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-SAM WILLIS: -'Castles. | 0:00:04 | 0:00:05 | |
'They dominate our landscape, tower over our history | 0:00:05 | 0:00:09 | |
'and fuel our imagination.' | 0:00:09 | 0:00:12 | |
I was brought up on stories of castles, | 0:00:14 | 0:00:17 | |
of knights in shining armour, | 0:00:17 | 0:00:19 | |
epic sieges and tactical ingenuity. | 0:00:19 | 0:00:22 | |
I learnt of the castle | 0:00:22 | 0:00:23 | |
as the ultimate expression of military might. | 0:00:23 | 0:00:26 | |
'And yet, fascinating as this is, | 0:00:34 | 0:00:37 | |
'it hides a deeper story. | 0:00:37 | 0:00:40 | |
'For the story of the castle is the story of these Isles. | 0:00:40 | 0:00:45 | |
'Of conquest, colonisation and civil war.' | 0:00:45 | 0:00:48 | |
Firing the cannon! | 0:00:48 | 0:00:50 | |
'In this series, | 0:00:53 | 0:00:54 | |
'I'll be looking at the impact of the castle on Britain - | 0:00:54 | 0:00:57 | |
'finding out how an instrument of military power | 0:00:57 | 0:01:01 | |
'rapidly took on far wider significance. | 0:01:01 | 0:01:04 | |
'I'll discover how castles invaded every part of life - | 0:01:04 | 0:01:08 | |
'becoming homes to a new ruling elite, | 0:01:08 | 0:01:11 | |
'giving birth to the feudal system... | 0:01:11 | 0:01:13 | |
'..and even entering our mythology and art. | 0:01:15 | 0:01:19 | |
'I'll be visiting many of the greatest castles | 0:01:20 | 0:01:23 | |
'these islands have to offer - | 0:01:23 | 0:01:26 | |
'the brutal bastions Edward I used to subjugate the Welsh, | 0:01:26 | 0:01:30 | |
'Henry VIII's defensive fortresses | 0:01:30 | 0:01:34 | |
'and Elizabethan palaces of seduction.' | 0:01:34 | 0:01:38 | |
Have a care! | 0:01:38 | 0:01:39 | |
'But our story begins with the arrival of the castle | 0:01:45 | 0:01:48 | |
'with the Normans in 1066. | 0:01:48 | 0:01:51 | |
'A weapon of invasion, these alien structures | 0:01:54 | 0:01:57 | |
'were to play a central role in the imposition of the new regime. | 0:01:57 | 0:02:02 | |
OWL HOOTS | 0:02:02 | 0:02:03 | |
'But then, in the hands of unruly barons, | 0:02:06 | 0:02:08 | |
'they would lead to anarchy in the realm.' | 0:02:08 | 0:02:10 | |
The castle dominated our landscape for a thousand years, | 0:02:12 | 0:02:16 | |
and changed the course of our history. | 0:02:16 | 0:02:19 | |
Join me, Sam Willis, for the story of the castle, | 0:02:19 | 0:02:22 | |
and its unparalleled role in shaping Britain. | 0:02:22 | 0:02:25 | |
'It was in 1066 that the castle first came to these shores, | 0:02:47 | 0:02:52 | |
'brought here by a man set on rule. | 0:02:52 | 0:02:55 | |
'Carried as the weapon of the would-be monarch - | 0:02:58 | 0:03:00 | |
'William the Conqueror. | 0:03:00 | 0:03:02 | |
'It was a vital tool in his attempt to claim the throne. | 0:03:02 | 0:03:06 | |
'The castle began its intimate connection with this land | 0:03:06 | 0:03:09 | |
'as part of the Norman invasion of England.' | 0:03:09 | 0:03:12 | |
Castles were an integral part of William's war chest from the outset. | 0:03:14 | 0:03:18 | |
Yes, his ships were packed with soldiers and horses, | 0:03:18 | 0:03:22 | |
but he also brought with him the wherewithal to build a castle. | 0:03:22 | 0:03:26 | |
A contemporary account of William's landing at Hastings | 0:03:26 | 0:03:29 | |
was made by the Norman historian Master Wace, | 0:03:29 | 0:03:32 | |
and it includes a telling passage. | 0:03:32 | 0:03:34 | |
"Then they cast out of the ships the materials, | 0:03:38 | 0:03:41 | |
"and drew them to land, all shaped, framed and pierced | 0:03:41 | 0:03:45 | |
"to receive the pins which they had brought, | 0:03:45 | 0:03:47 | |
"cut and ready in large barrels - | 0:03:47 | 0:03:49 | |
"so that before evening had well set in, they had finished a fort." | 0:03:49 | 0:03:54 | |
What he's describing is essentially a pre-fabricated castle. | 0:03:57 | 0:04:01 | |
The castle was such an important part of any Norman campaign, | 0:04:01 | 0:04:05 | |
William even invaded with one. | 0:04:05 | 0:04:07 | |
It wasn't the Scandinavians that introduced flat pack to Britain. | 0:04:08 | 0:04:12 | |
It was their descendants in France, | 0:04:12 | 0:04:15 | |
the men from the north - the Normans. | 0:04:15 | 0:04:18 | |
'If you look along the most famous record of the invasion, | 0:04:20 | 0:04:23 | |
'the Bayeux Tapestry, you can even see a castle under construction. | 0:04:23 | 0:04:29 | |
'William needed something light and quick to assemble. | 0:04:29 | 0:04:32 | |
'A wooden castle fit the bill perfectly. | 0:04:32 | 0:04:35 | |
'Looking at the tapestry, the tower appears to have been put up | 0:04:35 | 0:04:39 | |
'before the digging of a protective mound has been completed. | 0:04:39 | 0:04:42 | |
'You can see William's men still digging away | 0:04:42 | 0:04:45 | |
'to add to the earthwork pile. | 0:04:45 | 0:04:47 | |
'With cavalry to overwhelm King Harold's well-organised force, | 0:04:49 | 0:04:52 | |
'and a castle to secure his landing, | 0:04:52 | 0:04:55 | |
'William won the day. | 0:04:55 | 0:04:57 | |
'The Norman conquest of England was underway.' | 0:04:57 | 0:04:59 | |
In his successful invasion of England, | 0:05:06 | 0:05:08 | |
the castle became an essential tool of William's power and authority - | 0:05:08 | 0:05:13 | |
a way to secure both his claim and his territory. | 0:05:13 | 0:05:17 | |
The Anglo-Saxon Chronicle recorded how the Normans, | 0:05:18 | 0:05:22 | |
"built castles far and wide across the country, | 0:05:22 | 0:05:25 | |
"and oppressed the wretched people." | 0:05:25 | 0:05:28 | |
The castle was beginning to put its stamp on our land. | 0:05:35 | 0:05:38 | |
To give himself the best chance of success, | 0:05:42 | 0:05:45 | |
William needed something that was quick to construct, | 0:05:45 | 0:05:47 | |
but that was still effective. | 0:05:47 | 0:05:49 | |
This is what he used. | 0:05:49 | 0:05:51 | |
The classic castle design - the type I was taught about at school. | 0:05:51 | 0:05:55 | |
The motte-and-bailey. | 0:05:55 | 0:05:57 | |
'A motte-and-bailey is the most basic castle design. | 0:06:00 | 0:06:04 | |
'A moat surrounded a walled enclosure - the bailey. | 0:06:04 | 0:06:07 | |
'If this first line of defence was breached, | 0:06:10 | 0:06:12 | |
'the defenders could retreat back to a tower | 0:06:12 | 0:06:15 | |
'on a specially-constructed mound - the motte. | 0:06:15 | 0:06:18 | |
'With the height advantage this provided, | 0:06:20 | 0:06:22 | |
'the defending archers could dominate the bailey and beyond. | 0:06:22 | 0:06:26 | |
'It was a highly-practical design. | 0:06:28 | 0:06:30 | |
'In its very basic form, | 0:06:35 | 0:06:36 | |
'the motte-and-bailey had one other significant advantage for William.' | 0:06:36 | 0:06:39 | |
By using wood for the walls, a castle could be built very quickly, | 0:06:42 | 0:06:45 | |
providing a secure place from which to assert your authority. | 0:06:45 | 0:06:50 | |
'This is Berkhamsted near London. | 0:06:51 | 0:06:53 | |
'The place where William accepted the surrender of the English in 1066. | 0:06:53 | 0:06:58 | |
'But this didn't mark the end of the conflict.' | 0:06:58 | 0:07:01 | |
It's so easy to think of the Norman conquest | 0:07:10 | 0:07:12 | |
as nothing more than William's crossing | 0:07:12 | 0:07:14 | |
and the Battle of Hastings in 1066. | 0:07:14 | 0:07:17 | |
But, of course, it was a much longer, | 0:07:17 | 0:07:18 | |
more drawn out process than that. | 0:07:18 | 0:07:20 | |
'William's army travelled on foot and on horseback. | 0:07:22 | 0:07:25 | |
'It took time to cross England. | 0:07:26 | 0:07:28 | |
'The Saxons may not have had castles with which to oppose this invasion, | 0:07:30 | 0:07:34 | |
'but there were a handful of fortified towns - | 0:07:34 | 0:07:37 | |
'like the walled city of Exeter. | 0:07:37 | 0:07:39 | |
'It was to become the site of one of the first stone castles | 0:07:41 | 0:07:45 | |
'built by the Normans. | 0:07:45 | 0:07:48 | |
'But before that, they would have to lay siege to it.' | 0:07:48 | 0:07:51 | |
By 1067, Exeter was already a large city with an impressive history. | 0:07:53 | 0:07:59 | |
And you can actually read that history in its walls, | 0:07:59 | 0:08:02 | |
like a historical document. | 0:08:02 | 0:08:03 | |
You can see clearly here how we have Roman masonry. | 0:08:03 | 0:08:07 | |
Then above that, several courses of Saxon stones. | 0:08:07 | 0:08:11 | |
