Browse content similar to West. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
We may be a small island, but we have a rich and complex history | 0:00:02 | 0:00:05 | |
that's still full of mysteries. | 0:00:05 | 0:00:08 | |
So, every year, hundreds of archaeologists | 0:00:09 | 0:00:12 | |
go out hunting for lost pieces from our missing past. | 0:00:12 | 0:00:16 | |
Tiny, tiny coin. | 0:00:17 | 0:00:19 | |
Every element is there. | 0:00:20 | 0:00:22 | |
This is just unbelievable. | 0:00:22 | 0:00:24 | |
In 2017, their investigations continue to fill in the gaps... | 0:00:24 | 0:00:29 | |
Oh, man! Wow! | 0:00:31 | 0:00:33 | |
..bringing us closer to our ancestors than ever before. | 0:00:33 | 0:00:36 | |
What do you think of that, Roy? | 0:00:37 | 0:00:40 | |
In this programme, we showcase the best digs from the west of the UK. | 0:00:40 | 0:00:44 | |
Oh, wow. | 0:00:45 | 0:00:47 | |
That's rather lovely. | 0:00:47 | 0:00:49 | |
Each of the excavations has been filmed as it happened | 0:00:49 | 0:00:52 | |
by the archaeologists themselves. | 0:00:52 | 0:00:55 | |
Their dig diaries mean that we can be there | 0:00:56 | 0:00:59 | |
for each exciting moment of discovery. | 0:00:59 | 0:01:01 | |
-Excalibur. -How does that feel, Rupert? -Yeah, really good. | 0:01:01 | 0:01:05 | |
And now the archaeologists are bringing their finds, from pottery | 0:01:06 | 0:01:10 | |
to metalwork to human remains, into our lab so we can take a closer look | 0:01:10 | 0:01:14 | |
at them and find out what they tell us about our British ancestors. | 0:01:14 | 0:01:19 | |
Welcome to Digging for Britain. | 0:01:21 | 0:01:24 | |
In this programme, I'm joining archaeologists in the west | 0:01:33 | 0:01:37 | |
to share their biggest discoveries. | 0:01:37 | 0:01:39 | |
Near Stonehenge, a lost prehistoric monument | 0:01:40 | 0:01:43 | |
is transforming our understanding of Stone Age Britain. | 0:01:43 | 0:01:46 | |
-I mean, it looks like writing. -It does. -It's amazing. | 0:01:47 | 0:01:50 | |
In Staffordshire, an incredible hoard of 2,500-year-old gold... | 0:01:51 | 0:01:55 | |
It's a find of a lifetime, isn't it? | 0:01:55 | 0:01:57 | |
..reveals our Iron Age ancestors' surprisingly continental tastes | 0:01:57 | 0:02:01 | |
in jewellery. | 0:02:01 | 0:02:02 | |
That is absolutely beautiful. | 0:02:02 | 0:02:05 | |
In Repton, we come face-to-face with Vikings | 0:02:05 | 0:02:08 | |
and discover some surprising new information | 0:02:08 | 0:02:10 | |
about their bloodthirsty invasion of Britain. | 0:02:10 | 0:02:13 | |
-Are they female warriors? -They could be. | 0:02:14 | 0:02:17 | |
I've come to Taunton, to the Museum of Somerset, | 0:02:24 | 0:02:27 | |
to find out how the artefacts in this collection can help us | 0:02:27 | 0:02:31 | |
broaden out those stories of our new discoveries from the west. | 0:02:31 | 0:02:35 | |
Our first dig takes us to Avebury, | 0:02:36 | 0:02:40 | |
deep in the heart of our most treasured prehistoric landscape. | 0:02:40 | 0:02:44 | |
Over 5,000 years old, | 0:02:45 | 0:02:47 | |
Avebury has the largest stone circle in the world, | 0:02:47 | 0:02:50 | |
measuring more than a kilometre in circumference. | 0:02:50 | 0:02:54 | |
It's part of a vast network of prehistoric burial mounds | 0:02:54 | 0:02:58 | |
and monuments, including the world-famous Stonehenge. | 0:02:58 | 0:03:02 | |
We used to think that this was just a landscape of sacred sites | 0:03:03 | 0:03:07 | |
but now we're challenging that. | 0:03:07 | 0:03:09 | |
For centuries, investigators have been exploring | 0:03:12 | 0:03:15 | |
the sacred landscape of Avebury, romancing the stones, | 0:03:15 | 0:03:19 | |
painting this picture of a landscape that was almost devoid of life, | 0:03:19 | 0:03:23 | |
but visited when people came to worship or to bury their dead there. | 0:03:23 | 0:03:27 | |
But archaeologists are now interested in looking at | 0:03:27 | 0:03:31 | |
that landscape not only as a sacred space but as a lived in place. | 0:03:31 | 0:03:37 | |
If they can prove that Avebury wasn't just a dead ritual landscape | 0:03:38 | 0:03:43 | |
but that prehistoric people actually lived in and around the stones, | 0:03:43 | 0:03:47 | |
they will transform our picture of Stone Age Britain. | 0:03:47 | 0:03:51 | |
So, teams from Leicester and Southampton universities | 0:03:52 | 0:03:56 | |
have joined forces with the National Trust | 0:03:56 | 0:03:58 | |
and are focusing on two spots, | 0:03:58 | 0:04:00 | |
exploring in the fields that surround the stones | 0:04:00 | 0:04:04 | |
and within the very centre of the circle itself. | 0:04:04 | 0:04:08 | |
Avebury Stone Circle is too precious to dig, | 0:04:09 | 0:04:12 | |
so they're using modern surveying equipment to investigate | 0:04:12 | 0:04:15 | |
without causing any damage. | 0:04:15 | 0:04:17 | |
But in the field overlooking the monument, | 0:04:18 | 0:04:21 | |
the team have been granted privileged permission to excavate. | 0:04:21 | 0:04:25 | |
OK, well, here we are, day one, | 0:04:25 | 0:04:27 | |
we're in the process of beginning the excavation. | 0:04:27 | 0:04:31 | |
It's a site that was first discovered in the 1920s | 0:04:31 | 0:04:34 | |
and at the time it produced a very rich collection | 0:04:34 | 0:04:37 | |
of both early and middle Neolithic flint work. | 0:04:37 | 0:04:40 | |
These ancient flints are an intriguing clue | 0:04:40 | 0:04:44 | |
that prehistoric people were actively present in the fields | 0:04:44 | 0:04:47 | |
surrounding the stones. | 0:04:47 | 0:04:49 | |
But are these tools that have simply been dropped | 0:04:49 | 0:04:52 | |
by people passing through, | 0:04:52 | 0:04:54 | |
or were those people more permanently settled here? | 0:04:54 | 0:04:56 | |
To find out, the team is examining every inch of ground | 0:04:56 | 0:04:59 | |
for evidence of Stone Age flint working. | 0:04:59 | 0:05:02 | |
One of the issue is the fact that it's not always easy, | 0:05:02 | 0:05:05 | |
especially when you're digging, | 0:05:05 | 0:05:07 | |
to recognise what's worked and what's not worked. | 0:05:07 | 0:05:10 | |
So the basic policy is for people to keep everything | 0:05:10 | 0:05:13 | |
that they think might be worked | 0:05:13 | 0:05:16 | |
and then afterwards we can just, sort of, go through the trays | 0:05:16 | 0:05:19 | |
and root out anything that isn't. | 0:05:19 | 0:05:22 | |
And with expert eagle eyes, | 0:05:22 | 0:05:24 | |
the careful scrutiny soon begins to pay off. | 0:05:24 | 0:05:27 | |
We've found a lovely piece of middle Neolithic Peterborough ware. | 0:05:28 | 0:05:32 | |
It's from the body of the pot and it's got markings on it | 0:05:32 | 0:05:35 | |
where people have used their fingernails to indent a pattern. | 0:05:35 | 0:05:39 | |
-It's very exciting. -It's good. | 0:05:39 | 0:05:41 | |
Over 5,000 years old, | 0:05:41 | 0:05:43 | |
this pottery confirms that Stone Age people | 0:05:43 | 0:05:46 | |
were active in these fields during the lifetime of the monument. | 0:05:46 | 0:05:49 | |
And within the circle itself, | 0:05:50 | 0:05:52 | |
the team's survey has produced even more extraordinary results. | 0:05:52 | 0:05:56 | |
It's revealed a series of giant stones | 0:05:56 | 0:06:00 | |
that once made up a square in the middle of the circle. | 0:06:00 | 0:06:03 | |
And at its centre, what appears to be the remains of a house. | 0:06:03 | 0:06:08 | |
This incredible revelation suggests that people might have been living | 0:06:09 | 0:06:12 | |
inside the circle. | 0:06:12 | 0:06:14 | |
But were they also living in the surrounding fields? | 0:06:14 | 0:06:17 | |
-You've just found a nice scraper there, haven't you? -Yeah. | 0:06:19 | 0:06:22 | |
This one's been retouched all the way around its circumference. | 0:06:22 | 0:06:26 | |
-So it's the first one we've found on the site. -Yes. | 0:06:26 | 0:06:29 | |
The scraper on its own isn't evidence of occupation | 0:06:29 | 0:06:33 | |
but each tool that's discovered adds to the picture | 0:06:33 | 0:06:36 | |
that's emerging of a busy Stone Age landscape. | 0:06:36 | 0:06:39 | |
-It is one of the ugliest barbed and tanged heads I've found. -Good grief. | 0:06:40 | 0:06:45 | |
-Sort of apprentice level. -Yes. | 0:06:45 | 0:06:48 | |
-I mean, that could have been made by a kid, couldn't it? -It could. | 0:06:48 | 0:06:52 | |
It suggests that whoever made this was basically still learning | 0:06:52 | 0:06:56 | |
how to knap flint properly. | 0:06:56 | 0:06:58 | |
And it's quite nice to find that kind of evidence | 0:06:58 | 0:07:01 | |
of different skill sets - just makes it a bit more human. | 0:07:01 | 0:07:04 | |
These tools give insight into day-to-day prehistoric life | 0:07:04 | 0:07:08 | |
but the team then makes an even bigger breakthrough, | 0:07:08 | 0:07:11 | |
finding evidence that this was much more than just a Stone Age workshop. | 0:07:11 | 0:07:16 | |
In front of me we have a small pit. | 0:07:17 | 0:07:19 | |
Within it, so far we've found pieces of cattle bone, | 0:07:19 | 0:07:23 | |
charcoal and hazelnut shells. | 0:07:23 | 0:07:25 | |
The sorts of things you could imagine people cracking open | 0:07:25 | 0:07:29 | |
and eating the nuts and then tossing the shells on to the fire. | 0:07:29 | 0:07:32 | |
The team has uncovered several of these pits across the site | 0:07:33 | 0:07:37 | |
and for Josh the evidence is mounting up | 0:07:37 | 0:07:40 | |
that our ancestors weren't just working, but living here. | 0:07:40 | 0:07:44 | |
And the final pit turns up one of the most exciting clues yet. | 0:07:44 | 0:07:48 | |
Is it a quern-stone? And the answer is yes. | 0:07:49 | 0:07:52 | |
