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The islands of the West Coast of Scotland are not just beautiful, | 0:00:06 | 0:00:10 | |
they're incredibly varied. | 0:00:10 | 0:00:12 | |
Hop on a ferry from one to the other, | 0:00:12 | 0:00:15 | |
and it's like travelling to another country. | 0:00:15 | 0:00:17 | |
And while the islands I'm travelling to are very | 0:00:20 | 0:00:23 | |
different in character, they each have their own allure. | 0:00:23 | 0:00:28 | |
The romantic idea of escape and sanctuary. | 0:00:28 | 0:00:31 | |
For centuries, the magic of the Scottish islands has drawn | 0:00:35 | 0:00:39 | |
travellers to these shores. | 0:00:39 | 0:00:41 | |
I'm exploring the remote | 0:00:43 | 0:00:45 | |
'and fascinating places scattered around our coastline.' | 0:00:45 | 0:00:49 | |
Any chance of a lift? | 0:00:49 | 0:00:50 | |
'And meeting the people who call these islands home.' | 0:00:50 | 0:00:53 | |
Hold on to your hats. | 0:00:53 | 0:00:55 | |
This time, the islands I'm visiting are striking in their contrast. | 0:00:55 | 0:00:59 | |
From the lush and fertile Gigha, to the rugged wilderness of Jura. | 0:01:01 | 0:01:06 | |
Both have become destinations | 0:01:06 | 0:01:08 | |
for people who are looking for a new island life. | 0:01:08 | 0:01:11 | |
My Grand Tour down the West Coast of Scotland | 0:01:22 | 0:01:25 | |
sees me set sail for the often-overlooked islands | 0:01:25 | 0:01:29 | |
of the Inner Hebrides. | 0:01:29 | 0:01:31 | |
My first stop is the beautiful island of Gigha. | 0:01:31 | 0:01:35 | |
And from there, I'll be heading for Jura, | 0:01:35 | 0:01:37 | |
and attempting to navigate | 0:01:37 | 0:01:39 | |
the infamous waters of the Corryvreckan | 0:01:39 | 0:01:41 | |
before scaling the famous Paps. | 0:01:41 | 0:01:44 | |
My journey starts with a short ferry crossing to tiny Gigha. | 0:01:45 | 0:01:49 | |
It's a place of Vikings and saints, | 0:01:50 | 0:01:53 | |
and because of its fertile soils and fair climate, | 0:01:53 | 0:01:57 | |
it was once known as God's Island. | 0:01:57 | 0:02:00 | |
Gigha is a charming island with a unique character. | 0:02:02 | 0:02:06 | |
In 1773, this was a port of call for the extremely well-travelled | 0:02:06 | 0:02:12 | |
Welsh naturalist Thomas Pennant. | 0:02:12 | 0:02:15 | |
Pennant was on a mission to report and inform. | 0:02:18 | 0:02:21 | |
He believed that most people in Britain knew | 0:02:21 | 0:02:24 | |
more about foreign countries than they did about their own. | 0:02:24 | 0:02:28 | |
So, to remedy this, he embarked on a Hebridean voyage. | 0:02:28 | 0:02:32 | |
In his journal, he wrote, "Land on Gigha. | 0:02:35 | 0:02:40 | |
"An island about six miles long and one broad. | 0:02:40 | 0:02:43 | |
"The most eastern of the Hebrides, | 0:02:43 | 0:02:46 | |
"with its vast bed of most pure and fine sand. | 0:02:46 | 0:02:50 | |
"A mixture of rock, pasture and arable land, with no high hills." | 0:02:50 | 0:02:55 | |
He also observed something else | 0:02:58 | 0:03:00 | |
that's not often said about a Scottish island - | 0:03:00 | 0:03:03 | |
"The weather is extremely fine." | 0:03:03 | 0:03:05 | |
And it's true. It is. | 0:03:06 | 0:03:09 | |