And then above it, this dark course of Norman masonry. | 0:08:11 | 0:08:15 | |
'This was added when the Normans took control of these walls, | 0:08:15 | 0:08:19 | |
'and finally made Exeter their own.' | 0:08:19 | 0:08:21 | |
But first they had to capture the city. | 0:08:21 | 0:08:24 | |
'The citizens had refused to swear allegiance to William. | 0:08:26 | 0:08:30 | |
'This is a man who is reputed to have chopped the hands and feet | 0:08:30 | 0:08:33 | |
'off the defending force of a French town, for insulting his mother.' | 0:08:33 | 0:08:38 | |
'William was not a man to cross, | 0:08:38 | 0:08:41 | |
'and he was marching on their city. | 0:08:41 | 0:08:43 | |
'William was marauding with an army including 500 cavalry. | 0:08:45 | 0:08:49 | |
'On the way he laid waste to parts of Dorset - | 0:08:49 | 0:08:52 | |
'a forbidding sign for the people of Exeter. | 0:08:52 | 0:08:55 | |
'Some of the city fathers faltered at the thought | 0:08:56 | 0:08:59 | |
'and brought him hostages in exchange for striking a deal. | 0:08:59 | 0:09:03 | |
'But the people of Exeter had other ideas, | 0:09:03 | 0:09:06 | |
'and they reneged on the arrangement. | 0:09:06 | 0:09:08 | |
'William set about surrounding the city, | 0:09:08 | 0:09:10 | |
'cutting it off from supplies. | 0:09:10 | 0:09:12 | |
'The siege of Exeter had begun.' | 0:09:12 | 0:09:14 | |
William and his army approached the city from the north-east, | 0:09:17 | 0:09:20 | |
fording a stream called the Longbrook, | 0:09:20 | 0:09:22 | |
and riding up what is now known as Longbrook Street. | 0:09:22 | 0:09:25 | |
At the East Gate, William had one of the hostages blinded | 0:09:25 | 0:09:29 | |
to show the citizens of Exeter what to expect. | 0:09:29 | 0:09:32 | |
But they didn't surrender, and there's even an account | 0:09:32 | 0:09:35 | |
that one of them took to the castle walls, | 0:09:35 | 0:09:37 | |
dropped his trousers, and farted. | 0:09:37 | 0:09:40 | |
The East Gate has now been demolished, | 0:09:41 | 0:09:43 | |
but you can get a sense from these walls behind me | 0:09:43 | 0:09:45 | |
that it was once a formidable obstacle. | 0:09:45 | 0:09:48 | |
William had his engineers dig tunnels | 0:09:48 | 0:09:50 | |
to try and undermine the walls, and after 18 days, | 0:09:50 | 0:09:53 | |
they partially collapsed. | 0:09:53 | 0:09:55 | |
It was the beginning of the end for the defenders. | 0:09:55 | 0:09:57 | |
But the siege was only broken when Exeter's bishop and his clergy | 0:09:57 | 0:10:01 | |
took a Bible and some holy relics to William, | 0:10:01 | 0:10:03 | |
and made him swear an oath not to sack the city | 0:10:03 | 0:10:06 | |
or harm its people. | 0:10:06 | 0:10:08 | |
He kept his word. | 0:10:11 | 0:10:12 | |
To secure his victory, William turned to the castle. | 0:10:18 | 0:10:21 | |
He charged Baldwin, Sheriff of Devon, | 0:10:21 | 0:10:24 | |
to build Rougemont Castle - | 0:10:24 | 0:10:26 | |
so named for the colour of the mound it was built upon, | 0:10:26 | 0:10:29 | |
and the blocks that were used in its construction. | 0:10:29 | 0:10:32 | |
'This gatehouse at Exeter Castle | 0:10:35 | 0:10:37 | |
'is one of the oldest Norman structures in England. | 0:10:37 | 0:10:40 | |
'It captures its moment in history perfectly.' | 0:10:40 | 0:10:44 | |
What we have here is a pure Norman arch, | 0:10:44 | 0:10:47 | |
but above it two characteristically Anglo-Saxon windows. | 0:10:47 | 0:10:51 | |
It's evidence of an Anglo-Saxon building gang | 0:10:51 | 0:10:55 | |
working under their new Norman masters. | 0:10:55 | 0:10:58 | |
'This marks the arrival of a brand new type of building in England. | 0:11:00 | 0:11:04 | |
'Stone castles were unlike anything anyone here had ever seen before - | 0:11:04 | 0:11:08 | |
'the Norman equivalent of the building of the pyramids.' | 0:11:08 | 0:11:11 | |
These stone castles were utterly alien, | 0:11:13 | 0:11:15 | |
and it's hard to over-emphasise the impact of their arrival. | 0:11:15 | 0:11:19 | |
Both literally and figuratively, | 0:11:19 | 0:11:21 | |
they cast a shadow over their surroundings. | 0:11:21 | 0:11:24 | |
A permanent reminder that there was a new boss in town. | 0:11:24 | 0:11:28 | |
'This was an invasion cast in stone, | 0:11:31 | 0:11:34 | |
'built by the very people the castles were designed to control.' | 0:11:34 | 0:11:38 | |
At a time when most dwellings were simple single-storey structures, | 0:11:38 | 0:11:43 | |
the castle was a vast undertaking, | 0:11:43 | 0:11:45 | |
which required the assembly of an army of masons, | 0:11:45 | 0:11:48 | |
carpenters and labourers, | 0:11:48 | 0:11:50 | |
and the movement of thousands of tons of materials | 0:11:50 | 0:11:53 | |
for the construction. | 0:11:53 | 0:11:55 | |
They were enormously expensive, time-consuming projects, | 0:11:55 | 0:11:58 | |
which took years to complete. | 0:11:58 | 0:12:00 | |
'The choice of where to build in stone | 0:12:00 | 0:12:03 | |
'was a carefully-considered decision | 0:12:03 | 0:12:06 | |
'based on strategic importance, | 0:12:06 | 0:12:08 | |
and the ability to dominate the skyline.' | 0:12:08 | 0:12:11 | |
'One of the earliest castles to be built | 0:12:16 | 0:12:18 | |
'was the Tower of London - | 0:12:18 | 0:12:20 | |
'its famous white tower designed to strike awe into the population.' | 0:12:20 | 0:12:24 | |
'And soon, it wouldn't just be the new ruler from across the Channel | 0:12:26 | 0:12:30 | |
'who erected these imposing edifices across the land.' | 0:12:30 | 0:12:34 | |
William set about rewarding his nobles. | 0:12:34 | 0:12:37 | |
He divided England amongst his followers, | 0:12:37 | 0:12:39 | |
and created a new class of Norman baron. | 0:12:39 | 0:12:42 | |
Each was given permission to build a castle | 0:12:42 | 0:12:45 | |
from which to exert their power. | 0:12:45 | 0:12:47 | |
'They were known as the Companions of William the Conqueror. | 0:12:49 | 0:12:52 | |
'Men like Robert de Beaumont, who became Earl of Leicester, | 0:12:52 | 0:12:55 | |
'and one of William's most-trusted advisors.' | 0:12:55 | 0:12:58 | |
From Northumberland to Cornwall, | 0:12:59 | 0:13:01 | |
these new barons now were lords of all they could survey | 0:13:01 | 0:13:04 | |
from the tops of their castle walls. | 0:13:04 | 0:13:07 | |
'And where the barons chose to build their castles | 0:13:09 | 0:13:12 | |
'was just as important as how they were built. | 0:13:12 | 0:13:15 | |
'This was not just an invasion of territory. | 0:13:15 | 0:13:18 | |
'It was a annexation of Britain's history and its mythology.' | 0:13:18 | 0:13:22 | |
Norman castles had symbolic functions, | 0:13:27 | 0:13:29 | |
symbolic importance on a whole variety of levels. | 0:13:29 | 0:13:32 | |
In some senses they were built to impress, | 0:13:32 | 0:13:34 | |
to overawe the native population. | 0:13:34 | 0:13:37 | |
Some important Norman castles | 0:13:37 | 0:13:39 | |
were built on centres of early significance. | 0:13:39 | 0:13:42 | |
Castles such as Colchester in Essex re-used Roman sites. | 0:13:42 | 0:13:45 | |
Roman masonry was incorporated. | 0:13:45 | 0:13:48 | |
In other cases, castles perpetuated Anglo-Saxon centres of authority | 0:13:48 | 0:13:52 | |
and government. | 0:13:52 | 0:13:53 | |
So, while the seats of power remained the same, | 0:13:53 | 0:13:57 | |
the face of lordship was transformed. | 0:13:57 | 0:13:59 | |
'This was one of the keys to the success of the Normans in Britain. | 0:14:01 | 0:14:04 | |
'Old Sarum, just outside Salisbury, | 0:14:06 | 0:14:08 | |
'had been a settlement since the Iron Age. | 0:14:08 | 0:14:11 | |
'The Anglo-Saxons had built a fortified town here. | 0:14:13 | 0:14:16 | |
'It was a strategic location | 0:14:19 | 0:14:20 | |
'controlling a hub of roads and rivers. | 0:14:20 | 0:14:23 | |
'High on a hill, it was also a very visible location. | 0:14:25 | 0:14:28 | |
'It was a perfect setting for a Norman castle. | 0:14:30 | 0:14:32 | |
By building his castle on a pre-existing site, | 0:14:34 | 0:14:37 | |
William gained the strategic value | 0:14:37 | 0:14:39 | |
that had made it important to the Anglo-Saxons. | 0:14:39 | 0:14:42 | |
But he also gained an immense symbolic value. | 0:14:42 | 0:14:45 | |
The takeover of England was given physical embodiment | 0:14:47 | 0:14:50 | |
in the castles of William. | 0:14:50 | 0:14:52 | |
'Old Sarum is where William paid off the troops | 0:14:54 | 0:14:57 | |