CHEERING | 0:07:52 | 0:07:54 | |
In the Neolithic, our ancestors made the transition | 0:07:54 | 0:07:56 | |
from being hunter gatherers to settled farmers | 0:07:56 | 0:07:59 | |
and they used quern-stones to grind cereals. | 0:07:59 | 0:08:02 | |
For the archaeologists, it's further evidence that people were living | 0:08:02 | 0:08:06 | |
and working in the shadow of Avebury. | 0:08:06 | 0:08:09 | |
This dig has produced some incredible finds. | 0:08:10 | 0:08:13 | |
But how does it transform our picture of this iconic monument | 0:08:13 | 0:08:17 | |
and the surrounding prehistoric landscape? | 0:08:17 | 0:08:20 | |
I've invited site directors Mark Gillings and Josh Pollard | 0:08:21 | 0:08:24 | |
into the lab to find out. | 0:08:24 | 0:08:26 | |
And, first, I want to know more about that astonishing house. | 0:08:26 | 0:08:30 | |
The really exciting thing was the discovery | 0:08:30 | 0:08:33 | |
-in the middle of the circle here. -Yeah. -This is extraordinary. | 0:08:33 | 0:08:36 | |
-The house is that little beastie behind the obelisk. -Oh, right. | 0:08:36 | 0:08:40 | |
So we've got the obelisk, seven metres long, | 0:08:40 | 0:08:43 | |
so would have stood to about six metres high. | 0:08:43 | 0:08:46 | |
So they're putting this whopping great stone in there. | 0:08:46 | 0:08:49 | |
Then we have a square of substantial standing stones, | 0:08:49 | 0:08:53 | |
30 metres in diameter, centred on the house. | 0:08:53 | 0:08:57 | |
So they're basically echoing the house on a colossal scale. | 0:08:57 | 0:09:01 | |
-Huge, monumental scale. -So this is not a roof structure? | 0:09:01 | 0:09:04 | |
-No, no. This is a square circle. -Ah. | 0:09:04 | 0:09:07 | |
-If that makes any sense whatsoever. -Mark! | 0:09:07 | 0:09:09 | |
Suggestions on a postcard... | 0:09:09 | 0:09:12 | |
-Or on a sqircle... -On a squircle. | 0:09:12 | 0:09:14 | |
Apparently you can get cream from Boots for that. | 0:09:14 | 0:09:17 | |
So you've got a square around the site of a former house | 0:09:17 | 0:09:21 | |
but elaborating it, enhancing it, you know, | 0:09:21 | 0:09:24 | |
monumentalising it, if you like. | 0:09:24 | 0:09:26 | |
Then we've got a huge stone circle surrounding the square | 0:09:26 | 0:09:31 | |
and the house. | 0:09:31 | 0:09:32 | |
The geometric centre of that circle | 0:09:32 | 0:09:34 | |
is slap bang in the middle of the house. | 0:09:34 | 0:09:37 | |
So does this building in the centre predate the actual stone circle? | 0:09:37 | 0:09:40 | |
-Yeah. -Yeah? -No, absolutely. | 0:09:40 | 0:09:42 | |
It gives us an insight into the origins of the henge itself. | 0:09:42 | 0:09:46 | |
The discovery of this early house is an important revelation. | 0:09:46 | 0:09:50 | |
But, incredibly, the dig has revealed that the surrounding area | 0:09:50 | 0:09:54 | |
was also densely populated. | 0:09:54 | 0:09:56 | |
There are a good number of tools that we came across, | 0:09:56 | 0:09:59 | |
including these nice early Bronze Age barbed and tanged arrowheads. | 0:09:59 | 0:10:04 | |
-They are lovely. -Which is an amazing piece of flint work. | 0:10:04 | 0:10:07 | |
So when does that date, do you think? | 0:10:07 | 0:10:09 | |
Erm... somewhere between about 2400BC to 1800BC. | 0:10:09 | 0:10:14 | |
Yeah. I mean, I must say, looking at the film of you on-site, | 0:10:14 | 0:10:18 | |
you know, Josh, when you're standing there with that tray | 0:10:18 | 0:10:22 | |
and sorting through those flints, flinging one out, | 0:10:22 | 0:10:25 | |
but what painstaking work. | 0:10:25 | 0:10:28 | |
-It's not easy to throw them quite so... -No. -Boldly. | 0:10:28 | 0:10:32 | |
LAUGHTER | 0:10:32 | 0:10:34 | |
-It comes with years of practice. -Yeah. | 0:10:34 | 0:10:36 | |
We were quite surprised, actually, by the results because we knew | 0:10:36 | 0:10:40 | |
that there was a flint scatter there from the 1920s work. | 0:10:40 | 0:10:43 | |
We'd done a little bit of field walking. | 0:10:43 | 0:10:45 | |
But what we found was that the scatter was continuing, | 0:10:45 | 0:10:48 | |
it's a much bigger scale than we imagined. | 0:10:48 | 0:10:50 | |
It's a place repeatedly visited probably from the late Mesolithic | 0:10:50 | 0:10:53 | |
right through into the early Bronze Age. | 0:10:53 | 0:10:55 | |
There's evidence of people living there for periods time as well. | 0:10:55 | 0:10:59 | |
It's a much busier kind of dynamic and alive landscape. | 0:10:59 | 0:11:02 | |
These could be places which were just as significant, | 0:11:02 | 0:11:04 | |
just as laden with history and associations, | 0:11:04 | 0:11:07 | |
as many of the big monuments. | 0:11:07 | 0:11:09 | |
The Avebury project is helping to transform the story | 0:11:10 | 0:11:13 | |
of one of our most famous prehistoric monuments | 0:11:13 | 0:11:16 | |
and perhaps it should make us think differently | 0:11:16 | 0:11:19 | |
about Stonehenge as well. | 0:11:19 | 0:11:21 | |
Archaeologists are now revealing that Britain's ancient monuments | 0:11:21 | 0:11:25 | |
weren't empty and hushed sanctuaries, | 0:11:25 | 0:11:27 | |
but bustling places full of people. | 0:11:27 | 0:11:30 | |
Our next dig takes us to Repton in Derbyshire. | 0:11:33 | 0:11:36 | |
Today, Repton is a small, sleepy village, | 0:11:36 | 0:11:40 | |
but 1,200 years ago it was the capital of Murcia, | 0:11:40 | 0:11:43 | |
a powerful Anglo-Saxon kingdom. | 0:11:43 | 0:11:46 | |
Legendarily, Repton played a key role | 0:11:46 | 0:11:49 | |
in one of the most tumultuous events in our island's history, | 0:11:49 | 0:11:52 | |
the Viking invasion. | 0:11:52 | 0:11:54 | |
In the 8th and 9th centuries, | 0:11:57 | 0:11:59 | |
the Vikings gained a fearsome reputation as warriors | 0:11:59 | 0:12:03 | |
that made annual visits to British shores | 0:12:03 | 0:12:05 | |
to rape, pillage and plunder before returning home. | 0:12:05 | 0:12:09 | |
But in 873, so the legend goes, | 0:12:09 | 0:12:11 | |
they upped their game and this time they intended to stay. | 0:12:11 | 0:12:15 | |
They beat the opposition at Repton and camped there for the winter, | 0:12:15 | 0:12:19 | |
intent on continuing their attempted conquest the following year. | 0:12:19 | 0:12:23 | |
A good story but the only records we have of this invasion | 0:12:25 | 0:12:29 | |
were written down 300 years later | 0:12:29 | 0:12:32 | |
in the Icelandic Sagas - | 0:12:32 | 0:12:34 | |
less historical accounts, more like swashbuckling tales. | 0:12:34 | 0:12:38 | |
But now a team of archaeologists from Bristol University | 0:12:39 | 0:12:42 | |
has invaded Repton themselves. | 0:12:42 | 0:12:45 | |
In just three weeks, they're hoping to test the idea | 0:12:46 | 0:12:49 | |
that Repton really was the location of the legendary Viking winter camp. | 0:12:49 | 0:12:53 | |
And begin to discover how the bloodthirsty Viking army | 0:12:54 | 0:12:58 | |
prepared to conquer Britain. | 0:12:58 | 0:13:00 | |
We started this excavation last summer - we had a two-week season | 0:13:01 | 0:13:05 | |
when were just getting down to evidence of Viking activity, | 0:13:05 | 0:13:09 | |
in terms of the artefacts. | 0:13:09 | 0:13:11 | |
To explore the possibility that this really was | 0:13:11 | 0:13:14 | |
the legendary Viking camp, | 0:13:14 | 0:13:16 | |
this year, the team is using geophysical surveying kit | 0:13:16 | 0:13:19 | |
to narrow down the digging targets. | 0:13:19 | 0:13:22 | |
-There you go. So it goes up to 3,000. -Oh, my God. | 0:13:23 | 0:13:25 | |
-It's minus... -So come back a bit further. | 0:13:25 | 0:13:28 | |
There's obviously a lot buried beneath the ground here. | 0:13:28 | 0:13:32 | |
But only digging it will tell whether it's hidden Viking evidence. | 0:13:32 | 0:13:36 | |
The team has divided their most promising trench into sections | 0:13:39 | 0:13:43 | |
and it soon reveals the first clue | 0:13:43 | 0:13:47 | |
that someone here could have been setting out a camp. | 0:13:47 | 0:13:50 | |
This is the surface here and you can see it's just a completely compacted | 0:13:51 | 0:13:56 | |
pebbly surface in a kind of loamy deposit. | 0:13:56 | 0:14:00 | |
And you can see just thousands, millions of pebbles | 0:14:00 | 0:14:02 | |
all compacted together. | 0:14:02 | 0:14:04 | |
When it gets wet, this place becomes a quagmire. | 0:14:04 | 0:14:07 | |
-And what you really want to do... -Yeah. -.. is keep your feet dry. | 0:14:07 | 0:14:10 | |
Precisely. And if you perhaps have tents and things like that, | 0:14:10 | 0:14:14 | |
having those surfaces is really helpful. | 0:14:14 | 0:14:16 | |
The team needs to work out whether this pebbled surface | 0:14:16 | 0:14:19 | |
was indeed part of the Vikings' winter camp. | 0:14:19 | 0:14:22 | |
And that depends on finding characteristic datable artefacts. | 0:14:22 | 0:14:26 | |
For Mark, this is a particularly exciting dig | 0:14:27 | 0:14:30 | |
because in the 1980s he excavated nearby | 0:14:30 | 0:14:34 | |
and found a mausoleum with an almost identical pebbled surface. | 0:14:34 | 0:14:38 | |
And on this, one of the most intriguing archaeological finds | 0:14:39 | 0:14:42 | |
ever made in Britain. | 0:14:42 | 0:14:44 | |
Essentially, we found a gravel mound | 0:14:44 | 0:14:46 | |
and round the outside of that gravel mound were kerbstones | 0:14:46 | 0:14:49 | |
and then when we removed the mound, we had essentially a mausoleum. | 0:14:49 | 0:14:54 | |
And at the eastern end, there were just bones and bones. | 0:14:55 | 0:15:01 | |
It was about this thick of solid bones. | 0:15:01 | 0:15:04 | |
But dating this mausoleum has proved tricky. | 0:15:05 | 0:15:09 | |
