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This is Digging for Britain... | 0:00:05 | 0:00:07 | |
..the programme which brings you | 0:00:10 | 0:00:12 | |
this year's most outstanding new archaeology. | 0:00:12 | 0:00:15 | |
All year, in hundreds of digs across the UK, teams have been | 0:00:18 | 0:00:22 | |
uncovering new archaeological clues which help us to tell our story. | 0:00:22 | 0:00:27 | |
We'll be looking at highlights from all the digs with in-depth | 0:00:31 | 0:00:35 | |
analysis from archaeologists who are going to extraordinary | 0:00:35 | 0:00:39 | |
lengths to uncover our history in a way that only archaeology can. | 0:00:39 | 0:00:45 | |
And they've been out there filming themselves to make sure | 0:00:45 | 0:00:47 | |
that we were there for every moment of discovery. | 0:00:47 | 0:00:51 | |
It's in perfect mint condition. | 0:00:51 | 0:00:53 | |
And they'll be joining us back here at the Dorset County Museum, | 0:00:53 | 0:00:56 | |
to help us make sense of what the new finds actually mean. | 0:00:56 | 0:00:59 | |
Tonight, we're in the West of England, as we meet | 0:00:59 | 0:01:03 | |
army veterans on the hunt for Anglo-Saxon warriors. | 0:01:03 | 0:01:07 | |
We investigate Britain's earliest leprosy hospital, changing what we | 0:01:08 | 0:01:12 | |
know about how sufferers might have been treated. | 0:01:12 | 0:01:15 | |
And treasure hunters find a 3,000-year-old gold hoard | 0:01:15 | 0:01:20 | |
but with a very unlikely owner. | 0:01:20 | 0:01:23 | |
We're in Dorchester, home to the Dorset County Museum, | 0:01:36 | 0:01:40 | |
established in 1845, | 0:01:40 | 0:01:44 | |
and famous for housing the study and notebooks of one of | 0:01:44 | 0:01:47 | |
England's most well-loved writers, | 0:01:47 | 0:01:49 | |
Thomas Hardy. | 0:01:51 | 0:01:52 | |
But it's also home to some of our most important treasures, | 0:01:57 | 0:02:01 | |
like The Chickerell Rings, these Bronze Age gold torques | 0:02:01 | 0:02:04 | |
discovered by metal detectorists. | 0:02:04 | 0:02:06 | |
And the Langton Matravers Axes, | 0:02:11 | 0:02:14 | |
the largest hoard of Bronze Age axes ever discovered in Britain | 0:02:14 | 0:02:19 | |
and which some believe were made as a gift to the gods. | 0:02:19 | 0:02:22 | |
In our first dig, just 50 miles away from the museum, | 0:02:26 | 0:02:29 | |
more extraordinary Bronze Age remains are coming to light, | 0:02:29 | 0:02:33 | |
at Barrow Clump, in the heart of Salisbury Plain. | 0:02:33 | 0:02:37 | |
Over the last three years, | 0:02:37 | 0:02:39 | |
archaeologists from the Ministry of Defence, who owns the land, | 0:02:39 | 0:02:42 | |
have been excavating a Bronze Age burial site. | 0:02:42 | 0:02:45 | |
This ancient site dates back to over 5,000 years ago | 0:02:47 | 0:02:51 | |
but archaeologists have been called in now because it's in danger. | 0:02:51 | 0:02:55 | |
Badgers are burrowing through the soil, destroying the archaeology, | 0:02:57 | 0:03:02 | |
so the team must hurry to recover and record as much as possible. | 0:03:02 | 0:03:06 | |
And after only two days on site, their work pays off with | 0:03:07 | 0:03:12 | |
an important discovery, a Bronze Age burial urn | 0:03:12 | 0:03:16 | |
so fragile that its temporary protection is a bucket. | 0:03:16 | 0:03:21 | |
There you go! It's really, really exciting, this. | 0:03:23 | 0:03:25 | |
You can see the rim of the pot coming round here | 0:03:25 | 0:03:29 | |
and within it, bits of collapsed pot | 0:03:29 | 0:03:31 | |
but all this burned material which we presume is burned human bone. | 0:03:31 | 0:03:36 | |
We'll lift it out as a block and we'll excavate that back in the lab. | 0:03:36 | 0:03:39 | |
It's a fantastic find. | 0:03:39 | 0:03:41 | |
Having gently excavated the urn, osteoarchaeologist, | 0:03:48 | 0:03:52 | |
Jacqueline McKinley, carefully lifts the collar. | 0:03:52 | 0:03:55 | |
Voila! | 0:04:00 | 0:04:01 | |
Like doing a sponge cake. | 0:04:01 | 0:04:04 | |
If I lift that up can you see all that lovely cord | 0:04:04 | 0:04:07 | |
decoration on the inside of there? | 0:04:07 | 0:04:09 | |
Brilliant, isn't it? | 0:04:12 | 0:04:13 | |
No sooner has the first urn been rescued | 0:04:17 | 0:04:20 | |
but a second vessel is found. | 0:04:20 | 0:04:22 | |
This much larger urn has been buried upside down. | 0:04:22 | 0:04:25 | |
It is moving though, isn't it? I'm just worried. | 0:04:28 | 0:04:31 | |
After a tense hour, the urn comes out in one piece, | 0:04:36 | 0:04:41 | |
carefully bandaged. | 0:04:41 | 0:04:42 | |
It's actually a food vessel, Bronze Aged food vessel, | 0:04:42 | 0:04:45 | |
which I know looks like a bandaged head at the moment. | 0:04:45 | 0:04:48 | |
But the reason that bandage is there is | 0:04:48 | 0:04:50 | |
because it's slightly elasticated so it gives support to the vessel | 0:04:50 | 0:04:54 | |
and stops it falling apart while I'm getting things from inside it. | 0:04:54 | 0:04:58 | |
And Jacqui, you're in the process of looking at this material, | 0:05:00 | 0:05:04 | |
I think, from the first urn, the urn with the cord marking on it. | 0:05:04 | 0:05:08 | |
That's right, this was actually quite badly damaged on the site, | 0:05:08 | 0:05:11 | |
it was only about 10cm left | 0:05:11 | 0:05:13 | |
so I decided, in this case, to excavate what was inside it on site. | 0:05:13 | 0:05:17 | |
And today, actually, is the first time I've seen this, now that | 0:05:17 | 0:05:20 | |
it's been washed and cleaned up again. | 0:05:20 | 0:05:22 | |
And at this point, what can you tell about this bone? | 0:05:22 | 0:05:25 | |
Well, what I've done is I've pulled out some very useful | 0:05:25 | 0:05:28 | |
pieces of bone, like, for instance, this here, which is | 0:05:28 | 0:05:31 | |
part of the super-orbit, which goes about there, | 0:05:31 | 0:05:35 | |
and there's a few other pieces around there, like, for instance, | 0:05:35 | 0:05:38 | |
this one, which is from there, | 0:05:38 | 0:05:43 | |
which is part of the diagrammatic arch. | 0:05:43 | 0:05:46 | |
The skull is very useful, | 0:05:46 | 0:05:47 | |
one, in that you have a very easily identifiable piece of bone, which | 0:05:47 | 0:05:53 | |
you only either have one or a pair of, so they're very useful for doing | 0:05:53 | 0:05:58 | |
minimum numbers of individuals, but also a lot of the skull | 0:05:58 | 0:06:01 | |
is very diagnostic in terms of sexing the individual, the adult individual. | 0:06:01 | 0:06:06 | |
And what about the sex of this individual, | 0:06:06 | 0:06:08 | |
is this an adult male or female? | 0:06:08 | 0:06:10 | |
Looking at the general size and robusticity, | 0:06:10 | 0:06:12 | |
I would say it's most likely to be male. | 0:06:12 | 0:06:14 | |
And do you think these were high-status individuals who were | 0:06:14 | 0:06:17 | |
treated in this way and buried in the Barrows? | 0:06:17 | 0:06:19 | |
Status? | 0:06:19 | 0:06:20 | |
Well, you know, in the past, the antiquarians always thought | 0:06:20 | 0:06:23 | |
that everybody was a chief, it was always chieftains, | 0:06:23 | 0:06:25 | |
it was always men, always chieftains, who were buried in here. | 0:06:25 | 0:06:28 | |
So, this would have been a King? | 0:06:28 | 0:06:29 | |
It would have been a King, yes, undoubtedly, or a prince or | 0:06:29 | 0:06:32 | |
something, but when you actually look at the individuals you | 0:06:32 | 0:06:34 | |
find in these places, they are a mix of individuals, you could get males, | 0:06:34 | 0:06:41 | |
females, children, and one of the things I have noticed when | 0:06:41 | 0:06:44 | |
I've been looking at material from these barrows, is that you have | 0:06:44 | 0:06:48 | |
quite a large number of females with infants or young children. | 0:06:48 | 0:06:53 | |
Now, if you think about your community | 0:06:54 | 0:06:57 | |
and what matters to a community, | 0:06:57 | 0:06:58 | |
one of the important things there is the future and your future is your | 0:06:58 | 0:07:02 | |
children, so really, the children and the mother, the mother that | 0:07:02 | 0:07:07 | |
produces the children, could be seen as very important to the community. | 0:07:07 | 0:07:12 | |
So, it's not really surprising that they're quite often chosen to | 0:07:12 | 0:07:15 | |
be buried in these positions. | 0:07:15 | 0:07:18 | |
But these urns aren't the only things that make this dig special. | 0:07:18 | 0:07:21 | |
In a unique project, known as Operation Nightingale, | 0:07:21 | 0:07:24 | |
the MOD archaeologists are working closely with injured soldiers | 0:07:24 | 0:07:28 | |
for whom this is vital therapy. | 0:07:28 | 0:07:31 | |
This pioneering scheme is introducing | 0:07:35 | 0:07:37 | |
veteran Armed Forces personnel to the practice of archaeology. | 0:07:37 | 0:07:41 | |
Operation Nightingale's really a recovery opportunity, some of them | 0:07:46 | 0:07:50 | |
will want to, having had, maybe, a tough operational tour, will | 0:07:50 | 0:07:53 | |
want to just come out and experience some very benign atmosphere. | 0:07:53 | 0:07:57 | |
You can see how it's quite cathartic in the broadest sense that you can | 0:07:57 | 0:08:00 | |
come out here, be with your friends and just get to understand a little | 0:08:00 | 0:08:04 | |
bit about the past landscapes over | 0:08:04 | 0:08:06 | |
which you've trained over many years. | 0:08:06 | 0:08:08 | |
For many men like former rifleman, Kenny Kendrick, | 0:08:08 | 0:08:13 | |
it's been a lifesaver. | 0:08:13 | 0:08:14 | |
What happened to me is | 0:08:14 | 0:08:15 | |
I suffered a mental breakdown while over in Germany and it's | 0:08:15 | 0:08:20 | |
