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In 1840, one man transformed travel in Britain. | 0:00:04 | 0:00:10 | |
His name was George Bradshaw, and his railway guides inspired the Victorians to take to the tracks. | 0:00:10 | 0:00:17 | |
Stop by stop, he told them where to travel, what to see and where to stay. | 0:00:17 | 0:00:22 | |
Now, 170 years later, I'm making four long journeys across the length | 0:00:22 | 0:00:28 | |
and breadth of the country to see what remains of Bradshaw's Britain. | 0:00:28 | 0:00:34 | |
Until the 1840s, travelling by rail in Britain was really complicated. | 0:00:51 | 0:00:55 | |
There were already 20,000 miles of track | 0:00:55 | 0:00:58 | |
and more railway companies than we have today. | 0:00:58 | 0:01:00 | |
The only way you could find out the timetable was by going to your local station. | 0:01:00 | 0:01:04 | |
Then, in 1841, along came George Bradshaw, a map engraver from Manchester, who put the timetables | 0:01:04 | 0:01:11 | |
together and produced the first handbook of Britain's railways. | 0:01:11 | 0:01:16 | |
I want to find out the extent to which the industries and the places and the types of people | 0:01:18 | 0:01:24 | |
that Bradshaw wrote about still exist and whether a Victorian handbook | 0:01:24 | 0:01:29 | |
can help us to understand the way that the railways made us the people that we are today. | 0:01:29 | 0:01:34 | |
First up, I'll be learning the lingo in Liverpool... | 0:01:38 | 0:01:42 | |
You have the Beatles - Paul McCartney, very soft, sort of, "How you doing, Michael? How's things?" | 0:01:42 | 0:01:47 | |
And then you've got Lennon, with his nasal sort of twang, the adenoids. | 0:01:47 | 0:01:51 | |
..then visiting the birthplace of the first steam locomotive, George Stephenson's Rocket... | 0:01:51 | 0:01:57 | |
It was an absolutely astonishing event in railway and, indeed, world history. | 0:01:57 | 0:02:03 | |
..and having a go at folding an Eccles cake. | 0:02:03 | 0:02:06 | |
Surgeon's hands! | 0:02:06 | 0:02:08 | |
Aaah! | 0:02:08 | 0:02:10 | |
That's one of mine. You may have guessed. | 0:02:10 | 0:02:12 | |
All this week, I'll be travelling west to east, | 0:02:19 | 0:02:23 | |
starting from Liverpool, along the oldest | 0:02:23 | 0:02:25 | |
passenger railway in the world, | 0:02:25 | 0:02:27 | |
on the line that was built to take cotton | 0:02:27 | 0:02:29 | |
from Liverpool's docks to Manchester's mills. | 0:02:29 | 0:02:33 | |
After stopping at Skipton, | 0:02:33 | 0:02:34 | |
I'll carry on across Yorkshire | 0:02:34 | 0:02:37 | |
and eventually end up at the east-coast resort of Scarborough. | 0:02:37 | 0:02:41 | |
Today, I'll be covering the first 30 miles | 0:02:45 | 0:02:48 | |
via Rainhill to Eccles. | 0:02:48 | 0:02:50 | |
And my first stop is Lime Street station, in Liverpool. | 0:02:52 | 0:02:57 | |
I'm now in the tunnel | 0:02:57 | 0:02:59 | |
that runs from Edge Hill into Liverpool Lime Street. | 0:02:59 | 0:03:02 | |
It's a mile and a quarter long. | 0:03:02 | 0:03:04 | |
It goes all the way under the city, and Bradshaw was incredibly impressed. | 0:03:04 | 0:03:09 | |
And he said when people see this, they'll want to pay just tribute to the engineering skill | 0:03:09 | 0:03:16 | |
of those people who delivered the railway to the very heart of the city of Liverpool. | 0:03:16 | 0:03:20 | |
Bradshaw marvelled at the new railway line. But he was even more impressed | 0:03:24 | 0:03:30 | |
by Lime Street, one of the first stations ever built. | 0:03:30 | 0:03:35 | |
Morning. | 0:03:37 | 0:03:39 | |
Bradshaw talks about Lime Street as having an Italian design, with many columns, and I suppose | 0:03:41 | 0:03:48 | |
he must be referring to this part of the station, which is now rather run-down and tucked in a corner. | 0:03:48 | 0:03:54 | |
Because when you come to Lime Street, what you're really impressed by is this enormous | 0:03:54 | 0:03:59 | |
Victorian canopy of glass and iron. Magnificent. | 0:03:59 | 0:04:06 | |