Viking coins were found amongst the bones | 0:15:09 | 0:15:12 | |
but when the remains were radiocarbon dated | 0:15:12 | 0:15:15 | |
they appeared to be hundreds of years too early to be Viking. | 0:15:15 | 0:15:19 | |
But radiocarbon dating is now much more accurate, | 0:15:20 | 0:15:24 | |
so as well as digging the new site at Repton, | 0:15:24 | 0:15:27 | |
Cat is also resampling these bones | 0:15:27 | 0:15:30 | |
to see if they really could be Viking after all. | 0:15:30 | 0:15:33 | |
There are about 70 or so skulls in total. | 0:15:36 | 0:15:39 | |
We know that there were a lot more than 70 people there. | 0:15:39 | 0:15:43 | |
The minimum number of individuals is 249. | 0:15:43 | 0:15:46 | |
And the way that was worked out | 0:15:46 | 0:15:49 | |
was by counting the number of left femurs, so left thigh bones, | 0:15:49 | 0:15:53 | |
because we only have one of those. | 0:15:53 | 0:15:55 | |
We know that quite a few of them have injuries | 0:15:55 | 0:15:58 | |
that they could have received in battle, | 0:15:58 | 0:16:00 | |
so that could definitely be consistent with a Viking army. | 0:16:00 | 0:16:04 | |
But what Cat really needs is an accurate date on these bones | 0:16:04 | 0:16:08 | |
and she's hoping that new methods in radiocarbon dating | 0:16:08 | 0:16:11 | |
will settle the question once and for all. | 0:16:11 | 0:16:14 | |
Do these human remains date from the time of the Vikings? | 0:16:14 | 0:16:18 | |
While the team waits for the results, | 0:16:22 | 0:16:25 | |
back at the dig site Mark has been busy mapping the pebbled surface | 0:16:25 | 0:16:29 | |
and this has revealed a tantalising link | 0:16:29 | 0:16:31 | |
between the mausoleum and the potential Viking camp. | 0:16:31 | 0:16:35 | |
So this is our pebble spread and then this is actually | 0:16:36 | 0:16:40 | |
the remains of that pebble path coming down. | 0:16:40 | 0:16:43 | |
So they built a path to keep their feet dry | 0:16:43 | 0:16:46 | |
to go in to the end of the mausoleum. | 0:16:46 | 0:16:48 | |
As the archaeologists reach deeper levels, | 0:16:49 | 0:16:52 | |
they are starting to find clear evidence | 0:16:52 | 0:16:55 | |
that this camp was set up by the Vikings. | 0:16:55 | 0:16:58 | |
There you go. A nice really large but very delicate piece of bone. | 0:16:59 | 0:17:03 | |
Excellent. Could be something like pig. | 0:17:03 | 0:17:05 | |
Oh, well, it looks like a blade. | 0:17:06 | 0:17:09 | |
And it's very unusual to be sticking right up like that. | 0:17:09 | 0:17:12 | |
-Is it iron? -It's definitely iron, yes. -OK. | 0:17:12 | 0:17:15 | |
These discoveries are proving that the Vikings were camping down here | 0:17:16 | 0:17:20 | |
and they are beginning to build up a picture that the army | 0:17:20 | 0:17:23 | |
wasn't just waiting out the winter | 0:17:23 | 0:17:25 | |
but preparing for total war against our Anglo-Saxon ancestors. | 0:17:25 | 0:17:29 | |
I'm just looking through some of the pieces of slag that we've got. | 0:17:31 | 0:17:35 | |
So this is metalworking waste. | 0:17:35 | 0:17:37 | |
So these camps aren't just a place where you wait for the next battle | 0:17:37 | 0:17:42 | |
to take place, you're actually doing a lot of active work and repairing, | 0:17:42 | 0:17:46 | |
making new objects and so on. | 0:17:46 | 0:17:49 | |
After three weeks of digging, | 0:17:51 | 0:17:53 | |
the team has, for the first time, found hard evidence | 0:17:53 | 0:17:56 | |
that Repton was the site of the legendary Viking camp | 0:17:56 | 0:18:01 | |
and, as a bone expert myself, | 0:18:01 | 0:18:03 | |
I want to find out if those skulls belong to the Vikings themselves, | 0:18:03 | 0:18:08 | |
so I've invited Cat into the lab to reveal all. | 0:18:08 | 0:18:12 | |
OK, Cat, what are the dates on these skulls? | 0:18:13 | 0:18:16 | |
OK, so they are all completely consistent with a date | 0:18:16 | 0:18:19 | |
-in the late 9th century. -They are? -They are, yeah. All of them. | 0:18:19 | 0:18:23 | |
And so they all fit with an 873AD greater army winter camp. | 0:18:23 | 0:18:28 | |
But do we know if these people are Vikings? | 0:18:28 | 0:18:32 | |
Just because they're 9th century, that doesn't mean they're Vikings. | 0:18:32 | 0:18:35 | |
Exactly, so we need a little bit more evidence than that. | 0:18:35 | 0:18:38 | |
They could still be the local population, | 0:18:38 | 0:18:41 | |
perhaps people who were killed when the Viking army attacked Repton, | 0:18:41 | 0:18:44 | |
so I've been trying to find some more evidence from the bones | 0:18:44 | 0:18:47 | |
to see where they grew up and I've been doing that | 0:18:47 | 0:18:50 | |
by looking at isotope evidence from their teeth. | 0:18:50 | 0:18:53 | |
So whatever chemicals you've incorporated into your diet | 0:18:53 | 0:18:56 | |
as a child will remain in your teeth for the rest of your life | 0:18:56 | 0:19:00 | |
and for 1,000 years afterwards. | 0:19:00 | 0:19:02 | |
-And? -And some of them are completely beyond | 0:19:02 | 0:19:06 | |
-what you would expect from England at all. -Right. | 0:19:06 | 0:19:09 | |
So one of these skulls here | 0:19:09 | 0:19:11 | |
has a value very consistent with inland Scandinavia. | 0:19:11 | 0:19:14 | |
It sounds as though it is certainly possible that all these individuals | 0:19:14 | 0:19:18 | |
-came over from Scandinavia. -Absolutely. | 0:19:18 | 0:19:20 | |
And several of them we know couldn't have come from England at all. | 0:19:20 | 0:19:24 | |
And this skull is very definitely male. | 0:19:24 | 0:19:26 | |
It's got really chunky mastoid processors | 0:19:26 | 0:19:29 | |
and big ridges over the ear hole just there. | 0:19:29 | 0:19:31 | |
-But some of them are not male? -That's right. | 0:19:31 | 0:19:33 | |
I don't know if you noticed, these two here actually both women. | 0:19:33 | 0:19:37 | |
So the question is, of course, were they a part of the army? | 0:19:37 | 0:19:40 | |
-Are they female warriors? -They could be. | 0:19:40 | 0:19:43 | |
It's actually impossible to know whether these really were | 0:19:44 | 0:19:47 | |
female Viking warriors but there were definitely women at Repton. | 0:19:47 | 0:19:51 | |
A lot of them do have injuries, so they were clearly in battle. | 0:19:51 | 0:19:55 | |
We have evidence from elsewhere in the Viking world | 0:19:55 | 0:19:58 | |
that women are buried with weapons in typical, sort of, warrior graves. | 0:19:58 | 0:20:01 | |
It's certainly a possibility. | 0:20:01 | 0:20:03 | |
During the dig, the team didn't just find evidence about who was camped | 0:20:03 | 0:20:07 | |
at Repton, but about how the army was preparing for invasion. | 0:20:07 | 0:20:11 | |
We found some things that were definitely associated | 0:20:11 | 0:20:14 | |
with the Viking winter camp. | 0:20:14 | 0:20:16 | |
Most obvious are probably these two nails here. | 0:20:16 | 0:20:19 | |
-So they are ship nails. -Oh, are they? -Called clinker nails. -Yeah. | 0:20:19 | 0:20:22 | |
So they're a very particular type. | 0:20:22 | 0:20:25 | |
This would have fastened together two bits of wood. | 0:20:25 | 0:20:27 | |
You put a nail in one end, a rove at the other side | 0:20:27 | 0:20:30 | |
and then you hit it with a hammer and it goes clink. | 0:20:30 | 0:20:33 | |
-And that's why it's called a clinker nail. -Oh, really? | 0:20:33 | 0:20:36 | |
And this is very typical for ship constructions. | 0:20:36 | 0:20:38 | |
And because we've got these nails here, | 0:20:38 | 0:20:41 | |
this showing quite possibly that they are fixing their boats. | 0:20:41 | 0:20:45 | |
And because we're finding so much metalworking evidence, | 0:20:45 | 0:20:48 | |
-that's really backing that up as well. -Mm. | 0:20:48 | 0:20:51 | |
That's part of an axe. | 0:20:51 | 0:20:53 | |
It's identical to illustrations of types found in Scandinavia. | 0:20:53 | 0:20:57 | |
So that's very exciting. | 0:20:57 | 0:20:59 | |
So, finding these weapons, | 0:20:59 | 0:21:01 | |
again, it's very consistent with that Viking army. | 0:21:01 | 0:21:04 | |
But not every object was to do with warfare. | 0:21:04 | 0:21:07 | |
So these are little gaming pieces. | 0:21:07 | 0:21:10 | |
-Are they? -Yes. | 0:21:10 | 0:21:12 | |
-We can see some of them have a little hole underneath. -Oh, yeah. | 0:21:12 | 0:21:15 | |
We think that's for putting them on a pegged gaming board. | 0:21:15 | 0:21:19 | |
I think small objects like this are just so intriguing, aren't they, | 0:21:19 | 0:21:22 | |
because we go from that, kind of, bigger picture of this Viking army | 0:21:22 | 0:21:27 | |
coming in to the details of day-to-day life in the camp. | 0:21:27 | 0:21:31 | |
Cat and her team have proved that the legend of a Viking camp | 0:21:32 | 0:21:37 | |
at Repton was true. | 0:21:37 | 0:21:39 | |
And now, for the first time, we have some detailed insight into | 0:21:39 | 0:21:43 | |
how the Vikings set about their fabled invasion. | 0:21:43 | 0:21:46 | |
It's an invaluable addition to the growing archaeological record, | 0:21:47 | 0:21:51 | |
helping us to unpick our island's very own Viking saga. | 0:21:51 | 0:21:55 | |
And there are finds from Somerset | 0:21:56 | 0:21:59 | |
which helped to illuminate how this next chapter | 0:21:59 | 0:22:01 | |
in English history played out. | 0:22:01 | 0:22:04 | |
After they'd camped at Repton, | 0:22:04 | 0:22:06 | |
the Vikings set their sights on conquering the rest of England. | 0:22:06 | 0:22:10 | |
But when they headed southwest, | 0:22:10 | 0:22:12 | |
they were to be stopped in their tracks | 0:22:12 | 0:22:14 | |
by one of Britain's most celebrated kings - Alfred the Great. | 0:22:14 | 0:22:18 | |