given me a whole new lease of life, a new career. I left the army | 0:08:20 | 0:08:24 | |
and I've become an archaeologist full-time and once I start | 0:08:24 | 0:08:28 | |
digging, it's very hard to stop. If I'm not told when to take a break | 0:08:28 | 0:08:31 | |
or have a drink or have my dinner I'd probably dig until it gets dark. | 0:08:31 | 0:08:35 | |
In fact, the disciplines of military | 0:08:35 | 0:08:38 | |
and archaeology are not such strange bedfellows. | 0:08:38 | 0:08:42 | |
Anyone who's watched the news | 0:08:42 | 0:08:44 | |
footage from Afghanistan or Iraq has seen people, military | 0:08:44 | 0:08:47 | |
figures, looking for IEDs and things like that with a metal detector. | 0:08:47 | 0:08:51 | |
Critical skill in the military, key skill on an archaeological site. | 0:08:53 | 0:08:57 | |
Just do that area again. | 0:08:57 | 0:08:58 | |
'There's almost a symbiotic relationship, in many ways, | 0:08:58 | 0:09:00 | |
'there are so many crossover skills and its quite an' | 0:09:00 | 0:09:03 | |
inspirational thing for the archaeologists amongst us to see that | 0:09:03 | 0:09:07 | |
and working together as a team, and it's a team thing that is crucial. | 0:09:07 | 0:09:10 | |
As its name suggests, Barrow Clump is a barrow, or burial mound, | 0:09:13 | 0:09:19 | |
so it's no surprise that the team uncover skeletons. | 0:09:19 | 0:09:23 | |
He was a very large bloke, these femurs are truly huge, | 0:09:25 | 0:09:30 | |
and his feet are, the toe bones, I've never seen anything so big. | 0:09:30 | 0:09:35 | |
As burial after burial appears, | 0:09:35 | 0:09:37 | |
they soon realise they're unearthing an Anglo-Saxon cemetery, | 0:09:37 | 0:09:42 | |
dating from the sixth century AD, | 0:09:42 | 0:09:44 | |
just a few metres away from the original Bronze Age burial site. | 0:09:44 | 0:09:48 | |
There's huge progress on site. | 0:09:49 | 0:09:50 | |
We started off with one or two grave cuts that we could see | 0:09:50 | 0:09:54 | |
and over the weeks we've now exposed at least 12. | 0:09:54 | 0:09:58 | |
There we go. | 0:10:07 | 0:10:08 | |
Like this spearhead. | 0:10:08 | 0:10:10 | |
And shield boss, | 0:10:13 | 0:10:14 | |
the metal centre of a shield which would have protected the hand. | 0:10:14 | 0:10:17 | |
The original shield could have been up to a metre in diameter. | 0:10:19 | 0:10:22 | |
These are warriors' graves. | 0:10:26 | 0:10:29 | |
But with so many on site, the team are beginning to wonder, why? | 0:10:33 | 0:10:39 | |
One of the theories that were put forward to me | 0:10:39 | 0:10:41 | |
by one of the soldiers on the project was that | 0:10:41 | 0:10:44 | |
the outside of the ditch seemed to have quite a large concentration | 0:10:44 | 0:10:49 | |
of males with shields and thought that this was perhaps something | 0:10:49 | 0:10:52 | |
like an equivalent in death of the Saxon shield wall protecting those | 0:10:52 | 0:10:57 | |
buried inside the monument, which I think is a really lovely idea. | 0:10:57 | 0:11:00 | |
So, it is interesting to have all those Anglo-Saxon burials | 0:11:04 | 0:11:08 | |
alongside the Bronze Age ones, but is it unusual? | 0:11:08 | 0:11:11 | |
No, there's quite a lot of evidence that Anglo-Saxons would | 0:11:11 | 0:11:15 | |
choose what were obvious, important, particularly mortuary important, | 0:11:15 | 0:11:21 | |
landscape features in which to bury their own dead. | 0:11:21 | 0:11:25 | |
This would have been very obvious features at that time. | 0:11:25 | 0:11:28 | |
The mounds would have been quite obvious there and people would have | 0:11:28 | 0:11:31 | |
recognised that they were very important to people in the past. | 0:11:31 | 0:11:35 | |
In a way, the same way as in the Bronze Age, they were almost staking | 0:11:35 | 0:11:39 | |
a claim in that landscape by producing these mounds. | 0:11:39 | 0:11:44 | |
The Anglo-Saxons, by coming in and burying their dead there, | 0:11:44 | 0:11:47 | |
may also have been staking a claim to the same land. | 0:11:47 | 0:11:51 | |
Well, in spite of a growing number of warrior graves | 0:11:52 | 0:11:55 | |
at Barrow Clump, there's still one thing that's eluding the team. | 0:11:55 | 0:11:59 | |
Chap in front of us has between his knees, | 0:12:05 | 0:12:07 | |
the remnants of an iron shield boss | 0:12:07 | 0:12:09 | |
and that's one of several we've now had over the site. | 0:12:09 | 0:12:12 | |
To the left of the individual, | 0:12:12 | 0:12:14 | |
just poking out above the grave, is the socket of a spear, so, | 0:12:14 | 0:12:18 | |
all those things that you'd expect, perhaps, to find with a warrior. | 0:12:18 | 0:12:22 | |
What we're missing from that | 0:12:22 | 0:12:24 | |
and something you see referred to throughout Saxon poetry is a sword. | 0:12:24 | 0:12:28 | |
Swords were prized by the Saxons | 0:12:28 | 0:12:30 | |
but are extremely rare finds. | 0:12:30 | 0:12:33 | |
Richard's greatest hope is that they'll find one | 0:12:33 | 0:12:36 | |
but despite unearthing 75 graves, the prize is proving elusive. | 0:12:36 | 0:12:42 | |
However, the badgers burrowing on this site have | 0:12:42 | 0:12:46 | |
left a trail that leads the team right to this year's prize find. | 0:12:46 | 0:12:51 | |
As we were going down, we had a lot of badger packing material | 0:12:52 | 0:12:55 | |
so we weren't sure | 0:12:55 | 0:12:56 | |
whether they would have disturbed any remains that were there. | 0:12:56 | 0:13:00 | |
As it happens, we do have a badger run that does run right | 0:13:00 | 0:13:03 | |
alongside and has damaged the skeleton. | 0:13:03 | 0:13:05 | |
But the rest of it is very well preserved. | 0:13:05 | 0:13:08 | |
And, we're very lucky, | 0:13:08 | 0:13:09 | |
the fact that we've got a sword lying alongside it. | 0:13:09 | 0:13:12 | |
So, this one's got the big three, really, in that it's got | 0:13:13 | 0:13:16 | |
the spearhead, the shield boss and then a sword alongside. | 0:13:16 | 0:13:20 | |
Now all they have to do is get the sword out, | 0:13:21 | 0:13:24 | |
an extremely delicate task, | 0:13:24 | 0:13:27 | |
carried out by Lynn Wootton, conservator with Wessex Archaeology. | 0:13:27 | 0:13:31 | |
So, a sword, which is | 0:13:31 | 0:13:34 | |
sitting right on the top arm bone, | 0:13:34 | 0:13:37 | |
which is coming out in fragments. | 0:13:37 | 0:13:39 | |
I'm going to try to get the whole lot up in one go. | 0:13:39 | 0:13:43 | |
If the sword survives excavation, the trick will be to find out | 0:13:43 | 0:13:48 | |
if it's pattern welded. | 0:13:48 | 0:13:49 | |
This was a complicated method of forging a blade | 0:13:51 | 0:13:55 | |
to produce a top-class sword. | 0:13:55 | 0:13:57 | |
A clue, perhaps, to the man who was buried with it. | 0:13:59 | 0:14:02 | |
We're thrilled to be joined by Richard | 0:14:04 | 0:14:06 | |
and some of his colleagues from the Medical squadron | 0:14:06 | 0:14:09 | |
And we're especially lucky because we're going to x-ray | 0:14:09 | 0:14:11 | |
the sword in real time, right here, in the museum. | 0:14:11 | 0:14:14 | |
But before we do that, Richard, what can you tell us about it? | 0:14:14 | 0:14:17 | |
We're really excited about this | 0:14:17 | 0:14:18 | |
because this was the only sword we had, it was | 0:14:18 | 0:14:20 | |
found by one of the soldiers of the project, so really, really exciting. | 0:14:20 | 0:14:23 | |
And what we really want to know is to see whether it is one of those | 0:14:23 | 0:14:26 | |
fabulous, high-status weapons that's pattern welded and really | 0:14:26 | 0:14:29 | |
part of the whole mythology of Anglo-Saxon England, | 0:14:29 | 0:14:32 | |
of the sword with its name and that sort of thing, it's a powerful item. | 0:14:32 | 0:14:35 | |
And this came out of the ground in one piece, didn't it? | 0:14:35 | 0:14:38 | |
It did and it was a nervous moment, | 0:14:38 | 0:14:39 | |
having this thing lifted, Excalibur-like, from the ground. | 0:14:39 | 0:14:43 | |
There you go. | 0:14:44 | 0:14:45 | |
Oh, that's mineralised wood. | 0:14:47 | 0:14:49 | |
So yes, a real thing of beauty | 0:14:53 | 0:14:54 | |
and then the sword being such an important artefact | 0:14:54 | 0:14:57 | |
in the sixth century, this was really quite a thrill to find it. | 0:14:57 | 0:14:59 | |
So what have we got here? This is the handle end | 0:14:59 | 0:15:01 | |
and bits of copper along here? | 0:15:01 | 0:15:03 | |
Right, you've got the remnants of the scabbard, | 0:15:03 | 0:15:05 | |
perhaps you can make out little traces of mineralised | 0:15:05 | 0:15:07 | |
wood, which is the fabric of the scabbard, and these are the gilded | 0:15:07 | 0:15:11 | |
copper alloy mounts at the side of the scabbard, same with the top | 0:15:11 | 0:15:14 | |
area, might have some decoration, x-ray will hopefully show us that. | 0:15:14 | 0:15:17 | |
And then perhaps you can see some elements of the horn handle | 0:15:17 | 0:15:21 | |
that was here in its sixth century guise. | 0:15:21 | 0:15:23 | |
So that's been mineralised. So is there an iron core | 0:15:23 | 0:15:25 | |
running through the middle of that? | 0:15:25 | 0:15:27 | |
I think so. We can pick that up on the x-ray. | 0:15:27 | 0:15:29 | |
And have you cleaned it up at all or | 0:15:29 | 0:15:31 | |
is this just as it came out of the ground? | 0:15:31 | 0:15:32 | |
This is subject to immediate stabilisation so it doesn't deteriorate, | 0:15:32 | 0:15:35 | |
and then the full conservation will happen after the event. | 0:15:35 | 0:15:38 | |
Brilliant, well, I think we should probably let | 0:15:38 | 0:15:40 | |
Sergeant McDowell and Sergeant Barnet get on with the x-rays. | 0:15:40 | 0:15:43 | |
We need to clear while they do that. | 0:15:43 | 0:15:45 | |