Liverpool has always been a vibrant city. | 0:04:09 | 0:04:13 | |
In Bradshaw's day, it was a great port, second only to London. | 0:04:14 | 0:04:18 | |
Today, its rich Victorian heritage sits alongside | 0:04:22 | 0:04:27 | |
a shiny new Liverpool that's sprung up in the last few years. | 0:04:27 | 0:04:31 | |
I love the way this brand-new glass building reflects the old Liverpool, | 0:04:36 | 0:04:41 | |
the Liver Building, one of the most famous buildings on Merseyside. | 0:04:41 | 0:04:45 | |
Throughout its history, the docks, more than anything else, have shaped Liverpool's character. | 0:04:48 | 0:04:54 | |
Bradshaw's guide was struck by the huge numbers of people moving through the city. | 0:04:58 | 0:05:04 | |
"Liverpool, as might be expected, is also a great emigrant port. As many as 206,000 people, | 0:05:04 | 0:05:11 | |
"for whose use half a million tons of shipping were required in 1851." | 0:05:11 | 0:05:17 | |
In the 19th century, millions of immigrants | 0:05:21 | 0:05:24 | |
passed through Liverpool, leaving a mark on the city that's instantly recognisable - the Liverpool accent. | 0:05:24 | 0:05:32 | |
I must admit, as a Southerner, I've sometimes struggled to understand it, | 0:05:34 | 0:05:39 | |
so I've come for a lesson in Scouse with local author Peter Grant. | 0:05:39 | 0:05:44 | |
-How very nice. -Hiya, la'. | 0:05:47 | 0:05:49 | |
-What did you say? -Hiya, la'. | 0:05:49 | 0:05:51 | |
-La' - lad. -Ah. That's a good start, isn't it? | 0:05:51 | 0:05:54 | |
That's a very good start. Where does this Liverpool accent come from? | 0:05:54 | 0:05:57 | |
It comes from this almost allegorical big melting pot, a big pan of accents | 0:05:57 | 0:06:03 | |
thrown in - Scottish, Irish, Welsh, Lancashire, Cheshire. | 0:06:03 | 0:06:06 | |
Put a spoon in it, stir it all up and you've got | 0:06:06 | 0:06:09 | |
little sparkles here and there, our little idiosyncratic little accent. | 0:06:09 | 0:06:14 | |
I'm following a nineteenth-century guide. | 0:06:14 | 0:06:16 | |
Would there have been a Scouse accent in those days? | 0:06:16 | 0:06:19 | |
-They would have spoken it, but it wouldn't have been recognised till about 1890. -Is it a single accent? | 0:06:19 | 0:06:24 | |
You can actually discover different types of Scouse accent - the north and the south. | 0:06:24 | 0:06:29 | |
In Maghull, you can hear a certain type of accent that is different from the one in Allerton, | 0:06:29 | 0:06:34 | |
and this is reflected especially in people like some of the comedians. | 0:06:34 | 0:06:38 | |
You know, Stan Boardman, "the Germans". | 0:06:38 | 0:06:40 | |
He's from the north side. You have the Beatles - Paul McCartney, | 0:06:40 | 0:06:43 | |
very soft, sort of, "How you doing, Michael? How's things?" | 0:06:43 | 0:06:46 | |
And then you've got Lennon, with his nasal sort of twang, the adenoids. | 0:06:46 | 0:06:50 | |
George talking out of the side of his mouth, "Scrotty," | 0:06:50 | 0:06:52 | |
and Ringo's "Thomas the Tank Engine". | 0:06:52 | 0:06:54 | |
So all four, all from different parts of the city. | 0:06:54 | 0:06:57 | |
-You're a sort of Professor Higgins of Scouse. -I like that. I like that. | 0:06:57 | 0:07:01 | |
I think I'll bring out My "Faaa-ir" Lady, the sequel. | 0:07:01 | 0:07:05 | |
So, why don't you test me out on some Scouse words or phrases, and I'll see if I can follow you. | 0:07:05 | 0:07:12 | |
That fella over there, he's brickin' it. | 0:07:12 | 0:07:14 | |
That fella over there's brickin' it. | 0:07:14 | 0:07:16 | |
-That's great. That sounded like George, yeah. -Erm... | 0:07:16 | 0:07:18 | |
That means, "That man over there is scared". | 0:07:18 | 0:07:21 | |
Scared, yeah, petrified. And it could have other connotations, | 0:07:21 | 0:07:24 | |
but, you know. 'Ey, la', you're doin' me 'ead in. | 0:07:24 | 0:07:27 | |
'Ey, la', you're doin' me 'ead in. | 0:07:27 | 0:07:29 | |
-Er, that means, "Hey, boy..." -PETER LAUGHS | 0:07:29 | 0:07:33 | |
