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In 1840, one man transformed travel in Britain. | 0:00:04 | 0:00:09 | |
His name was George Bradshaw, and his railway guides inspired the Victorians to take to the tracks. | 0:00:10 | 0:00:17 | |
Stop by stop, he told them where to travel, what to see, and where to stay. | 0:00:17 | 0:00:22 | |
Now, 170 years later, I'm making four long journeys across the length and breadth of the country | 0:00:24 | 0:00:30 | |
to see what remains of Bradshaw's Britain. | 0:00:30 | 0:00:34 | |
Using Bradshaw, my 19th-century guide to the railways, | 0:00:51 | 0:00:55 | |
today I'm headed towards Birmingham, at the heart of England, | 0:00:55 | 0:00:58 | |
Britain's second largest city, the metropolis whose growth during the industrial revolution | 0:00:58 | 0:01:03 | |
astonished the Victorians. But the changes in Birmingham since have perhaps been more remarkable still. | 0:01:03 | 0:01:10 | |
On today's journey, I'll be heading to the centre of the leather-making world. | 0:01:14 | 0:01:18 | |
Walsall had a very distinctive stink? | 0:01:18 | 0:01:21 | |
You could say it had a tinge, it had its own aroma. | 0:01:21 | 0:01:24 | |
I'll be travelling to Birmingham's Balti Triangle. | 0:01:26 | 0:01:29 | |
Pakistan is like my motherland, and I call England my adopted mother. | 0:01:30 | 0:01:33 | |
Try and make this quite elegant... | 0:01:33 | 0:01:36 | |
Very good, sir. Very good for the first try. | 0:01:37 | 0:01:40 | |
And I'll be visiting Bournville, which some say is the happiest place in Britain. | 0:01:40 | 0:01:47 | |
Very pleasant. Very nice. I wouldn't want to live anywhere else. | 0:01:47 | 0:01:50 | |
I'm now almost halfway through my journey from Buxton, | 0:01:52 | 0:01:57 | |
along one of the earliest railway routes in England. | 0:01:57 | 0:02:00 | |
Each day, I'm stopping at towns and cities recommended by Bradshaw's guide, | 0:02:02 | 0:02:07 | |
until I reach the end of the line in London. | 0:02:07 | 0:02:10 | |
Today's route takes me 35 miles through the West Midlands, | 0:02:12 | 0:02:16 | |
via Walsall to Birmingham and on to Bournville. | 0:02:16 | 0:02:22 | |
In Bradshaw's day, a third of Britain's metalwork | 0:02:22 | 0:02:24 | |
came from around here, and much of it was carried to London on the railways. | 0:02:24 | 0:02:28 | |
My first stop is in a town famous for, as Bradshaw notes, "its buckles, spurs and bits". | 0:02:28 | 0:02:36 | |
Well, here I am in Walsall. Er, a place I've been to before. | 0:02:39 | 0:02:43 | |
But according to Bradshaw, this is a place that makes saddles. | 0:02:43 | 0:02:47 | |
And that takes me into a world of horses and riding, which I must say, is a foreign country to me. | 0:02:47 | 0:02:54 | |
Despite the growth of the railways, there was still a huge demand | 0:02:55 | 0:02:59 | |
for leather goods for horses in the 1840s. | 0:02:59 | 0:03:03 | |
Walsall became the place to go for high-quality saddles, stirrups and bridles. | 0:03:03 | 0:03:08 | |
And it still is today. | 0:03:08 | 0:03:10 | |
I've come to the historic factory of the Saddler to the Queen. | 0:03:10 | 0:03:15 | |
And here, I'm due to meet Cliff. | 0:03:15 | 0:03:18 | |
-Good morning. -Good morning, Michael. Welcome to the old building of Jabez Cliff & Co. | 0:03:18 | 0:03:23 | |
Wow! Ha-ha! | 0:03:23 | 0:03:24 | |
-It's not exactly in mint condition, is it? -No, it isn't. | 0:03:24 | 0:03:28 | |
We were here for 130 years. | 0:03:28 | 0:03:31 | |
And we moved out two months ago. | 0:03:31 | 0:03:33 | |
-You've got a new place? -We have a new place, two miles away. | 0:03:33 | 0:03:36 | |
Why did saddlery become the trade for Walsall? | 0:03:37 | 0:03:41 | |
Well, you have the River Tame for a ready supply of water. | 0:03:41 | 0:03:44 | |
You actually need limestone to cure the hides. | 0:03:44 | 0:03:46 | |
So you had a ready supply of that. | 0:03:46 | 0:03:48 | |
We're on the edge of the Black Country, | 0:03:48 | 0:03:50 | |
-so you had all the bits, stirrups, and all the other metalwork. -Because you always had iron ore. | 0:03:50 | 0:03:55 | |
