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For centuries, kings and queens have been set apart | 0:00:04 | 0:00:07 | |
from the rest of us, depicted as god-like giants | 0:00:07 | 0:00:11 | |
or virile warriors, | 0:00:11 | 0:00:15 | |
or fertile mothers of the nation. | 0:00:15 | 0:00:19 | |
But if you strip away the regal facade, | 0:00:19 | 0:00:22 | |
the reality is very different. | 0:00:22 | 0:00:24 | |
We've had mad monarchs and bad ones, and sexually inadequate kings | 0:00:24 | 0:00:31 | |
and infertile queens. | 0:00:31 | 0:00:33 | |
In this series, I'm going to reintroduce you | 0:00:33 | 0:00:36 | |
to our monarchs as human beings, people rather like you and me. | 0:00:36 | 0:00:41 | |
I'm going to investigate their medical problems, | 0:00:41 | 0:00:44 | |
study their doctors' reports, read their private letters | 0:00:44 | 0:00:48 | |
and examine their most intimate possessions. | 0:00:48 | 0:00:51 | |
I'm going to reveal the chinks in the royal armour, | 0:00:51 | 0:00:55 | |
because I believe, ironically, that the lives of these kings and queens, | 0:00:55 | 0:00:59 | |
the survival of the monarchy, the fortunes of the nation, have | 0:00:59 | 0:01:04 | |
been determined not so much by their strengths but their weaknesses. | 0:01:04 | 0:01:09 | |
In this programme, I'm looking at a new chapter in the history | 0:01:18 | 0:01:22 | |
of the monarchy, from the decline and fall of the Stuarts to the | 0:01:22 | 0:01:26 | |
coming of a new dynasty, the House of Hanover, Georges I to IV. | 0:01:26 | 0:01:32 | |
These kings and queens weren't just accountable to God, | 0:01:32 | 0:01:36 | |
but to their people and to parliament. | 0:01:36 | 0:01:39 | |
Now, if cracks appeared in the monarchy, | 0:01:39 | 0:01:42 | |
parliament could step in and take control. | 0:01:42 | 0:01:45 | |
They could depose a king, manage the succession | 0:01:45 | 0:01:48 | |
and lay down the law, not only on how a monarch should rule | 0:01:48 | 0:01:52 | |
but, most importantly, who should rule. | 0:01:52 | 0:01:55 | |
Their mental and physical weaknesses became evermore important, | 0:01:55 | 0:02:00 | |
because not only did their subjects observe them, they exploited them. | 0:02:00 | 0:02:04 | |
On the 10th of June 1688, the reigning Stuart monarch, | 0:02:17 | 0:02:22 | |
James II, succeeded where so many of his predecessors had failed - | 0:02:22 | 0:02:26 | |
he'd produced a son, a healthy male heir. | 0:02:26 | 0:02:29 | |
Traditionally, the arrival of a royal baby should have | 0:02:29 | 0:02:33 | |
resulted in national celebrations, | 0:02:33 | 0:02:35 | |
but this time the birth of a son was to trigger the king's downfall. | 0:02:35 | 0:02:41 | |
The problem with James II was that he converted to Catholicism. | 0:02:41 | 0:02:46 | |
In a country that was now firmly Protestant, | 0:02:46 | 0:02:49 | |
Catholicism meant tyranny. | 0:02:49 | 0:02:51 | |
It meant absolute rule like they had on the continent. | 0:02:51 | 0:02:55 | |
And James didn't help matters with his autocratic manner. | 0:02:55 | 0:02:59 | |
He appointed his Catholic friends to high office. | 0:02:59 | 0:03:03 | |
He seemed really to believe that he was semi-divine, appointed by God. | 0:03:03 | 0:03:08 | |
And once he had a baby boy, a male heir to follow on from him, | 0:03:08 | 0:03:12 | |
it looked like Catholicism was on its way back. | 0:03:12 | 0:03:16 | |
Many of James's subjects were determined to stop that. | 0:03:16 | 0:03:20 | |
The Protestant elite would no longer sit back | 0:03:22 | 0:03:25 | |
and allow biological inheritance of divine right to determine who | 0:03:25 | 0:03:30 | |
would govern them, and they now engineered a coup. | 0:03:30 | 0:03:33 | |
Their choice of leaders were James's nephew William | 0:03:33 | 0:03:36 | |
and his own daughter Mary. | 0:03:36 | 0:03:38 | |
Ten years earlier, James had married off his daughter Mary | 0:03:40 | 0:03:45 | |
to her cousin William of Orange, the ruler of the Dutch. | 0:03:45 | 0:03:49 | |
These two were both staunchly Protestant and for them | 0:03:49 | 0:03:53 | |
matters of religion would take precedence over family loyalty. | 0:03:53 | 0:03:57 | |
In November 1688, William landed with an army | 0:03:59 | 0:04:03 | |
and within days James had fled into exile on the continent. | 0:04:03 | 0:04:07 | |
The coup was achieved so swiftly that for William and Mary | 0:04:07 | 0:04:11 | |
and their supporters it became known as the Glorious Revolution. | 0:04:11 | 0:04:15 | |
Soon afterwards, William and Mary met here at Whitehall Palace, | 0:04:17 | 0:04:21 | |
with both houses of Parliament, and were offered and accepted the crown. | 0:04:21 | 0:04:25 | |
This event marked a cataclysmic break with the past. | 0:04:41 | 0:04:45 | |
It was the beginning of a whole new stage | 0:04:45 | 0:04:48 | |
in the history of the monarchy. | 0:04:48 | 0:04:50 | |
William and Mary didn't assume the throne through divine right, | 0:04:50 | 0:04:55 | |
they were given the right to reign by Parliament. | 0:04:55 | 0:04:58 | |
In effect, their people had decided that they were fit to rule, | 0:04:58 | 0:05:02 | |
and now the people would hold William and Mary to account. | 0:05:02 | 0:05:07 | |
Up there on the ceiling, their great-grandfather James I | 0:05:07 | 0:05:11 | |
is shown rising up to Heaven as one of the gods, | 0:05:11 | 0:05:15 | |
but the new king and queen were to have their feet | 0:05:15 | 0:05:18 | |
kept very firmly on the ground. | 0:05:18 | 0:05:21 | |
William and Mary showed this change in royal status | 0:05:26 | 0:05:29 | |
not only by words but by actions. | 0:05:29 | 0:05:32 | |
Earlier monarchs had performed a ceremony called | 0:05:32 | 0:05:35 | |
touching for the king's evil. | 0:05:35 | 0:05:38 | |
People suffering from the disease of scrofula, the king's evil, | 0:05:38 | 0:05:42 | |
would queue up in order to be touched by the reigning monarch | 0:05:42 | 0:05:46 | |
in the belief that the power to heal lay in royal hands. | 0:05:46 | 0:05:51 | |
These ceremonies were performed here at the Banqueting House. | 0:05:51 | 0:05:55 | |
But William and Mary immediately refused to do this, | 0:05:55 | 0:05:59 | |
believing that they were only human like the rest of us. | 0:05:59 | 0:06:02 | |
This Glorious Revolution had changed the political constitution. | 0:06:08 | 0:06:12 | |
But some things hadn't changed - | 0:06:14 | 0:06:16 | |
a monarch was still expected to reign and reproduce. | 0:06:16 | 0:06:20 | |
It was now William and Mary's biological constitution | 0:06:20 | 0:06:24 | |
that would determine whether they were up to the job. | 0:06:24 | 0:06:28 | |
And now that they were the servants of their people, | 0:06:28 | 0:06:31 | |
their physical and mental condition would be judged as never before. | 0:06:31 | 0:06:36 | |
This is as close as we're going to get to meeting William | 0:06:36 | 0:06:39 | |
and Mary face to face. | 0:06:39 | 0:06:41 | |
These aren't some dodgy 1970's museum display, these items, | 0:06:41 | 0:06:46 | |
with the clothes and the jewels and even the hair, are 300 years old. | 0:06:46 | 0:06:51 | |
These waxworks were made shortly after their deaths | 0:06:51 | 0:06:54 | |
and they form part of a tradition of making an effigy of a king or | 0:06:54 | 0:06:59 | |
queen for use in their funeral. | 0:06:59 | 0:07:01 | |
Mary here is in her early 30s. | 0:07:01 | 0:07:04 | |
She was a statuesque woman, nearly six feet tall. | 0:07:04 | 0:07:07 | |
And although she was quite plump, | 0:07:07 | 0:07:09 | |
she was considered to be a great beauty, | 0:07:09 | 0:07:12 | |
in contrast to William, her husband, | 0:07:12 | 0:07:14 | |
who doesn't quite match the image of the conquering hero. | 0:07:14 | 0:07:17 | |
He was born a sickly child | 0:07:17 | 0:07:19 | |
and even as an adult he wore a body brace to help with his hunched back. | 0:07:19 | 0:07:24 | |
He was four inches shorter than his wife, | 0:07:24 | 0:07:27 | |
a fact that's glossed over here by his being placed on a little stool. | 0:07:27 | 0:07:31 | |
William's diminutive stature was just a joke | 0:07:33 | 0:07:35 | |
to many of his new subjects, | 0:07:35 | 0:07:38 | |
but his chronic ill health had some serious consequences. | 0:07:38 | 0:07:41 | |
From childhood, William had suffered from asthma. | 0:07:44 | 0:07:47 | |
His problems were worsened by his move to England | 0:07:47 | 0:07:50 | |
and his new home in damp and smoky London. | 0:07:50 | 0:07:53 | |
Within a year of the invasion, William's health had got so bad | 0:07:55 | 0:07:58 | |
that his doctors advised him to move out of the capital. | 0:07:58 | 0:08:01 | |
So William and Mary set up home at Hampton Court, | 0:08:03 | 0:08:06 | |
out in the countryside. | 0:08:06 | 0:08:08 | |
Over the next few years they completely remodelled the dank | 0:08:15 | 0:08:18 | |
