Browse content similar to Taming the Wild. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The lochan-studded expanse of Rannoch Moor - | 0:00:06 | 0:00:09 | |
an icon of the untamed. | 0:00:09 | 0:00:11 | |
A true wilderness, and once a place of thieves and wild men. | 0:00:12 | 0:00:17 | |
For generations the West Highlands were considered to be | 0:00:18 | 0:00:21 | |
a dangerous place, a country to be tamed. | 0:00:21 | 0:00:24 | |
First the military came, and then the engineers, | 0:00:24 | 0:00:28 | |
and they built roads and railways and harnessed the power of nature. | 0:00:28 | 0:00:32 | |
Lochs are Scotland's gift to the world, | 0:00:35 | 0:00:37 | |
and are the product of an element that we have | 0:00:37 | 0:00:40 | |
in spectacular abundance - water. | 0:00:40 | 0:00:44 | |
It's been estimated that there are more than 31,000 lochs in Scotland. | 0:00:44 | 0:00:49 | |
They come in all shapes and sizes, | 0:00:49 | 0:00:52 | |
from long fjord-like sea lochs, | 0:00:52 | 0:00:55 | |
great freshwater lochs of the Central Highlands, | 0:00:55 | 0:00:58 | |
to the innumerable lochans that stud the open moors. | 0:00:58 | 0:01:01 | |
In this series, | 0:01:03 | 0:01:04 | |
I'm on a loch-hopping journey across Scotland, | 0:01:04 | 0:01:07 | |
discovering how they've shaped the character of the people | 0:01:07 | 0:01:10 | |
who live close to their shores. | 0:01:10 | 0:01:12 | |
For this grand tour, I'm taking a walk on the wild side. | 0:01:14 | 0:01:18 | |
My journey starts on the beautiful banks of Loch Tulla, | 0:01:31 | 0:01:35 | |
crosses Rannoch Moor, and then by Loch Rannoch and Loch Tummel | 0:01:35 | 0:01:39 | |
I will go. | 0:01:39 | 0:01:40 | |
It reaches journey's end on a fairy mountain. | 0:01:40 | 0:01:43 | |
Loch Tulla lies on the southern edge of the great Rannoch Moor. | 0:01:46 | 0:01:50 | |
This wild country was first settled thousands of years ago. | 0:01:50 | 0:01:54 | |
To see the evidence of habitation for myself, | 0:01:55 | 0:01:58 | |
I'm being ferried out to a tiny island called Eilean Stalcair, | 0:01:58 | 0:02:02 | |
where some of the first people to lead settled lives | 0:02:02 | 0:02:05 | |
in this part of Scotland made their home. | 0:02:05 | 0:02:08 | |
It's known as a crannog - | 0:02:09 | 0:02:11 | |
that's an artificial island that was built | 0:02:11 | 0:02:14 | |
to keep the occupants safe from wild animals, | 0:02:14 | 0:02:17 | |
and from their human enemies' raiding and plundering. | 0:02:17 | 0:02:20 | |
Back in the Iron Age, over 2,000 years ago, | 0:02:23 | 0:02:27 | |
the crannog would have been a defensive home | 0:02:27 | 0:02:30 | |
to an extended family, living in a thatched timber house, | 0:02:30 | 0:02:33 | |
sitting on wooden stilts above the water. | 0:02:33 | 0:02:36 | |
Crannogs were once very common. | 0:02:37 | 0:02:40 | |
At least 600 have been identified by archaeologists in Scotland's lochs. | 0:02:40 | 0:02:45 | |
The earliest belonged to the Stone Age. | 0:02:45 | 0:02:48 | |
Others were used for hundreds of years. | 0:02:48 | 0:02:51 | |
This crannog was occupied up until the 14th century by Clan MacGregor, | 0:02:51 | 0:02:56 | |
who once dominated this whole area. | 0:02:56 | 0:02:59 | |
And when they lost it to the Campbells, | 0:02:59 | 0:03:01 | |
their bard wrote a lament recalling their happy days | 0:03:01 | 0:03:05 | |
on the shores of Loch Tulla, | 0:03:05 | 0:03:07 | |
and I can see why they were sad to leave it. | 0:03:07 | 0:03:09 | |
It's amazing to think that during the last ice age | 0:03:14 | 0:03:18 | |
the whole of Rannoch Moor was covered by a great ice cap. | 0:03:18 | 0:03:22 | |
As the glaciers melted, | 0:03:22 | 0:03:23 | |
they created the loch-studded landscape | 0:03:23 | 0:03:26 | |
we are familiar with today. | 0:03:26 | 0:03:27 | |
Most of the moor lies over 400 metres above sea level. | 0:03:29 | 0:03:34 | |
In winter, its many lochans are covered in ice, | 0:03:34 | 0:03:37 | |
which makes the prospect of taking a dunk in one of them, even in summer, | 0:03:37 | 0:03:42 | |
less than appealing. | 0:03:42 | 0:03:43 | |
I meet Calum Maclean on the banks of Loch Ba. | 0:03:44 | 0:03:48 | |
He's a devotee of wild swimming, a rather grand name | 0:03:48 | 0:03:52 | |
for something that people have been doing for years. | 0:03:52 | 0:03:55 | |
Calum blogs about his watery adventures, | 0:03:55 | 0:03:58 | |
which take him to some extreme locations, | 0:03:58 | 0:04:01 | |
including an icebound lochan high in the frozen Cairngorm Mountains. | 0:04:01 | 0:04:05 | |
