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'In 1840, one man transformed travel in Britain. | 0:00:05 | 0:00:09 | |
'His name was George Bradshaw, and his railway guides inspired the Victorians to take to | 0:00:11 | 0:00:17 | |
'the tracks. Stop by stop, he told them where to travel, what to see and where to stay. | 0:00:17 | 0:00:22 | |
'Now, 170 years later, I am making four long journeys across the length | 0:00:22 | 0:00:28 | |
'and breadth of the country to see what remains of Bradshaw's Britain.' | 0:00:28 | 0:00:34 | |
Using my ancient Bradshaw's guide, | 0:00:52 | 0:00:55 | |
my rail journey has at last brought me to Cornwall. | 0:00:55 | 0:00:58 | |
The arrival of the railways in the 19th century knitted together Britain's towns and cities. | 0:00:58 | 0:01:03 | |
But even the fastest trains left Cornwall feeling remote. | 0:01:03 | 0:01:08 | |
I'm here to look at two industries that draw on the county's natural resources. | 0:01:09 | 0:01:14 | |
They're both mentioned in Bradshaw's, they've survived in the modern times, | 0:01:14 | 0:01:19 | |
and one is even staging a revival. | 0:01:19 | 0:01:22 | |
'Today I'll be visiting the largest china-clay mines in the world.' | 0:01:22 | 0:01:28 | |
What an extraordinary scene! Like a vast moonscape! | 0:01:28 | 0:01:32 | |
'I'll be seeing how the Victorian spirit of adventure shaped British gardens.' | 0:01:32 | 0:01:38 | |
We're celebrating the Victorian tradition of how things were gardened, | 0:01:38 | 0:01:42 | |
the Victorian attitudes to life, and also the people who worked in these gardens. | 0:01:42 | 0:01:47 | |
That's what we regard as lost. | 0:01:47 | 0:01:49 | |
'And I'll be discovering what's happened to the humble pilchard.' | 0:01:49 | 0:01:53 | |
There's a big demand for pilchards, which has been renamed the sardine. | 0:01:53 | 0:01:58 | |
-Oh! The sardine and pilchard are one and the same, are they? -They are exactly the same. | 0:01:58 | 0:02:02 | |
'All this week I've been travelling from Swindon | 0:02:14 | 0:02:17 | |
'along the Holiday Line. | 0:02:17 | 0:02:18 | |
'After heading south through Somerset and Devon, | 0:02:18 | 0:02:21 | |
'I'm now moving into Cornwall. | 0:02:21 | 0:02:23 | |
'Here, the Great Western Railway made | 0:02:23 | 0:02:25 | |
'the whole peninsula accessible to tourists, | 0:02:25 | 0:02:28 | |
all the way to Penzance. | 0:02:28 | 0:02:30 | |
'Today, I'll continue west, along the coast from Totnes | 0:02:33 | 0:02:36 | |
'to Par and St Austell, and push on to Mevagissey. | 0:02:36 | 0:02:40 | |
'Bradshaw's commends Cornwall not for its beauty, but its minerals. | 0:02:46 | 0:02:51 | |
'It says, "The most important objects in the history of this county | 0:02:51 | 0:02:55 | |
'"are its numerous mines, which | 0:02:55 | 0:02:57 | |
'"for centuries have furnished employment to thousands of its inhabitants." | 0:02:57 | 0:03:02 | |
'You don't see that Cornwall from a railway carriage today. | 0:03:04 | 0:03:07 | |
'It's more famous for second homers and tourists admiring its stupendous landscapes, as I am. | 0:03:10 | 0:03:17 | |
'Today, I'm in St Germans, and as usual my day begins | 0:03:24 | 0:03:27 | |
'in a railway carriage - but this one isn't actually going anywhere.' | 0:03:27 | 0:03:33 | |
Welcome to the Travelling Post Office, where I spent the night. | 0:03:36 | 0:03:40 | |
As you see, it's fully equipped with a kitchen, | 0:03:40 | 0:03:43 | |
everything you could possibly want, I think. | 0:03:43 | 0:03:45 | |
This is where I had my breakfast. | 0:03:45 | 0:03:47 | |
Plenty of room to sit. | 0:03:47 | 0:03:49 | |
'The Post Office began sending the mail by train in the 1830s, and | 0:03:49 | 0:03:54 | |
'soon created special rolling stock so that letters could be sorted on the move. | 0:03:54 | 0:04:00 | |