You always had iron ore, so everything was there. | 0:03:55 | 0:03:59 | |
At one time, then, the town must have been full of tanneries. | 0:03:59 | 0:04:02 | |
Oh, yes. I know to a fact that we had five. | 0:04:02 | 0:04:05 | |
And years ago, when a child wasn't eating well, they used to take the child outside, and they used to... | 0:04:05 | 0:04:11 | |
the tan pit doors used to be open, and the child used to get a whiff of all the tan liquors, | 0:04:11 | 0:04:16 | |
and it was the belief that it actually helped improve the... made the child eat quicker. | 0:04:16 | 0:04:21 | |
And so at one time, Walsall had a very distinctive stink, did it? | 0:04:21 | 0:04:26 | |
You could say it had a tinge. | 0:04:26 | 0:04:28 | |
It had its own aroma. | 0:04:28 | 0:04:30 | |
-It's still a saddlery town, isn't it? -It is still a saddlery town. | 0:04:30 | 0:04:33 | |
There's about 50 saddlery businesses left in the town. | 0:04:33 | 0:04:36 | |
-Would you like to come and see the remnants of our old factory? -I'd love to. | 0:04:36 | 0:04:40 | |
The dreadful smell was perhaps a small price to pay | 0:04:42 | 0:04:46 | |
for Walsall's reputation for having the best saddlers. | 0:04:46 | 0:04:49 | |
British leather was in particularly high demand because it was made with English oak. | 0:04:49 | 0:04:56 | |
This was slower at tanning than other woods and produced a softer, stronger leather. | 0:04:56 | 0:05:01 | |
This is where the cutting room and saddle shop used to be. | 0:05:01 | 0:05:04 | |
Wow! What did this look like in its heyday? It must have been buzzing with activity. | 0:05:04 | 0:05:08 | |
I have an old photograph here, taken in about 1908. | 0:05:08 | 0:05:14 | |
-And if you can see... -Of this room? | 0:05:14 | 0:05:15 | |
Of this room. You can see a man there in a bowler hat. | 0:05:15 | 0:05:19 | |
-And what were these people actually doing in here? -They are all actually preparing saddles. | 0:05:19 | 0:05:24 | |
-So this is not a production line. -No, no, it is piecework. | 0:05:24 | 0:05:27 | |
Quality in those days was unbelievable. | 0:05:27 | 0:05:30 | |
A century ago, how many saddles might you have been making? | 0:05:30 | 0:05:34 | |
-One man might make two or three saddles a week. -That's pretty good, it seems to me. | 0:05:34 | 0:05:38 | |
During the Victorian era, Cliff's saddlery could produce around 500 saddles a month. | 0:05:40 | 0:05:46 | |
Today, in the company's new factory, that number is very similar. | 0:05:46 | 0:05:49 | |
Interestingly, the same system is still used - one person makes each saddle from start to finish. | 0:05:51 | 0:05:58 | |
But modern technology like the sewing machine means they can be made more quickly by fewer people. | 0:05:58 | 0:06:05 | |
We're talking about valuable products here, aren't we? | 0:06:05 | 0:06:08 | |
Oh, yes, but in those days... I know I have some photographs somewhere, where in an advert, | 0:06:08 | 0:06:14 | |
-I think a saddle was selling for, trade price, I might add, was going for about 42 shillings. -And today? | 0:06:14 | 0:06:21 | |
It's a lot more than that. | 0:06:21 | 0:06:23 | |
It was feared that the saddle industry would be destroyed | 0:06:27 | 0:06:30 | |
as trains replaced horses for transport. | 0:06:30 | 0:06:33 | |
Even in late Victorian times, there were still over 3 million horses pulling cabs, | 0:06:33 | 0:06:38 | |
working on farms and in the cavalry. | 0:06:38 | 0:06:40 | |
It wasn't until after the First World War, when cars became popular, | 0:06:40 | 0:06:45 | |
that saddlers were forced to diversify. | 0:06:45 | 0:06:48 | |
As trade changed, we actually started making footballs. | 0:06:48 | 0:06:53 | |
We started making golf bags. | 0:06:53 | 0:06:56 | |
In the First World War, we were actually making | 0:06:56 | 0:06:58 | |
torpedo cases, in leather, | 0:06:58 | 0:07:01 | |
that they could actually lower the torpedoes into the submarines. | 0:07:01 | 0:07:07 | |
-For which side? -For the English side, of course. | 0:07:07 | 0:07:11 | |
For the winning side. | 0:07:11 | 0:07:13 | |
This item here is actually what they used to knock the seams on of the footballs. | 0:07:13 | 0:07:18 | |
