |
the minutes, the seconds leave the team with the moment of truth. | 0:18:49 | 0:18:53 | |
Between Blue Streak and a real take-off now | 0:18:53 | 0:18:55 | |
are just four steel bolts. | 0:18:55 | 0:18:57 | |
Blue Streak's days in Cumberland are numbered. | 0:19:06 | 0:19:09 | |
One day she'll fly, | 0:19:09 | 0:19:11 | |
one day she'll help put a one tonne satellite in orbit, | 0:19:11 | 0:19:14 | |
or a 100lb European electronic reporter on the moon itself. | 0:19:14 | 0:19:18 | |
Lilius Tucker is a school teacher in Great Henwood, | 0:19:57 | 0:20:00 | |
a village near Shrewsbury. | 0:20:00 | 0:20:01 | |
Her husband Lawrence is a flight safety observer | 0:20:04 | 0:20:07 | |
in a navigation school. | 0:20:07 | 0:20:08 | |
They are both members of a society called the English Westerners, | 0:20:08 | 0:20:11 | |
which makes a study of Cowboys and Indians in the Old West. | 0:20:11 | 0:20:15 | |
When the working day is over, the Tuckers go home and don | 0:20:16 | 0:20:19 | |
the costumes and war paint and the characters of two members | 0:20:19 | 0:20:23 | |
of the Sioux Red Indian tribe. | 0:20:23 | 0:20:25 | |
Getting ready takes quite a time. | 0:20:35 | 0:20:37 | |
Now for the finishing touches, on goes the chief's war bonnet | 0:20:54 | 0:20:57 | |
and now Qua Shapper and Cumacamita - that's Black Panther | 0:20:57 | 0:21:00 | |
and Pony-In-The-Smoke to you - sit down to smoke the pipe of peace. | 0:21:00 | 0:21:04 | |
Cameras are recording part of a change in Britain. | 0:21:13 | 0:21:16 | |
Today our surroundings, our social life, | 0:21:16 | 0:21:19 | |
our amusements are changing, and this game is a spectacular | 0:21:19 | 0:21:22 | |
expression of that change. | 0:21:22 | 0:21:24 | |
It's only four years since it was | 0:21:24 | 0:21:25 | |
introduced publicly into Britain, yet its already a national sport. | 0:21:25 | 0:21:30 | |
It's one of the few in the world where | 0:21:30 | 0:21:32 | |
equality between the sexes is absolute, | 0:21:32 | 0:21:34 | |
unless you count darts and shove ha'penny. | 0:21:34 | 0:21:37 | |
In one year, 10 million games have been played | 0:21:37 | 0:21:39 | |
by men, women and children. | 0:21:39 | 0:21:41 | |
In the mixed leagues, women champions | 0:21:41 | 0:21:43 | |
are now emerging to challenge the men. | 0:21:43 | 0:21:45 | |
Not superior strength and staying power, | 0:21:45 | 0:21:48 | |
but personal skill is what sends all those ten pins flying. | 0:21:48 | 0:21:51 | |
Southend has a big new bowling centre right on its famous pier with | 0:21:53 | 0:21:57 | |
views all round of the sea and shoreline. | 0:21:57 | 0:21:59 | |
Already there are 70 major bowling centres in Britain, | 0:21:59 | 0:22:03 | |
and in another three years, at the present rate of growth, | 0:22:03 | 0:22:06 | |
there'll be more than 200. | 0:22:06 | 0:22:07 | |
The bowling centres are searching out those places | 0:22:07 | 0:22:09 | |
where people have to wait around. | 0:22:09 | 0:22:11 | |
Several big terminals, such as London Airport, | 0:22:11 | 0:22:14 | |
already have a bowl | 0:22:14 | 0:22:15 | |
for the traveller between planes, the local housewives | 0:22:15 | 0:22:18 | |
and working girls coming off duty, like these ground hostesses. | 0:22:18 | 0:22:21 | |
Skyport fields one of the best teams in the country. | 0:22:47 | 0:22:51 | |
It's a game well-suited to keeping one in good shape. | 0:22:51 | 0:22:53 | |
Another reason for the astonishing spread of this new sport | 0:22:58 | 0:23:01 | |
is that it arrived in Britain fully grown and highly organised. | 0:23:01 | 0:23:05 | |
Now everything is automated to pamper the customer. | 0:23:05 | 0:23:07 | |
Electronic machinery counts the number of games played. | 0:23:08 | 0:23:10 | |
It sweeps the fallen pins clear, | 0:23:13 | 0:23:15 | |
resets those left standing, | 0:23:15 | 0:23:17 | |