and rambling Tudor palace into an airy baroque masterpiece, | 0:08:18 | 0:08:23 | |
reminiscent of the palaces they'd left behind in Holland. | 0:08:23 | 0:08:26 | |
William's physical health improved, but it was still poor enough | 0:08:29 | 0:08:32 | |
for his subjects to question his fitness for his duties. | 0:08:32 | 0:08:36 | |
Now, these little clothes look like they belong to a child, | 0:08:41 | 0:08:45 | |
but actually they were William III's. | 0:08:45 | 0:08:47 | |
-Royal socks... -Yes. | 0:08:47 | 0:08:49 | |
..And a W at the top to show that they belonged to William himself, | 0:08:49 | 0:08:53 | |
and the tiny vest. | 0:08:53 | 0:08:55 | |
Look how small his chest was, this was his asthmatic chest. | 0:08:55 | 0:08:59 | |
So here we've got a man who has health problems. | 0:08:59 | 0:09:02 | |
He has asthma, he's very small, he's got some sort of | 0:09:02 | 0:09:06 | |
curvature of the spine and he's moved out to Hampton Court | 0:09:06 | 0:09:09 | |
cos he's got breathing problems - | 0:09:09 | 0:09:11 | |
his little chest can't cope with the fog in London. | 0:09:11 | 0:09:13 | |
What does this mean? | 0:09:13 | 0:09:15 | |
Well, the main problem was that he's removing | 0:09:15 | 0:09:17 | |
himself from the centre of power. | 0:09:17 | 0:09:19 | |
And he's not bringing all the courtiers with him, | 0:09:19 | 0:09:22 | |
they have to make the trip out, | 0:09:22 | 0:09:23 | |
and they feel that they're being cut-off from power. | 0:09:23 | 0:09:27 | |
And so it fuels this sense that he's a foreigner, he's not one | 0:09:27 | 0:09:32 | |
of them, that he might not be ruling in the interests of the elite. | 0:09:32 | 0:09:37 | |
William is also childless. | 0:09:37 | 0:09:39 | |
This is a big problem and he gets pamphlet criticism for it. | 0:09:39 | 0:09:43 | |
One of them says he's got no children | 0:09:43 | 0:09:45 | |
because he's an un-performing puny prig. | 0:09:45 | 0:09:48 | |
Underperforming, well, quite possibly, yes. | 0:09:48 | 0:09:51 | |
Mary never did get pregnant and her lady's maid was always | 0:09:51 | 0:09:55 | |
reputed to have said the problem wasn't with Mary but with William. | 0:09:55 | 0:09:58 | |
He just couldn't get it up, so to speak. | 0:09:58 | 0:10:01 | |
So there may well be fertility problems there or | 0:10:01 | 0:10:04 | |
he may just not have been interested or | 0:10:04 | 0:10:06 | |
he may have been gay as many of the rumours suggested. | 0:10:06 | 0:10:09 | |
He grew up in a very masculine environment | 0:10:09 | 0:10:12 | |
and spent most of his time on campaign with men. | 0:10:12 | 0:10:15 | |
Parliament was frustrated with William's performance as king. | 0:10:16 | 0:10:20 | |
He'd produced no offspring and they believed that he was | 0:10:20 | 0:10:23 | |
subordinating their interests to his old grudge against France. | 0:10:23 | 0:10:27 | |
But William was equally frustrated with them, | 0:10:27 | 0:10:30 | |
cursing the pageantry of the British system. | 0:10:30 | 0:10:34 | |
This was especially the case because King Billy believed that he | 0:10:34 | 0:10:38 | |
was fulfilling the royal role he'd signed up to - | 0:10:38 | 0:10:41 | |
a Protestant promise to defend the nation against Catholicism. | 0:10:41 | 0:10:46 | |
Over the years, he'd spend more and more time on his anti-Catholic | 0:10:46 | 0:10:50 | |
campaigns abroad, leaving his wife Mary to rule in his stead. | 0:10:50 | 0:10:55 | |
For Mary, it was a daunting proposition. | 0:10:55 | 0:10:58 | |
Being thrust forward like this only reminded her of her | 0:10:58 | 0:11:01 | |
inadequacies as a woman, as a would-be mother and, | 0:11:01 | 0:11:06 | |
worst of all, as a daughter who'd utterly betrayed her father. | 0:11:06 | 0:11:10 | |
Mary was effectively the regent whilst he was away | 0:11:12 | 0:11:14 | |
and she exercised government on his behalf. | 0:11:14 | 0:11:17 | |
Was she any good at that? | 0:11:17 | 0:11:19 | |
Well, it wasn't something that she wanted to do at all and, | 0:11:19 | 0:11:22 | |
if we look at her memoirs, she actually says quite explicitly | 0:11:22 | 0:11:25 | |
that she doesn't think women should do politics, so to speak. | 0:11:25 | 0:11:29 | |
"My opinion having ever been that women should not | 0:11:29 | 0:11:32 | |
"meddle in government, I have never given myself to be | 0:11:32 | 0:11:34 | |
"inquisitive into those kinds of matters." | 0:11:34 | 0:11:37 | |
She's very insecure about doing this, | 0:11:37 | 0:11:40 | |
she doesn't feel confident and is always terrified that she's going | 0:11:40 | 0:11:44 | |
to make a mistake and that William's going to be cross with her. | 0:11:44 | 0:11:47 | |
Mary also has tremendous difficulty, doesn't she, | 0:11:47 | 0:11:50 | |
with the role of being a daughter, a good daughter? | 0:11:50 | 0:11:53 | |
She does, because she's actually taken part in deposing her father. | 0:11:53 | 0:11:58 | |
And this is something that does weigh very heavily with her and | 0:11:58 | 0:12:01 | |
she was never, obviously, never happy about doing it in the first place. | 0:12:01 | 0:12:05 | |
But her father is putting the emotional pressure on her | 0:12:05 | 0:12:09 | |
all the time and he writes to her | 0:12:09 | 0:12:11 | |
in very, sort of, emotionally blackmailing terms and... | 0:12:11 | 0:12:14 | |
-Putting on the guilt. -Absolutely. | 0:12:14 | 0:12:16 | |
So we have this letter here threatening that the | 0:12:16 | 0:12:19 | |
curses of an angry father will fall upon her, that she | 0:12:19 | 0:12:22 | |
has broken the fifth commandment and can never be forgiven. | 0:12:22 | 0:12:26 | |
It's a very, very difficult situation for her | 0:12:26 | 0:12:29 | |
and would have put her under enormous psychological stress. | 0:12:29 | 0:12:32 | |
Despite William's physical frailty and Mary's mental fragility, | 0:12:39 | 0:12:44 | |
they were a pretty good king and queen. | 0:12:44 | 0:12:47 | |
But I do get the sense this is at a high personal price, | 0:12:47 | 0:12:51 | |
that they'd both rather have been somebody else, somewhere else. | 0:12:51 | 0:12:56 | |
Mary was quite explicit about this. | 0:12:56 | 0:12:58 | |
"As queen," she said, "I must grin when my heart is fit to break. | 0:12:58 | 0:13:04 | |
"I must talk when my heart is so oppressed I can scarcely breathe." | 0:13:04 | 0:13:09 | |
And William spoke of the heavy burden he had to carry. | 0:13:09 | 0:13:14 | |
Monarchy was no longer a right to be enjoyed - | 0:13:14 | 0:13:18 | |
it was a task to be endured. | 0:13:18 | 0:13:20 | |
Tragically, although Mary had been much healthier than her husband, | 0:13:24 | 0:13:28 | |
at the age of 32 she caught smallpox and died within a week. | 0:13:28 | 0:13:33 | |
William continued to reign alone for the next eight years | 0:13:36 | 0:13:39 | |
until he had a riding accident in the grounds of Hampton Court Palace. | 0:13:39 | 0:13:45 | |
For the king who'd ridden into battle on numerous occasions | 0:13:45 | 0:13:48 | |
the cause was rather ignominious - | 0:13:48 | 0:13:51 | |
his horse had tripped on a molehill. | 0:13:51 | 0:13:54 | |
This statue of William III was put up following his death and if | 0:13:54 | 0:13:58 | |
you look closely at it you can see that the horse's back leg is just | 0:13:58 | 0:14:03 | |
making contact with the molehill - the horse is just about to trip. | 0:14:03 | 0:14:07 | |
From this point onwards, | 0:14:07 | 0:14:10 | |
the king's exiled Catholic enemies over the sea in France | 0:14:10 | 0:14:14 | |
would raise a toast to a certain gentleman in a black velvet coat. | 0:14:14 | 0:14:19 | |
This was the velveteen mole that made the molehill | 0:14:19 | 0:14:23 | |
that caused the death of the Protestant King. | 0:14:23 | 0:14:26 | |
Despite all the sacrifices William and Mary had made | 0:14:29 | 0:14:33 | |
for the monarchy, they'd failed in their most important royal duty. | 0:14:33 | 0:14:37 | |
They died childless. Biology had let them down. | 0:14:37 | 0:14:40 | |
But the newly-empowered Parliament had stepped in to manage | 0:14:44 | 0:14:47 | |
the succession and they'd already chosen a replacement. | 0:14:47 | 0:14:51 | |
It had been decided that Mary's sister Anne would succeed | 0:14:53 | 0:14:57 | |
if William and Mary didn't produce an heir. | 0:14:57 | 0:14:59 | |
This would ensure that a Protestant would remain on the throne. | 0:14:59 | 0:15:04 | |
What parliament hadn't foreseen and couldn't control | 0:15:04 | 0:15:08 | |
was that biology might not deliver once again | 0:15:08 | 0:15:11 | |
and that Anne would also have difficulties bearing children. | 0:15:11 | 0:15:16 | |
Anne's gynaecological record was horrific and saddening. | 0:15:16 | 0:15:21 | |
In 16 years she had 17 pregnancies. | 0:15:21 | 0:15:26 | |
12 of them ended in miscarriage or stillbirth | 0:15:26 | 0:15:30 | |
and of her surviving children, the oldest only lived 11 years. | 0:15:30 | 0:15:34 | |