These are the old footballs with the laces? | 0:07:18 | 0:07:20 | |
These are the ones that when they played... | 0:07:20 | 0:07:22 | |
-Weighed an awful lot. -When it got wet... | 0:07:22 | 0:07:24 | |
-If you headed it, you'd get a very nasty injury. -Oh, yes, very nasty. | 0:07:24 | 0:07:30 | |
And it was all done on that. | 0:07:30 | 0:07:32 | |
How many generations of your family? | 0:07:32 | 0:07:34 | |
We are now seven. I am generation number six, with a brother and a cousin. | 0:07:34 | 0:07:38 | |
And I have two nephews who are now in the business. | 0:07:38 | 0:07:41 | |
One being the MD. | 0:07:41 | 0:07:43 | |
The transfer of skills through the generations | 0:07:45 | 0:07:48 | |
and the saddle industry's willingness to embrace change | 0:07:48 | 0:07:51 | |
have ensured that it is still successful today. | 0:07:51 | 0:07:55 | |
Just as in Bradshaw's day, Walsall still has a reputation for providing quality saddles at luxury prices. | 0:07:55 | 0:08:02 | |
Now, I've got a train to catch to my second destination. | 0:08:04 | 0:08:08 | |
Time to get on. On to Birmingham. | 0:08:08 | 0:08:10 | |
I'm on the next leg of my journey to Britain's second city, just ten miles away. | 0:08:18 | 0:08:23 | |
Birmingham is a city I know well. | 0:08:25 | 0:08:27 | |
I once tried to get into Parliament for Birmingham Perry Barr. | 0:08:27 | 0:08:31 | |
And was unsuccessful. | 0:08:31 | 0:08:34 | |
Of course Bradshaw devotes pages to Britain's second largest city. | 0:08:34 | 0:08:39 | |
And in particular, he was excited by New Street, | 0:08:39 | 0:08:45 | |
the vast railway station at the centre of the city. | 0:08:45 | 0:08:47 | |
"These structures are entitled to rank among the most stupendous architectural works of the age. | 0:08:49 | 0:08:54 | |
"Notice the turmoil and bustle created by the excitement of the arrival and departure of trains. | 0:08:57 | 0:09:02 | |
"The trampling of crowds and passengers, the transfer of luggage, | 0:09:02 | 0:09:05 | |
"the ringing of bells and the noise of 300 porters and workmen. | 0:09:05 | 0:09:10 | |
"An extraordinary scene, witnessed daily at Birmingham Central Railway Station." | 0:09:10 | 0:09:16 | |
Just the way it is today. | 0:09:16 | 0:09:17 | |
Sadly, the roof that Bradshaw so admired was destroyed, | 0:09:21 | 0:09:24 | |
along with much of the city, during the Birmingham Blitz of World War II. | 0:09:24 | 0:09:29 | |
Today's station, built during the 1960s, is to me a somewhat dark and depressing construction. | 0:09:31 | 0:09:37 | |
Do you ever use New Street Station? | 0:09:37 | 0:09:41 | |
-Yes, I do. -What do you think of it? I mean, the look of it. -It does need improvement. | 0:09:41 | 0:09:45 | |
Looking at it from here, it strikes me as one of the ugliest frontages to a station | 0:09:45 | 0:09:50 | |
I can think of anywhere. What do you think of it? | 0:09:50 | 0:09:53 | |
Yeah, I do agree with you. But at the same time, I have seen worse stations. | 0:09:53 | 0:09:56 | |
-You have? Where? Let me know. -Erm... | 0:09:56 | 0:09:58 | |
London? Euston used to be horrible. | 0:09:58 | 0:10:01 | |
It did, I agree with that. | 0:10:01 | 0:10:03 | |
There are plans to redo this, do you know anything about that? | 0:10:03 | 0:10:06 | |
-Yes, that's probably going to be about seven years. -Have you seen the plan? -Yes. | 0:10:06 | 0:10:10 | |
It looks very nice, but I don't know when they're going to start doing it. | 0:10:10 | 0:10:13 | |
The town planners are replacing some of the uglier buildings | 0:10:15 | 0:10:19 | |
that were hastily put up after the war. | 0:10:19 | 0:10:21 | |
The infamous Bullring shopping centre, also built in the 1960s, came to be regarded as an eyesore. | 0:10:23 | 0:10:30 | |
It was rebuilt in 2003. | 0:10:32 | 0:10:34 | |
Maybe few people think of Birmingham as a Victorian city, | 0:10:39 | 0:10:43 | |
but amongst this redevelopment, there are some hidden gems from Bradshaw's day. | 0:10:43 | 0:10:47 | |
Well, Birmingham in the 19th century was, for the first time, | 0:10:47 | 0:10:52 | |
a great city. And it established great public buildings. | 0:10:52 | 0:10:57 | |