Today, he invites me to take a plunge in water | 0:04:07 | 0:04:10 | |
that is thankfully ice-free. | 0:04:10 | 0:04:12 | |
Do you ever actually kind of measure temperatures, scientifically? | 0:04:14 | 0:04:17 | |
Oh, I never measure the temperature with an actual thermometer. | 0:04:17 | 0:04:19 | |
I think that's far too scientific for me. | 0:04:19 | 0:04:21 | |
I think I usually stick my toe in, | 0:04:21 | 0:04:22 | |
and depending on how much it hurts and how much I scream, | 0:04:22 | 0:04:25 | |
that's how cold the water is that day. | 0:04:25 | 0:04:26 | |
So are we going to be screaming, do you think? | 0:04:26 | 0:04:28 | |
I think when we get in, it's going to hurt. | 0:04:28 | 0:04:30 | |
That's usually what happens. It never gets any easier. | 0:04:30 | 0:04:32 | |
-Heart stopping? -Possibly, yeah. | 0:04:32 | 0:04:34 | |
Is there a kind of gradation of wildness that you're looking for? | 0:04:34 | 0:04:36 | |
I mean, how does this compare, Loch Ba? | 0:04:36 | 0:04:39 | |
Where we are here, it's quite calm, you know, | 0:04:39 | 0:04:41 | |
we're not too far from the road. | 0:04:41 | 0:04:42 | |
But, yeah, I've been to some of the more extreme places, you might say. | 0:04:42 | 0:04:46 | |
The Gulf of Corryvreckan between Jura and Scarba, | 0:04:46 | 0:04:49 | |
that was a particularly fun one, where the current sweeps through. | 0:04:49 | 0:04:52 | |
It's one of the biggest whirlpools, I think, around. | 0:04:52 | 0:04:55 | |
Luckily, there was a slack tide, so we were OK. | 0:04:55 | 0:04:58 | |
Were you not scared? | 0:04:58 | 0:05:00 | |
I wasn't scared, no. I was excited more than scared. | 0:05:00 | 0:05:02 | |
So it's adrenaline rather than just pure fear? | 0:05:02 | 0:05:05 | |
That's right, yeah. | 0:05:05 | 0:05:07 | |
I'm ready for this. Are you ready for anything? | 0:05:07 | 0:05:09 | |
-Uh-huh. -Right. | 0:05:09 | 0:05:11 | |
-How does it feel so far? -It's fine - I'm wearing a wet suit. | 0:05:11 | 0:05:14 | |
VOICEOVER: The plan today is for Calum to swim the length of Loch Ba. | 0:05:14 | 0:05:18 | |
I'm going to try my best to keep up with him, | 0:05:18 | 0:05:20 | |
at least as far as the nearby island of Eilean Molach. | 0:05:20 | 0:05:25 | |
Perhaps I should have brought my rubber ring, | 0:05:25 | 0:05:27 | |
but at least my wet suit means I shouldn't die of hypothermia. | 0:05:27 | 0:05:31 | |
Well, it's really quite cold out here, I have to say, Calum. | 0:05:31 | 0:05:36 | |
Thank you so much for bringing me out for this wonderful experience. | 0:05:36 | 0:05:40 | |
But the views are amazing. | 0:05:40 | 0:05:42 | |
-They are. -It's like a kind of trout's-eye view. | 0:05:42 | 0:05:46 | |
It is. But, yeah, it's a fantastic way | 0:05:46 | 0:05:48 | |
to see this beautiful landscape around us. | 0:05:48 | 0:05:50 | |
And we are in the middle of Rannoch Moor. | 0:05:50 | 0:05:52 | |
Who would have thought it? | 0:05:52 | 0:05:54 | |
Exactly. Lots of people come here for walking, hiking. | 0:05:54 | 0:05:57 | |
How many people come here to swim? | 0:05:57 | 0:05:58 | |
Very few. I wonder why! | 0:05:58 | 0:06:01 | |
But my problem is that I've only ever really swam | 0:06:01 | 0:06:04 | |
a maximum of about ten lengths before, | 0:06:04 | 0:06:07 | |
and what we're proposing to do must be a good bit more than that - | 0:06:07 | 0:06:12 | |
about ten times more than that. | 0:06:12 | 0:06:14 | |
So I'm not sure I'll be able to make it all the way. | 0:06:14 | 0:06:17 | |
I think you might be right. | 0:06:17 | 0:06:18 | |
I reckon it's about half a kilometre or so. | 0:06:18 | 0:06:20 | |
Oh! | 0:06:20 | 0:06:22 | |
Well, I'm getting a bit tired now. | 0:06:22 | 0:06:24 | |
Oh, look - I can stand up! | 0:06:24 | 0:06:26 | |
-Oh. -Oh, ho, ho! | 0:06:26 | 0:06:28 | |
There's no need to panic at all. | 0:06:28 | 0:06:30 | |
I can literally walk to this island if I need to. | 0:06:30 | 0:06:32 | |
That's right, yeah. You invited me here for a swim, | 0:06:32 | 0:06:34 | |
but it's a bit more of a walk, I think. | 0:06:34 | 0:06:36 | |
We could just walk the whole way. | 0:06:36 | 0:06:38 | |
Why don't we stroll over this way, if you don't mind? | 0:06:38 | 0:06:40 | |
VOICEOVER: Unfortunately, our reception committee on shore | 0:06:40 | 0:06:44 | |
is a swarm of vicious midges. | 0:06:44 | 0:06:46 | |
Just wade the last few feet to the shore. | 0:06:46 | 0:06:51 | |
Well, Calum, I'm afraid I don't think I'm going to be able | 0:06:51 | 0:06:53 | |