What with its sandy bays | 0:03:09 | 0:03:11 | |
and balmy sea air, at times it seems almost tropical. | 0:03:11 | 0:03:16 | |
BIRD CALLS | 0:03:16 | 0:03:17 | |
BEE BUZZES | 0:03:17 | 0:03:18 | |
Gigha might mean "God's Island," | 0:03:23 | 0:03:26 | |
but God didn't create this Arcadian paradise. | 0:03:26 | 0:03:30 | |
Everything that you see here is the work of mortal human hands, | 0:03:30 | 0:03:35 | |
inspired by the vision of a man who believed that a good night's rest | 0:03:35 | 0:03:39 | |
was more than just a dream. | 0:03:39 | 0:03:41 | |
Colonel Sir James Horlick was heir to the vast empire that was | 0:03:45 | 0:03:50 | |
built on the world's most famous malted drink - | 0:03:50 | 0:03:53 | |
Horlick's. | 0:03:53 | 0:03:55 | |
For Colonel Horlick, sleep was the basis of a vast fortune. | 0:03:55 | 0:04:00 | |
And with the millions he amassed, he bought this island | 0:04:01 | 0:04:04 | |
and set about creating these beautiful gardens at Achamore. | 0:04:04 | 0:04:10 | |
I've come to meet one of its horticulturalists, Helen McBrearty, | 0:04:10 | 0:04:14 | |
to find out why he chose Gigha. | 0:04:14 | 0:04:17 | |
Helen, Achamore Gardens is really quite fantastic. | 0:04:17 | 0:04:21 | |
I feel as if I'm in a subtropical forest here. | 0:04:21 | 0:04:24 | |
We're very lucky here. | 0:04:24 | 0:04:25 | |
-We've got the gulf stream that influences our weather. -Uh-huh. | 0:04:25 | 0:04:28 | |
Which means that it's very mild. | 0:04:28 | 0:04:31 | |
Colonel Horlick came here in the '40s | 0:04:31 | 0:04:33 | |
-specifically because of the climate. -Right. | 0:04:33 | 0:04:36 | |
He was an avid collector of plants, | 0:04:36 | 0:04:38 | |
and he wanted somewhere for them to thrive. | 0:04:38 | 0:04:40 | |
And this was the place he chose. | 0:04:40 | 0:04:42 | |
The new laird didn't just transform these gardens. | 0:04:44 | 0:04:47 | |
Horlick also used his considerable business experience | 0:04:47 | 0:04:51 | |
to develop the island's economy. | 0:04:51 | 0:04:54 | |
And many visitors, including royalty, | 0:04:54 | 0:04:57 | |
came to marvel at what he created here. | 0:04:57 | 0:05:00 | |
-Beautiful in here, isn't it? -Yeah. -Lovely aroma, too. | 0:05:00 | 0:05:03 | |
Now, what would this garden have been used for originally? | 0:05:03 | 0:05:06 | |
The walled part here. | 0:05:06 | 0:05:07 | |
The walled garden, the two acres were used for vegetable growing | 0:05:07 | 0:05:10 | |
and fruit. | 0:05:10 | 0:05:12 | |
And Gigha used to be famous for the quality of its fruit and veg. | 0:05:12 | 0:05:15 | |
So the house would have been self-sufficient, presumably. | 0:05:15 | 0:05:18 | |
It would have had to have been self-sufficient, yeah. Absolutely. | 0:05:18 | 0:05:20 | |
If they didn't grow it, they didn't eat it. | 0:05:20 | 0:05:22 | |
Colonel Sir James Horlick died in 1972 and was laid to rest on Gigha. | 0:05:24 | 0:05:30 | |
Following in his horticultural footsteps, | 0:05:33 | 0:05:36 | |
Helen came here from England. | 0:05:36 | 0:05:39 | |
She now helps to maintain the gardens, | 0:05:39 | 0:05:41 | |
where visitors can enjoy the results of one man's energy and enthusiasm. | 0:05:41 | 0:05:46 | |
He was just passionate about plants, | 0:05:46 | 0:05:48 | |