And mainly with the Victorians you associate very heavy buildings, | 0:10:57 | 0:11:01 | |
or you think about Victorian Gothic, buildings like Parliament, where I spent so much of my life. | 0:11:01 | 0:11:07 | |
But here is, to me, a somewhat unusual building, | 0:11:07 | 0:11:10 | |
because it's a neo-classical Victorian building. | 0:11:10 | 0:11:14 | |
The Town Hall of Birmingham. | 0:11:14 | 0:11:16 | |
And this lay derelict inside for many years. | 0:11:16 | 0:11:19 | |
It has recently been restored. I've addressed public meetings there, and it's absolutely beautiful. | 0:11:19 | 0:11:24 | |
In fact, Birmingham is renovating much of its Victorian legacy. | 0:11:26 | 0:11:29 | |
As well as the Town Hall and the Council House in Victoria Square, | 0:11:29 | 0:11:33 | |
there are almost 2,000 listed buildings in the city. | 0:11:33 | 0:11:37 | |
One senses that Birmingham, in many places, | 0:11:39 | 0:11:42 | |
is trying to get rid of that hideous redevelopment of the 1960s, | 0:11:42 | 0:11:47 | |
of which the railway station was a conspicuous part. | 0:11:47 | 0:11:50 | |
Bradshaw's guides contain city maps. | 0:12:02 | 0:12:06 | |
And they are now extremely interesting. | 0:12:08 | 0:12:11 | |
For instance, the one of Birmingham. | 0:12:11 | 0:12:14 | |
Right now, I'm over in Broad Street. | 0:12:14 | 0:12:19 | |
Interestingly, that's pretty much at the edge of the city, as Bradshaw knew it. | 0:12:19 | 0:12:26 | |
Here, very clearly, is New Street. | 0:12:26 | 0:12:29 | |
Even when Bradshaw thought it was a huge, imposing city, | 0:12:32 | 0:12:36 | |
it was actually just a tiny fraction | 0:12:36 | 0:12:39 | |
of what we know as Birmingham today. | 0:12:39 | 0:12:43 | |
Birmingham is Britain's second largest city, with a population of over a million. | 0:12:45 | 0:12:50 | |
And the people of Birmingham have changed in a way that Bradshaw could never have imagined. | 0:12:52 | 0:12:58 | |
Today, Birmingham is fast becoming Britain's first majority non-white city. | 0:12:58 | 0:13:02 | |
The largest ethnic group here are Pakistanis, who've made their homes around Ladypool Road. | 0:13:02 | 0:13:09 | |
After the Second World War, Birmingham began recruiting people from the former colonies | 0:13:12 | 0:13:18 | |
to work in factories when labour was in short supply. | 0:13:18 | 0:13:22 | |
Large-scale immigration, like that from Pakistan, | 0:13:22 | 0:13:25 | |
provided the workforce for Britain's growing industries. | 0:13:25 | 0:13:28 | |
Kamran Ishtiaq's family moved here in the 1950s. | 0:13:33 | 0:13:36 | |
Why did your grandfather leave Pakistan? | 0:13:36 | 0:13:39 | |
For a better future for us. If it wasn't for him, I wouldn't be giving this interview to you, | 0:13:40 | 0:13:45 | |
and standing in such a successful business. | 0:13:45 | 0:13:47 | |
And do you know why he chose Birmingham? | 0:13:47 | 0:13:49 | |
Birmingham was a city which attracted a lot of Asians. | 0:13:49 | 0:13:54 | |
But there was not much for Asian community, regarding food. | 0:13:54 | 0:13:57 | |
And Ladypool Road was one of the prime locations for Asian people. | 0:13:57 | 0:14:01 | |
So, it's like a landmark to the Pakistani community in Birmingham. | 0:14:01 | 0:14:04 | |
Do you ever go to Pakistan? | 0:14:04 | 0:14:06 | |
Frequently. | 0:14:06 | 0:14:07 | |
Would you rather live in Pakistan than Birmingham? | 0:14:07 | 0:14:11 | |
No, that's a difficult choice. Because I love Pakistan. | 0:14:11 | 0:14:14 | |
Pakistan is like my motherland, and I call England my adopted mother. | 0:14:14 | 0:14:17 | |
So you can't make a choice between your mother and your adopted mother. | 0:14:17 | 0:14:21 | |
Very nice to talk to you. Thanks very much. | 0:14:21 | 0:14:24 | |
As the Pakistani community grew, restaurants and takeaways sprang up | 0:14:25 | 0:14:30 | |
to serve Asian food to Asian families. | 0:14:30 | 0:14:32 | |
They quickly became popular with the English, too. | 0:14:32 | 0:14:36 | |
All along Ladypool Road there are delicious smells tempting you into all the restaurants. | 0:14:36 | 0:14:42 | |
I've stumbled across what looks like a party for another new restaurant. | 0:14:42 | 0:14:48 | |