This is the most famous artefact, isn't it, associated with Alfred? | 0:22:20 | 0:22:24 | |
It is. We have to admit, sadly, that this is a replica. | 0:22:24 | 0:22:28 | |
The real thing is in Oxford in the Ashmolean Museum. | 0:22:28 | 0:22:31 | |
-But that means I can pick it up. -You can pick it up, yes. | 0:22:31 | 0:22:34 | |
The Alfred jewel was found in Somerset, | 0:22:34 | 0:22:36 | |
in a Somerset field, in 1693. | 0:22:36 | 0:22:39 | |
Written around the frame are the words, Alfred ordered me to be made. | 0:22:39 | 0:22:43 | |
What is the object? | 0:22:43 | 0:22:45 | |
The likelihood is that it's in fact the head a pointer, | 0:22:45 | 0:22:48 | |
that a thin rod would have been attached to it there | 0:22:48 | 0:22:51 | |
and that pointer would have been used for following words in a book. | 0:22:51 | 0:22:55 | |
In a way, in this very small gleam of gold | 0:22:55 | 0:22:58 | |
is gathered up everything that Alfred represented. | 0:22:58 | 0:23:01 | |
He aimed to be three things. | 0:23:01 | 0:23:03 | |
A soldier, to keep his kingdom safe, a scholar, | 0:23:03 | 0:23:07 | |
and also a Christian king so that the... | 0:23:07 | 0:23:10 | |
erm, that the... | 0:23:10 | 0:23:12 | |
help of God would protect him and his people | 0:23:12 | 0:23:15 | |
from the threat that the Vikings posed. | 0:23:15 | 0:23:17 | |
Alfred dedicated his life to resisting the Vikings | 0:23:18 | 0:23:22 | |
and, without him, British history | 0:23:22 | 0:23:24 | |
would have played out very differently. | 0:23:24 | 0:23:26 | |
And eventually he was victorious against the Vikings. | 0:23:27 | 0:23:30 | |
-He beat them at Edington. -He did. | 0:23:30 | 0:23:32 | |
Yes, the great year in the Anglo-Saxon Chronicle | 0:23:32 | 0:23:35 | |
is the year 878, around Easter time, | 0:23:35 | 0:23:37 | |
when, having hidden away in the fen fastnesses of Athelney... | 0:23:37 | 0:23:42 | |
-Burning the cakes. -Burning the cakes. | 0:23:42 | 0:23:44 | |
He then went to Egbert's stone on the eastern borders of the county | 0:23:44 | 0:23:48 | |
and gathered the people of Somerset, Wiltshire | 0:23:48 | 0:23:50 | |
and part of Hampshire to him, and then went on to defeat Guthrum, | 0:23:50 | 0:23:54 | |
the King of the Danes, at the Battle of Edington. | 0:23:54 | 0:23:57 | |
-And there's his name on the side. -It is. -Aelfred. -Alfred. Yes. | 0:23:57 | 0:24:00 | |
It's extraordinary. | 0:24:00 | 0:24:02 | |
Alfred's victory was a landmark moment in British history. | 0:24:03 | 0:24:06 | |
By defeating the Vikings, he bound the Anglo-Saxons together | 0:24:06 | 0:24:10 | |
and laid the foundations for a unified England. | 0:24:10 | 0:24:15 | |
Our next dig takes us forward 1,000 years in British history | 0:24:20 | 0:24:25 | |
to Burrow Island in Portsmouth Harbour | 0:24:25 | 0:24:27 | |
and from famous kings and Vikings to humble unmarked graves. | 0:24:27 | 0:24:32 | |
Burrow Island is a tiny tidal isle | 0:24:33 | 0:24:35 | |
overlooked by the famous historic naval dockyard. | 0:24:35 | 0:24:39 | |
Portsmouth was a thriving maritime hub | 0:24:40 | 0:24:44 | |
during Britain's Age of Empire | 0:24:44 | 0:24:46 | |
but this particular island has a much darker story to tell. | 0:24:46 | 0:24:50 | |
Burrow Island was nicknamed Rat Island in the 19th century, | 0:24:50 | 0:24:55 | |
where, as local legend has it, | 0:24:55 | 0:24:57 | |
the rodents fed on the dead bodies of people buried there. | 0:24:57 | 0:25:01 | |
Recently, that legend has been proved true | 0:25:03 | 0:25:06 | |
as the forces of nature has revealed the bodies buried here. | 0:25:06 | 0:25:10 | |
We came here in 2014 following one of the big storms | 0:25:12 | 0:25:15 | |
when the police said there were human remains on the foreshore. | 0:25:15 | 0:25:18 | |
Indeed, there was a human skull. | 0:25:18 | 0:25:20 | |
And we recovered five individuals from graves | 0:25:20 | 0:25:24 | |
cut into the rock surface of the cliff on the island. | 0:25:24 | 0:25:28 | |
Now, in the summer of 2017, Richard and his team have returned, | 0:25:30 | 0:25:35 | |
as three more graves have been exposed by the tides. | 0:25:35 | 0:25:38 | |
They believe that Rat Island's bodies belong to criminals | 0:25:39 | 0:25:43 | |
incarcerated on prison hulks moored in Portsmouth Harbour | 0:25:43 | 0:25:46 | |
during the 19th century. | 0:25:46 | 0:25:48 | |
These floating jail ships housed children as young as eight | 0:25:48 | 0:25:52 | |
and many onboard would have committed only minor crimes. | 0:25:52 | 0:25:56 | |
The people incarcerated in these floating prisons | 0:25:58 | 0:26:02 | |
would have lived in appalling conditions | 0:26:02 | 0:26:05 | |
and they've been practically written out of history. | 0:26:05 | 0:26:08 | |
While we will never discover their individual identities, | 0:26:09 | 0:26:12 | |
this dig hopes to bring their stories back to life | 0:26:12 | 0:26:15 | |
and to tell us what the Britain of Empire was really like | 0:26:15 | 0:26:18 | |
for those who fell foul of the law. | 0:26:18 | 0:26:21 | |
The team has just four days to investigate. | 0:26:21 | 0:26:23 | |
Each day that the bones lie exposed to the elements increases the risk | 0:26:23 | 0:26:27 | |
of them being washed away forever. | 0:26:27 | 0:26:29 | |
And they have to work extra fast, | 0:26:29 | 0:26:32 | |
with only a short window between tides to lift the skeletons. | 0:26:32 | 0:26:35 | |
But only hours into day one and they've made incredible progress. | 0:26:35 | 0:26:40 | |
We're starting to get some skeletal remains. | 0:26:40 | 0:26:42 | |
So, we've just been working on this arm, | 0:26:42 | 0:26:44 | |
which is starting to come out here. We've got a hand. | 0:26:44 | 0:26:47 | |
Do you want to show... | 0:26:47 | 0:26:49 | |
It looks like we've got some feet bones coming through here, | 0:26:49 | 0:26:53 | |
remains of the coffin side there, possibly a lid, | 0:26:53 | 0:26:55 | |
the top of the coffin's come down there. | 0:26:55 | 0:26:58 | |
As soon as they start lifting the skeletons, the bones immediately | 0:26:58 | 0:27:02 | |
provide a shocking insight into the terrible diets and poor health | 0:27:02 | 0:27:06 | |
of those who perished on board the prison hulks. | 0:27:06 | 0:27:09 | |
Let's have a... Yeah, so, a lot of dental decay on this one. | 0:27:09 | 0:27:12 | |
Well, you've got a few abscesses or cavities just there, | 0:27:14 | 0:27:17 | |
another abscess there. Another one there. | 0:27:17 | 0:27:20 | |
And the skeletons aren't the only evidence suggesting that disease | 0:27:20 | 0:27:23 | |
was rife on board these ships. | 0:27:23 | 0:27:26 | |
Really intriguing thing is this black layer. | 0:27:26 | 0:27:29 | |
Just a black line within the material. | 0:27:29 | 0:27:32 | |
Now, is that... It looks like pitch or burning or tar, | 0:27:32 | 0:27:35 | |
something like that. There are some documentary references to material | 0:27:35 | 0:27:38 | |
from the prison hulks being burnt on the island, especially if, | 0:27:38 | 0:27:41 | |
rather unpleasantly, there were infestations of cholera. | 0:27:41 | 0:27:44 | |
We know from documentary evidence that those on board the prison hulks | 0:27:44 | 0:27:48 | |
were beset with diseases such as typhoid, cholera and smallpox. | 0:27:48 | 0:27:53 | |
By the middle of day two, even more burials are coming to light. | 0:27:53 | 0:27:58 | |
Ryan, did you say there's something unusual about the one you're working | 0:27:58 | 0:28:02 | |
-on? -We've just exposed some more bones that suggest perhaps it's a | 0:28:02 | 0:28:06 | |
double burial, perhaps two stacked on top of each other. | 0:28:06 | 0:28:09 | |
What makes you think that, then? | 0:28:09 | 0:28:11 | |
So what we've done is we've come down onto this other set | 0:28:11 | 0:28:15 | |
of radius and ulna here, | 0:28:15 | 0:28:17 | |
which in effect gives us three of each, so unless we looking at... | 0:28:17 | 0:28:21 | |
-OK, so you've got an extra arm. -Extra arm. Yeah, in effect. | 0:28:21 | 0:28:24 | |
With bodies stacked up and piled high, the archaeologists are now | 0:28:28 | 0:28:32 | |
certain that Rat Island was an extensive cemetery. | 0:28:32 | 0:28:35 | |
And as the dig nears its end, a fourth skeleton gives the most | 0:28:38 | 0:28:42 | |
startling insight into the fate of one who perished | 0:28:42 | 0:28:44 | |
on board the prison ships. | 0:28:44 | 0:28:46 | |
Got a craniotomy here... | 0:28:48 | 0:28:50 | |
-What's a craniotomy? -You can see this cut through the skull. | 0:28:50 | 0:28:53 | |
-OK. -It's to access the brain, so they do this in autopsies. | 0:28:53 | 0:28:56 | |
So in postmortem examinations, | 0:28:56 | 0:28:59 | |
with a disease, they will cut open the head to access the brain. | 0:28:59 | 0:29:03 | |
The skull has clearly been sawn open. | 0:29:03 | 0:29:06 | |
This craniotomy could have been carried out as part of a postmortem | 0:29:06 | 0:29:09 | |
on this body. After just four days of rescue archaeology, | 0:29:09 | 0:29:14 | |
the team has recovered four skeletons of people who may have | 0:29:14 | 0:29:17 | |
spent their last months or years | 0:29:17 | 0:29:19 | |
in terrible conditions on board the prison ships, | 0:29:19 | 0:29:23 | |
ending up in unmarked graves on the island. | 0:29:23 | 0:29:26 | |
To find out what the team has learned from these burials, | 0:29:26 | 0:29:29 | |
I've invited Richard and Nick into the lab. | 0:29:29 | 0:29:33 | |
Sometimes I think when we look at human remains archaeologically | 0:29:33 | 0:29:36 | |
we can think that it's gruesome but actually we're just looking at | 0:29:36 | 0:29:39 | |