to make it. I'm just a bit too peched. | 0:06:53 | 0:06:56 | |
So, if you don't mind, I think I'll just wait for a boat. | 0:06:56 | 0:07:00 | |
So good luck, my friend. | 0:07:00 | 0:07:03 | |
OK, well, I'll leave you with the midges, then, Paul. | 0:07:03 | 0:07:05 | |
Happy wild swimming! | 0:07:05 | 0:07:06 | |
There he goes. Good luck, Calum. | 0:07:10 | 0:07:12 | |
But these midges really are horrendous. | 0:07:12 | 0:07:14 | |
It's time to move on. | 0:07:14 | 0:07:16 | |
Fleeing the swarms of miniature bloodsucking beasties, | 0:07:18 | 0:07:22 | |
I leave Loch Ba and follow the old road west across the moor. | 0:07:22 | 0:07:26 | |
It was built by the great 18th-century engineer Thomas Telford, | 0:07:28 | 0:07:33 | |
and follows the route of an older military road, | 0:07:33 | 0:07:36 | |
built to suppress the lawless and rebellious clans | 0:07:36 | 0:07:39 | |
who'd made this wild stretch of country their home. | 0:07:39 | 0:07:42 | |
Nearing the high point on Telford's road, | 0:07:44 | 0:07:46 | |
I'm looking for a little-known monument to a remarkable man. | 0:07:46 | 0:07:50 | |
Much of the western half of Rannoch Moor | 0:07:51 | 0:07:53 | |
has been owned for many years by the Fleming family. | 0:07:53 | 0:07:56 | |
Now the most famous member of the family has to be Ian Fleming, | 0:07:56 | 0:08:00 | |
the author and creator of James Bond, 007. | 0:08:00 | 0:08:05 | |
But what a lot of people don't know | 0:08:05 | 0:08:07 | |
is that Ian had an older brother | 0:08:07 | 0:08:09 | |
who at one time was much the more famous of the two. | 0:08:09 | 0:08:11 | |
Long before Ian Fleming had put creative pen to paper, | 0:08:16 | 0:08:20 | |
Peter Fleming was already a successful travel writer | 0:08:20 | 0:08:23 | |
and novelist. | 0:08:23 | 0:08:25 | |
During the war he worked for British intelligence, | 0:08:25 | 0:08:28 | |
and drew on his experience to write a spy thriller. | 0:08:28 | 0:08:31 | |
The Sixth Column was described by critics | 0:08:31 | 0:08:34 | |
as the blueprint for his younger brother's Bond story, Casino Royale. | 0:08:34 | 0:08:38 | |
Despite the similarities, | 0:08:39 | 0:08:41 | |
Peter encouraged Ian's literary endeavours, | 0:08:41 | 0:08:44 | |
and even suggested the name Miss Moneypenny. | 0:08:44 | 0:08:47 | |
He loved the outdoors, | 0:08:47 | 0:08:49 | |
and was an enthusiastic sportsman with a passion for shooting. | 0:08:49 | 0:08:53 | |
But it was out here on the wilds of Rannoch Moor | 0:08:53 | 0:08:56 | |
that he suddenly and unexpectedly died of a heart attack. | 0:08:56 | 0:09:01 | |
And this cairn marks the exact spot where he fell - | 0:09:01 | 0:09:05 | |
a memorial to a remarkable life and an unsung literary hero. | 0:09:05 | 0:09:10 | |
Journeying into the heart of Rannoch Moor, | 0:09:14 | 0:09:16 | |
I encounter its biggest loch by far, Loch Laidon. | 0:09:16 | 0:09:21 | |
A faint path follows the shoreline, | 0:09:21 | 0:09:24 | |
and after a 14-mile hike I come across an unexpected sight - | 0:09:24 | 0:09:30 | |
a railway station, apparently in the middle of nowhere. | 0:09:30 | 0:09:33 | |
Rannoch station is one of the remotest in the country. | 0:09:35 | 0:09:38 | |
Despite this, trains from London stop here. | 0:09:38 | 0:09:42 | |
Hi, Paul. | 0:09:42 | 0:09:44 | |
VOICEOVER: To find out about the line that crosses Rannoch Moor, | 0:09:44 | 0:09:46 | |
I'm meeting up with railway historian | 0:09:46 | 0:09:48 | |
and photographer Norman McNab. | 0:09:48 | 0:09:51 | |
Norman, why build a railway line | 0:09:51 | 0:09:53 | |
through such a desolate expanse of moorland? | 0:09:53 | 0:09:55 | |
Well, there was a need to open up the West Highlands. | 0:09:55 | 0:09:59 | |
There was a particular desire to get a connection | 0:09:59 | 0:10:01 | |
from Glasgow to Fort William, | 0:10:01 | 0:10:03 | |
and then onward from Fort William to the West Coast Sea, | 0:10:03 | 0:10:06 | |
to tap into the lucrative herring industry. | 0:10:06 | 0:10:09 | |
And you've got to remember that road across Rannoch Moor to the west | 0:10:09 | 0:10:14 | |
by Coire Ba was a very, very... | 0:10:14 | 0:10:17 | |
It was nothing much more than a rough track | 0:10:17 | 0:10:19 | |
as it was in the days of the stagecoach. | 0:10:19 | 0:10:21 | |
So getting to Fort William was very hard. | 0:10:21 | 0:10:23 | |
Over the course of eight years, | 0:10:25 | 0:10:27 | |
5,000 navvies toiled in horrendous conditions | 0:10:27 | 0:10:31 | |
to build the railway across the moor, | 0:10:31 | 0:10:34 | |
where deep peat banks forced the engineers | 0:10:34 | 0:10:36 | |