Nice to see you, hello. | 0:14:48 | 0:14:50 | |
Nice to see you, hi. | 0:14:50 | 0:14:53 | |
-Here we are. -My goodness, very smart indeed. | 0:14:53 | 0:14:55 | |
Michael, this is just opening now today. | 0:14:55 | 0:14:58 | |
What, opening today? | 0:14:58 | 0:15:00 | |
-Yes. -Really? -Yes. | 0:15:00 | 0:15:02 | |
-How are you? -How are you? | 0:15:02 | 0:15:05 | |
Congratulations on your opening. | 0:15:05 | 0:15:07 | |
Very good. | 0:15:07 | 0:15:09 | |
Sweet and salty and yoghurt. | 0:15:12 | 0:15:16 | |
Yes, the choice is yours. | 0:15:16 | 0:15:17 | |
Anything, you can't refuse! | 0:15:17 | 0:15:19 | |
-Delicious. -You will remember the Birmingham now. | 0:15:19 | 0:15:23 | |
I will. I shall remember Birmingham. | 0:15:23 | 0:15:25 | |
The area is nicknamed the Balti Triangle, because the balti curry was invented here. | 0:15:28 | 0:15:33 | |
Now, there are more than 50 balti restaurants serving the local speciality. | 0:15:33 | 0:15:38 | |
These people have had to do a lot of adapting to a very different way of life. | 0:15:38 | 0:15:44 | |
I feel a kind of empathy, because my own father came from Spain, | 0:15:44 | 0:15:48 | |
a much shorter distance to travel, but had to do a lot of adapting, too. | 0:15:48 | 0:15:52 | |
And as the people have adjusted to life in Britain, so has the curry. | 0:15:54 | 0:15:58 | |
Many of the most popular dishes were created here to suit British tastes. | 0:15:58 | 0:16:03 | |
But I'm also pleased to find a place serving more authentic Asian food. | 0:16:03 | 0:16:08 | |
-Hi, great to see you. What a beautiful restaurant. -Thank you very much. | 0:16:10 | 0:16:14 | |
Raj Rana owns Itihaas, a restaurant aiming for, well, something a little more Indian. | 0:16:14 | 0:16:20 | |
Do you get cross with British people who have preconceptions about Indian food? | 0:16:20 | 0:16:25 | |
The problem is when it is expected to be in the direction of a balti or a chicken vindaloo or Madras. | 0:16:25 | 0:16:31 | |
All of these things don't exist in India. | 0:16:31 | 0:16:33 | |
They're all Westernised dishes, | 0:16:33 | 0:16:36 | |
pretty much created in Birmingham as part of the curry revolution. | 0:16:36 | 0:16:40 | |
Where we differ from the balti restaurants is, we are not operating from two or three base sauces | 0:16:40 | 0:16:47 | |
that make up the curries and the baltis from there on. | 0:16:47 | 0:16:50 | |
Because baltis work on the conception of convenience. | 0:16:50 | 0:16:54 | |
Everything here is prepared individually. | 0:16:54 | 0:16:57 | |
So sauces are individually prepared to the dish. | 0:16:57 | 0:17:00 | |
If you're doing individual sauces, you need excellent chefs, and do you have them? | 0:17:00 | 0:17:04 | |
-I've got a fantastic team. I'm very lucky to have them. -How did you get them? | 0:17:04 | 0:17:08 | |
I travelled to India. I held talent competitions. | 0:17:08 | 0:17:11 | |
It was as if I was Simon Cowell, and they were coming in, | 0:17:11 | 0:17:14 | |
all proving their talents, and I ended up with the 19 that operate the restaurant. | 0:17:14 | 0:17:18 | |
And one of them is going to show me how to do some cooking, is that right? | 0:17:18 | 0:17:22 | |
-Absolutely, yes. -I guess it's through there? -Absolutely, let me take you through. -Thank you. | 0:17:22 | 0:17:27 | |
Raj held his own auditions in India to staff his restaurant. | 0:17:27 | 0:17:30 | |
But he'd like to train the next generation of chefs here. | 0:17:30 | 0:17:34 | |
His next big plan is to open the first curry school in Britain | 0:17:34 | 0:17:37 | |
to teach the art of bona fide Indian cuisine. | 0:17:37 | 0:17:41 | |
I'm his first pupil. | 0:17:45 | 0:17:46 | |
Come into my kitchen. | 0:17:46 | 0:17:47 | |
This is Kapel, who will teach me how to cook. Thank you so much. I warn you, I don't know what I'm doing. | 0:17:49 | 0:17:54 | |
Just add some mustard seeds, please. | 0:17:54 | 0:17:56 | |
Right. | 0:17:56 | 0:17:59 | |
-Some mustard seeds, like that? -Yes. | 0:17:59 | 0:18:01 | |
'Kapel's showing me how to make a king prawn curry from Kerala in southern India. | 0:18:01 | 0:18:06 | |