normal life and death, but in this case, I mean, | 0:29:39 | 0:29:42 | |
-this is a terribly gruesome story, isn't it? -Exactly. Yes. | 0:29:42 | 0:29:45 | |
So we're actually dignifying the remains, avoiding their | 0:29:45 | 0:29:48 | |
destruction and they've actually become our teachers now. | 0:29:48 | 0:29:52 | |
Teaching us about the past. | 0:29:52 | 0:29:53 | |
So this is one of those skeletons from the film. | 0:29:53 | 0:29:55 | |
Quite clearly, this is the one that had the craniotomy. | 0:29:55 | 0:29:58 | |
Can we have a closer look at that? | 0:29:58 | 0:30:00 | |
If I bring that over. It's a fairly rough job, isn't it? | 0:30:00 | 0:30:02 | |
It is, yes, and there is a few attempts, I think, | 0:30:02 | 0:30:05 | |
-to open the skull. -So it's been cut around here. | 0:30:05 | 0:30:09 | |
-You can actually see the lines of sawing on it. -Exactly. -And then | 0:30:09 | 0:30:13 | |
I presume what they've done is just stick something like | 0:30:13 | 0:30:17 | |
a chisel in here and then pop it off, because actually on this side | 0:30:17 | 0:30:20 | |
-it's broken. -It's been snapped. -Yeah. Yeah. | 0:30:20 | 0:30:24 | |
So do you think this was done as a form of autopsy to determine the | 0:30:24 | 0:30:28 | |
cause of death or do you think it was probably more about using it | 0:30:28 | 0:30:31 | |
as an example of anatomy, finding out more about anatomy? | 0:30:31 | 0:30:35 | |
The bodies on the prison hulks are bequeathed to | 0:30:35 | 0:30:37 | |
Oxford and Cambridge University, so they can be looked at by anatomists. | 0:30:37 | 0:30:41 | |
But there are cases before that of people doing autopsies just to see | 0:30:41 | 0:30:45 | |
what people are dying from cos there are large numbers of people dying. | 0:30:45 | 0:30:48 | |
But looking at this skeleton now, | 0:30:48 | 0:30:50 | |
it's impossible for us to determine the cause at death. | 0:30:50 | 0:30:54 | |
What we do know is that mortality rates were high on the prison ships. | 0:30:54 | 0:30:59 | |
It must've been an utterly horrendous existence for prisoners | 0:31:02 | 0:31:05 | |
-on board those hulks. -When you think of the numbers involved, I mean, | 0:31:05 | 0:31:10 | |
300 is an average on one of these ships, | 0:31:10 | 0:31:12 | |
but it goes up to the best part of 1,000 people, | 0:31:12 | 0:31:15 | |
your bed spaces are sort of stacked in hammocks. | 0:31:15 | 0:31:18 | |
Now, the allotted bed space to start with was five foot ten | 0:31:18 | 0:31:22 | |
by a foot and a half, | 0:31:22 | 0:31:24 | |
so there are people living in absolute squalor and filth. | 0:31:24 | 0:31:27 | |
If you tried to escape, you were put into the black hole at the bottom | 0:31:27 | 0:31:30 | |
of the ship, so you were incarcerated with no light. | 0:31:30 | 0:31:32 | |
Rats running around. Disease was rife. | 0:31:32 | 0:31:35 | |
The death rate was up to about 30% | 0:31:35 | 0:31:36 | |
of people that went on to these hulks. | 0:31:36 | 0:31:39 | |
Just...mind-bending, it really is. | 0:31:39 | 0:31:42 | |
And do we know anything about where these people would have come from, | 0:31:42 | 0:31:45 | |
generally? I mean, are they likely to be local criminals? | 0:31:45 | 0:31:48 | |
There was an article in the Oxford Times which refers to | 0:31:48 | 0:31:51 | |
a Charles Maurice Jones, who is from Aberystwyth, | 0:31:51 | 0:31:53 | |
and he steals a certain amount of cloth from his employer and as a | 0:31:53 | 0:31:56 | |
result he's given 14 years and he dies on the prison hulks. | 0:31:56 | 0:32:00 | |
And the newspaper goes on to report | 0:32:00 | 0:32:02 | |
that the body of Charles Maurice Jones was removed from the ship | 0:32:02 | 0:32:05 | |
-and buried on the convicts burial ground of Rat Island. -It is sad, | 0:32:05 | 0:32:08 | |
isn't it, I mean, it's horrendous to think that those prison hulks... | 0:32:08 | 0:32:13 | |
Very poignant thing, to see an individual like this, | 0:32:13 | 0:32:15 | |
who may have committed a very minor offence, | 0:32:15 | 0:32:18 | |
and for him just being on the ships was enough to basically sign him | 0:32:18 | 0:32:23 | |
-a death sentence. -Mm. | 0:32:23 | 0:32:24 | |
Rat Island's graves give us a unique insight into the grim realities of | 0:32:25 | 0:32:30 | |
crime and punishment in the early 19th century. | 0:32:30 | 0:32:34 | |
It's a rare glimpse into a murky world that's often missing from the | 0:32:34 | 0:32:38 | |
official record that our Victorian ancestors left behind. | 0:32:38 | 0:32:41 | |
Our next investigation plunges us back more than 5,000 years to a time | 0:32:45 | 0:32:50 | |
when Britain was on the cusp of enormous change. | 0:32:50 | 0:32:53 | |
Our modern landscape is littered with iconic Stone Age structures we | 0:32:54 | 0:32:59 | |
know as barrows. | 0:32:59 | 0:33:01 | |
They've always been assumed to be ancient burial mounds. | 0:33:01 | 0:33:06 | |
Barrows are amongst some of the most obvious traces of our prehistoric | 0:33:06 | 0:33:10 | |
ancestors in the landscape and we thought we knew exactly what they | 0:33:10 | 0:33:14 | |
were about, they're burial mounds, surely? | 0:33:14 | 0:33:17 | |
But two digs are now challenging that interpretation and also | 0:33:17 | 0:33:21 | |
shedding light on this pivotal moment in prehistory when our | 0:33:21 | 0:33:26 | |
ancestors make the transition | 0:33:26 | 0:33:27 | |
from being hunter gatherers to being farmers. | 0:33:27 | 0:33:31 | |
The first dig in out prehistoric two-parter takes us | 0:33:33 | 0:33:36 | |
to the mysteriously and | 0:33:36 | 0:33:38 | |
rather gruesomely named Cat's Brain, | 0:33:38 | 0:33:41 | |
a recently discovered barrow | 0:33:41 | 0:33:42 | |
which sits in the heart of the world-famous | 0:33:42 | 0:33:45 | |
Stonehenge ritual landscape. | 0:33:45 | 0:33:47 | |
This summer, a team from Reading University | 0:33:49 | 0:33:51 | |
set out to investigate it, | 0:33:51 | 0:33:53 | |
the first time a long barrow has been dug near Stonehenge for over | 0:33:53 | 0:33:57 | |
50 years. | 0:33:57 | 0:33:59 | |
We are at the end of week two at Cat's Brain. | 0:33:59 | 0:34:02 | |
We have exposed all of the archaeology and every element | 0:34:02 | 0:34:07 | |
is there. | 0:34:07 | 0:34:08 | |
This is just unbelievable. | 0:34:08 | 0:34:11 | |
Jim has good reason to be excited. | 0:34:11 | 0:34:13 | |
Because centuries of ploughing have destroyed the mound itself, | 0:34:13 | 0:34:16 | |
the team had feared there would be nothing left to find. | 0:34:16 | 0:34:20 | |
But the preservation below ground level is much better than they had | 0:34:20 | 0:34:24 | |
expected. The foundations of the barrow are clearly visible and they | 0:34:24 | 0:34:28 | |
now feel they have every chance to find out how the people who used | 0:34:28 | 0:34:32 | |
Stonehenge buried their dead. | 0:34:32 | 0:34:36 | |
This is a section of the ditch which at the moment has produced some | 0:34:36 | 0:34:39 | |
really good quantities of early Neolithic pottery. | 0:34:39 | 0:34:43 | |
It's the sort of soil but just makes you want to jump in and start | 0:34:43 | 0:34:48 | |
digging. Extraordinary! | 0:34:48 | 0:34:49 | |
Spurred on by their finds, | 0:34:51 | 0:34:53 | |
the team sets to work trowelling the site and their efforts soon pay off. | 0:34:53 | 0:34:59 | |
As they reach the deeper levels, | 0:34:59 | 0:35:00 | |
Neolithic finds are coming thick and fast. | 0:35:00 | 0:35:03 | |
This has really sort of caught my attention. | 0:35:05 | 0:35:08 | |
I saw this when it came out of the ground. | 0:35:08 | 0:35:10 | |
It's absolutely beautiful leaf-shaped arrowhead, | 0:35:10 | 0:35:13 | |
classic early Neolithic flint work. | 0:35:13 | 0:35:17 | |
Fresh as anything. | 0:35:17 | 0:35:19 | |
It could have easily have been made just yesterday. | 0:35:19 | 0:35:21 | |
And exactly, exactly what we were hoping for. | 0:35:21 | 0:35:26 | |
Dating to around 3500 BC, | 0:35:26 | 0:35:30 | |
the arrowhead is precisely the right date for a Neolithic burial mound. | 0:35:30 | 0:35:35 | |
But as the dig progresses, the site becomes more and more baffling. | 0:35:38 | 0:35:43 | |
There are no burials here, no skeletons, not a single bone. | 0:35:43 | 0:35:49 | |
Instead, they discovered a load of post holes. | 0:35:49 | 0:35:53 | |
And its leading Jim to an extraordinary conclusion | 0:35:53 | 0:35:56 | |
about this monument. | 0:35:56 | 0:35:59 | |
Actually, it's quite complex. | 0:35:59 | 0:36:01 | |
We can see post holes showing up and beam slots. | 0:36:01 | 0:36:07 | |
It is looking very much like an actual building rather than just | 0:36:07 | 0:36:12 | |
a replica building for the long barrow. | 0:36:12 | 0:36:14 | |
Cat's Brain is such an odd site, | 0:36:16 | 0:36:19 | |
it's not at all what we expect from a Neolithic long barrow. | 0:36:19 | 0:36:24 | |
Well, 120 miles away there are more long barrows that are being | 0:36:24 | 0:36:28 | |
investigated, and once again these are looking unusual. | 0:36:28 | 0:36:31 | |
So the best thing to do, we thought, was to look at those two sites | 0:36:31 | 0:36:35 | |
together to compare and contrast and see what they teach us. | 0:36:35 | 0:36:39 | |
The second dig takes to Dorstone Hill near Peterchurch | 0:36:40 | 0:36:45 | |
in Herefordshire, where a team from Manchester University | 0:36:45 | 0:36:48 | |
has been investigating three ancient burial mounds. | 0:36:48 | 0:36:52 | |
So we are now two weeks into the excavation. | 0:36:52 | 0:36:55 | |
Most of what we've been doing to this point is cleaning down | 0:36:55 | 0:36:58 | |
onto the surface of the Neolithic mound. | 0:36:58 | 0:37:01 | |