'who had fought so successfully for him.' | 0:14:57 | 0:14:59 | |
But it's also said that it's where he chose to compile | 0:15:01 | 0:15:04 | |
one of the most important documents in British history - | 0:15:04 | 0:15:08 | |
the foundation of our National Archives here at Kew. | 0:15:08 | 0:15:11 | |
Our earliest public record, | 0:15:11 | 0:15:12 | |
and a legal document that's still valid evidence of land title today. | 0:15:12 | 0:15:16 | |
'The great Domesday Book.' | 0:15:18 | 0:15:20 | |
This is an exact facsimile of the original historical document, | 0:15:26 | 0:15:30 | |
which is such an important part of British history | 0:15:30 | 0:15:33 | |
that it sits in a climate-controlled room. | 0:15:33 | 0:15:35 | |
This was the most thorough survey of a country ever undertaken, | 0:15:37 | 0:15:41 | |
a work that defined just what it was that William had conquered | 0:15:41 | 0:15:45 | |
and more importantly, how he could extract taxes from it. | 0:15:45 | 0:15:49 | |
Domesday means day of judgement, | 0:15:49 | 0:15:51 | |
so-called because it was so thorough and complete | 0:15:51 | 0:15:54 | |
that it was likened to the Day of Judgement, | 0:15:54 | 0:15:56 | |
when Christians believed that all would be judged before God. | 0:15:56 | 0:16:00 | |
And the book also records the transfer of lands. | 0:16:04 | 0:16:08 | |
Where once a Saxon lord ruled, by the time of Domesday | 0:16:08 | 0:16:11 | |
those lords had been replaced | 0:16:11 | 0:16:13 | |
by the barons William had brought with him from France, | 0:16:13 | 0:16:16 | |
each now safely ensconced within their own castles. | 0:16:16 | 0:16:20 | |
And the 913 pages describe more than 13,000 places in identical detail. | 0:16:20 | 0:16:28 | |
No wonder the Anglo-Saxon Chronicle said of William's thoroughness: | 0:16:28 | 0:16:32 | |
Today, Old Sarum is just a shadow of its former self, | 0:16:49 | 0:16:53 | |
largely because Henry VIII gave permission for its walls | 0:16:53 | 0:16:56 | |
to be plundered for building materials. | 0:16:56 | 0:16:58 | |
'But these old walls bore witness | 0:16:59 | 0:17:01 | |
'to yet another outcome of the Norman invasion. | 0:17:01 | 0:17:04 | |
'In the summer of 1086, William had a plan to drive his authority home - | 0:17:08 | 0:17:13 | |
'an idea that would turn his invasion | 0:17:13 | 0:17:15 | |
'into something of lasting significance. | 0:17:15 | 0:17:18 | |
'On 1st August, William gathered all "landowning men of any account" | 0:17:18 | 0:17:23 | |
'to his castle at Old Sarum. | 0:17:23 | 0:17:25 | |
'His intention - nothing less than the imposition | 0:17:25 | 0:17:29 | |
'of a new hierarchy on England.' | 0:17:29 | 0:17:31 | |
'The Anglo-Saxon Chronicles recorded that: | 0:17:32 | 0:17:35 | |
This was the first time that every landowner in the realm | 0:17:53 | 0:17:57 | |
was required to swear an oath to the King. | 0:17:57 | 0:18:00 | |
From now on, if a leading figure rebelled against William, | 0:18:00 | 0:18:03 | |
the loyalty of his tenants would be to the King | 0:18:03 | 0:18:06 | |
rather than to their immediate master. | 0:18:06 | 0:18:08 | |
It became known as the Oath of Sarum. | 0:18:08 | 0:18:12 | |
Feudal England was born here in a castle. | 0:18:12 | 0:18:15 | |
And the castle became the symbol of it. | 0:18:15 | 0:18:18 | |
'What sets the Norman fortress apart is not just its appearance, | 0:18:26 | 0:18:31 | |
'but its purpose.' | 0:18:31 | 0:18:33 | |
A castle combined many functions under one roof. | 0:18:33 | 0:18:36 | |
First and foremost it was home to the new Norman rulers. | 0:18:36 | 0:18:40 | |
The barons derived immense status from their castles. | 0:18:40 | 0:18:43 | |
'They made them feared. | 0:18:45 | 0:18:47 | |
'Each baron would have his own force of mercenaries. | 0:18:47 | 0:18:50 | |
'Their castle gave them a place from which to exert their power, | 0:18:50 | 0:18:53 | |
'but which could also offer a safe haven of protection. | 0:18:53 | 0:18:57 | |
'The barons used them to administer their lands. | 0:18:57 | 0:19:00 | |
'They were the place justice was meted out. | 0:19:00 | 0:19:03 | |
'In short, wherever you were in the country, | 0:19:03 | 0:19:06 | |
'life in Norman England revolved around the baron and his bastion. | 0:19:06 | 0:19:10 | |
'And they led the life of a rich elite.' | 0:19:11 | 0:19:13 | |
-LAUREN JOHNSON: -Our picture of castles usually is ruined buildings, | 0:19:15 | 0:19:19 | |
and actually what you have to imagine every time you enter | 0:19:19 | 0:19:22 | |
any sort of castle space is that these were luxury accommodations. | 0:19:22 | 0:19:26 | |
In an age when even to have unnatural light and warmth - | 0:19:26 | 0:19:30 | |
to have a fire - cost money, | 0:19:30 | 0:19:32 | |
then to have a huge building | 0:19:32 | 0:19:34 | |
with walls that were potentially metres thick, | 0:19:34 | 0:19:37 | |
keeping out the wind and the rain, for a start, that was a luxury. | 0:19:37 | 0:19:42 | |
And it's a space in which many, many people are living. | 0:19:42 | 0:19:46 | |
Because for a lord or a lady to show their authority, | 0:19:46 | 0:19:50 | |
they need to be surrounded by servants. | 0:19:50 | 0:19:53 | |
'Every part of life was designed to reinforce | 0:19:57 | 0:20:00 | |
'the status of the new masters. | 0:20:00 | 0:20:03 | |
'The simple act of taking a meal became a constant reminder | 0:20:03 | 0:20:06 | |
'of who was in charge - | 0:20:06 | 0:20:08 | |
'starting with preparing to eat. | 0:20:08 | 0:20:10 | |
'Seren Evans-Charrington | 0:20:10 | 0:20:11 | |
'has studied the significance of castle mealtimes.' | 0:20:11 | 0:20:15 | |
When you're dining in a medieval castle, | 0:20:17 | 0:20:21 | |
you start off with your hand-washing. | 0:20:21 | 0:20:23 | |
You would have a designated servant, and he would wash his own hands. | 0:20:23 | 0:20:28 | |
He would then wash the carver's hands, and it goes on like that. | 0:20:28 | 0:20:32 | |
What we're finding in this period | 0:20:32 | 0:20:33 | |
is actually the Normans are bringing over, "Come on," | 0:20:33 | 0:20:36 | |
you know, "Let's start behaving." | 0:20:36 | 0:20:38 | |
OK. So they're sort of imposing a new way of behaving? | 0:20:38 | 0:20:40 | |
They are, because they actually believe they're slightly superior. | 0:20:40 | 0:20:43 | |
-A touch of arrogance? -Oh, just a little. Yes, just a little. | 0:20:43 | 0:20:46 | |
What's next? | 0:20:46 | 0:20:47 | |
We've actually got in here - this is some wine imported from France. | 0:20:47 | 0:20:51 | |
It was a lamentable quality. | 0:20:51 | 0:20:53 | |
You might have to spice it a little, and this is what this is. | 0:20:53 | 0:20:56 | |
-This is spiced wine. -Right. | 0:20:56 | 0:20:58 | |
Here we go. | 0:20:58 | 0:20:59 | |
So, again, the idea is that | 0:20:59 | 0:21:01 | |
this is a refined thing to do because it's wine. | 0:21:01 | 0:21:04 | |
Ahh. | 0:21:04 | 0:21:05 | |
-It's imported. -That's like cold vin chaud. That's what that's like. | 0:21:05 | 0:21:08 | |
So, you've got gingers in there. You've got galingale. | 0:21:08 | 0:21:11 | |
You've got all of these wonderful exotic spices. | 0:21:11 | 0:21:13 | |
So, pottage. Now, this is a dish... | 0:21:15 | 0:21:17 | |
-Cor, look at this. -Yes. Now, this is actually the high-end version. | 0:21:17 | 0:21:22 | |
So, fine dish, ground almonds, lots of sugar in there. | 0:21:22 | 0:21:27 | |
Lots of lovely, rich ingredients. | 0:21:27 | 0:21:29 | |
So, even though it doesn't look very nice, | 0:21:29 | 0:21:31 | |
it's made out of stuff that's been imported. | 0:21:31 | 0:21:32 | |
-Again, it's new, it's actually exotic. -Expensive, yeah. | 0:21:32 | 0:21:35 | |
This is the exotic version. So, take a small piece up to your mouth. | 0:21:35 | 0:21:38 | |
HE EXHALES | 0:21:38 | 0:21:40 | |
-Like spiced porridge. -It's like sweet... | 0:21:42 | 0:21:45 | |
-Yeah. Sweet, spiced, tangy, gloopy porridge. -Mm. | 0:21:45 | 0:21:49 | |
You need some of that now, don't you? | 0:21:51 | 0:21:54 | |
-Does it taste better now that you've taken the pottage? -It does. | 0:21:54 | 0:21:57 | |
-Yeah, it goes together. -That's actually really interesting. | 0:21:57 | 0:21:59 | |
The first time I had the wine, it was really spicy and quite harsh, | 0:21:59 | 0:22:02 | |
but once I'd had the sweet, gloopy mixture called pottage, | 0:22:02 | 0:22:05 | |
the wine tasted great. | 0:22:05 | 0:22:07 | |
There you go. So, after you've had your pottage, | 0:22:07 | 0:22:09 | |