Anne's friends said there was nothing more moving | 0:15:34 | 0:15:38 | |
than to see the queen and her husband mourning together | 0:15:38 | 0:15:42 | |
as the little coffins mounted up. | 0:15:42 | 0:15:45 | |
Sometimes they would weep together, | 0:15:45 | 0:15:48 | |
other times they just sat in silence, hand in hand. | 0:15:48 | 0:15:52 | |
It was unimaginably awful. | 0:15:52 | 0:15:56 | |
To this day, no-one really agrees on the reason behind Anne's suffering. | 0:15:56 | 0:16:01 | |
At the time, doctors were beginning to manage the dreadful | 0:16:01 | 0:16:04 | |
uncertainties of pregnancy, with new technology such as the forceps. | 0:16:04 | 0:16:09 | |
Unlike us, they also believed that they knew the cause of her | 0:16:09 | 0:16:13 | |
condition, but it depended upon a view of the body that had | 0:16:13 | 0:16:17 | |
prevailed since medieval times. | 0:16:17 | 0:16:19 | |
Clearly there's something wrong with Anne. | 0:16:19 | 0:16:22 | |
What did contemporaries think it might have been? | 0:16:22 | 0:16:24 | |
They would have explained it in terms of her humeral constitution. | 0:16:24 | 0:16:28 | |
At this time, bodies were understood as made up of four humours - | 0:16:28 | 0:16:32 | |
blood, yellow bile, black bile and phlegm. | 0:16:32 | 0:16:35 | |
And they had qualities of hot, dry, cold and moist. | 0:16:35 | 0:16:40 | |
And as she became progressively larger, shall we say, | 0:16:40 | 0:16:44 | |
they would have understood it as having an imbalance in her humours, | 0:16:44 | 0:16:49 | |
and so they would have explained her constitution | 0:16:49 | 0:16:53 | |
as her being cold and moist. | 0:16:53 | 0:16:55 | |
Predominantly, she had things like watery eyes, for example, | 0:16:55 | 0:16:59 | |
and that would have affected her reproductive capacity. | 0:16:59 | 0:17:04 | |
So in a book like this, it explains one of the causes of abortion | 0:17:04 | 0:17:09 | |
or miscarriage as being due to viscous, slimy, slippery, | 0:17:09 | 0:17:13 | |
phlegmatic, watery humours, | 0:17:13 | 0:17:16 | |
so that the conception would slip out of the womb - | 0:17:16 | 0:17:19 | |
it would be unable to stay within the body | 0:17:19 | 0:17:23 | |
and, therefore, more likely to miscarry. | 0:17:23 | 0:17:25 | |
Clearly, women don't experience birth problems | 0:17:25 | 0:17:28 | |
because they're too slippery. | 0:17:28 | 0:17:30 | |
Do you think there are any more convincing | 0:17:30 | 0:17:32 | |
explanations for her problems? | 0:17:32 | 0:17:34 | |
In these sorts of books of advice, Jane Sharp's work on midwifery... | 0:17:34 | 0:17:39 | |
Oh, yeah. | 0:17:39 | 0:17:40 | |
..She says quite clearly that fat, overindulgent city women who | 0:17:40 | 0:17:44 | |
eat too much and have access to far too many delicacies are far | 0:17:44 | 0:17:48 | |
more likely to have difficult labours and a hard time childbearing | 0:17:48 | 0:17:53 | |
than your labouring women who were leaner and healthier as a result. | 0:17:53 | 0:17:57 | |
Even today, if somebody's overweight, | 0:17:57 | 0:17:59 | |
if they're obese and they want to have children, | 0:17:59 | 0:18:01 | |
the first thing they're told to do is to lose weight! | 0:18:01 | 0:18:04 | |
Yes, absolutely. | 0:18:04 | 0:18:05 | |
They were well aware at the time that these kinds of issues | 0:18:05 | 0:18:08 | |
with body size had an impact on one's reproductive capacity. | 0:18:08 | 0:18:13 | |
By the time Anne became queen in 1704, | 0:18:14 | 0:18:18 | |
she was described as being sick with grief. | 0:18:18 | 0:18:21 | |
All of her children had died and | 0:18:21 | 0:18:24 | |
after so many complicated pregnancies | 0:18:24 | 0:18:26 | |
she had no chance of producing any more. | 0:18:26 | 0:18:29 | |
She took the throne knowing that she was the last in her line, | 0:18:29 | 0:18:34 | |
that she was a stopgap queen, | 0:18:34 | 0:18:36 | |
and that Parliament would choose her successor. | 0:18:36 | 0:18:40 | |
And this meant that she was deeply in thrall to her politicians. | 0:18:41 | 0:18:46 | |
This period was the golden age of Parliament. | 0:19:03 | 0:19:06 | |
The packed House Of Commons saw debates that were lively | 0:19:06 | 0:19:09 | |
and violent and passionate! | 0:19:09 | 0:19:12 | |
It also saw the beginnings of the two-party system - | 0:19:12 | 0:19:15 | |
people talked about the rage of parties. | 0:19:15 | 0:19:18 | |
These weren't modern political parties with manifestos | 0:19:18 | 0:19:22 | |
and an elected leader, they were rough, loose groupings. | 0:19:22 | 0:19:27 | |
On one side were the Whigs, who were a bit more go-ahead | 0:19:27 | 0:19:31 | |
and interested in matters of finance. | 0:19:31 | 0:19:33 | |
On the other side, the Tories, | 0:19:33 | 0:19:35 | |
more conservative and deeply devoted to the Church of England. | 0:19:35 | 0:19:39 | |
The rise of the two-party system presented a further | 0:19:39 | 0:19:43 | |
challenge to the monarchy - | 0:19:43 | 0:19:45 | |
how to satisfy two opposing factions at the same time. | 0:19:45 | 0:19:49 | |
For Anne, there was a fine line to tread between pleasing the few | 0:19:49 | 0:19:53 | |
and alienating the many, because the politicians knew that | 0:19:53 | 0:19:58 | |
if they could exploit any weakness exhibited by the royal family, | 0:19:58 | 0:20:02 | |
the personal and political rewards were potentially enormous. | 0:20:02 | 0:20:06 | |
This is Blenheim Palace. | 0:20:09 | 0:20:11 | |
It was owned by John Churchill, the Duke of Marlborough, | 0:20:11 | 0:20:14 | |
a prominent Whig politician, and built | 0:20:14 | 0:20:17 | |
after his victory against the French at the battle of Blenheim. | 0:20:17 | 0:20:20 | |
At the time, it was bigger, better and more costly | 0:20:24 | 0:20:29 | |
than any of the royal palaces. | 0:20:29 | 0:20:32 | |
But its building was deeply contentious | 0:20:32 | 0:20:34 | |
and led to public riots, because it was commissioned for the Duke | 0:20:34 | 0:20:37 | |
by Queen Anne herself and she paid for it with public money. | 0:20:37 | 0:20:42 | |
After his victory, you can see why the Duke deserved his palace, | 0:20:43 | 0:20:48 | |
but you can also see why other people would be jealous | 0:20:48 | 0:20:51 | |
and make accusations of favouritism. | 0:20:51 | 0:20:53 | |
Anne herself was very well aware of this danger. | 0:20:53 | 0:20:57 | |
She said, "I mustn't put myself in the hands of any one party." | 0:20:57 | 0:21:02 | |
But the real problem wasn't Anne's preference for a political party | 0:21:02 | 0:21:05 | |
or a male favourite, the problem was her relationship | 0:21:05 | 0:21:08 | |
with a woman, the Duke's wife, Sarah. | 0:21:08 | 0:21:12 | |
This is Sarah, the Duchess of Marlborough, | 0:21:25 | 0:21:28 | |
surrounded by all of her children. | 0:21:28 | 0:21:31 | |
She was notoriously powerful at the court of Queen Anne. | 0:21:31 | 0:21:34 | |
Sarah held all the top jobs - she was Mistress Of The Robes, | 0:21:34 | 0:21:38 | |
she was Keeper Of The Privy Purse. | 0:21:38 | 0:21:40 | |
In portraits you sometimes see her with her golden key of office. | 0:21:40 | 0:21:44 | |
This key unlocks the queen's private rooms. | 0:21:44 | 0:21:47 | |
It was like the key to the queen herself. | 0:21:47 | 0:21:50 | |
Because of her access, | 0:21:50 | 0:21:52 | |
Sarah was a powerful friend to her political allies, the Whigs, | 0:21:52 | 0:21:57 | |
but she was dangerous if you crossed her, and some people thought | 0:21:57 | 0:22:00 | |
there was something unhealthy about her relationship with the Queen. | 0:22:00 | 0:22:04 | |
So these are early 18th Century playing cards | 0:22:07 | 0:22:10 | |
with scenes from life at court. | 0:22:10 | 0:22:11 | |
They're like little windows into the palace. | 0:22:11 | 0:22:14 | |
They're rather good, aren't they? | 0:22:14 | 0:22:16 | |
And this one shows Queen Anne in private with all of her attendants. | 0:22:16 | 0:22:20 | |
These are the ladies of the bedchamber. | 0:22:20 | 0:22:22 | |
Now, queens had always had ladies of the bedchamber, but Sarah is | 0:22:22 | 0:22:26 | |
so prominent amongst them that this causes problems, doesn't it? | 0:22:26 | 0:22:29 | |
Yeah, I mean, she was far more than a servant. | 0:22:29 | 0:22:32 | |
They were very close friends by this point. | 0:22:32 | 0:22:35 | |
What's unusual about this level of intimacy between | 0:22:35 | 0:22:38 | |
a queen and her subject? | 0:22:38 | 0:22:40 | |
Well, I think what they started to do that was unusual was | 0:22:40 | 0:22:44 | |
to talk to each other as if they were equals. | 0:22:44 | 0:22:47 | |
And, you know, as we can see from letters like this that Anne, | 0:22:47 | 0:22:50 | |
this is one from Anne to Sarah, they decided to take on names | 0:22:50 | 0:22:55 | |
in their correspondence of Mrs Morley and Mrs Freeman. | 0:22:55 | 0:22:58 | |
So Anne writes in the persona of Mrs Morley | 0:22:58 | 0:23:00 | |