and passionate about the island and the gardens. | 0:05:48 | 0:05:51 | |
And he created what we have today. | 0:05:51 | 0:05:54 | |
In the years following, | 0:05:54 | 0:05:55 | |
the island fell into the hands of a series of absentee landlords. | 0:05:55 | 0:06:00 | |
They didn't have the same commitment | 0:06:00 | 0:06:03 | |
that Colonel Horlick had shown to Gigha. | 0:06:03 | 0:06:06 | |
It was only fairly recently that things changed. | 0:06:06 | 0:06:09 | |
About ten years ago, there was a quiet revolution here on Gigha. | 0:06:11 | 0:06:15 | |
Disillusioned with the landlords, | 0:06:15 | 0:06:17 | |
local people formed a community trust | 0:06:17 | 0:06:20 | |
and bought the island when it came on the market in 2002. | 0:06:20 | 0:06:24 | |
And since then, the place has flourished. | 0:06:24 | 0:06:28 | |
Local control, it seems, | 0:06:28 | 0:06:29 | |
has reversed the age-old problem of population decline, | 0:06:29 | 0:06:33 | |
and attracted businesses and families to the island. | 0:06:33 | 0:06:36 | |
And I'm going to meet one islander | 0:06:39 | 0:06:41 | |
who came here after the community buyout. | 0:06:41 | 0:06:44 | |
Dairy farmer John Earnshaw, | 0:06:44 | 0:06:46 | |
who is now celebrating ten years on Gigha. | 0:06:46 | 0:06:49 | |
I'm originally from Gargrave, Skipton. | 0:06:50 | 0:06:54 | |
Is that Yorkshire then, is it? | 0:06:54 | 0:06:55 | |
It is. It's not England! | 0:06:55 | 0:06:57 | |
Right, OK! | 0:06:57 | 0:06:58 | |
Why did you choose Gigha? | 0:07:00 | 0:07:02 | |
I don't know whether we chose Gigha, or it just happened. | 0:07:02 | 0:07:06 | |
Or Gigha choose you, you mean? | 0:07:06 | 0:07:07 | |
Or fate. | 0:07:07 | 0:07:08 | |
We came with two young children, and we thought there was a future. | 0:07:08 | 0:07:14 | |
We came and we gave it a shot. | 0:07:14 | 0:07:16 | |
And I would say it's been OK for us. | 0:07:16 | 0:07:19 | |
And what's it like living on an island | 0:07:19 | 0:07:21 | |
compared to living in Yorkshire? | 0:07:21 | 0:07:23 | |
Totally different. | 0:07:23 | 0:07:25 | |
It's different challenges, | 0:07:25 | 0:07:27 | |
and different problems to get over. | 0:07:27 | 0:07:31 | |
You have to either work together with the other farmers, | 0:07:31 | 0:07:35 | |
or you're stuck. | 0:07:35 | 0:07:38 | |
John is continuing a long tradition of dairy farming on Gigha. | 0:07:38 | 0:07:42 | |
But the island's position as a significant milk producer | 0:07:42 | 0:07:46 | |
is due in no small part to the work of Sir James Horlick. | 0:07:46 | 0:07:51 | |
As laird, he set about modernising the way that milk was produced here. | 0:07:51 | 0:07:55 | |
Of course, the Horlicks would have had an interest in milk anyway, | 0:07:56 | 0:07:59 | |
-with their their milk-based drink. -They certainly... Yes. | 0:07:59 | 0:08:02 | |
I think they were the driving force for Gigha into dairy | 0:08:02 | 0:08:07 | |
and in the improvement of the land and... | 0:08:07 | 0:08:10 | |
-Uh-huh. -It was a tremendously productive place. | 0:08:10 | 0:08:14 | |
So, Gigha and dairy go together really, do they? | 0:08:14 | 0:08:16 | |
I would think so. Yes. | 0:08:16 | 0:08:17 | |