'By the early 20th century, there were around 77 such carriages. | 0:04:01 | 0:04:05 | |
'The service ran right up to 2004.' | 0:04:07 | 0:04:10 | |
The kids are going to love this. Two bunk beds and a sweet little bedroom. | 0:04:11 | 0:04:17 | |
And this leads through to | 0:04:19 | 0:04:21 | |
the adults' bedroom, where I spent the night. | 0:04:21 | 0:04:24 | |
If any of you are old enough to remember this, | 0:04:24 | 0:04:28 | |
the leather-strap window... You pull on the leather strap... | 0:04:28 | 0:04:31 | |
I have been practising that all morning! | 0:04:33 | 0:04:35 | |
You can tell by the change of the design! | 0:04:35 | 0:04:38 | |
And now, the piece de resistance! | 0:04:38 | 0:04:41 | |
A-ha! My own private entrance! | 0:04:43 | 0:04:47 | |
This old Travelling Post Office is owned by Lizzie and David Stroud, | 0:04:47 | 0:04:51 | |
who also converted the station next door. | 0:04:51 | 0:04:54 | |
-I'm Michael, I was your guest last night. -Pleased to meet you, Michael. | 0:04:54 | 0:04:57 | |
How do you do? Good to see you. | 0:04:57 | 0:04:59 | |
So, I take it that this railway station is actually your home, is that right? | 0:04:59 | 0:05:04 | |
Yes, that is correct. We've lived here since 1992. | 0:05:04 | 0:05:06 | |
You aren't worried about the noisy trains passing you all the time? | 0:05:06 | 0:05:10 | |
No, we've got thick double glazing, so it really doesn't bother us at all. | 0:05:10 | 0:05:14 | |
The noise is shielded by the platform, so you only get the sound | 0:05:14 | 0:05:17 | |
of a train as it passes, while in the village you get the sound of a train as it's coming and going away. | 0:05:17 | 0:05:22 | |
It's actually relatively quiet, living in the station. | 0:05:22 | 0:05:25 | |
I stayed in the Travelling Post Office, very nice. | 0:05:25 | 0:05:28 | |
Tell me what is left of it as a Travelling Post Office. | 0:05:28 | 0:05:31 | |
I imagined lots of pigeonholes where you put the letters during the night. | 0:05:31 | 0:05:35 | |
Unfortunately when we bought the Post Office, that had all been stripped out years ago - | 0:05:35 | 0:05:39 | |
it had been lived in as a house. | 0:05:39 | 0:05:42 | |
That is really how long these old carriages survive. They get lived in. | 0:05:42 | 0:05:46 | |
Of course, what you've got to get used to in a carriage is, | 0:05:46 | 0:05:49 | |
-you've got plenty of space, but of course it's very, very long. -It is, yes. | 0:05:49 | 0:05:53 | |
If you forgot something in the bedroom, you've got to prepare for a very long walk! | 0:05:53 | 0:05:57 | |
It is quite a long trek in that one. It's 48 feet long, that one. | 0:05:57 | 0:06:01 | |
The people who come and stay with you, in practice are they railway nutters? Let's be frank about this! | 0:06:01 | 0:06:06 | |
There's such a mix, isn't there, really? | 0:06:06 | 0:06:09 | |
We get some hardened train spotters. | 0:06:09 | 0:06:11 | |
But we also get a lot of families as well, actually. | 0:06:11 | 0:06:14 | |
-Increasingly, families, actually. -Yeah. | 0:06:14 | 0:06:17 | |
I know some people who will be green with envy that I have stayed in the Travelling Post Office. | 0:06:17 | 0:06:23 | |
I hardly dare tell them I've come! Bye bye! | 0:06:23 | 0:06:25 | |
Bye! | 0:06:25 | 0:06:27 | |
'Today is Sunday, and in Bradshaw's time, no trains ran | 0:06:27 | 0:06:30 | |
'between 10am and 4pm, during what was called the church interval. | 0:06:30 | 0:06:36 | |
'Sabbath observance isn't what it was, but at small | 0:06:36 | 0:06:39 | |
'rural stations like St Germans, Sunday trains are still rare.' | 0:06:39 | 0:06:44 | |
I usually use my railway journeys to catch up on reading Bradshaw's, | 0:06:48 | 0:06:52 | |
but this countryside is just so distracting - | 0:06:52 | 0:06:54 | |