That's a good idea. | 0:15:45 | 0:15:46 | |
Wow, look at that. That's come up beautifully, hasn't it, Richard? | 0:15:55 | 0:15:58 | |
Well, this is fantastic | 0:15:58 | 0:15:59 | |
cos you can see all the things we really wanted to see. | 0:15:59 | 0:16:02 | |
Course, the thing you really think of a sword in this period is | 0:16:02 | 0:16:04 | |
whether it's pattern welded or not. | 0:16:04 | 0:16:06 | |
And that was the real question we wanted to answer. | 0:16:06 | 0:16:08 | |
And the answer is, yes, it is, which is fantastic. | 0:16:08 | 0:16:11 | |
How can you tell that? | 0:16:11 | 0:16:12 | |
Can you see all these little sort of zigzags in here? | 0:16:12 | 0:16:15 | |
Can you see there's a sort of crisscross element | 0:16:15 | 0:16:17 | |
right in the middle of the blade, up here? | 0:16:17 | 0:16:19 | |
That's really indicative of these three bars of iron that've | 0:16:19 | 0:16:22 | |
been twisted and twisted to form... | 0:16:22 | 0:16:24 | |
Well, there's a debate at the moment as to whether that's for strength | 0:16:24 | 0:16:27 | |
or for decoration but it certainly would've been very beautiful. | 0:16:27 | 0:16:30 | |
A bit like a herring or one of these fish, beautiful, decorated thing. | 0:16:30 | 0:16:33 | |
-You see that in samurai swords as well. -It's exactly the same thing, | 0:16:33 | 0:16:36 | |
cause it's a strengthening thing | 0:16:36 | 0:16:38 | |
and you can see how, perhaps, making out the white lines | 0:16:38 | 0:16:41 | |
going down the sword, can you all see that? | 0:16:41 | 0:16:43 | |
See that? | 0:16:43 | 0:16:45 | |
That's the actual edge of the sword where this pattern welding goes on. | 0:16:45 | 0:16:48 | |
And then the hardened steel edges are on the side there. | 0:16:48 | 0:16:50 | |
So, that's when it starts to bevel out towards the cutting edge. | 0:16:50 | 0:16:53 | |
That's right, and so you've got a thing of beauty | 0:16:53 | 0:16:55 | |
but a thing with a real purpose to it, these aren't just prestigious | 0:16:55 | 0:16:58 | |
objects for no reason, they're also things that can actually kill. | 0:16:58 | 0:17:02 | |
It was great to be able to see all that | 0:17:02 | 0:17:03 | |
without actually having to start taking that soil off. | 0:17:03 | 0:17:07 | |
It's fabulous, it's a non-intrusive | 0:17:07 | 0:17:08 | |
way of finding an awful lot of data and information | 0:17:08 | 0:17:11 | |
about the artefact without rendering it fragile and vulnerable, really. | 0:17:11 | 0:17:15 | |
OK, so, who was the man who had this artefact then? | 0:17:15 | 0:17:19 | |
That's a very good question. | 0:17:19 | 0:17:20 | |
He had not only this, he had a shield with him, | 0:17:20 | 0:17:22 | |
he had a spear and he had a knife, | 0:17:22 | 0:17:25 | |
so he's got more or less the panoply of arms going into the grave. | 0:17:25 | 0:17:28 | |
He's right in the most important part of the burial mound, | 0:17:28 | 0:17:31 | |
so he must have been somebody with a degree of power and wealth. | 0:17:31 | 0:17:34 | |
This isn't an everyday item, as I said, it's | 0:17:34 | 0:17:37 | |
the only one we've had out of the 75 burials, so he's an important man. | 0:17:37 | 0:17:41 | |
The soldiers believe that the owner of this sword might have been | 0:17:41 | 0:17:45 | |
a local king, or warrior chief, | 0:17:45 | 0:17:48 | |
who was buried surrounded by the burials of other warriors | 0:17:48 | 0:17:52 | |
and placed in the ground with his spear, shield and sword. | 0:17:52 | 0:17:57 | |
This find, close to a Bronze Age cemetery, contributes both | 0:18:00 | 0:18:04 | |
to our understanding of Anglo-Saxon burials | 0:18:04 | 0:18:07 | |
and shows how they reused earlier monuments for their cemeteries. | 0:18:07 | 0:18:11 | |
But there's another group of warrior dead here at the Dorset Museum, | 0:18:14 | 0:18:19 | |
who are central to a long-running debate. | 0:18:19 | 0:18:23 | |
For years, historians have argued whether the Romans | 0:18:23 | 0:18:26 | |
invaded Britain or staged a peaceful takeover. | 0:18:26 | 0:18:29 | |
So, Rebecca, Maiden Castle is famous because it's a | 0:18:31 | 0:18:34 | |
really beautiful hill fort but also for the cemetery that's up there. | 0:18:34 | 0:18:38 | |
Exactly. There is what has become known as the war cemetery | 0:18:38 | 0:18:41 | |
at the eastern end of the hill fort. | 0:18:41 | 0:18:43 | |
And these are two of the skeletons from that cemetery? | 0:18:43 | 0:18:46 | |
Yeah, these two are very, very special young chaps | 0:18:46 | 0:18:49 | |
because they are the ones that contain the most unique evidence | 0:18:49 | 0:18:52 | |
that we have that enables us to pin this cemetery down to AD43. | 0:18:52 | 0:18:56 | |
So, let's have a look at these two then. | 0:18:56 | 0:18:58 | |
I can immediately see something which looks a bit suspicious. | 0:18:58 | 0:19:01 | |
Yes. | 0:19:01 | 0:19:02 | |
And it's got an arrow pointing to it as well. | 0:19:02 | 0:19:04 | |
I know, it's very helpful. | 0:19:04 | 0:19:06 | |
Which is this bolt here. | 0:19:06 | 0:19:09 | |
I'm just going to move this vertebra out | 0:19:09 | 0:19:12 | |
so that we can have a good look at it... Look at that! | 0:19:12 | 0:19:14 | |
-Well, that's amazing. -It is. | 0:19:16 | 0:19:18 | |
It's actually embedded into the bone, so it's passed through that | 0:19:18 | 0:19:22 | |
individual and lodged in their vertebra. | 0:19:22 | 0:19:25 | |
Is that a typical Roman weapon? | 0:19:25 | 0:19:27 | |
It is, it's a classic Roman ballista bolt | 0:19:27 | 0:19:30 | |
and that's how we can date these burials. | 0:19:30 | 0:19:32 | |
So, we know that although the individuals, | 0:19:32 | 0:19:35 | |
the pottery they're buried with is late-Iron Age, that absolutely | 0:19:35 | 0:19:40 | |
dates them to the Roman invasion | 0:19:40 | 0:19:41 | |
because none of those weapons are here before the Romans get here. | 0:19:41 | 0:19:44 | |
So, it's coming in like this, right through the guts, through the | 0:19:44 | 0:19:49 | |
kidney, in fact, and grazing the | 0:19:49 | 0:19:52 | |
vertebra and coming right to the back, here. | 0:19:52 | 0:19:55 | |
So that's enough to kill somebody? | 0:19:55 | 0:19:56 | |
Yeah, absolutely, but there is more. | 0:19:56 | 0:19:59 | |
So, very obviously, | 0:19:59 | 0:20:01 | |
this young chap here has got a rather large hole in his head. | 0:20:01 | 0:20:04 | |
-So that's where he's been bashed on the head. -Yeah. | 0:20:04 | 0:20:07 | |
Then these lines, you only get the fracture lines running off | 0:20:07 | 0:20:10 | |
in these directions if it's something that's happened at the time of death. | 0:20:10 | 0:20:14 | |
And then it kind of gets worse for this guy | 0:20:14 | 0:20:16 | |
because then this very little knick here | 0:20:16 | 0:20:19 | |
and that's out of the back of his mandible | 0:20:19 | 0:20:22 | |
and that's where someone with a sword then tried to cut his head off. | 0:20:22 | 0:20:25 | |
Right, OK. | 0:20:25 | 0:20:26 | |
Then they've had another go because he's then got this blow, | 0:20:26 | 0:20:30 | |
which has actually peeled off the bone on his mandible here. | 0:20:30 | 0:20:34 | |
Nasty. | 0:20:34 | 0:20:35 | |
Yeah, so they've tried to cut his head off twice. | 0:20:35 | 0:20:37 | |
He's really been hacked, hasn't he? This is vicious, this is violent. | 0:20:37 | 0:20:41 | |
-And it's not... -Yeah. -..just one piece of evidence of violence, | 0:20:41 | 0:20:47 | |
I mean, shock and awe at its worst. | 0:20:47 | 0:20:50 | |
It is very, very shocking. | 0:20:50 | 0:20:52 | |
So, the Roman army are going above and beyond what is necessary | 0:20:52 | 0:20:55 | |
to kill someone. | 0:20:55 | 0:20:56 | |
But we know that when they are conquering new territories | 0:20:56 | 0:20:59 | |
they really did go and decimate people. | 0:20:59 | 0:21:01 | |
These skeletons graphically reveal one side of the story | 0:21:07 | 0:21:10 | |
of the Romans' arrival in Britain. | 0:21:10 | 0:21:13 | |
But in 2011, I visited a site in North Dorset | 0:21:13 | 0:21:16 | |
which told a different story, the Durotriges Big Dig Project. | 0:21:16 | 0:21:21 | |
For several years, | 0:21:23 | 0:21:25 | |
archaeologists have been digging at Winterborne Kingston. | 0:21:25 | 0:21:28 | |
The dig was originally started as an Iron Age exploration | 0:21:28 | 0:21:32 | |
looking back almost 2,000 years to when members of the Durotriges tribe | 0:21:32 | 0:21:38 | |
lived and farmed here before the Romans arrived. | 0:21:38 | 0:21:42 | |
Well, this survey of the site, which is a magnetic survey, | 0:21:42 | 0:21:44 | |
shows us the Iron-Age ditched enclosure | 0:21:44 | 0:21:48 | |
we call the banjo enclosure, | 0:21:48 | 0:21:49 | |
that's because it superficially resembles a banjo | 0:21:49 | 0:21:52 | |
with the body and the neck. | 0:21:52 | 0:21:55 | |
Do you think this was a defensive enclosure? | 0:21:55 | 0:21:57 | |
Not at all, not at all. | 0:21:58 | 0:22:00 | |
This is effectively an undefended farmstead. | 0:22:00 | 0:22:05 | |
'But as the team continue the dig, they started to turn up | 0:22:05 | 0:22:08 | |
'more and more signs of Romanisation, | 0:22:08 | 0:22:11 | |
'influencing the lives of the local inhabitants.' | 0:22:11 | 0:22:14 | |
So, you've also got pieces of chicken | 0:22:14 | 0:22:16 | |
and, of course, we're familiar with chicken today | 0:22:16 | 0:22:19 | |
but in the late Iron Age this is an exotic animal, | 0:22:19 | 0:22:22 | |
this is coming in from the Roman world. | 0:22:22 | 0:22:24 | |
Presumably, they're selling their produce and their grain | 0:22:24 | 0:22:27 | |
and they're getting these luxury food items in return. | 0:22:27 | 0:22:30 | |
