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Good evening. Tonight's theme is Schools on TV, and it's a subject I have particular affection for. | 0:00:02 | 0:00:06 | |
You see, my very first ever TV appearance came in 1969 when, | 0:00:06 | 0:00:10 | |
following a violent outbreak of food poisoning at my school | 0:00:10 | 0:00:13 | |
in Deptford, ITN despatched a film crew to get some newsworthy | 0:00:13 | 0:00:17 | |
shots, and I was pictured in a group of kids spoiling | 0:00:17 | 0:00:20 | |
the gravity of the report by gurning away at the camera, | 0:00:20 | 0:00:23 | |
pretending to be sick and drop down dead. | 0:00:23 | 0:00:25 | |
It was actually a big story. | 0:00:25 | 0:00:27 | |
Dozens were hospitalised, and one kid did nearly die. | 0:00:27 | 0:00:30 | |
I think a teacher lost part of his stomach too. | 0:00:30 | 0:00:33 | |
Anyway, I was hooked on the sheer glamour of that moment | 0:00:33 | 0:00:36 | |
and I was determined to find a way into show business, | 0:00:36 | 0:00:39 | |
a dream I refuse to give up on. Welcome to tonight's programme. | 0:00:39 | 0:00:43 | |
I loved school. Love it. | 0:00:59 | 0:01:01 | |
Look, there I am, four from the left, front row, | 0:01:01 | 0:01:03 | |
and digging the whole academic vibe tremendously. | 0:01:03 | 0:01:06 | |
Even today, I can still rattle off the names of that soon to be | 0:01:06 | 0:01:10 | |
food-poisoned gang for the sheer exhilaration the evocative | 0:01:10 | 0:01:14 | |
sound of our register continues to bring me. Here we go. | 0:01:14 | 0:01:17 | |
Atkins, Bake, Barnes, Benford, Biffin, Burridge, Bayer, | 0:01:17 | 0:01:20 | |
Carpenter, Chapman, Harrison, Hill... | 0:01:20 | 0:01:23 | |
-Kenneth. -Yes, sir. | 0:01:23 | 0:01:24 | |
-Richard. -Yes, sir. | 0:01:24 | 0:01:26 | |
-Peter. -Yes, sir. | 0:01:26 | 0:01:28 | |
-Gartley. -Yes, sir. -Green. -Yes, sir. | 0:01:28 | 0:01:31 | |
-Gregg. -No. | 0:01:31 | 0:01:33 | |
-Barnfield Ma. -Here. -Mi. | 0:01:33 | 0:01:35 | |
-Barnfield Mi. -Here. | 0:01:35 | 0:01:36 | |
-Barton Ma. -Here. -Mi. -Here. | 0:01:36 | 0:01:38 | |
Barclay Ma. | 0:01:38 | 0:01:40 | |
-Bristow. -Here. -Columbo. | 0:01:40 | 0:01:43 | |
Nanson, Leavey, King, Duffle, Patterson, | 0:01:43 | 0:01:47 | |
Byrne, Wedgewood, Bostrich, Burman, Insul, Potter, Guppy. | 0:01:47 | 0:01:52 | |
Now, that's television! | 0:01:52 | 0:01:55 | |
Endless long lists of names, read out in a lifeless room, | 0:01:55 | 0:01:58 | |
full of bored, blank faces, trapped until home time. | 0:01:58 | 0:02:02 | |
You know - just like the BAFTAs! | 0:02:02 | 0:02:04 | |
I'm genuinely always staggered | 0:02:04 | 0:02:06 | |
when people can't recall their full class register. | 0:02:06 | 0:02:09 | |
You heard it every day, five days a week, year in, year out. | 0:02:09 | 0:02:12 | |
Everyone should be able to just rattle it off. | 0:02:12 | 0:02:15 | |
Monotonous? Not likely! How about stereophonic? | 0:02:15 | 0:02:19 | |
-Ian Edwards. -Here, sir. | 0:02:19 | 0:02:20 | |
-Peter Evans. -Here, sir. | 0:02:20 | 0:02:22 | |
-Kenneth Gibson. -Here, sir. | 0:02:22 | 0:02:24 | |
-Stephen Hall. -Here, sir. | 0:02:24 | 0:02:26 | |
-Stephen Holmes. -Here, sir. | 0:02:26 | 0:02:28 | |
-Paul Nicholson. -Here, sir. | 0:02:28 | 0:02:29 | |
-Andrew Brown. -Here, sir. -Ian Nixon. -Here's sir. | 0:02:29 | 0:02:32 | |
-Mike Walker. -Here, sir. -Ian Caulfield. -Here, sir. | 0:02:32 | 0:02:34 | |
-Simon Laven. -Here, sir. -Thomas Taylor. -Here, sir. | 0:02:34 | 0:02:37 | |
-Paul Peacock. -Here, sir. -Mark Burns. -Here, sir. | 0:02:37 | 0:02:40 | |
-Keith Cole. -Here, sir. | 0:02:40 | 0:02:41 | |
-Paul Burnham. -Here, sir. -Barry Ray. -Her, sir. | 0:02:41 | 0:02:44 | |
Must have been fun in that classroom, eh, | 0:02:44 | 0:02:46 | |
when one end was doing music and the other end was doing maths! | 0:02:46 | 0:02:49 | |
And what happened if you were late? There'd be no way in. | 0:02:49 | 0:02:52 | |
Your classmates would have to crowd-surf you to your seat. | 0:02:52 | 0:02:55 | |
Of course, I don't recognise that sort of urban overcrowding at all. | 0:02:55 | 0:03:00 | |
Though, to be fair, at my old alma mater, | 0:03:00 | 0:03:02 | |
we were not unaware of the ruddy old squashed oiks. | 0:03:02 | 0:03:05 | |
'In the old days, you could spot a child's class a mile away. | 0:03:05 | 0:03:09 | |
'Children from middle- and upper- class homes were actually taller | 0:03:10 | 0:03:14 | |
'and heavier on the average than working-class children. | 0:03:14 | 0:03:18 | |
'Quite apart from differences of clothes, manners, speech, | 0:03:18 | 0:03:23 | |
'habits of thought and education, or lack of it.' | 0:03:23 | 0:03:26 | |
'The public school accent has always been the proudly borne, | 0:03:32 | 0:03:37 | |
'never to be suppressed hallmark of the public school man. | 0:03:37 | 0:03:40 | |
'He wears it as flamboyantly, often as grotesquely, | 0:03:40 | 0:03:44 | |
'as a fireman's helmet. | 0:03:44 | 0:03:46 | |