and she calls Sarah Mrs Freeman. | 0:23:00 | 0:23:03 | |
And, you know, they're young women at this point who are casting | 0:23:03 | 0:23:06 | |
themselves as if they are just ordinary bourgeois, | 0:23:06 | 0:23:10 | |
middleclass housewives talking to each other. | 0:23:10 | 0:23:12 | |
This seems to me quite dangerous really, | 0:23:12 | 0:23:15 | |
because, even though contemporary friendship was framed as | 0:23:15 | 0:23:17 | |
two women as equals, this is the Queen and her servant! | 0:23:17 | 0:23:20 | |
Yeah, and by the time Anne's queen it's a very subversive | 0:23:20 | 0:23:24 | |
and dangerous relationship in the eyes of many people. | 0:23:24 | 0:23:27 | |
Why were the male courtiers and politicians so frightened of Sarah? | 0:23:27 | 0:23:31 | |
They believed that she had much more direct political influence | 0:23:31 | 0:23:34 | |
than in fact she had. | 0:23:34 | 0:23:36 | |
She is seen as the Whigs' agent trying to constrain the Queen | 0:23:36 | 0:23:40 | |
and make her do what the Whigs want. | 0:23:40 | 0:23:42 | |
But what's interesting is that | 0:23:42 | 0:23:44 | |
it's Sarah herself who starts to drop hints. | 0:23:44 | 0:23:47 | |
When she feels threatened that other women are later going to | 0:23:47 | 0:23:50 | |
usurp her position and come into that role, she starts to say | 0:23:50 | 0:23:54 | |
that Anne's relationships with women are unnatural. | 0:23:54 | 0:23:57 | |
So Sarah herself is using this sort of scurrilous language | 0:23:57 | 0:24:00 | |
about lesbianism as a way of attacking Anne? | 0:24:00 | 0:24:03 | |
She's saying, "Unless you keep me as your favourite, I will reveal all." | 0:24:03 | 0:24:07 | |
Yeah, she keeps all of Anne's letters | 0:24:07 | 0:24:09 | |
and she refers to them as her "vouchers of truth." | 0:24:09 | 0:24:12 | |
And from about 1708, she starts making veiled threats | 0:24:12 | 0:24:16 | |
that if she's not kept in favour, she will publish these letters. | 0:24:16 | 0:24:21 | |
In the end, Sarah's threats and the growing public disquiet | 0:24:21 | 0:24:25 | |
became dangerous for Anne. | 0:24:25 | 0:24:27 | |
In 1710, the writer Jonathan Swift published an article accusing | 0:24:27 | 0:24:32 | |
the Marlboroughs of embezzling funds intended for Blenheim Palace. | 0:24:32 | 0:24:36 | |
Anne finally had to banish her favourite from court. | 0:24:37 | 0:24:41 | |
Anne presents a paradox as queen. | 0:24:43 | 0:24:46 | |
Despite her problems with her gender and her gynaecological issues | 0:24:46 | 0:24:50 | |
and her unfortunate choice of friends, | 0:24:50 | 0:24:53 | |
she was a very diligent monarch. | 0:24:53 | 0:24:55 | |
She attended more cabinet meetings than any other king or queen | 0:24:55 | 0:24:59 | |
and we can give her the credit for good intentions. | 0:24:59 | 0:25:02 | |
As she said herself, "Those who come after me may be more capable, | 0:25:02 | 0:25:08 | |
"but they cannot discharge their duties more faithfully." | 0:25:08 | 0:25:12 | |
Although Anne may not have been the greatest monarch, | 0:25:21 | 0:25:24 | |
her subjects became very affectionate towards her, | 0:25:24 | 0:25:27 | |
recognising a good queen who had done her best. | 0:25:27 | 0:25:32 | |
And in 1714, when she'd been languishing in bed for over a year, | 0:25:32 | 0:25:37 | |
they were truly distressed. | 0:25:37 | 0:25:39 | |
Anne had suffered from ill health for her entire life. | 0:25:41 | 0:25:45 | |
The consequences of her obesity, her gout | 0:25:45 | 0:25:49 | |
and her 17 pregnancies had finally caught up with her. | 0:25:49 | 0:25:54 | |
I believe that this bed was commissioned | 0:25:54 | 0:25:56 | |
for a very special purpose - that she intended to die in it. | 0:25:56 | 0:26:01 | |
This was a queen whose mortality could be publicly acknowledged, | 0:26:01 | 0:26:06 | |
who was human like the rest of us. | 0:26:06 | 0:26:09 | |
Anne's death brought the weakness of the Stuart family to a head. | 0:26:09 | 0:26:13 | |
With her, they finally lost the throne. | 0:26:13 | 0:26:15 | |
This dynasty's various failings had given their people | 0:26:15 | 0:26:19 | |
additional strength and power. | 0:26:19 | 0:26:22 | |
Parliament had repeatedly stepped in, either to correct or to | 0:26:22 | 0:26:26 | |
compensate for the weaknesses of the various Stuart kings and queens. | 0:26:26 | 0:26:31 | |
Parliament had executed Charles I, forced the exile of James II, | 0:26:31 | 0:26:36 | |
chosen a successor for William and Mary. | 0:26:36 | 0:26:39 | |
And then we had Anne, the most tragic queen in British history - | 0:26:39 | 0:26:43 | |
theologically fit to rule, but biologically cursed. | 0:26:43 | 0:26:47 | |
When Anne's medical problems threw the succession into doubt, | 0:26:50 | 0:26:53 | |
Parliament once again stepped in. | 0:26:53 | 0:26:56 | |
They passed the Act Of Settlement, setting out who should rule | 0:26:56 | 0:27:00 | |
after her and, more importantly, who shouldn't. | 0:27:00 | 0:27:03 | |
It now became law that no Catholic could ever again sit on the throne. | 0:27:05 | 0:27:11 | |
Parliament were absolutely desperate to find | 0:27:11 | 0:27:15 | |
a Protestant successor to Anne. | 0:27:15 | 0:27:17 | |
At this point, they overlooked no less than 50 of her relatives | 0:27:17 | 0:27:22 | |
on the grounds that they were Catholic. | 0:27:22 | 0:27:24 | |
Eventually they settled on this rather unprepossessing candidate, | 0:27:24 | 0:27:29 | |
Georg Ludwig, ruler of the tiny German principality of Hanover. | 0:27:29 | 0:27:34 | |
He was short, he was quiet, people called him a blockhead | 0:27:34 | 0:27:38 | |
and he was German. | 0:27:38 | 0:27:40 | |
But at least he was Protestant. | 0:27:40 | 0:27:42 | |
In August 1714, the diminutive Georg Ludwig arrives in England | 0:27:44 | 0:27:49 | |
with his German entourage in tow. | 0:27:49 | 0:27:51 | |
Georg landed just over there in Greenwich to make his | 0:27:53 | 0:27:56 | |
formal entry into London | 0:27:56 | 0:27:58 | |
and he was crowned in Westminster Abbey on the 20th of October. | 0:27:58 | 0:28:02 | |
But pretty soon questions were asked about his qualifications | 0:28:02 | 0:28:06 | |
for his new job. | 0:28:06 | 0:28:08 | |
It became clear that his English wasn't good enough | 0:28:08 | 0:28:11 | |
for him to understand the coronation ceremony. | 0:28:11 | 0:28:14 | |
He got a bit bored. Things had to be explained to him in Latin. | 0:28:14 | 0:28:18 | |
Soon afterwards he had to make his speech to open Parliament | 0:28:18 | 0:28:21 | |
and again his language skills let him down. | 0:28:21 | 0:28:25 | |
He started to read out his speech, he struggled, he gave up, | 0:28:25 | 0:28:29 | |
one of his subjects had to finish it for him. | 0:28:29 | 0:28:32 | |
It wasn't a very gracious way to begin a new reign. | 0:28:32 | 0:28:36 | |
Where Georg failed in terms of language and likeability, | 0:28:36 | 0:28:40 | |
he was a great success in terms of biology. | 0:28:40 | 0:28:43 | |
Unlike the previous Stuarts, | 0:28:43 | 0:28:45 | |
this new Hanoverian had produced children - | 0:28:45 | 0:28:48 | |
a daughter and, even more importantly, a son and heir. | 0:28:48 | 0:28:51 | |
This new George, George II, received a warm welcome from his subjects | 0:28:51 | 0:28:57 | |
because of the smoothness of the succession. | 0:28:57 | 0:29:00 | |
But he too had image problems. | 0:29:00 | 0:29:03 | |
Like his father, he'd been born in Hanover. | 0:29:03 | 0:29:06 | |
He spoke English with a thick German accent. | 0:29:06 | 0:29:08 | |
He was just a little bit too foreign. | 0:29:08 | 0:29:11 | |
Also like his father, though, George could perform. | 0:29:11 | 0:29:15 | |
He and his wife Caroline produced no less than eight healthy children. | 0:29:15 | 0:29:19 | |
The Hanoverians had won the battle against biology, but in producing | 0:29:22 | 0:29:26 | |
a royal family they found themselves waging a very personal war. | 0:29:26 | 0:29:31 | |
The toxic relationship that developed between George II | 0:29:33 | 0:29:37 | |
and his eldest son Frederick would tear this family apart. | 0:29:37 | 0:29:42 | |
Even worse, it would threaten the power of the monarchy | 0:29:42 | 0:29:46 | |
just as much as the infertility of the Stuarts. | 0:29:46 | 0:29:49 | |
In 1737, Prince Frederick's wife became pregnant. | 0:29:51 | 0:29:56 | |
What he should have now done was tell King George | 0:29:56 | 0:29:59 | |
and Queen Caroline so that they could make preparations | 0:29:59 | 0:30:02 | |
to be present at the birth of their first grandchild. | 0:30:02 | 0:30:05 | |
They had this right to ensure that a true heir to the throne | 0:30:05 | 0:30:09 | |
was being born. | 0:30:09 | 0:30:10 | |
On the night that her waters broke, | 0:30:14 | 0:30:16 | |
the royal family were all here at Hampton Court Palace. | 0:30:16 | 0:30:20 | |
But instead of summoning his parents, | 0:30:20 | 0:30:23 | |