And keeping that milk production up is certainly important for Gigha. | 0:08:17 | 0:08:22 | |
I think, anyway. | 0:08:22 | 0:08:23 | |
Most of the milk produced on Gigha goes to the mainland to make cheese. | 0:08:24 | 0:08:30 | |
So next time you're enjoying a slice of Scottish cheddar, | 0:08:30 | 0:08:33 | |
you can ponder that the milk might have come from cows | 0:08:33 | 0:08:37 | |
fed on these fertile slopes. | 0:08:37 | 0:08:39 | |
And perhaps from one of John's 100-strong herd. | 0:08:39 | 0:08:42 | |
Come on, girls. | 0:08:42 | 0:08:45 | |
-They all have names. -Really? | 0:08:45 | 0:08:47 | |
Zyna, just going down. | 0:08:47 | 0:08:49 | |
There's Fay. | 0:08:49 | 0:08:51 | |
There's Kirsty. | 0:08:51 | 0:08:53 | |
Snowball. | 0:08:53 | 0:08:54 | |
Rosebud. | 0:08:54 | 0:08:55 | |
Continuing my journey, I'm leaving the balmy | 0:08:57 | 0:09:00 | |
and verdant Gigha behind. | 0:09:00 | 0:09:02 | |
I'm making the short journey north to the island of Jura. | 0:09:04 | 0:09:08 | |
And here, I find a very different landscape. | 0:09:08 | 0:09:11 | |
Jura is bigger, much more rugged, | 0:09:11 | 0:09:14 | |
and huge tracts of the island are uninhabited. | 0:09:14 | 0:09:18 | |
Its 142 square miles is home to just 200 people. | 0:09:18 | 0:09:23 | |
And most of them live in the only village on the island, Craighouse. | 0:09:23 | 0:09:29 | |
The early travel writer Thomas Pennant also visited here, | 0:09:29 | 0:09:33 | |
and the contrast with Gigha was not lost on him. | 0:09:33 | 0:09:37 | |
He described Jura as "The most rugged of the Hebrides. | 0:09:37 | 0:09:41 | |
"Composed chiefly of vast mountains. | 0:09:41 | 0:09:44 | |
"Naked and without the possibility of cultivation." | 0:09:44 | 0:09:48 | |
Pennant sketched the rudimentary shelters used by goatherds | 0:09:48 | 0:09:52 | |
in the summer months. | 0:09:52 | 0:09:53 | |
He remarked on how the people risk starvation for the benefits | 0:09:53 | 0:09:57 | |
of a dram. | 0:09:57 | 0:09:59 | |
They diverted grain which should have gone to make bread | 0:09:59 | 0:10:02 | |
to produce the spirit they adored. | 0:10:02 | 0:10:05 | |
The islanders could ill afford the luxury of whisky, | 0:10:07 | 0:10:11 | |
but who could blame them seeking a little cheer from the water of life? | 0:10:11 | 0:10:15 | |
Because their lives were unimaginably hard. | 0:10:15 | 0:10:18 | |
The people living on Jura had to be resilient and self-sufficient. | 0:10:23 | 0:10:28 | |
And that meant making the most of the island's natural resources. | 0:10:29 | 0:10:34 | |
Life may be easier today, but for some people, | 0:10:36 | 0:10:41 | |
the opportunity to live a simpler existence | 0:10:41 | 0:10:43 | |
is part of the appeal of Jura. | 0:10:43 | 0:10:44 | |
-So, what? You're just lifting the turf off just now. -Mm-hmm. | 0:10:48 | 0:10:50 | |
-Preparing to lift the turf off the peat. -That's right, aye. | 0:10:50 | 0:10:53 | |
So, you have to get rid of that before you can start | 0:10:53 | 0:10:55 | |
-getting into the bank. -That's right. That's right, aye. | 0:10:55 | 0:10:58 | |
Neil Cameron wasn't born here. | 0:10:58 | 0:11:00 | |
But since arriving on Jura 14 years ago, | 0:11:00 | 0:11:03 | |