Like Cat's Brain, the mound itself was destroyed long ago. | 0:37:01 | 0:37:05 | |
But the underground preservation is excellent, and yet again, | 0:37:05 | 0:37:09 | |
as the team go in search of burials, | 0:37:09 | 0:37:12 | |
they make a totally unexpected discovery. | 0:37:12 | 0:37:15 | |
Looks like the base of a circular post hole. | 0:37:15 | 0:37:18 | |
Just like at Cat's Brain, this team expected to find a burial mound, | 0:37:20 | 0:37:24 | |
but once again it's looking like a building. | 0:37:24 | 0:37:28 | |
And here the preservation of the wood is so incredible that Julian | 0:37:28 | 0:37:31 | |
can even glimpse how this building was put together. | 0:37:31 | 0:37:34 | |
Here, uniquely, | 0:37:36 | 0:37:37 | |
we have got part of the timber superstructure of the building. | 0:37:37 | 0:37:41 | |
So within this great mass of burnt daub and clay, | 0:37:41 | 0:37:44 | |
we've got timbers like these, where you can see the grain of the oak, | 0:37:44 | 0:37:49 | |
and in places you can even see the carpentry. | 0:37:49 | 0:37:52 | |
So this one here, you can see it's a forking piece of timber | 0:37:52 | 0:37:57 | |
with a peg that has gone straight through down into it. | 0:37:57 | 0:38:01 | |
It's telling us that carpentry that's been involved in putting this | 0:38:01 | 0:38:05 | |
building together is really very sophisticated. | 0:38:05 | 0:38:07 | |
You are seeing mortises, you are seeing pegs, | 0:38:07 | 0:38:09 | |
all of which means that you are dealing with quite sophisticated | 0:38:09 | 0:38:13 | |
timber architecture. | 0:38:13 | 0:38:14 | |
As Julian examines the evidence, he discovers something strange. | 0:38:14 | 0:38:19 | |
Before it was covered with the mound, | 0:38:19 | 0:38:21 | |
this building was burnt to the ground. | 0:38:21 | 0:38:25 | |
We know that certainly it burned. | 0:38:25 | 0:38:28 | |
Our geophysicists tell us that it burned at a temperature in excess | 0:38:28 | 0:38:32 | |
of 600 Centigrade, so very, very hot indeed. | 0:38:32 | 0:38:37 | |
Julian is starting to conclude that this monument started life as a | 0:38:37 | 0:38:41 | |
large timber building and when it fell out of use, | 0:38:41 | 0:38:45 | |
it was burnt to the ground and commemorated with a large mound. | 0:38:45 | 0:38:50 | |
In fact, the digs at Dorstone and Cat's Brain suggest that, | 0:38:50 | 0:38:54 | |
for decades, we've misunderstood | 0:38:54 | 0:38:56 | |
some of our most famous Stone Age monuments. | 0:38:56 | 0:38:59 | |
Far from being places of the dead, | 0:38:59 | 0:39:02 | |
they were in fact buildings for the living. | 0:39:02 | 0:39:06 | |
To find out more, I've invited Jim and Julian into the lab. | 0:39:06 | 0:39:10 | |
I honestly don't really know what to say. | 0:39:10 | 0:39:12 | |
Two absolutely amazing sites. | 0:39:12 | 0:39:16 | |
They are incredible! | 0:39:16 | 0:39:18 | |
Well, let's start with Cat's Brain first. | 0:39:18 | 0:39:20 | |
Did you have any idea that you were going to find this level of | 0:39:20 | 0:39:24 | |
preservation when you took the top layer of soil away? | 0:39:24 | 0:39:26 | |
Absolutely none at all. | 0:39:26 | 0:39:27 | |
And to find anything was absolutely extraordinary. | 0:39:27 | 0:39:31 | |
You know, it was one of those moments where you, you know, | 0:39:31 | 0:39:35 | |
the hairs on the back of your neck | 0:39:35 | 0:39:36 | |
stand up and you sort of start shaking. | 0:39:36 | 0:39:38 | |
It's there, it's actually there, you know, | 0:39:38 | 0:39:40 | |
and right slap bang in the middle of our trench. | 0:39:40 | 0:39:42 | |
I have no doubt in my mind that this is a building. | 0:39:42 | 0:39:46 | |
A large, early Neolithic timber hall. | 0:39:46 | 0:39:50 | |
That is fantastic. And these bits of stone, where are they from? | 0:39:50 | 0:39:54 | |
Well, those two chalk blocks came from one of the post holes. | 0:39:54 | 0:39:58 | |
Interestingly, one of the deep post holes. | 0:39:58 | 0:40:00 | |
These are utterly extraordinary. | 0:40:00 | 0:40:02 | |
There are grooves here and these grooves end in little pits. | 0:40:02 | 0:40:06 | |
That's right. | 0:40:06 | 0:40:07 | |
It's, it's very, very deliberate and carefully constructed. | 0:40:07 | 0:40:10 | |
And this looks like a rune. | 0:40:10 | 0:40:12 | |
It looks like writing. | 0:40:12 | 0:40:15 | |
-It's amazing. -Yes, and the surface of them has been smoothed. | 0:40:15 | 0:40:18 | |
And they have deliberately incised it with markings which clearly had | 0:40:18 | 0:40:23 | |
some kind of symbolic importance to the community. | 0:40:23 | 0:40:27 | |
And that was deposited within one of these post holes. | 0:40:27 | 0:40:30 | |
And of course the whole of that building then is imbued with that | 0:40:30 | 0:40:33 | |
-symbolism. -OK, well, that's utterly mind-blowing. | 0:40:33 | 0:40:37 | |
And Dorstone looks exceptional as well, Julian. | 0:40:37 | 0:40:42 | |
So, again, we have this idea that long mounds are cemeteries, | 0:40:42 | 0:40:46 | |
that they are where people bury their dead. | 0:40:46 | 0:40:48 | |
Each one of ours is constructed over the remains of a building. | 0:40:48 | 0:40:52 | |
So it's not that you're dealing necessarily with just the tomb of a | 0:40:52 | 0:40:56 | |
group of people, it's the tomb of the house. | 0:40:56 | 0:40:59 | |
So you've got a transformation of something that is a building for the | 0:40:59 | 0:41:03 | |
living, to a house of the dead. | 0:41:03 | 0:41:05 | |
This is a time when people are becoming much more settled in the landscape, isn't it? | 0:41:05 | 0:41:09 | |
I think what is important is that they are forming more coherent | 0:41:09 | 0:41:12 | |
communities, and one of the ways in which the draw these communities | 0:41:12 | 0:41:16 | |
together is through a collective act of building something which serves | 0:41:16 | 0:41:20 | |
as a symbol of community. And that's what these huge halls are. | 0:41:20 | 0:41:24 | |
To throw in a Game Of Thrones reference, you know, | 0:41:24 | 0:41:26 | |
House Tyrell or House Lannister, for example. | 0:41:26 | 0:41:30 | |
Or the House of York, you know. The house symbolises something more. | 0:41:30 | 0:41:35 | |
It's more than just the household. | 0:41:35 | 0:41:36 | |
It's a wider community. These are the pioneers, these are our | 0:41:36 | 0:41:40 | |
country's first agriculturalists, | 0:41:40 | 0:41:42 | |
the first time we get domestic species. | 0:41:42 | 0:41:44 | |
Out of this landscape, they are hewing out their own society. | 0:41:44 | 0:41:47 | |
And all of that is represented within the building. | 0:41:47 | 0:41:50 | |
So you think there's something really important going on here which | 0:41:50 | 0:41:53 | |
is marking this transition, marking this change in lifestyle? | 0:41:53 | 0:41:57 | |
Yes. It's this moment of change I think that people remember for many, | 0:41:57 | 0:42:01 | |
many generations afterwards. So, first of all, you build the halls, | 0:42:01 | 0:42:05 | |
then you burn those halls down. | 0:42:05 | 0:42:08 | |
You transform them into long mounds. | 0:42:08 | 0:42:10 | |
Then those long mounds attract further activity. | 0:42:10 | 0:42:12 | |
People come and dig pits into the mounds and place objects, | 0:42:12 | 0:42:17 | |
-like these very nice axes, into those. -Those are lovely. | 0:42:17 | 0:42:20 | |
And there are more cremation burials in pits in the long mounds and | 0:42:20 | 0:42:25 | |
everything that happens on this hilltop is venerating, remembering, | 0:42:25 | 0:42:30 | |
thinking back to that moment of inception. | 0:42:30 | 0:42:33 | |
Two extraordinary sites. | 0:42:33 | 0:42:34 | |
-Thank you so much. They are amazing. -Thank you. -Thank you. | 0:42:34 | 0:42:39 | |
The revelations from Cat's Brain and Dorstone are stunning. | 0:42:39 | 0:42:44 | |
They not only challenge our previous interpretations of long barrows, | 0:42:44 | 0:42:48 | |
they reveal how Britain's earliest farmers were beginning to forge | 0:42:48 | 0:42:53 | |
a communal identity. | 0:42:53 | 0:42:55 | |
Our next dig takes us to Leekfrith in the heart of rural Staffordshire | 0:43:04 | 0:43:09 | |
and the discovery of an incredible | 0:43:09 | 0:43:11 | |
2,500-year-old trove of buried treasure. | 0:43:11 | 0:43:15 | |
On a winter's day at the end of last year, local metal detectorists | 0:43:15 | 0:43:19 | |
Mark Hambleton and Joe Kania were in this field when they | 0:43:19 | 0:43:23 | |
made a remarkable discovery. | 0:43:23 | 0:43:26 | |
I looked at it, I knew it was gold straightaway. | 0:43:26 | 0:43:28 | |
I went down to Mark and said, "Mark, what is this?" | 0:43:28 | 0:43:31 | |
He said, "It's a torque." We was shocked, yeah. | 0:43:31 | 0:43:35 | |
It was the find of a lifetime, ain't it? You know. Brilliant. | 0:43:35 | 0:43:40 | |
But then they found three more. | 0:43:40 | 0:43:43 | |
And knowing that these torques are something rare and special, | 0:43:43 | 0:43:47 | |
they reported them immediately to local finds liaison officer | 0:43:47 | 0:43:50 | |
Theresa Gilmore. She was equally stunned. | 0:43:50 | 0:43:54 | |
It was just after lunch when Mark, one of the finders, turned up, | 0:43:56 | 0:44:01 | |
sat down in front of me, reached into his bag and said, | 0:44:01 | 0:44:04 | |
"I've got something you need to see." | 0:44:04 | 0:44:06 | |
Pulled out an old duster, | 0:44:06 | 0:44:08 | |
opened it up and there were four gold torques put in front of me. | 0:44:08 | 0:44:12 | |
Which put me into a state of shock! | 0:44:12 | 0:44:15 | |
Absolutely amazing. A fantastic find. | 0:44:15 | 0:44:19 | |
