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MUSIC | 0:00:11 | 0:00:14 | |
Millions of bombs fell on Britain during World War II. | 0:02:42 | 0:02:46 | |
They caused havoc, fire and death. | 0:02:46 | 0:02:49 | |
They left hundreds of thousands homeless. | 0:02:49 | 0:02:52 | |
But of all the bombs dropped, it was those that did not explode | 0:02:52 | 0:02:55 | |
that created the most difficult problems, | 0:02:55 | 0:02:57 | |
problems that still exist. | 0:02:57 | 0:03:00 | |
For even today, the war against the unexploded bomb | 0:03:00 | 0:03:03 | |
is still being fought daily by a handful of picked men | 0:03:03 | 0:03:07 | |
and this is a war not fought without casualties. | 0:03:07 | 0:03:10 | |
In three years, the Royal Navy's own bomb and mine disposal section | 0:03:12 | 0:03:17 | |
dealt with nearly 24,000 explosive objects | 0:03:17 | 0:03:19 | |
in the sea and on the foreshore of Britain and the Mediterranean. | 0:03:19 | 0:03:23 | |
Mines are still being washed up on the beaches | 0:03:23 | 0:03:25 | |
and it's the Navy's job to tackle them. | 0:03:25 | 0:03:27 | |
Corroded and barnacle encrusted from years in the sea, | 0:03:38 | 0:03:41 | |
they can be tricky jobs. | 0:03:41 | 0:03:44 | |
39-year-old Lieutenant Charles Lawrence MBE | 0:03:44 | 0:03:46 | |
from Tenby, South Wales, father of four children, | 0:03:46 | 0:03:49 | |
has been on this work for ten years. | 0:03:49 | 0:03:51 | |
With the fuse battery of the mine out, | 0:03:59 | 0:04:01 | |
he cuts the connecting leads then sets about removing the detonator. | 0:04:01 | 0:04:05 | |
Since their formation in 1940, | 0:04:13 | 0:04:15 | |
the bomb disposal unit of the Royal Engineers has lost 397 men. | 0:04:15 | 0:04:20 | |
All reports of suspected unexploded bombs on civilian property | 0:04:21 | 0:04:25 | |
that come into Horsham | 0:04:25 | 0:04:26 | |
are investigated by one of the bomb disposal unit's teams. | 0:04:26 | 0:04:30 | |
Pipes are sunk over the area | 0:04:30 | 0:04:31 | |
and electrical detectors are lowered into the ground. | 0:04:31 | 0:04:34 | |
If there is anything resembling a bomb down there, | 0:04:34 | 0:04:37 | |
it'll be detected. | 0:04:37 | 0:04:38 | |
When its position is fixed, the slow process of digging begins. | 0:04:41 | 0:04:44 | |
These teams, working under bomb disposal sergeants, are civilians, | 0:04:45 | 0:04:49 | |
many of them ex-prisoners of war. | 0:04:49 | 0:04:51 | |
Nearby houses are evacuated for the day. | 0:05:01 | 0:05:03 | |
The local police go from door to door | 0:05:06 | 0:05:07 | |
to make sure that everyone is out of the area. | 0:05:07 | 0:05:10 | |
Slowly, the bomb comes out from where it's lain since 1941. | 0:05:13 | 0:05:16 | |
It's taken these ten men seven months to unearth it, | 0:05:25 | 0:05:28 | |
at a cost of nearly £5,000. | 0:05:28 | 0:05:30 | |
As it is lowered, soon to be destroyed, | 0:05:33 | 0:05:35 | |
the bomb disposal unit have won another victory | 0:05:35 | 0:05:38 | |
in the war against the unexploded bomb, | 0:05:38 | 0:05:40 | |
a war that has earnt its men 12 George Medals | 0:05:42 | 0:05:45 | |
and countless other decorations. | 0:05:45 | 0:05:47 | |
Their gallantry is today commemorated by a centrepiece | 0:05:47 | 0:05:50 | |