to float the line on rafts of brushwood and ash. | 0:10:36 | 0:10:40 | |
The first passenger services eventually began in 1894. | 0:10:40 | 0:10:45 | |
What's interesting to me, | 0:10:45 | 0:10:48 | |
to celebrate the opening of the line, | 0:10:48 | 0:10:50 | |
this wonderful book here, Mountain, Moor And Loch, | 0:10:50 | 0:10:53 | |
was produced when this line was opened, | 0:10:53 | 0:10:56 | |
presumably to encourage a wealthier sort of visitor. | 0:10:56 | 0:10:58 | |
Yes. Absolutely. | 0:10:58 | 0:11:01 | |
And it's a beautifully illustrated book as well. | 0:11:01 | 0:11:04 | |
And the poetry of it all was bound to have enthused people. | 0:11:04 | 0:11:07 | |
"From the window of the railway carriage, | 0:11:07 | 0:11:09 | |
"it is the reverse of wearisome." | 0:11:09 | 0:11:11 | |
As true today as it was when it was written. | 0:11:11 | 0:11:14 | |
And of course, you can tell the character of a person, man or woman, | 0:11:14 | 0:11:17 | |
by their attitude to crossing Rannoch Moor. | 0:11:17 | 0:11:19 | |
They're either stimulated and excited by it, and wondrously so, | 0:11:19 | 0:11:24 | |
or they find it a boring place. | 0:11:24 | 0:11:26 | |
-How do you find it? -Well, I find it a very stimulating place. | 0:11:26 | 0:11:30 | |
VOICEOVER: Norman wants to get a shot of the London sleeper train | 0:11:36 | 0:11:40 | |
crossing the famous Rannoch viaduct. | 0:11:40 | 0:11:43 | |
So we set off over the heather to get into position. | 0:11:43 | 0:11:46 | |
It's a great view of the viaduct. | 0:11:46 | 0:11:48 | |
Yep. This is absolutely ideal, Paul. | 0:11:48 | 0:11:52 | |
All we want is the light. | 0:11:52 | 0:11:54 | |
Now, what are you looking for when you come to choose a location | 0:11:54 | 0:11:56 | |
to take a photograph? | 0:11:56 | 0:11:58 | |
Well, I'm looking for a composition | 0:11:58 | 0:12:00 | |
which sets the train within the landscape. | 0:12:00 | 0:12:02 | |
So the train is just part of it. | 0:12:02 | 0:12:04 | |
It's primarily to give the impression | 0:12:04 | 0:12:07 | |
of the scenery and the location. | 0:12:07 | 0:12:09 | |
Particularly to bring over this aspect of the wild openness. | 0:12:10 | 0:12:16 | |
It's something unique to the West Highland Line | 0:12:16 | 0:12:18 | |
as it crosses over Rannoch Moor. | 0:12:18 | 0:12:20 | |
It is real drama with the lighting and the clear visibility. | 0:12:20 | 0:12:24 | |
It can be quite fantastic. | 0:12:24 | 0:12:27 | |
HORN BLARES | 0:12:28 | 0:12:31 | |
OK, after all the waiting, here comes the train. | 0:12:31 | 0:12:33 | |
-OK. -Check the lens cap's off, power's on. | 0:12:33 | 0:12:37 | |
This is very exciting. | 0:12:37 | 0:12:38 | |
-This is the moment, Paul. -This is what we've been waiting for. | 0:12:38 | 0:12:41 | |
One, two, are you getting this? | 0:12:41 | 0:12:44 | |
That's brilliant. | 0:12:44 | 0:12:45 | |
Yeah. | 0:12:45 | 0:12:47 | |
-Do you wave at trains, Norman? -Yes, you do. | 0:12:47 | 0:12:50 | |
They're waving back. | 0:12:50 | 0:12:53 | |
Yes, I'm not sure about that gesture, Norman. | 0:12:53 | 0:12:56 | |
Having got our shot of the train, | 0:12:58 | 0:13:01 | |
suitably invested with the drama of a desolate location, | 0:13:01 | 0:13:04 | |
I leave Norman and explore the loch-studded moor, | 0:13:04 | 0:13:07 | |
where I am fascinated to see ancient tree roots | 0:13:07 | 0:13:11 | |
protruding from the dark peat. | 0:13:11 | 0:13:12 | |
All across the moor, you come across roots like this | 0:13:14 | 0:13:18 | |
sticking out of the peat. | 0:13:18 | 0:13:19 | |
These are the remains of a once-great forest | 0:13:19 | 0:13:22 | |
that covered this desolate expanse thousands of years ago. | 0:13:22 | 0:13:26 | |
Many of the roots are pine trees, | 0:13:26 | 0:13:29 | |
early victims of climate change. | 0:13:29 | 0:13:31 | |
Just after the last ice age, | 0:13:35 | 0:13:37 | |
the climate is thought to have been warmer and drier than now, | 0:13:37 | 0:13:40 | |
encouraging the spread of forest cover. | 0:13:40 | 0:13:43 | |
But then things changed. | 0:13:43 | 0:13:45 | |
It got wetter and cooler, and moss thrived, | 0:13:45 | 0:13:49 | |
which developed into layers of peat. | 0:13:49 | 0:13:51 | |
This eventually suffocated the forests | 0:13:51 | 0:13:54 | |
but preserved the remains of the trees | 0:13:54 | 0:13:56 | |
which once grew here thousands of years ago. | 0:13:56 | 0:13:59 | |
My old railway guide, Mountain, Moor And Loch, | 0:13:59 | 0:14:02 | |
mentions the curious sight of so many old tree roots | 0:14:02 | 0:14:06 | |