'A traditional dish that uses curry leaves and turmeric.' | 0:18:06 | 0:18:10 | |
Could you stir it with your spoon, please? | 0:18:10 | 0:18:12 | |
-Faster, you have to move it faster. It will burn otherwise. -Right, OK. -As if you're telling somebody off. | 0:18:12 | 0:18:17 | |
-Right. -There you go. -Beautiful prawns. | 0:18:17 | 0:18:20 | |
It feels like everything's moving very fast, you know? | 0:18:20 | 0:18:24 | |
Like I'm not really in control. | 0:18:24 | 0:18:26 | |
-Put some coriander and we can take off the dish, please. -Put some coriander... There we go. | 0:18:26 | 0:18:31 | |
That's done. Beautiful. | 0:18:31 | 0:18:33 | |
-That's done? -If you carry the wok over to here... | 0:18:33 | 0:18:35 | |
This is a wok on the wild side now. | 0:18:35 | 0:18:38 | |
There's a plate for you. You can put your prawns there. | 0:18:38 | 0:18:41 | |
-Shall I try and make this quite elegant? -Yes. | 0:18:43 | 0:18:46 | |
Kapel, we're going to let you be guinea pig. | 0:18:47 | 0:18:50 | |
Thank you very much. God bless you. | 0:18:50 | 0:18:52 | |
-Very good, sir. Very good for the first try. -For the first try! | 0:18:54 | 0:18:58 | |
It's nothing to do with me, but that is fantastic. | 0:19:01 | 0:19:04 | |
-You like it? -I love it. | 0:19:04 | 0:19:06 | |
It's very relishing, it's very fresh, and the spices don't hit you. | 0:19:07 | 0:19:12 | |
It's not spicy-spicy. It's flavourful with things, you know? | 0:19:12 | 0:19:16 | |
-That's what -I -meant to say! | 0:19:16 | 0:19:18 | |
If Raj's chef school is a success, it will ensure that the traditional Indian curry | 0:19:21 | 0:19:26 | |
is preserved in Britain for the next generation. | 0:19:26 | 0:19:30 | |
As for me, having spent the night in inner city Birmingham, it's time to leave the multicultural metropolis | 0:19:32 | 0:19:39 | |
for my next destination. | 0:19:39 | 0:19:40 | |
Which way is 11B, please? | 0:19:42 | 0:19:45 | |
Thank you. | 0:19:45 | 0:19:47 | |
The third and final leg of my journey takes me | 0:19:53 | 0:19:56 | |
to the southern edge of Birmingham, five miles away to Bournville. | 0:19:56 | 0:20:00 | |
So I'm chugging out along the suburban railway line in Birmingham towards the south-west, | 0:20:00 | 0:20:07 | |
towards a place whose name became synonymous with chocolate. | 0:20:07 | 0:20:12 | |
Not mentioned in my Bradshaw's guide because the railway station didn't open here until 1876 | 0:20:12 | 0:20:17 | |
and then it was known as Stirchley Street. | 0:20:17 | 0:20:21 | |
Then Cadbury established their factory here and in those days French chocolate | 0:20:21 | 0:20:26 | |
was thought to be the best in the world, so they tried to give it a French flavour, so they called it | 0:20:26 | 0:20:32 | |
Bourne Ville. | 0:20:32 | 0:20:34 | |
Ever since then it's been known as Bournville | 0:20:34 | 0:20:37 | |
and the railway station now bears the name of the Cadbury's factory. | 0:20:37 | 0:20:42 | |
The Cadbury family chose to set up shop here because of the railway | 0:20:44 | 0:20:48 | |
and the other great transport link to the rest of the country. | 0:20:48 | 0:20:52 | |
Already, Bournville Station feels rather special. | 0:20:53 | 0:20:56 | |
I can't think of any other where the canal runs right parallel with the railway platform. | 0:20:56 | 0:21:02 | |
As the chocolate business rapidly expanded, George and Richard Cadbury | 0:21:06 | 0:21:10 | |
ploughed the profits back into the newly named village of Bournville. | 0:21:10 | 0:21:15 | |
They built new houses and designed a model community for the people of Birmingham. | 0:21:15 | 0:21:19 | |
At Bournville, the whole station is purple, it's just all one big chocolate wrapper. | 0:21:24 | 0:21:29 | |
Bournville has recently been voted the best place to live in Britain. | 0:21:31 | 0:21:34 | |
I'm heading towards the factory to see why. | 0:21:34 | 0:21:37 | |
-Hello. -Mr Portillo? -Yes. -I'm Alan Shrimpton, I'm your guest in Bournville. Welcome. | 0:21:37 | 0:21:42 | |
How very nice to see you, I didn't realise it was you. | 0:21:42 | 0:21:45 | |