presented to the mess of their Horsham headquarters, | 0:05:50 | 0:05:52 | |
a gallantry summed up in two words, | 0:05:52 | 0:05:55 | |
which tell the official story of their achievement - | 0:05:55 | 0:05:57 | |
rendered safe. | 0:05:57 | 0:05:59 | |
MUSIC | 0:05:59 | 0:06:02 | |
MUSIC | 0:06:09 | 0:06:11 | |
Come on boy, look sharp! | 0:06:35 | 0:06:37 | |
Fall in on the end of the line. | 0:06:37 | 0:06:39 | |
Hurry up! | 0:06:39 | 0:06:40 | |
Drop your bag on the floor. | 0:06:40 | 0:06:42 | |
Drop your bag, lad! | 0:06:42 | 0:06:44 | |
Stand at ease, turn your feet off, in other words. | 0:06:44 | 0:06:46 | |
Right, now pay attention to me. | 0:06:46 | 0:06:47 | |
From now on, you will be known as a squad. | 0:06:47 | 0:06:49 | |
Hands out your pocket, you, for a start. | 0:06:49 | 0:06:52 | |
All right, we've got 12 weeks training ahead of us | 0:06:53 | 0:06:55 | |
and tomorrow we start. | 0:06:55 | 0:06:56 | |
I expect you to work hard, help me as much as you can, is that clear? | 0:06:56 | 0:07:00 | |
Work with him, he said, and he meant work. | 0:07:00 | 0:07:03 | |
Right, regimental questions! Pay attention the whole squad. | 0:07:03 | 0:07:06 | |
Right, what's the full title of the regiment, you? | 0:07:07 | 0:07:10 | |
Grenadier Guards, Sergeant. | 0:07:10 | 0:07:12 | |
-Full title of the regiment? -I don't know, Sergeant. | 0:07:12 | 0:07:14 | |
Well, you should know by now. | 0:07:14 | 0:07:16 | |
Full title is the First All Grenadier Regiment of Foot Guards. | 0:07:16 | 0:07:19 | |
-Do you all understand? -Aye! | 0:07:19 | 0:07:21 | |
Foot guards! We weren't up to much with our feet at first. | 0:07:21 | 0:07:24 | |
But after a few weeks, we began to look more like it. | 0:07:24 | 0:07:26 | |
By the right, quick march, left, right... | 0:07:27 | 0:07:31 | |
WHISTLING | 0:07:56 | 0:08:00 | |
MUSIC | 0:08:00 | 0:08:03 | |
My first job is always to take over from the day staff. | 0:08:13 | 0:08:16 | |
It really takes about a quarter of an hour | 0:08:16 | 0:08:18 | |
to hear what's been happening during the day. | 0:08:18 | 0:08:20 | |
When you start working on the wards, | 0:08:25 | 0:08:27 | |
your life becomes a succession of going on and off duty. | 0:08:27 | 0:08:30 | |
Once you get used to the routine, it's not too bad. | 0:08:30 | 0:08:33 | |
Nurses work much more reasonable hours now. | 0:08:34 | 0:08:37 | |
Here we work a 45-hour-week | 0:08:37 | 0:08:39 | |
and some hospitals don't do more than 44 hours. | 0:08:39 | 0:08:42 | |
On the wards, there are so many things to do - | 0:08:46 | 0:08:49 | |
Taking temperature, pulse and respiration, | 0:08:49 | 0:08:52 | |
giving out medicines, and, of course, making beds. | 0:08:53 | 0:08:58 | |
There are more than 1,100 beds in our hospital group | 0:08:58 | 0:09:01 | |
and about 800 nurses to make them. | 0:09:01 | 0:09:03 | |
And when you come off duty, there's always the chance | 0:09:05 | 0:09:08 | |
that somebody will be waiting for you in the nurses home. | 0:09:08 | 0:09:11 | |
Well, it's a nice place to wait and a girl must change. | 0:09:11 | 0:09:14 | |
And when we relax in our sitting room, | 0:09:17 | 0:09:19 | |
we don't talk shop, much more likely shopping! | 0:09:19 | 0:09:21 | |