"..you're driving me crazy". | 0:07:33 | 0:07:35 | |
That's good. It's like an American pop song, that. | 0:07:35 | 0:07:38 | |
-Have you heard the phrase "getting off a' Edge Hill"? -Getting off the train at Edge Hill? | 0:07:38 | 0:07:42 | |
Yeah. In Liverpool, if you're getting off at Edge Hill, it's the last stop before Lime Street, | 0:07:42 | 0:07:47 | |
but Scousers tend to use it as a sort of analogy to the... let's say the sexual act | 0:07:47 | 0:07:52 | |
and that you went out with a girl, or a girl went out with a bloke, and you nearly got there, you know? | 0:07:52 | 0:07:57 | |
In the art of copping off, which is short for "copulation". So, "Did you cop off last night?" | 0:07:57 | 0:08:03 | |
-This is going out at 6:30! -THEY LAUGH | 0:08:03 | 0:08:05 | |
'But it seems Scouse isn't only an accent in Liverpool. | 0:08:06 | 0:08:10 | |
'It's also a dish.' | 0:08:10 | 0:08:12 | |
-Thank you very much. -If you like it that much, we do it in a tin as well. | 0:08:12 | 0:08:17 | |
OK, great. Thank you. | 0:08:17 | 0:08:19 | |
I feel really ignorant asking this, but what is scouse? | 0:08:19 | 0:08:22 | |
It's very much a peasant, working-class-type dish. It comes from Norway. | 0:08:22 | 0:08:26 | |
We adopted this Norwegian dish, which was a lovely big stew with beef, meat, fat, you name it. | 0:08:26 | 0:08:33 | |
Throw all the vegetables in, stir it round. Very nutritious. | 0:08:33 | 0:08:36 | |
And it stopped you getting scurvy. | 0:08:36 | 0:08:38 | |
What do you say for "bon appetit" in Liverpool? | 0:08:38 | 0:08:41 | |
Er, "'ave a good scran, la'". | 0:08:41 | 0:08:44 | |
'Ave a good scran, la'. | 0:08:44 | 0:08:46 | |
-What do you think? -I think it's very good. | 0:08:50 | 0:08:52 | |
The beef has been shredded so that it just gives it a kind of real... | 0:08:52 | 0:08:57 | |
-kind of lovely stringy texture, doesn't it? -Yeah. | 0:08:57 | 0:08:59 | |
Yeah. But you can't beat a good, solid bowl of scouse. | 0:08:59 | 0:09:06 | |
And as I say, it's got everything in it. | 0:09:06 | 0:09:07 | |
So, it's a very, very good metaphor for the accent. | 0:09:07 | 0:09:11 | |
Yes. Absolutely. | 0:09:11 | 0:09:12 | |
So, Liverpool's signature dish comes from Norway. | 0:09:14 | 0:09:18 | |
It seems everything in Liverpool originates somewhere else. | 0:09:18 | 0:09:22 | |
Hello, guys. Nice to see you all. | 0:09:22 | 0:09:25 | |
-Are you all from Liverpool? -Yeah. | 0:09:25 | 0:09:27 | |
-Do you like the city? -Love the city. | 0:09:27 | 0:09:29 | |
-What do you love about it? -The way it's so diverse. -Yes. | 0:09:29 | 0:09:32 | |
-I like that. -Everyone who's born in Liverpool is either | 0:09:32 | 0:09:35 | |
of Irish, Scottish or Welsh descent, and they say that it's a combination. | 0:09:35 | 0:09:39 | |
-Like, our nan's Irish. -It's lovely to see you so enthusiastic about your city. Thank you so much. | 0:09:39 | 0:09:43 | |
All right. Thank you. Bye, now! | 0:09:43 | 0:09:45 | |
-What do you think of the city? -The city's great. | 0:09:51 | 0:09:54 | |
-Great? You like the city? -Oh, yeah. | 0:09:54 | 0:09:56 | |
-Is it getting better? -Yeah, yeah. | 0:09:56 | 0:09:57 | |
Lots of money coming in. | 0:09:57 | 0:10:00 | |
Can't beat it. | 0:10:00 | 0:10:01 | |
There was a lot of money coming in in Bradshaw's time too. | 0:10:08 | 0:10:12 | |
Liverpool grew into the most important port for the cotton trade, | 0:10:12 | 0:10:16 | |
with two million bales passing through the docks every year. | 0:10:16 | 0:10:20 | |
Across the Mersey, on the Wirral, there's another place Bradshaw | 0:10:22 | 0:10:26 | |
talks about that I'm keen to see... | 0:10:26 | 0:10:28 | |
..Birkenhead Park. | 0:10:31 | 0:10:32 | |
Bradshaw's a little bit iffy about Birkenhead Park. | 0:10:37 | 0:10:41 | |
He says it's not one of the largest. | 0:10:41 | 0:10:44 | |
But then he goes on and says but as a model, | 0:10:44 | 0:10:47 | |
it's "owned to be one of the finest in England". | 0:10:47 | 0:10:51 | |