he's taught himself one of the traditional skills | 0:11:03 | 0:11:07 | |
which kept islanders warm and dry for centuries. | 0:11:07 | 0:11:10 | |
Do many people still cut peats on the island then, Neil? | 0:11:10 | 0:11:13 | |
I think this year there's... | 0:11:13 | 0:11:15 | |
..four. | 0:11:16 | 0:11:17 | |
-Just four of you. -Just four cutting. | 0:11:17 | 0:11:19 | |
-Oout of a population of 200. That's not many. -Not many. | 0:11:19 | 0:11:22 | |
We're pretty close to the road... the main road here. You saw. | 0:11:22 | 0:11:25 | |
I get a toot of encouragement from a lot of people as I do the thing. | 0:11:25 | 0:11:27 | |
Al sort of tooting out to me. | 0:11:27 | 0:11:29 | |
People like to see someone carrying out a traditional... | 0:11:29 | 0:11:31 | |
-Ah, perhaps, aye. -A traditional peat-cutting way of life. | 0:11:31 | 0:11:35 | |
-Yeah. -Maintaining the traditions. | 0:11:35 | 0:11:37 | |
'Patiently, methodically, they cut the peat. | 0:11:41 | 0:11:45 | |
'They piled the peat, they carried it away. | 0:11:45 | 0:11:48 | |
'They stacked up to dry. | 0:11:48 | 0:11:49 | |
'To dry and burn for fuel.' | 0:11:49 | 0:11:51 | |
I'm actually quite desperate, Neil, to have a shot at this myself. | 0:11:55 | 0:11:58 | |
-Can I have a go with your peat cutter? -Yep. -Right. | 0:11:58 | 0:12:01 | |
Here you are. | 0:12:01 | 0:12:03 | |
So, I just push in here. | 0:12:03 | 0:12:04 | |
-And just follow the same angle. -I see, right. | 0:12:04 | 0:12:06 | |
Because otherwise you'll end up with an enormous thing. | 0:12:06 | 0:12:09 | |
-Goes in pretty easily, doesn't it? -Yeah. | 0:12:09 | 0:12:12 | |
And now give it a little twist up towards you. | 0:12:12 | 0:12:15 | |
-That's it. -That's my first peat cut, look. | 0:12:15 | 0:12:21 | |
-There you are. -First piece of turf. -That's right. | 0:12:21 | 0:12:23 | |
-And then just repeat. -Repeat that. | 0:12:23 | 0:12:26 | |
Do you think one of the pleasures, Neil, | 0:12:26 | 0:12:28 | |
is the fact that you don't have to do spend a lot of money? | 0:12:28 | 0:12:30 | |
-I feel obliged to do it because... -You feel obliged? | 0:12:30 | 0:12:32 | |
-Well, just to keep the house warm. -Is it because it's you? | 0:12:32 | 0:12:35 | |
-Yeah. -Yeah. | 0:12:35 | 0:12:36 | |
Well, I enjoy doing this sort of thing, as well. | 0:12:36 | 0:12:38 | |
So, if you've got all this at your doorstep... | 0:12:38 | 0:12:41 | |
-I say obliged. -..why give the energy companies are big fat cheque? | 0:12:41 | 0:12:46 | |
If you do things for yourself, it's nice, isn't it? | 0:12:46 | 0:12:50 | |
You know, home-made is... Home-made it is better, eh? | 0:12:50 | 0:12:52 | |
-I think so. -You're absolutely right. | 0:12:52 | 0:12:55 | |
Home-made heat. | 0:12:55 | 0:12:57 | |
'The unique scent of the Hebrides is peat. | 0:12:57 | 0:13:00 | |
'The barren earth grows fuel. | 0:13:00 | 0:13:02 | |
'And cutting it becomes a family operation. | 0:13:02 | 0:13:05 | |
'Almost a ritual. | 0:13:05 | 0:13:06 | |
'Stripping the peat's a masculine prerogative. | 0:13:08 | 0:13:11 | |
'The woman carries.' | 0:13:11 | 0:13:14 | |
It's quite pleasing, isn't it? | 0:13:15 | 0:13:17 | |
Watching that knife go into the peat. | 0:13:17 | 0:13:20 | |