And a nurse today has more money to shop with. | 0:09:21 | 0:09:25 | |
I get a training allowance of £6-a-week. | 0:09:25 | 0:09:27 | |
Though, about half of that is taken for board and lodging. | 0:09:27 | 0:09:30 | |
When I'm qualified, I shall get nearly £10-a-week. | 0:09:30 | 0:09:33 | |
Dave and Jean, are both from Aberdeen, by the way, | 0:09:52 | 0:09:55 | |
find they have few friends outside other police families. | 0:09:55 | 0:09:58 | |
On the credit side, they have this modern three-roomed flat rent and rate free, | 0:09:58 | 0:10:02 | |
security for Dave in his job, promotion prospects, | 0:10:02 | 0:10:06 | |
pension and a current take home wage packet of about £18-a-week. | 0:10:06 | 0:10:10 | |
Biggest drawback is the shift work, which makes family life difficult. | 0:10:15 | 0:10:20 | |
And shift work limits social life. | 0:10:20 | 0:10:21 | |
A PC's duties are many, helping kids cross the road. | 0:10:25 | 0:10:28 | |
There's a shortage of civilian crossing patrols, too. | 0:10:28 | 0:10:31 | |
If a PC is known to be near an incident, | 0:10:31 | 0:10:33 | |
he may be summoned by phone from HQ. | 0:10:33 | 0:10:35 | |
They see themselves, not solely as crime busters, | 0:10:42 | 0:10:45 | |
but as social engineers, helping us cope with the complex laws | 0:10:45 | 0:10:49 | |
and regulations of our society. | 0:10:49 | 0:10:51 | |
Home at a reasonable hour tonight, | 0:10:53 | 0:10:56 | |
but its back to late turn tomorrow, 10pm to 6am, | 0:10:56 | 0:10:59 | |
a sleep and breakfast at three in the afternoon. | 0:10:59 | 0:11:03 | |
Oh, well, that's a policeman's lot and a policeman's wife's lot, too. | 0:11:04 | 0:11:08 | |
MUSIC | 0:11:08 | 0:11:11 | |
There are twice as many women as men | 0:11:34 | 0:11:36 | |
among London's 1,200 traffic wardens, | 0:11:36 | 0:11:38 | |
though outside London, it's the other way round. | 0:11:38 | 0:11:40 | |
Though there have been men wardens since 1960, | 0:11:40 | 0:11:43 | |
the women didn't come on the scene until four years later. | 0:11:43 | 0:11:47 | |
Most women wardens are married | 0:11:47 | 0:11:49 | |
with families who are old enough to be left. | 0:11:49 | 0:11:51 | |
There are fewer single girls, | 0:11:51 | 0:11:53 | |
but its rather a case of if the cap fits! | 0:11:53 | 0:11:56 | |
Many are attracted by the hours, | 0:11:59 | 0:12:01 | |
which can be made to fit in with home life. | 0:12:01 | 0:12:03 | |
They work early and late shifts alternate weeks. | 0:12:03 | 0:12:05 | |
Others go for the pay. | 0:12:05 | 0:12:08 | |
Men and women alike get about £16-a-week in central London | 0:12:08 | 0:12:11 | |
and about £15 in the suburbs. | 0:12:11 | 0:12:14 | |
Irene Harris is one of Britain's 5,000 traffic wardens. | 0:12:14 | 0:12:18 | |
She's one of the girls, who, in theory, no motorist loves, | 0:12:18 | 0:12:21 | |
though, more often than not, she's a motorist's wife or girlfriend. | 0:12:21 | 0:12:24 | |
BRASS BAND MUSIC | 0:12:24 | 0:12:27 | |
I passed my course all right, nearly two years ago | 0:12:29 | 0:12:31 | |
and I've been pounding the warden's beat ever since. | 0:12:31 | 0:12:34 | |
You might not believe it but we walk about ten miles a day. | 0:12:34 | 0:12:37 | |