the combination of forests and | 0:06:54 | 0:06:56 | |
green fields, with cows and sheep... | 0:06:56 | 0:06:59 | |
It's just breathtaking. | 0:06:59 | 0:07:02 | |
'My next stop is Par. A small town, but nonetheless a hub for the huge china-clay industry.' | 0:07:05 | 0:07:12 | |
So, this is Par. | 0:07:23 | 0:07:24 | |
Bradshaw's guide says, "A large mining town in West Cornwall, near the sea, | 0:07:24 | 0:07:31 | |
"with several important mines round it in the granite, producing copper, | 0:07:31 | 0:07:35 | |
"nickel, with clay, and china stone for the Staffordshire Potteries." | 0:07:35 | 0:07:41 | |
It's difficult to grasp that the china-clay deposits in Cornwall are - wait for it - | 0:07:41 | 0:07:46 | |
the biggest in the world. | 0:07:46 | 0:07:48 | |
'The white porcelain clay found here in 1746 was of the finest quality, | 0:07:55 | 0:08:00 | |
'and was in huge demand in the Staffordshire Potteries. | 0:08:00 | 0:08:04 | |
'It was originally shipped northwards by sea, but the railways took over | 0:08:06 | 0:08:10 | |
'in the 1840s, making the process much quicker. | 0:08:10 | 0:08:13 | |
'Clay miner Ivor Bowditch works at one of the oldest pits, | 0:08:20 | 0:08:23 | |
'which remains highly productive.' | 0:08:23 | 0:08:25 | |
Welcome to clay country, Michael. | 0:08:27 | 0:08:29 | |
-Good to see you. -Thank you. What an extraordinary scene! | 0:08:29 | 0:08:32 | |
Like a vast moonscape. | 0:08:32 | 0:08:35 | |
This, in fact, is the largest china-clay pit probably in the world, | 0:08:35 | 0:08:39 | |
covering some 500 acres. | 0:08:39 | 0:08:41 | |
It has been operated for almost 180 years. | 0:08:41 | 0:08:43 | |
I've been following this 19th-century guidebook. | 0:08:43 | 0:08:46 | |
This mine would have existed when that was written, in the 1860s? | 0:08:46 | 0:08:51 | |
Indeed it would. It opened up in 1830. | 0:08:51 | 0:08:54 | |
China clay itself had been operated in Cornwall since 1746. | 0:08:54 | 0:08:59 | |
In Britain, we're rather used to industries being in decline. | 0:08:59 | 0:09:03 | |
How would the output from Cornwall of china clay compare now with in Bradshaw's day? | 0:09:03 | 0:09:09 | |
In Bradshaw's day, production probably would have been around the 60,000-tonnes-per-annum mark. | 0:09:09 | 0:09:14 | |
Today, together with two small producing clay companies, we are seeing 1.5 million tonnes per annum. | 0:09:14 | 0:09:21 | |
That's an absolutely vast increase from the 19th century. | 0:09:21 | 0:09:24 | |
What has been the new demand in that time? | 0:09:24 | 0:09:28 | |
The main driving factor has been the use of china clay in the manufacturing of paper and board. | 0:09:28 | 0:09:33 | |
It was in fact in the mid-19th century the paper makers found that, by adding clay, | 0:09:33 | 0:09:38 | |
they could produce smoother, whiter paper, and still, 50% of our output goes into paper, | 0:09:38 | 0:09:43 | |
30% into a whole range of ceramic products, and the remaining 20% into markets such as paints, | 0:09:43 | 0:09:48 | |
rubbers, plastics, sealants, adhesives, pharmaceuticals... | 0:09:48 | 0:09:52 | |
Every day we're probably handling something containing clay. | 0:09:52 | 0:09:55 | |
Is it possible to get any closer? | 0:09:55 | 0:09:57 | |
Well, I've got your hard hat and hi-vis jacket. | 0:09:57 | 0:10:01 | |
So let's go down and see some action. | 0:10:01 | 0:10:02 | |
Thank you very much. | 0:10:02 | 0:10:04 | |
'120 million tonnes of china clay have been extracted in the past 250 years. | 0:10:09 | 0:10:15 | |
'In Bradshaw's day, it was flushed out of the earth with hoses. | 0:10:15 | 0:10:19 | |
'The same technique is used today, but the hoses are much more potent.' | 0:10:19 | 0:10:23 | |
This is the operation, Michael. | 0:10:28 | 0:10:31 | |