This particular fragment is a handle of an amphora, | 0:22:30 | 0:22:33 | |
a large storage vessel that would've stood up to the height of an adult. | 0:22:33 | 0:22:37 | |
We can tell by the fabric and by the shape that it's from Spain | 0:22:37 | 0:22:40 | |
-and it would have probably held wine. -That's lovely. | 0:22:40 | 0:22:43 | |
It is, so we can imagine that they're eating chicken, | 0:22:43 | 0:22:45 | |
they're drinking wine, | 0:22:45 | 0:22:47 | |
they're sort of plugged in to the Mediterranean world. | 0:22:47 | 0:22:49 | |
So, for these Iron-Age farmers, | 0:22:51 | 0:22:54 | |
life with the Romans appears to have been a peaceful coexistence | 0:22:54 | 0:22:58 | |
in stark contrast to the massacre at Maiden Castle. | 0:22:58 | 0:23:02 | |
You don't see evidence | 0:23:04 | 0:23:06 | |
of a really abrupt transition at your site, do you? | 0:23:06 | 0:23:09 | |
No, you can't really tell when the Romans arrived | 0:23:09 | 0:23:13 | |
because there's small amounts of Roman material coming in | 0:23:13 | 0:23:15 | |
in the 1st century BC. | 0:23:15 | 0:23:17 | |
As we go on to the 1st, 2nd, 3rd century AD | 0:23:17 | 0:23:20 | |
there's still equivalent amounts of Roman pottery. | 0:23:20 | 0:23:23 | |
It's all very low-level stuff, | 0:23:23 | 0:23:25 | |
there's no sudden break when the Romans arrived, there's no change, | 0:23:25 | 0:23:28 | |
there's no dramatic increase in Roman artefacts. | 0:23:28 | 0:23:31 | |
And we're seeing that right the way across Dorset. | 0:23:31 | 0:23:33 | |
I think like Native American societies, they're picking | 0:23:33 | 0:23:36 | |
and choosing a few things that facilitate their lifestyle, | 0:23:36 | 0:23:39 | |
but there's no major change in settlement or religion going on. | 0:23:39 | 0:23:42 | |
It takes 300 years after the invasion before we start seeing | 0:23:42 | 0:23:45 | |
real significant Roman material like villas and temples being created. | 0:23:45 | 0:23:49 | |
There's a big time-lag between the arrival of the Romans | 0:23:49 | 0:23:52 | |
and their final evolution of Roman culture. | 0:23:52 | 0:23:55 | |
I think the main thing is the picture that we're used to | 0:23:55 | 0:23:58 | |
is too simple, isn't it? It's much more complex. | 0:23:58 | 0:24:01 | |
It is, you get this black and white idea, the Romans arrive, | 0:24:01 | 0:24:03 | |
those who they don't kill | 0:24:03 | 0:24:05 | |
end up living in villas and towns straight away. | 0:24:05 | 0:24:07 | |
It takes three centuries for that kind of Roman culture | 0:24:07 | 0:24:11 | |
to really take a hold in this part of Britain. | 0:24:11 | 0:24:14 | |
You've been digging at this site now, Miles, for quite a few seasons. | 0:24:14 | 0:24:17 | |
How's the picture been changing over the years? | 0:24:17 | 0:24:19 | |
It's been changing quite a lot | 0:24:19 | 0:24:20 | |
because we started out with an Iron-Age settlement, | 0:24:20 | 0:24:23 | |
we were looking at that transition from Iron Age to Roman | 0:24:23 | 0:24:26 | |
and what we're finding is evidence going on a good three centuries afterwards. | 0:24:26 | 0:24:29 | |
So, we're doing a geophysical survey around the whole area. | 0:24:29 | 0:24:32 | |
But we're finding more evidence of later Roman material. | 0:24:32 | 0:24:35 | |
I think a couple of your more plucky students filmed | 0:24:35 | 0:24:38 | |
-this year's dig for us, didn't they? -Absolutely, yes. | 0:24:38 | 0:24:40 | |
We're in day three | 0:24:42 | 0:24:43 | |
in trench one at the top end of the site | 0:24:43 | 0:24:46 | |
and the cleaning back has revealed exactly what we were hoping to find | 0:24:46 | 0:24:49 | |
really, which is, we've got this large, it's about 15 meters across, | 0:24:49 | 0:24:54 | |
square enclosure defined by a very thin ditch. And the interior | 0:24:54 | 0:25:00 | |
of which, there's a whole series of small pits and other features. | 0:25:00 | 0:25:03 | |
It could be a shrine, it could be a temple, | 0:25:03 | 0:25:05 | |
it could be none of the above. | 0:25:05 | 0:25:06 | |
It could be some sort of animal agriculture enclosure. | 0:25:06 | 0:25:09 | |
But until we start going down into it we're not going to know. | 0:25:09 | 0:25:12 | |
It's a very nice distinct feature | 0:25:12 | 0:25:14 | |
and it fits beautifully in the trench. | 0:25:14 | 0:25:15 | |
And, once again, because it's dug down in the chalk, | 0:25:15 | 0:25:18 | |
it shows up fantastically. | 0:25:18 | 0:25:19 | |
Miles and his students are hoping that this find | 0:25:20 | 0:25:23 | |
will yield clues about the people who lived here. | 0:25:23 | 0:25:26 | |
Were they farmers who adopted Roman ways? | 0:25:28 | 0:25:31 | |
Or were they Romans from elsewhere in the Empire? | 0:25:31 | 0:25:35 | |
OK, so it's the beginning of day seven and we're quite excited | 0:25:39 | 0:25:42 | |
that inside the square enclosure, in trench one, | 0:25:42 | 0:25:46 | |
there's four rectangular cuts which look extremely like graves. | 0:25:46 | 0:25:50 | |
This is the team's first major clue as to who might have lived here. | 0:25:51 | 0:25:56 | |
We've started cleaning up these rectangular cuts | 0:25:56 | 0:26:00 | |
and they have, actually, thankfully started turning up into graves. | 0:26:00 | 0:26:03 | |
We were wondering to begin with, cos these are east-west aligned, | 0:26:03 | 0:26:07 | |
whether they were going to turn out to be Christian burials. | 0:26:07 | 0:26:09 | |
But the heads are at the eastern end. | 0:26:09 | 0:26:11 | |
If they were Christians you'd expect them to be at the other end, | 0:26:11 | 0:26:14 | |
so facing the sunrise on the Day Of Judgment. | 0:26:14 | 0:26:20 | |
We've got a skull coming up here | 0:26:20 | 0:26:21 | |
and we've got just part of a pottery vessel coming up at the other end. | 0:26:21 | 0:26:26 | |
So these are unlikely to be Christian graves, | 0:26:27 | 0:26:30 | |
and neither do they appear to be Iron Age, as in this area | 0:26:30 | 0:26:35 | |
those tend to take the form of a crouched burial. | 0:26:35 | 0:26:37 | |
The expectation is that they are Roman because in 2013, | 0:26:39 | 0:26:44 | |
just in the next field, | 0:26:44 | 0:26:45 | |
they excavated a late 4th-century Roman villa. | 0:26:45 | 0:26:48 | |
After another day's digging, the team begin to find | 0:26:53 | 0:26:56 | |
strong evidence of a connection, as more skeletons start to appear. | 0:26:56 | 0:27:00 | |
You can see just here in this particular grave | 0:27:04 | 0:27:06 | |
we've got one coffin nail coming out here. | 0:27:06 | 0:27:09 | |
So we know that these individuals are all in coffins, | 0:27:09 | 0:27:12 | |
which is probably another indication | 0:27:12 | 0:27:14 | |
that they're not early Christian, which tends to be buried in shrouds. | 0:27:14 | 0:27:18 | |
We've also got a spindle whorl which is another little nice object | 0:27:18 | 0:27:21 | |
they're taking with them into the afterlife and quite a lot | 0:27:21 | 0:27:24 | |
of late Roman female burials have spindle whorls buried with them. | 0:27:24 | 0:27:28 | |
I don't know if that's an activity they would have done in life. | 0:27:28 | 0:27:31 | |
One of the other cuts that's been excavated, | 0:27:31 | 0:27:33 | |
we've had hobnails coming up, the little nails | 0:27:33 | 0:27:35 | |
that are hammered into sandals in Roman footwear, suggesting | 0:27:35 | 0:27:38 | |
that they're going into the grave wearing almost military-style boots. | 0:27:38 | 0:27:42 | |
At the moment, we can say that these are Roman, | 0:27:42 | 0:27:44 | |
they are almost certainly late Roman, | 0:27:44 | 0:27:46 | |
and the provisional evidence at present suggests | 0:27:46 | 0:27:49 | |
they are contemporary with the villa. | 0:27:49 | 0:27:50 | |
Which is what we're hoping for, to try and find a link | 0:27:50 | 0:27:53 | |
with villa occupants and the house they actually occupied. | 0:27:53 | 0:27:57 | |
Just a day later, Miles and the team uncover three female | 0:28:01 | 0:28:05 | |
and two male skeletons. | 0:28:05 | 0:28:06 | |
That was the end of day nine, things are going extremely well. | 0:28:12 | 0:28:17 | |
The square barrow in trench one is turning out rapidly | 0:28:17 | 0:28:20 | |
to become what appears to be a family mausoleum. | 0:28:20 | 0:28:23 | |
We've now got at least five graves in there - | 0:28:23 | 0:28:25 | |
what looks like one immature, one juvenile character and four adults, | 0:28:25 | 0:28:30 | |
none of which appear to be Christian, | 0:28:30 | 0:28:32 | |
all of which, at the moment, seem to have indication of grave goods. | 0:28:32 | 0:28:36 | |
It was traditional for Romans to bury goods with their dead | 0:28:37 | 0:28:41 | |
like footwear or pottery. | 0:28:41 | 0:28:42 | |
Like this bowl they found in one of the female graves. | 0:28:46 | 0:28:49 | |
Hopefully, we'll start to get all those out | 0:28:50 | 0:28:52 | |
and get a better idea of their date. | 0:28:52 | 0:28:54 | |
Still hoping they are the occupiers of the villa we excavated last year. | 0:28:54 | 0:28:58 | |
If they can get an accurate date for the pot, | 0:28:59 | 0:29:01 | |
it will give the team an even better idea of who these people were. | 0:29:01 | 0:29:05 | |
Miles, when do these burials that you've just been finding date to? | 0:29:10 | 0:29:14 | |
Well, that's the question. The pot that comes out with them, | 0:29:14 | 0:29:18 | |
this particular vessel, we know is made sometime around 370, 380 AD | 0:29:18 | 0:29:23 | |
but the question is, | 0:29:23 | 0:29:24 | |
how old is it at the time it's gone into the grave? | 0:29:24 | 0:29:26 | |