Mind you, I like the life, | 0:12:37 | 0:12:38 | |
even though my poor feet do ache all the time. | 0:12:38 | 0:12:41 | |
Some things we have to do, like moving on a motorist | 0:12:45 | 0:12:48 | |
who's trying to park on a double yellow line. | 0:12:48 | 0:12:51 | |
I find women much easier than men to deal with. | 0:12:51 | 0:12:54 | |
I often think how different it is on my beat in Soho | 0:12:54 | 0:12:57 | |
when I'm off duty. | 0:12:57 | 0:12:58 | |
Sometimes I get a chance to see it | 0:12:58 | 0:13:00 | |
when we go up in our old car for a night out. | 0:13:00 | 0:13:02 | |
I've had a parking ticket in my time, before I was a warden. | 0:13:03 | 0:13:06 | |
PIANO MUSIC | 0:13:06 | 0:13:10 | |
I usually find a space to park | 0:13:12 | 0:13:13 | |
but it takes a lot of looking for before we can go off on a spree. | 0:13:13 | 0:13:17 | |
MUSIC | 0:13:17 | 0:13:19 | |
MUSIC | 0:13:22 | 0:13:24 | |
There are less than 4,000 sweeps in the country, | 0:13:26 | 0:13:28 | |
which makes it a pretty exclusive calling. | 0:13:28 | 0:13:31 | |
Skilful and resilient, | 0:13:31 | 0:13:32 | |
the sweep adapts his technique to the demands of a modern age. | 0:13:32 | 0:13:36 | |
In the 19th century, small boys, or even girls, | 0:13:36 | 0:13:39 | |
were shoved up inside chimneys to clean them | 0:13:39 | 0:13:41 | |
and it took a public outcry to put an end to the practice. | 0:13:41 | 0:13:44 | |
MUSIC | 0:13:44 | 0:13:46 | |
With a chimney of this sort, | 0:13:52 | 0:13:53 | |
the sweep cleans from outside and just as well. | 0:13:53 | 0:13:56 | |
He could get lost in this one! | 0:13:56 | 0:13:57 | |
With this type of chimney, a heavy ball is used | 0:13:59 | 0:14:02 | |
to weight the brush on its way down. | 0:14:02 | 0:14:04 | |
But it's useful too, to let the sweep's mate know he's ready. | 0:14:04 | 0:14:07 | |
Three quarters of them work on their own account. | 0:14:07 | 0:14:10 | |
So far as the big contract jobs are concerned, | 0:14:10 | 0:14:13 | |
the summer is the brisk time for the trade. | 0:14:13 | 0:14:15 | |
And in the summer, | 0:14:15 | 0:14:16 | |
it's more comfortable to be cleaning the chimney from outside | 0:14:16 | 0:14:19 | |
than the boiler flu inside. | 0:14:19 | 0:14:21 | |
Though this chap doesn't seem to mind. | 0:14:21 | 0:14:23 | |
Wearing a mask is a matter of personal choice. | 0:14:24 | 0:14:27 | |
Some do, some don't. | 0:14:27 | 0:14:29 | |
This is no sort of job for a man with claustrophobia! | 0:14:29 | 0:14:32 | |
Since 1950, more than 550 mills have been closed | 0:15:07 | 0:15:11 | |
and converted for all sorts of light industries. | 0:15:11 | 0:15:14 | |
Operatives have been taught new skills, | 0:15:14 | 0:15:17 | |
which has often led to a new way of life. | 0:15:17 | 0:15:19 | |
The biggest group of converted mills includes one at Lee, | 0:15:20 | 0:15:23 | |
where wiring systems for motor cars are made. | 0:15:23 | 0:15:26 | |
They are assembled by girls who, yesterday, | 0:15:26 | 0:15:29 | |
would have worked in a cotton mill, | 0:15:29 | 0:15:31 | |
but have proved that Lancashire skill and craftsmanship | 0:15:31 | 0:15:34 | |
are quickly adaptable. | 0:15:34 | 0:15:36 | |
Most of the mills which still produce cotton | 0:15:47 | 0:15:49 | |
