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In 1840, one man transformed travel in Britain. | 0:00:04 | 0:00:08 | |
His name was George Bradshaw, and his railway guides inspired the Victorians to take to the tracks. | 0:00:10 | 0:00:17 | |
Stop by stop, he told them where to travel, what to see and where to stay. | 0:00:17 | 0:00:22 | |
Now, 170 years later, I'm making four long journeys | 0:00:22 | 0:00:27 | |
across the length and breadth of the country | 0:00:27 | 0:00:30 | |
to see what remains of Bradshaw's Britain. | 0:00:30 | 0:00:34 | |
150 years ago, George Bradshaw produced | 0:00:52 | 0:00:56 | |
the must-have railway maps, timetables and guidebooks. | 0:00:56 | 0:01:01 | |
Now, using one of those ancient guides, | 0:01:01 | 0:01:03 | |
I'm making four long journeys across our country | 0:01:03 | 0:01:06 | |
to view Britain through the proud and prudish eyes of the Victorians | 0:01:06 | 0:01:10 | |
and to learn how much they made us what we are today, | 0:01:10 | 0:01:14 | |
but also to appreciate how much we've changed since. | 0:01:14 | 0:01:18 | |
Today, I'll head to the treacherous quicksands of Morecambe Bay. | 0:01:23 | 0:01:27 | |
Even on dangerous quicksands, you won't go down. You can lie flat and roll out. | 0:01:27 | 0:01:30 | |
I'll be making a sobering visit to Preston. | 0:01:30 | 0:01:34 | |
It means there's 12% alcohol, which is deadly poison. | 0:01:34 | 0:01:37 | |
If you injected it into your cat, it'd drop dead. | 0:01:37 | 0:01:40 | |
-I'd never thought of doing that. -No, you wouldn't. | 0:01:40 | 0:01:43 | |
And I'll be taking in a music-hall revival in Blackpool. | 0:01:43 | 0:01:48 | |
-Ready to give your performance? -I think we should get in there, we've got an audience as well! | 0:01:48 | 0:01:52 | |
# Adlington or Darlington Torrington or Warrington | 0:01:52 | 0:01:55 | |
# Sure that she would find it in the Bradshaw's guide. # | 0:01:55 | 0:02:01 | |
This week, starting in Preston, | 0:02:07 | 0:02:09 | |
I travel along the first rail link between Scotland and England. | 0:02:09 | 0:02:13 | |
Heading inland, I'll take the beautiful Settle to Carlisle line | 0:02:13 | 0:02:17 | |
before visiting the Lake District. | 0:02:17 | 0:02:19 | |
Then, following my Bradshaw guide, | 0:02:19 | 0:02:22 | |
I'll end up at my mother's home town of Kirkcaldy. | 0:02:22 | 0:02:27 | |
Today, I'm covering the first 60 miles | 0:02:31 | 0:02:34 | |
up the west coast to Blackpool and then Morecambe Bay. | 0:02:34 | 0:02:39 | |
'Next station will be Preston, next station. | 0:02:42 | 0:02:45 | |
'Change at Preston for Lancaster and stations further north.' | 0:02:45 | 0:02:49 | |
My first stop is one of the North's busiest railway stations, Preston. | 0:02:49 | 0:02:54 | |
The size of the station at Preston | 0:02:59 | 0:03:02 | |
reminds us that this was a huge industrial town, | 0:03:02 | 0:03:05 | |
but even today it is the hub of railways | 0:03:05 | 0:03:08 | |
spreading out throughout Lancashire. | 0:03:08 | 0:03:10 | |
In Bradshaw's day, there weren't buffet cars on trains. | 0:03:12 | 0:03:16 | |
Instead, you could get tea or food on the platform at large stations. | 0:03:17 | 0:03:23 | |
In 1914, Preston's refreshment rooms took on a truly strategic role. | 0:03:23 | 0:03:29 | |