That's lovely, it's got imprinted pattern on it. | 0:29:26 | 0:29:28 | |
It's got this rosette pattern all the way around, | 0:29:28 | 0:29:31 | |
but you can see it's very worn, | 0:29:31 | 0:29:32 | |
the slip's worn off and it originally had a base, it had a foot | 0:29:32 | 0:29:37 | |
on it which has been broken off and it's been worn smooth. | 0:29:37 | 0:29:40 | |
And given it may have taken 40, 50, 60 years | 0:29:40 | 0:29:44 | |
before it's actually ended up in the grave. | 0:29:44 | 0:29:46 | |
So we're seeing people who have been buried in Roman-style tradition | 0:29:46 | 0:29:49 | |
but they haven't got access to high status Roman goods. | 0:29:49 | 0:29:53 | |
I suspect given that we've only got a few spindle whorls, | 0:29:53 | 0:29:56 | |
we've got fragments of pottery, | 0:29:56 | 0:29:58 | |
there's not a lot of Roman status goods going in with these graves. | 0:29:58 | 0:30:02 | |
I think we're dealing with a sub-Roman population. | 0:30:02 | 0:30:05 | |
This is the people who are, sort of, traditionally | 0:30:05 | 0:30:07 | |
grubbing around in the remains of their Roman world. | 0:30:07 | 0:30:11 | |
So, do you think this is after the collapse of the Roman Empire, then? | 0:30:11 | 0:30:15 | |
I think it is. I think we are dealing with the last people | 0:30:15 | 0:30:17 | |
who still have a remembrance of a Roman world. | 0:30:17 | 0:30:22 | |
They're still clinging on to one or two items | 0:30:22 | 0:30:24 | |
that link them back to that past. | 0:30:24 | 0:30:26 | |
But they're no longer working | 0:30:26 | 0:30:27 | |
within a functioning Roman administration. | 0:30:27 | 0:30:30 | |
So, I think we are dealing with people | 0:30:30 | 0:30:31 | |
who are probably dying and being buried | 0:30:31 | 0:30:33 | |
probably sometime in the mid-5th century, | 0:30:33 | 0:30:37 | |
so we've probably got 450 AD | 0:30:37 | 0:30:39 | |
as, probably, our cut-off point | 0:30:39 | 0:30:41 | |
for the time these people are going into their graves. | 0:30:41 | 0:30:44 | |
There is a theory that the bodies at Maiden Castle are the natives | 0:30:44 | 0:30:48 | |
who were taking one last stand against the Romans. | 0:30:48 | 0:30:50 | |
Is it possible that the bodies you've got, or you're excavating, | 0:30:50 | 0:30:53 | |
are their descendants, hundreds of years later? | 0:30:53 | 0:30:55 | |
That'll be fantastic, if we could prove that, obviously. | 0:30:55 | 0:30:58 | |
But if we got good DNA samples from both, | 0:30:58 | 0:31:01 | |
then, we might be able to say that these are the descendants | 0:31:01 | 0:31:03 | |
from the iron age inhabitants | 0:31:03 | 0:31:05 | |
and that would be something rather spectacular. | 0:31:05 | 0:31:08 | |
Because we still don't know, yet, | 0:31:08 | 0:31:09 | |
whether the people who live in the villas | 0:31:09 | 0:31:11 | |
are the descendants of the indigenous population, | 0:31:11 | 0:31:14 | |
or whether they are 1st generation or 2nd generation migrants | 0:31:14 | 0:31:17 | |
from another part of the Roman Empire. | 0:31:17 | 0:31:19 | |
The Romano-Britons, who lived and died in the villa, | 0:31:20 | 0:31:23 | |
offer clues to the poverty of the twilight world | 0:31:23 | 0:31:26 | |
after the Roman army left, in 410 AD. | 0:31:26 | 0:31:29 | |
But less than 100 miles away, at Chedworth, | 0:31:31 | 0:31:35 | |
another dig is unexpectedly revealing the glories | 0:31:35 | 0:31:39 | |
of Roman Britain in its heyday. | 0:31:39 | 0:31:41 | |
First discovered by the Victorians 150 years ago, | 0:31:43 | 0:31:47 | |
Chedworth is a late 4th century courtyard villa complex. | 0:31:47 | 0:31:51 | |
In August, a team of archaeologists from the National Trust | 0:31:53 | 0:31:56 | |
started a two week dig to find out more about the villa layout. | 0:31:56 | 0:32:00 | |
Unfortunately, they had very little recorded information to go on. | 0:32:03 | 0:32:08 | |
The last person to dig here was Sir Ian Richmond, | 0:32:08 | 0:32:11 | |
Professor of Archaeology at Oxford University, | 0:32:11 | 0:32:14 | |
whose notes were lost, after his death in 1965. | 0:32:14 | 0:32:18 | |
All that remains of his work are some modern concrete path borders, | 0:32:20 | 0:32:24 | |
which the team believe Richmond laid down to outline | 0:32:24 | 0:32:28 | |
a 2nd century Roman bathhouse. | 0:32:28 | 0:32:30 | |
But they were in for a surprise, as Martin Papworth explains. | 0:32:31 | 0:32:35 | |
When we started our excavation here, | 0:32:36 | 0:32:38 | |
we really thought that Ian Richmond | 0:32:38 | 0:32:40 | |
had dug everything, including the wall lines, | 0:32:40 | 0:32:43 | |
where he put his concrete, and also the bits in between, | 0:32:43 | 0:32:46 | |
which we call the "islands". | 0:32:46 | 0:32:48 | |
So, we were quite surprised when we lifted a turf | 0:32:48 | 0:32:51 | |
and we found bits of tesserae coming up, bits of mosaic coming up. | 0:32:51 | 0:32:57 | |
And there were no records of any mosaics | 0:32:57 | 0:32:59 | |
in any of these areas, between the walls. | 0:32:59 | 0:33:01 | |
The "tesserae", or tile pieces, are revealing what might be | 0:33:03 | 0:33:06 | |
a border in red, cream and blue, | 0:33:06 | 0:33:09 | |
but whether anything else survives, of the central pattern, is unclear. | 0:33:09 | 0:33:13 | |
There are areas...there are going to be big holes in it, | 0:33:15 | 0:33:17 | |
there's going to be areas where the mosaic could be lost | 0:33:17 | 0:33:20 | |
and Carol's working over here. She's got an edge against the wall, | 0:33:20 | 0:33:24 | |
but lots of loose tesserae there, in a worn area, | 0:33:24 | 0:33:27 | |
away from the wall. | 0:33:27 | 0:33:29 | |
So we just need to gradually uncover | 0:33:29 | 0:33:31 | |
and show what lies within these walls. | 0:33:31 | 0:33:35 | |
There's also something else puzzling the team. | 0:33:35 | 0:33:38 | |
They had thought they were working on a series of baths | 0:33:38 | 0:33:41 | |
in separate rooms. | 0:33:41 | 0:33:42 | |
The other strange thing is that we've taken the concrete up, | 0:33:43 | 0:33:47 | |
we've cleaned underneath the concrete | 0:33:47 | 0:33:48 | |
and we're not finding walls, yet, which is quite peculiar. | 0:33:48 | 0:33:51 | |
Pretty soon, it becomes clear | 0:33:53 | 0:33:54 | |
they're no longer dealing with a bathhouse. | 0:33:54 | 0:33:58 | |
We knew from the beginning, when we first lifted the turf, | 0:33:58 | 0:34:00 | |
that there was going to be mosaic underneath here, | 0:34:00 | 0:34:03 | |
but now we can see it's part of one great, long mosaic. | 0:34:03 | 0:34:06 | |
In fact, we now believe it's part of the grand reception hall | 0:34:06 | 0:34:11 | |
of the villa. | 0:34:11 | 0:34:13 | |
So, rather than having five or six | 0:34:13 | 0:34:14 | |
little bits of different rooms of mosaic, | 0:34:14 | 0:34:17 | |
all this mosaic joins up into one big pattern. | 0:34:17 | 0:34:20 | |
The team make other finds, | 0:34:22 | 0:34:24 | |
which give more of an idea of the decoration of the villa. | 0:34:24 | 0:34:28 | |
We found bits of broad plaster on top of the top soil | 0:34:28 | 0:34:31 | |
and, in that, we've got patterns in red, blue and white, green. | 0:34:31 | 0:34:35 | |
-TAPPING -And, so, we must think of this floor | 0:34:35 | 0:34:38 | |
as being part of something really grand. | 0:34:38 | 0:34:40 | |
Emerging from the rubble, an extraordinary, huge artwork | 0:34:42 | 0:34:46 | |
and an insight into the wealth and power of the Romano-British. | 0:34:46 | 0:34:50 | |
So, if we were looking at, in terms of, | 0:34:52 | 0:34:54 | |
did this person consider themselves Roman? | 0:34:54 | 0:34:57 | |
Were they presenting their life as being part of | 0:34:57 | 0:35:00 | |
the Great Roman Empire and the whole link to classical civilisation, | 0:35:00 | 0:35:05 | |
well, this, surely, must be someone really showing off their wealth | 0:35:05 | 0:35:09 | |
-DIGGING -and their link to Rome | 0:35:09 | 0:35:12 | |
and, really, presenting themselves as Roman. | 0:35:12 | 0:35:16 | |
The team had started the dig thinking they were looking for | 0:35:19 | 0:35:22 | |
a 2nd century bathhouse and they've finished up | 0:35:22 | 0:35:25 | |
with a show-stopping grand reception hall. | 0:35:25 | 0:35:28 | |
I think it's amazing how much you can find by going back | 0:35:33 | 0:35:35 | |
and revisiting existing archaeological sites, | 0:35:35 | 0:35:38 | |
-where you think you know everything already. -Yep. | 0:35:38 | 0:35:40 | |
And find some incredible mosaics. | 0:35:40 | 0:35:42 | |
Jon, how do those mosaics compare to these incredible mosaics | 0:35:42 | 0:35:45 | |
that we're, literally, sitting on, right here? | 0:35:45 | 0:35:47 | |
Well, we're very lucky, in Dorset, | 0:35:47 | 0:35:48 | |
that we have an awful lot of mosaics. | 0:35:48 | 0:35:51 | |
Over 60 have been found in the county. | 0:35:51 | 0:35:54 | |
But, in the county museum here, we have 12 | 0:35:54 | 0:35:56 | |
that have been relocated from around the county, | 0:35:56 | 0:35:58 | |
including this one from Durngate Street, in the middle of Dorchester. | 0:35:58 | 0:36:02 | |
And what have we got here? Is that a serpent over there? | 0:36:02 | 0:36:05 | |
Yeah, we've got serpents and we've got drinking vessels. | 0:36:05 | 0:36:08 | |
The serpents represent rebirth and that's Bacchus's drinking vessel, | 0:36:08 | 0:36:13 | |
so it's good luck and celebration. | 0:36:13 | 0:36:16 | |
What can these mosaics tell us about the people who owned them, | 0:36:16 | 0:36:19 | |
or who owned the villas where they were? | 0:36:19 | 0:36:20 | |
Well, the complexity of them, and their intricacy, | 0:36:20 | 0:36:24 | |
