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This programme contains some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:08 | |
In 1918, the people of Britain were weary from four years of war | 0:00:15 | 0:00:20 | |
and grief and deprivation. | 0:00:20 | 0:00:23 | |
The news from the front was bleak. | 0:00:27 | 0:00:29 | |
One of Britain's allies, Russia, had already given up the fight. | 0:00:33 | 0:00:37 | |
America had, at last, joined the Allied cause, | 0:00:39 | 0:00:43 | |
but could the power it promised arrive in time? | 0:00:43 | 0:00:46 | |
The German war machine was beginning to look unbeatable. | 0:00:47 | 0:00:51 | |
The final year of the war would take Britain to the very brink of defeat. | 0:00:54 | 0:00:59 | |
The British people needed hope. | 0:01:02 | 0:01:04 | |
They needed inspiration. | 0:01:05 | 0:01:08 | |
They needed Sherlock Holmes. | 0:01:10 | 0:01:13 | |
There hadn't been a Sherlock Holmes story in ten years, | 0:01:15 | 0:01:19 | |
but Britain was in trouble, | 0:01:19 | 0:01:21 | |
so Holmes' creator, Sir Arthur Conan Doyle, | 0:01:21 | 0:01:25 | |
decided it was time to bring his hero out of retirement. | 0:01:25 | 0:01:29 | |
In His Last Bow, Holmes defeats a German secret agent | 0:01:32 | 0:01:37 | |
bent on wrecking the British war effort. | 0:01:37 | 0:01:39 | |
To try to reassure his readers | 0:01:42 | 0:01:45 | |
that all the sacrifice had been worthwhile, | 0:01:45 | 0:01:48 | |
Conan Doyle ended the story by having his hero turn | 0:01:48 | 0:01:51 | |
to his trusty companion and say this... | 0:01:51 | 0:01:55 | |
"There's an east wind coming, | 0:01:55 | 0:01:58 | |
"such a wind as never blew on England yet. | 0:01:58 | 0:02:02 | |
"It will be cold and bitter, Watson, | 0:02:02 | 0:02:05 | |
"and a good many of us may wither before its blast. | 0:02:05 | 0:02:08 | |
"But it's God's own wind nonetheless, | 0:02:09 | 0:02:13 | |
"and a cleaner, better, stronger land will lie in the sunshine | 0:02:13 | 0:02:17 | |
"when the storm has cleared." | 0:02:17 | 0:02:20 | |
In fact, when the war ended, | 0:02:20 | 0:02:22 | |
the Britain that emerged wasn't anything | 0:02:22 | 0:02:24 | |
Conan Doyle could have imagined. | 0:02:24 | 0:02:27 | |
What came out instead was modern Britain, | 0:02:27 | 0:02:30 | |
a country any of us would recognise as the one in which we live. | 0:02:30 | 0:02:35 | |
BIRDS TWEET | 0:03:13 | 0:03:16 | |
Four years into the war, | 0:03:24 | 0:03:26 | |
in quiet, respectable houses all over Britain, | 0:03:26 | 0:03:29 | |
strange things were happening. | 0:03:29 | 0:03:31 | |
This is the former home | 0:03:39 | 0:03:41 | |
of the distinguished scientist Sir Oliver Lodge, | 0:03:41 | 0:03:44 | |
a world authority on everything from atoms to X-rays. | 0:03:44 | 0:03:48 | |
He moved here when he retired on the advice of his son, Raymond, | 0:03:48 | 0:03:53 | |
which was extraordinary, really, | 0:03:53 | 0:03:55 | |
because by that stage, Raymond had been dead for four years. | 0:03:55 | 0:04:00 | |
In 1915, the Lodge family had received the news | 0:04:14 | 0:04:17 | |
they'd been dreading. | 0:04:17 | 0:04:20 | |
Their son, Raymond, | 0:04:20 | 0:04:22 | |
had been mortally wounded by shrapnel in Flanders. | 0:04:22 | 0:04:26 | |
His father was devastated. | 0:04:26 | 0:04:28 | |
All hope for the future seemed to disappear. | 0:04:28 | 0:04:32 | |
And then something very odd happened. | 0:04:32 | 0:04:36 | |
A medium contacted the family | 0:04:36 | 0:04:37 | |
to say that Raymond wanted to reach them from beyond the grave. | 0:04:37 | 0:04:42 | |
They arranged a seance. | 0:04:45 | 0:04:47 | |
Raymond appeared and told them he was living with his dead comrades | 0:04:47 | 0:04:51 | |
in a place called Summerland, | 0:04:51 | 0:04:54 | |
where they could still smoke cigars and drink whisky. | 0:04:54 | 0:04:58 | |
But his father was a hard-headed scientist. | 0:04:58 | 0:05:01 | |
He wanted proof that this really was his dead son speaking to him. | 0:05:01 | 0:05:05 | |
It came at a session | 0:05:08 | 0:05:09 | |
in which Raymond talked about a particular photograph. | 0:05:09 | 0:05:13 | |
He described it. | 0:05:13 | 0:05:15 | |
The family said they didn't know what he was talking about. | 0:05:15 | 0:05:17 | |
He said, "Yes, the one where the officer behind me | 0:05:17 | 0:05:21 | |
"is leaning on my shoulder." | 0:05:21 | 0:05:23 | |
Now, as Sir Oliver told the story, | 0:05:23 | 0:05:25 | |
four days later, an envelope arrived in the post. | 0:05:25 | 0:05:29 | |
It contained this photo. | 0:05:29 | 0:05:31 | |
In the front row, there is Raymond, | 0:05:31 | 0:05:34 | |
and the officer behind him does seem to have his hand on his shoulder. | 0:05:34 | 0:05:39 | |
For the Lodge family, this was all the evidence that was necessary | 0:05:40 | 0:05:45 | |
to confirm that Raymond was indeed talking to them from the other side. | 0:05:45 | 0:05:50 | |
In a country consumed by grief, | 0:05:57 | 0:05:59 | |
the idea that the war dead were not dead at all, | 0:05:59 | 0:06:03 | |
merely physically absent, proved hugely comforting. | 0:06:03 | 0:06:06 | |
When Sir Oliver wrote a book about his experience called | 0:06:09 | 0:06:13 | |
Raymond, Or Life And Death, it became an instant bestseller. | 0:06:13 | 0:06:17 | |
Across Britain, the supernatural entered everyday life. | 0:06:19 | 0:06:23 | |
People saw ghostly soldiers wandering the streets. | 0:06:26 | 0:06:30 | |
The number of spiritualist organisations quadrupled. | 0:06:32 | 0:06:36 | |
Some, at least, of the old certainties were crumbling. | 0:06:36 | 0:06:40 | |
The war had left people desperate for reassurance. | 0:06:47 | 0:06:51 | |
But, in early 1918, hope was in very short supply. | 0:06:51 | 0:06:55 | |
Awful evidence of the war filled the streets of Britain. | 0:07:11 | 0:07:14 | |
Men mutilated in battle were everywhere. | 0:07:16 | 0:07:19 | |
Over 40,000 soldiers had lost a limb. | 0:07:22 | 0:07:25 | |
Even more were coming back from the front blinded | 0:07:30 | 0:07:33 | |
or with facial injuries. | 0:07:33 | 0:07:35 | |
The trenches had been dug for protection. | 0:07:43 | 0:07:46 | |
But the consequence of living in a hole in the ground | 0:07:46 | 0:07:49 | |
was that when you tried to look and see what was happening elsewhere, | 0:07:49 | 0:07:53 | |
you exposed your head and your face to new and terrible injury. | 0:07:53 | 0:07:58 | |
If you were unlucky enough to have that happen to you, | 0:07:58 | 0:08:02 | |