Those gold torques are stunning, | 0:44:23 | 0:44:25 | |
they are beautiful works of art in their own right, | 0:44:25 | 0:44:28 | |
but the archaeologists have key questions about them. | 0:44:28 | 0:44:31 | |
Where did they come from? When were they made? | 0:44:31 | 0:44:34 | |
And how did they end up in that field? | 0:44:34 | 0:44:37 | |
Initial examination revealed that they were Iron Age in date. | 0:44:39 | 0:44:43 | |
But to hear what else has been discovered, I have invited | 0:44:43 | 0:44:46 | |
finds liaison officer Theresa Gilmore into the lab. | 0:44:46 | 0:44:50 | |
What wonderful, wonderful objects just to appear out of this field. | 0:44:51 | 0:44:56 | |
Is there any context around them? | 0:44:56 | 0:44:58 | |
Do we know of any Iron Age activity in the area? | 0:44:58 | 0:45:01 | |
No. We don't know of any actual settlement in that area. | 0:45:01 | 0:45:05 | |
So it has come out of the blue. | 0:45:05 | 0:45:08 | |
So it is a complete surprise? | 0:45:08 | 0:45:11 | |
They are found individually, or they were discovered individually. | 0:45:11 | 0:45:14 | |
Do you think they were quite separate burials, then? | 0:45:14 | 0:45:18 | |
They were discovered individually because they had been dislodged by | 0:45:18 | 0:45:21 | |
the plough. But looking at the damage and the distortion on them, | 0:45:21 | 0:45:24 | |
we actually believe that they were originally buried as part of a | 0:45:24 | 0:45:28 | |
-nested arrangement. -And no idea at all as to why they have been buried | 0:45:28 | 0:45:32 | |
-in a field? -It's a very damp area, | 0:45:32 | 0:45:34 | |
so we think probably as an offering to the gods. | 0:45:34 | 0:45:37 | |
-This is beautiful. -It is. | 0:45:37 | 0:45:39 | |
It is the most decorative piece out of them. | 0:45:39 | 0:45:42 | |
What's really notable is the decoration, which is an early style | 0:45:42 | 0:45:47 | |
Celtic artwork. You can see what looks like a little leaf. | 0:45:47 | 0:45:50 | |
I can see that | 0:45:50 | 0:45:53 | |
in that diamond there. | 0:45:53 | 0:45:54 | |
There is what looks like a little leaf there. | 0:45:54 | 0:45:57 | |
That is absolutely beautiful. | 0:45:57 | 0:45:58 | |
So what is the date of these, do you know? | 0:45:58 | 0:46:01 | |
Current dating is about 4th century BC. | 0:46:01 | 0:46:04 | |
So very early, actually. | 0:46:04 | 0:46:05 | |
Yes. The earliest Iron Age gold we've found so far. | 0:46:05 | 0:46:09 | |
-Anywhere in Britain? -In Britain, yeah. -That's fantastic. | 0:46:09 | 0:46:13 | |
The date of these torques reveals that Iron Age people were skilled | 0:46:13 | 0:46:17 | |
metalworkers, much earlier than we had ever thought. | 0:46:17 | 0:46:20 | |
But even more intriguingly, | 0:46:20 | 0:46:22 | |
the initial examination of them has suggested that the design influence | 0:46:22 | 0:46:26 | |
came from abroad. | 0:46:26 | 0:46:28 | |
And do you think that the fact that these designs bear some similarity | 0:46:28 | 0:46:33 | |
with torques found on the Continent, do you think that that means that | 0:46:33 | 0:46:36 | |
people in Britain are picking up those ideas? Or do you think these | 0:46:36 | 0:46:39 | |
-torques themselves have come from the Continent? -We've done analysis | 0:46:39 | 0:46:43 | |
on all four of these and the composition we've | 0:46:43 | 0:46:46 | |
got is very similar to European gold alloys. | 0:46:46 | 0:46:49 | |
It's reasonable to assume that, yes, | 0:46:49 | 0:46:51 | |
they've come over from the Continent. | 0:46:51 | 0:46:53 | |
It is intriguing, isn't it, | 0:46:53 | 0:46:54 | |
to think that these objects may not have just simply been traded across | 0:46:54 | 0:46:58 | |
-from the Continent, but actually they could have come across WITH people. -Yeah. | 0:46:58 | 0:47:01 | |
They could have been high status women coming over, | 0:47:01 | 0:47:03 | |
perhaps even as brides. | 0:47:03 | 0:47:05 | |
-Possibly. -I think these are absolutely gorgeous objects, | 0:47:05 | 0:47:08 | |
I'm blown away by them. They are beautiful. | 0:47:08 | 0:47:10 | |
But I'm so frustrated by not knowing who they belong to or why they were | 0:47:10 | 0:47:15 | |
put in the ground. I mean, these could have been somebody's treasure | 0:47:15 | 0:47:18 | |
that they were burying quickly and then running away, | 0:47:18 | 0:47:20 | |
or it could have been a votive offering. We really don't know, | 0:47:20 | 0:47:24 | |
-do we? -We don't know but what we do know is that Staffordshire now has | 0:47:24 | 0:47:27 | |
links to the Continent. | 0:47:27 | 0:47:29 | |
So we've got Continental styles of torques and their metallic | 0:47:29 | 0:47:32 | |
composition is that of Continental gold work. | 0:47:32 | 0:47:35 | |
And you just didn't expect to find that? | 0:47:35 | 0:47:38 | |
We didn't expect to find that in Staffordshire. | 0:47:38 | 0:47:40 | |
There are still many mysteries | 0:47:42 | 0:47:44 | |
around this Iron Age buried treasure, | 0:47:44 | 0:47:46 | |
but we now have a fantastic new insight into the sophistication of | 0:47:46 | 0:47:50 | |
our ancestors at this time | 0:47:50 | 0:47:53 | |
and we know that international links penetrated | 0:47:53 | 0:47:56 | |
deeper into Britain than we'd thought before. | 0:47:56 | 0:47:59 | |
The Iron Age marks the final chapter in British pre-history, | 0:48:00 | 0:48:04 | |
the time before written records began. | 0:48:04 | 0:48:07 | |
But as our next dig shows, | 0:48:07 | 0:48:10 | |
even when our ancestors began to document their lives | 0:48:10 | 0:48:12 | |
2,000 years ago, | 0:48:12 | 0:48:14 | |
archaeology still holds the key to understanding their world. | 0:48:14 | 0:48:20 | |
In AD 43, the Romans arrived. | 0:48:20 | 0:48:22 | |
But it wasn't enough for them to come, see and conquer. | 0:48:22 | 0:48:26 | |
They wrote about it as well. | 0:48:26 | 0:48:28 | |
And so they recorded their battles and their building projects for | 0:48:28 | 0:48:31 | |
posterity. But it seems that when it came to the British countryside, | 0:48:31 | 0:48:35 | |
they ran out of ink. | 0:48:35 | 0:48:37 | |
And so there's always been a question over how far Roman culture | 0:48:37 | 0:48:43 | |
and influence spread into rural Britain. | 0:48:43 | 0:48:46 | |
But our final dig in Hampshire's Meonstoke valley is shedding new | 0:48:46 | 0:48:51 | |
light on this mystery. | 0:48:51 | 0:48:54 | |
In the 1980s, archaeologists digging here discovered a Roman building | 0:48:54 | 0:48:58 | |
of such importance that it's now housed in the British Museum. | 0:48:58 | 0:49:02 | |
With little to go on except its quality and its rural location, | 0:49:02 | 0:49:06 | |
it was labelled a villa. | 0:49:06 | 0:49:08 | |
But a new investigation of the site | 0:49:09 | 0:49:12 | |
is leading archaeologists to a radical rethink. | 0:49:12 | 0:49:16 | |
We have an interesting discovery. In the middle of the geophysics plot | 0:49:19 | 0:49:24 | |
we have this hexagonal building. | 0:49:24 | 0:49:26 | |
Now, this hexagonal building has put a whole new | 0:49:26 | 0:49:30 | |
idea to us that in fact this might not be a villa, | 0:49:30 | 0:49:34 | |
it might be a religious site. | 0:49:34 | 0:49:35 | |
We think that this might be an interesting Roman temple. | 0:49:35 | 0:49:39 | |
As the team clears away the topsoil, | 0:49:41 | 0:49:43 | |
the foundations of the hexagon | 0:49:43 | 0:49:45 | |
become astonishingly clear to the eye. | 0:49:45 | 0:49:48 | |
If this turns out to be a temple, it would be hugely significant. | 0:49:48 | 0:49:52 | |
In an isolated location like this, | 0:49:52 | 0:49:55 | |
it would suggest that Roman culture was far more ingrained in the | 0:49:55 | 0:49:58 | |
countryside than we had ever imagined before. | 0:49:58 | 0:50:03 | |
So the team hunts for evidence that the Romans were worshipping here. | 0:50:03 | 0:50:07 | |
..quite deep. | 0:50:09 | 0:50:11 | |
-BEEPING -There it is. -Oh! | 0:50:11 | 0:50:14 | |
-Is it a minim? -Oh. | 0:50:14 | 0:50:16 | |
-Looks like it might be a minim. -What's a minim? | 0:50:18 | 0:50:22 | |
A tiny, tiny coin. | 0:50:22 | 0:50:23 | |
This is, I would say a House of Constantine, type of coin. | 0:50:25 | 0:50:30 | |
Early 4th century, almost certainly. | 0:50:30 | 0:50:33 | |
Buried in situ, the coins prove this is definitely a Roman building. | 0:50:33 | 0:50:38 | |
And Tony believes that they are the first clues that this could have | 0:50:41 | 0:50:44 | |
been a temple site. | 0:50:44 | 0:50:45 | |
It looks as though there is a reasonable number of coins, | 0:50:47 | 0:50:49 | |
which could be votive offerings, on the site. | 0:50:49 | 0:50:52 | |
Other Roman temples have often thrown up thousands of coins, | 0:50:52 | 0:50:56 | |
given as votive offerings to the gods. | 0:50:56 | 0:50:59 | |
And another find seems to back up | 0:50:59 | 0:51:01 | |
the idea that this was a sacred site. | 0:51:01 | 0:51:04 | |
There was a vertebrae from a cow and | 0:51:04 | 0:51:07 | |
we've had some very young sheep bone as well. | 0:51:07 | 0:51:11 | |
And what looks like deliberately placed very small, round pebbles. | 0:51:11 | 0:51:16 | |
So it looks like | 0:51:18 | 0:51:21 | |
we're getting a round pit here that was probably used for some ritual | 0:51:21 | 0:51:27 | |
purpose and it looks like it | 0:51:27 | 0:51:29 | |
predates the rest of the site that we've got here. | 0:51:29 | 0:51:31 | |
The finds suggest that this could have been a religious site | 0:51:33 | 0:51:36 | |
even before the Romans arrived, because in the preceding Iron Age, | 0:51:36 | 0:51:40 | |
people may have buried rounded pebbles and animal bones as ritual deposits. | 0:51:40 | 0:51:45 | |