suggests they were extremely wealthy. | 0:36:24 | 0:36:27 | |
Also, there are things in them that tells us | 0:36:27 | 0:36:29 | |
that they want to be part of the wider Roman culture. | 0:36:29 | 0:36:32 | |
Their use of mythology, the imagery for the Roman gods and legends | 0:36:32 | 0:36:37 | |
all suggest that they really want to identify with Rome. | 0:36:37 | 0:36:41 | |
So were they locals made good, | 0:36:41 | 0:36:44 | |
or were they Roman officials who'd moved in? | 0:36:44 | 0:36:48 | |
That's going to be the million dollar question, isn't it? | 0:36:48 | 0:36:50 | |
I think it's... My own instinct would be it's going to be | 0:36:50 | 0:36:52 | |
a combination of the local population who have done well | 0:36:52 | 0:36:56 | |
from Roman occupation, from trading with the Romans, | 0:36:56 | 0:36:59 | |
and, also, those officials, from Rome, who want very grand houses | 0:36:59 | 0:37:03 | |
in what was a very important part of Roman Britain. | 0:37:03 | 0:37:06 | |
So these beautiful and intricate mosaics | 0:37:09 | 0:37:12 | |
tell us of a vanished Romano-British world | 0:37:12 | 0:37:15 | |
when at least SOME, in the west, enjoyed the riches of empire. | 0:37:15 | 0:37:19 | |
For the past seven years, a team has been excavating | 0:37:21 | 0:37:24 | |
one of the earliest leprosy hospitals, near Winchester, | 0:37:24 | 0:37:27 | |
dating back almost a thousand years. | 0:37:27 | 0:37:30 | |
And what they have been finding at St Mary Magdalen | 0:37:30 | 0:37:33 | |
is really helping to change our ideas about leprosy | 0:37:33 | 0:37:37 | |
in the Middle Ages. | 0:37:37 | 0:37:38 | |
Just a mile from Winchester city centre, St Mary Magdalen | 0:37:41 | 0:37:45 | |
was, once, a busy complex of buildings, | 0:37:45 | 0:37:48 | |
but, now, nothing remains above ground. | 0:37:48 | 0:37:51 | |
The last recorded medieval building on this site | 0:37:54 | 0:37:57 | |
was a late 15th century almshouse. | 0:37:57 | 0:38:00 | |
But archaeologists from the University of Winchester | 0:38:01 | 0:38:04 | |
have been slowly peeling back an extremely rare medical history. | 0:38:04 | 0:38:09 | |
As the dig unfolds, the team is filming it themselves | 0:38:12 | 0:38:16 | |
and in charge is chief investigator Simon Roffey. | 0:38:16 | 0:38:19 | |
This is the north wall of that infirmary, running across the site, | 0:38:21 | 0:38:24 | |
so I'm inside the medieval infirmary now | 0:38:24 | 0:38:26 | |
and as I step outside, | 0:38:26 | 0:38:28 | |
into this area here, | 0:38:28 | 0:38:31 | |
we have evidence of what we think may be | 0:38:31 | 0:38:34 | |
the wall of a possible cloister. | 0:38:34 | 0:38:36 | |
Last year we found whole pots and metal objects | 0:38:37 | 0:38:40 | |
evidence for, perhaps, medical practise. | 0:38:40 | 0:38:43 | |
But more importantly, the team have uncovered 20 graves. | 0:38:46 | 0:38:50 | |
The condition of the skeletons leads them to believe | 0:38:50 | 0:38:53 | |
that there was a leprosy hospital here dating back to 1070. | 0:38:53 | 0:38:57 | |
It's the earliest excavated leprosy hospital in Britain. | 0:39:00 | 0:39:04 | |
The cemetery holds about 85% of individuals with leprosy - | 0:39:04 | 0:39:09 | |
men, women, children and babies. | 0:39:09 | 0:39:12 | |
It's the highest sample we've had from any British site. | 0:39:12 | 0:39:15 | |
In the Middle Ages, it was thought that those with leprosy | 0:39:18 | 0:39:21 | |
were unclean and sinful | 0:39:21 | 0:39:24 | |
and that the disease was a punishment from God. | 0:39:24 | 0:39:26 | |
'In 2011, I went to look at the skeletons | 0:39:29 | 0:39:32 | |
'they'd uncovered, for myself, | 0:39:32 | 0:39:33 | |
'and see the full, shocking extent of the disease | 0:39:33 | 0:39:36 | |
'with osteologist Dr Katie Tucker.' | 0:39:36 | 0:39:39 | |
Now, this is extreme, isn't it? | 0:39:39 | 0:39:42 | |
Yeah, this is erm... Suppose you... | 0:39:42 | 0:39:45 | |
don't know if it's the wrong word to use, | 0:39:45 | 0:39:47 | |
the BEST example of leprosy, that we have on the site. | 0:39:47 | 0:39:51 | |
-Yeah, you can see the massive amounts... -Goodness me! | 0:39:51 | 0:39:53 | |
-..of bone loss. -Yeah. | 0:39:53 | 0:39:55 | |
Totally lost the front of the nose. | 0:39:55 | 0:39:57 | |
And you actually see, these are the sockets, here, | 0:39:57 | 0:40:00 | |
for the first molars, so all the bone has been lost, | 0:40:00 | 0:40:03 | |
-back to the first molars. -All the way back to the first molars? -Yeah. | 0:40:03 | 0:40:05 | |
That is just horrific, isn't it? I mean, look at that. | 0:40:05 | 0:40:09 | |
You've lost all of the front of the upper jaw here. | 0:40:09 | 0:40:12 | |
And the bottom of the nasal cavity. | 0:40:15 | 0:40:18 | |
-And the hard palate, of course, has gone. -Yeah, yeah. | 0:40:18 | 0:40:22 | |
It probably would have been difficult for this individual | 0:40:22 | 0:40:25 | |
to eat, without choking. | 0:40:25 | 0:40:27 | |
Yeah. | 0:40:27 | 0:40:28 | |
-It's quite a shocking disease, isn't it? -It is, yeah. -I find it shocking | 0:40:28 | 0:40:31 | |
to look at it in a skeleton and, I think, | 0:40:31 | 0:40:33 | |
it's not surprising that it was...it carried such a stigma with it. | 0:40:33 | 0:40:37 | |
-I mean, they would have looked alien, really. -Mm. | 0:40:37 | 0:40:40 | |
-Especially with the facial lesions, as well, in the soft tissue. -Mm. | 0:40:40 | 0:40:45 | |
And probably would have needed help | 0:40:45 | 0:40:48 | |
eating, maybe, because... | 0:40:48 | 0:40:51 | |
Well, they may have even had difficulty picking things up, | 0:40:51 | 0:40:54 | |
-because they'd started to get loss of feeling in their hands. -Yeah. | 0:40:54 | 0:40:58 | |
I think they probably would have needed quite a lot of help, | 0:40:58 | 0:41:00 | |
during the last few years of their life. | 0:41:00 | 0:41:02 | |
Some accounts suggest that those suffering from leprosy | 0:41:04 | 0:41:08 | |
would have been outcasts and not given the same treatment | 0:41:08 | 0:41:11 | |
as ordinary citizens in life... | 0:41:11 | 0:41:14 | |
or in death. | 0:41:14 | 0:41:16 | |
But back at St Mary Magdalen, | 0:41:18 | 0:41:20 | |
the team believes that the graves themselves | 0:41:20 | 0:41:23 | |
reveal a very different story. | 0:41:23 | 0:41:25 | |
What we can see here is, erm... | 0:41:25 | 0:41:28 | |
a grave that's been well-cut, cut into the chalk. | 0:41:28 | 0:41:32 | |
Anthropomorphic - it's tapered down towards the feet end. | 0:41:32 | 0:41:35 | |
There's a head niche there, to hold the head of the individual. | 0:41:35 | 0:41:39 | |
And around the grave, you can see the lip, | 0:41:39 | 0:41:41 | |
which would hold a lid, or a ledger, on top of it. | 0:41:41 | 0:41:46 | |
You can see that all these graves are well-separated, | 0:41:46 | 0:41:49 | |
they've been marked, as well. | 0:41:49 | 0:41:51 | |
So, what we're seeing here is a certain level of care and attention | 0:41:51 | 0:41:55 | |
that's gone into building these graves. | 0:41:55 | 0:41:58 | |
It's clear that these were no hasty burials. | 0:41:59 | 0:42:03 | |
In this religious hospital, | 0:42:03 | 0:42:05 | |
people with leprosy seem to have been treated with respect | 0:42:05 | 0:42:09 | |
and buried with care. | 0:42:09 | 0:42:11 | |
The archaeologists also believe that one particular grave they uncovered, | 0:42:13 | 0:42:17 | |
back in 2011, supports this idea. | 0:42:17 | 0:42:20 | |
This skeleton of a man was discovered buried | 0:42:21 | 0:42:24 | |
with a scallop shell - | 0:42:24 | 0:42:26 | |
a traditional pilgrim badge, that he may have carried back | 0:42:26 | 0:42:30 | |
from one of the most famous pilgrimage sites in the world - | 0:42:30 | 0:42:34 | |
Santiago de Compostela, in Spain. | 0:42:34 | 0:42:36 | |
Simon believes that this man proves that medieval leprosy sufferers | 0:42:37 | 0:42:42 | |
could be treated with respect and dignity | 0:42:42 | 0:42:45 | |
and not always with revulsion. | 0:42:45 | 0:42:47 | |
This is the shell we just saw in the VT? The pilgrim's shell? | 0:42:50 | 0:42:53 | |
That's right. This wonderful artefact was | 0:42:53 | 0:42:57 | |
from an individual with mature years, | 0:42:57 | 0:42:59 | |
he had early stage leprosy. | 0:42:59 | 0:43:01 | |
Clearly took this with him to grave, as a, sort of, way of proving | 0:43:01 | 0:43:05 | |
that he had done this arduous pilgrimage, | 0:43:05 | 0:43:07 | |
to Santiago de Compostela. | 0:43:07 | 0:43:10 | |
But I think, more widely, this badge tells us | 0:43:10 | 0:43:14 | |
about the status of the hospital. | 0:43:14 | 0:43:16 | |
I mean, here was a man of religious sensitivity, | 0:43:16 | 0:43:20 | |
wealth, perhaps, and the means to go on a pilgrimage | 0:43:20 | 0:43:23 | |
and here he is, buried in a community of leprosy sufferers, | 0:43:23 | 0:43:27 | |
so this really challenges this view that we have that | 0:43:27 | 0:43:32 | |
leprosy hospitals were somehow excluded from society, | 0:43:32 | 0:43:36 | |
the community were outcasts, this sort of thing. | 0:43:36 | 0:43:40 | |
But do you think he could he have been excluded | 0:43:40 | 0:43:42 | |
when he developed the outward signs of leprosy? I mean, he's there | 0:43:42 | 0:43:46 | |
in the hospital, he's buried within the hospital cemetery, | 0:43:46 | 0:43:48 | |
and not with his own community. | 0:43:48 | 0:43:51 | |
I think, when we look at the archaeology as a whole, | 0:43:51 | 0:43:54 | |
what we have is well-appointed timber buildings, originally, | 0:43:54 | 0:43:59 | |
got substantial postholes on the side, | 0:43:59 | 0:44:02 | |
we have a chapel, we have a well-ordered cemetery. | 0:44:02 | 0:44:05 | |