in an otherwise treeless moor, | 0:14:06 | 0:14:08 | |
and goes on to explain that local folk | 0:14:08 | 0:14:10 | |
used to use this peat pine as candles. | 0:14:10 | 0:14:13 | |
They would dry it out, break it into little splinters, | 0:14:13 | 0:14:16 | |
and then light the splinters | 0:14:16 | 0:14:18 | |
which made excellent candles to spin wool by. | 0:14:18 | 0:14:22 | |
Not that the local folk had much choice | 0:14:22 | 0:14:24 | |
in the matter of their illumination, | 0:14:24 | 0:14:26 | |
because candles were far too expensive. | 0:14:26 | 0:14:28 | |
Reaching the road, I pick up a push bike and pedal west, | 0:14:33 | 0:14:37 | |
following the River Gaur as it makes its way down to Loch Rannoch, | 0:14:37 | 0:14:41 | |
which, in the days of the Jacobites, was an unruly place indeed. | 0:14:41 | 0:14:46 | |
This was a wild country without roads, | 0:14:46 | 0:14:49 | |
presided over by a warrior chief. | 0:14:49 | 0:14:52 | |
Alexander Struan Robinson is the only man known | 0:14:52 | 0:14:55 | |
to have taken part in all three Jacobite risings. | 0:14:55 | 0:14:59 | |
But Struan Robertson had gentler beginnings. | 0:15:01 | 0:15:05 | |
He was actually a divinity student at St Andrews University, | 0:15:05 | 0:15:08 | |
where he joined the first Jacobite rebellion in 1689. | 0:15:08 | 0:15:13 | |
In 1715, he was captured at the Battle of Sheriffmuir, | 0:15:13 | 0:15:18 | |
but then escaped to France. | 0:15:18 | 0:15:20 | |
And then, in 1745, at the age of 75, | 0:15:20 | 0:15:25 | |
the old warrior marched off to join Bonnie Prince Charlie, | 0:15:25 | 0:15:28 | |
whose defeat at Culloden cost him dear. | 0:15:28 | 0:15:31 | |
The estates of Struan Robertson were forfeited | 0:15:34 | 0:15:36 | |
and he lived out the rest of his days in a cottage | 0:15:36 | 0:15:39 | |
close to the great black wood of Rannoch. | 0:15:39 | 0:15:42 | |
Today, the black wood is one of the largest areas | 0:15:42 | 0:15:45 | |
of ancient Caledonian pine forest left in the country. | 0:15:45 | 0:15:49 | |
The Scots pine is the dominant tree species here. | 0:15:51 | 0:15:55 | |
In Latin, it's known as Pinus sylvestris, | 0:15:55 | 0:15:58 | |
but you have to be very careful how you pronounce it | 0:15:58 | 0:16:01 | |
if you want to avoid offence. | 0:16:01 | 0:16:04 | |
And I'm being as careful as I can. | 0:16:04 | 0:16:07 | |
Pee-nus or pie-nus sylvestris | 0:16:07 | 0:16:09 | |
as it's known, has recently been voted as Scotland's national tree. | 0:16:09 | 0:16:14 | |
And here in the black wood of Rannoch | 0:16:14 | 0:16:17 | |
are many fine old specimens, | 0:16:17 | 0:16:19 | |
including this one, | 0:16:19 | 0:16:20 | |
which must have been a mere sapling when Struan Robertson lived here. | 0:16:20 | 0:16:25 | |
Amazing to think of all that history it has seen. | 0:16:25 | 0:16:28 | |
Struan Robertson wouldn't recognise my next destination. | 0:16:31 | 0:16:34 | |
Nestling beneath the peak of Schiehallion is Kinloch Rannoch. | 0:16:34 | 0:16:39 | |
It's a quiet, respectable sort of place, | 0:16:39 | 0:16:42 | |
but when the old clan chief was alive, | 0:16:42 | 0:16:44 | |
this area was at the heart of a rebellious community. | 0:16:44 | 0:16:48 | |
When the Jacobites were finally defeated, | 0:16:48 | 0:16:51 | |
it became a refuge for desperate, hungry men on the run. | 0:16:51 | 0:16:55 | |
Because the people were starving, | 0:16:56 | 0:16:58 | |
the returning warriors had to resort to theft | 0:16:58 | 0:17:01 | |
to keep their families alive. | 0:17:01 | 0:17:03 | |
And soon, Rannoch acquired a reputation | 0:17:03 | 0:17:05 | |
of cattle rustling and lawlessness. | 0:17:05 | 0:17:08 | |
A captain of the army of occupation wrote, | 0:17:09 | 0:17:12 | |
"The people of this country | 0:17:12 | 0:17:13 | |
"are the greatest thieves in Scotland | 0:17:13 | 0:17:15 | |
"and were all in the late rebellion." | 0:17:15 | 0:17:18 | |
But within a few years, the village of Kinloch Rannoch was established. | 0:17:19 | 0:17:23 | |
Schools and churches were built | 0:17:23 | 0:17:25 | |
in an attempt to civilise the wild clansfolk, | 0:17:25 | 0:17:29 | |
and it seems to have worked. | 0:17:29 | 0:17:31 | |
There's not a rebellious Jacobite to be seen. | 0:17:31 | 0:17:33 | |
Leaving Kinloch Rannoch, I take the old military road, | 0:17:39 | 0:17:43 | |
following the southern shores of Loch Tummel. | 0:17:43 | 0:17:46 | |
After its warlike history, it now seems the epitome of peace. | 0:17:46 | 0:17:50 | |