And it did turn out to be a model, because it was designed by | 0:10:51 | 0:10:54 | |
Sir Joseph Paxton and then an American, called FL Olmsted, came over. | 0:10:54 | 0:11:00 | |
And he was inspired by this and designed Central Park in New York City. | 0:11:00 | 0:11:06 | |
And with these beautiful lakes and with these rocks piled high and the trees raised up, | 0:11:06 | 0:11:11 | |
it does have the feel of Central Park. | 0:11:11 | 0:11:15 | |
And so you like to think of all those people leaving Liverpool, | 0:11:15 | 0:11:18 | |
Birkenhead, going across to New York City and finding something very familiar at the other side. | 0:11:18 | 0:11:24 | |
-Morning. -Morning. How are you? | 0:11:30 | 0:11:33 | |
In the 1850s, up to a thousand ships a year were leaving Liverpool | 0:11:36 | 0:11:40 | |
for America, many carrying Irish refugees fleeing the potato famine. | 0:11:40 | 0:11:47 | |
The trains brought people from all over Britain to Liverpool to board the emigrant ships. | 0:11:47 | 0:11:52 | |
In the late nineteenth century, one of the largest groups of refugees | 0:11:52 | 0:11:56 | |
passing through Liverpool were Jews, like Mervyn Kingston's grandfather. | 0:11:56 | 0:12:00 | |
-How lovely to see you. Good morning. -And you. -Michael. -How nice to see you, Michael. | 0:12:00 | 0:12:04 | |
Great to see you. | 0:12:04 | 0:12:07 | |
When did your family come to the United Kingdom? | 0:12:07 | 0:12:10 | |
In the 1890s. | 0:12:10 | 0:12:12 | |
They came sent from Riga, in Latvia. | 0:12:12 | 0:12:16 | |
Now, why were they leaving Latvia? | 0:12:16 | 0:12:19 | |
Probably because of the pogroms. | 0:12:19 | 0:12:21 | |
They were chased all the time in Latvia and Lithuania, which was then part of Russia. | 0:12:21 | 0:12:28 | |
-They were being persecuted? -Yes. | 0:12:28 | 0:12:31 | |
As anti-Jewish riots took hold across Russia, | 0:12:31 | 0:12:35 | |
over two million Jews fled Eastern Europe for America. | 0:12:35 | 0:12:40 | |
Between the 1880s and 1920s, many of them travelled by boat to Hull, | 0:12:40 | 0:12:45 | |
then caught the train to Liverpool on their way to New York. | 0:12:45 | 0:12:49 | |
They came to Liverpool, the whole family. | 0:12:49 | 0:12:52 | |
There were five of them, five children. | 0:12:52 | 0:12:55 | |
And when they got to Liverpool, they settled in town, | 0:12:55 | 0:12:59 | |
in what was called Little Moreton Street. It's been demolished since. | 0:12:59 | 0:13:05 | |
And my grandfather got a job with Cunard. | 0:13:05 | 0:13:10 | |
As they passed through Liverpool, | 0:13:10 | 0:13:12 | |
many decided to stay, forming one tenth of the city's population. | 0:13:12 | 0:13:17 | |
These days, the Jewish community has shrunk to less than one per cent. | 0:13:17 | 0:13:22 | |
What would you say the Jewish community's influence on Liverpool has been? | 0:13:22 | 0:13:25 | |
We've had seven Jewish lord mayors, many councillors. | 0:13:25 | 0:13:30 | |
I was a Conservative councillor once. | 0:13:30 | 0:13:33 | |
And we believe we give back as much as we take, if not more. | 0:13:33 | 0:13:39 | |
-A great tradition of philanthropy. -We do our best. | 0:13:39 | 0:13:42 | |
Mervyn, thank you so much. That's been really interesting. | 0:13:42 | 0:13:44 | |
-Thank you for sharing those memories. -Very nice seeing you. | 0:13:44 | 0:13:47 | |
-Very nice to meet you. -Bye-bye. Take care. -Goodbye, now. -Bye-bye. | 0:13:47 | 0:13:50 | |
I'm now leaving Liverpool to continue my journey east to Manchester. | 0:13:54 | 0:13:59 | |
My train will take me to Rainhill, along what is perhaps | 0:14:07 | 0:14:11 | |
the most historic stretch of railway in the world. | 0:14:11 | 0:14:15 | |
Not surprisingly, the Bradshaw guides were really keen on railway history. | 0:14:17 | 0:14:22 | |
"The Liverpool and Manchester line was really the first on which was attempted the practical application | 0:14:22 | 0:14:27 | |