which I know you don't want to leave, you're then over here. | 0:22:09 | 0:22:12 | |
-This is amazing! -Well, this is made from marchpane, and marchpane | 0:22:12 | 0:22:17 | |
is an early form of marzipan. This is all about, "Look at this." | 0:22:17 | 0:22:22 | |
Food was theatre. This is the period where food starts to be theatre. | 0:22:22 | 0:22:26 | |
The Crusades are bringing over your sugar, your spices. | 0:22:26 | 0:22:29 | |
You've got your wine being imported from the Continent, | 0:22:29 | 0:22:32 | |
so all of these wonderful, exotic things are coming over. | 0:22:32 | 0:22:35 | |
And, for example, | 0:22:35 | 0:22:36 | |
a monarch was reported as spending 1,500 on sugars and spices a year. | 0:22:36 | 0:22:41 | |
Doesn't sound much, but a castle at the time cost 15,000 to build. | 0:22:41 | 0:22:45 | |
-Wow! -So, that puts it in perspective. | 0:22:45 | 0:22:47 | |
So, a significant portion of their budget was spent on sugar. | 0:22:47 | 0:22:50 | |
This is it. | 0:22:50 | 0:22:51 | |
It was like they were obsessed with how they appeared at all times, | 0:22:51 | 0:22:55 | |
and there was a way that would make you appear Norman, | 0:22:55 | 0:22:57 | |
part of this ruling elite, by just the way that you ate. | 0:22:57 | 0:23:01 | |
This is it. So actually by you being the lord, | 0:23:01 | 0:23:03 | |
and, you know, you have all these people come to your feast, | 0:23:03 | 0:23:06 | |
you're actually getting them to, almost, give allegiance to you. | 0:23:06 | 0:23:11 | |
This is about gaining order over every situation. | 0:23:11 | 0:23:15 | |
So, you have your hierarchy of your staff. | 0:23:15 | 0:23:17 | |
You have your hierarchy of how you eat, how you serve. | 0:23:17 | 0:23:20 | |
And everything is pointing toward that lord, that King, | 0:23:20 | 0:23:24 | |
that whoever it be, that is sat at that top table, is in charge. | 0:23:24 | 0:23:28 | |
And even the way the tables are laid out points to that. | 0:23:28 | 0:23:32 | |
'These new rules of etiquette at the dining table | 0:23:34 | 0:23:38 | |
'were yet one more way in which the castle acted as a constant reminder | 0:23:38 | 0:23:42 | |
'of the presence of the new Norman aristocrats.' | 0:23:42 | 0:23:45 | |
William the Conqueror had used castles | 0:23:48 | 0:23:50 | |
to impose his will on England. | 0:23:50 | 0:23:53 | |
His intention now was to create a network to assert royal authority. | 0:23:53 | 0:23:58 | |
'But in creating the new baronial class, | 0:24:02 | 0:24:05 | |
'William had given them their own power base. | 0:24:05 | 0:24:08 | |
'Their castles. | 0:24:08 | 0:24:10 | |
'And not all barons were happy to follow the will of the King. | 0:24:10 | 0:24:13 | |
'Distant lands such as Northumbria gave the likes of Robert de Mowbray | 0:24:15 | 0:24:19 | |
'the opportunity to revolt against William's heir. | 0:24:19 | 0:24:23 | |
'William II had to lay siege to the castle at Bamburgh | 0:24:23 | 0:24:26 | |
'to bring the region back in line. | 0:24:26 | 0:24:29 | |
'But more and more barons began to flex their muscle. | 0:24:29 | 0:24:33 | |
'Within 100 years of the Norman conquest, | 0:24:33 | 0:24:35 | |
'England faced a new crisis. | 0:24:35 | 0:24:37 | |
'The King was Henry I. He had no male heir. | 0:24:40 | 0:24:44 | |
'In a revolutionary move, Henry gathered the barons | 0:24:44 | 0:24:47 | |
'and called on them to swear allegiance | 0:24:47 | 0:24:49 | |
'to his daughter Matilda in 1127. | 0:24:49 | 0:24:52 | |
'She was opposed by the grandson of William the Conqueror - Stephen.' | 0:24:52 | 0:24:56 | |
When Henry I died, there were two claims to the throne - | 0:24:58 | 0:25:02 | |
Stephen and Matilda. | 0:25:02 | 0:25:04 | |
This was the first time that a woman had claimed the throne of England. | 0:25:04 | 0:25:08 | |
'It was a watershed moment in our history.' | 0:25:10 | 0:25:14 | |
-LAUREN JOHNSON: -If history is made up of what we remember, | 0:25:14 | 0:25:16 | |
Matilda isn't a crucial part of history any more. | 0:25:16 | 0:25:19 | |
She's been dropped from our collective consciousness, | 0:25:19 | 0:25:22 | |
and she's hugely important. | 0:25:22 | 0:25:24 | |
To think that less than 100 years after the Norman conquest a man - | 0:25:24 | 0:25:28 | |
a king - is trying to put his daughter on the throne of England. | 0:25:28 | 0:25:32 | |
It's one thing for women to transmit power through themselves | 0:25:32 | 0:25:36 | |
to their husbands, or to their sons. | 0:25:36 | 0:25:38 | |
It's quite another thing to actively say, | 0:25:38 | 0:25:39 | |
"I want my daughter to run the country." | 0:25:39 | 0:25:42 | |
In a period when... I mean, really. It's sort of still a tribal country. | 0:25:42 | 0:25:46 | |
It's made up of sets of lands that are ruled by warrior lords. | 0:25:46 | 0:25:50 | |
And the ability to fight and lead an army | 0:25:50 | 0:25:52 | |
is one of the most important things, | 0:25:52 | 0:25:54 | |
and it's perceived that women can't do that. | 0:25:54 | 0:25:56 | |
In Matilda, there is an example of a woman | 0:25:56 | 0:25:58 | |
who could have been an extremely successful ruler, | 0:25:58 | 0:26:01 | |
it's just that she is up against a man | 0:26:01 | 0:26:03 | |
who has managed to get himself crowned before her. | 0:26:03 | 0:26:06 | |
'That man was Stephen.' | 0:26:08 | 0:26:09 | |
What followed was a protracted civil war | 0:26:11 | 0:26:13 | |
with noble families across the country | 0:26:13 | 0:26:16 | |
divided between two legitimate claims. | 0:26:16 | 0:26:19 | |
The result was one of the bleakest periods in our history. | 0:26:19 | 0:26:23 | |
'England descended into what's become known as The Anarchy. | 0:26:25 | 0:26:28 | |
'The barons might declare support for either side, | 0:26:28 | 0:26:31 | |
'but all they were really interested in was their own power - | 0:26:31 | 0:26:35 | |
'a power provided by their castles.' | 0:26:35 | 0:26:38 | |
According to medieval chroniclers of the 12th century, | 0:26:38 | 0:26:42 | |
castles were not really a symptom of The Anarchy, | 0:26:42 | 0:26:45 | |
they were the cause of violence, and disruption, | 0:26:45 | 0:26:48 | |
and political turmoil. | 0:26:48 | 0:26:50 | |
The Anarchy, the so-called Anarchy, | 0:26:50 | 0:26:51 | |
was a period when castle building proliferated. | 0:26:51 | 0:26:55 | |
Castle building had been quite rigidly | 0:26:55 | 0:26:58 | |
and tightly controlled by the Crown until that point. | 0:26:58 | 0:27:01 | |
But those systems broke down, and even quite minor lords | 0:27:01 | 0:27:04 | |
were able to fortify their estate centres, | 0:27:04 | 0:27:07 | |
and build little castles of their own across the landscape. | 0:27:07 | 0:27:11 | |
'The Anglo-Saxon Chronicle describes this as the period when, | 0:27:11 | 0:27:14 | |
'"Christ and his Saints slept."' | 0:27:14 | 0:27:18 | |
The conflict lasted for almost two decades. | 0:27:42 | 0:27:45 | |
Castles were the key to victory, and both sides set about capturing them. | 0:27:45 | 0:27:49 | |
'Carisbrooke Castle on the Isle of Wight | 0:27:52 | 0:27:54 | |
'was held by a supporter of Matilda. | 0:27:54 | 0:27:57 | |
'The motte dominated the land around, | 0:27:59 | 0:28:01 | |
'making this a formidable fortress.' | 0:28:01 | 0:28:03 | |
'But when Stephen laid siege to it, | 0:28:05 | 0:28:07 | |
'the castle's Achilles heel soon brought it down.' | 0:28:07 | 0:28:10 | |
This is the original Norman well. | 0:28:12 | 0:28:14 | |
'At top of the old motte, it had been here | 0:28:14 | 0:28:17 | |
'since it was built in William the Conqueror's reign.' | 0:28:17 | 0:28:20 | |
The idea was that rain water and surface water would | 0:28:20 | 0:28:23 | |
be enough to keep it topped up, but it never worked. | 0:28:23 | 0:28:26 | |
And without water, the defending army were forced to surrender. | 0:28:26 | 0:28:30 | |
'Stephen was determined that the same would not happen on his watch. | 0:28:32 | 0:28:36 | |
'He ordered the digging of a new well - | 0:28:36 | 0:28:38 | |
'one that would be deep enough to keep the castle supplied | 0:28:38 | 0:28:41 | |
'no matter what. | 0:28:41 | 0:28:43 | |
'It's said it took two prisoners a year to dig.' | 0:28:43 | 0:28:47 | |
It's 161 ft deep, | 0:28:48 | 0:28:50 | |
and to give you just some sense of how deep that is, | 0:28:50 | 0:28:53 | |
have a look at this. | 0:28:53 | 0:28:54 | |
WATER SPLASHES | 0:29:01 | 0:29:03 | |