And what could be more peaceful than sailing? | 0:17:50 | 0:17:53 | |
Loch Tummel has become a favourite location for lovers of watersports, | 0:17:55 | 0:17:59 | |
and dinghy sailing in particular. | 0:17:59 | 0:18:02 | |
Despite the gale that's blowing, | 0:18:02 | 0:18:04 | |
I threw caution to the wind and joined veteran sailor Jim | 0:18:04 | 0:18:07 | |
and his crew member Amanda, | 0:18:07 | 0:18:09 | |
dodging other boats as squalls race across the water. | 0:18:09 | 0:18:13 | |
Are we going to jibe or are we going to about? | 0:18:13 | 0:18:16 | |
Oh, no, we're going to go about in this weather. | 0:18:16 | 0:18:20 | |
Would you normally be coming out to the loch in this weather? | 0:18:20 | 0:18:22 | |
Not normally, no. | 0:18:22 | 0:18:23 | |
This is just for a bit of fun, really. | 0:18:23 | 0:18:26 | |
Right. | 0:18:26 | 0:18:27 | |
So, if you look upwind, | 0:18:27 | 0:18:29 | |
you can see dark patches are sitting on the water. | 0:18:29 | 0:18:32 | |
Some of them have more ripples than the others, | 0:18:32 | 0:18:34 | |
and that generally is when your squalls are coming in. | 0:18:34 | 0:18:37 | |
That's when your boat will start to keel over quickly. | 0:18:37 | 0:18:39 | |
-Or it could flatten you completely? -Yes. -Which we don't want. | 0:18:39 | 0:18:41 | |
No. | 0:18:41 | 0:18:43 | |
When did you start sailing? | 0:18:43 | 0:18:45 | |
About 1949. | 0:18:45 | 0:18:47 | |
Good grief, really? | 0:18:47 | 0:18:48 | |
-Yep. -It's done you well. | 0:18:48 | 0:18:50 | |
Yep. | 0:18:50 | 0:18:51 | |
No disrespect, but you really are an old sea dog. | 0:18:51 | 0:18:54 | |
Well, I'd hardly say an old sea dog, | 0:18:54 | 0:18:58 | |
but we are all wrinkly anyhow. | 0:18:58 | 0:19:00 | |
It's a lifetime, you've spent a lifetime at the tiller. | 0:19:00 | 0:19:02 | |
As we tack backwards and forwards across the loch, | 0:19:07 | 0:19:10 | |
Jim tells me that we are sailing over land that was once farmed. | 0:19:10 | 0:19:14 | |
There are even the ruins of an ancient Clan Menzies hunting lodge | 0:19:14 | 0:19:17 | |
beneath our keel. | 0:19:17 | 0:19:19 | |
Everything was drowned in the 1950s when the lock was dammed. | 0:19:19 | 0:19:24 | |
Intrigued, I leave Jim's boat and sail 11km | 0:19:24 | 0:19:29 | |
to Loch Tummel's famous Queen's View, | 0:19:29 | 0:19:31 | |
to see for myself how the landscape has been altered | 0:19:31 | 0:19:34 | |
by this man-made flood. | 0:19:34 | 0:19:37 | |
Now, this really is a grand view | 0:19:37 | 0:19:42 | |
and one worthy of royal appreciation. | 0:19:42 | 0:19:45 | |
But you can tell from this old photograph postcard | 0:19:45 | 0:19:48 | |
that was taken in the 1940s | 0:19:48 | 0:19:50 | |
just how much it's been altered by rising water levels. | 0:19:50 | 0:19:53 | |
There's a whole area of land here that's been flooded. | 0:19:53 | 0:19:57 | |
The tiny island in the background | 0:19:57 | 0:19:59 | |
is, in the photograph, nothing more than a wooded hill | 0:19:59 | 0:20:03 | |
beside the River Tummel. | 0:20:03 | 0:20:05 | |
It's all drowned now, | 0:20:05 | 0:20:07 | |
but still rather beautiful. | 0:20:07 | 0:20:09 | |
Just around the corner from Queen's View is the Clunie Dam. | 0:20:12 | 0:20:16 | |
Built in 1951, it holds back the weight of Loch Tummel | 0:20:16 | 0:20:20 | |
and water from a vast catchment area, | 0:20:20 | 0:20:23 | |
all part of a hugely ambitious hydroelectric scheme. | 0:20:23 | 0:20:27 | |
This archive film from the 1950s | 0:20:30 | 0:20:33 | |
shows the dramatic scale of the engineering works | 0:20:33 | 0:20:36 | |
that were undertaken to harness the power of water | 0:20:36 | 0:20:38 | |
and to turn it into electricity for the Highlands and beyond. | 0:20:38 | 0:20:42 | |
An army of men toiled day and night, deep underground, | 0:20:44 | 0:20:49 | |
drilling and blasting their way through solid rock | 0:20:49 | 0:20:53 | |
to divert the flow of water into a network of dams. | 0:20:53 | 0:20:57 | |
This is the Clunie Memorial Arch. | 0:20:58 | 0:21:02 | |
It actually shares the same dimensions | 0:21:02 | 0:21:04 | |
as the tunnel that was built to carry water | 0:21:04 | 0:21:07 | |
from the loch to the power station, | 0:21:07 | 0:21:10 | |
and clearly shows the scale of the tunnel, | 0:21:10 | 0:21:13 | |
which, at the time, was the largest of its type built in Britain. | 0:21:13 | 0:21:18 | |
There are names inscribed here too, | 0:21:18 | 0:21:21 | |
to remind people of the human cost of the project. | 0:21:21 | 0:21:25 | |