Frederick got his wife, bundled her down this staircase, | 0:30:23 | 0:30:26 | |
pushed her into a carriage, and drove her through the night, | 0:30:26 | 0:30:30 | |
15 miles over bumpy roads to St James's Palace. | 0:30:30 | 0:30:35 | |
This was his wife's first child! | 0:30:35 | 0:30:37 | |
This is frightening and dangerous for her! | 0:30:37 | 0:30:40 | |
But to Frederick, | 0:30:40 | 0:30:42 | |
it was more important that he annoyed his parents. | 0:30:42 | 0:30:45 | |
Queen Caroline's servants woke her up with the news | 0:30:47 | 0:30:50 | |
that labour had started. | 0:30:50 | 0:30:52 | |
"I'll go to my daughter-in-law," the Queen said. | 0:30:52 | 0:30:55 | |
But the servants said, "You'll have to go to St James's Palace." | 0:30:55 | 0:31:00 | |
She did. | 0:31:00 | 0:31:01 | |
She got in her coach and there was this farcical midnight chase. | 0:31:01 | 0:31:05 | |
When she arrived, it was too late, the baby had been born. | 0:31:05 | 0:31:10 | |
And when King George II heard about it, he exploded with rage! | 0:31:10 | 0:31:14 | |
This was a declaration of all-out war. | 0:31:14 | 0:31:18 | |
In an earlier age, this royal family feud might have remained | 0:31:22 | 0:31:26 | |
private or at least confined to court circles. | 0:31:26 | 0:31:30 | |
But now, with print culture everywhere, | 0:31:30 | 0:31:33 | |
the monarch's family business was everybody's business. | 0:31:33 | 0:31:37 | |
The Gentleman's Magazine has a series of letters | 0:31:39 | 0:31:42 | |
between the King, the Queen and the Prince of Wales about this event. | 0:31:42 | 0:31:46 | |
You know, this is Dallas on-screen, in a sense, | 0:31:46 | 0:31:49 | |
and that's what you're getting played out here in this book. | 0:31:49 | 0:31:52 | |
Who starts it, then? The King goes first, doesn't he, I think? | 0:31:52 | 0:31:55 | |
The King goes first. | 0:31:55 | 0:31:56 | |
-He shouldn't have done that. -Absolutely. | 0:31:56 | 0:31:58 | |
And basically, "Not only shouldn't you have done that, | 0:31:58 | 0:32:00 | |
"but we had made all these preparations for it and I'm | 0:32:00 | 0:32:03 | |
"absolutely furious, I'm completely furious at what you've done." | 0:32:03 | 0:32:07 | |
What do you think the root cause was of all this bad blood | 0:32:07 | 0:32:10 | |
between the father and the son? | 0:32:10 | 0:32:11 | |
It would be nice to say that it's just something that | 0:32:11 | 0:32:14 | |
runs in the Hanoverian blood, but it isn't. | 0:32:14 | 0:32:16 | |
This is something that goes to the heart of monarchy | 0:32:16 | 0:32:19 | |
and it's the first time really, | 0:32:19 | 0:32:21 | |
after the Hanoverian succession, that we've got a big family | 0:32:21 | 0:32:24 | |
on the throne and as soon as you get family, you get family politics. | 0:32:24 | 0:32:27 | |
It's really ironic, isn't it, that the Tudors and the Stuarts | 0:32:27 | 0:32:30 | |
struggled so much with fertility, | 0:32:30 | 0:32:32 | |
they couldn't provide heirs very easily, | 0:32:32 | 0:32:35 | |
then with the Hanoverians, we've almost got too many of them? | 0:32:35 | 0:32:38 | |
Entirely so. That's exactly the case. | 0:32:38 | 0:32:40 | |
The whole notion of monarchy depends upon the fact that you've got | 0:32:40 | 0:32:43 | |
to go and have an heir and a spare, if possible, | 0:32:43 | 0:32:45 | |
but at least you've got to have an heir. | 0:32:45 | 0:32:48 | |
And once you've got an heir that's fine, but you set yourself up | 0:32:48 | 0:32:51 | |
with a whole other series of issues and problems. | 0:32:51 | 0:32:54 | |
And the primary problem you've got then is that | 0:32:54 | 0:32:57 | |
you've got a reminder of your own mortality standing next to you. | 0:32:57 | 0:33:01 | |
And as that person becomes an adult | 0:33:01 | 0:33:04 | |
they can start a rival court and they can lure off people. | 0:33:04 | 0:33:08 | |
They're the promise of the future, | 0:33:08 | 0:33:10 | |
they're the hope for the future, and so there's all kinds of tensions, | 0:33:10 | 0:33:13 | |
envy, jealousy, fears of mortality, never mind the fact that the parents | 0:33:13 | 0:33:17 | |
may not actually like the son or the son may not like the parents. | 0:33:17 | 0:33:20 | |
It's called the reversionary interest, isn't it? | 0:33:20 | 0:33:22 | |
Because all he can do as Prince of Wales | 0:33:22 | 0:33:25 | |
-is offer the reversion of posts... -That's right. | 0:33:25 | 0:33:27 | |
..When they fall empty, when the King dies. So, it's all "here's one for the future." | 0:33:27 | 0:33:31 | |
Yeah, here's one for the future and, of course, | 0:33:31 | 0:33:33 | |
if you are on the outs with the king as a politician, | 0:33:33 | 0:33:37 | |
it provides you with an alternative court. | 0:33:37 | 0:33:40 | |
You can move over to go and, you know, | 0:33:40 | 0:33:43 | |
side with the Prince of Wales for a while. | 0:33:43 | 0:33:45 | |
So when we think back to Henry VIII, | 0:33:45 | 0:33:47 | |
to disagree with the king was treason, | 0:33:47 | 0:33:49 | |
you could even lose your head for it. | 0:33:49 | 0:33:51 | |
But by the 18th century, it is possible to disagree with | 0:33:51 | 0:33:55 | |
the king safely, you just become a member of the Loyal Opposition. | 0:33:55 | 0:33:59 | |
Yes. His Majesty's Loyal Opposition - some place where people | 0:33:59 | 0:34:02 | |
who are disaffected with the current monarch can safely congregate. | 0:34:02 | 0:34:08 | |
This addition of politics to a family row caused a complete | 0:34:08 | 0:34:13 | |
breakdown of communication soon after the baby fiasco. | 0:34:13 | 0:34:17 | |
What I find almost tragic is the way that this | 0:34:22 | 0:34:25 | |
quarrel between parents and child was never resolved. | 0:34:25 | 0:34:29 | |
A few months later, Caroline lay dying. | 0:34:29 | 0:34:32 | |
This is a very intimate sketch of the queen on her deathbed. | 0:34:32 | 0:34:36 | |
She'd been suffering from an umbilical hernia. | 0:34:36 | 0:34:39 | |
The treatment had been botched by her doctors. | 0:34:39 | 0:34:42 | |
This was ironic, because Caroline had been a huge | 0:34:42 | 0:34:44 | |
supporter of science and the medical profession. | 0:34:44 | 0:34:47 | |
During the ten days it took her to die, her son Frederick | 0:34:48 | 0:34:52 | |
repeatedly tried to inveigle his way into the palace to see her. | 0:34:52 | 0:34:58 | |
We just don't know whether this was more politics | 0:34:58 | 0:35:01 | |
or whether he genuinely missed his mother. | 0:35:01 | 0:35:04 | |
Either way, because of the inversion of normal family relationships | 0:35:04 | 0:35:09 | |
Caroline still insisted that she hated her son. | 0:35:09 | 0:35:13 | |
And when she died, it was without ever having set eyes on him again. | 0:35:13 | 0:35:17 | |
Once again, the royal family's dysfunctional behaviour | 0:35:20 | 0:35:23 | |
gave the politicians the chance to exploit | 0:35:23 | 0:35:26 | |
the weaknesses of the monarchy to their own advantage. | 0:35:26 | 0:35:30 | |
And the situation would have a very personal effect on George himself. | 0:35:33 | 0:35:38 | |
Queen Anne's physical health had caused her untold mental anguish | 0:35:38 | 0:35:42 | |
and the psychological mind games played out between father, son | 0:35:42 | 0:35:48 | |
and the politicians had an equally dire effect on George's wellbeing. | 0:35:48 | 0:35:53 | |
George found it incredibly frustrating dealing with | 0:35:56 | 0:35:59 | |
politics and politicians. | 0:35:59 | 0:36:01 | |
He'd always had a terrible temper. | 0:36:01 | 0:36:03 | |
Sometimes he used to kick his hat | 0:36:03 | 0:36:05 | |
and even his wig around the room during a tantrum. | 0:36:05 | 0:36:09 | |
"The Devil take Parliament," he'd shout, "the Devil take this | 0:36:09 | 0:36:13 | |
"whole island, as long as I can be out of it and go back to Hanover." | 0:36:13 | 0:36:17 | |
And his frustration had its effect on his health. | 0:36:17 | 0:36:21 | |
All his life he'd suffered from angina or chest pains, particularly | 0:36:21 | 0:36:25 | |
after dinner, and when he died in 1760 it was of a heart attack. | 0:36:25 | 0:36:31 | |
When his body was cut open, they found that the right ventricle | 0:36:31 | 0:36:35 | |
had burst and that the whole organ was full of coagulated blood. | 0:36:35 | 0:36:40 | |
It's as if he died of crossness. | 0:36:40 | 0:36:42 | |
A picture of the King's autopsied heart was published in | 0:36:43 | 0:36:46 | |
The Gentleman's Magazine, | 0:36:46 | 0:36:48 | |
as if for the entertainment of the reading public. | 0:36:48 | 0:36:51 | |
And there was a sense by the middle of the 18th century, that the | 0:36:51 | 0:36:55 | |
monarchy had become just another part of the London tourist industry. | 0:36:55 | 0:36:59 | |
One guidebook said that you should go and see | 0:36:59 | 0:37:02 | |
the lions at the Tower Of London, | 0:37:02 | 0:37:04 | |