'Alan Shrimpton works for the Bournville Village Trust.' | 0:21:45 | 0:21:48 | |
Tell me, first of all, why did they put a factory here? | 0:21:48 | 0:21:51 | |
They needed, critically, to have a railway link and a canal. | 0:21:51 | 0:21:56 | |
-And the canal, why? -The canal was used to bring milk in. | 0:21:56 | 0:21:59 | |
The railway brought chocolate beans and the sugar and took their finished product away. | 0:21:59 | 0:22:05 | |
So when I was at Bournville Station and I saw the railway track and canal side by side, | 0:22:05 | 0:22:09 | |
-that's critical to why this place is here? -Vital. | 0:22:09 | 0:22:11 | |
If it hadn't been for the railway, there would be no factory here. | 0:22:11 | 0:22:15 | |
No factory here, no Bournville estate. | 0:22:15 | 0:22:17 | |
Soon there were three trains, each of 60 cars, leaving the factory every day full of chocolate. | 0:22:23 | 0:22:28 | |
Cadburys had six miles of internal railway lines and even ran its own engines. | 0:22:28 | 0:22:33 | |
The drivers often shared a cup of hot chocolate crumb with their colleagues on the main line. | 0:22:33 | 0:22:39 | |
Many of the workers lived on the Bournville estate, a short walk from the factory. | 0:22:39 | 0:22:45 | |
We're just a few yards from the factory and already it's very green, very suburban. | 0:22:45 | 0:22:49 | |
That was what George was trying to do. | 0:22:49 | 0:22:51 | |
The idea was to take the convenience of the town and the benefits of the country, | 0:22:51 | 0:22:56 | |
put the two together, without the drawbacks of either, in a model community, | 0:22:56 | 0:23:00 | |
but not just for his workers, this was for ordinary working people. | 0:23:00 | 0:23:03 | |
Anybody would be here, owner, occupiers and tenants side by side | 0:23:03 | 0:23:07 | |
with all the facilities you could possibly want in a model community | 0:23:07 | 0:23:11 | |
with of course the one exception, there was no public house. | 0:23:11 | 0:23:14 | |
George Cadbury and his elder brother, Richard, were both Quakers. | 0:23:18 | 0:23:23 | |
The brothers saw alcohol as the root of many social problems. | 0:23:23 | 0:23:27 | |
They argued that providing good living conditions, job security | 0:23:27 | 0:23:31 | |
and places to exercise would create a happy, healthy, working community. | 0:23:31 | 0:23:36 | |
To the present day, no pub has ever been built here. | 0:23:36 | 0:23:40 | |
And how big is it? How many souls live here? | 0:23:40 | 0:23:43 | |
In the whole of Bournville, we're talking about 1,000 acres, 8,500 homes, about 25,000 people. | 0:23:43 | 0:23:48 | |
It's big, isn't it? It is big. | 0:23:48 | 0:23:50 | |
I'm surprised that there is such a variety of styles of house. | 0:23:50 | 0:23:53 | |
I thought I would come to a model village | 0:23:53 | 0:23:55 | |
and find the same sort of house replicated again and again. | 0:23:55 | 0:23:58 | |
No, what we've got is Arts and Crafts style, which reflects the age of the village. | 0:23:58 | 0:24:03 | |
Even then, the variety of properties and the way they're grouped together is quite interesting. | 0:24:03 | 0:24:08 | |
Every house had a generous garden. | 0:24:10 | 0:24:12 | |
Building was controlled so that no green space was overshadowed. | 0:24:12 | 0:24:16 | |
And tell me, do you see this whole thing here at Bournville as historic, | 0:24:18 | 0:24:23 | |
or do you see it as some kind of model for our generation? | 0:24:23 | 0:24:26 | |
It's very important to see it as a model for future generations, | 0:24:26 | 0:24:29 | |
particularly for things like the eco-towns. | 0:24:29 | 0:24:32 | |
This is an example of a model village, a sustainable community that works. | 0:24:32 | 0:24:36 | |
Anybody contemplating doing anything on a large scale | 0:24:36 | 0:24:39 | |
has to come to Bournville and take those lessons away elsewhere. | 0:24:39 | 0:24:42 | |
I can see why, for some, Bournville might just be the best place to live in Britain. | 0:24:42 | 0:24:50 | |
Michael, this is a resident and shopkeeper in the area, Phil Davies. | 0:24:50 | 0:24:54 | |
-Hi, Phil. -Hi. -Very good to see you. | 0:24:54 | 0:24:56 | |