Four seconds it took for that water | 0:29:03 | 0:29:05 | |
to get down to the water table at the bottom. | 0:29:05 | 0:29:07 | |
Attached to this rope is a bucket, and to raise or lower it, | 0:29:08 | 0:29:12 | |
it's attached up to this axle, which is attached to this enormous wheel. | 0:29:12 | 0:29:17 | |
Now, Stephen had prisoners dig the well, | 0:29:17 | 0:29:20 | |
but he also had them turn the wheel to raise the bucket up, | 0:29:20 | 0:29:23 | |
and I'm going to give it a go. | 0:29:23 | 0:29:25 | |
Ohh, I'm getting dizzy. | 0:29:35 | 0:29:37 | |
HE LAUGHS | 0:29:37 | 0:29:39 | |
It's surprisingly disorientating. | 0:29:39 | 0:29:41 | |
Makes me feel a bit seasick, weirdly. | 0:29:42 | 0:29:44 | |
Once you've got it going, it's all right, but it hurts your calves. | 0:29:44 | 0:29:49 | |
Whoa. | 0:29:49 | 0:29:50 | |
I've got to keep an eye on the bucket to see where it's going. | 0:29:50 | 0:29:53 | |
There it is. It's coming up now. | 0:29:53 | 0:29:55 | |
I managed to stop it. | 0:30:05 | 0:30:07 | |
So, there we go. | 0:30:07 | 0:30:08 | |
I'm slightly out of breath, and that was with an empty bucket, | 0:30:10 | 0:30:13 | |
and it was only a matter of metres down the well. | 0:30:13 | 0:30:17 | |
You'd think that with a full bucket it'd take as much as an hour | 0:30:17 | 0:30:20 | |
for someone to turn this wheel and get it up, | 0:30:20 | 0:30:23 | |
and that would be really hard work. | 0:30:23 | 0:30:24 | |
It's an amazingly efficient bit of kit, this. | 0:30:25 | 0:30:28 | |
'Stephen may have prevailed at Carisbrooke... | 0:30:33 | 0:30:36 | |
'But in Lincoln, the castle fell to Matilda, | 0:30:39 | 0:30:42 | |
'when her supporters sent their wives on a visit | 0:30:42 | 0:30:45 | |
'to the governor's wife. | 0:30:45 | 0:30:47 | |
'When the men joined them, they were able to overpower the guards, | 0:30:47 | 0:30:50 | |
'and throw open the gates as the castle fell.' | 0:30:50 | 0:30:53 | |
'At the later Battle of Lincoln in 1141, Stephen was taken prisoner.' | 0:30:57 | 0:31:02 | |
But, even then, Matilda was unable to complete her victory. | 0:31:03 | 0:31:07 | |
Stephen's wife marched on London to prevent Matilda's coronation. | 0:31:07 | 0:31:11 | |
She was never crowned Queen. | 0:31:11 | 0:31:14 | |
'When Stephen was released, | 0:31:18 | 0:31:19 | |
'the war seemed to be turning against Matilda. | 0:31:19 | 0:31:23 | |
'But her castle, guarding a crossing of the Thames at Wallingford, | 0:31:23 | 0:31:26 | |
'proved vital to her fortunes. | 0:31:26 | 0:31:28 | |
'By 1142, it had already successfully survived | 0:31:30 | 0:31:33 | |
'a sustained siege. | 0:31:33 | 0:31:35 | |
'Then its location proved vital | 0:31:35 | 0:31:38 | |
'when Stephen found himself with the chance to land a knock-out blow.' | 0:31:38 | 0:31:41 | |
Stephen had managed to trap Matilda in the nearby castle at Oxford. | 0:31:44 | 0:31:49 | |
He laid siege to it. | 0:31:49 | 0:31:50 | |
But these are the Middle Ages. | 0:31:50 | 0:31:52 | |
This is long before the night vision goggles, | 0:31:52 | 0:31:54 | |
minefields and barbed wire of modern times. | 0:31:54 | 0:31:58 | |
No medieval siege could be 100% effective, and Matilda escaped. | 0:31:58 | 0:32:03 | |
'With Stephen's army camped all around, | 0:32:04 | 0:32:07 | |
'Matilda climbed from a window with a rope. | 0:32:07 | 0:32:10 | |
'Dressed completely in white, and accompanied by three loyal knights, | 0:32:11 | 0:32:15 | |
'she made her way through the besieging army | 0:32:15 | 0:32:17 | |
'using a snowstorm for cover. | 0:32:17 | 0:32:20 | |
'She crossed the frozen Thames at Abingdon | 0:32:20 | 0:32:23 | |
'and then escaped to the castle at Wallingford.' | 0:32:23 | 0:32:25 | |
Stephen had let his rival slip through his grasp. | 0:32:27 | 0:32:31 | |
Wallingford continued to play a vital role in the conflict. | 0:32:31 | 0:32:34 | |
So much so that it was at Wallingford | 0:32:34 | 0:32:36 | |
that the two sides reached the truce that ended The Anarchy. | 0:32:36 | 0:32:40 | |
'Matilda agreed to accept Stephen's rule until his death. | 0:32:55 | 0:32:59 | |
'In return, Stephen accepted the claim of Matilda's son Henry | 0:32:59 | 0:33:03 | |
'as his successor. | 0:33:03 | 0:33:04 | |
'His reign would found a new royal dynasty, | 0:33:04 | 0:33:08 | |
'one of the most powerful in England's history - | 0:33:08 | 0:33:10 | |
'the Plantagenets.' | 0:33:10 | 0:33:12 | |
Even though she was one of the most significant women in our history, | 0:33:14 | 0:33:18 | |
Matilda's legacy is defined by her relationship | 0:33:18 | 0:33:21 | |
with the men in her life. | 0:33:21 | 0:33:23 | |
Her epitaph reads - | 0:33:23 | 0:33:25 | |
"Great by birth, greater by marriage, | 0:33:25 | 0:33:28 | |
"greatest in her offspring: | 0:33:28 | 0:33:30 | |
"Here lies Matilda, daughter, wife, and mother of Henry". | 0:33:30 | 0:33:36 | |
'Her son was to be one of the greatest monarchs | 0:33:43 | 0:33:45 | |
'of the age - Henry II. | 0:33:45 | 0:33:48 | |
'He quickly set about taking control of his lands | 0:33:48 | 0:33:51 | |
'both at home and in France. | 0:33:51 | 0:33:53 | |
'Henry also introduced sweeping reforms to the legal system.' | 0:33:53 | 0:33:57 | |
The far-sighted Henry wanted to bring to an end | 0:33:59 | 0:34:02 | |
the practice of the clergy having its own separate legal system. | 0:34:02 | 0:34:06 | |
It was a fundamental attack, | 0:34:06 | 0:34:08 | |
and it was opposed by the Archbishop of Canterbury - Thomas Beckett. | 0:34:08 | 0:34:12 | |
'Beckett proved such an obstinate opponent | 0:34:14 | 0:34:17 | |
'that Henry's frustration eventually boiled over. | 0:34:17 | 0:34:20 | |
'When Beckett was murdered by sword-wielding knights | 0:34:20 | 0:34:23 | |
'in Canterbury Cathedral, Henry was guilty by association. | 0:34:23 | 0:34:27 | |
'In these violent times, power was enforced with sharpened steel, | 0:34:30 | 0:34:35 | |
'and castles would ring to the sound of metal | 0:34:35 | 0:34:37 | |
'being beaten into weapons in the forge. | 0:34:37 | 0:34:39 | |
'The specialist skills required to make these arms endure to this day. | 0:34:42 | 0:34:47 | |
'Owen Bush has been a swordsmith for 20 years.' | 0:34:47 | 0:34:51 | |
Right, Owen, what are we doing? | 0:34:54 | 0:34:55 | |
We've got some bloomery steel here. It's some stuff I've made from ore. | 0:34:55 | 0:35:01 | |
-Right. -And you're gonna refine it. | 0:35:01 | 0:35:03 | |
So, there are impurities in that, that I'm going to get out by smashing it? | 0:35:03 | 0:35:06 | |
Yeah. I'm getting it to the point just before it melts, | 0:35:06 | 0:35:08 | |
-and you can hammer it, and squirt some of that slag out. -Good. | 0:35:08 | 0:35:11 | |
My face is heating up quite dramatically just standing here. | 0:35:11 | 0:35:14 | |
-It's hot. -It really is hot. -It has to be, yeah. | 0:35:14 | 0:35:17 | |
So, up on there. It's quite heavy, and then just hammering in. | 0:35:18 | 0:35:23 | |
'In the Middle Ages, weapons would have been produced | 0:35:24 | 0:35:28 | |
'by artisans inside the castles. | 0:35:28 | 0:35:30 | |
'The Tower of London, for instance, | 0:35:30 | 0:35:32 | |
'was a major source of tips for crossbow bolts.' | 0:35:32 | 0:35:36 | |
Right. Let me come round here, then. See what this feels like. | 0:35:36 | 0:35:39 | |
Right. Here we go. I'm surprisingly nervous. | 0:35:41 | 0:35:43 | |
Right. Hammer time. | 0:35:49 | 0:35:52 | |
'The sparks being beaten out are the impurities, | 0:35:53 | 0:35:56 | |
'leaving pure steel behind.' | 0:35:56 | 0:35:59 | |
-Then flip over and do the other side? -Stick it back in the fire. | 0:35:59 | 0:36:02 | |
-It needs to be hot. -Right, OK. -Yeah. | 0:36:02 | 0:36:04 | |
Not hot enough. | 0:36:04 | 0:36:07 | |
It's the second attempt. | 0:36:07 | 0:36:08 | |
The first one, it wasn't hot enough, so this one... | 0:36:08 | 0:36:11 | |
This is going to send more sparks out. | 0:36:11 | 0:36:12 | |
This one's going to make the sparks fly. | 0:36:12 | 0:36:15 | |
Whoo! | 0:36:17 | 0:36:18 | |
That's better. | 0:36:25 | 0:36:26 | |
-Good? -That's looking good, yeah. | 0:36:28 | 0:36:30 | |
The more you work it, | 0:36:30 | 0:36:31 | |
the more you're going to squirt that slag out of it, | 0:36:31 | 0:36:33 | |
and it'll become a more homogenous, usable steel. | 0:36:33 | 0:36:37 | |
-Great. Back in? -Yep. | 0:36:37 | 0:36:38 | |
How would these skills have been passed on? | 0:36:49 | 0:36:51 | |