you must see the tombs at Westminster Abbey, see the plays, | 0:37:04 | 0:37:08 | |
see the operas and the royal family. | 0:37:08 | 0:37:11 | |
The greatest tragedy was that all the anxiety and loathing between | 0:37:14 | 0:37:19 | |
the father, the mother and the son had proved totally unnecessary. | 0:37:19 | 0:37:25 | |
Frederick actually predeceased his father George, | 0:37:25 | 0:37:29 | |
dying of a blood clot on the lung. | 0:37:29 | 0:37:31 | |
All the efforts the politicians had made to play father | 0:37:31 | 0:37:35 | |
and son off against each other had been pointless. | 0:37:35 | 0:37:39 | |
In the end, the crown actually passed to George II's grandson, | 0:37:39 | 0:37:44 | |
yet another George, the third in a row. | 0:37:44 | 0:37:46 | |
The only winners in this sorry situation were | 0:37:49 | 0:37:51 | |
the newspaper-reading public. | 0:37:51 | 0:37:54 | |
The health of their new ruler would provide | 0:37:54 | 0:37:56 | |
the juiciest royal soap opera of them all. | 0:37:56 | 0:37:59 | |
Like Queen Anne, George III presents a paradox. | 0:38:02 | 0:38:05 | |
He did have one enormous weakness - | 0:38:05 | 0:38:08 | |
his episodes of so-called madness that have come to define his reign. | 0:38:08 | 0:38:13 | |
On the other hand though, he did rule for 60 years. | 0:38:13 | 0:38:17 | |
One of the longest reigns of any British monarch. | 0:38:17 | 0:38:21 | |
When George was suffering from his episodes of madness | 0:38:28 | 0:38:31 | |
he was imprisoned at Kew Palace, | 0:38:31 | 0:38:35 | |
isolated from his court, | 0:38:35 | 0:38:37 | |
even kept apart from his wife and children. | 0:38:37 | 0:38:41 | |
These are George's clothes that show some of the signs of his illness. | 0:38:52 | 0:38:57 | |
We know this shirt belonged to him, it's got GR and a little crown. | 0:38:57 | 0:39:02 | |
And it's been made extra big, there's extra fabric under the arms, | 0:39:02 | 0:39:07 | |
so that his pages could dress him | 0:39:07 | 0:39:09 | |
when he wasn't able to do it for himself. | 0:39:09 | 0:39:11 | |
The waistcoat is even more poignant. | 0:39:14 | 0:39:17 | |
You can see how the shoulders have been enlarged | 0:39:17 | 0:39:20 | |
so that his servants could put it on him, | 0:39:20 | 0:39:23 | |
and down the front there is food, or maybe dribble. | 0:39:23 | 0:39:28 | |
When he couldn't feed himself | 0:39:28 | 0:39:30 | |
he was fed from a cup with a spout, like a child. | 0:39:30 | 0:39:34 | |
The royal servant who gave this waistcoat | 0:39:34 | 0:39:36 | |
to a souvenir hunter apologised. | 0:39:36 | 0:39:39 | |
He said, "This is the only garment that was available. | 0:39:39 | 0:39:42 | |
"The others were just too soiled." | 0:39:42 | 0:39:44 | |
Although his doctors tried desperately to find a cure, | 0:39:47 | 0:39:50 | |
no-one could really agree what the problem was. | 0:39:50 | 0:39:53 | |
For a long time, George's illness has been attributed to | 0:39:53 | 0:39:57 | |
a physical genetic blood disorder, porphyria. | 0:39:57 | 0:40:01 | |
But now doctors are beginning to question this diagnosis. | 0:40:01 | 0:40:05 | |
One of the symptoms of porphyria is blue urine | 0:40:07 | 0:40:11 | |
and George's medical records show that he had this. | 0:40:11 | 0:40:14 | |
But doctors looking recently at these records | 0:40:14 | 0:40:17 | |
have noticed that he was being treated with extract of gentian. | 0:40:17 | 0:40:22 | |
This comes from a root of the plant that has deep purple flowers. | 0:40:22 | 0:40:26 | |
It's still used today as a pick-me-up. | 0:40:26 | 0:40:29 | |
If you take this, your urine will go blue. | 0:40:29 | 0:40:32 | |
So did George have porphyria or was the blue urine | 0:40:32 | 0:40:35 | |
just a symptom of his medicine? | 0:40:35 | 0:40:37 | |
Clinical neurologist Dr Peter Garrard has been studying letters | 0:40:40 | 0:40:43 | |
George wrote before enduring his madness | 0:40:43 | 0:40:47 | |
with the same techniques he uses to diagnose his modern patients. | 0:40:47 | 0:40:52 | |
So I've got a letter here that George wrote | 0:40:52 | 0:40:54 | |
while he was coming to the end of his period of illness, | 0:40:54 | 0:40:58 | |
his first period of illness. | 0:40:58 | 0:40:59 | |
And the one you've got in your hand | 0:40:59 | 0:41:01 | |
was written just before he started to become ill. | 0:41:01 | 0:41:05 | |
And what are the main differences between them? | 0:41:05 | 0:41:07 | |
What are we looking out for? | 0:41:07 | 0:41:08 | |
One of the most striking things about this letter is | 0:41:08 | 0:41:11 | |
the length of the sentences. | 0:41:11 | 0:41:12 | |
If you look at the letter that you've got in your hand | 0:41:12 | 0:41:15 | |
there are maybe 400 words | 0:41:15 | 0:41:17 | |
and it's divided up into five or six sentences and that's... | 0:41:17 | 0:41:20 | |
-That's normal. -..And that's the kind of way in which you or I | 0:41:20 | 0:41:22 | |
would divide up our letters. | 0:41:22 | 0:41:24 | |
But if you look at this letter, which is much longer, | 0:41:24 | 0:41:27 | |
it's maybe 500 or 600 words, there are only two sentences in it. | 0:41:27 | 0:41:31 | |
So he's writing these massively long sentences | 0:41:31 | 0:41:34 | |
and that's something that seems to be | 0:41:34 | 0:41:36 | |
a feature of the kind of verbal verbosity that's associated with | 0:41:36 | 0:41:42 | |
the manic phase of a psychiatric illness like bipolar disorder. | 0:41:42 | 0:41:46 | |
It's almost like he's giving out an explosion of words | 0:41:46 | 0:41:50 | |
and this matches what his doctors are telling us as well. | 0:41:50 | 0:41:52 | |
They describe how he suffered from "an incessant loquacity," | 0:41:52 | 0:41:56 | |
and he would talk and talk until the foam ran out of his mouth... | 0:41:56 | 0:42:00 | |
-Right. -..And he can talk no more. It's a harrowing image. | 0:42:00 | 0:42:04 | |
-He talks himself completely out of words. -Mmm. | 0:42:04 | 0:42:07 | |
And he's probably having difficulty expressing his ideas concisely | 0:42:07 | 0:42:12 | |
because, if you look at one of these hugely long sentences, | 0:42:12 | 0:42:16 | |
not only is it long but it's also very complex. | 0:42:16 | 0:42:19 | |
In fact, if you model that in a simple way by counting | 0:42:19 | 0:42:21 | |
the number of verbs that he uses in that second sentence, | 0:42:21 | 0:42:25 | |
you can count as many as eight. | 0:42:25 | 0:42:27 | |
So eight verbs in a single sentence. | 0:42:27 | 0:42:29 | |
Sentences that you or I use typically contain one or at the most two verbs, | 0:42:29 | 0:42:33 | |
so it's highly complex. | 0:42:33 | 0:42:35 | |
You can also look at how sophisticated the word usage is | 0:42:35 | 0:42:38 | |
at the individual level. | 0:42:38 | 0:42:40 | |
So he starts to introduce words which attract very | 0:42:40 | 0:42:44 | |
high sophistication scores. | 0:42:44 | 0:42:46 | |
Words here like "unattentive" or "the utmost." | 0:42:46 | 0:42:49 | |
So it's like the reading level of the language is increased? | 0:42:49 | 0:42:52 | |
Yes, that's a very good way of putting it. | 0:42:52 | 0:42:54 | |
Isn't it quite unusual that he's using more sophisticated words | 0:42:54 | 0:42:57 | |
when he's ill? I would have expected the other way round. | 0:42:57 | 0:43:00 | |
Well, it's well-known that this kind of creativity is | 0:43:00 | 0:43:03 | |
a feature of the manic end of the spectrum of mood disorders. | 0:43:03 | 0:43:07 | |
So at one end we have the kind of extreme pathological levels | 0:43:07 | 0:43:12 | |
of sadness that we refer to as depression, and at the other end | 0:43:12 | 0:43:15 | |
we have these harmful and abnormal levels of happiness | 0:43:15 | 0:43:19 | |
or euphoria, and that's the state which we refer to as mania. | 0:43:19 | 0:43:24 | |
I think that these letters have great similarities with the kinds of | 0:43:24 | 0:43:29 | |
verbal activity that people that we treat and see today with mania show. | 0:43:29 | 0:43:35 | |
And do you think, then, that the evidence of these letters | 0:43:35 | 0:43:39 | |
shows that George wasn't suffering from porphyria, that he must | 0:43:39 | 0:43:42 | |
have had some sort of psychiatric disturbance, a period of mania? | 0:43:42 | 0:43:46 | |
I don't think there can be any doubt any more | 0:43:46 | 0:43:49 | |
that the porphyria hypothesis is completely dead in the water, | 0:43:49 | 0:43:52 | |
and that this was a psychiatric illness, | 0:43:52 | 0:43:54 | |
and that these periods that his doctors described, these are | 0:43:54 | 0:43:57 | |
reflections of, classic reflections almost, of manic behaviour. | 0:43:57 | 0:44:01 | |
At the time of George's madness of 1789, | 0:44:05 | 0:44:09 | |
its causes were hotly debated, | 0:44:09 | 0:44:12 | |
but its political effects were a far more serious concern. | 0:44:12 | 0:44:16 | |
The King wasn't dead, so couldn't be written off completely, | 0:44:18 | 0:44:21 | |