-Aye. -It's like cutting through a large slice of chocolate brownie. | 0:13:20 | 0:13:23 | |
That's a monster, that. That's going to keep you... | 0:13:23 | 0:13:25 | |
-It's a monster, is it? -It's a monster, that. But it will dry. | 0:13:25 | 0:13:28 | |
I get it dried, yeah. That's fine. | 0:13:28 | 0:13:30 | |
After the peat is cut, | 0:13:32 | 0:13:34 | |
it has to be dried by the wind in stooks like these. | 0:13:34 | 0:13:37 | |
And regularly turned before being stacked | 0:13:37 | 0:13:40 | |
and taken home, ready for burning. | 0:13:40 | 0:13:43 | |
You get into a rhythm, don't you? | 0:13:43 | 0:13:45 | |
-Aye. -It's meditative too, this. | 0:13:45 | 0:13:47 | |
Mm-hmm. Mm-hmm. | 0:13:47 | 0:13:48 | |
Neil's main challenge is protecting his day's work | 0:13:51 | 0:13:55 | |
from some of the inquisitive locals. | 0:13:55 | 0:13:57 | |
But he's found a novel way of doing that. | 0:13:57 | 0:14:00 | |
All around the peat bank, | 0:14:00 | 0:14:02 | |
we've got these stakes and wire between them. | 0:14:02 | 0:14:05 | |
And they're blowing in the wind, and making the most extraordinary noise. | 0:14:05 | 0:14:09 | |
WIND WHISTLES | 0:14:09 | 0:14:11 | |
The deer will all just come in and wander over the peat | 0:14:11 | 0:14:15 | |
and knock the stacks down. And maybe the freshly cut peat... | 0:14:15 | 0:14:18 | |
if a walk over that, they could break them and ruin... | 0:14:18 | 0:14:20 | |
And it already happened. | 0:14:20 | 0:14:22 | |
I started cutting peat, and then came down the next day, | 0:14:22 | 0:14:24 | |
and there'd been deer in. | 0:14:24 | 0:14:25 | |
-So I got these up pronto. -Right. | 0:14:25 | 0:14:27 | |
It's low-tech, but it works. | 0:14:27 | 0:14:29 | |
And it would seem that there's enough peat on Jura to keep | 0:14:29 | 0:14:32 | |
Neil going for a few years yet. | 0:14:32 | 0:14:36 | |
-You're not going to run out. -No, I don't think so. No. | 0:14:36 | 0:14:38 | |
You've got thousands of years left to go. | 0:14:38 | 0:14:42 | |
Yes. Aye. | 0:14:42 | 0:14:44 | |
THEY LAUGH | 0:14:44 | 0:14:45 | |
A day's work is done. | 0:14:47 | 0:14:49 | |
A day's work is done. Time for a pint. | 0:14:49 | 0:14:51 | |
Thirsty, yes. | 0:14:51 | 0:14:52 | |
Continuing my journey, | 0:15:01 | 0:15:03 | |
I'm heading up to the north end of Jura to a stretch of water | 0:15:03 | 0:15:07 | |
that has struck fear into the heart of sailors for centuries. | 0:15:07 | 0:15:11 | |
The notorious Corryvreckan. | 0:15:11 | 0:15:13 | |
It's like sailing across the surface of a boiling cauldron. | 0:15:23 | 0:15:26 | |
And I can feel that force on the boat, too. | 0:15:32 | 0:15:34 | |
It can actually move the boat round and round in circles. | 0:15:34 | 0:15:37 | |
Like, which you know you can feel yourself. | 0:15:37 | 0:15:39 | |
You need lots of power to be able to come in about the Corryvreckan. | 0:15:39 | 0:15:43 | |
Even an experienced seafarer, like local boatman Nicol MacKinnon, | 0:15:43 | 0:15:48 | |
is extremely cautious in this stretch of water. | 0:15:48 | 0:15:50 | |
It's got unnavigable on the chart, but you know... | 0:15:52 | 0:15:56 | |
It's got unnavigable? | 0:15:56 | 0:15:57 | |