How do you find life in Bournville? | 0:24:56 | 0:24:58 | |
Very pleasant, very nice. | 0:24:58 | 0:25:00 | |
-I wouldn't want to live anywhere else. -How long have you lived here? | 0:25:00 | 0:25:04 | |
Nearly 40 years. | 0:25:04 | 0:25:06 | |
And does it have any of that ethos of the original establishment of this model village? | 0:25:06 | 0:25:10 | |
Yes, I think it still does. | 0:25:10 | 0:25:12 | |
I think the culture of what it was started out to be is still imprinted in a lot of people in the area. | 0:25:12 | 0:25:19 | |
Thank you. May the next 40 years be as good for you. | 0:25:19 | 0:25:22 | |
I hope so. When are you going back into Parliament? | 0:25:22 | 0:25:24 | |
-No, I'm not. -You're not. Have you had enough? -Enjoying myself too much. | 0:25:24 | 0:25:29 | |
BELLS CHIME | 0:25:29 | 0:25:31 | |
In Bournville, even the bells are used to create a sense of community spirit. | 0:25:34 | 0:25:40 | |
This village, with its suburban, | 0:25:40 | 0:25:43 | |
idyllic neatness, is not everybody's cup of tea. | 0:25:43 | 0:25:48 | |
But, for many people who live here, it's close to perfection. And it is impressive that a concept created | 0:25:48 | 0:25:54 | |
a century ago by a public-spirited industrialist is now being thought of | 0:25:54 | 0:26:00 | |
as a model for sustainable communities of the future. | 0:26:00 | 0:26:04 | |
'Even getting a cup of coffee for my onward journey | 0:26:06 | 0:26:10 | |
'brings me face-to-face with contented residents.' | 0:26:10 | 0:26:13 | |
This is meant to be a very special place, Bournville? | 0:26:13 | 0:26:16 | |
People are supposed to be very happy here and to love living here? | 0:26:16 | 0:26:19 | |
-Do you find that? -Yes. Bournville is an amazing area. -Why? | 0:26:19 | 0:26:24 | |
I mean, George Cadbury built Bournville. | 0:26:24 | 0:26:26 | |
All the properties had a certain-sized garden. | 0:26:26 | 0:26:30 | |
The idea behind that was so that everybody could be self-sufficient and grow their own vegetables. | 0:26:30 | 0:26:35 | |
And consequently the children in Bournville are amongst the tallest throughout England. | 0:26:35 | 0:26:40 | |
-You're not serious? -That's quite surprising. No, that's a fact. | 0:26:40 | 0:26:43 | |
It's run with Quaker traditions. | 0:26:44 | 0:26:47 | |
So there's no licensed premises. | 0:26:47 | 0:26:49 | |
It's quite a caring community. | 0:26:50 | 0:26:53 | |
It's just as well I didn't ask you for a Scotch, isn't it? | 0:26:53 | 0:26:56 | |
Well, it might have been difficult. I don't have any! | 0:26:56 | 0:26:59 | |
'The attraction of Bournville must be infectious. | 0:26:59 | 0:27:03 | |
'I've been so captivated, I think I'm about to miss my train!' | 0:27:03 | 0:27:06 | |
It's OK, it's not mine. It's OK. | 0:27:08 | 0:27:10 | |
Goodbye, purple world. | 0:27:17 | 0:27:19 | |
Birmingham is a wonderful example of how cities change and change again. | 0:27:28 | 0:27:33 | |
They're always dynamic. | 0:27:33 | 0:27:35 | |
Some of the old industries still exist, like saddlery and chocolate, | 0:27:35 | 0:27:39 | |
but, for the future, the vibrancy of Birmingham comes from its diversity | 0:27:39 | 0:27:44 | |
because its Asian community is now almost as big as its white one. | 0:27:44 | 0:27:49 | |
A concept that would have been unimaginable to Bradshaw. | 0:27:49 | 0:27:53 | |
On my next journey I'll be reliving the Coventry Blitz. | 0:27:55 | 0:27:58 | |
You could pick the sound of the German planes up. | 0:27:58 | 0:28:02 | |
Their engines were, vroom, vroom, a humming, humming noise. | 0:28:02 | 0:28:07 | |
I'll be ruffling some feathers in Aylesbury. | 0:28:07 | 0:28:11 | |
Your family's been in the business a while? | 0:28:11 | 0:28:13 | |
1775 that we know of. | 0:28:13 | 0:28:15 | |
-No! -Oh, absolutely, continuously. | 0:28:15 | 0:28:18 | |
And I'll hear how the railways saved thousands of lives during World War Two. | 0:28:18 | 0:28:23 | |
This was the largest station where the evacuations took place from. | 0:28:23 | 0:28:27 | |
And how an earth we found our way onto the right train I'll never know. | 0:28:27 | 0:28:31 | |
Subtitles by Red Bee Media Ltd | 0:28:35 | 0:28:38 |