"of locomotive power for the transit of goods and passengers. | 0:14:27 | 0:14:32 | |
"And it is therefore prominently entitled to rank as the pioneer of those stupendous undertakings | 0:14:32 | 0:14:37 | |
"which have not only given a new stimulus to the mechanical and architectural genius of the age, | 0:14:37 | 0:14:43 | |
"but have enabled this country to take the lead of all others in these respects." | 0:14:43 | 0:14:49 | |
The Victorians were immensely proud of their railways and immensely proud of their country. | 0:14:49 | 0:14:55 | |
They had good reason to be. | 0:14:57 | 0:14:59 | |
Before the railway, it took some 36 hours to cover the 30 miles by canal. | 0:14:59 | 0:15:05 | |
This line cut journey times down to just two hours, | 0:15:05 | 0:15:09 | |
a revolution for inter-city travel. | 0:15:09 | 0:15:13 | |
As the line was being built, a highly innovative competition that would change the world | 0:15:13 | 0:15:18 | |
took place about nine miles outside Liverpool. | 0:15:18 | 0:15:21 | |
This is Rainhill, and I've come to this little place because railway history was made here. | 0:15:21 | 0:15:26 | |
Christian Wolmar is an expert on the Rainhill Trials, the world's first steam-locomotive race. | 0:15:29 | 0:15:35 | |
-Are you Christian? -How do you do? Hi. -How lovely to see you. | 0:15:35 | 0:15:38 | |
Thank you very much. Why were there Rainhill Trials? | 0:15:38 | 0:15:41 | |
Well, essentially, it was a very clever public-relations exercise, | 0:15:41 | 0:15:45 | |
because they were building the Liverpool and Manchester railway, | 0:15:45 | 0:15:48 | |
they had just about decided that they wanted locomotives, | 0:15:48 | 0:15:51 | |
rather than horses or stationary engines, | 0:15:51 | 0:15:54 | |
so they decided to have a big launch | 0:15:54 | 0:15:59 | |
of a PR exercise, announcing several months in advance that there were going to be these trials | 0:15:59 | 0:16:05 | |
for a locomotive in October of 1829. | 0:16:05 | 0:16:09 | |
Set the scene for me. Were there bands? Were there balloons? | 0:16:09 | 0:16:13 | |
And was there hullabaloo? | 0:16:13 | 0:16:15 | |
Oh, it was an absolutely huge event. | 0:16:15 | 0:16:17 | |
There were people from Europe, from the United States. | 0:16:17 | 0:16:21 | |
There was maybe 10,000,15,000... | 0:16:21 | 0:16:23 | |
onlookers, but also all these foreign visitors who had come to see, | 0:16:23 | 0:16:29 | |
you know, was this the invention that, er, | 0:16:29 | 0:16:34 | |
was going to change the face of the world? | 0:16:34 | 0:16:38 | |
And they were proved right. | 0:16:38 | 0:16:40 | |
It was an absolutely astonishing... | 0:16:40 | 0:16:44 | |
event in railway and, indeed, world history. | 0:16:44 | 0:16:47 | |
George Stephenson, chief engineer for the Liverpool to Manchester line, | 0:16:50 | 0:16:53 | |
entered his steam locomotive, the Rocket. | 0:16:53 | 0:16:56 | |
It won hands down, achieving a top speed of 29 miles per hour. | 0:16:56 | 0:17:03 | |
The Rocket became the prototype for all future locomotives. | 0:17:03 | 0:17:06 | |
It was a one-iron-horse race, because the others blew up one by one. | 0:17:06 | 0:17:11 | |
He got the £500 prize, probably worth around £20,000 | 0:17:11 | 0:17:15 | |
these days, and, crucially, the contract to build more locomotives for the Liverpool to Manchester line. | 0:17:15 | 0:17:21 | |
You paint a really vivid scene. | 0:17:21 | 0:17:24 | |
I wish I'd been there! | 0:17:24 | 0:17:25 | |
Christian, my train is here. | 0:17:25 | 0:17:28 | |
-I'd better scoot. -All right. -Thank you so much. | 0:17:28 | 0:17:30 | |
-Cheers. -Bye-bye. | 0:17:30 | 0:17:32 | |
Phew! Just made it. | 0:17:35 | 0:17:37 | |
Well, the party atmosphere of the opening of the Manchester to Liverpool railway line | 0:17:42 | 0:17:49 | |
was pretty much spoilt when, at the opening ceremony, there was what Bradshaw called... | 0:17:49 | 0:17:54 | |
"a lamentable accident to the Right Honourable William Huskisson". | 0:17:54 | 0:17:58 | |