this was the best place you could hope to come. | 0:08:02 | 0:08:04 | |
This country house became a refuge for those whose injuries | 0:08:14 | 0:08:18 | |
had made them walking gargoyles. | 0:08:18 | 0:08:20 | |
It was the creation of Sir Harold Gillies. | 0:08:26 | 0:08:29 | |
The New Zealand-born surgeon had found his calling | 0:08:29 | 0:08:32 | |
while treating wounded soldiers in France. | 0:08:32 | 0:08:34 | |
He saw the need for a new kind of surgery to rebuild faces | 0:08:39 | 0:08:44 | |
damaged beyond nightmare by the effects of modern weapons. | 0:08:44 | 0:08:48 | |
He called his work a strange new art | 0:08:48 | 0:08:52 | |
and, sick of amputating limbs, | 0:08:52 | 0:08:55 | |
an alternative to what he called the surgery of destruction. | 0:08:55 | 0:08:59 | |
The task of turning men who looked like monsters | 0:09:06 | 0:09:10 | |
back into human beings seemed overwhelming. | 0:09:10 | 0:09:13 | |
"Day after day," he wrote, | 0:09:13 | 0:09:16 | |
"the tragic, grotesque procession disembarked from the hospital ships | 0:09:16 | 0:09:21 | |
"and made its way towards us. | 0:09:21 | 0:09:24 | |
"Men without half their faces, | 0:09:24 | 0:09:27 | |
"men burned and maimed to the condition of animals." | 0:09:27 | 0:09:32 | |
Dr Andrew Bamji is a former director of medical education | 0:09:37 | 0:09:41 | |
at the hospital. | 0:09:41 | 0:09:43 | |
In 1987, he discovered an extraordinary store | 0:09:43 | 0:09:47 | |
of medical records associated with Harold Gillies' work. | 0:09:47 | 0:09:51 | |
This is a chap called Stacey. | 0:09:53 | 0:09:57 | |
He was in the Royal Naval division. | 0:09:57 | 0:09:59 | |
He, basically, had a very simple repair. | 0:09:59 | 0:10:02 | |
What Gillies has done is to use a technique | 0:10:02 | 0:10:05 | |
that had been developed before by the French, | 0:10:05 | 0:10:07 | |
which is to take a forehead flap | 0:10:07 | 0:10:09 | |
and then slide it down over the nose. | 0:10:09 | 0:10:12 | |
Here is a forehead flap that's been taken... | 0:10:12 | 0:10:15 | |
-He's taken a flap of skin from up here... -From the forehead, mm. | 0:10:15 | 0:10:19 | |
And rolled it up and laid it... | 0:10:19 | 0:10:21 | |
-And laid it down to fill over the gap. -I see. | 0:10:21 | 0:10:24 | |
What are the other ones you have here? | 0:10:26 | 0:10:30 | |
-Stan Cohen was a tank officer. -Poor chap. | 0:10:30 | 0:10:34 | |
Here is a man who is not only seriously burned | 0:10:34 | 0:10:38 | |
but he can't close his eyes. | 0:10:38 | 0:10:40 | |
One of the techniques that Gillies invented | 0:10:40 | 0:10:43 | |
was a technique of eyelid reconstruction. | 0:10:43 | 0:10:47 | |
-Stan Cohen stayed working at the hospital until he died. -Did he? -Mm. | 0:10:47 | 0:10:51 | |
He was a porter, and, | 0:10:51 | 0:10:53 | |
-more poignantly, he was a night porter. -Mm. | 0:10:53 | 0:10:56 | |
He very rarely went out. | 0:10:56 | 0:10:58 | |
He had no friends other than the nurses. | 0:10:58 | 0:11:01 | |
Very interestingly, he ran a Sunday school class. | 0:11:01 | 0:11:04 | |
He said he never minded being with children | 0:11:04 | 0:11:06 | |
because children didn't show disgust, they only showed curiosity. | 0:11:06 | 0:11:10 | |
I can't imagine how these men with some of these wounds | 0:11:10 | 0:11:14 | |
could ever have beared to look at themselves in the mirror. | 0:11:14 | 0:11:17 | |
Some of them couldn't. | 0:11:17 | 0:11:19 | |
Some of them, in fact, | 0:11:19 | 0:11:22 | |
went on to hide themselves away from the world | 0:11:22 | 0:11:25 | |
so that no-one would see them. | 0:11:25 | 0:11:27 | |
One of the things they were trained in at Sidcup was cinema projection. | 0:11:27 | 0:11:30 | |
-In a darkened room? -In a dark room. | 0:11:30 | 0:11:33 | |
You arrived before the audience and you left after the audience. | 0:11:33 | 0:11:36 | |
It's quite something to have to live with, though, isn't it? | 0:11:36 | 0:11:40 | |
Even reconstructed, it still wasn't right. | 0:11:40 | 0:11:42 | |
You didn't expect perfection in those days. | 0:11:42 | 0:11:45 | |
In fact, you probably didn't expect to live with an injury like that. | 0:11:45 | 0:11:48 | |
So, most of these people were utterly grateful | 0:11:48 | 0:11:51 | |
for what had been done for them. | 0:11:51 | 0:11:52 | |
They would cope with it in different ways. | 0:11:52 | 0:11:54 | |
There were those who would joke. | 0:11:54 | 0:11:56 | |
One chap had a skin graft from his backside onto his cheek. | 0:11:56 | 0:12:01 | |
It always amused him, then, | 0:12:01 | 0:12:03 | |
when his mother-in-law kissed him goodbye! | 0:12:03 | 0:12:07 | |
Some of them were quite happy to flaunt themselves, | 0:12:07 | 0:12:10 | |
but some of them, like Stan Cohen, hid themselves away. | 0:12:10 | 0:12:12 | |
There was this whole spectrum of people | 0:12:12 | 0:12:15 | |
who reacted in a different way. | 0:12:15 | 0:12:17 | |
How intense was his experience? | 0:12:17 | 0:12:19 | |
Quite extraordinary by modern standards. | 0:12:21 | 0:12:24 | |
Nowadays, I suppose any surgeon | 0:12:24 | 0:12:26 | |
who's done 100 facial reconstructions | 0:12:26 | 0:12:29 | |
would be considered an expert. | 0:12:29 | 0:12:31 | |
Gillies and his colleagues got through over 5,000 patients | 0:12:31 | 0:12:35 | |
from World War I. | 0:12:35 | 0:12:38 | |
So, it was a huge number. | 0:12:38 | 0:12:39 | |
The sight of so many wounded was a dispiriting reminder | 0:12:49 | 0:12:52 | |
of a war which seemed to have no end. | 0:12:52 | 0:12:57 | |
Some wondered why we seemed incapable of victory. | 0:12:57 | 0:13:01 | |
Might it somehow be our own fault? | 0:13:01 | 0:13:05 | |
Could there be something rotten | 0:13:05 | 0:13:07 | |
at the heart of the British ruling class? | 0:13:07 | 0:13:10 | |
One man certainly thought so - the maverick MP Noel Pemberton Billing. | 0:13:12 | 0:13:18 | |
Billing was a colourful self-publicist | 0:13:21 | 0:13:24 | |
who believed Britain was being sabotaged | 0:13:24 | 0:13:27 | |
by thousands of perverts in the pay of the Hun. | 0:13:27 | 0:13:31 | |
He alleged that powerful figures in Britain had been corrupted | 0:13:33 | 0:13:37 | |
by perverted German spies. | 0:13:37 | 0:13:40 | |
They had used, he said, | 0:13:41 | 0:13:43 | |
"Practices which all decent men thought had perished | 0:13:43 | 0:13:47 | |
"in Sodom and Lesbia." | 0:13:47 | 0:13:49 | |
His astonishing allegations found a ready audience among a people | 0:13:50 | 0:13:54 | |
frustrated by their failure to win the war. | 0:13:54 | 0:13:58 | |