'The boys still guard what they call their Queen's English jealously. | 0:03:46 | 0:03:49 | |
'In this debate, the progressives are pleading | 0:03:49 | 0:03:51 | |
'the case for admitting more local accents to the school.' | 0:03:51 | 0:03:55 | |
-(UPPER-CLASS ACCENT) -It has been said that by bringing the Dorset | 0:03:55 | 0:03:58 | |
accent into Milton Abbey, or any other public school, it would | 0:03:58 | 0:04:03 | |
bring down the class barriers at their roots, | 0:04:03 | 0:04:06 | |
but as long as there is a difference between the qualified | 0:04:06 | 0:04:09 | |
and the unqualified people, there will always be a class distinction. | 0:04:09 | 0:04:13 | |
THEY APPLAUD | 0:04:13 | 0:04:16 | |
I know several local people very well and have met many more. | 0:04:16 | 0:04:20 | |
Apart from the fact that these people are mostly pleasant types, | 0:04:20 | 0:04:24 | |
there is the fact that their accent is tuneful and pleasant to hear. | 0:04:24 | 0:04:28 | |
I don't find that they are embarrassed to talk to me and | 0:04:28 | 0:04:31 | |
I feel this school is sadly lacking the sound of the Dorset accent. | 0:04:31 | 0:04:35 | |
THEY APPLAUD | 0:04:35 | 0:04:38 | |
If he's got enough character, which this school does try to produce, | 0:04:38 | 0:04:42 | |
he can get on very well in life. If he hasn't got much brain, well, | 0:04:42 | 0:04:45 | |
this school's proved this, because some people have left | 0:04:45 | 0:04:48 | |
with no O-levels, they seem to be doing quite nicely, thank you. | 0:04:48 | 0:04:51 | |
This must just be due to character. | 0:04:51 | 0:04:52 | |
They must have something behind them. If they haven't got brains, | 0:04:52 | 0:04:55 | |
they've got...something. And if you went to a state school, | 0:04:55 | 0:04:58 | |
you might not have this catch and you might just be absolutely no-one. | 0:04:58 | 0:05:01 | |
I've never really understood the idea | 0:05:01 | 0:05:03 | |
that going to a public school | 0:05:03 | 0:05:05 | |
will make a person brighter because if it did, | 0:05:05 | 0:05:08 | |
then the Houses of Parliament would be full of geniuses. | 0:05:08 | 0:05:11 | |
And... | 0:05:11 | 0:05:12 | |
it's not. | 0:05:12 | 0:05:14 | |
You have the power to inflict corporal punishment, haven't you? | 0:05:14 | 0:05:18 | |
-Yes. We certainly have. -With what? -With this cane here. | 0:05:18 | 0:05:21 | |
-Ah, this is it. -Yes. | 0:05:21 | 0:05:23 | |
This is the instrument of torture. | 0:05:23 | 0:05:25 | |
Now, have you a right to do that without any reference | 0:05:25 | 0:05:28 | |
-to masters at all? -Yes. It's entirely on my decision alone. | 0:05:28 | 0:05:31 | |
If a boy has been late for breakfast three times, has been continually | 0:05:31 | 0:05:35 | |
disobedient, or any other major offence, he can be beaten with that. | 0:05:35 | 0:05:39 | |
May I meet one of the young gentlemen concerned? | 0:05:39 | 0:05:41 | |
They should be outside the door by appointment by this time. | 0:05:41 | 0:05:44 | |
-A young fag called Andrew Dawson. May we have him in? -Yes. | 0:05:44 | 0:05:48 | |
Would you come in, Dawson? | 0:05:48 | 0:05:50 | |
Sit down. | 0:05:50 | 0:05:51 | |
Hello, Andrew. Now, what exactly is a fag? | 0:05:51 | 0:05:55 | |
Well, sir, a fag is a personal assistant of the sixth | 0:05:55 | 0:06:00 | |
-and has to do manual labour for him. -What kind of jobs? | 0:06:00 | 0:06:03 | |
Well, things like cleaning shoes or cooking... | 0:06:03 | 0:06:07 | |
Organising cabinet reshuffles, keeping an eye on the economy, | 0:06:07 | 0:06:10 | |
invading small countries we've a pretty good chance of beating... | 0:06:10 | 0:06:13 | |
To start with, I didn't like it at all. | 0:06:13 | 0:06:16 | |
But as you get used to it, it's not so bad. | 0:06:16 | 0:06:19 | |
Are you looking forward to the day when you have a fag yourself? | 0:06:19 | 0:06:22 | |
-Very much so, sir. -You spend a great deal of your time cleaning out other people's studies. | 0:06:22 | 0:06:26 | |
-You have a study of your own? -Yes, I have, sir. | 0:06:26 | 0:06:28 | |
-I share it with another fag. -Now, this is it. | 0:06:28 | 0:06:31 | |
You share this with another fag. | 0:06:31 | 0:06:33 | |
-Share it with another fag. -Another fag. | 0:06:33 | 0:06:36 | |
This is a barge pole, because I'm not touching any of that! | 0:06:37 | 0:06:42 | |
As for the older beating the younger boys, well, so what? | 0:06:42 | 0:06:46 | |
That sort of thing went on in working-class schools too. | 0:06:46 | 0:06:49 | |
Although there, it was less about tradition, | 0:06:49 | 0:06:51 | |
order and discipline and more about protection money and bags of chips. | 0:06:51 | 0:06:55 | |
So if all schools have this potential for violence, | 0:06:55 | 0:06:59 | |
it does make you ask - what normal person would want to be a teacher? | 0:06:59 | 0:07:02 | |
Why do people teach? | 0:07:04 | 0:07:06 | |
Some people really do want to teach, | 0:07:07 | 0:07:11 | |
but I'm afraid, at least I think, some of us just drift into it. | 0:07:11 | 0:07:14 | |