Huskisson was President of the Board of Trade. He was a member of the Cabinet. | 0:17:58 | 0:18:02 | |
And at the opening ceremony, he was hit | 0:18:02 | 0:18:04 | |
by Stephenson's Rocket and he was injured. | 0:18:04 | 0:18:09 | |
They loaded him onto the train. | 0:18:09 | 0:18:10 | |
They took him to Eccles, where I'm headed now. | 0:18:10 | 0:18:13 | |
But he died, and so a cabinet minister became the first... | 0:18:13 | 0:18:19 | |
railway fatality anywhere in the world. | 0:18:19 | 0:18:22 | |
My last stop is Eccles, towards the other end of the Liverpool to Manchester line. | 0:18:24 | 0:18:30 | |
This stretch of railway is full of engineering firsts, | 0:18:32 | 0:18:36 | |
like the Sankey Viaduct, built by one George Stephenson. | 0:18:36 | 0:18:41 | |
Well, I'm looking forward to Eccles, because Bradshaw says... | 0:18:54 | 0:18:58 | |
"this little village is prettily situated | 0:18:58 | 0:19:00 | |
"on the northern banks of the Irwell | 0:19:00 | 0:19:02 | |
"and environed by some of the most picturesque rambles". | 0:19:02 | 0:19:06 | |
It sounds charming. | 0:19:06 | 0:19:07 | |
Which way for the picturesque rambles? | 0:19:10 | 0:19:13 | |
Whoops! The 21st century caught up with Eccles. | 0:19:16 | 0:19:20 | |
Up to the 1860s, Eccles was barely more than a few cottages. | 0:19:23 | 0:19:26 | |
But when the world's first passenger railway was routed through it, | 0:19:26 | 0:19:29 | |
the village's fate was sealed. | 0:19:29 | 0:19:32 | |
It was soon swallowed up into the suburbs of Manchester. | 0:19:33 | 0:19:37 | |
There are still some patches of greenery left, | 0:19:37 | 0:19:40 | |
like the vast estate of Worsley Hall. | 0:19:40 | 0:19:43 | |
The hall dates back to the 16th century, but was re-modelled | 0:19:43 | 0:19:47 | |
in Victorian times and eventually turned into a pub. | 0:19:47 | 0:19:51 | |
My Bradshaw's guide says it belonged to "the celebrated Duke of Bridgewater". | 0:19:51 | 0:19:57 | |
So, the notice in the pub tells me that the old hall burnt down | 0:19:57 | 0:20:03 | |
and its historic owner had a great interest in engineering. | 0:20:03 | 0:20:06 | |
So, tomorrow, I shall explore what was for Bradshaw | 0:20:06 | 0:20:11 | |
a passion almost as great as railways, that is to say canals. | 0:20:11 | 0:20:15 | |
Bradshaw started his life mapping Britain's canals, | 0:20:23 | 0:20:26 | |
before he moved on to railways, and so Worsley was of great interest to him as the birthplace of the canal. | 0:20:26 | 0:20:34 | |
Bradshaw's guide is interested in all great feats of construction. | 0:20:36 | 0:20:41 | |
It says of this spot, "The late Earl of Ellesmere inherited the vast estates of the celebrated | 0:20:41 | 0:20:46 | |
"Duke of Bridgewater, for whom Brindley, the engineer, first made the subterranean canals here. | 0:20:46 | 0:20:53 | |
"They supply the coal mines below, at a depth of 180 feet, | 0:20:53 | 0:20:58 | |
"and wind in and out for about 18 miles." | 0:20:58 | 0:21:01 | |
That prodigious feat of engineering must have inspired the railway builders of later years, and, | 0:21:02 | 0:21:09 | |
ironically, the railways were then to put the canals out of business. | 0:21:09 | 0:21:14 | |
These underground waterways were part of | 0:21:17 | 0:21:20 | |
the Bridgewater canal system, arguably the first in Britain. | 0:21:20 | 0:21:23 | |
They were built to carry coal directly from the Duke's mines | 0:21:23 | 0:21:26 | |
at Worsley without going to the expense of | 0:21:26 | 0:21:29 | |
bringing it to the surface. | 0:21:29 | 0:21:30 | |
This pool is browny-orange, | 0:21:32 | 0:21:35 | |
telling us that this water still comes up from the mine. | 0:21:35 | 0:21:40 | |
You can't see much now, but from 1761, barges laden with coal | 0:21:40 | 0:21:47 | |
would have emerged from there | 0:21:47 | 0:21:48 | |
and this pool would have been a hive of early industrial activity. | 0:21:48 | 0:21:53 | |