They would also land him in court. | 0:13:58 | 0:14:00 | |
On the morning of May the 29th, 1918, | 0:14:05 | 0:14:08 | |
a great crowd gathered here outside the Old Bailey | 0:14:08 | 0:14:11 | |
for what promised to be the most sensational court case | 0:14:11 | 0:14:15 | |
in Britain for many years. | 0:14:15 | 0:14:17 | |
It was a newspaperman's dream. | 0:14:17 | 0:14:19 | |
It involved an exotic dancer, high politics, enemy spies | 0:14:19 | 0:14:23 | |
and sexual deviancy. | 0:14:23 | 0:14:26 | |
It threatened to blow the lid off the British establishment. | 0:14:26 | 0:14:30 | |
According to Billing, | 0:14:33 | 0:14:35 | |
47,000 prominent British people had been corrupted. | 0:14:35 | 0:14:39 | |
Their names were written in a secret dossier | 0:14:41 | 0:14:44 | |
which he called The Black Book. | 0:14:44 | 0:14:46 | |
He claimed the book held the names of Cabinet ministers, | 0:14:49 | 0:14:53 | |
Privy Councillors, poets, bankers, newspaper proprietors, | 0:14:53 | 0:14:58 | |
even members of the King's household, | 0:14:58 | 0:15:01 | |
and he said that the wives of senior public figures | 0:15:01 | 0:15:04 | |
were in a special danger because, | 0:15:04 | 0:15:07 | |
"In the throes of lesbian ecstasy, | 0:15:07 | 0:15:10 | |
"the most sacred secrets of the state were betrayed." | 0:15:10 | 0:15:13 | |
So, where were these degenerative traitors to be found? | 0:15:16 | 0:15:20 | |
At the theatre. | 0:15:20 | 0:15:22 | |
Specifically, at a private production | 0:15:22 | 0:15:25 | |
of Oscar Wilde's banned play, Salome, | 0:15:25 | 0:15:28 | |
starring the voluptuous actress Maud Allan. | 0:15:28 | 0:15:31 | |
In an article entitled The Cult Of The Clitoris, | 0:15:32 | 0:15:36 | |
Billing insinuated that the actress was having an affair | 0:15:36 | 0:15:39 | |
with Margot Asquith, wife of the former Prime Minister. | 0:15:39 | 0:15:43 | |
Billing was charged with criminal libel. | 0:15:45 | 0:15:48 | |
Conducting his own defence, he used his trial as a platform | 0:15:52 | 0:15:56 | |
to reveal to the nation how far the moral rot had spread. | 0:15:56 | 0:15:59 | |
He called as a witness a woman who claimed to have seen the book | 0:16:02 | 0:16:06 | |
listing all the people corrupted by the filthy German agents. | 0:16:06 | 0:16:11 | |
"Is Mrs Asquith's name in the book?" he said. | 0:16:11 | 0:16:15 | |
"Yes," she replied, "it is." | 0:16:15 | 0:16:17 | |
"Is Mr Asquith's name in the book?" | 0:16:17 | 0:16:20 | |
"It is." And he pointed at the judge. | 0:16:20 | 0:16:23 | |
He said, "Is the judge's name in the book?" | 0:16:23 | 0:16:25 | |
"It is!" she screamed. Complete chaos. | 0:16:25 | 0:16:28 | |
It was nonsense, of course. | 0:16:31 | 0:16:32 | |
But the judge, Mr Justice Darling, was out of his depth | 0:16:34 | 0:16:37 | |
and rapidly lost control of proceedings. | 0:16:37 | 0:16:40 | |
This absurd trial lasted six days. | 0:16:42 | 0:16:45 | |
On June the 4th, the jury returned their verdict. | 0:16:48 | 0:16:52 | |
Pemberton Billing was not guilty of libel. | 0:16:52 | 0:16:56 | |
He left the court to thunderous applause | 0:16:56 | 0:16:59 | |
and when he got onto the street here, | 0:16:59 | 0:17:02 | |
his supporters threw flowers at his feet. | 0:17:02 | 0:17:05 | |
Pemberton Billing's ridiculous rantings had struck a chord | 0:17:07 | 0:17:11 | |
because people were worried | 0:17:11 | 0:17:14 | |
and, at this stage of the war, there was much to be worried about. | 0:17:14 | 0:17:19 | |
The balance of power at the front | 0:17:24 | 0:17:25 | |
had shifted violently towards Germany. | 0:17:25 | 0:17:28 | |
Having made a peace with Russia, | 0:17:33 | 0:17:35 | |
Germany could now pour troops onto the Western Front. | 0:17:35 | 0:17:40 | |
They now outnumbered the Allies by over 200,000 men | 0:17:40 | 0:17:44 | |
and they were massing for an attack they believed would win the war. | 0:17:44 | 0:17:49 | |
With British troops stretched to breaking point, their commander, | 0:17:53 | 0:17:58 | |
Sir Douglas Haig, asked the Prime Minister for reinforcements. | 0:17:58 | 0:18:01 | |
It would not be an easy meeting. | 0:18:03 | 0:18:06 | |
The two men loathed each other. | 0:18:06 | 0:18:09 | |
Lloyd George didn't trust Haig. | 0:18:11 | 0:18:13 | |
He thought he was asking for more lives to be thrown away | 0:18:13 | 0:18:17 | |
in another futile offensive. | 0:18:17 | 0:18:19 | |
So, on March the 14th, 1918, Haig came here to beg for more troops. | 0:18:19 | 0:18:24 | |
He was refused. | 0:18:24 | 0:18:27 | |
Seven days later, | 0:18:27 | 0:18:28 | |
the Germans unleashed the biggest offensive of the war. | 0:18:28 | 0:18:31 | |
In the first five hours of the great spring attack, | 0:18:37 | 0:18:41 | |
over a million shells were fired into British lines. | 0:18:41 | 0:18:44 | |
In a conflict where success was measured in yards, | 0:18:57 | 0:19:00 | |
the Germans advanced 40 miles in a single day. | 0:19:00 | 0:19:04 | |
In his diary, the Secretary to the British War Cabinet wrote, | 0:19:06 | 0:19:11 | |
"The Germans are fighting better than the Allies. | 0:19:11 | 0:19:13 | |
"I cannot exclude the possibility of disaster." | 0:19:15 | 0:19:19 | |
Haig made one last desperate rallying call. | 0:19:21 | 0:19:25 | |
"Every position must be held to the last man. | 0:19:28 | 0:19:32 | |
"There must be no retirement. | 0:19:32 | 0:19:34 | |
"With our backs to the wall, | 0:19:34 | 0:19:35 | |
"and believing in the justice of our cause, | 0:19:35 | 0:19:39 | |
"we must all fight on to the end." | 0:19:39 | 0:19:42 | |
The call to arms would be heard well beyond the trenches. | 0:19:48 | 0:19:51 | |
The home front couldn't afford to buckle, either. | 0:19:56 | 0:19:59 | |
The country's war machine had to be kept running. | 0:20:00 | 0:20:03 | |
Lloyd George had once called the British workforce | 0:20:10 | 0:20:13 | |
the least disciplined in Europe. | 0:20:13 | 0:20:16 | |
Could they now be relied upon at this moment of crisis? | 0:20:16 | 0:20:20 | |
Anyone searching for cracks in the nation's resolve | 0:20:24 | 0:20:28 | |
might have come here, to the South Wales coalfield. | 0:20:28 | 0:20:32 | |
In 1918, this place was considered | 0:20:39 | 0:20:42 | |
the Wild West of industrial relations. | 0:20:42 | 0:20:45 | |
The Welsh miners had been a thorn in the Government's side | 0:20:45 | 0:20:49 | |
throughout the war, calling strike after strike. | 0:20:49 | 0:20:54 | |
This, the finest steam coal in the world, | 0:20:56 | 0:20:59 | |