There are seven massive structures | 0:21:27 | 0:21:30 | |
that make up the huge hydroelectric scheme. | 0:21:30 | 0:21:33 | |
At the nearby Pitlochry Dam, I meet up with Gonna O'Donnell, | 0:21:33 | 0:21:38 | |
one of the famous Tunnel Tigers | 0:21:38 | 0:21:40 | |
who collectively dug over 400 miles of tunnels in Scotland. | 0:21:40 | 0:21:45 | |
The first job you went and got in a tunnel was a spanner man. | 0:21:45 | 0:21:50 | |
That's the man that held the drill | 0:21:50 | 0:21:53 | |
for the driller that was drilling holes. | 0:21:53 | 0:21:56 | |
You held that drill, | 0:21:56 | 0:21:59 | |
but you couldn't wear gloves, nor had any earmuffs. | 0:21:59 | 0:22:02 | |
I was stone deaf, completely stone deaf. | 0:22:02 | 0:22:06 | |
The men in the tunnels were minors. | 0:22:06 | 0:22:08 | |
Some of them were platelayers. | 0:22:08 | 0:22:10 | |
That's the men that looks after the railway line. | 0:22:10 | 0:22:12 | |
They were platelayers. Then you have the powder monkey. | 0:22:12 | 0:22:15 | |
He was looking after the explosives. | 0:22:15 | 0:22:17 | |
Then you have the loco driver. | 0:22:17 | 0:22:19 | |
He was taking in and out what we called the muck. | 0:22:19 | 0:22:21 | |
That was the gravel and stones. | 0:22:21 | 0:22:23 | |
We called that muck. | 0:22:23 | 0:22:24 | |
It must have been very dangerous work. | 0:22:24 | 0:22:26 | |
Everything is dangerous when you don't know. | 0:22:26 | 0:22:29 | |
When I went in first, everybody looked after me. | 0:22:29 | 0:22:33 | |
Anybody that came in after me, I looked after him. | 0:22:33 | 0:22:36 | |
And if I saw a stone hanging above you when you were drilling, | 0:22:36 | 0:22:39 | |
if I saw a stone, maybe a stone, maybe a tonne weight, | 0:22:39 | 0:22:43 | |
or half a tonne weight, or 500 weight, | 0:22:43 | 0:22:45 | |
I would push you out of the road and point up. | 0:22:45 | 0:22:48 | |
I mean, it was a waste of time trying to talk. | 0:22:48 | 0:22:51 | |
Nobody could hear you. | 0:22:51 | 0:22:53 | |
Gonna lived on site in a camp high on the mountainside, | 0:22:54 | 0:22:58 | |
surrounded by hundreds of other men. | 0:22:58 | 0:23:00 | |
Many had come from Ireland, others from Eastern Europe, | 0:23:00 | 0:23:04 | |
having fled the Cold War to work on the hydro scheme. | 0:23:04 | 0:23:08 | |
When you come back to Scotland and you see these amazing dams, | 0:23:09 | 0:23:12 | |
what does that make you feel? | 0:23:12 | 0:23:15 | |
It makes me feel about 18 feet tall. | 0:23:15 | 0:23:18 | |
It makes me very proud | 0:23:18 | 0:23:20 | |
that I was a wee part, a small part of it. | 0:23:20 | 0:23:23 | |
I was a small part of it. But I was there. | 0:23:23 | 0:23:25 | |
VOICEOVER: In the archive room at the Pitlochry Dam, | 0:23:29 | 0:23:32 | |
I meet up with Brian Haslam. | 0:23:32 | 0:23:34 | |
Brian was a young engineering graduate | 0:23:34 | 0:23:37 | |
when he first worked on the dams. | 0:23:37 | 0:23:39 | |
I was excited. | 0:23:39 | 0:23:40 | |
I don't know why, but I had faith in my own ability. | 0:23:42 | 0:23:46 | |
The engineering side didn't bother me. | 0:23:46 | 0:23:48 | |
I felt quite confident. | 0:23:48 | 0:23:50 | |
But I hadn't got a clue. | 0:23:50 | 0:23:51 | |
When I first went in the tunnel, I didn't know, | 0:23:51 | 0:23:53 | |
I could have been on the moon for all I knew. | 0:23:53 | 0:23:55 | |
It's a great collective effort. | 0:23:55 | 0:23:57 | |
Cos we look at some of these pictures here, | 0:23:57 | 0:23:59 | |
you can see men working together, | 0:23:59 | 0:24:01 | |
really kind of complicated, difficult tasks, | 0:24:01 | 0:24:04 | |
using huge pieces of machinery. | 0:24:04 | 0:24:06 | |
That was just making the machinery. | 0:24:06 | 0:24:09 | |
-What's happening here? -This is the Blondin. | 0:24:09 | 0:24:11 | |
It's a sort of aerial ropeway that carried the concrete across the dam, | 0:24:11 | 0:24:16 | |
named after the guy who walked over Niagara Falls. | 0:24:16 | 0:24:20 | |
So, you were flying concrete from one side of the glen to the other? | 0:24:20 | 0:24:23 | |
Yes. We were doing just that. | 0:24:23 | 0:24:25 | |
So what have we got here? We've got this precarious business? | 0:24:25 | 0:24:29 | |
Men about to disappear into the maw of hell? | 0:24:29 | 0:24:32 | |
This is just an example of the health and safety rules at the time. | 0:24:32 | 0:24:37 | |
-Non-existent! -Zilch. | 0:24:37 | 0:24:39 | |
What do you think is your almost abiding memory | 0:24:39 | 0:24:44 | |
of working on these tunnels? | 0:24:44 | 0:24:45 | |