Clearly, what was the village of Eccles has changed a lot since Bradshaw's guide. | 0:22:03 | 0:22:08 | |
But the guide also notes that Eccles is celebrated for its cakes, and that hasn't changed at all. | 0:22:08 | 0:22:14 | |
Ian Edmondson is the production director of Lancashire Eccles Cakes. | 0:22:16 | 0:22:22 | |
How long has your family been involved in making Eccles cakes? | 0:22:22 | 0:22:24 | |
I suppose it started in the 1920s, when my grandad went round the local | 0:22:24 | 0:22:29 | |
bakers' shops buying cakes and then he'd put them on his horse-drawn cart | 0:22:29 | 0:22:34 | |
and he'd sell them at the local shops on the corners of the streets of Manchester. | 0:22:34 | 0:22:37 | |
And then the family decided it would be better if they actually made the cakes, | 0:22:37 | 0:22:41 | |
-so they set a bakery up making the cakes. -Can we see how they're made? | 0:22:41 | 0:22:44 | |
Of course, yes. First, I'll show you the ingredients. | 0:22:44 | 0:22:48 | |
As you see here, this is the most important ingredient in an Eccles cake - | 0:22:48 | 0:22:51 | |
a really, really good-quality currant. | 0:22:51 | 0:22:53 | |
These are Vostizza and they're from a place in Aeghion, in Greece. | 0:22:53 | 0:22:58 | |
You'll see it says "Protected designation of origin." | 0:22:58 | 0:23:02 | |
Now, this is just like Champagne, where they don't allow another grape to come out of that area. | 0:23:02 | 0:23:07 | |
-Yes. -This is the same with here. | 0:23:07 | 0:23:09 | |
-A guarantee of quality. -Yes, it is. | 0:23:09 | 0:23:11 | |
And then we've got sugar... | 0:23:11 | 0:23:12 | |
Yeah, just simple ingredients. That's all that's in the product. | 0:23:12 | 0:23:15 | |
It's sugar, more currants, brown sugar... | 0:23:15 | 0:23:19 | |
-Brown sugar. -..a bit of salt... | 0:23:19 | 0:23:20 | |
-Salt. -..and lots of butter. | 0:23:20 | 0:23:23 | |
Wow! It's a whole different world, isn't it? | 0:23:26 | 0:23:30 | |
I know, it's absolutely fantastic, isn't it? | 0:23:30 | 0:23:32 | |
What would it have been like here, I don't know, 50, 60 years ago? | 0:23:32 | 0:23:36 | |
The way they'd have made the cakes 60-odd years ago would have been | 0:23:36 | 0:23:39 | |
on a big, round table, a big pile of currants in the middle. | 0:23:39 | 0:23:43 | |
Everyone gets a little bit of pastry, | 0:23:43 | 0:23:45 | |
puts it in and then starts folding it into a little dolly bag | 0:23:45 | 0:23:47 | |
and then knocking it in rings and then putting them on trays. | 0:23:47 | 0:23:50 | |
So, quite inefficient, compared to how we make them now. | 0:23:50 | 0:23:53 | |
Yeah, because now, it's all coming down the process line. | 0:23:53 | 0:23:56 | |
-Hi! -Hi. -That looks quite complicated. | 0:23:56 | 0:24:00 | |
No, it's easy, really. | 0:24:00 | 0:24:02 | |
Just put all the four corners to the middle... | 0:24:02 | 0:24:05 | |
-Yeah. -..and then the sides. | 0:24:05 | 0:24:06 | |
-OK. -If you'd like to have a go, put these gloves on. -Yeah, sure. | 0:24:06 | 0:24:10 | |
-I wish you luck, anyway. -Yeah! Surgeon's hands! So, four corners... | 0:24:13 | 0:24:19 | |
-Aaah! ..into the middle. -Yeah. -And then fold the side bits in as... | 0:24:21 | 0:24:26 | |
-Oh, Lord. Oh, that's a bit of a mess, isn't it? -Yeah. | 0:24:26 | 0:24:30 | |
And once they come off the line there, | 0:24:30 | 0:24:32 | |
they get baked in these ovens, taken out and taken into the packing room for cooling, then packing. | 0:24:32 | 0:24:38 | |
This is really where you get the strong smell of the Eccles cake, isn't it? | 0:24:38 | 0:24:42 | |
Yeah, you get that fantastic smell. It's all the flavours coming together of the ingredients. | 0:24:42 | 0:24:48 | |
How many Eccles cakes are you producing? | 0:24:48 | 0:24:49 | |
We're producing about 150,000 Eccles cakes a day. | 0:24:49 | 0:24:53 | |
In fact, it's probably in the top six most popular cakes. | 0:24:53 | 0:24:57 | |
That's about, er, 40 million a year, or something. | 0:24:57 | 0:25:01 | |