We have what we call a monitor, a water cannon, normally firing up to 2,000 gallons a minute. | 0:10:31 | 0:10:37 | |
We would normally have 12,000 gallons a minute going through the system. | 0:10:37 | 0:10:41 | |
-What's it doing? -Literally washing the clay out of the ground. | 0:10:41 | 0:10:44 | |
We're getting the clay into a solution, as such. | 0:10:44 | 0:10:47 | |
In its liquid form, we can start to refine it and take out the non-clay bearing minerals. | 0:10:47 | 0:10:51 | |
-Would you like to have a go? -I'd love to. -Come on over. | 0:10:51 | 0:10:54 | |
Michael, you have two levers. One on the right, vertical movement, | 0:10:59 | 0:11:03 | |
one on the left, horizontal movement. | 0:11:03 | 0:11:05 | |
Let me have a go. This one does left and right... | 0:11:08 | 0:11:11 | |
Moving to the right... | 0:11:11 | 0:11:14 | |
And this one is up and down. | 0:11:14 | 0:11:16 | |
This water cannon is really terrifyingly powerful, isn't it? | 0:11:18 | 0:11:22 | |
It's powerful enough to knock a Land Rover over, that's how powerful they are. | 0:11:22 | 0:11:27 | |
'The watery clay solution is pumped to a refinery for processing. | 0:11:29 | 0:11:33 | |
'Then the pure clay is dried, ready for transportation.' | 0:11:33 | 0:11:37 | |
Michael, we've seen the power of water here, at 300 psi. | 0:11:37 | 0:11:42 | |
Let's transfer the power to 3,500 horsepower and see a locomotive at work. | 0:11:42 | 0:11:48 | |
Good by me! | 0:11:48 | 0:11:50 | |
'The railways were vital to Cornish mining, and soon a network of lines criss-crossed the county. | 0:11:54 | 0:12:00 | |
'Today, many of those routes have closed. | 0:12:03 | 0:12:06 | |
'But the massive clay train to the port of Fowey still runs along a single track, | 0:12:06 | 0:12:11 | |
'and I have the chance to ride on a line that rarely transports passengers.' | 0:12:11 | 0:12:16 | |
Thank you! | 0:12:16 | 0:12:18 | |
'To ensure our safety on the single track, we're using a system that Bradshaw would recognise. | 0:12:19 | 0:12:24 | |
'We collect a token from the signal box, | 0:12:24 | 0:12:26 | |
'and since there's only one for the line, we know that no train is running towards us.' | 0:12:26 | 0:12:32 | |
The train we're on now, how many tonnes are we pulling? | 0:12:40 | 0:12:43 | |
1,140, normally. | 0:12:43 | 0:12:46 | |
38 wagons, 30 tonnes a wagon. | 0:12:46 | 0:12:49 | |
Fantastic. How many lorries are we replacing? | 0:12:49 | 0:12:52 | |
You'd be looking at approaching 50 lorries to move that. | 0:12:52 | 0:12:56 | |
You'd have 100-lorry movements in both directions. | 0:12:56 | 0:13:00 | |
-How often are these trains heading out? -They're working daily, Monday to Friday. | 0:13:00 | 0:13:06 | |
My 19th-century guide talks about the china clay being taken up to the Potteries in Staffordshire. | 0:13:06 | 0:13:11 | |
-Does that still happen? -Not on the same scale. | 0:13:11 | 0:13:14 | |
Sadly, the predominance of the Potteries in Stoke-on-Trent has diminished. | 0:13:14 | 0:13:19 | |
The trains now are all working to | 0:13:19 | 0:13:22 | |
the port of Fowey, which is the only clay port operational today. | 0:13:22 | 0:13:27 | |
They're really very much at the heart of our export drive - 85% of our output is exported. | 0:13:27 | 0:13:32 | |
I very rarely get to ride in the cab, and it has been thrilling to do it. | 0:13:39 | 0:13:43 | |
What I hadn't expected was the fantastic scenery we've had. | 0:13:43 | 0:13:47 | |
I really enjoyed that. Thank you! | 0:14:00 | 0:14:03 | |
'As the clay mines have been exhausted, they've closed. | 0:14:07 | 0:14:10 | |
'Some have been re-landscaped, others have been recycled. | 0:14:11 | 0:14:14 | |
'This one houses two of the largest conservatories in the world, which are part of the Eden Project. | 0:14:16 | 0:14:22 | |