was a vital part of the war effort. | 0:20:59 | 0:21:02 | |
It drove the foundries, the forges, the explosives factories, | 0:21:02 | 0:21:06 | |
it powered the warships, | 0:21:06 | 0:21:08 | |
and it gave the men who extracted it tremendous power. | 0:21:08 | 0:21:12 | |
It was a power they were prepared to use. | 0:21:15 | 0:21:18 | |
Striking miners had almost crippled the mighty British Navy, | 0:21:18 | 0:21:22 | |
leaving it with barely enough coal to keep the fleet at sea. | 0:21:22 | 0:21:25 | |
By 1918, there'd already been trouble in the pits | 0:21:27 | 0:21:31 | |
over the practice of combing out, | 0:21:31 | 0:21:34 | |
that was, forcing men out of vital protected industries like this | 0:21:34 | 0:21:38 | |
and into the Army. | 0:21:38 | 0:21:41 | |
With the country now facing the real possibility of defeat, | 0:21:41 | 0:21:44 | |
further industrial unrest could have been catastrophic. | 0:21:44 | 0:21:49 | |
In fact, just the opposite happened. | 0:21:52 | 0:21:55 | |
When it came to it, even the most bolshie miner | 0:21:55 | 0:21:59 | |
wasn't prepared to see Britain lose the war. | 0:21:59 | 0:22:01 | |
When asked to pull together for the sake of the troops, | 0:22:04 | 0:22:07 | |
the response of the British workforce was emphatic. | 0:22:07 | 0:22:11 | |
In all industries, strikes were suspended | 0:22:11 | 0:22:14 | |
and people even turned out to work extra shifts. | 0:22:14 | 0:22:18 | |
On the Clyde, thousands of shipbuilders gave up | 0:22:18 | 0:22:22 | |
their Easter holiday to keep working. | 0:22:22 | 0:22:24 | |
Recruiting offices saw a rush from men in protected jobs | 0:22:27 | 0:22:31 | |
coming forward to enlist. | 0:22:31 | 0:22:33 | |
TRAIN WHISTLE BLOWS | 0:22:33 | 0:22:36 | |
The Minister for Munitions, Winston Churchill, | 0:22:36 | 0:22:39 | |
could scarcely believe his eyes. | 0:22:39 | 0:22:42 | |
"The response to our appeal to work over the holiday," he said, | 0:22:42 | 0:22:45 | |
"was excellent. Indeed, almost embarrassing." | 0:22:45 | 0:22:48 | |
At the very worst point in the war, | 0:22:58 | 0:23:01 | |
the home front had not only held, | 0:23:01 | 0:23:03 | |
it had risen to the challenge. | 0:23:03 | 0:23:06 | |
The forces didn't lack for supplies, | 0:23:06 | 0:23:08 | |
for ammunition or for weapons. | 0:23:08 | 0:23:11 | |
This was one time in the nation's history | 0:23:11 | 0:23:14 | |
when we really were all in it together. | 0:23:14 | 0:23:17 | |
In Germany, it was a very different story. | 0:23:27 | 0:23:30 | |
With German ports blockaded by the British Navy, | 0:23:33 | 0:23:36 | |
the country was being slowly starved out of the war. | 0:23:36 | 0:23:40 | |
Angry crowds took to the streets, demanding peace. | 0:23:44 | 0:23:47 | |
Anti-war strikes crippled German industry. | 0:23:50 | 0:23:53 | |
When a horse dropped dead in a Berlin street, | 0:23:58 | 0:24:01 | |
the locals fell on it for meat. | 0:24:01 | 0:24:04 | |
On the battlefield, | 0:24:08 | 0:24:09 | |
the huge German spring offensive had failed to break the Allies. | 0:24:09 | 0:24:13 | |
If anything, it had broken the Germans. | 0:24:15 | 0:24:17 | |
Their plan had devoured men and ammunition. | 0:24:20 | 0:24:24 | |
Troops were left exhausted, demoralised and lacking supplies. | 0:24:24 | 0:24:28 | |
And as the German war machine began to fail, | 0:24:30 | 0:24:33 | |
Britain's was at full throttle. | 0:24:33 | 0:24:36 | |
By the summer of 1918, weapons were rolling off the production lines | 0:24:44 | 0:24:48 | |
in greater numbers than ever before. | 0:24:48 | 0:24:50 | |
Shells... | 0:24:53 | 0:24:54 | |
..tanks... | 0:24:56 | 0:24:57 | |
..guns... | 0:25:00 | 0:25:01 | |
..and aircraft. | 0:25:02 | 0:25:03 | |
This was what constituted air power in 1914. It's a box kite. | 0:25:19 | 0:25:26 | |
It could be used a bit for aerial reconnaissance | 0:25:26 | 0:25:28 | |
and it was pretty good for scaring the German horses, | 0:25:28 | 0:25:31 | |
but that was about it. | 0:25:31 | 0:25:33 | |
In the early years of the war, | 0:25:39 | 0:25:41 | |
the skies above France were dominated by German warplanes. | 0:25:41 | 0:25:45 | |
They were built better and flew better. | 0:25:47 | 0:25:49 | |
They even looked more frightening. | 0:25:51 | 0:25:54 | |
It took a long while for Britain to catch up. | 0:25:56 | 0:25:59 | |
This is a Bristol F2B. | 0:26:06 | 0:26:09 | |
It's bigger, it's stronger and it's easier to fly. | 0:26:09 | 0:26:14 | |
It could also be fitted with wireless, | 0:26:14 | 0:26:16 | |
which meant that you could coordinate attacks | 0:26:16 | 0:26:19 | |
between aircraft and artillery, tanks and infantry on the ground. | 0:26:19 | 0:26:23 | |
By 1918, the Allies were producing | 0:26:23 | 0:26:26 | |
four times as many aircraft like this as the Germans were. | 0:26:26 | 0:26:31 | |
If you've got a faster aeroplane, you can run away. | 0:26:36 | 0:26:39 | |
Dodge Bailey is one of the few pilots in Britain | 0:26:39 | 0:26:42 | |
who regularly fly these antique planes. | 0:26:42 | 0:26:45 | |
This aircraft was, if you like, | 0:26:45 | 0:26:47 | |
the multi-role combat aeroplane of its day - a jack of all trades. | 0:26:47 | 0:26:50 | |
It could do everything. | 0:26:50 | 0:26:51 | |
It was used for bombing, artillery spotting, | 0:26:51 | 0:26:56 | |
scaring off the enemy artillery spotters, | 0:26:56 | 0:26:58 | |
which was very important, and just fighting other aeroplanes. | 0:26:58 | 0:27:02 | |
It did everything well, the Bristol fighter. | 0:27:02 | 0:27:05 | |
It was a jack of all trades. | 0:27:05 | 0:27:07 | |
But, in the end, this is just... | 0:27:07 | 0:27:08 | |
-What is it? Canvas, or linen, or...? -Irish linen. | 0:27:08 | 0:27:12 | |
-Irish linen. -Yes. | 0:27:12 | 0:27:13 | |
-But it's... These are machine guns? -Yes. | 0:27:13 | 0:27:15 | |
This one has two Lewis guns for the gunner to operate. | 0:27:15 | 0:27:18 | |
-But you're incredibly vulnerable inside it. -You are. Yes. | 0:27:18 | 0:27:21 | |
If somebody can hit you, there's nothing between you and the bullets. | 0:27:21 | 0:27:24 | |
-This is just fabric. -Yeah. What are they like to fly? | 0:27:24 | 0:27:29 | |
Well, they're all a bit different | 0:27:29 | 0:27:30 | |
because they hadn't really standardised things by this stage. | 0:27:30 | 0:27:34 | |
But this aeroplane was nearly there | 0:27:34 | 0:27:36 | |
and it's a really fantastic aeroplane to handle | 0:27:36 | 0:27:39 | |
and it flies pretty much like a modern aeroplane. | 0:27:39 | 0:27:43 | |
The danger and thrill of flying | 0:27:52 | 0:27:53 | |