Yeah, you'll get massive, standing waves. | 0:15:57 | 0:16:00 | |
Which could be 15, 17 metres high. | 0:16:00 | 0:16:04 | |
You get circles. | 0:16:04 | 0:16:06 | |
You get whirling circles, right up to 50 metres in diameter. | 0:16:06 | 0:16:10 | |
50-metre-diameter whirlpools? | 0:16:10 | 0:16:12 | |
-Yeah, yeah. -You've seen that? -Yeah. Yeah, yeah. | 0:16:12 | 0:16:14 | |
And it could be up to three or four metres deep | 0:16:14 | 0:16:16 | |
-in the middle. -It must've claimed quite a few lives | 0:16:16 | 0:16:18 | |
over the centuries. | 0:16:18 | 0:16:20 | |
Yeah, well, there was lots of boats lost years ago. | 0:16:20 | 0:16:23 | |
And you certainly don't want to fall in, anyway. | 0:16:23 | 0:16:25 | |
What happens if you did? | 0:16:25 | 0:16:27 | |
Well, I think years ago, they put in test dummies | 0:16:27 | 0:16:30 | |
with monitors on them to see what happened. | 0:16:30 | 0:16:33 | |
And they went down 500 feet, and came up four miles away. | 0:16:33 | 0:16:38 | |
This dangerous channel between the north end of Jura | 0:16:39 | 0:16:42 | |
and the Isle Of Scarba is created by an underwater ridge | 0:16:42 | 0:16:47 | |
which rises to a pinnacle 30 metres below the surface. | 0:16:47 | 0:16:51 | |
There's the pinnacle right in front of us now, see. | 0:16:51 | 0:16:54 | |
Yeah. I see it, amazing. | 0:16:54 | 0:16:55 | |
And that shows you the huge, big channel | 0:16:55 | 0:16:57 | |
-that runs right down the middle. -Yeah, yeah. | 0:16:57 | 0:16:59 | |
So the pinnacle's beneath us. | 0:16:59 | 0:17:01 | |
Yeah. At the moment. Yeah. | 0:17:01 | 0:17:03 | |
On an ebb tide, | 0:17:04 | 0:17:05 | |
as the water flows back into the channel from the Atlantic, | 0:17:05 | 0:17:08 | |
hundreds of whirlpools can form as the sea rushes over the pinnacle, | 0:17:08 | 0:17:13 | |
creating a terrifying maelstrom of water. | 0:17:13 | 0:17:16 | |
And you've got that huge volume of the Atlantic | 0:17:19 | 0:17:21 | |
trying to get through the Sound Of Scarba, | 0:17:21 | 0:17:24 | |
and it hits that pinnacle. | 0:17:24 | 0:17:25 | |
It just hits the pinnacle. | 0:17:25 | 0:17:27 | |
And there's nowhere to go but up. | 0:17:27 | 0:17:29 | |
And that's what creates the effect. | 0:17:29 | 0:17:31 | |
I have to admit, | 0:17:33 | 0:17:35 | |
it's with some relief that we leave the Corryvreckan's whirlpools | 0:17:35 | 0:17:39 | |
and head to the west coast of Jura, | 0:17:39 | 0:17:41 | |
known as the Empty Quarter. | 0:17:41 | 0:17:44 | |
This has to be one of the wildest, roughest stretches | 0:17:44 | 0:17:48 | |
of coastline in Europe. | 0:17:48 | 0:17:49 | |
It's unremittingly bleak and awe-inspiring. | 0:17:49 | 0:17:53 | |
Because much of the terrain on this side of the island | 0:17:56 | 0:17:59 | |
consists of often impassable bog and heather, | 0:17:59 | 0:18:03 | |
the best way to get here is by boat. | 0:18:03 | 0:18:06 | |
I'm landing at the beautiful and deserted Glengarrisdale Bay. | 0:18:06 | 0:18:12 | |
No-one's lived here now for almost 100 years, | 0:18:15 | 0:18:18 | |
but it's still a welcoming destination | 0:18:18 | 0:18:21 | |
to a variety of adventurous souls. | 0:18:21 | 0:18:24 | |
I've come to what was the last working croft on this part of Jura. | 0:18:31 | 0:18:35 | |