'The founders didn't want the biospheres to | 0:14:22 | 0:14:25 | |
'dominate the landscape, so they located them in a disused pit. | 0:14:25 | 0:14:29 | |
'And helped by a good train service, the Project's become | 0:14:32 | 0:14:35 | |
'one of the country's greenest tourist attractions. | 0:14:35 | 0:14:38 | |
'Next, I'm travelling just a few miles on from Par to Mevagissey, | 0:14:44 | 0:14:48 | |
'a famous harbour on the south coast of Cornwall.' | 0:14:48 | 0:14:51 | |
-Hello! -Morning. | 0:15:01 | 0:15:02 | |
-Good morning, how are you both? -Very well, thank you. | 0:15:02 | 0:15:05 | |
-Are you visiting Cornwall? -We are. -Isn't it beautiful? | 0:15:05 | 0:15:08 | |
Fabulous. The weather is marvellous, as well. | 0:15:08 | 0:15:10 | |
Aren't we lucky? Where are you headed for now? | 0:15:10 | 0:15:13 | |
We're going to St Austell, and we're going to the Lost Gardens of Heligan. | 0:15:13 | 0:15:17 | |
-Ah! I shall be there myself before long. -Will you? | 0:15:17 | 0:15:20 | |
-Enjoy! -Thank you, bye bye. | 0:15:20 | 0:15:22 | |
'If clay was an important natural resource in Bradshaw's time, then so too was fish.' | 0:15:29 | 0:15:34 | |
There are people who do very difficult, dangerous, maybe dirty jobs, on which the rest of us rely. | 0:15:40 | 0:15:46 | |
Maybe for our food. | 0:15:46 | 0:15:47 | |
If you live in a city, as I have all my life, you probably don't think about that kind of work. | 0:15:47 | 0:15:54 | |
So I'm pleased today to have a chance to go out with a fisherman, | 0:15:54 | 0:15:58 | |
to get a glimpse of the very dangerous job they do. | 0:15:58 | 0:16:01 | |
'I'm getting off at St Austell, because that's as close as the railway goes to Mevagissey. | 0:16:09 | 0:16:14 | |
'Bradshaw describes it as "an important fishing town in the pilchard season". | 0:16:14 | 0:16:20 | |
'In the 19th century, the pilchard industry provided jobs for thousands of fishermen. | 0:16:21 | 0:16:27 | |
'The catch was salted and packaged in caskets by women | 0:16:27 | 0:16:32 | |
'in processing plants called pilchard palaces. | 0:16:32 | 0:16:35 | |
'In 1871, the industry reached its peak. | 0:16:35 | 0:16:41 | |
'16,000 tonnes of pilchards were caught, cured and transported to Europe by sea and all over Britain | 0:16:41 | 0:16:48 | |
'by train. Andrew Lakeman's family have netted pilchards here since the 1700s.' | 0:16:48 | 0:16:55 | |
-Hello. -Hello, Michael. | 0:16:55 | 0:16:58 | |
-Let me guess, you're Andrew? -I am. | 0:16:58 | 0:16:59 | |
-And that kit is for me? -Yes, it is. Welcome to Mevagissey. | 0:16:59 | 0:17:03 | |
Well, thank you. | 0:17:03 | 0:17:04 | |
'Pilchards are best caught at night, so we're heading out in the evening.' | 0:17:05 | 0:17:09 | |
-OK? -Thank you. | 0:17:09 | 0:17:12 | |
'In Bradshaw's day, men called huers would gaze out to sea to spy where | 0:17:12 | 0:17:16 | |
'seabirds were fishing for pilchards, then send in the boats. | 0:17:16 | 0:17:21 | |
'It resulted in some large catches. | 0:17:22 | 0:17:25 | |
'Today, Andrew's boat uses more-sophisticated technology, as the skipper explains.' | 0:17:29 | 0:17:34 | |
-Skipper, hello. -Hi, pleased to meet you. | 0:17:36 | 0:17:38 | |
Can I interrupt you a minute? | 0:17:38 | 0:17:40 | |
-Yeah, no problem. -How's the hunt going? | 0:17:40 | 0:17:43 | |
Quiet at the moment. | 0:17:43 | 0:17:44 | |
Little bits and pieces of pilchards, but hopefully in | 0:17:44 | 0:17:49 | |
the next half an hour, as it's coming dusk, they'll gather together. | 0:17:49 | 0:17:54 | |
So, this is the sonar. What are we looking for on this screen? | 0:17:54 | 0:17:59 | |
I'm searching at 200 metres at the moment. | 0:17:59 | 0:18:01 | |
This is the sea floor ahead of the boat and around the boat. | 0:18:01 | 0:18:05 | |