They certainly would have been a secretive craft... | 0:36:51 | 0:36:55 | |
..in that sense, passed on from master to apprentice, | 0:36:55 | 0:36:59 | |
or from father to son. | 0:36:59 | 0:37:00 | |
Cos it's a very valuable thing to be able to do properly, isn't it? | 0:37:00 | 0:37:03 | |
Absolutely. It certainly is. | 0:37:03 | 0:37:04 | |
I mean, a smith making weapons, making swords, | 0:37:04 | 0:37:08 | |
would be a valuable and valued commodity. | 0:37:08 | 0:37:11 | |
Stage two. What's this involve? | 0:37:17 | 0:37:19 | |
You're going to forge the point on it and start working on the bevels. | 0:37:19 | 0:37:22 | |
A bevel are the angular bits towards the edge. | 0:37:22 | 0:37:25 | |
So, we've got a flat bar, and you've got to put edges on it. | 0:37:25 | 0:37:27 | |
We've got to be a bit more gentle with the heat, | 0:37:27 | 0:37:29 | |
cos if we burn it at this stage, the whole thing is ruined. | 0:37:29 | 0:37:32 | |
Do we have to be more gentle with the hammering as well? | 0:37:32 | 0:37:35 | |
More precise with the hammering. Not gentle, unfortunately. Just precise. | 0:37:35 | 0:37:38 | |
The words "precise" and "hammering" don't usually go together with me. | 0:37:38 | 0:37:43 | |
So, flat, and then pointed. | 0:37:45 | 0:37:47 | |
-How was that? -That was fine, yeah. You need to do it again. | 0:37:53 | 0:37:56 | |
-And you did actually burn it. -Did I? -Yeah. | 0:37:57 | 0:37:59 | |
HE GROANS | 0:37:59 | 0:38:00 | |
'When steel burns, it oxidises, | 0:38:00 | 0:38:02 | |
'which ruins the blade, causing it to crack and break.' | 0:38:02 | 0:38:06 | |
It's one of these brilliant skills that looks quite simple - | 0:38:09 | 0:38:12 | |
and it is, really. | 0:38:12 | 0:38:14 | |
It's just hammering a piece of hot iron, | 0:38:14 | 0:38:16 | |
but when you see it done properly, | 0:38:16 | 0:38:18 | |
you realise how many years of practice you need | 0:38:18 | 0:38:21 | |
to be able to do it right. | 0:38:21 | 0:38:22 | |
We're now onto the very mundane task of filing this sword to shape. | 0:38:28 | 0:38:32 | |
Nice and steady does it. It's actually very therapeutic. | 0:38:32 | 0:38:36 | |
It's a really enjoyable process, this, because you can... | 0:38:42 | 0:38:46 | |
It's obviously a lengthy process, but... | 0:38:46 | 0:38:49 | |
..there's a little bit happening every time | 0:38:50 | 0:38:53 | |
you put the file across the sword. | 0:38:53 | 0:38:56 | |
And just because there's a little bit of process... | 0:38:56 | 0:38:58 | |
..there's a bit of hope. | 0:39:00 | 0:39:02 | |
There we go. That's getting it. | 0:39:02 | 0:39:04 | |
'This is tempering. | 0:39:04 | 0:39:06 | |
'The speed at which the heat is conducted away from the metal | 0:39:06 | 0:39:09 | |
'affects how brittle it becomes.' | 0:39:09 | 0:39:11 | |
I'd say this is the point at which the sword actually becomes born, | 0:39:11 | 0:39:14 | |
when you bring it out of the fire and putting it into oil. | 0:39:14 | 0:39:17 | |
Did they always use oil? | 0:39:17 | 0:39:19 | |
Sometimes oil, sometimes water. Sometimes brine. | 0:39:19 | 0:39:23 | |
If you're going to get esoteric, there's certainly, um... | 0:39:23 | 0:39:25 | |
..there's certainly writings | 0:39:26 | 0:39:28 | |
-of using the urine of a ginger virgin boy. -Right. -To quench into. | 0:39:28 | 0:39:34 | |
Which is, you know, it's written down, | 0:39:34 | 0:39:36 | |
and it may just be that if someone did do that in reality, | 0:39:36 | 0:39:39 | |
and it worked, that they stuck by rote to that process. | 0:39:39 | 0:39:42 | |
I don't know. | 0:39:42 | 0:39:44 | |
'In fact, urine has since been shown to be a very effective conductor, | 0:39:45 | 0:39:49 | |
'which might explain its place in the stories. | 0:39:49 | 0:39:53 | |
'But not the ginger hair. Or the virgin bit.' | 0:39:53 | 0:39:55 | |
Polished. | 0:39:56 | 0:39:57 | |
So, this is a finished sword. | 0:39:59 | 0:40:01 | |
Wow. | 0:40:02 | 0:40:04 | |
-A real transformation, isn't it? -It is, yeah. | 0:40:04 | 0:40:07 | |
-Thank you very much for that. -It's a pleasure. | 0:40:08 | 0:40:10 | |
It's always very nice to bring a sword into the world. | 0:40:10 | 0:40:12 | |
'The sword that struck Thomas Beckett down | 0:40:18 | 0:40:21 | |
'only enhanced his influence. | 0:40:21 | 0:40:23 | |
'He was beatified as a saint by the church | 0:40:23 | 0:40:26 | |
'and Henry II watched powerless as pilgrims crossed Europe, | 0:40:26 | 0:40:30 | |
'and began to arrive at Beckett's shrine. | 0:40:30 | 0:40:32 | |
'The pilgrims passed straight through Dover. | 0:40:36 | 0:40:38 | |
'Henry submitted himself to public penance to try and offset the guilt. | 0:40:39 | 0:40:44 | |
'But then he decided it was time | 0:40:45 | 0:40:47 | |
'to restore his royal status and prestige. | 0:40:47 | 0:40:50 | |
'He needed an unmistakeable sign of royal authority. | 0:40:50 | 0:40:55 | |
'He turned to the castle at Dover. | 0:40:55 | 0:40:57 | |
'Henry ordered Dover to be rebuilt at vast expense, | 0:41:01 | 0:41:04 | |
'lavishing almost a third of his annual income | 0:41:04 | 0:41:08 | |
'on this single project. | 0:41:08 | 0:41:09 | |
'The design is one of the greatest examples | 0:41:09 | 0:41:12 | |
'of the Norman style of tower anywhere in the country.' | 0:41:12 | 0:41:16 | |
The tower is often known as the keep, | 0:41:18 | 0:41:21 | |
a word that conjures up ideas of defence and protection. | 0:41:21 | 0:41:25 | |
'But in fact the arrival of the tower in castles | 0:41:25 | 0:41:28 | |
'was yet another symbol - of dominion. | 0:41:28 | 0:41:31 | |
'Even the name they were given supports the notion of power. | 0:41:31 | 0:41:35 | |
'Their name was not keep but donjon, | 0:41:35 | 0:41:38 | |
'which derives from the Latin word for dominion or lordship.' | 0:41:38 | 0:41:41 | |
A donjon is a projection of authority - | 0:41:43 | 0:41:46 | |
a symbol announcing its power to the surrounding settlements. | 0:41:46 | 0:41:51 | |
'Dover has been described as the key to England. | 0:41:54 | 0:41:58 | |
'By choosing to build here at Dover, | 0:41:59 | 0:42:02 | |
'Henry was making a very clear statement. | 0:42:02 | 0:42:04 | |
'This was the place pilgrims passed through | 0:42:06 | 0:42:09 | |
'on their way to Thomas Beckett's shrine. | 0:42:09 | 0:42:12 | |
'But it was also the most visible of English castles - | 0:42:12 | 0:42:15 | |
'a dominating presence in Henry's Anglo-French realm. | 0:42:15 | 0:42:20 | |
'Even Henry's choice of building materials carried a message. | 0:42:21 | 0:42:25 | |
'there are bands of lighter-coloured stone | 0:42:25 | 0:42:28 | |
'specially imported from his lands in France. | 0:42:28 | 0:42:31 | |
'A reminder of the breadth and wealth of Henry's domain. | 0:42:31 | 0:42:34 | |
'But Henry didn't choose the strongest design | 0:42:38 | 0:42:40 | |
'available at the time, nor even the latest fashion. | 0:42:40 | 0:42:43 | |
'Instead he consciously drew on the past | 0:42:45 | 0:42:48 | |
'to remind people of his noble ancestry, | 0:42:48 | 0:42:51 | |
'and his links back to rulers like William the Conqueror.' | 0:42:51 | 0:42:54 | |
The tower at Dover echoed the designs of the strongest kings. | 0:42:57 | 0:43:02 | |
This was a deliberate attempt by Henry to associate himself | 0:43:02 | 0:43:06 | |
with the castles and crowns of his predecessors. | 0:43:06 | 0:43:10 | |
There's more than a little Tower of London about it, | 0:43:10 | 0:43:13 | |
don't you think? | 0:43:13 | 0:43:14 | |
'Everything about Henry's castle at Dover | 0:43:17 | 0:43:20 | |
'was designed to create the right impression. | 0:43:20 | 0:43:23 | |
'This was a strictly-regulated world in which hierarchy was key. | 0:43:23 | 0:43:28 | |
'It affected every element of life in the castle. | 0:43:28 | 0:43:31 | |
'It was even designed into the fabric of the building.' | 0:43:32 | 0:43:35 | |
The King's guests didn't just knock on the front door, | 0:43:36 | 0:43:39 | |
but were invited to the throne room, | 0:43:39 | 0:43:40 | |
and they were taken through this door... | 0:43:40 | 0:43:43 | |
HE GRUNTS | 0:43:43 | 0:43:44 | |
..and up these stairs behind me. | 0:43:46 | 0:43:48 | |
They ascended to the seat of authority above them | 0:43:49 | 0:43:52 | |
in every sense. | 0:43:52 | 0:43:54 | |
In medieval life, the monarch travelled from castle to castle, | 0:44:02 | 0:44:06 | |
and wherever the King resided was said to be the throne of England. | 0:44:06 | 0:44:10 | |