have brought their equipment and conditions of work up-to-date, | 0:15:49 | 0:15:53 | |
like this 100-year-old mill at Hythe, | 0:15:53 | 0:15:55 | |
just over the Cheshire border, | 0:15:55 | 0:15:56 | |
which used to employ about 3,000 operatives | 0:15:56 | 0:15:59 | |
and today, with vastly increased production, | 0:15:59 | 0:16:02 | |
still needs 2,400 to keep the modern machines running. | 0:16:02 | 0:16:06 | |
Many of the workers and their families | 0:16:12 | 0:16:14 | |
have been with this mill for generations. | 0:16:14 | 0:16:16 | |
Like Eleanor Pleasance, | 0:16:16 | 0:16:17 | |
who's worked in the carding room for more than 50 years. | 0:16:17 | 0:16:20 | |
With her family, she's given the mill over 350 years of service. | 0:16:20 | 0:16:24 | |
Today, many of the operatives come from far-away places | 0:16:24 | 0:16:27 | |
such as Pakistan and Italy. | 0:16:27 | 0:16:29 | |
Here, in this light airy spinning room, each machine is equipped | 0:16:30 | 0:16:34 | |
with a monster vacuum cleaner designed to pick up the cotton dust | 0:16:34 | 0:16:39 | |
before it's had time to settle and become a menace to health. | 0:16:39 | 0:16:42 | |
MUSIC | 0:16:42 | 0:16:45 | |
More mechanisation means more safety precautions to be enforced. | 0:16:57 | 0:17:00 | |
The first factory inspectors were appointed more than 100 years ago, | 0:17:00 | 0:17:04 | |
in the days when child labour was a scandal. | 0:17:04 | 0:17:06 | |
Today, there are nearly 500 factory inspectors in Britain | 0:17:06 | 0:17:09 | |
and one of their main jobs | 0:17:09 | 0:17:11 | |
is to see that safety regulations are observed. | 0:17:11 | 0:17:13 | |
On visits to factories, the inspector ensures that safety guards | 0:17:20 | 0:17:23 | |
are being used properly and are in working order. | 0:17:23 | 0:17:26 | |
Here, he tests the guard on a hydraulic press | 0:17:26 | 0:17:28 | |
to make sure the machine won't operate | 0:17:28 | 0:17:30 | |
unless the guard is in position. | 0:17:30 | 0:17:32 | |
There can be risks too in the laundry, | 0:17:33 | 0:17:35 | |
where many of the machines are hand operated. | 0:17:35 | 0:17:37 | |
This ironing machine should stop if a hand touches the safety guard | 0:17:39 | 0:17:43 | |
and there must be no space in which fingers can get caught. | 0:17:43 | 0:17:45 | |
The first woman inspector was appointed more than 72 years ago. | 0:17:46 | 0:17:50 | |
Today, there are 56 of them. | 0:17:50 | 0:17:52 | |
The mechanical presser is made so that it will not start up | 0:17:53 | 0:17:56 | |
unless two buttons are pressed at the same time. | 0:17:56 | 0:17:59 | |
But even with safety devices, accidents can happen | 0:18:04 | 0:18:07 | |
and trainees get advice from the inspector on how to avoid them. | 0:18:07 | 0:18:10 | |
All the time, top priority is safety and more safety | 0:18:25 | 0:18:29 | |
while the men put on their protective clothing. | 0:18:29 | 0:18:31 | |
It's all rather like the old ammunition factories, | 0:18:31 | 0:18:34 | |
where a man takes 999 extra precautions to make sure | 0:18:34 | 0:18:37 | |
he doesn't come undone on the one chance in a thousand or a million. | 0:18:37 | 0:18:41 | |
And in this case, he needs a lifeline. | 0:18:41 | 0:18:44 | |