An important distinction has to be made between a sense of vocation, | 0:07:14 | 0:07:19 | |
a feeling that one is doing something useful and important, | 0:07:19 | 0:07:22 | |
and a pleasure one gets from the sense of power | 0:07:22 | 0:07:26 | |
when you come into a form room and you say, "Sit down. | 0:07:26 | 0:07:29 | |
"Stop talking," and everybody does. | 0:07:29 | 0:07:32 | |
-(HIGH-PITCHED) -I had a very powerful voice and an aptitude with young people. | 0:07:32 | 0:07:36 | |
I was taught to hold a piece of chalk. That's as practical | 0:07:36 | 0:07:38 | |
as you can get. It was a vital lesson. One of the best I had. | 0:07:38 | 0:07:40 | |
How to stand in front of a blackboard. | 0:07:40 | 0:07:42 | |
That was a post-graduate department in the university, | 0:07:42 | 0:07:45 | |
and I think that's exciting. | 0:07:45 | 0:07:47 | |
Well... | 0:07:47 | 0:07:48 | |
the only good thing I learned when I was being trained as a teacher | 0:07:48 | 0:07:52 | |
was how to write on a blackboard. | 0:07:52 | 0:07:54 | |
That was the only thing of relevance. | 0:07:54 | 0:07:57 | |
I know. | 0:07:57 | 0:07:58 | |
He's obviously a decent chap and all, but he does look like | 0:07:58 | 0:08:02 | |
Lily Allen hurriedly disguised as all three members of Atomic Rooster. | 0:08:02 | 0:08:06 | |
And that nun's wimple! | 0:08:06 | 0:08:07 | |
This is no simple wimple. | 0:08:07 | 0:08:09 | |
I name this Darth Vader descending on some goalposts. | 0:08:09 | 0:08:13 | |
Brave souls, all of them. | 0:08:13 | 0:08:15 | |
No wonder eccentricity be their hallmark. | 0:08:15 | 0:08:18 | |
They did spend their days amid sights | 0:08:18 | 0:08:20 | |
and sounds alien to the rest of us. | 0:08:20 | 0:08:24 | |
THEY PLAY OUT OF TIME | 0:08:24 | 0:08:28 | |
PLAYS SCALE SLOWLY | 0:08:40 | 0:08:46 | |
# Runaway, runaway | 0:08:51 | 0:08:54 | |
# You've got nowhere to turn | 0:08:54 | 0:08:57 | |
# Runaway, runaway | 0:08:57 | 0:09:01 | |
# I'm never going to return | 0:09:01 | 0:09:04 | |
# I'm never going to return. # | 0:09:04 | 0:09:08 | |
CHILDREN APPLAUD | 0:09:08 | 0:09:11 | |
Polite applause for a muted freak-out. | 0:09:14 | 0:09:18 | |
I always find it charming that drummers in school pop bands never | 0:09:18 | 0:09:21 | |
really move their hands and feet, | 0:09:21 | 0:09:24 | |
thus reducing even the mightiest kit to a timid tambourine. | 0:09:24 | 0:09:27 | |
It hints at what Keith Moon might have been like | 0:09:27 | 0:09:30 | |
if he'd been schooled in North Korea. Oh, yes. | 0:09:30 | 0:09:33 | |
Let's keep improvisation and flexibility where it belongs. | 0:09:33 | 0:09:36 | |
Out on the playing fields! | 0:09:36 | 0:09:38 | |
Right, now. Davies, get a rifle out from the cottage. | 0:09:38 | 0:09:41 | |
Take it over to the rifle range. | 0:09:41 | 0:09:43 | |
Murray, you take the other. | 0:09:43 | 0:09:46 | |
Barton, you can start at golf at the second hole. | 0:09:46 | 0:09:51 | |
You'll be safe there. | 0:09:51 | 0:09:54 | |
I don't know what's more impressive here - | 0:09:54 | 0:09:56 | |
the kids carrying hunting rifles, | 0:09:56 | 0:09:58 | |
the sheer array of sports available, or the fact the dapper master | 0:09:58 | 0:10:01 | |
in charge had a primrose for a buttonhole. | 0:10:01 | 0:10:04 | |
And golf! This is the school that Nintendo Wii was based on. | 0:10:04 | 0:10:09 | |
'Pogo sticks were all the rage 30 years ago | 0:10:09 | 0:10:12 | |
'and now they've returned in a big way. These kids even box on them.' | 0:10:12 | 0:10:16 | |
THEY CHEER | 0:10:16 | 0:10:17 | |
Pogo-stick boxing? Of course. | 0:10:17 | 0:10:20 | |
A cornerstone of the curriculum, like skipping-rope wrestling | 0:10:20 | 0:10:23 | |
and cross-country hula-hoop. | 0:10:23 | 0:10:25 | |
And these are the traditional schools. | 0:10:25 | 0:10:27 | |
Is it any wonder that our progressive establishments | 0:10:27 | 0:10:30 | |
really have to go that extra mile...possibly while yo-yoing? | 0:10:30 | 0:10:34 | |
'Here's a boarding school where youth is not merely allowed | 0:10:34 | 0:10:37 | |
'but encouraged to have its fling. | 0:10:37 | 0:10:39 | |
'The headmaster believes that every child should first find himself. | 0:10:39 | 0:10:42 | |
'Burgess Hill School is against the carbon-copy boarding school product. | 0:10:42 | 0:10:47 | |
'It does what it can to help each child's personality to develop. | 0:10:47 | 0:10:50 | |
'The staff of the school believe that if you blindly forbid children | 0:10:50 | 0:10:53 | |
'to do something, they will certainly revolt. | 0:10:53 | 0:10:56 | |
'The answer is to allow them to find out for themselves, | 0:10:56 | 0:10:59 | |
'whether these conventions are good or bad. | 0:10:59 | 0:11:02 | |
'Besides which, smoking calms the nerves. | 0:11:02 | 0:11:05 | |
'Teenagers, whether they attend secondary modern, grammar | 0:11:05 | 0:11:08 | |
'or boarding schools, and of course, the Burgess Hill exponents are tops. | 0:11:08 | 0:11:13 | |