We're looking for the pilchards in this black area. | 0:18:05 | 0:18:09 | |
What would they look like? | 0:18:09 | 0:18:11 | |
We're looking for something around the size of a 20 pence piece, blood red. | 0:18:11 | 0:18:15 | |
-What quantity of fish would that be? -Probably be about five to six tonnes. | 0:18:15 | 0:18:19 | |
Later on in the year, we'll have marks 200 metres long, 100 tonnes of fish in. | 0:18:19 | 0:18:24 | |
Obviously, we just fish to what our orders require. | 0:18:24 | 0:18:29 | |
'In Britain, most pilchards were sold in tins and were cheap to buy. | 0:18:29 | 0:18:35 | |
'But because they were associated with wartime rationing, | 0:18:35 | 0:18:38 | |
'by the 1950s they became one of our least popular foods. | 0:18:38 | 0:18:43 | |
'Fishermen could earn only one and a half pence per kilo. | 0:18:45 | 0:18:48 | |
'But in the last 15 years, the humble pilchard has enjoyed a renaissance.' | 0:18:48 | 0:18:53 | |
So, is there a demand now for pilchards? | 0:18:57 | 0:18:59 | |
There's a big demand for pilchards, which has been renamed the sardine. | 0:18:59 | 0:19:03 | |
Oh! The sardine and the pilchard are one and the same, are they? | 0:19:03 | 0:19:07 | |
They are exactly the same. | 0:19:07 | 0:19:09 | |
-Really? -Yes, they are. | 0:19:09 | 0:19:10 | |
But "pilchard" makes me think of rusting cans, | 0:19:10 | 0:19:14 | |
and "sardines" makes me think of Mediterranean holidays. | 0:19:14 | 0:19:19 | |
-Well, you're probably right. -The sardine now is a very chic product. | 0:19:19 | 0:19:24 | |
Yes, it is. It's a very successful species. It's bought and | 0:19:24 | 0:19:28 | |
sold by all the supermarkets. | 0:19:28 | 0:19:31 | |
We sell large quantities to wholesalers throughout the country. | 0:19:31 | 0:19:35 | |
So what's in a name? A pilchard by any other name would smell as sweet! | 0:19:35 | 0:19:39 | |
'It's a textbook example of what marketing or rebranding can do. | 0:19:42 | 0:19:46 | |
'Since 1997, pilchards have been renamed "Cornish sardines". | 0:19:46 | 0:19:51 | |
'The glamorous association with balmy evenings in southern Europe | 0:19:51 | 0:19:56 | |
'has helped pilchard sales to take off.' | 0:19:56 | 0:19:58 | |
The sun's just setting. This is the very time. | 0:20:02 | 0:20:04 | |
That's right. It's nearly 7:00. | 0:20:04 | 0:20:08 | |
So, we're looking probably to shoot around 7:30, something like that. | 0:20:08 | 0:20:12 | |
That's what I like, a man who's confident! | 0:20:12 | 0:20:15 | |
I've got the fish here alongside the boat. | 0:20:19 | 0:20:22 | |
We'll be looking to shoot the net at any time. | 0:20:22 | 0:20:25 | |
OK, Matt! | 0:20:25 | 0:20:26 | |
'The net cast around the mass of fish is designed to cut off their escape. | 0:20:30 | 0:20:34 | |
'And once in place, the crew hauls in the catch.' | 0:20:36 | 0:20:40 | |
Here they come. | 0:20:42 | 0:20:44 | |
I can see some fish down there, skipper. How many? | 0:20:44 | 0:20:47 | |
50, 60 kilo. | 0:20:47 | 0:20:49 | |
You haven't bust any quotas yet! | 0:20:49 | 0:20:51 | |
No, not yet. | 0:20:51 | 0:20:53 | |
'It's a modest harvest, but it's all pilchards... | 0:20:53 | 0:20:57 | |
'or, should I say, sardines.' | 0:20:57 | 0:20:59 | |
Very good quality fish, and they will be in the factory tomorrow morning and be treated in the normal way. | 0:21:01 | 0:21:08 | |
I'll think of you out here tossing on the wave as I sit down to my fish dinner. | 0:21:08 | 0:21:13 | |
'In Bradshaw's time, Mevagissey depended on fishing. | 0:21:25 | 0:21:29 | |
'These days, it's tourists that bring in the money. | 0:21:29 | 0:21:32 | |
'Indeed, one place just outside Mevagissey now attracts almost 250,000 people a year. | 0:21:32 | 0:21:39 | |
'This is Heligan House and estate. | 0:21:44 | 0:21:46 | |