Armed with a light and an air pipe, | 0:19:05 | 0:19:07 | |
he goes right down into one of the boilers | 0:19:07 | 0:19:09 | |
and carries out an inspection when the flow is turned off. | 0:19:09 | 0:19:13 | |
The water and the steam have, anyway, never been in touch | 0:19:13 | 0:19:15 | |
with anything from the reactor, and are perfectly safe. | 0:19:15 | 0:19:18 | |
The gas which goes round in a cycle of its own, could be radioactive, | 0:19:18 | 0:19:22 | |
so although it's never likely to reach him, the man is protected. | 0:19:22 | 0:19:25 | |
When he has finished his stint, | 0:19:26 | 0:19:28 | |
he gets out of the gear, he limbers up, | 0:19:28 | 0:19:30 | |
he takes a shower to make sure that no dust has settled on him. | 0:19:30 | 0:19:33 | |
He gives his hands a special test. | 0:19:36 | 0:19:38 | |
MUSIC | 0:19:38 | 0:19:40 | |
In cells with massive concrete walls, five foot six inches thick, | 0:19:49 | 0:19:53 | |
heavily radiated materials are checked by mechanical hands. | 0:19:53 | 0:19:56 | |
But the checking instruments that go into these cells | 0:19:56 | 0:19:59 | |
must later be decontaminated or cleaned. | 0:19:59 | 0:20:01 | |
And for this job, an operator gets into a pressurised suit. | 0:20:01 | 0:20:05 | |
The air is continually pumped in under pressure | 0:20:05 | 0:20:08 | |
and escapes through a vent in the suit | 0:20:08 | 0:20:10 | |
as he moves into the contaminated area. | 0:20:10 | 0:20:11 | |
The heavily radiated materials | 0:20:15 | 0:20:17 | |
are removed from the cells mechanically. | 0:20:17 | 0:20:19 | |
Then, the contaminated testing equipment | 0:20:23 | 0:20:25 | |
is brought through to the cleaning bay. | 0:20:25 | 0:20:27 | |
The compressed air escaping from the operator's suit, | 0:20:27 | 0:20:29 | |
prevents any of the radioactive dust from getting in. | 0:20:29 | 0:20:32 | |
5,000 people work in this building. | 0:20:54 | 0:20:57 | |
If they all arrived at once, it would mean chaos, | 0:20:57 | 0:20:59 | |
so staff arrivals are staggered. | 0:20:59 | 0:21:01 | |
Some start at 8.40am and others at 9.05am. | 0:21:01 | 0:21:05 | |
In the big company world of the day, | 0:21:05 | 0:21:07 | |
you can measure the corridors in miles... | 0:21:07 | 0:21:09 | |
..and the office lighting in lumens, | 0:21:11 | 0:21:13 | |
to give just the right amount without glare at desk level, | 0:21:13 | 0:21:16 | |
as here, in the typing pool, | 0:21:16 | 0:21:17 | |
where mechanisation has moved in with the girls. | 0:21:17 | 0:21:20 | |
The whole building is also linked for mail deliveries. | 0:21:21 | 0:21:23 | |
There's an automatic despatch system with receiving points | 0:21:23 | 0:21:26 | |
on all floors linked to the post room. | 0:21:26 | 0:21:29 | |
You address the container by dialling a combination, | 0:21:29 | 0:21:32 | |
a code of letters and numbers, | 0:21:32 | 0:21:34 | |
and away it goes on compressed air to any one of 44 stations | 0:21:34 | 0:21:39 | |
serving hundreds of offices. | 0:21:39 | 0:21:41 | |
In the computer room, the robots are busy on company accounts, | 0:21:46 | 0:21:49 | |
tax returns, sales figures | 0:21:49 | 0:21:51 | |
and the rest of the complex arithmetic of a vast concern. | 0:21:51 | 0:21:55 | |