The Tower at Dover has been furnished to reflect | 0:44:10 | 0:44:12 | |
what it might have looked like when Henry II was on the throne. | 0:44:12 | 0:44:16 | |
I could get used to this. | 0:44:22 | 0:44:24 | |
'Henry travelled with an entire household staff - hundreds of people | 0:44:28 | 0:44:33 | |
'divided into separate departments, | 0:44:33 | 0:44:35 | |
'each with their own area of responsibility. | 0:44:35 | 0:44:39 | |
'His arrival here must have been one of the spectacles of the age. | 0:44:39 | 0:44:43 | |
'At a time when mass communication was unheard of, | 0:44:43 | 0:44:46 | |
'the king had to be constantly on the move, | 0:44:46 | 0:44:49 | |
'maintaining his rule over every part of the country. | 0:44:49 | 0:44:52 | |
'Dover Castle became a crucial part of Henry's legacy - | 0:44:56 | 0:44:59 | |
'not just a symbol of strength, | 0:44:59 | 0:45:01 | |
'but a tool with which his successors could defend their crown. | 0:45:01 | 0:45:06 | |
'They were going to need it.' | 0:45:06 | 0:45:07 | |
We like to think of Britain as an island fortress. | 0:45:09 | 0:45:12 | |
We saw off the Armada, Napoleon and Hitler. | 0:45:12 | 0:45:15 | |
But here's an interesting fact for you. | 0:45:15 | 0:45:17 | |
We've actually been invaded successfully by sea | 0:45:17 | 0:45:20 | |
nine times since 1066. | 0:45:20 | 0:45:24 | |
And in the history of castles, | 0:45:24 | 0:45:26 | |
the most important of those happened in 1216, | 0:45:26 | 0:45:29 | |
when Prince Louis of France seized the throne. | 0:45:29 | 0:45:32 | |
'By this time, it was Henry's son John who was King. | 0:45:35 | 0:45:38 | |
'But he was so unpopular, he faced constant opposition. | 0:45:38 | 0:45:42 | |
'With the security their castles gave them, | 0:45:42 | 0:45:45 | |
'the barons had already taken the unprecedented step | 0:45:45 | 0:45:48 | |
'of forcing a monarch to sign an agreement | 0:45:48 | 0:45:51 | |
'restricting his authority - Magna Carta. | 0:45:51 | 0:45:53 | |
'When John began to break the terms of Magna Carta, | 0:45:55 | 0:45:58 | |
'it was the final straw. | 0:45:58 | 0:46:00 | |
'The barons invited one of their own, | 0:46:00 | 0:46:02 | |
'Prince Louis of France, | 0:46:02 | 0:46:04 | |
'to invade and seize the throne from John.' | 0:46:04 | 0:46:06 | |
It was Dover Castle that stood in Louis' way. | 0:46:06 | 0:46:10 | |
But this time the royal castles faced their biggest challenge yet - | 0:46:10 | 0:46:14 | |
a powerful combination of warrior barons and a foreign prince. | 0:46:14 | 0:46:18 | |
Dover presented a formidable obstacle, | 0:46:21 | 0:46:24 | |
and it gave Louis a dilemma - if left in his enemies' hands, | 0:46:24 | 0:46:27 | |
it could cut off his lines of supply across the Channel. | 0:46:27 | 0:46:31 | |
But a prolonged siege could hold up his progress. | 0:46:31 | 0:46:34 | |
'Louis' army surrounded the castle. | 0:46:44 | 0:46:46 | |
'His catapults flung rocks against the walls, | 0:46:47 | 0:46:49 | |
'but with little effect. | 0:46:49 | 0:46:51 | |
'His men, meanwhile, dug tunnels underneath the walls | 0:46:51 | 0:46:54 | |
'to try to bring them down. | 0:46:54 | 0:46:57 | |
'The only defence against this was counter-tunnels.' | 0:46:57 | 0:47:00 | |
Attackers and defenders dug furiously. | 0:47:01 | 0:47:05 | |
First, part of the wooden outer wall fell. | 0:47:05 | 0:47:07 | |
And then, far more significantly, one of the stone towers. | 0:47:07 | 0:47:11 | |
The castle walls were breached. Was victory in sight? | 0:47:11 | 0:47:15 | |
'Hand-to-hand combat ensued, but the well-drilled garrison | 0:47:17 | 0:47:20 | |
'were able to push back the attackers, | 0:47:20 | 0:47:23 | |
'and make good the breach.' | 0:47:23 | 0:47:24 | |
With stalemate re-established, Louis abandoned the siege at Dover. | 0:47:26 | 0:47:31 | |
'And ultimately his claim.' | 0:47:31 | 0:47:33 | |
'Louis returned to France defeated, | 0:47:34 | 0:47:36 | |
'but the siege of Dover marks one of the last times | 0:47:36 | 0:47:39 | |
'that a castle was able to play such an active part | 0:47:39 | 0:47:42 | |
'in defending the English Crown. | 0:47:42 | 0:47:45 | |
'In the uncertain times that followed, | 0:47:45 | 0:47:47 | |
'castles began to acquire a new purpose. | 0:47:47 | 0:47:51 | |
'John was succeeded by Henry III. | 0:47:58 | 0:48:01 | |
'His reign saw the creation | 0:48:01 | 0:48:02 | |
'of one of the most famous castles ever built, | 0:48:02 | 0:48:05 | |
'constructed by his brother Richard, Earl of Cornwall, around 1230. | 0:48:05 | 0:48:10 | |
'But its function was not a military one.' | 0:48:10 | 0:48:14 | |
In the heart of Cornwall, there is a castle of unique status. | 0:48:14 | 0:48:18 | |
Tintagel conjures more imagery in our mind | 0:48:18 | 0:48:21 | |
than any other castle in England. | 0:48:21 | 0:48:23 | |
'It was build by Richard, Earl of Cornwall, | 0:48:27 | 0:48:29 | |
'on what is said to have been the birthplace of King Arthur. | 0:48:29 | 0:48:33 | |
'Tintagel is a well-protected site - | 0:48:34 | 0:48:37 | |
'the name even means "the fort of the constriction".' | 0:48:37 | 0:48:41 | |
'Tintagel was once a very significant settlement. | 0:48:43 | 0:48:46 | |
There's a little harbour behind me here, which ships used to connect | 0:48:46 | 0:48:50 | |
Tintagel with distant waters as far afield as the Mediterranean. | 0:48:50 | 0:48:54 | |
In fact, if you dig down almost anywhere on this headland here, | 0:48:54 | 0:48:58 | |
you'll find treasures from all over the Mediterranean world. | 0:48:58 | 0:49:01 | |
I've got some of them here. | 0:49:01 | 0:49:04 | |
There's more fifth and sixth century pottery that's been found here | 0:49:04 | 0:49:08 | |
than anywhere else in the British Isles put together. | 0:49:08 | 0:49:11 | |
I particularly like this piece. | 0:49:11 | 0:49:13 | |
It's from Africa, and you can still feel | 0:49:13 | 0:49:16 | |
where the potter has pressed his fingers into the clay. | 0:49:16 | 0:49:18 | |
So, this was once a thriving settlement. | 0:49:21 | 0:49:23 | |
'But by Richard, Earl of Cornwall's day, | 0:49:23 | 0:49:26 | |
'all that was already far in the past. | 0:49:26 | 0:49:28 | |
'This land had no military value whatsoever. | 0:49:30 | 0:49:32 | |
'There hadn't been any fortifications here | 0:49:34 | 0:49:36 | |
'since the Iron Age. | 0:49:36 | 0:49:37 | |
'But the association with Arthur was to change all that. | 0:49:39 | 0:49:42 | |
'These ruins on a rocky headland exert a power | 0:49:44 | 0:49:48 | |
'far beyond their physical elements. | 0:49:48 | 0:49:51 | |
'For a character far more fiction that fact, | 0:49:51 | 0:49:54 | |
'Arthur holds an extraordinary fascination for us.' | 0:49:54 | 0:49:58 | |
It was the cleric Geoffrey of Monmouth | 0:49:58 | 0:50:00 | |
who had identified Tintagel as the birthplace of Arthur in the 1100s. | 0:50:00 | 0:50:05 | |
A French scholar later added the story of the Round Table, | 0:50:05 | 0:50:09 | |
round so that no knight could enjoy higher status than any other. | 0:50:09 | 0:50:12 | |
And later writers still added the story of the Holy Grail. | 0:50:12 | 0:50:17 | |
'Over the centuries, authors and artists would return | 0:50:22 | 0:50:27 | |
'again and again to the legend, adding their own ideas. | 0:50:27 | 0:50:30 | |
'Mallory's Morte D'Arthur, Tennyson's Idylls of the King, | 0:50:30 | 0:50:35 | |
'and image upon image of Camelot have fuelled imaginations everywhere | 0:50:35 | 0:50:39 | |
'to such an extent that this fictional character | 0:50:39 | 0:50:42 | |
'in an imaginary castle | 0:50:42 | 0:50:44 | |
'somehow became a living legend from our past.' | 0:50:44 | 0:50:48 | |
It's no wonder that dealing with Arthur has been described as | 0:50:48 | 0:50:51 | |
dealing with the history of the story of the legend. | 0:50:51 | 0:50:55 | |
'The man behind Tintagel Castle had been made Earl of Cornwall | 0:50:56 | 0:51:00 | |
'by his brother, Henry III. | 0:51:00 | 0:51:02 | |
'He came from the same Anglo-Norman elite. | 0:51:02 | 0:51:06 | |
'But he needed to be accepted by the Cornish | 0:51:06 | 0:51:09 | |
'to make it easier to assert his authority | 0:51:09 | 0:51:11 | |
'and, more importantly, collect his taxes. | 0:51:11 | 0:51:14 | |
'It seems that Richard, Earl of Cornwall, | 0:51:14 | 0:51:17 | |
'was so eager to link his fortunes with those of Arthur | 0:51:17 | 0:51:20 | |