and returns the ball to your hand | 0:23:17 | 0:23:18 | |
with the smoothness and care of a well-trained slave. | 0:23:18 | 0:23:21 | |
It dries your palm if it's moist, | 0:23:21 | 0:23:23 | |
and even polishes the bowling lanes all on its own. | 0:23:23 | 0:23:26 | |
In Britain, there are more than 100,000 ardent jazz fans | 0:23:38 | 0:23:41 | |
who buy millions of jazz records every year, | 0:23:41 | 0:23:43 | |
and often travel hundreds of miles | 0:23:43 | 0:23:45 | |
to listen to their favourite jazz group. | 0:23:45 | 0:23:47 | |
At this three-day outdoor festival at Cleethorpes, Lincolnshire, | 0:23:47 | 0:23:50 | |
12 top line bands played to 16,000 people. | 0:23:50 | 0:23:53 | |
This worldwide beat of jazz can be cool or hot, trad or modern, | 0:24:02 | 0:24:07 | |
but essentially it's emotional. | 0:24:07 | 0:24:09 | |
A music that has to be felt, almost to be lived, to be really enjoyed. | 0:24:09 | 0:24:14 | |
Maybe the early influence of religious music on jazz accounts for this. | 0:24:14 | 0:24:17 | |
Cleethorpes found their jazz festival so popular, with people | 0:24:27 | 0:24:30 | |
coming from places as far apart as Cornwall and Inverness, | 0:24:30 | 0:24:33 | |
that it's now a standing date on the resort's calendar, | 0:24:33 | 0:24:35 | |
August Bank holiday. | 0:24:35 | 0:24:36 | |
The word jazz is | 0:24:43 | 0:24:45 | |
believed to come from the American negro word, jazzbo, or shuffle | 0:24:45 | 0:24:48 | |
dance, and of the 1,200 jazz clubs throughout Britain, fans either just | 0:24:48 | 0:24:52 | |
listen to the music or dance to it. | 0:24:52 | 0:24:54 | |
But most important, jazz is informal. | 0:24:54 | 0:24:57 | |
It's an atmosphere created by music which affects | 0:25:11 | 0:25:14 | |
people in different ways. | 0:25:14 | 0:25:16 | |
Some people, of course, hate it, but it can't be ignored. | 0:25:16 | 0:25:19 | |
Humphrey Lyttelton, a doyen of post-war Britain jazzmen, | 0:25:24 | 0:25:26 | |
started playing the trumpet at Eton where he was at school. | 0:25:26 | 0:25:29 | |
Today Eton has its own jazz group, | 0:25:29 | 0:25:31 | |
while, for many fans, Humph is the greatest. | 0:25:31 | 0:25:33 | |
Groups of youngsters like these have teamed together | 0:25:53 | 0:25:56 | |
with one ambition, to top the hit parade. | 0:25:56 | 0:25:58 | |
MUSIC: "Dizzy Miss Lizzy" by The Swinging Blue Jeans | 0:25:59 | 0:26:02 | |
The Cavern at Liverpool, | 0:26:15 | 0:26:16 | |
this has been the springboard to fame for many groups. | 0:26:16 | 0:26:19 | |
In Liverpool, there are now more than 300 groups. | 0:26:27 | 0:26:30 | |
Not many of them will realise all their ambitions, | 0:26:30 | 0:26:33 | |
but here's one group that's broken through | 0:26:33 | 0:26:34 | |
the show business barrier, soaring into the hit parade, | 0:26:34 | 0:26:37 | |
The Swinging Blue Jeans. | 0:26:37 | 0:26:39 | |
# For goodness' sakes | 0:26:39 | 0:26:42 | |
# I got the hippy hippy shakes | 0:26:42 | 0:26:44 | |
# Yeah, I've got the shakes | 0:26:44 | 0:26:47 | |
# I got the hippy hippy shakes. # | 0:26:48 | 0:26:50 | |
It's not only Liverpool. | 0:26:52 | 0:26:53 | |
In London, and all over the country there are clubs and ballrooms | 0:26:53 | 0:26:56 | |
where the youngsters can do what they like, | 0:26:56 | 0:26:58 | |
dress as they like, dance as they like. | 0:26:58 | 0:27:00 | |
Some estimates put the total number of beat groups at more than 25,000, | 0:27:02 | 0:27:06 | |
all producing the sort of sound | 0:27:06 | 0:27:07 | |
that has revolutionised the music industry. | 0:27:07 | 0:27:10 | |
It's strange that in this modern form of dancing, it's usually | 0:27:11 | 0:27:14 | |
the girls that like to dance, the boys to watch. | 0:27:14 | 0:27:16 | |
MUSIC: "Long Tall Sally" by The Swinging Blue Jeans | 0:27:22 | 0:27:27 | |
Subtitles by Red Bee Media Ltd | 0:28:13 | 0:28:15 |