'The house and its owners, the Tremayne family, are mentioned in Bradshaw's guide. | 0:21:46 | 0:21:51 | |
'But Bradshaw could not have predicted | 0:21:54 | 0:21:56 | |
'the impact that this estate would have on British gardens. | 0:21:56 | 0:22:01 | |
'Today, the Lost Gardens of Heligan are one of the top attractions in Cornwall, | 0:22:03 | 0:22:07 | |
'and they're looked after by horticulturalist Philip McMillan Browse.' | 0:22:07 | 0:22:11 | |
Why then is this called the Lost Garden of Heligan? | 0:22:14 | 0:22:17 | |
Everybody thinks it was because the gardens were derelict and overgrown, | 0:22:17 | 0:22:21 | |
and very much so, and that recovering them was recovering the lost gardens, which indeed is true. | 0:22:21 | 0:22:27 | |
But in fact, the reason we called it the Lost Gardens so that it could be a perennial title was simply that | 0:22:27 | 0:22:33 | |
we were trying to recover that great surge of activity at the end of the Victorian era, when gardening | 0:22:33 | 0:22:41 | |
and industry and engineering and everything was at its peak. | 0:22:41 | 0:22:46 | |
What we're celebrating is the Victorian tradition of how things | 0:22:46 | 0:22:49 | |
were gardened, the Victorian attitudes to life, and also the people who worked in these gardens. | 0:22:49 | 0:22:56 | |
That's what we regard as lost. | 0:22:56 | 0:22:57 | |
'It was places like Heligan that brought exotic plants from all over the world to our gardens, | 0:23:00 | 0:23:06 | |
'when the owners began collecting specimens from adventurous plant hunters like William Lobb.' | 0:23:06 | 0:23:14 | |
He was a Cornishman, and he was the first ever real commercial plant collector, employed by a nurseryman, | 0:23:14 | 0:23:21 | |
to set out and collect what that nurseryman wanted for his purposes, for his commercial gain. | 0:23:21 | 0:23:28 | |
His main task was to go to Chile and collect huge quantities of seed, or as much as he could, | 0:23:28 | 0:23:34 | |
of the monkey-puzzle tree, which was highly sought-after at that time, and they couldn't get enough of it. | 0:23:34 | 0:23:39 | |
He trekked across the Amazon jungle, up over the Andes, through a snow-filled mountain pass, | 0:23:39 | 0:23:45 | |
down the other side into Chile, and then down the western side of | 0:23:45 | 0:23:49 | |
the Andes to southern Chile, | 0:23:49 | 0:23:51 | |
where he found these huge stands of the monkey-puzzle tree, | 0:23:51 | 0:23:56 | |
collected vast quantities of seed. | 0:23:56 | 0:23:58 | |
I think they said 13,000 trees were derived from the seed he sent back. | 0:23:58 | 0:24:02 | |
'Lobb's monkey-puzzle seeds were propagated in England, | 0:24:03 | 0:24:08 | |
and the young trees planted at Heligan.' | 0:24:08 | 0:24:11 | |
That's the plant, up there. | 0:24:11 | 0:24:13 | |
Even an idiot like me can recognise a monkey-puzzle tree. | 0:24:13 | 0:24:16 | |
They're wonderful, silhouetted against the sky here. Huge specimen. | 0:24:16 | 0:24:21 | |
Just like you'd find them in nature in the Andes. | 0:24:21 | 0:24:24 | |
'In the 19th century, the middle classes sought to imitate the fine gardens of estates like Heligan. | 0:24:27 | 0:24:32 | |
'The railways made it practical for even the owners of humble | 0:24:32 | 0:24:36 | |
'suburban gardens all over Britain to order from | 0:24:36 | 0:24:39 | |
'nursery catalogues exotic species like monkey puzzles.' | 0:24:39 | 0:24:45 | |
Most of these trees that you see around you | 0:24:45 | 0:24:48 | |
are tree-rhododendron species that are about 150 years old. | 0:24:48 | 0:24:53 | |
The one just up there in the corner that you can look at his rhododendron niveum, which is mauve in colour. | 0:24:53 | 0:25:00 | |
It's very unusual because it's the same colour as the first-ever | 0:25:00 | 0:25:04 | |