'Dressed in beat uniform, leather jackets and the rest, | 0:11:13 | 0:11:16 | |
'they really go to town with the new Chubby Checker disc.' | 0:11:16 | 0:11:19 | |
'Dartington Hall School. It's before dawn on a winter's day. | 0:11:22 | 0:11:27 | |
'Every morning, one of the pupils takes it in turn to call the others. | 0:11:27 | 0:11:31 | |
'Everyone gets called, but not everyone goes to breakfast. | 0:11:31 | 0:11:35 | |
'In fact, it's a school with very few rules. | 0:11:35 | 0:11:39 | |
'You can spend your free time as you please. No caning, no detention. | 0:11:39 | 0:11:43 | |
'You don't have to stay in the school grounds, | 0:11:43 | 0:11:46 | |
'so long as you're not missing lessons. | 0:11:46 | 0:11:48 | |
'And anyone over 13 can smoke.' | 0:11:48 | 0:11:50 | |
What is it with the smoking?! | 0:11:50 | 0:11:52 | |
How does sucking on a soggy cork tip equate with freedom of choice? | 0:11:52 | 0:11:56 | |
Got a couple of plantations down Virginia way need | 0:11:56 | 0:11:59 | |
a bit of boosting, eh, headmaster? | 0:11:59 | 0:12:01 | |
All smoking will do is give even the most angelic pupil | 0:12:01 | 0:12:04 | |
a voice like a world-weary old actress. | 0:12:04 | 0:12:07 | |
Listen to the first kid here. | 0:12:07 | 0:12:09 | |
(HUSKY VOICE) Like, originally, this school's someone's dream. | 0:12:09 | 0:12:13 | |
It's stuck in the '30s. It's not progressive any more. | 0:12:13 | 0:12:16 | |
Can you turn that off, please? You know you're not supposed to. | 0:12:16 | 0:12:20 | |
Hey, Thomas. Thomas, which dorm are you supposed to be in? | 0:12:20 | 0:12:23 | |
-In this one. -Come on, tell me another one. | 0:12:23 | 0:12:26 | |
Which are you supposed to be in? | 0:12:26 | 0:12:28 | |
-Come on, get out. -Oh, let me finish this. -No, go on. Get him out. | 0:12:31 | 0:12:35 | |
I'll take this. | 0:12:35 | 0:12:36 | |
PLAYS SITAR | 0:12:36 | 0:12:39 | |
I went to comprehensive for the term, | 0:12:41 | 0:12:44 | |
because my dad ran out of money, so I couldn't come. | 0:12:44 | 0:12:47 | |
Anyway, and um... The teaching there... You... | 0:12:47 | 0:12:50 | |
I found myself getting dead bored in the classrooms | 0:12:50 | 0:12:53 | |
and just falling asleep. | 0:12:53 | 0:12:55 | |
-I still fall asleep in maths lessons. -Yeah, I know. | 0:12:55 | 0:12:58 | |
I don't do physics or chemistry, cos I found it so boring. | 0:12:58 | 0:13:02 | |
-I still sort of fall asleep in biology and stuff. -Yeah, right. | 0:13:02 | 0:13:05 | |
But, I mean, you go to a comprehensive | 0:13:05 | 0:13:07 | |
and you fall asleep even more. | 0:13:07 | 0:13:09 | |
Good to see St Groovy's Academy of Anything Goes is thrashing | 0:13:09 | 0:13:13 | |
the somnambulism out of those two livewires. | 0:13:13 | 0:13:16 | |
Like so many slackers, | 0:13:16 | 0:13:18 | |
they seem to have confused outright revolution with outright hiding. | 0:13:18 | 0:13:22 | |
How much better to take on the system head-on. | 0:13:22 | 0:13:25 | |
Out of the schools and into the streets, brothers and sisters! Yes! | 0:13:25 | 0:13:29 | |
It's the great schoolkid strike of 1972. | 0:13:29 | 0:13:32 | |
-Going on a strike, then. -Yeah, on Wednesday. | 0:13:32 | 0:13:35 | |
We assemble at Trafalgar Square. | 0:13:35 | 0:13:37 | |
So jump on the Tube and if you ain't got any money, obviously, don't pay. | 0:13:37 | 0:13:41 | |
'For the last few days, truant committee members of the Marxist Leninist group, | 0:13:41 | 0:13:45 | |
'the Schools Action Union, and all wearing badges of Chairman Mao, | 0:13:45 | 0:13:49 | |
'have been out with their leaflets | 0:13:49 | 0:13:50 | |
'in the streets of various parts of London. | 0:13:50 | 0:13:52 | |
'The response to their campaign is certainly high-spirited, | 0:13:52 | 0:13:55 | |
'but it's also a little confused.' | 0:13:55 | 0:13:57 | |
-What did you think of the pamphlets? -I thought it was a good idea, yeah. | 0:13:57 | 0:14:01 | |
-Why? -It's right. About time someone did something about it. | 0:14:01 | 0:14:05 | |
That's right, yeah. | 0:14:05 | 0:14:07 | |
We want something done about the unions and all the caning. | 0:14:07 | 0:14:11 | |
We're sitting down doing nothing! | 0:14:11 | 0:14:14 | |
Perhaps it's not the, um... | 0:14:14 | 0:14:17 | |
Perhaps it's just not the uniform, it's the caning that matters. | 0:14:17 | 0:14:22 | |
Since when have you had caning? Come on. Go to your lessons quickly now! | 0:14:22 | 0:14:26 | |
All of you. | 0:14:26 | 0:14:29 | |
-All right. -Sandra! | 0:14:29 | 0:14:31 | |
They keep bossing us about. | 0:14:31 | 0:14:33 | |
Power! | 0:14:33 | 0:14:36 | |
Not a bad effort. | 0:14:36 | 0:14:37 | |
True, it fizzled out as soon as Miss Henderson told them | 0:14:37 | 0:14:40 | |
to stop being so silly and get off to assembly, | 0:14:40 | 0:14:43 | |
but that was the special gift of all British schoolteachers at one time. | 0:14:43 | 0:14:47 | |
I always think that Stalin himself would have shrunk | 0:14:47 | 0:14:50 | |
like a salted snail had a proper UK class warrior told him... | 0:14:50 | 0:14:53 | |