attracted a particular kind of person. | 0:27:53 | 0:27:57 | |
The earliest military pilots came from the handful of aristocrats | 0:27:57 | 0:28:00 | |
and playboys with planes of their own. | 0:28:00 | 0:28:04 | |
Most were dead within weeks. | 0:28:08 | 0:28:09 | |
But with better planes came better tactics. | 0:28:22 | 0:28:25 | |
The romance of aerial dogfights | 0:28:29 | 0:28:31 | |
gave way to a more hard-headed use of these new machines. | 0:28:31 | 0:28:37 | |
As air cover for advancing troops, | 0:28:37 | 0:28:41 | |
for filming enemy positions | 0:28:41 | 0:28:43 | |
and guiding artillery strikes. | 0:28:43 | 0:28:45 | |
After four years of war, the Allies now owned the skies. | 0:28:55 | 0:29:00 | |
The point wasn't that new aircraft like this won the war, | 0:29:16 | 0:29:19 | |
although they obviously helped. | 0:29:19 | 0:29:22 | |
It was that Britain now had a tactically smarter, | 0:29:22 | 0:29:25 | |
better organised Army | 0:29:25 | 0:29:27 | |
capable of deploying men and machines to devastating effect | 0:29:27 | 0:29:32 | |
and it had so reorganised industry | 0:29:32 | 0:29:34 | |
that when one of these fell out of the sky, | 0:29:34 | 0:29:37 | |
there was another one to replace it. | 0:29:37 | 0:29:39 | |
By June 1918, the Allies knew that the tide was turning. | 0:29:46 | 0:29:51 | |
The war was about to change beyond all recognition | 0:29:56 | 0:29:59 | |
and at astonishing speed. | 0:29:59 | 0:30:01 | |
Over a million American soldiers swelled the Allied armies. | 0:30:06 | 0:30:10 | |
The agonising wait for reinforcement was over. | 0:30:12 | 0:30:15 | |
On August the 8th, a huge force was unleashed on the Germans. | 0:30:19 | 0:30:23 | |
The Allied advance proved irresistible. | 0:30:32 | 0:30:35 | |
On that first day, around 30,000 Germans had surrendered | 0:30:36 | 0:30:40 | |
or been killed or wounded. | 0:30:40 | 0:30:42 | |
The German commander General Ludendorff called it | 0:30:51 | 0:30:54 | |
the blackest day for the German Army in the entire war. | 0:30:54 | 0:30:58 | |
With the outnumbered Germans in retreat, | 0:31:03 | 0:31:05 | |
the stalemate of trench warfare was over. | 0:31:05 | 0:31:08 | |
At last, after years of stagnation, | 0:31:13 | 0:31:17 | |
the British soldiers were out of their trenches. | 0:31:17 | 0:31:20 | |
They were now fighting a war of territory, of movement, | 0:31:20 | 0:31:24 | |
of initiative, of opportunity, | 0:31:24 | 0:31:26 | |
and they knew that victory was in sight. | 0:31:26 | 0:31:29 | |
German forces did everything they could to slow the Allied advance, | 0:31:37 | 0:31:41 | |
including blowing the bridges across the strategic St Quentin Canal. | 0:31:41 | 0:31:46 | |
This was the last remaining bridge over the canal | 0:31:51 | 0:31:54 | |
and, without the use of it, advancing British soldiers | 0:31:54 | 0:31:58 | |
would have had to scramble down this incredibly steep bank, | 0:31:58 | 0:32:03 | |
get to the canal edge, jump in, | 0:32:03 | 0:32:06 | |
swim it and then climb up the other side, | 0:32:06 | 0:32:09 | |
all the time under German machine-gun fire. | 0:32:09 | 0:32:13 | |
Bullet holes on the bridge mark the moment on September the 8th | 0:32:18 | 0:32:21 | |
when British troops stumbled on a German demolition squad. | 0:32:21 | 0:32:25 | |
A lieutenant from the North Staffordshire Regiment | 0:32:30 | 0:32:32 | |
and his men reached this end of the bridge. | 0:32:32 | 0:32:35 | |
They looked across, they saw a group of Germans wiring explosives | 0:32:35 | 0:32:39 | |
ready to blow the thing up. | 0:32:39 | 0:32:41 | |
They charged them, firing every weapon they had | 0:32:41 | 0:32:44 | |
and they saved the bridge. | 0:32:44 | 0:32:46 | |
It was a very significant moment | 0:32:53 | 0:32:55 | |
and, as their commander addressed the troops on the banks | 0:32:55 | 0:32:58 | |
of the canal, the occasion for an astonishing photograph. | 0:32:58 | 0:33:02 | |
Captain TH Westmacott gave some sense of the excitement | 0:33:15 | 0:33:20 | |
in a letter he wrote home. | 0:33:20 | 0:33:22 | |
"It is difficult to realise what wonderful times we live in. | 0:33:22 | 0:33:26 | |
"I could not have believed it unless I had seen it | 0:33:26 | 0:33:30 | |
"that the same men who were driven back by the Germans in the spring | 0:33:30 | 0:33:34 | |
"could have so completely turned the tables in the autumn." | 0:33:34 | 0:33:39 | |
After four years of war, the end came remarkably quickly. | 0:33:49 | 0:33:53 | |
It took the Allies only 100 days from their first attack | 0:33:57 | 0:34:01 | |
to rout the demoralised German forces. | 0:34:01 | 0:34:04 | |
The Germans had no choice but to agree to an armistice - | 0:34:06 | 0:34:10 | |
officially a cease-fire but, in effect, a humiliating surrender. | 0:34:10 | 0:34:14 | |
They signed on the 11th of November, 1918. | 0:34:16 | 0:34:20 | |
"It was the day we had dreamed of," | 0:34:27 | 0:34:30 | |
said a corporal in the Honourable Artillery Company. | 0:34:30 | 0:34:33 | |
"We were stunned. | 0:34:33 | 0:34:35 | |
"I should have been happy, but we were so dazed, | 0:34:35 | 0:34:38 | |
"we didn't realise we could stand up without being shot." | 0:34:38 | 0:34:43 | |
In London, expectant crowds gathered in Parliament Square | 0:34:57 | 0:35:01 | |
and waited for the sound that would prove the war was finally over. | 0:35:01 | 0:35:06 | |
Big Ben had been silenced at the outbreak of war. | 0:35:09 | 0:35:12 | |
Now, at the 11th hour on the 11th day of the 11th month, | 0:35:13 | 0:35:18 | |
it was about to strike again. | 0:35:18 | 0:35:19 | |
BIG BEN PEALS | 0:35:22 | 0:35:24 | |
CHEERING | 0:35:24 | 0:35:25 | |
It was the signal for a roar of relief and joy | 0:35:33 | 0:35:38 | |
and the start of celebrations which lasted three days. | 0:35:38 | 0:35:41 | |
In the House of Commons, Prime Minister Lloyd George | 0:35:52 | 0:35:55 | |
addressed the House, "I hope we may say that thus, | 0:35:55 | 0:35:59 | |
"this fateful morning, came an end to all wars." | 0:35:59 | 0:36:04 | |
In Trafalgar Square, revellers climbed on the lions | 0:36:13 | 0:36:16 | |
and seized buses. | 0:36:16 | 0:36:19 | |
Australians and Canadians led the way. | 0:36:19 | 0:36:23 | |
They tore down the advertising hoardings in Trafalgar Square | 0:36:23 | 0:36:27 | |
asking people to buy war bonds | 0:36:27 | 0:36:28 | |
and they lit an enormous bonfire right here under Nelson's Column. | 0:36:28 | 0:36:34 | |
The stones were left cracked and blackened as a consequence | 0:36:34 | 0:36:38 | |