artificial dye, which was used by Queen Victoria in the first instance, | 0:25:04 | 0:25:09 | |
to dye her dresses, and then picked up | 0:25:09 | 0:25:11 | |
by the higher classes, who also found it fashionable. | 0:25:11 | 0:25:14 | |
But because it was so common eventually, and mass-produced, | 0:25:14 | 0:25:18 | |
then the hoi polloi generally had it as their fashionable colour. | 0:25:18 | 0:25:22 | |
Even nurses' uniforms were made out of it. | 0:25:22 | 0:25:25 | |
If you belonged to the upper classes, you didn't want | 0:25:25 | 0:25:27 | |
to be associated with the fashions of the lower classes. | 0:25:27 | 0:25:30 | |
So, you went round your garden and you eradicated all these plants. | 0:25:30 | 0:25:34 | |
Mauve became unfashionable, which is probably why you're wearing that colour shirt! | 0:25:34 | 0:25:39 | |
Are you calling me naff?! | 0:25:39 | 0:25:41 | |
I didn't say that! | 0:25:41 | 0:25:43 | |
'Today, Heligan preserves species from around the world, and also sustains an approach | 0:25:50 | 0:25:56 | |
'to gardening that's little changed since Bradshaw's time.' | 0:25:56 | 0:26:00 | |
Hello. I'm sorry to scare you. How are you? | 0:26:12 | 0:26:15 | |
I'm Michael, how are you doing? | 0:26:15 | 0:26:17 | |
OK, yes. I was just going to tell you off, actually! | 0:26:17 | 0:26:20 | |
Well, here we are! What are you doing at the moment, may I ask? | 0:26:20 | 0:26:25 | |
We've just weeded this bed now, so I'm just breaking it down and flattening it. | 0:26:25 | 0:26:30 | |
You're doing something very traditional here, making sure that everything | 0:26:30 | 0:26:34 | |
that is consumed in the restaurant is produced on the site. | 0:26:34 | 0:26:37 | |
Does that give you a lot of satisfaction? | 0:26:37 | 0:26:40 | |
Definitely. It's nice to have still the old Victorian way, do things the old-fashioned way. | 0:26:40 | 0:26:45 | |
Everything here gets done by hand. | 0:26:45 | 0:26:50 | |
And you can taste the difference? | 0:26:50 | 0:26:52 | |
Definitely. You can smell it as well! | 0:26:52 | 0:26:54 | |
'Without the Victorian passion for exploration, | 0:26:54 | 0:26:57 | |
'we wouldn't have the huge range of plants that adorn our gardens today. | 0:26:57 | 0:27:03 | |
'And without the railways, those delicate specimens couldn't have arrived swiftly and safely.' | 0:27:03 | 0:27:10 | |
In Cornish china clay, I find an industry producing more today | 0:27:10 | 0:27:16 | |
than in Bradshaw's time, which is pretty rare. | 0:27:16 | 0:27:19 | |
And the pilchard business is reviving, thanks to a change of name, | 0:27:19 | 0:27:24 | |
reborn as sardine fishing. | 0:27:24 | 0:27:27 | |
What Bradshaw's missed completely is Cornwall's great beauty. | 0:27:27 | 0:27:31 | |
And thanks to its climate and its garden, | 0:27:31 | 0:27:34 | |
it now attracts those tourists who look for something more on their holiday than sand and ice cream. | 0:27:34 | 0:27:42 | |
'Next time, I'll be making a pilgrimage to Perran Sands.' | 0:27:53 | 0:27:57 | |
I'm looking for the Lost Church of St Piran, but it seems to have got lost again. | 0:27:57 | 0:28:02 | |
It is, but believe it or not, it's here, right under this granite rock. | 0:28:02 | 0:28:06 | |
'I'll be exploring Cornwall's last working tin mine.' | 0:28:06 | 0:28:10 | |
This thing was put in before the days of rock drills. | 0:28:10 | 0:28:13 | |
This had to be hand-drilled, and then blasted. | 0:28:13 | 0:28:16 | |
'And I'll be harvesting oysters on the Helford River.' | 0:28:16 | 0:28:20 | |
That really is exciting! What an amazing sight. | 0:28:20 | 0:28:23 | |
It's a cage absolutely full of bags of oysters. | 0:28:23 | 0:28:27 | |
That's right. | 0:28:27 | 0:28:29 | |
Subtitles by Red Bee Media Ltd | 0:28:32 | 0:28:34 |