-Hello. -Hi. | 0:03:29 | 0:03:31 | |
Can you tell me about the history of the buffet here? | 0:03:31 | 0:03:34 | |
Well, the buffet's been here for, well, as long as the railway station, | 0:03:34 | 0:03:39 | |
but I think the history you're on about is The Great War of 14-18 | 0:03:39 | 0:03:44 | |
where the WVRS provided, on a 24-hour-a-day basis, | 0:03:44 | 0:03:48 | |
refreshment for the troops moving up, moving back. | 0:03:48 | 0:03:52 | |
And this carried on until 1919, with the demobilisation of the troops. | 0:03:52 | 0:03:57 | |
They carried that service on right through and it never closed. | 0:03:57 | 0:04:00 | |
It was providing 24 hours a day for almost five years. | 0:04:00 | 0:04:04 | |
How many cups of tea got served here during World War I? | 0:04:04 | 0:04:07 | |
Well, I'm led to believe it's about 3.25 million, | 0:04:07 | 0:04:11 | |
which is an awful lot of hot water! | 0:04:11 | 0:04:13 | |
Today, Preston is the centre of Britain's high-tech military aircraft industry, | 0:04:17 | 0:04:22 | |
but in the mid 19th century, it had a rather different reputation, | 0:04:22 | 0:04:27 | |
for hard boozing and industrial unrest. | 0:04:27 | 0:04:30 | |
Bradshaw's guide says of Preston, | 0:04:32 | 0:04:34 | |
"It's become one of the principal manufacturing towns of the country. | 0:04:34 | 0:04:38 | |
"There are upwards of 50 cotton mills in the town. | 0:04:38 | 0:04:40 | |
"The commercial annals of this town are memorable | 0:04:40 | 0:04:44 | |
"for two long continued disputes between employers and employed." | 0:04:44 | 0:04:48 | |
Preston was a place where the early problems of the Industrial Revolution emerged | 0:04:48 | 0:04:54 | |
and a place where those problems were first tackled. | 0:04:54 | 0:04:56 | |
Working life was pretty grim. | 0:04:58 | 0:05:01 | |
So, perhaps it's no surprise that some workers turned to alcohol. | 0:05:01 | 0:05:05 | |
But in 1832, Joseph Livesey founded the first British temperance movement here | 0:05:05 | 0:05:11 | |
based on his belief that alcohol was the root of most social ills. | 0:05:11 | 0:05:16 | |
The temperance movement still exists and Anne Hindley is a member. | 0:05:16 | 0:05:20 | |
So, why did Joseph Livesey found the temperance movement? | 0:05:20 | 0:05:25 | |
Well, he saw the trouble there was with drink | 0:05:25 | 0:05:30 | |
round his community and in Preston itself. | 0:05:30 | 0:05:33 | |
The temperance movement even made films | 0:05:33 | 0:05:35 | |
to warn workers of the dangers of alcohol. | 0:05:35 | 0:05:39 | |
People who believe in temperance make a pledge, don't they? | 0:05:39 | 0:05:42 | |
What is that pledge? | 0:05:42 | 0:05:43 | |
The pledge is that they will not drink again in their lives. | 0:05:43 | 0:05:48 | |
Total abstinence. | 0:05:48 | 0:05:50 | |
No moderation, total abstinence for the rest of their lives, like I did. | 0:05:50 | 0:05:55 | |
-I signed the pledge. -Have you ever had a drink yourself, Anne? | 0:05:55 | 0:05:58 | |
Yes, I have. A long, long, long time ago. | 0:05:58 | 0:06:00 | |
People don't think of drink as a drug. | 0:06:00 | 0:06:02 | |
It is a drug, and it's at the top of the list. | 0:06:02 | 0:06:05 | |
It's absolutely poisonous to the human body. | 0:06:05 | 0:06:08 | |