We've also got evidence for medical provision, on one example. | 0:44:05 | 0:44:08 | |
All this put together, I think, tells us | 0:44:08 | 0:44:09 | |
this site wasn't a site of outcasts, it was... | 0:44:09 | 0:44:12 | |
these were people who had a certain level of status, I think. | 0:44:12 | 0:44:16 | |
Cos there is the traditional view, the medieval view, | 0:44:16 | 0:44:18 | |
that leprosy was, somehow, a sinful disease, | 0:44:18 | 0:44:20 | |
but this doesn't appear to be the case. | 0:44:20 | 0:44:22 | |
It's a very complex issue, I think, | 0:44:22 | 0:44:24 | |
where we have this, perhaps, belief today | 0:44:24 | 0:44:27 | |
that leprosy sufferers were sinful, were outcasts. | 0:44:27 | 0:44:31 | |
This has only recently been challenged | 0:44:31 | 0:44:33 | |
by certain revisionist historians | 0:44:33 | 0:44:35 | |
and, also, our work at St Mary Magdalen, in Winchester. | 0:44:35 | 0:44:38 | |
So it's really important, then, | 0:44:38 | 0:44:40 | |
because it's showing these people were looked after? | 0:44:40 | 0:44:43 | |
Certainly, and leprosy is a disease that affects people today, | 0:44:43 | 0:44:46 | |
in places such as India and Brazil, among many other countries. | 0:44:46 | 0:44:51 | |
There's only about a quarter of a million | 0:44:51 | 0:44:52 | |
new cases of leprosy identified every year. | 0:44:52 | 0:44:55 | |
And leprosy is still stigmatised in these countries, | 0:44:55 | 0:44:57 | |
so part of what we're doing is really challenging this stigma. | 0:44:57 | 0:45:01 | |
There are many "dark ages" in archaeology, | 0:45:15 | 0:45:18 | |
periods when we're trying to piece together the story | 0:45:18 | 0:45:21 | |
from fragmentary evidence | 0:45:21 | 0:45:23 | |
and, because of the nature of that evidence, | 0:45:23 | 0:45:25 | |
we often find ourselves focusing on adults. | 0:45:25 | 0:45:28 | |
Children are conspicuous by their absence. | 0:45:28 | 0:45:32 | |
But, now, a unique find from the English-Welsh border | 0:45:32 | 0:45:35 | |
provides us with a precious connection with a bronze age child. | 0:45:35 | 0:45:39 | |
Every year, some archaeological finds are turned up by amateurs | 0:45:43 | 0:45:48 | |
armed with metal detectors. | 0:45:48 | 0:45:51 | |
On November 9th 2013, in a pit near the Forest of Dean, | 0:45:53 | 0:45:58 | |
two metal detectorists, Lee Todd and Steve Moodie, | 0:45:58 | 0:46:02 | |
joyfully unearthed a group of bronze age bracelets. | 0:46:02 | 0:46:06 | |
The bracelets were then sent to the headquarters | 0:46:07 | 0:46:10 | |
of the Portable Antiquities Scheme, | 0:46:10 | 0:46:11 | |
at the British Museum, for investigation. | 0:46:11 | 0:46:14 | |
This year, Dr Neil Wilkins | 0:46:15 | 0:46:17 | |
and his team are trying to solve the mystery of this hoard. | 0:46:17 | 0:46:21 | |
The first set are two bracelets, | 0:46:22 | 0:46:25 | |
wrapped inside one another, or "nested", | 0:46:25 | 0:46:27 | |
as we would say. | 0:46:27 | 0:46:28 | |
These have been crumpled, probably after they've been deposited, | 0:46:30 | 0:46:33 | |
but one side is still beautifully intact | 0:46:33 | 0:46:36 | |
and they've been very carefully decorated. | 0:46:36 | 0:46:38 | |
The second set is even fresher, | 0:46:39 | 0:46:42 | |
Still has its plug of soil, within the centre, | 0:46:42 | 0:46:46 | |
but there's nothing inside the soil. We've done an X-ray to make sure. | 0:46:46 | 0:46:49 | |
This, again, is two bracelets | 0:46:49 | 0:46:51 | |
that have been wrapped inside one another. | 0:46:51 | 0:46:54 | |
Both bracelets have been cut, or trimmed, on one side | 0:46:54 | 0:46:58 | |
to remove the terminal, so they couldn't be used again. | 0:46:58 | 0:47:01 | |
And we can see that on the outermost bracelet here. | 0:47:01 | 0:47:04 | |
The goldsmith, or worker, who produced these bracelets | 0:47:05 | 0:47:09 | |
was working as part of a long tradition of gold production | 0:47:09 | 0:47:12 | |
that stretched back several hundred years | 0:47:12 | 0:47:14 | |
before these bracelets were deposited. | 0:47:14 | 0:47:16 | |
But this hoard contains something exceptionally rare. | 0:47:18 | 0:47:22 | |
The third set of bracelets, which are by far the most spectacular, | 0:47:23 | 0:47:27 | |
but what's absolutely fantastic and unique about this set | 0:47:27 | 0:47:32 | |
is just how small they are. | 0:47:32 | 0:47:33 | |
You can really see it, against my hand, | 0:47:33 | 0:47:35 | |
that these could not have been worn by an adult. This little offering, | 0:47:35 | 0:47:38 | |
a little bundle of joy, if you like, | 0:47:38 | 0:47:41 | |
seems to belong to a very small individual. | 0:47:41 | 0:47:44 | |
These must have been worn, if they were worn at all, | 0:47:44 | 0:47:47 | |
by a small child, or an infant. | 0:47:47 | 0:47:49 | |
There's very little evidence of what it was like | 0:47:52 | 0:47:54 | |
to be a child 3,000 years ago. | 0:47:54 | 0:47:56 | |
And Neil believes that all the evidence here | 0:47:58 | 0:48:01 | |
points to these bracelets belonging to a very important youngster. | 0:48:01 | 0:48:05 | |
We see so little of what it's like to be a child | 0:48:06 | 0:48:08 | |
in the bronze age and how society's even structured. | 0:48:08 | 0:48:11 | |
We see very few houses and everyday life. | 0:48:11 | 0:48:14 | |
But the fact that a child or an infant was able to wear these | 0:48:14 | 0:48:18 | |
gold ornaments does suggest that they inherited their status, | 0:48:18 | 0:48:22 | |
that it was passed from parent and adult to children, | 0:48:22 | 0:48:25 | |
rather than something that they earned | 0:48:25 | 0:48:27 | |
in the course of life and that tells us quite a lot | 0:48:27 | 0:48:29 | |
about how society may have been structured | 0:48:29 | 0:48:31 | |
and how status may have been acquired. | 0:48:31 | 0:48:34 | |
This child's bracelets, small as they are, | 0:48:36 | 0:48:39 | |
help us to understand the bigger picture | 0:48:39 | 0:48:41 | |
about society 3,000 years ago. | 0:48:41 | 0:48:44 | |
And, back in Dorchester, there some are matching clues. | 0:48:47 | 0:48:50 | |
A precious hoard, found near Chesil Beach, in 2010, | 0:48:53 | 0:48:57 | |
in the grave of a teenage girl. | 0:48:57 | 0:48:59 | |
In the end of the iron age, particularly in Dorset, | 0:49:02 | 0:49:05 | |
it was common to bury | 0:49:05 | 0:49:06 | |
some of your very finest things | 0:49:06 | 0:49:08 | |
that you wanted to take with you to the next world, | 0:49:08 | 0:49:10 | |
as part of your burial. | 0:49:10 | 0:49:11 | |
So we've got these very wonderful beads. | 0:49:11 | 0:49:14 | |
-Wow. What are they made of? -They're made of glass and they're of types | 0:49:14 | 0:49:17 | |
that have not been seen in Britain before, from this period, | 0:49:17 | 0:49:20 | |
-cos they're thought to have come from North Africa. -Wow. | 0:49:20 | 0:49:23 | |
So the trade links and the connections are really mind-blowing | 0:49:23 | 0:49:26 | |
in terms of where these people were trading with and connecting with. | 0:49:26 | 0:49:30 | |
-And what's this? Is this a bracelet or an armlet? -It is a... | 0:49:30 | 0:49:33 | |
I think of it as like a bangle. | 0:49:33 | 0:49:34 | |
Reminds me of the cheap bangles kids had, when I was a teenager. | 0:49:34 | 0:49:37 | |
-Probably not cheap in the iron age, though. -Definitely not cheap | 0:49:37 | 0:49:39 | |
in the iron age. She's also got her tweezers, | 0:49:39 | 0:49:42 | |
which are very, very fragile. | 0:49:42 | 0:49:43 | |
And this, sort of, old-style brooch. | 0:49:43 | 0:49:45 | |
So some really interesting things. | 0:49:47 | 0:49:49 | |
Probably her finest pieces of jewellery. | 0:49:49 | 0:49:53 | |
So what's this here, it looks very intricately decorated? | 0:49:53 | 0:49:56 | |
Well, this is, I think, the most wonderful thing. | 0:49:56 | 0:49:58 | |
This is a bronze mirror, buried across her heart, | 0:49:58 | 0:50:02 | |
so a precious object to her. | 0:50:02 | 0:50:04 | |
-That's the back of it we're looking at? -That's the back of it. | 0:50:04 | 0:50:07 | |
The other side, if I just flip over, you can see is smooth, | 0:50:07 | 0:50:10 | |
it's obviously very corroded now and a bi conserved, | 0:50:10 | 0:50:12 | |
but would have been polished bright, to take the reflection. | 0:50:12 | 0:50:16 | |
So anyone owing a mirror like this, would they have been seen | 0:50:16 | 0:50:19 | |
to have special status, or something like that? | 0:50:19 | 0:50:22 | |
I think, as a young girl, she was probably | 0:50:22 | 0:50:24 | |
from an extremely high-status family, | 0:50:24 | 0:50:26 | |
but the Romans thought that mirrors had magical powers. | 0:50:26 | 0:50:29 | |
They used to cover them, because they thought | 0:50:29 | 0:50:32 | |
if you saw the reflection without meaning to, it would be harmful, so | 0:50:32 | 0:50:35 | |
the self-image is very important in these times. | 0:50:35 | 0:50:39 | |
It's so amazing that we can get a glimpse | 0:50:39 | 0:50:40 | |
into a teenager's life, from the iron age. | 0:50:40 | 0:50:43 | |
I think so. I like the fact that it's not really that different | 0:50:43 | 0:50:46 | |
from how a teenage girl might be today, with tweezers and | 0:50:46 | 0:50:50 | |
bangles and beads and mirrors and, you know, | 0:50:50 | 0:50:52 | |
these are still important things in a teenage girl's life | 0:50:52 | 0:50:55 | |
and they were in the iron age, as well, quite clearly. | 0:50:55 | 0:50:58 | |
These iron age trinkets, | 0:51:01 | 0:51:03 | |
possibly belonging to a chieftain's daughter, | 0:51:03 | 0:51:06 | |
remind us of a Britain before the Romans arrived, | 0:51:06 | 0:51:10 | |