Yes! I'll take your word for that. | 0:25:01 | 0:25:04 | |
-Would you like to try a real Lancashire Eccles cake? -I thought you'd never ask. Yes, please. | 0:25:04 | 0:25:07 | |
Lovely aroma. | 0:25:11 | 0:25:13 | |
Beautifully folded, by the way. | 0:25:13 | 0:25:15 | |
Is it one of yours? | 0:25:15 | 0:25:17 | |
No! | 0:25:17 | 0:25:18 | |
Mmm, it's... | 0:25:23 | 0:25:25 | |
It's wonderful. | 0:25:25 | 0:25:28 | |
It's wicked. It's, erm... | 0:25:28 | 0:25:30 | |
Look at the lovely row of currants inside. | 0:25:30 | 0:25:34 | |
Can you taste the butter and the sugar? | 0:25:34 | 0:25:37 | |
Are you kidding? Of course I can! Absolutely buttery and sugary. | 0:25:37 | 0:25:40 | |
I'm really pleased to have looked into this very historic cake. | 0:25:40 | 0:25:43 | |
Centuries of history in this cake. | 0:25:43 | 0:25:44 | |
Yeah, and the fantastic thing about it is that it's the only Eccles cake | 0:25:44 | 0:25:47 | |
you'll get in a supermarket that's made within five miles of Eccles. | 0:25:47 | 0:25:50 | |
-The genuine article. -Of course, yes. | 0:25:50 | 0:25:53 | |
The delicious pastries became so popular, they were transported to | 0:25:55 | 0:25:58 | |
markets up and down the country by train and sold on station platforms. | 0:25:58 | 0:26:03 | |
They were even exported to America and the West Indies | 0:26:03 | 0:26:07 | |
and were laced with brandy to help them last the journey. | 0:26:07 | 0:26:11 | |
But that method of preservation got the cakes into trouble. | 0:26:11 | 0:26:16 | |
The apparently innocuous Eccles cake has been | 0:26:19 | 0:26:23 | |
associated with merrymaking, so much so that at one time, Cromwell banned the Eccles cake. | 0:26:23 | 0:26:30 | |
And it got into trouble again in the 19th century, because they used to put brandy in the cakes, | 0:26:30 | 0:26:35 | |
and it's thought that one railway driver | 0:26:35 | 0:26:37 | |
got so drunk on eating Eccles cakes that he fell off his footplate. | 0:26:37 | 0:26:41 | |
And thereafter, the sale of liquor and the sale of Eccles cakes | 0:26:41 | 0:26:45 | |
was banned at all the stations around Eccles. | 0:26:45 | 0:26:50 | |
It wasn't only goods like the Eccles cake that the railways transported around the world. | 0:26:54 | 0:26:59 | |
Before Britain had railways, the average Briton was born, lived | 0:27:03 | 0:27:07 | |
and died within a 15-mile radius of the same spot. | 0:27:07 | 0:27:11 | |
The railways changed people's lives, and George Bradshaw saw it happening. | 0:27:11 | 0:27:16 | |
In a single lifetime, he saw how the railways changed industrialisation, | 0:27:16 | 0:27:22 | |
and how they changed people's lives, | 0:27:22 | 0:27:24 | |
and how they brought about the exponential growth of cities like Manchester and Liverpool. | 0:27:24 | 0:27:29 | |
And Bradshaw was proud of the technology and proud that it was British. | 0:27:29 | 0:27:36 | |
Next time, I'll be discovering how Manchester came to be known as Cottonopolis. | 0:27:39 | 0:27:45 | |
By the end of the century, the Indians were getting Indian designs | 0:27:45 | 0:27:49 | |
sent back from Manchester to India that maybe came from cotton that they'd grown originally. | 0:27:49 | 0:27:54 | |
-It was crazy. -I'll be finding out about Bradshaw the man | 0:27:54 | 0:27:58 | |
and how he helped to unify time... | 0:27:58 | 0:28:02 | |
Each provincial city, like Birmingham, Manchester and so on, had their own time. | 0:28:02 | 0:28:07 | |
And of course, this was liable to create great confusion with railway timetables. | 0:28:07 | 0:28:11 | |
..and how the railways brought fish and chips to British plates. | 0:28:11 | 0:28:15 | |
Oh, thank you very much! Lovely. | 0:28:15 | 0:28:18 | |
It was the onset of the railways that allowed all this population, | 0:28:18 | 0:28:21 | |
this inland population, to, for the first time, experience sea fish. | 0:28:21 | 0:28:25 | |
Subtitles by Red Bee Media Ltd | 0:28:46 | 0:28:49 | |
E-mail [email protected] | 0:28:49 | 0:28:52 |