And if you want to get a sense of just how remote and isolated | 0:18:39 | 0:18:43 | |
some of the communities on Jura used to be, | 0:18:43 | 0:18:45 | |
then this is the place to come. | 0:18:45 | 0:18:47 | |
Today, the house is a bothy, | 0:18:54 | 0:18:56 | |
providing shelter for walkers, stalkers, kayakers, | 0:18:56 | 0:19:00 | |
and assorted refugees from urban life. | 0:19:00 | 0:19:03 | |
Well, it's a bit basic in here, | 0:19:04 | 0:19:06 | |
but you can imagine with the fire going | 0:19:06 | 0:19:09 | |
and maybe a drink or two to warm the cockles of your heart, | 0:19:09 | 0:19:13 | |
this would be a really pleasant place to stay. | 0:19:13 | 0:19:16 | |
Before I leave the island, there is one final thing I have to do. | 0:19:20 | 0:19:24 | |
There are several mountains in Scotland with female names | 0:19:27 | 0:19:30 | |
and associations. | 0:19:30 | 0:19:32 | |
Some scholars believe that this is a reminder of ancient, | 0:19:32 | 0:19:35 | |
pre-Christian Celtic mother goddess with connections to the land. | 0:19:35 | 0:19:40 | |
So, the hills of Arran are a case in point. | 0:19:40 | 0:19:43 | |
And in front of me the famous Paps Of Jura. | 0:19:43 | 0:19:46 | |
Of course, the distinctive shape of these peaks | 0:19:48 | 0:19:51 | |
could have rather a lot to do with the name. | 0:19:51 | 0:19:54 | |
But there, the similarity ends. | 0:19:55 | 0:19:57 | |
What awaits me is a ghastly slog over peat bog, heather, | 0:19:59 | 0:20:02 | |
and a purgatory of steep-angle scree slopes. | 0:20:02 | 0:20:06 | |
As my fellow traveller, Thomas Pennant, said, | 0:20:11 | 0:20:14 | |
"It is the task | 0:20:14 | 0:20:15 | |
"of much labour and difficulty being composed of vast stones. | 0:20:15 | 0:20:20 | |
"The whole mountain forms a vast cairn." | 0:20:20 | 0:20:23 | |
To make things even worse, | 0:20:25 | 0:20:27 | |
the summits of the Paps are shrouded in mist. | 0:20:27 | 0:20:31 | |
Ah. Now, here we are. | 0:20:36 | 0:20:39 | |
At last. | 0:20:39 | 0:20:40 | |
The summit cairn. | 0:20:40 | 0:20:42 | |
I'm going to add to this vast pile of stones with one of my own. | 0:20:42 | 0:20:47 | |
And a wish for better weather. | 0:20:47 | 0:20:49 | |
And a view. | 0:20:49 | 0:20:51 | |
As I begin my descent through the clouds, | 0:20:55 | 0:20:58 | |
I reflect on all the people I've met on this Grand Tour | 0:20:58 | 0:21:02 | |
who have taken on the challenge of island life. | 0:21:02 | 0:21:05 | |
Then, unexpectedly, the weather improves... | 0:21:07 | 0:21:11 | |
..and I'm reminded of just why people come here. | 0:21:12 | 0:21:15 | |
The mist is lifting, and the views are superb. | 0:21:19 | 0:21:23 | |
The great sweep of the Kintyre peninsula, | 0:21:27 | 0:21:30 | |
and in the distance, Gigha. | 0:21:30 | 0:21:32 | |
My starting point. | 0:21:32 | 0:21:33 | |
Jura and Gigha are both so very different. | 0:21:35 | 0:21:40 | |
But that's what makes the Scottish Islands special. | 0:21:40 | 0:21:43 | |
Each one has its own unique character and appeal. | 0:21:43 | 0:21:47 | |
I can't think of a better place to end this Grand Tour | 0:21:51 | 0:21:54 | |
of the Scottish Islands. | 0:21:54 | 0:21:56 |