Sit down, stop talking! | 0:14:53 | 0:14:55 | |
That said, in '72, the fuse had been lit, | 0:14:55 | 0:14:59 | |
and the authorities found, as soon as they stamped out one fire, | 0:14:59 | 0:15:02 | |
five more sprang up elsewhere, | 0:15:02 | 0:15:04 | |
fuelled by righteous anger, political zeal | 0:15:04 | 0:15:07 | |
and that most important element for teenage militancy, TV cameras. | 0:15:07 | 0:15:11 | |
CHEERING AND SHOUTING | 0:15:11 | 0:15:13 | |
-What do we want? -ALL: Democracy in schools! | 0:15:20 | 0:15:24 | |
-What do we want? -ALL: Democracy in schools! | 0:15:24 | 0:15:26 | |
My dad reckons that kids should stick up for their rights | 0:15:26 | 0:15:29 | |
as much as grown-ups, and he reckons | 0:15:29 | 0:15:31 | |
that if I want to go out on strike for a good reason, | 0:15:31 | 0:15:33 | |
he reckons I should go out. | 0:15:33 | 0:15:35 | |
And what is your reason for being on strike? | 0:15:35 | 0:15:37 | |
Well, our reason for going out is the lessons. | 0:15:37 | 0:15:39 | |
They really are terrible, just boring. | 0:15:39 | 0:15:41 | |
In some lessons, you just sit there doing writing, writing, writing. | 0:15:41 | 0:15:45 | |
Yes, but what one person might find boring another might not. | 0:15:45 | 0:15:48 | |
Yeah, that's OK, but we've asked them to change it, but they won't. | 0:15:48 | 0:15:53 | |
-Yeah, we should choose our lessons. -Yeah. | 0:15:53 | 0:15:57 | |
We want better meals. | 0:15:57 | 0:15:58 | |
What do you want to see? | 0:15:58 | 0:15:59 | |
Well, revolution, socialist revolution, | 0:15:59 | 0:16:01 | |
when we've had that, that is when we'll have the schools that we want. | 0:16:01 | 0:16:05 | |
We've heard a lot about the socialist revolution this morning. | 0:16:05 | 0:16:07 | |
What do you know about the socialist revolution? | 0:16:07 | 0:16:09 | |
BOTH: Nothing! | 0:16:09 | 0:16:11 | |
Our school as a whole isn't really that strict. | 0:16:11 | 0:16:16 | |
Erm, as for the caning, you know, | 0:16:16 | 0:16:19 | |
there's not that much goes on in our school. | 0:16:19 | 0:16:21 | |
Only unless there's a real offence. | 0:16:21 | 0:16:24 | |
'16-year-old Simon, the SAU's information officer, | 0:16:24 | 0:16:29 | |
'outlined the union's aims.' | 0:16:29 | 0:16:30 | |
The demands, as you all know, are firstly... | 0:16:30 | 0:16:36 | |
no compulsory school uniform! | 0:16:36 | 0:16:39 | |
CROWD CHEERS | 0:16:39 | 0:16:41 | |
No caning! | 0:16:43 | 0:16:44 | |
CROWD CHEERS | 0:16:44 | 0:16:46 | |
A major demand of the working-class kids, the "no caning", | 0:16:46 | 0:16:50 | |
which is interesting when set against public school boys, | 0:16:50 | 0:16:53 | |
who, in later life, would spend up to a third of their incomes | 0:16:53 | 0:16:57 | |
just to receive that sort of thing. | 0:16:57 | 0:16:59 | |
No detentions! | 0:16:59 | 0:17:00 | |
CROWD CHEERS | 0:17:00 | 0:17:03 | |
No victimisation! | 0:17:03 | 0:17:05 | |
CROWD CHEERS | 0:17:05 | 0:17:07 | |
And also the demand of schools not prisons! | 0:17:07 | 0:17:09 | |
We demand to be let out of school in the lunch hour without passes. | 0:17:09 | 0:17:12 | |
This is one of the major demands of loads of branches | 0:17:12 | 0:17:14 | |
of the Schools Action Union. | 0:17:14 | 0:17:16 | |
CROWD CHEERS | 0:17:16 | 0:17:17 | |
I don't suppose we have achieved a lot, really, coming, | 0:17:17 | 0:17:20 | |
but it's proof that we can do what we want if we try. | 0:17:20 | 0:17:23 | |
Everybody else does - look at the miners, they did. And everyone else. | 0:17:23 | 0:17:28 | |
So why shouldn't we? I mean, we're people, aren't we? | 0:17:28 | 0:17:31 | |
But young children were shouting, "Kill them, kill them." | 0:17:32 | 0:17:35 | |
They're treating us like we're still in the nursery and we're not. | 0:17:35 | 0:17:38 | |
-We're not even allowed out of our school at break time. -Or dinner time. | 0:17:38 | 0:17:42 | |
Or dinner time, no. We're not allowed... | 0:17:42 | 0:17:44 | |
And there's nothing in the school for us to do except sit on the grass. | 0:17:44 | 0:17:47 | |
-The dinners are horrible. -And the dinners are disgusting. | 0:17:47 | 0:17:50 | |
I like her. And I like the way they wore their ties | 0:17:50 | 0:17:53 | |
and the fire in their eyes. | 0:17:53 | 0:17:55 | |
They defied society to judge them. | 0:17:55 | 0:17:58 | |
Today, their grandkids beg Simon Cowell to do just that. | 0:17:58 | 0:18:02 | |
Has there really been such a shift in playground values? | 0:18:02 | 0:18:05 | |
Were pupils once so focused and militant that they were | 0:18:05 | 0:18:08 | |
impervious to the shallow distractions of celebrity? | 0:18:08 | 0:18:12 | |
Well, it depends on the calibre of celebrity | 0:18:12 | 0:18:15 | |
and the distraction involved. | 0:18:15 | 0:18:17 | |
'You've got to prove that you can do it, | 0:18:17 | 0:18:20 | |
'and basically I can go to a school and, in a fairly small area, | 0:18:20 | 0:18:24 | |