They are also wages clerks, working out salaries and wages, | 0:21:55 | 0:21:58 | |
deductions and take home pay and they don't make mistakes! | 0:21:58 | 0:22:01 | |
And here's something for the "Hello" girls, | 0:22:05 | 0:22:08 | |
a telephone exchange with a difference. | 0:22:08 | 0:22:10 | |
250 lines, 4,500 extensions and not a cord insight. | 0:22:10 | 0:22:15 | |
It's one of the most up-to-date in the world | 0:22:15 | 0:22:17 | |
where the girls tap in keys to put you through. | 0:22:17 | 0:22:19 | |
For the 19 operators, | 0:22:21 | 0:22:23 | |
15-minute breaks every two to two and a half hours | 0:22:23 | 0:22:26 | |
and a rest room where the only numbers are pretty ones! | 0:22:26 | 0:22:29 | |
They've got their own help-yourself restaurants, | 0:22:31 | 0:22:34 | |
serving three-course lunches free on the firm! | 0:22:34 | 0:22:36 | |
And what better in the lunch hour | 0:22:45 | 0:22:47 | |
than to see what your artistic friends on the staff | 0:22:47 | 0:22:49 | |
have been up to in their spare time. | 0:22:49 | 0:22:51 | |
Or to take a dip in the office pool. | 0:22:56 | 0:22:58 | |
Wendy is a member of the staff swimming club | 0:22:58 | 0:23:00 | |
and uses the pool often. | 0:23:00 | 0:23:02 | |
It's built to international standards | 0:23:02 | 0:23:04 | |
and has a spectators gallery and electronic race timing equipment. | 0:23:04 | 0:23:07 | |
And after work? | 0:23:16 | 0:23:18 | |
In the evening, another part of this office with a difference | 0:23:18 | 0:23:20 | |
comes to life. | 0:23:20 | 0:23:22 | |
The recreation area. | 0:23:22 | 0:23:23 | |
It's all part of a plan, encouraged by the local authority, | 0:23:23 | 0:23:26 | |
to make sure the neighbourhood | 0:23:26 | 0:23:28 | |
doesn't become just a dead place after office hours. | 0:23:28 | 0:23:31 | |
Here, you'll find nearly every sport in the book | 0:23:31 | 0:23:33 | |
and it all helps, of course, to keep a healthy, efficient staff. | 0:23:33 | 0:23:36 | |
MUSIC | 0:23:36 | 0:23:39 | |
It's always late in the afternoon that three young matadors | 0:23:54 | 0:23:57 | |
go into the arena to kill two bulls each. | 0:23:57 | 0:23:59 | |
Theirs is a profession with the highest death rate in the world | 0:23:59 | 0:24:03 | |
and some of the richest rewards. | 0:24:03 | 0:24:04 | |
CHEERING | 0:24:04 | 0:24:07 | |
A profession that only the Spanish temperament can master. | 0:24:08 | 0:24:11 | |
At least that's what Spaniards said | 0:24:11 | 0:24:13 | |
before a young Englishman named Vincent Hitchcock came on the scene. | 0:24:13 | 0:24:17 | |
After four years, he retired to a farm in Kent, | 0:24:24 | 0:24:26 | |
where he now lives with his wife, Jacqueline, | 0:24:26 | 0:24:28 | |
and their three small daughters. | 0:24:28 | 0:24:30 | |
He'd killed 180 bulls at nearly 80 bull fights. | 0:24:30 | 0:24:33 | |
Twice, he was almost fatally gored. | 0:24:33 | 0:24:35 | |
He'd been earning 15,000 a year. | 0:24:35 | 0:24:37 | |
But as Jacqueline gave his matador's jacket an occasional airing, | 0:24:43 | 0:24:46 | |
she wondered how long her husband would resist | 0:24:46 | 0:24:48 | |
the call of the bull ring. | 0:24:48 | 0:24:50 | |
Now, today, at 31, Hitchcock is determined to make a comeback. | 0:24:50 | 0:24:53 | |