Four years of happiness. | 0:24:46 | 0:24:49 | |
-Really? -Yeah. -Yeah? -Yeah. | 0:24:49 | 0:24:52 | |
I get quite nostalgic about this. | 0:24:53 | 0:24:55 | |
I grew up when I came to the scheme. | 0:24:58 | 0:25:02 | |
I met the big wide world. | 0:25:02 | 0:25:04 | |
I met wonderful people. | 0:25:04 | 0:25:06 | |
I was doing a wonderful job, in a wonderful place. | 0:25:08 | 0:25:11 | |
I know being inside a tunnel doesn't sound like a wonderful place. | 0:25:11 | 0:25:14 | |
But the company was good? | 0:25:14 | 0:25:15 | |
Somebody once said to me it was like a family. | 0:25:15 | 0:25:18 | |
And you were, you looked after each other. | 0:25:18 | 0:25:20 | |
That was it. | 0:25:20 | 0:25:22 | |
That stuck with me. | 0:25:22 | 0:25:23 | |
Leaving a legacy of dams and tunnels, | 0:25:27 | 0:25:30 | |
which are still generating electricity | 0:25:30 | 0:25:33 | |
from the wild waters of Lanark, | 0:25:33 | 0:25:35 | |
I headed to my final destination - | 0:25:35 | 0:25:37 | |
the shapely peak of Schiehallion. | 0:25:37 | 0:25:39 | |
This mountain was once considered sacred | 0:25:41 | 0:25:44 | |
by the early people who lived in its shadow - | 0:25:44 | 0:25:47 | |
a magical place and the haunt of fairy folk. | 0:25:47 | 0:25:51 | |
But in the 18th century, | 0:25:51 | 0:25:53 | |
Schiehallion was tamed by science | 0:25:53 | 0:25:55 | |
in a brilliant experiment to determine the mass of the Earth. | 0:25:55 | 0:26:00 | |
To do this, you first needed to work out the mass of something smaller, | 0:26:00 | 0:26:04 | |
like a mountain. | 0:26:04 | 0:26:05 | |
In 1775, the Astronomer Royal Nevil Maskelyne | 0:26:06 | 0:26:10 | |
and the mathematician Charles Hutton chose Schiehallion | 0:26:10 | 0:26:14 | |
for their experiment because of the mountain's regular, conical shape. | 0:26:14 | 0:26:18 | |
If you look at any OS map, | 0:26:18 | 0:26:21 | |
you can see quite clearly from the contour lines | 0:26:21 | 0:26:24 | |
just how uniform the mountain is. | 0:26:24 | 0:26:27 | |
They're placed at ten metres apart, these lines. | 0:26:27 | 0:26:30 | |
Now, interestingly, Charles Hutton, a mathematician, | 0:26:30 | 0:26:33 | |
actually invented contour lines to help him with his calculations, | 0:26:33 | 0:26:37 | |
to work out the volume of Schiehallion. | 0:26:37 | 0:26:40 | |
It's an amazing thought, | 0:26:41 | 0:26:42 | |
that the very first contour lines in the world | 0:26:42 | 0:26:45 | |
were drawn right here and have been used by map-makers | 0:26:45 | 0:26:48 | |
and hill walkers ever since. | 0:26:48 | 0:26:50 | |
The contour lines enabled Maskelyne to calculate the volume | 0:26:53 | 0:26:57 | |
and then the mass of Schiehallion. | 0:26:57 | 0:26:59 | |
And then, by scaling up, he was able to work out the mass of the Earth. | 0:26:59 | 0:27:04 | |
It took 17 long weeks to complete the experiment, | 0:27:04 | 0:27:08 | |
partly because the weather that summer was dreadful. | 0:27:08 | 0:27:12 | |
Despite this, the experiment was considered to be a great success | 0:27:12 | 0:27:16 | |
and came close to the modern figure for the mass of the Earth | 0:27:16 | 0:27:20 | |
of 5.9 x 10 to the power of 24 kg. | 0:27:20 | 0:27:24 | |
However, because the experiment had taken so long to complete, | 0:27:24 | 0:27:28 | |
it bankrupted the Royal Society which had funded the project. | 0:27:28 | 0:27:32 | |
But, as they say, there's no gain without a wee bit of pain! | 0:27:32 | 0:27:37 | |
Onwards and upwards! | 0:27:37 | 0:27:38 | |
Although Schiehallion had been tamed by science, | 0:27:46 | 0:27:49 | |
its reputation for wildness continued. | 0:27:49 | 0:27:52 | |
The scientists threw a party on the mountain | 0:27:52 | 0:27:55 | |
for the locals who'd helped them with the experiment. | 0:27:55 | 0:27:58 | |
It was quite a night. | 0:27:58 | 0:28:00 | |
The fiddler burned his fiddle | 0:28:00 | 0:28:01 | |
and then burned the bothy to the ground. | 0:28:01 | 0:28:04 | |
It's hard to be a rock and not to roll. | 0:28:04 | 0:28:07 | |
So, here we are - the summit of Schiehallion, | 0:28:08 | 0:28:12 | |
the fairy mountain of the ancient Caledonians. | 0:28:12 | 0:28:15 | |
And from here, you can see my route | 0:28:15 | 0:28:18 | |
all the way from the wilds of Rannoch Moor, | 0:28:18 | 0:28:21 | |
making this the perfect place for me to end my Grand Tour. | 0:28:21 | 0:28:25 | |
Join me for my next Grand Tour | 0:28:29 | 0:28:32 | |
when I travel into the secret heart of Knoydart | 0:28:32 | 0:28:35 | |
and search for Jacobite gold. | 0:28:35 | 0:28:38 |