'demonstrate that I can ride a bike pretty good.' | 0:18:24 | 0:18:26 | |
The good side of motorcycling is very good. | 0:18:26 | 0:18:29 | |
You'll find that during your teenage years, the motorcycle | 0:18:30 | 0:18:34 | |
will provide you with some very happy memories. | 0:18:34 | 0:18:37 | |
Certainly, there's nothing quite like, | 0:18:37 | 0:18:39 | |
on a nice, warm summer's evening, | 0:18:39 | 0:18:41 | |
just sort of swanning around the countryside | 0:18:41 | 0:18:44 | |
with a bird on the back, maybe looking for a nice, cosy spot. | 0:18:44 | 0:18:48 | |
His name's Andy Beckford, | 0:18:48 | 0:18:49 | |
and he's going to dance to Chaka Khan, I Feel For You. | 0:18:49 | 0:18:53 | |
'This disco isn't laid on for PC Andy Beckford to enjoy himself. | 0:18:56 | 0:19:01 | |
'His dancing skills are on display as a public relations exercise | 0:19:01 | 0:19:05 | |
'to show the human face of the police in Hackney. | 0:19:05 | 0:19:08 | |
'It's part of a desperate battle. | 0:19:09 | 0:19:11 | |
'At stake, the hearts and minds of the children of the borough.' | 0:19:11 | 0:19:15 | |
THEY CLAP ALONG TO "AGADOO" | 0:19:18 | 0:19:20 | |
'And in a junior school in Hackney, | 0:19:20 | 0:19:23 | |
'the local police join the kids on their own stamping ground. | 0:19:23 | 0:19:26 | |
'This disco is part of a series of events aimed at changing | 0:19:28 | 0:19:31 | |
'children's long-term attitudes.' | 0:19:31 | 0:19:34 | |
That break-dancing police constable! | 0:19:34 | 0:19:36 | |
The only reason things like THIS exist | 0:19:36 | 0:19:40 | |
is so downmarket papers and people like me can say, | 0:19:40 | 0:19:43 | |
"Look, more bobbies are back on the beat," | 0:19:43 | 0:19:46 | |
or, "This is PC gone mad!" And nobody wants that. | 0:19:46 | 0:19:50 | |
Puts you right off your dinner. | 0:19:50 | 0:19:52 | |
Do you like school food? | 0:19:52 | 0:19:53 | |
-Yes, thank you. -I'd have, erm, fish fingers and chips, | 0:19:53 | 0:19:58 | |
and, erm, erm... | 0:19:58 | 0:20:01 | |
..fish and chips. | 0:20:02 | 0:20:03 | |
-What's your favourite school food? -Shepherd's pie. | 0:20:05 | 0:20:08 | |
What do you like next? | 0:20:08 | 0:20:10 | |
Erm, potatoes. | 0:20:11 | 0:20:13 | |
I mean, they're pretty good here. | 0:20:13 | 0:20:16 | |
If they eat chips, they usually tend to balance it out with fruit, | 0:20:16 | 0:20:19 | |
or, like, they quite like cheese. | 0:20:19 | 0:20:21 | |
'But at lunch time, it only seems to be chips. | 0:20:21 | 0:20:25 | |
'Chips balanced with gravy, chips balanced with battered things, | 0:20:25 | 0:20:28 | |
'chips balanced with salt, and chips and cheese.' | 0:20:28 | 0:20:31 | |
'Now Poltair School has moved computers into the dining room. | 0:20:33 | 0:20:37 | |
'They give everyone's meal a one to ten health rating.' | 0:20:37 | 0:20:40 | |
That's quite good. | 0:20:40 | 0:20:41 | |
Chips, number 5. | 0:20:41 | 0:20:43 | |
Beans, number 13. | 0:20:43 | 0:20:45 | |
That's 4 out of 10, I'm afraid - that's not very good. | 0:20:47 | 0:20:50 | |
The computer does make an impact. | 0:20:50 | 0:20:52 | |
If a child sees, "Well done," they feel very happy about that. | 0:20:52 | 0:20:56 | |
If they see, "Very poor choice, go and look again," | 0:20:56 | 0:20:59 | |
they are going to look again. | 0:20:59 | 0:21:02 | |
That's two out of ten, I'm afraid, that's not very good. | 0:21:02 | 0:21:05 | |
So, 2 out of 10 - that's a very unhealthy meal, then, isn't it? | 0:21:05 | 0:21:08 | |
Yes. | 0:21:08 | 0:21:09 | |
-What made you choose it? -Cos I just like chips and chocolate slices. | 0:21:09 | 0:21:12 | |
-Is this what you eat more or less every day? -Yeah. | 0:21:12 | 0:21:15 | |
Do you think, now that you know it's not very good for you, | 0:21:15 | 0:21:18 | |
you might choose other things? | 0:21:18 | 0:21:19 | |
No, I'll still carry on having this. | 0:21:19 | 0:21:21 | |
That's 1 out of 10, I'm afraid. | 0:21:23 | 0:21:25 | |
I'm afraid that's a terrible meal. | 0:21:25 | 0:21:27 | |
Well, if you think THAT'S a terrible meal, | 0:21:27 | 0:21:29 | |
you wait till you grow up and have to kill time in a British airport. | 0:21:29 | 0:21:33 | |
See, that's the trouble with computers - all cold logic, | 0:21:33 | 0:21:36 | |
no hot saveloys. | 0:21:36 | 0:21:37 | |
SIZZLING | 0:21:37 | 0:21:38 | |
I think I'll write that down later - that's brilliant. | 0:21:38 | 0:21:41 | |
Anyway, as we saw, | 0:21:41 | 0:21:42 | |
there hasn't been a computer invented | 0:21:42 | 0:21:44 | |
that can come up with an answer | 0:21:44 | 0:21:46 | |
to a British schoolgirl saying, "What for?" | 0:21:46 | 0:21:48 | |
followed by a curt, "No, thanks." | 0:21:48 | 0:21:51 | |
Even so, today's schools could not operate without the laptop, | 0:21:51 | 0:21:54 | |
the tablet and the internet. | 0:21:54 | 0:21:56 | |
Bringing an apple for your teacher has a whole new meaning. | 0:21:56 | 0:21:59 | |
So let us now salute one set of scientific classroom pioneers | 0:21:59 | 0:22:04 | |