When you see volume, whatever it is, 12, it means there's 12% alcohol, which is deadly poison. | 0:06:08 | 0:06:13 | |
If you injected it into your cat, it would drop dead. | 0:06:13 | 0:06:17 | |
-I'd never thought of doing that. -No, you wouldn't. | 0:06:17 | 0:06:20 | |
So, how did the temperance movement develop? | 0:06:22 | 0:06:25 | |
Did it become a very big thing? | 0:06:25 | 0:06:26 | |
Joseph was a preacher. He preached and he preached temperance and he told everybody about it. | 0:06:26 | 0:06:32 | |
People came from all over the world to see him. | 0:06:34 | 0:06:37 | |
Cheap train travel allowed tens of thousands of people | 0:06:38 | 0:06:41 | |
to journey to temperance rallies to hear Joseph Livesey speak. | 0:06:41 | 0:06:45 | |
By the 1900s, it was estimated that one in ten people was teetotal. | 0:06:45 | 0:06:50 | |
Temperance peaked during World War I | 0:06:50 | 0:06:53 | |
when new licensing laws reduced pub opening times, | 0:06:53 | 0:06:56 | |
but Britain stopped short of the prohibition | 0:06:56 | 0:06:58 | |
practised by the Americans. | 0:06:58 | 0:07:00 | |
Do you feel that you're in tune with your Victorian predecessors? | 0:07:00 | 0:07:05 | |
I certainly do. | 0:07:05 | 0:07:08 | |
That's why I do this. | 0:07:08 | 0:07:10 | |
It's a wonderful thing to be able to do, | 0:07:10 | 0:07:13 | |
to have the knowledge to do it, and I've spent my life, really, doing it. | 0:07:13 | 0:07:18 | |
The railways not only brought people to the rallies in Preston, | 0:07:23 | 0:07:27 | |
but also took workers on day trips and summer holidays to the newly accessible seaside resorts. | 0:07:27 | 0:07:34 | |
This is the Blackpool Belle, | 0:07:34 | 0:07:38 | |
the passion wagon! | 0:07:38 | 0:07:40 | |
A train on which romances were made. | 0:07:40 | 0:07:44 | |
The next part of my journey takes me 20 miles away to the coast. | 0:07:48 | 0:07:53 | |
There is Blackpool Tower | 0:07:58 | 0:07:59 | |
and we're still two stops away from Blackpool, but at 158 metres, | 0:07:59 | 0:08:04 | |
about 500 feet, you can see it from miles and miles away. | 0:08:04 | 0:08:07 | |
The Blackpool Belle carried young men and women | 0:08:10 | 0:08:14 | |
from nearby towns to the bright lights of Blackpool. | 0:08:14 | 0:08:18 | |
And two of them have agreed to meet me somewhere on this train. | 0:08:18 | 0:08:23 | |
You're Norma and Norman, aren't you? | 0:08:25 | 0:08:27 | |
I'm Michael. Hello. | 0:08:27 | 0:08:28 | |
-So, I understand you two met on the train. -We did. | 0:08:30 | 0:08:34 | |
Where we come from originally, Radcliffe near Manchester, | 0:08:34 | 0:08:38 | |
during the illuminations they ran the Blackpool Belle, | 0:08:38 | 0:08:41 | |
otherwise known as the passion train! | 0:08:41 | 0:08:44 | |
So, what was going on there? | 0:08:44 | 0:08:46 | |
-Well, it was kissing and cuddling. -Kissing and cuddling. -Yes. | 0:08:46 | 0:08:49 | |
-Oh, there was nothing else. -Strictly that. | 0:08:49 | 0:08:51 | |
Oh, yes. I mean, it wasn't corridor trains in those days, | 0:08:51 | 0:08:55 | |
they were the single carriages, so once we'd left Blackpool, | 0:08:55 | 0:08:59 | |
we were well clear of Blackpool Station, the bulb came out, | 0:08:59 | 0:09:03 | |
went on the luggage rack, it was never broken. | 0:09:03 | 0:09:07 | |