back where we began this programme. | 0:51:10 | 0:51:12 | |
But this year's digs have thrown up one last twist | 0:51:12 | 0:51:16 | |
in the complex tale of the West of Britain. | 0:51:16 | 0:51:19 | |
For the Romans, the Far West was "frontier country". | 0:51:24 | 0:51:28 | |
And, in the past, we believed that they got no further than Exeter. | 0:51:28 | 0:51:31 | |
But, a dig at Ipplepen, in Devon, is literally pushing | 0:51:31 | 0:51:35 | |
the boundaries of Roman Britain in the West. | 0:51:35 | 0:51:37 | |
I visited this site three years ago, | 0:51:39 | 0:51:41 | |
when it was just a tiny collection of graves and a Roman road. | 0:51:41 | 0:51:46 | |
Now it's turning into something much more intriguing. | 0:51:48 | 0:51:51 | |
It looks like it's an adult female. | 0:51:55 | 0:51:57 | |
You can see it's got quite a high, straight forehead, | 0:51:57 | 0:52:00 | |
which is a feature on females and quite small arches. | 0:52:00 | 0:52:04 | |
You can feel, on yourself here, | 0:52:04 | 0:52:06 | |
you've got quite low ridges, supraorbital ridge. | 0:52:06 | 0:52:10 | |
So I think it's an adult female. | 0:52:10 | 0:52:12 | |
Got half of the mandible here, which is this part, | 0:52:12 | 0:52:15 | |
we've got this side and all of her teeth | 0:52:15 | 0:52:17 | |
and you can see they're very worn. | 0:52:17 | 0:52:19 | |
So all the enamel has actually come off | 0:52:19 | 0:52:21 | |
and we've got the dentine exposed. | 0:52:21 | 0:52:23 | |
The team finds no evidence of the cause of death | 0:52:27 | 0:52:30 | |
in this skeleton, but this woman was probably | 0:52:30 | 0:52:32 | |
about 30-years-old when she died. | 0:52:32 | 0:52:34 | |
After some careful excavation, the first Ipplepen resident | 0:52:39 | 0:52:44 | |
is off to the University of Exeter for radio carbon dating. | 0:52:44 | 0:52:47 | |
'So it's the end of day eight' | 0:52:49 | 0:52:51 | |
and, kind of, quite an emotional moment, | 0:52:51 | 0:52:53 | |
lifting the first skull of the site. | 0:52:53 | 0:52:55 | |
And, always, you've got to remember, you've got to be really respectful, | 0:52:55 | 0:52:59 | |
that these people were real human beings | 0:52:59 | 0:53:02 | |
and it's just quite amazing to think that they lived here, on this site, | 0:53:02 | 0:53:06 | |
2,000 years ago and how different the world must have been then. | 0:53:06 | 0:53:11 | |
By day 12, the team have uncovered another nine burials | 0:53:14 | 0:53:19 | |
and over 2,000 small finds, | 0:53:19 | 0:53:22 | |
all adding evidence to their theory that this was a Roman settlement. | 0:53:22 | 0:53:27 | |
Although, some of the objects are a bit of a mystery. | 0:53:27 | 0:53:30 | |
I've got quite an interesting find here. | 0:53:31 | 0:53:33 | |
Not sure exactly what it is, | 0:53:33 | 0:53:35 | |
but I've got a feeling that it might be a cosmetic case, | 0:53:35 | 0:53:39 | |
with make-up inside. | 0:53:39 | 0:53:40 | |
We immediately wrapped it in bandages | 0:53:40 | 0:53:43 | |
and packaged it up to be conserved and looked at, | 0:53:43 | 0:53:46 | |
so we'll know more, at a later date, exactly, precisely, what it is. | 0:53:46 | 0:53:51 | |
But what's, perhaps, the team's biggest clue | 0:53:51 | 0:53:53 | |
to a Roman presence is the position of the graves. | 0:53:53 | 0:53:57 | |
Even though it's partially cut in to the edge of the road, | 0:53:57 | 0:54:00 | |
-it is still respecting, generally, the line of the road. -Yeah. | 0:54:00 | 0:54:04 | |
It's a roadside burial. | 0:54:04 | 0:54:06 | |
It's deliberately placed at the side of the road. | 0:54:06 | 0:54:08 | |
As burials were forbidden in Roman cities, | 0:54:09 | 0:54:12 | |
the dead were buried on the outskirts, often along the roadside, | 0:54:12 | 0:54:17 | |
just as the team is finding here. | 0:54:17 | 0:54:20 | |
So it's day 18 on our excavations at Ipplepen. | 0:54:20 | 0:54:22 | |
We've now got a total of 16 skeletons. | 0:54:22 | 0:54:25 | |
So it's quite clear that what we're dealing with here | 0:54:27 | 0:54:30 | |
is a Romano-British Cemetery, which is very exciting. | 0:54:30 | 0:54:32 | |
It's amazing to see the way this site is developing, | 0:54:39 | 0:54:42 | |
because when I visited, and we stood on that hill in Ipplepen, | 0:54:42 | 0:54:44 | |
all there was, was a road and a couple of roadside burials | 0:54:44 | 0:54:48 | |
and, now, you've got a whole cemetery, | 0:54:48 | 0:54:50 | |
but what about the road itself? | 0:54:50 | 0:54:52 | |
Where does it go? | 0:54:52 | 0:54:54 | |
Don't know yet. | 0:54:54 | 0:54:55 | |
I suspect probably from Exeter and out towards south Devon. | 0:54:57 | 0:55:00 | |
But it's just really fascinating. We really didn't expect to find | 0:55:00 | 0:55:05 | |
such a well-preserved Roman road, so far west of Exeter. | 0:55:05 | 0:55:08 | |
We're still only scratching the surface | 0:55:08 | 0:55:10 | |
but this year's excavations have been a real revelation. | 0:55:10 | 0:55:14 | |
Here's just an example of the absolutely lovely stuff that we had. | 0:55:14 | 0:55:19 | |
This is what was being excavated in the VT. | 0:55:19 | 0:55:22 | |
And is it a powder compact? | 0:55:22 | 0:55:23 | |
-SHE SIGHS -We don't know. | 0:55:23 | 0:55:26 | |
We still don't know? Come on. | 0:55:26 | 0:55:27 | |
This is a real mystery artefact, actually. | 0:55:27 | 0:55:30 | |
Experts have looked at it, at the British Museum, | 0:55:30 | 0:55:32 | |
and there's the possibility that it might be a lead weight | 0:55:32 | 0:55:35 | |
that's been set into a case, | 0:55:35 | 0:55:37 | |
-into a copper alloy case. -How strange! | 0:55:37 | 0:55:39 | |
But I'm not sure why you would do that. | 0:55:39 | 0:55:40 | |
Unless, perhaps, it was a weight | 0:55:40 | 0:55:42 | |
that maybe belonged to your grandfather | 0:55:42 | 0:55:44 | |
and it was a kind of keepsake, or something. | 0:55:44 | 0:55:47 | |
So the jury's still out on this mystery artefact. | 0:55:47 | 0:55:49 | |
We had hoped that it would be a ladies compact, | 0:55:49 | 0:55:52 | |
because its really nice to see the female side of Roman Britain. | 0:55:52 | 0:55:57 | |
Yeah. And a beautiful brooch. | 0:55:57 | 0:55:59 | |
A beautiful brooch. | 0:55:59 | 0:56:00 | |
And, you can see here, it's got amazing enamel | 0:56:00 | 0:56:03 | |
set into the cells there | 0:56:03 | 0:56:04 | |
and it's even intact, with its catch plating, | 0:56:04 | 0:56:07 | |
its pin and its spring. I mean, it's such a lovely example, | 0:56:07 | 0:56:10 | |
which dates from probably 75 to 175 AD. | 0:56:10 | 0:56:13 | |
-And is that a tiny bead there? -Yeah. | 0:56:13 | 0:56:15 | |
We've got beads, we've got coins, we've got hair pins, | 0:56:15 | 0:56:17 | |
we got mystery objects. | 0:56:17 | 0:56:19 | |
And, Danni, you came in, | 0:56:19 | 0:56:20 | |
to our studio here, in Dorchester Museum... | 0:56:20 | 0:56:23 | |
Incredibly exciting. | 0:56:23 | 0:56:25 | |
You told us you've got a radio carbon date. | 0:56:25 | 0:56:28 | |
Yes, we took the latest burial, which is dug into the roadside ditch | 0:56:28 | 0:56:33 | |
of the Roman road, so it's the latest one we've excavated so far, | 0:56:33 | 0:56:37 | |
and the radio carbon results have come back as 7th to 8th century. | 0:56:37 | 0:56:41 | |
-Really? -Yeah! -So it's a long-running cemetery, then? | 0:56:43 | 0:56:45 | |
Absolutely. Yeah, yeah. It's just absolutely stunning. | 0:56:45 | 0:56:48 | |
So we're not just dealing with 1st century Roman stuff | 0:56:48 | 0:56:52 | |
going through to the 4th century Romano-British, | 0:56:52 | 0:56:55 | |
it's carrying on well into the post-Roman period | 0:56:55 | 0:56:58 | |
and this is so important for Devon and Cornwall. | 0:56:58 | 0:57:00 | |
That is fascinating. | 0:57:00 | 0:57:01 | |
And just remember that you heard it here first. | 0:57:01 | 0:57:04 | |
We are rewriting the history of the Romans | 0:57:04 | 0:57:06 | |
and the Dark Ages in the south west, here on Digging for Britain. | 0:57:06 | 0:57:09 | |
From the Saxon warrior's magnificent sword | 0:57:11 | 0:57:15 | |
to the prized possession of a Bronze Age child, | 0:57:15 | 0:57:19 | |
the West has provided us with a richly-woven tapestry | 0:57:19 | 0:57:23 | |
of our past. | 0:57:23 | 0:57:24 | |
What were your favourites? | 0:57:25 | 0:57:28 | |
I think it's two grave goods that stood out for me. | 0:57:28 | 0:57:30 | |
The first was that Roman bowl, which had been buried after a time | 0:57:30 | 0:57:33 | |
when we think the Romans had left and looked after for 60, 70 years | 0:57:33 | 0:57:36 | |
and, then, placed in the grave. | 0:57:36 | 0:57:37 | |
And, also, the pilgrim's shell, travelled all the way to Spain, | 0:57:37 | 0:57:40 | |
all the way back again and ended up here, buried in a hospital. | 0:57:40 | 0:57:44 | |
And what were the highlights for you, Alice? | 0:57:44 | 0:57:46 | |
Well, I'm really intrigued by the story of what happened, exactly, | 0:57:46 | 0:57:50 | |
when the Romans arrived here, in the West. | 0:57:50 | 0:57:52 | |
Because, on the one hand, we have that slaughter at Maiden Castle, | 0:57:52 | 0:57:55 | |
incontrovertible evidence of extreme violence, | 0:57:55 | 0:57:58 | |
and, then, on the other hand, a much calmer transition | 0:57:58 | 0:58:00 | |
at Miles Russell's site, the Durotriges Big Dig site, | 0:58:00 | 0:58:03 | |
so that's fascinating. | 0:58:03 | 0:58:06 | |
Well, it's been a marvellous year for our archaeologists, | 0:58:06 | 0:58:08 | |
here in the west. Good luck to them for next year. | 0:58:08 | 0:58:11 | |
But for tonight, it's goodnight from him. | 0:58:11 | 0:58:14 | |
And it's goodnight from her. | 0:58:14 | 0:58:16 |