and their pocket-sized electronic friend, Nellie. | 0:22:04 | 0:22:07 | |
Preparing Nellie to do a day's work has become a well-practised routine. | 0:22:07 | 0:22:11 | |
OK, Peter, the keys are in. | 0:22:13 | 0:22:14 | |
All right, keys in. | 0:22:14 | 0:22:16 | |
Can you check disk oil level, please, Harry? | 0:22:16 | 0:22:18 | |
Oil OK. | 0:22:20 | 0:22:21 | |
Right, can you check disk temperatures please, Malcolm? | 0:22:21 | 0:22:24 | |
OK, disk up to speed. | 0:22:24 | 0:22:26 | |
Hello, alternator house? | 0:22:26 | 0:22:27 | |
Disk oil and temperature OK. Is it OK your end? | 0:22:27 | 0:22:30 | |
Rotor, alternator on. | 0:22:31 | 0:22:34 | |
OK for stand-by. | 0:22:34 | 0:22:35 | |
Switch on stand-by, Peter. | 0:22:35 | 0:22:37 | |
Stand-by coming on. | 0:22:50 | 0:22:52 | |
GENERATOR POWERS UP | 0:22:52 | 0:22:53 | |
OK, HD coming on. | 0:22:56 | 0:22:57 | |
The computer is ready for use. | 0:23:00 | 0:23:02 | |
I know. | 0:23:02 | 0:23:03 | |
Why can't computers today fire up as quickly as that? | 0:23:03 | 0:23:06 | |
..a programme that enables the boys to write tunes | 0:23:06 | 0:23:09 | |
and have them performed by Nellie. | 0:23:09 | 0:23:10 | |
NELLIE BEEPS | 0:23:10 | 0:23:13 | |
NELLIE BEEPS TO TUNE OF "What Shall We Do With The Drunken Sailor?" | 0:23:13 | 0:23:16 | |
The boys have calculated that Nellie fails | 0:23:21 | 0:23:24 | |
once in every 12 hours of running time. | 0:23:24 | 0:23:26 | |
When this happens, they go into their breakdown team. | 0:23:26 | 0:23:28 | |
# Baby, baby When I look at you... # | 0:23:28 | 0:23:31 | |
He said breakDOWN routine. | 0:23:31 | 0:23:33 | |
Continue. | 0:23:33 | 0:23:34 | |
BEEPING CONTINUES | 0:23:34 | 0:23:36 | |
-HD gone off. -Thermostats. Check thermostats, please, Peter. | 0:23:36 | 0:23:39 | |
Line failure. | 0:23:39 | 0:23:41 | |
RAPID BEEPING | 0:23:41 | 0:23:42 | |
OK... No. | 0:23:45 | 0:23:47 | |
-What...? -Four. | 0:23:47 | 0:23:48 | |
Peter, change line four, please. System centre one. | 0:23:49 | 0:23:53 | |
Most adults still find computers a bit of a mystery, | 0:23:54 | 0:23:56 | |
but for youngsters like these, brought up in a world of diodes | 0:23:56 | 0:23:59 | |
and transistors, there's nothing mysterious about a computer. | 0:23:59 | 0:24:03 | |
TUNE CONTINUES | 0:24:03 | 0:24:06 | |
RAPID BEEPING | 0:24:07 | 0:24:09 | |
Check thermostats, please, Peter. | 0:24:09 | 0:24:12 | |
I understand the journey of a million miles | 0:24:12 | 0:24:14 | |
begins with a single step, | 0:24:14 | 0:24:15 | |
but even then that must have seemed an awfully long way to go | 0:24:15 | 0:24:18 | |
just to get 40% of What Shall We Do With The Drunken Sailor? | 0:24:18 | 0:24:22 | |
And a pretty rudimentary version, at that. | 0:24:22 | 0:24:24 | |
The thing that made the theme for Doctor Who in 1963 | 0:24:24 | 0:24:27 | |
must have been the size of Quebec! | 0:24:27 | 0:24:29 | |
The irony also is that, as ever, | 0:24:29 | 0:24:31 | |
the nerdy kids do all the heavy lifting in development, | 0:24:31 | 0:24:34 | |
but then the bad boys get the glory when they steal the machines | 0:24:34 | 0:24:38 | |
and form Depeche Mode. | 0:24:38 | 0:24:39 | |
# I just can't get enough... # | 0:24:39 | 0:24:41 | |
They probably weren't even in school that day. | 0:24:41 | 0:24:44 | |
You don't think it's irresponsible to refuse to go to school? | 0:24:44 | 0:24:48 | |
No. You don't want to go, you just don't go. And that's it. | 0:24:48 | 0:24:52 | |
Morris. | 0:24:52 | 0:24:53 | |
No, Keith never gets up, does he? | 0:24:53 | 0:24:55 | |
What time will you get up today? | 0:24:55 | 0:24:57 | |
I'll probably get up about half two to three. | 0:24:57 | 0:24:59 | |
-And you're going to go into school? -Nah. | 0:24:59 | 0:25:01 | |
Charlie's had a chequered career. | 0:25:01 | 0:25:04 | |
A spell in the RAF, a merchant navy catering officer, | 0:25:04 | 0:25:08 | |
a hotelier and a ballroom bouncer. | 0:25:08 | 0:25:10 | |
Today, at 35, he's the youngest | 0:25:10 | 0:25:13 | |
of Southampton's 14 education welfare officers. | 0:25:13 | 0:25:16 | |
Since signing on five years ago, he's grown a beard | 0:25:16 | 0:25:20 | |
to give him dignity and authority. | 0:25:20 | 0:25:22 | |
He's the education welfare officer. | 0:25:32 | 0:25:34 | |
His job - to sell education. | 0:25:34 | 0:25:36 | |
Charlie's at this office for half an hour every morning. | 0:25:37 | 0:25:39 | |
It's the only routine part of his day. | 0:25:39 | 0:25:41 | |
I think I know you, you're up the road, aren't you? With Mum? | 0:25:41 | 0:25:44 | |
-No. -Pardon? | 0:25:44 | 0:25:45 | |
I'm the school welfare officer. | 0:25:45 | 0:25:47 | |
-No, I've left school. -Yeah, you have. | 0:25:47 | 0:25:49 | |
-What school are you? -Bitterne Park. | 0:25:49 | 0:25:51 | |
Why aren't you at school? | 0:25:51 | 0:25:53 | |
Got a cold. | 0:25:53 | 0:25:54 | |
-What are you doing out shopping, then? -I'm... | 0:25:54 | 0:25:57 | |
He's got to get some clothes for a wedding, | 0:25:57 | 0:25:59 | |