and you can see the damage still here today. | 0:36:38 | 0:36:42 | |
The last physical reminder of that amazing day. | 0:36:42 | 0:36:47 | |
Soldiers recovering in a country hospital were told the news. | 0:37:12 | 0:37:16 | |
There, the reaction was rather different. | 0:37:16 | 0:37:18 | |
One of the men said the announcement was met with silence. | 0:37:18 | 0:37:22 | |
"Our world was gone," he said. | 0:37:25 | 0:37:27 | |
"A bloody world, a world of suffering, | 0:37:27 | 0:37:30 | |
"but also a world of laughter, excitement | 0:37:30 | 0:37:33 | |
"and comradeship beyond description. | 0:37:33 | 0:37:35 | |
"Now, we were just some of the wreckage left behind." | 0:37:35 | 0:37:39 | |
A schoolgirl recalled happy children shrieking their way home | 0:37:45 | 0:37:49 | |
and, as she left the school, she looked in on the geography room. | 0:37:49 | 0:37:53 | |
There was the geography teacher who'd been widowed in the war, | 0:37:53 | 0:37:57 | |
crying her eyes out. | 0:37:57 | 0:37:59 | |
There could hardly have been a soul in Britain that day | 0:38:08 | 0:38:11 | |
who wasn't torn by conflicting emotions. | 0:38:11 | 0:38:15 | |
Relief, exhaustion and joy that it was over, of course, | 0:38:15 | 0:38:18 | |
but tinged with a terrible sadness at the vast numbers of people | 0:38:18 | 0:38:23 | |
who would never come home. | 0:38:23 | 0:38:25 | |
The fighting might be over | 0:38:26 | 0:38:28 | |
but the British people now faced the challenge | 0:38:28 | 0:38:30 | |
of dealing with the tumultuous changes brought about by the war. | 0:38:30 | 0:38:36 | |
Right, girls, off you go to your lessons. | 0:38:45 | 0:38:48 | |
At Bournemouth High School For Girls, a senior mistress | 0:38:53 | 0:38:56 | |
had gathered her pupils together to issue them with a solemn warning. | 0:38:56 | 0:39:00 | |
"I have come to tell you," she began, "a terrible fact. | 0:39:06 | 0:39:11 | |
"Only one out of ten of you girls can ever hope to marry. | 0:39:11 | 0:39:15 | |
"This isn't a guess of mine, it's a statistical fact. | 0:39:15 | 0:39:21 | |
"Nearly all the men you might have married have been killed." | 0:39:21 | 0:39:24 | |
A horrifyingly large number of British soldiers | 0:39:30 | 0:39:33 | |
had died during the war | 0:39:33 | 0:39:36 | |
and it had started a national panic. | 0:39:36 | 0:39:39 | |
The Daily Mail worried itself to a fever | 0:39:40 | 0:39:43 | |
about the surplus of young women | 0:39:43 | 0:39:45 | |
who'd be driven to become marriage wreckers or lesbians. | 0:39:45 | 0:39:49 | |
It proposed exporting them to Australia or Canada | 0:39:50 | 0:39:54 | |
where they could hunt down husbands. | 0:39:54 | 0:39:56 | |
The senior mistress at Bournemouth urged her pupils | 0:40:00 | 0:40:03 | |
to see the apparent shortage of men as an opportunity. | 0:40:03 | 0:40:07 | |
"You will have to make your way in the world as best you can," | 0:40:09 | 0:40:12 | |
she said. | 0:40:12 | 0:40:13 | |
"The war has made more openings for women, | 0:40:13 | 0:40:17 | |
"but there will still be prejudice. | 0:40:17 | 0:40:19 | |
"You'll have to fight, you'll have to struggle." | 0:40:19 | 0:40:23 | |
But the panic was based on a myth. | 0:40:28 | 0:40:30 | |
The myth of a lost generation. | 0:40:30 | 0:40:33 | |
Nearly three quarters of a million men had been killed - | 0:40:35 | 0:40:39 | |
a massive and terrible toll, for sure. | 0:40:39 | 0:40:42 | |
But five and a half million came back. | 0:40:42 | 0:40:45 | |
Nine in ten soldiers survived, | 0:40:45 | 0:40:48 | |
not one in ten, as the teacher had claimed. | 0:40:48 | 0:40:51 | |
Emotion had proved more powerful than fact. | 0:40:54 | 0:40:57 | |
The point wasn't that they were women | 0:41:03 | 0:41:06 | |
alone in the world without men, because many of them weren't. | 0:41:06 | 0:41:10 | |
The point was that the war had enabled them | 0:41:10 | 0:41:12 | |
to change how they thought about life. | 0:41:12 | 0:41:15 | |
It had forced them into occupations previously reserved for men | 0:41:15 | 0:41:20 | |
and, now the war was over, they could make their own decisions | 0:41:20 | 0:41:23 | |
about what they wanted to do with their lives. | 0:41:23 | 0:41:26 | |
Women's expectations had changed. | 0:41:30 | 0:41:33 | |
There could be no going back. | 0:41:37 | 0:41:38 | |
The war would have far-reaching consequences for millions of people, | 0:41:55 | 0:41:59 | |
including some of the most privileged in the land. | 0:41:59 | 0:42:03 | |
At the end of the war, this was the largest estate in Cornwall. | 0:42:09 | 0:42:14 | |
The man who stood to inherit was the Honourable Tommy Agar-Robartes. | 0:42:18 | 0:42:23 | |
His was a gilded, privileged start in life. | 0:42:28 | 0:42:32 | |
First Eton, then Oxford, | 0:42:32 | 0:42:34 | |
and membership of the elite Bullingdon club. | 0:42:34 | 0:42:37 | |
He was a Member of Parliament before he was 30. | 0:42:40 | 0:42:44 | |
His habit of sporting a buttonhole of violets | 0:42:44 | 0:42:47 | |
earned the title of the best dressed man in Parliament. | 0:42:47 | 0:42:52 | |
But when war was declared, he told his friends | 0:42:52 | 0:42:55 | |
he was desperate "To do my little bit." | 0:42:55 | 0:42:59 | |
He gave up his seat and joined the Army. | 0:43:00 | 0:43:03 | |
In 1915, he was sent to France. | 0:43:03 | 0:43:05 | |
This is the case he took with him when he was sent to the front. | 0:43:08 | 0:43:11 | |
They didn't travel light. As you can see, it's extremely heavy. | 0:43:11 | 0:43:15 | |
It's full of wooden containers, metal containers, | 0:43:15 | 0:43:20 | |
tools for pulling your boots on, | 0:43:20 | 0:43:22 | |
a trench periscope for looking up over the top of the trench | 0:43:22 | 0:43:25 | |
into no-man's-land. | 0:43:25 | 0:43:27 | |
And here, a container of what's thought to be rouge, | 0:43:27 | 0:43:31 | |
which you could dab on your cheeks | 0:43:31 | 0:43:33 | |
to make yourself look less deathly pale from fear | 0:43:33 | 0:43:37 | |
as you went out on an attack. | 0:43:37 | 0:43:39 | |
It's all that's left of him now. | 0:43:40 | 0:43:41 | |
On September the 30th, 1915, | 0:43:48 | 0:43:51 | |
Tommy had been killed at the Battle of Loos - shot by a sniper | 0:43:51 | 0:43:56 | |
while trying to rescue a wounded soldier in no-man's-land. | 0:43:56 | 0:43:59 | |
At his memorial service, it was said of him, | 0:44:03 | 0:44:06 | |
"No man in this adventure of life weighed danger more cheaply | 0:44:06 | 0:44:11 | |