And as the team begin to extend their trenches, | 0:51:46 | 0:51:49 | |
they find a fascinating clue | 0:51:49 | 0:51:51 | |
suggesting that this became an extensive | 0:51:51 | 0:51:54 | |
temple complex under the Romans. | 0:51:54 | 0:51:56 | |
They think they have found a bathhouse. | 0:51:56 | 0:51:59 | |
We have just found our first piece of painted wall plaster. | 0:51:59 | 0:52:02 | |
It has a trace of opus signinum, | 0:52:02 | 0:52:04 | |
which is the waterproof mortar that the Romans used in bathhouses. | 0:52:04 | 0:52:08 | |
So this is very exciting. | 0:52:08 | 0:52:10 | |
The discovery of a bathhouse next to the temple makes the villa | 0:52:10 | 0:52:13 | |
interpretation look increasingly shaky. | 0:52:13 | 0:52:16 | |
Tony now believes it's much more likely that this was a sprawling | 0:52:16 | 0:52:21 | |
complex of religious buildings. | 0:52:21 | 0:52:23 | |
And this as temple site could have | 0:52:23 | 0:52:26 | |
acted as a regional religious centre, | 0:52:26 | 0:52:29 | |
with people coming here for processions and festivals. | 0:52:29 | 0:52:33 | |
In the final weeks, | 0:52:33 | 0:52:34 | |
the discovery of what could be more votive offerings supports Tony's | 0:52:34 | 0:52:38 | |
theory, but it is on the penultimate day that they make the most | 0:52:38 | 0:52:42 | |
incredible and intriguing find. | 0:52:42 | 0:52:44 | |
This very small fragment, | 0:52:44 | 0:52:46 | |
very interesting fragment, | 0:52:46 | 0:52:48 | |
is part of a pipe clay | 0:52:48 | 0:52:51 | |
or terracotta figurine. | 0:52:51 | 0:52:53 | |
It is a type of figurine called a Dea Nutrix, or a mother goddess. | 0:52:53 | 0:52:58 | |
What we've got is just a small part | 0:52:58 | 0:53:01 | |
of it, which is the back of her head. | 0:53:01 | 0:53:05 | |
The goddess figure is the icing on the cake for a fantastic dig that | 0:53:05 | 0:53:09 | |
seems to have revealed a complex of sacred buildings. | 0:53:09 | 0:53:13 | |
But is there enough evidence here to prove that Roman religion was taking | 0:53:13 | 0:53:17 | |
root in the heart of rural Britain? | 0:53:17 | 0:53:20 | |
Tony is joining me in the lab to discuss his finds. | 0:53:20 | 0:53:23 | |
Well, Tony, this is utterly extraordinary. | 0:53:26 | 0:53:28 | |
What we thought was a villa looks like something much more special. | 0:53:28 | 0:53:32 | |
Yes, it is a very interesting site. Effectively three buildings. | 0:53:32 | 0:53:36 | |
We have a large so-called aisle building. | 0:53:36 | 0:53:39 | |
We have the bathhouse and we have the hexagonal, | 0:53:39 | 0:53:43 | |
what we are pretty sure is a shrine. | 0:53:43 | 0:53:44 | |
-Yeah. -There are only four hexagonal buildings in the whole of Roman | 0:53:44 | 0:53:48 | |
-Britain. -It is really unusual, isn't it? | 0:53:48 | 0:53:50 | |
And very, you know, very obvious and very striking. | 0:53:50 | 0:53:53 | |
Where is this beautiful painted plaster from, then? | 0:53:53 | 0:53:55 | |
The plaster all comes from the bathhouse. | 0:53:55 | 0:53:57 | |
And you are sure it's a bathhouse, are you? | 0:53:57 | 0:53:59 | |
Yes. We are in the changing room. | 0:53:59 | 0:54:01 | |
And the wall plaster all comes from the changing room. | 0:54:01 | 0:54:05 | |
And it has got what we think is a naked female figure. | 0:54:05 | 0:54:10 | |
-Have a look at that then! -Yes. | 0:54:10 | 0:54:13 | |
Yes, which is very obvious. | 0:54:13 | 0:54:15 | |
I think you might be right. | 0:54:15 | 0:54:17 | |
That is a pair of breasts, I believe. | 0:54:18 | 0:54:21 | |
-It certainly is. -And it is quite usual, isn't it, | 0:54:21 | 0:54:23 | |
to have bathhouses associated with temples? | 0:54:23 | 0:54:26 | |
Yes. Temple sites sometimes have quite a lot of other buildings next | 0:54:26 | 0:54:31 | |
to them. Which could be a hostel for pilgrims or visitors or whatever. | 0:54:31 | 0:54:35 | |
So do you think matters what we originally thought was a villa, | 0:54:35 | 0:54:39 | |
do you think that's what it actually is, then? | 0:54:39 | 0:54:41 | |
We originally found the building in the 1980s | 0:54:41 | 0:54:43 | |
and thought, "Right, we have villa." | 0:54:43 | 0:54:45 | |
It had a of elaboration to the architecture. | 0:54:45 | 0:54:48 | |
Now, maybe we can account for that now by saying it's a building that | 0:54:48 | 0:54:52 | |
-is associated with a temple site. -So, Tony, say I lived somewhere | 0:54:52 | 0:54:55 | |
nearby and I wanted to come and visit the shrine and perhaps worship | 0:54:55 | 0:54:59 | |
the goddess here. What would I do when I arrive at this place? | 0:54:59 | 0:55:02 | |
That's a very interesting question. We get the notion that the building | 0:55:02 | 0:55:07 | |
itself is the house for the god or the goddess. And would have some | 0:55:07 | 0:55:11 | |
sort of image like a statue or something like that in it. | 0:55:11 | 0:55:15 | |
But it is not a place for a congregational worship, | 0:55:15 | 0:55:17 | |
you don't get everybody cramming inside and trying to worship. | 0:55:17 | 0:55:20 | |
So most of the activity probably went on outside. And that is why | 0:55:20 | 0:55:24 | |
we find things like the pit with the pottery and the bones and so on | 0:55:24 | 0:55:28 | |
-in it. -And are these the balls that came out of that odd pit? | 0:55:28 | 0:55:32 | |
-Yes. These actually come from within the hexagon itself. -Right. | 0:55:32 | 0:55:35 | |
They're flints. Probably fossil sponges or something like that. | 0:55:35 | 0:55:40 | |
So this idea that people are bringing small offerings, small | 0:55:40 | 0:55:43 | |
coins, it is low denominations, | 0:55:43 | 0:55:45 | |
isn't it, and then also interesting shaped rocks. | 0:55:45 | 0:55:47 | |
Yes. This is rather more special. | 0:55:47 | 0:55:50 | |
-That is lovely. Isn't that lovely? -Yes. | 0:55:50 | 0:55:53 | |
And that is the back of the head | 0:55:53 | 0:55:56 | |
and the headdress of the Dea Nutrix figurine. | 0:55:56 | 0:55:59 | |
So these figurines are well-known, are they? | 0:55:59 | 0:56:01 | |
Yes. They are made in central France and they are imported. | 0:56:01 | 0:56:04 | |
People probably bought in Britain and then dedicated at temple sites. | 0:56:04 | 0:56:09 | |
Perhaps deliberately breaking them. Nearly all of them are broken. | 0:56:09 | 0:56:12 | |
-Often with the heads broken off. -Yeah. And Dea Nutrix | 0:56:12 | 0:56:14 | |
that's the nourishing mother goddess. | 0:56:14 | 0:56:16 | |
She is often shown with babies at the breast. | 0:56:16 | 0:56:18 | |
-That's right, yes. -Do you think this gives as an idea that actually Roman | 0:56:18 | 0:56:22 | |
culture and Roman ideas about religion are permeating further into | 0:56:22 | 0:56:25 | |
the British countryside than perhaps we had imagined? | 0:56:25 | 0:56:28 | |
Hexagons are not a thing you find in the Iron Age in Britain. | 0:56:28 | 0:56:31 | |
So this is a new idea. But deities, gods or goddesses, | 0:56:31 | 0:56:35 | |
that are being worshipped on the site, | 0:56:35 | 0:56:37 | |
probably go back right back to the Iron Age. | 0:56:37 | 0:56:40 | |
And I think the people who come to this site are probably local people. | 0:56:40 | 0:56:44 | |
I rather like that about the Romans, that, you know, | 0:56:44 | 0:56:47 | |
they don't clear the original gods and goddesses | 0:56:47 | 0:56:49 | |
out of the landscape. The work with them, don't they? | 0:56:49 | 0:56:52 | |
-They go along with them? -Yes, they integrated with locals. | 0:56:52 | 0:56:56 | |
But it is a form of imperialism, isn't it? | 0:56:56 | 0:56:58 | |
We are taking over the local gods and calling them our own. | 0:56:58 | 0:57:01 | |
It's a wonderful site. This wonderful little temple site | 0:57:01 | 0:57:04 | |
-and a very unusual hexagonal building. -Yeah. | 0:57:04 | 0:57:07 | |
The dig at Meonstoke demonstrates | 0:57:07 | 0:57:10 | |
that even a time period as well documented as | 0:57:10 | 0:57:14 | |
Roman Britain can still be rewritten by new archaeological discoveries. | 0:57:14 | 0:57:19 | |
And this programme has shown | 0:57:22 | 0:57:23 | |
how every dig has the power to illuminate and | 0:57:23 | 0:57:26 | |
alter the story of Britain. | 0:57:26 | 0:57:29 | |
From discovering how the fearsome Vikings prepared for their invasion, | 0:57:29 | 0:57:33 | |
to revealing the living and lived in landscapes around some of our most | 0:57:33 | 0:57:38 | |
famous ancient monuments. | 0:57:38 | 0:57:41 | |
And showing the brutal reality of life and death for criminals in the | 0:57:41 | 0:57:45 | |
Golden Age of Empire. | 0:57:45 | 0:57:48 | |
Our ancestors made the country we live in today | 0:57:48 | 0:57:51 | |
and through archaeology we have been able to reach back | 0:57:51 | 0:57:55 | |
through the centuries and touch their lives. | 0:57:55 | 0:57:58 | |
Next week's episode of Digging For Britain | 0:58:00 | 0:58:03 | |
celebrates the best archaeology | 0:58:03 | 0:58:05 | |
from the east and is packed with new revelations, | 0:58:05 | 0:58:09 | |
from sunken treasure laying bare | 0:58:09 | 0:58:11 | |
the murky story of empire building... | 0:58:11 | 0:58:14 | |
We find loads, loads of coins. | 0:58:14 | 0:58:17 | |
..to the first clear evidence of Julius Caesar's invasion of Britain. | 0:58:17 | 0:58:21 | |
So there are two skulls. Gosh, that's remarkable. | 0:58:21 | 0:58:24 | |
And intriguing traces of some of Britain's first inhabitants. | 0:58:24 | 0:58:28 | |
You have got evidence of the earliest Neanderthals in Britain | 0:58:28 | 0:58:31 | |
at a time when lions were roaming the Suffolk landscape! | 0:58:31 | 0:58:35 |