he's going to a wedding tomorrow. | 0:25:59 | 0:26:00 | |
Ah, that's more like it. And he's got a cold. Ah. | 0:26:00 | 0:26:02 | |
-Yeah, that's right. -Yeah, he has, as well. -And what's your name? | 0:26:02 | 0:26:05 | |
Why's the little 'un not at school? | 0:26:05 | 0:26:07 | |
-Why? -Yeah. | 0:26:07 | 0:26:09 | |
She's, um... | 0:26:09 | 0:26:10 | |
Well, Mum phoned up the school this afternoon. | 0:26:11 | 0:26:13 | |
-Oh, she's phoned, has she? -Yes. -She has or she's going to? | 0:26:13 | 0:26:15 | |
She has. Well, the school phoned her, | 0:26:15 | 0:26:18 | |
-and she's been in this afternoon. -What's wrong? | 0:26:18 | 0:26:20 | |
-We overslept. -Overslept! Couldn't you have gone in late? | 0:26:20 | 0:26:23 | |
It's not our fault, it's the baby! | 0:26:23 | 0:26:25 | |
You could've gone in late, couldn't you? | 0:26:25 | 0:26:27 | |
-What, at half past ten? -Yes, that's better than not going at all. | 0:26:27 | 0:26:30 | |
-I shall go... -You'll tell Mum I stopped you? -Yeah. | 0:26:30 | 0:26:33 | |
All right. And you'll let Mr Norton know at school. | 0:26:33 | 0:26:36 | |
-Yeah? -Yeah. -All right, then. | 0:26:36 | 0:26:38 | |
It's a good thing he's got that beard for authority, eh? | 0:26:38 | 0:26:41 | |
Or else them mums might have said, "Ah, push off, stupid George | 0:26:41 | 0:26:44 | |
"from George And Mildred." | 0:26:44 | 0:26:46 | |
Ah, Christchurch. | 0:26:46 | 0:26:48 | |
Blooming kids again, I suppose. | 0:26:48 | 0:26:50 | |
You get annoyed, but this is one of the things you've got to accept. | 0:26:52 | 0:26:56 | |
Charlie's the only officer in Southampton to live on his patch. | 0:26:56 | 0:26:59 | |
He sometimes pays a price for this devotion to duty. | 0:26:59 | 0:27:03 | |
This is the 13th time his tyres have been let down. | 0:27:03 | 0:27:06 | |
Charlie Trayhorn's ready for anything - | 0:27:06 | 0:27:08 | |
especially when ferrying children. | 0:27:08 | 0:27:10 | |
If it's just vomit, well, I'll wash it at home | 0:27:10 | 0:27:13 | |
and use a strong disinfectant. | 0:27:13 | 0:27:14 | |
But... if it's urine, the same again, | 0:27:14 | 0:27:18 | |
but if I think it's bugs or some sort, | 0:27:18 | 0:27:21 | |
I'd get it done here, as my clothes. | 0:27:21 | 0:27:23 | |
Granville? | 0:27:23 | 0:27:25 | |
Here. | 0:27:25 | 0:27:26 | |
I've just taken a couple of kids to the school nurse. | 0:27:26 | 0:27:29 | |
I think they're lousy. Can I have your treatment? | 0:27:29 | 0:27:31 | |
Oh, certainly. Yeah. | 0:27:31 | 0:27:32 | |
-You'd like your clothes disinfected? -Yeah, and me. And the car. | 0:27:32 | 0:27:35 | |
Charlie visits his local fumigation centre about twice a month. | 0:27:35 | 0:27:38 | |
Dear Lord, he's only been in contact with a couple of kids! | 0:27:47 | 0:27:50 | |
That's a phobia to make the Child Catcher | 0:27:50 | 0:27:52 | |
in Chitty Chitty Bang Bang seem like...Angelina Jolie. | 0:27:52 | 0:27:55 | |
Of course, those kids he targeted were happily hopping the wag - | 0:27:55 | 0:27:59 | |
swinging the lead, sagging off | 0:27:59 | 0:28:01 | |
or whatever regional variation you'd care to conjure up. | 0:28:01 | 0:28:04 | |
Strange, then, that thousands of them would later join | 0:28:04 | 0:28:07 | |
Friends Reunited just to wax nostalgic about the old dump. | 0:28:07 | 0:28:12 | |
And then there are those who never leave school. | 0:28:12 | 0:28:15 | |
Not mentally - physically. | 0:28:15 | 0:28:16 | |
In my day, they even used to have their own little house, | 0:28:16 | 0:28:19 | |
built right on the property. | 0:28:19 | 0:28:21 | |
KNOCK AT DOOR Come in. | 0:28:21 | 0:28:22 | |
-Morning. -Morning, Ken, how are you? | 0:28:22 | 0:28:24 | |
-I'm very well, thank you. -Good. | 0:28:24 | 0:28:26 | |
-Did you have a nice weekend? -Lovely. | 0:28:26 | 0:28:28 | |
Guess what I saw on the drive on Friday night, late. | 0:28:28 | 0:28:31 | |
-A fox? -A badger. | 0:28:31 | 0:28:33 | |
Thank you, bye. | 0:28:33 | 0:28:35 | |
Wow. | 0:28:35 | 0:28:36 | |
Brutal, eh? Nobody talks to the headteacher like that. | 0:28:36 | 0:28:40 | |
Or rather, nobody DOESN'T talk to the headteacher like that. | 0:28:40 | 0:28:44 | |
But then, men like him, they've seen it all before. | 0:28:44 | 0:28:47 | |
They know teachers, pupils, fads and curriculums, | 0:28:47 | 0:28:50 | |
Ofsted and camera crews may all come and go, | 0:28:50 | 0:28:54 | |
but the caretaker goes on for ever. | 0:28:54 | 0:28:56 | |
BELL RINGS | 0:28:56 | 0:28:58 | |
Good night, chums. | 0:28:58 | 0:28:59 | |
# Remember the days of the old schoolyard | 0:28:59 | 0:29:02 | |
# We used to laugh a lot | 0:29:02 | 0:29:04 | |
# Oh, don't you remember the days of the old schoolyard? | 0:29:04 | 0:29:09 | |
# When we had imaginings | 0:29:11 | 0:29:14 | |
# And we had all kinds of things | 0:29:14 | 0:29:18 | |
# And we laughed and needed love | 0:29:18 | 0:29:21 | |
# Yes, I do | 0:29:21 | 0:29:23 | |
# Oh, and I remember you | 0:29:23 | 0:29:26 | |
# I remember you. # | 0:29:31 | 0:29:33 |