but he was totally incapacitated and holed up at Kew Palace. | 0:44:21 | 0:44:26 | |
Who was going to rule in his place? | 0:44:27 | 0:44:30 | |
The king's illness now became a ferociously fought over | 0:44:33 | 0:44:36 | |
political battleground. | 0:44:36 | 0:44:38 | |
Its effects were felt not only by the king, | 0:44:41 | 0:44:44 | |
but also by his son, his politicians, and the whole nation. | 0:44:44 | 0:44:48 | |
During the episodes of so-called madness, George disappears. | 0:44:50 | 0:44:54 | |
What does this mean for the politicians? | 0:44:54 | 0:44:57 | |
Well, clearly when he's first incapacitated in 1788 to 1789, | 0:44:57 | 0:45:01 | |
there's a big debate about what powers should be given | 0:45:01 | 0:45:05 | |
to his son, who is going to act as regent. | 0:45:05 | 0:45:09 | |
And there's a really fierce debate about what powers to give - | 0:45:09 | 0:45:13 | |
whether the regent should exercise full kingly powers or not. | 0:45:13 | 0:45:17 | |
I like the caricature here that shows us | 0:45:17 | 0:45:19 | |
there's a literal tug of war between the Whigs and the Tories. | 0:45:19 | 0:45:22 | |
-And here's George's son sitting by... -Yeah. | 0:45:22 | 0:45:24 | |
..And the Whigs and the Tories are literally having a tug of war | 0:45:24 | 0:45:27 | |
over the crown, aren't they? | 0:45:27 | 0:45:28 | |
That's right, the government and the opposition | 0:45:28 | 0:45:31 | |
are really fighting over this, because the opposition is friendly | 0:45:31 | 0:45:34 | |
and well disposed to the prince regent, who likes them. | 0:45:34 | 0:45:37 | |
And they hope that if he's given full kingly powers | 0:45:37 | 0:45:41 | |
that'll help them to come into government. | 0:45:41 | 0:45:43 | |
Whereas the government, which has supported the old king | 0:45:43 | 0:45:46 | |
and doesn't really much like his son, | 0:45:46 | 0:45:48 | |
is fearful that if he does get full regal powers they'll be out. | 0:45:48 | 0:45:52 | |
So this is a battle between government and opposition | 0:45:52 | 0:45:55 | |
ins and outs as much as it's a battle between Whigs and Tories. | 0:45:55 | 0:45:59 | |
What would have happened to politics if the King had just | 0:45:59 | 0:46:02 | |
disappeared off the scene, gone mad for the rest of his life? | 0:46:02 | 0:46:05 | |
Well, presumably this really would have mattered even more, | 0:46:05 | 0:46:08 | |
because then there would have been a decision as to what | 0:46:08 | 0:46:11 | |
kind of powers to allow the prince regent to have. | 0:46:11 | 0:46:14 | |
And this is what the real battle's about. | 0:46:14 | 0:46:17 | |
It reveals a lot, I think, about the nature of monarchy | 0:46:17 | 0:46:19 | |
and the powers the monarch still has. | 0:46:19 | 0:46:22 | |
The monarch is still the linchpin of the whole political system. | 0:46:22 | 0:46:25 | |
You still need the support of the king | 0:46:25 | 0:46:27 | |
if you're going to form a government. | 0:46:27 | 0:46:29 | |
Ironically, in this moment of great weakness | 0:46:29 | 0:46:32 | |
the monarchy had actually revealed its strength. | 0:46:32 | 0:46:36 | |
George's pain was shared by the whole nation, who feared | 0:46:36 | 0:46:39 | |
the consequences of the power struggle if he failed to recover. | 0:46:39 | 0:46:42 | |
So when George did unexpectedly get better in 1790, | 0:46:44 | 0:46:47 | |
the nation breathed a sigh of relief. | 0:46:47 | 0:46:51 | |
# God save the King | 0:46:51 | 0:46:54 | |
# God save the King... # | 0:46:54 | 0:46:57 | |
To the joy of his people, | 0:46:57 | 0:46:58 | |
George returned to rule for another 20 years | 0:46:58 | 0:47:02 | |
until his gradual decline. | 0:47:02 | 0:47:04 | |
Here we've got a couple of George's signatures from 1803, | 0:47:06 | 0:47:10 | |
1809 and there's a very clear deterioration, isn't there? | 0:47:10 | 0:47:14 | |
There certainly is. | 0:47:14 | 0:47:16 | |
I mean, the first one is a pretty legible signature. | 0:47:16 | 0:47:19 | |
The second one just looks like a splurge on the paper. | 0:47:19 | 0:47:22 | |
I suppose we've got to take into account that he is really | 0:47:22 | 0:47:26 | |
getting quite an old man by the time the second signature's there, | 0:47:26 | 0:47:30 | |
his eyesight's deteriorating. | 0:47:30 | 0:47:32 | |
I think these things need to be taken into account. | 0:47:32 | 0:47:35 | |
I think people have got the wrong idea about George. | 0:47:35 | 0:47:38 | |
They've overlooked the fact that his reign was 60 years long, | 0:47:38 | 0:47:42 | |
-pretty stable on the whole, and he wasn't... -Yep. | 0:47:42 | 0:47:44 | |
..Mad for all of that time by any means, was he? | 0:47:44 | 0:47:47 | |
Certainly not. | 0:47:47 | 0:47:48 | |
I mean, the last few years he was clearly incapacitated, | 0:47:48 | 0:47:51 | |
but most of his long reign he's fully active | 0:47:51 | 0:47:54 | |
and playing the full part of a constitutional monarch. | 0:47:54 | 0:47:57 | |
Despite his bouts of madness, George was one of the longest reigning | 0:47:57 | 0:48:01 | |
and most successful British kings, | 0:48:01 | 0:48:04 | |
his weaknesses even reinforcing the power of the monarchy. | 0:48:04 | 0:48:08 | |
But George couldn't escape the Hanoverian dynasty's fatal flaw - | 0:48:10 | 0:48:15 | |
the bad blood that set one generation against another. | 0:48:15 | 0:48:19 | |
Like his Hanoverian predecessors, | 0:48:20 | 0:48:22 | |
George III had no difficulty with fertility. He had 15 children. | 0:48:22 | 0:48:28 | |
These little items were all souvenirs kept by | 0:48:28 | 0:48:31 | |
the royal babies' wet nurse as mementoes. | 0:48:31 | 0:48:34 | |
Here's a tape measure recording their heights. | 0:48:34 | 0:48:38 | |
And she remembers the king being a kind father, who would | 0:48:38 | 0:48:42 | |
get down on the floor and play with the children under the table. | 0:48:42 | 0:48:46 | |
But despite this loving start in life, | 0:48:46 | 0:48:49 | |
all of the children would face future problems. | 0:48:49 | 0:48:53 | |
This little red sash belonged to Prince Frederick. | 0:48:53 | 0:48:56 | |
He would go on to resign as Commander Of The Army | 0:48:56 | 0:48:59 | |
because his mistress was caught selling commissions. | 0:48:59 | 0:49:02 | |
Little Prince William, owner of these gloves, | 0:49:02 | 0:49:06 | |
would go on to have ten illegitimate children with an actress. | 0:49:06 | 0:49:09 | |
Their sister Charlotte, owner of these mittens, would marry | 0:49:09 | 0:49:13 | |
a German duke who ended up on Napoleon's side against the British. | 0:49:13 | 0:49:17 | |
This is a lock of hair belonging to Edward, | 0:49:17 | 0:49:21 | |
who got expelled from the army for brutality. | 0:49:21 | 0:49:24 | |
And the blue sash here belonged to the Prince Of Wales, | 0:49:24 | 0:49:27 | |
the future George IV. | 0:49:27 | 0:49:29 | |
He had the worst problems of them all. | 0:49:29 | 0:49:32 | |
This stylish and flamboyant image is how George IV would have | 0:49:34 | 0:49:38 | |
wanted us to remember him. | 0:49:38 | 0:49:40 | |
But it's incredibly flattering, considering that contemporaries | 0:49:40 | 0:49:43 | |
saw him like this - overweight, self-indulgent and debauched. | 0:49:43 | 0:49:49 | |
Everyone knew that this king was a womaniser, a gambler, | 0:49:49 | 0:49:54 | |
a spendthrift, and addicted to drink and drugs. | 0:49:54 | 0:49:59 | |
It's hard to feel much sympathy for George, but his transformation | 0:49:59 | 0:50:03 | |
into one of the least fit rulers in British history | 0:50:03 | 0:50:07 | |
is actually quite tragic. | 0:50:07 | 0:50:09 | |
And to understand why, we have to go back to his childhood. | 0:50:09 | 0:50:12 | |
So this jigsaw of the counties of England was used to teach | 0:50:12 | 0:50:18 | |
the future George IV about geography? | 0:50:18 | 0:50:20 | |
Indeed, and he will visit each part of the country which is | 0:50:20 | 0:50:24 | |
shown on this map in later years - Ireland and Scotland, | 0:50:24 | 0:50:28 | |
and probably the first monarch of that era to do so. | 0:50:28 | 0:50:32 | |
I presume this was used at Kew Palace, | 0:50:32 | 0:50:35 | |
where he was sent with his brother to be educated away from, | 0:50:35 | 0:50:38 | |
actually, the royal parents and the other royal children, | 0:50:38 | 0:50:41 | |
and they had quite a strict timetable, didn't they? | 0:50:41 | 0:50:43 | |
Oh, they did, they worked until 8.00 in the evening on prep | 0:50:43 | 0:50:46 | |
and shared this kind of monastic existence, | 0:50:46 | 0:50:49 | |
cut off from the rest of the family. | 0:50:49 | 0:50:51 | |
The big problem was discipline, because his father had instructed | 0:50:51 | 0:50:54 | |
his tutors to instil knowledge into him with a rod, as it were. | 0:50:54 | 0:51:00 | |
Would you say that he was quite a talented student? | 0:51:00 | 0:51:03 | |
I think he was a good student, but the problem was | 0:51:03 | 0:51:06 | |