It all began with a letter from his manager in Madrid. | 0:25:01 | 0:25:03 | |
"Prove that you can face a bull again", said his manager, | 0:25:03 | 0:25:06 | |
"and fat contracts are waiting." | 0:25:06 | 0:25:08 | |
Back in Madrid, El Ingles now has to face his tienta. | 0:25:16 | 0:25:20 | |
And often, a fighting cow can be more dangerous than a bull, | 0:25:20 | 0:25:23 | |
for she's usually been fought before, | 0:25:23 | 0:25:25 | |
while the bull first sees the torero's cape in the bull ring. | 0:25:25 | 0:25:28 | |
Under the eyes of the head cowboy, | 0:25:28 | 0:25:29 | |
two cows and steers are herded into the corral. | 0:25:29 | 0:25:32 | |
MUSIC | 0:25:32 | 0:25:35 | |
A nine-year-old, this spitting vicious little beast | 0:25:43 | 0:25:46 | |
has obviously been fought before. | 0:25:46 | 0:25:48 | |
Notice how she hooks. | 0:25:48 | 0:25:50 | |
She's after the man and not the cape, and Hitchcock knows it. | 0:25:50 | 0:25:53 | |
He's too slow! He's caught and half tossed! | 0:25:55 | 0:25:58 | |
Nothing serious though, just torn trousers. | 0:25:58 | 0:26:00 | |
Everything is ready. | 0:26:02 | 0:26:04 | |
The crowds flock to the bullring. | 0:26:04 | 0:26:07 | |
The three matadors lead in their teams of six men. | 0:26:07 | 0:26:09 | |
Behind come the mules, which will drag the dead bulls from the arena. | 0:26:12 | 0:26:15 | |
In comes the first bull, | 0:26:20 | 0:26:21 | |
knowing, perhaps subconsciously, | 0:26:21 | 0:26:23 | |
that he's going to fight for his life, but can't win. | 0:26:23 | 0:26:26 | |
As the toreros play the bull, Hitchcock weighs up his tactics. | 0:26:27 | 0:26:31 | |
And now, his time has come. | 0:26:35 | 0:26:37 | |
Out he goes into the arena. | 0:26:37 | 0:26:38 | |
For Hitchcock the Englishman, this is his moment of truth! | 0:26:41 | 0:26:45 | |
MUSIC | 0:26:45 | 0:26:48 | |
But perhaps the most exciting job is riding the Wall of Death. | 0:27:07 | 0:27:10 | |
Here at Southend, 55-year-old Tornado Smith | 0:27:11 | 0:27:14 | |
is ready for his day's work. | 0:27:14 | 0:27:16 | |
He's in the super-tax class. | 0:27:16 | 0:27:19 | |
His two assistants, 22-year-old ex-shop assistant Irene Taplin | 0:27:19 | 0:27:23 | |
and 24-year-old ex-telephonist Yvonne Stag, | 0:27:23 | 0:27:26 | |
get their machines going for a warming up session. | 0:27:26 | 0:27:28 | |
First, it's the two girls on the back and front | 0:27:31 | 0:27:33 | |
of Tornado Smith's bike. | 0:27:33 | 0:27:34 | |
Perfect balance is essential. | 0:27:34 | 0:27:36 | |
Yes, it needs tremendous concentration, | 0:27:39 | 0:27:42 | |
split-second timing | 0:27:42 | 0:27:43 | |
and a highly critical control of speed to keep these bikes going. | 0:27:43 | 0:27:48 | |
It's sheer skill, | 0:27:48 | 0:27:49 | |
learnt the hard way from hours and hours of practice. | 0:27:49 | 0:27:51 | |
MUSIC | 0:27:51 | 0:27:55 | |
Round and round they go, turning, twisting. | 0:27:56 | 0:27:59 | |
Never time for second thoughts. | 0:27:59 | 0:28:00 | |
Well, there's a lot to be said for exciting jobs, | 0:28:02 | 0:28:04 | |
providing, of course, that you never get bored with the thrills. | 0:28:04 | 0:28:08 | |
Subtitles by Red Bee Media Ltd | 0:28:46 | 0:28:48 |