'that he decided to build his very own Camelot.' | 0:51:20 | 0:51:24 | |
Richard decided that this was the exact spot | 0:51:24 | 0:51:27 | |
that Arthur was conceived. | 0:51:27 | 0:51:29 | |
Don't ask me how he knew. | 0:51:29 | 0:51:30 | |
And so the castle had to be built here. Just by the cliff's edge. | 0:51:30 | 0:51:35 | |
The ruins tell the story of its construction elegantly. | 0:51:35 | 0:51:38 | |
Richard built the outer walls first, | 0:51:42 | 0:51:44 | |
and then filled in this central area to make it level. | 0:51:44 | 0:51:48 | |
The only problem was that the walls started to fall towards the sea. | 0:51:48 | 0:51:52 | |
'If the castle was to be prevented from falling into the sea, | 0:51:56 | 0:51:59 | |
'something needed to be done.' | 0:51:59 | 0:52:01 | |
Hence these buttresses - they're not tied into the walls, | 0:52:02 | 0:52:05 | |
which suggests that they're a later addition. | 0:52:05 | 0:52:08 | |
And how did he build his walls? | 0:52:10 | 0:52:12 | |
Well, these holes give the answer. | 0:52:12 | 0:52:14 | |
They're known as putlogs, | 0:52:14 | 0:52:16 | |
because if you put a log in them, | 0:52:16 | 0:52:19 | |
you could then put a plank across as well, and create a platform. | 0:52:19 | 0:52:23 | |
And then, bit by bit, the walls would rise. | 0:52:23 | 0:52:26 | |
'But these are thin walls built from the local slate. | 0:52:27 | 0:52:31 | |
'Looking at them convinces me that this castle | 0:52:31 | 0:52:34 | |
'had no military value whatsoever. | 0:52:34 | 0:52:36 | |
'Tintagel's not a fortress, but a purely symbolic edifice. | 0:52:36 | 0:52:41 | |
'Looking at these evocative ruins, | 0:52:42 | 0:52:44 | |
'it seems little more than an expensive folly.' | 0:52:44 | 0:52:47 | |
And yet, Tintagel seems to have served its purpose. | 0:52:48 | 0:52:52 | |
The tin in Cornwall made Richard wealthy, | 0:52:52 | 0:52:55 | |
and he used that money to enhance his status at every opportunity. | 0:52:55 | 0:52:59 | |
He even bribed some German barons to elect him King of the Romans - | 0:52:59 | 0:53:04 | |
the first and only time | 0:53:04 | 0:53:06 | |
that an Englishman has held that title. | 0:53:06 | 0:53:08 | |
'But for Richard's brother, Henry III, | 0:53:09 | 0:53:12 | |
'faced with a barons' rebellion, | 0:53:12 | 0:53:14 | |
'castles were to prove a very different proposition - | 0:53:14 | 0:53:19 | |
'one that could threaten his very rule. | 0:53:19 | 0:53:21 | |
'The Second Barons' War would see The Earl of Leicester, | 0:53:23 | 0:53:26 | |
'Simon de Montfort, lead an putsch against the King.' | 0:53:26 | 0:53:30 | |
Although de Montfort had been defeated and killed | 0:53:30 | 0:53:33 | |
at the battle of Evesham, | 0:53:33 | 0:53:35 | |
in 1266, his supporters were locked in conflict | 0:53:35 | 0:53:37 | |
with the King here at Kenilworth. | 0:53:37 | 0:53:40 | |
'Outside, the King brought all the resources of the Crown | 0:53:44 | 0:53:48 | |
'to bear on the castle. | 0:53:48 | 0:53:49 | |
'Inside, the rebels stood firm.' | 0:53:49 | 0:53:52 | |
The siege lasted 172 days, | 0:53:52 | 0:53:56 | |
as the unruly warrior barons | 0:53:56 | 0:53:59 | |
took on the might of the Crown. | 0:53:59 | 0:54:00 | |
The castle was exceptionally well-defended. | 0:54:04 | 0:54:07 | |
It was surrounded by an artificial lake, or a mere. | 0:54:07 | 0:54:11 | |
There's nothing left of it now, | 0:54:11 | 0:54:12 | |
but these were once the largest-scale | 0:54:12 | 0:54:15 | |
defensive water features anywhere in the kingdom. | 0:54:15 | 0:54:18 | |
'With a garrison of 1,200, | 0:54:20 | 0:54:22 | |
'there were plenty of archers | 0:54:22 | 0:54:23 | |
'and crossbowmen to man the battlements.' | 0:54:23 | 0:54:26 | |
The best way to take such a castle | 0:54:28 | 0:54:30 | |
was to sit and wait for the occupants to run out of food. | 0:54:30 | 0:54:33 | |
But Henry was not just out for victory. | 0:54:33 | 0:54:35 | |
He needed to crush this opposition to his Crown. | 0:54:35 | 0:54:39 | |
Henry's army was one of the largest ever assembled | 0:54:47 | 0:54:50 | |
to lay siege to an English castle. | 0:54:50 | 0:54:52 | |
But things did not go to plan. | 0:54:52 | 0:54:54 | |
They managed to attach a tower to the walls, | 0:54:54 | 0:54:57 | |
but the subsequent attack failed when the tower was damaged. | 0:54:57 | 0:55:00 | |
Barges full of troops approached across the mere, | 0:55:00 | 0:55:03 | |
but they were repulsed, and plans to undermine the walls failed. | 0:55:03 | 0:55:07 | |
Even the latest heavy siege engines, eight in all, | 0:55:11 | 0:55:14 | |
firing stone missiles into the castle, | 0:55:14 | 0:55:17 | |
were unable to make a breakthrough. | 0:55:17 | 0:55:19 | |
But it was a fight that the king could not afford to lose. | 0:55:19 | 0:55:22 | |
Even after months of struggle, the two sides were locked in stalemate. | 0:55:25 | 0:55:30 | |
'With the military attack showing no signs of success, | 0:55:32 | 0:55:35 | |
'Henry adopted other tactics to try to bring about a victory.' | 0:55:35 | 0:55:39 | |
He brought a papal legate and two bishops to Kenilworth | 0:55:39 | 0:55:43 | |
to excommunicate the garrison within, | 0:55:43 | 0:55:46 | |
but the defenders simply dressed one of their own to look like the legate, | 0:55:46 | 0:55:51 | |
and excommunicated the Royal Army in return. | 0:55:51 | 0:55:54 | |
Two months into the siege, | 0:55:54 | 0:55:56 | |
Henry celebrated the Assumption of the Virgin Mary | 0:55:56 | 0:55:59 | |
with a feast costing the equivalent of £25,000 | 0:55:59 | 0:56:03 | |
within plain sight of the castle walls - | 0:56:03 | 0:56:06 | |
just imagine the psychological impact on the starving defenders. | 0:56:06 | 0:56:11 | |
The garrison simply refused to surrender. | 0:56:11 | 0:56:14 | |
And what's more, the gates of the castle remained open | 0:56:14 | 0:56:17 | |
throughout the siege, | 0:56:17 | 0:56:19 | |
a permanent taunt to the attacking royalists. | 0:56:19 | 0:56:22 | |
The castle, once a hallmark of royal authority, | 0:56:22 | 0:56:25 | |
was threatening to become a symbol of its impotence. | 0:56:25 | 0:56:29 | |
'Henry never did get his crushing capitulation. | 0:56:30 | 0:56:33 | |
'Instead, he was forced to strike a deal. | 0:56:33 | 0:56:36 | |
'Although they were running out of food, | 0:56:36 | 0:56:38 | |
'the garrison was ready to fight to the last man. | 0:56:38 | 0:56:41 | |
'The siege only came to an end when Henry accepted | 0:56:41 | 0:56:44 | |
'that he would have to show leniency to the defenders | 0:56:44 | 0:56:47 | |
'if they were to give themselves up.' | 0:56:47 | 0:56:50 | |
Henry had his victory, but it was a hollow victory. | 0:56:50 | 0:56:53 | |
At 172 days, the siege of Kenilworth | 0:56:53 | 0:56:56 | |
is the longest to take place on English soil. | 0:56:56 | 0:57:00 | |
'The castle, the weapon that had spearheaded the conquest of England, | 0:57:02 | 0:57:06 | |
'had become a direct threat to the authority of the Crown. | 0:57:06 | 0:57:10 | |
'The castle had been pivotal | 0:57:15 | 0:57:16 | |
'to the successful invasion of England in 1066. | 0:57:16 | 0:57:20 | |
'From the outset, it had been part of William's plan. | 0:57:21 | 0:57:25 | |
'And as castles went on to secure the Norman takeover, | 0:57:25 | 0:57:28 | |
'they came to have a symbolic role. | 0:57:28 | 0:57:30 | |
'Castles shaped taste and culture, | 0:57:33 | 0:57:35 | |
'and even entered our mythology. | 0:57:35 | 0:57:38 | |
'But in building the castles that conquered this land, | 0:57:40 | 0:57:43 | |
'William unwittingly sowed the seeds of problems | 0:57:43 | 0:57:46 | |
'that these fortresses would cause for his successors. | 0:57:46 | 0:57:49 | |
'Kenilworth was just the latest in a long line of castles | 0:57:49 | 0:57:53 | |
'that were used to defy the Crown.' | 0:57:53 | 0:57:55 | |
'The role of the castle was becoming unclear. | 0:57:58 | 0:58:00 | |
'Were they now more of a liability than an asset?' | 0:58:00 | 0:58:03 | |
If castles would have a future | 0:58:06 | 0:58:08 | |
in the ever-changing conflicts and allegiances of the time, | 0:58:08 | 0:58:12 | |
they needed a new champion. | 0:58:12 | 0:58:14 | |
And the right man for the job was soon to inherit the throne. | 0:58:14 | 0:58:18 | |
'Next time - how Edward I took the castle | 0:58:18 | 0:58:21 | |
'to a new level of ruthlessness, | 0:58:21 | 0:58:23 | |
'and how the Welsh and the Scots paid the price.' | 0:58:23 | 0:58:26 |