he was so rebellious and he objected to the discipline | 0:51:06 | 0:51:09 | |
and the system that his father had insisted on. | 0:51:09 | 0:51:12 | |
So half the time he was in trouble - rebellious, being beaten. | 0:51:12 | 0:51:16 | |
An eyewitness describes himself and his brother being flogged like dogs. | 0:51:16 | 0:51:21 | |
It alienates him and turns him into a rebel, | 0:51:21 | 0:51:23 | |
so he becomes obsessed with annoying his father by not performing, almost. | 0:51:23 | 0:51:29 | |
I think that when we look at George IV's childhood | 0:51:29 | 0:51:32 | |
we can see the seeds being sewn of the man that he will become. | 0:51:32 | 0:51:37 | |
Absolutely. In fact, his life could be seen, later life, | 0:51:37 | 0:51:40 | |
as a reaction against this kind of deprived, as he saw it, childhood. | 0:51:40 | 0:51:45 | |
And everything he did, the scrapes he got into, were a reaction. | 0:51:45 | 0:51:50 | |
As a result of his draconian upbringing, | 0:51:54 | 0:51:56 | |
George began to rebel against his father. | 0:51:56 | 0:52:00 | |
History was repeating itself | 0:52:00 | 0:52:02 | |
as the father-son relationship disintegrated. | 0:52:02 | 0:52:06 | |
George's self-indulgent personality is epitomised by his most | 0:52:06 | 0:52:10 | |
extravagant creation, the royal pavilion at Brighton - | 0:52:10 | 0:52:15 | |
a pleasure palace where he would party and indulge his enormous | 0:52:15 | 0:52:19 | |
appetites, literally at the expense of the public. | 0:52:19 | 0:52:23 | |
Here's a really graphic illustration of the king's self-indulgence, | 0:52:25 | 0:52:29 | |
George's breeches, with their 54-inch waist. | 0:52:29 | 0:52:34 | |
You can see here how his valet laced him into them at the back. | 0:52:34 | 0:52:38 | |
This curious object is a replica of what was called the king's belt. | 0:52:38 | 0:52:44 | |
Effectively, it's a corset. | 0:52:44 | 0:52:46 | |
When the painter David Willkie came to take a portrait of the King, | 0:52:46 | 0:52:50 | |
he was kept waiting for hours | 0:52:50 | 0:52:52 | |
while the royal servants trussed George up into this thing. | 0:52:52 | 0:52:56 | |
When the king finally appeared Willkie said, | 0:52:56 | 0:52:59 | |
"He looked like a sausage about to burst out of its skin." | 0:52:59 | 0:53:03 | |
As you might expect, though, Willkie didn't paint what he saw | 0:53:06 | 0:53:11 | |
but what the king wanted him to see. | 0:53:11 | 0:53:13 | |
His work shows a commanding, heroic figure, | 0:53:13 | 0:53:16 | |
with the sitter's weight problems carefully concealed. | 0:53:16 | 0:53:20 | |
George did have some talents, | 0:53:23 | 0:53:25 | |
he was stylish and had terrific visual flair. | 0:53:25 | 0:53:29 | |
His wife said he would have made a good hairdresser. | 0:53:29 | 0:53:32 | |
But George was the king, and with his fundamental character flaws | 0:53:34 | 0:53:38 | |
he simply wasn't cut out for the job. | 0:53:38 | 0:53:41 | |
In an age of endless satirical pamphlets and cartoons, | 0:53:46 | 0:53:50 | |
George was under greater public scrutiny than any previous monarch. | 0:53:50 | 0:53:54 | |
And quite frankly, his subjects weren't impressed | 0:53:54 | 0:53:57 | |
by his behaviour or sympathetic to his self-inflicted ill health. | 0:53:57 | 0:54:02 | |
This is an incredibly disrespectful image, isn't it, of George IV? | 0:54:02 | 0:54:06 | |
Well, it sums up all the vices that he is heir to, in a sense - | 0:54:06 | 0:54:10 | |
gluttony, an overfilled chamber pot, vials of laudanum. | 0:54:10 | 0:54:15 | |
That's a cure for stinking breath | 0:54:15 | 0:54:17 | |
that one over there in the background. | 0:54:17 | 0:54:20 | |
Oh look, Debts of Honour Unpaid and gambling dice. | 0:54:20 | 0:54:24 | |
Empty bottles down underneath the table. | 0:54:24 | 0:54:27 | |
And it's called A Voluptuary Under The Horrors Of Digestion. | 0:54:27 | 0:54:31 | |
-Digestion. -Oh, he's eaten too much. Oh dear. | 0:54:31 | 0:54:34 | |
-That's it. -The costume that he's wearing is significant here. | 0:54:34 | 0:54:37 | |
He's in a buff-coloured waistcoat, and bursting out of his | 0:54:37 | 0:54:41 | |
buff-coloured breeches, and he's wearing a dark blue coat. | 0:54:41 | 0:54:44 | |
This is the sort of uniform of the Whig Party. | 0:54:44 | 0:54:46 | |
Yes, it was, and he would have been wearing this to annoy his father, | 0:54:46 | 0:54:50 | |
as most of what he did at this period was to annoy his father. | 0:54:50 | 0:54:53 | |
You could say that George IV believes almost in nothing. | 0:54:53 | 0:54:57 | |
His whole early life and certainly his political opinions | 0:54:57 | 0:55:01 | |
are a reaction against his father. | 0:55:01 | 0:55:03 | |
His father had a very firm moral agenda, but George | 0:55:03 | 0:55:07 | |
went out of his way to violate every single one that he could. | 0:55:07 | 0:55:11 | |
And I think that's one of the kind of sad aspects of his reign, | 0:55:11 | 0:55:14 | |
is the way that he retreated from kind of, | 0:55:14 | 0:55:17 | |
what would you call it, sensible contact with the people. | 0:55:17 | 0:55:20 | |
-He became ill, he became a recluse... -Mmm. | 0:55:20 | 0:55:24 | |
..And he cut himself off and lived at Windsor | 0:55:24 | 0:55:27 | |
whilst the world almost went on without him. | 0:55:27 | 0:55:30 | |
He is almost a political irrelevance. | 0:55:30 | 0:55:32 | |
We can really see this in this very striking caricature. | 0:55:32 | 0:55:35 | |
Here's George, enjoying himself with courtiers, party going on. | 0:55:35 | 0:55:39 | |
Outside we have despair, we have death, we have criminals | 0:55:39 | 0:55:43 | |
being hung, we have their wives and children begging for help. | 0:55:43 | 0:55:47 | |
And the chilling thing is that he's completely ignoring them. | 0:55:47 | 0:55:51 | |
That seems to be the most despicable part of his rule. | 0:55:51 | 0:55:54 | |
Absolutely. And this is a time of huge social changes | 0:55:54 | 0:55:57 | |
with the Industrial Revolution, with poverty, | 0:55:57 | 0:56:00 | |
and he is almost irrelevant to all that. | 0:56:00 | 0:56:03 | |
He is this clownish figure who's almost opted out | 0:56:03 | 0:56:07 | |
of doing anything sensible. | 0:56:07 | 0:56:09 | |
Through his bad-boy behaviour and consequent ill health, | 0:56:10 | 0:56:14 | |
George had weakened the power | 0:56:14 | 0:56:16 | |
and image of the monarchy more than any of his predecessors. | 0:56:16 | 0:56:20 | |
On a rare occasion he did try to stand up to parliament, | 0:56:20 | 0:56:24 | |
threatening to abdicate if it acted against his wishes. | 0:56:24 | 0:56:28 | |
Though the politicians just shrugged their shoulders | 0:56:28 | 0:56:31 | |
and told him to go right ahead. | 0:56:31 | 0:56:33 | |
By 1830, the year in which George died, he was almost blind, | 0:56:35 | 0:56:41 | |
delirious much of the time, a recluse. | 0:56:41 | 0:56:44 | |
He was clearly incapable of rule. | 0:56:44 | 0:56:47 | |
But he still hadn't lost his appetite. | 0:56:47 | 0:56:49 | |
Here's a description of his breakfast | 0:56:49 | 0:56:51 | |
in this last year of his life. | 0:56:51 | 0:56:53 | |
He had a pigeon and beef steak pie, of which he ate two pigeons | 0:56:53 | 0:56:58 | |
and three beef steaks. | 0:56:58 | 0:57:01 | |
Two thirds of a bottle of white wine, two glasses of port, | 0:57:01 | 0:57:05 | |
a glass of brandy, some dry champagne. | 0:57:05 | 0:57:09 | |
And the first of 250 drops of laudanum - | 0:57:09 | 0:57:13 | |
that's opium dissolved in alcohol. | 0:57:13 | 0:57:16 | |
All this sounds quite funny, but clearly it isn't. | 0:57:16 | 0:57:20 | |
This is a man who is genuinely sick. | 0:57:20 | 0:57:23 | |
On the 26th of June 1830, George's overindulgences caught up | 0:57:23 | 0:57:28 | |
with him and he died of a burst blood vessel in his stomach. | 0:57:28 | 0:57:33 | |
After the King's death, his obituary in the Times newspaper had | 0:57:34 | 0:57:39 | |
this to say, "There never was an individual regretted less | 0:57:39 | 0:57:44 | |
"by his fellow creatures than this deceased king. | 0:57:44 | 0:57:48 | |
"What eye has wept for him?" | 0:57:48 | 0:57:51 | |
Under George, the monarchy had become an irrelevance. | 0:57:52 | 0:57:56 | |
It would be left for the next generation to pick up the pieces. | 0:57:56 | 0:58:00 | |
In the final episode, I'm going to explore how the monarchy had | 0:58:02 | 0:58:06 | |
to reinvent itself after George IV's disastrous performance as king. | 0:58:06 | 0:58:11 | |
Although no longer political players, | 0:58:11 | 0:58:14 | |
the royal family were still national figureheads. | 0:58:14 | 0:58:17 | |
But with public opinion becoming more important | 0:58:17 | 0:58:20 | |
than their privacy, their physical and mental problems | 0:58:20 | 0:58:24 | |
would continue to challenge their fitness to rule. | 0:58:24 | 0:58:27 | |
Subtitles by Red Bee Media Ltd | 0:58:42 | 0:58:45 |