"against what he called the fun of it. | 0:44:11 | 0:44:14 | |
"He went gallantly off to France, | 0:44:15 | 0:44:17 | |
"just as if he were taking a fence on a horse." | 0:44:17 | 0:44:21 | |
The terrible thing is that men like Tommy Agar-Robartes are seen | 0:44:27 | 0:44:32 | |
so much nowadays as figures of fun - upper-class twits | 0:44:32 | 0:44:36 | |
who went off to war because it seemed a bit of a lark. | 0:44:36 | 0:44:40 | |
They are so far from our experience of life | 0:44:40 | 0:44:43 | |
that it is much easier to snigger at them than to admire them | 0:44:43 | 0:44:48 | |
but they, too, felt horror and they felt fear... | 0:44:48 | 0:44:52 | |
and they faced them both down. | 0:44:52 | 0:44:54 | |
The war took a heavy toll on the upper classes. | 0:45:01 | 0:45:04 | |
Many of their sons were quick to volunteer. | 0:45:05 | 0:45:08 | |
As officers, they were expected to lead from the front. | 0:45:09 | 0:45:12 | |
As a result, they were five times as likely to die as an ordinary Tommy. | 0:45:12 | 0:45:18 | |
There were times in the war when the life expectancy of a lieutenant | 0:45:20 | 0:45:24 | |
was said to be six weeks. | 0:45:24 | 0:45:26 | |
The death of Tommy Agar-Robartes seemed to break the family's spirit. | 0:45:33 | 0:45:38 | |
It signalled the end of this great estate, | 0:45:39 | 0:45:41 | |
which shrank to a fraction of its former size. | 0:45:41 | 0:45:44 | |
Ancient families crippled by death duties | 0:45:46 | 0:45:49 | |
and with a son who might have inherited killed in the war | 0:45:49 | 0:45:53 | |
found themselves forced to sell up. | 0:45:53 | 0:45:56 | |
By the end of 1919, it was reckoned that over a million acres | 0:45:56 | 0:46:00 | |
of England and Wales had gone under the hammer. | 0:46:00 | 0:46:03 | |
It was a sort of revolution. | 0:46:03 | 0:46:04 | |
The sell-off brought to an end | 0:46:09 | 0:46:11 | |
the almost feudal power of the landed gentry. | 0:46:11 | 0:46:14 | |
But if the war created some unexpected losers, | 0:46:18 | 0:46:21 | |
there were also some unexpected winners. | 0:46:21 | 0:46:24 | |
The people who did best were the poor. | 0:46:27 | 0:46:30 | |
Especially the very poor. | 0:46:30 | 0:46:32 | |
The writer Robert Roberts grew up in a corner shop | 0:46:36 | 0:46:40 | |
in a typical Salford slum. | 0:46:40 | 0:46:42 | |
He saw first-hand how the very poor lived, or tried to live. | 0:46:43 | 0:46:47 | |
To eat - bread with a scrape of margarine or jam or dripping. | 0:46:49 | 0:46:55 | |
If it was a special occasion, perhaps a pot of tea, | 0:46:55 | 0:46:58 | |
but hardly ever any eggs, any milk or any meat. | 0:46:58 | 0:47:03 | |
To live - three damp rooms for a family of eight | 0:47:03 | 0:47:08 | |
with children sleeping four to a bed. | 0:47:08 | 0:47:11 | |
Hardly surprising, then, | 0:47:11 | 0:47:13 | |
that the mortality rate among children was one in four. | 0:47:13 | 0:47:17 | |
That was twice what it was among soldiers at the front. | 0:47:17 | 0:47:20 | |
No wonder so many of them failed their Army medical | 0:47:25 | 0:47:28 | |
when they tried to join up. | 0:47:28 | 0:47:30 | |
Those that did enlist were delighted to find it meant a full stomach. | 0:47:30 | 0:47:34 | |
"Meat every day," they said, | 0:47:36 | 0:47:37 | |
just as the recruiting sergeants had promised. | 0:47:37 | 0:47:40 | |
When they came back from the war, they were fitter, broader | 0:47:40 | 0:47:44 | |
and stronger than when they'd left. | 0:47:44 | 0:47:46 | |
Robert Roberts called the Great War the Great Release | 0:47:49 | 0:47:53 | |
because, quite apart from the demands of the Army, | 0:47:53 | 0:47:56 | |
there was a need for masses of labour | 0:47:56 | 0:48:00 | |
and that meant that those who had previously | 0:48:00 | 0:48:02 | |
been part-timers or casual labourers or unemployed | 0:48:02 | 0:48:06 | |
could suddenly earn good money and feed themselves. | 0:48:06 | 0:48:10 | |
Across the counter of his parents' shop, Roberts noted that, | 0:48:17 | 0:48:21 | |
for the first time ever, | 0:48:21 | 0:48:22 | |
the customers had money in their pockets all week. | 0:48:22 | 0:48:25 | |
His respectable shopkeeper parents were appalled | 0:48:27 | 0:48:30 | |
at the new wealth these people were enjoying. | 0:48:30 | 0:48:33 | |
Robert Roberts' father described how, just before Christmas, | 0:48:37 | 0:48:41 | |
a well-paid young woman from one of the local munitions factories | 0:48:41 | 0:48:45 | |
came into his corner shop and asked him why he hadn't got, | 0:48:45 | 0:48:49 | |
"Summat worth chewin'?" | 0:48:49 | 0:48:51 | |
He was pretty annoyed and he asked her what she meant, and she said, | 0:48:51 | 0:48:54 | |
"Well, tins of lobster or some of them big jars of pickled gherkins." | 0:48:54 | 0:49:00 | |
Britain was beginning to look like a different country. | 0:49:07 | 0:49:11 | |
Full employment had pushed up living standards. Fewer babies were dying. | 0:49:11 | 0:49:17 | |
Men and women lived longer. | 0:49:19 | 0:49:20 | |
Curbs on drink had cut drunkenness and domestic violence. | 0:49:22 | 0:49:25 | |
A third of all workers had joined a union. | 0:49:27 | 0:49:31 | |
And to repay its debt to the people of Britain, | 0:49:31 | 0:49:33 | |
the Government had given all men and some women the right to vote. | 0:49:33 | 0:49:37 | |
The anti-war Labour MP Ramsay McDonald decided that | 0:49:40 | 0:49:43 | |
the demands of the war had done more for social reform | 0:49:43 | 0:49:47 | |
than all the political campaigns before it. | 0:49:47 | 0:49:50 | |
LAST POST PLAYS | 0:49:59 | 0:50:01 | |
This corner of a foreign field | 0:50:09 | 0:50:11 | |
belongs to the oldest regiment in the British Army, | 0:50:11 | 0:50:14 | |
the Honourable Artillery Company. | 0:50:14 | 0:50:16 | |
The regiment lost 1,600 men in the war. | 0:50:21 | 0:50:25 | |
Today, it's burying four of them. | 0:50:27 | 0:50:29 | |
They were killed in battle at Boulancourt, a mile or so away, | 0:50:33 | 0:50:37 | |
and their bodies had lain in the field where they fell | 0:50:37 | 0:50:40 | |
until they were finally uncovered nearly 100 years later. | 0:50:40 | 0:50:44 | |
The bodies were discovered by a French farmer. | 0:50:49 | 0:50:52 | |
It's not an uncommon experience | 0:50:52 | 0:50:54 | |
if you live and work on the former battlefields. | 0:50:54 | 0:50:58 | |
Every year, a number of corpses are disinterred | 0:50:58 | 0:51:02 | |
and then buried in military cemeteries. | 0:51:02 | 0:51:04 | |
There's often no way to identify these bodies. | 0:51:10 | 0:51:13 | |
Two of the men buried here today remain unknown. | 0:51:16 | 0:51:19 | |
On their headstones is written, | 0:51:20 | 0:51:23 | |
"A soldier of the Great War known unto God." | 0:51:23 | 0:51:26 | |
But two bodies were identified. | 0:51:28 | 0:51:30 | |
31-year-old Lieutenant John Harold Pritchard | 0:51:37 | 0:51:40 | |
had taken the precaution of wearing an identity bracelet. | 0:51:40 | 0:51:45 | |
Private Christopher Douglas Elphick was identified | 0:51:45 | 0:51:48 | |
because one of the fingers of his skeleton | 0:51:48 | 0:51:51 | |
was still wearing a signet ring engraved with his initials. | 0:51:51 | 0:51:54 | |
Almighty God, protect all who serve in the Forces of the Queen... | 0:51:58 | 0:52:04 | |
..strengthen us... | 0:52:06 | 0:52:08 | |
Today, their relatives are guests of honour at the ceremony. | 0:52:11 | 0:52:15 | |
..through Jesus Christ our Lord. Amen. | 0:52:15 | 0:52:19 | |
Was he a sort of active absence, as it were, in your family? | 0:52:20 | 0:52:24 | |
Yes, I think that's true, because we all... | 0:52:24 | 0:52:27 | |
we had a photograph of him as a child | 0:52:27 | 0:52:29 | |
from when he was at St Paul's Cathedral as a chorister | 0:52:29 | 0:52:31 | |
and that was all the photographs that we knew we had, | 0:52:31 | 0:52:34 | |
but my nan used to talk about him occasionally. | 0:52:34 | 0:52:37 | |
It was very painful for her to talk about him. So, it wasn't... | 0:52:37 | 0:52:40 | |
He wasn't very active, but he was there. | 0:52:40 | 0:52:43 | |
-And he was what relation to your nan? He was...? -He was the brother. | 0:52:43 | 0:52:46 | |
-Her brother. -Yes. He was her brother. He was her older brother. | 0:52:46 | 0:52:48 | |
And did she know what had become of him? | 0:52:48 | 0:52:51 | |
No, they knew he'd been killed in France. | 0:52:51 | 0:52:53 | |
I'm not even sure they knew where he'd been killed, | 0:52:53 | 0:52:55 | |
but we have subsequently found that out as a family. | 0:52:55 | 0:52:59 | |
And the fact that, all that time, the best part of 100 years, | 0:52:59 | 0:53:03 | |
there was no grave you could go to - what effect did that have? | 0:53:03 | 0:53:07 | |
I think that it was a missing link, it wasn't a fully completed story, | 0:53:07 | 0:53:12 | |
and I think what's happened today | 0:53:12 | 0:53:13 | |
is that we have finally closed the circle | 0:53:13 | 0:53:16 | |
and we've done it for my great-grandmother, who links us all, | 0:53:16 | 0:53:19 | |
and, finally, everything has come to completion. | 0:53:19 | 0:53:22 | |
I can't tell you how fulfilling that is, actually. | 0:53:22 | 0:53:25 | |
And if people were to say to you, | 0:53:25 | 0:53:27 | |
"Look, it's all just ancient history now..."? | 0:53:27 | 0:53:29 | |
It's living history. | 0:53:29 | 0:53:31 | |
It really is living history. It has brought history to life. | 0:53:31 | 0:53:34 | |
For the generations that were here today, for those youngsters, | 0:53:34 | 0:53:37 | |
they now have a real understanding of a person | 0:53:37 | 0:53:41 | |
who fought for his country, he died for his country, | 0:53:41 | 0:53:45 | |
and we now have somewhere that we can visit and remember | 0:53:45 | 0:53:48 | |
and reflect upon that. | 0:53:48 | 0:53:50 | |
LAST POST PLAYS | 0:53:51 | 0:53:53 | |
GUNFIRE SALUTE | 0:54:22 | 0:54:23 | |
Even before the war ended, | 0:54:30 | 0:54:32 | |
cities, towns and villages all across Britain | 0:54:32 | 0:54:35 | |
had begun to build memorials to the dead. | 0:54:35 | 0:54:38 | |
Over 5,000 went up in the two years following the Armistice. | 0:54:48 | 0:54:53 | |
Some, a few, celebrated victory. | 0:54:55 | 0:54:57 | |
Most spoke of sacrifice. | 0:55:05 | 0:55:07 | |
Men remembering their dead comrades, | 0:55:08 | 0:55:11 | |
the ordinary soldier rather than the commander. | 0:55:11 | 0:55:15 | |
In the village of Briantspuddle, Dorset, | 0:55:21 | 0:55:24 | |
the war memorial was unveiled on November the 12th, 1918, | 0:55:24 | 0:55:27 | |
the day after the war ended. | 0:55:27 | 0:55:29 | |
At the dedication of this memorial, | 0:55:35 | 0:55:37 | |
the Bishop of Salisbury wondered whether there was really any need | 0:55:37 | 0:55:41 | |
for further reminders of the war, | 0:55:41 | 0:55:43 | |
and he answered his own question, yes. | 0:55:43 | 0:55:46 | |
Because there would be future generations | 0:55:46 | 0:55:49 | |
who would lead lives crowded with happenings | 0:55:49 | 0:55:52 | |
and they needed to be warned, lest they forget. | 0:55:52 | 0:55:56 | |
Lest they forget. | 0:55:56 | 0:55:58 | |
We haven't forgotten the horror or the grief of those terrible years. | 0:56:13 | 0:56:18 | |
But there was another story too, | 0:56:19 | 0:56:22 | |
of how the war changed the country we live in. | 0:56:22 | 0:56:25 | |
It had forced Governments to take on responsibilities | 0:56:27 | 0:56:30 | |
they would never have dreamed of before - | 0:56:30 | 0:56:34 | |
for the conditions in which people lived, | 0:56:34 | 0:56:37 | |
for the rents they paid and the food they ate, for the wages they earned. | 0:56:37 | 0:56:43 | |
It left us a more equal country and a more democratic one. | 0:56:45 | 0:56:50 | |
Later generations would contend it had been a futile war. | 0:56:55 | 0:56:59 | |
The war was terrible, certainly, but hardly futile. | 0:57:00 | 0:57:04 | |
It stopped the German conquest of much of Europe | 0:57:07 | 0:57:11 | |
and perhaps even of villages like this. | 0:57:11 | 0:57:14 | |
Never before in the nation's history | 0:57:22 | 0:57:24 | |
had a war required the commitment and the sacrifice | 0:57:24 | 0:57:28 | |
of the whole population | 0:57:28 | 0:57:29 | |
and, by and large, for four years, | 0:57:29 | 0:57:32 | |
the British people kept faith with it. | 0:57:32 | 0:57:34 | |
It wasn't a war they had sought | 0:57:34 | 0:57:36 | |
and, had they known how it would turn out, | 0:57:36 | 0:57:38 | |
they doubtless wouldn't have joined in, but they hadn't known, | 0:57:38 | 0:57:42 | |
they couldn't have known, | 0:57:42 | 0:57:44 | |
any more than the politicians or the generals could have known | 0:57:44 | 0:57:47 | |
and, once it had started, there was no way of stopping it | 0:57:47 | 0:57:50 | |
any more than you could suddenly make the dead start to walk again. | 0:57:50 | 0:57:54 | |
A century on, we should perhaps remember and respect that sacrifice | 0:57:54 | 0:58:01 | |
and realise that, more than any other event, | 0:58:01 | 0:58:04 | |
this was the one that made modern Britain. | 0:58:04 | 0:58:07 |