-No. -When we got near Chorley, you'd see the train light up all the way along then. | 0:09:07 | 0:09:13 | |
The bulbs was put back in! | 0:09:13 | 0:09:15 | |
Because we're talking about the 1950s here. | 0:09:15 | 0:09:18 | |
-Yes. -Yeah, yeah. | 0:09:18 | 0:09:19 | |
You've been married how long? | 0:09:19 | 0:09:21 | |
On Friday, we will have been married 55 years. | 0:09:21 | 0:09:24 | |
Blackpool was so popular that the railways ran special services | 0:09:27 | 0:09:31 | |
every weekend, running into the early hours of the morning. | 0:09:31 | 0:09:35 | |
So, what did you think of Norma when you first saw her? | 0:09:41 | 0:09:44 | |
Well, she were all right, yeah. | 0:09:46 | 0:09:49 | |
I couldn't really see her proper! | 0:09:51 | 0:09:53 | |
THEY LAUGH | 0:09:53 | 0:09:55 | |
We stopped at Black Lane Station. | 0:09:56 | 0:10:00 | |
You know, the banking of a railway, like that? | 0:10:00 | 0:10:03 | |
There were steps, you see, to get off the station, so... | 0:10:03 | 0:10:07 | |
And I run up the steps with her! | 0:10:07 | 0:10:10 | |
That's how drunk he was! | 0:10:10 | 0:10:12 | |
What, on the first date? | 0:10:12 | 0:10:13 | |
-Yes. -On the first meeting? -Yes. -Yeah. | 0:10:13 | 0:10:15 | |
-You picked her up and ran up the stairs? -Yeah. | 0:10:15 | 0:10:18 | |
And then I took her home and that were it. | 0:10:18 | 0:10:20 | |
-You walked her home like a gentleman. -Oh, yeah. Oh, aye. | 0:10:20 | 0:10:24 | |
So the whole point was to meet girls. | 0:10:24 | 0:10:26 | |
In a way, yeah. It was, it was. | 0:10:26 | 0:10:29 | |
Without the Blackpool Belle, | 0:10:34 | 0:10:36 | |
many a local romance would never have started, | 0:10:36 | 0:10:39 | |
and where better to go | 0:10:39 | 0:10:41 | |
than the splendid Tower Ballroom to dance the night away? | 0:10:41 | 0:10:45 | |
Barry. | 0:10:48 | 0:10:49 | |
'Barry McQueen knows everything there is to know about Blackpool.' | 0:10:49 | 0:10:53 | |
-Welcome to Blackpool. -It's lovely to be here. | 0:10:53 | 0:10:56 | |
What do you do when you're not dressed like that? | 0:10:56 | 0:10:58 | |
Well, at the moment this is my Mr Bickerstaff uniform, this is. | 0:10:58 | 0:11:02 | |
This is for my tours of the town, but when I'm not dressed like this, I'm the official town crier of Blackpool. | 0:11:02 | 0:11:07 | |
Oyez! Oyez! There's a famous seaside place called Blackpool, noted for fresh air and fun. | 0:11:07 | 0:11:13 | |
We've got a tower, three piers and a pleasure beach, | 0:11:13 | 0:11:16 | |
and I guarantee we've always got plenty of sun! | 0:11:16 | 0:11:19 | |
Bradshaw describes Blackpool as "a pretty bathing place on the Irish Sea, much frequented by visitors. | 0:11:22 | 0:11:29 | |
"In 1863, a new pier was opened, | 0:11:29 | 0:11:32 | |
"which forms a most pleasant promenade." | 0:11:32 | 0:11:35 | |
Blackpool was just starting life as a seaside resort in Bradshaw's time. | 0:11:38 | 0:11:43 | |
Then the railways arrived, bringing thousands of holidaymakers every summer. | 0:11:43 | 0:11:48 | |
Within a few years, theatres, the Winter Gardens | 0:11:48 | 0:11:52 | |
and three piers were built. | 0:11:52 | 0:11:54 | |
And in 1879, almost 100,000 people came to see | 0:11:54 | 0:11:59 | |
the first illuminations, known as Artificial Sunlight. | 0:11:59 | 0:12:02 | |
Bradshaw's name may not be recognised now, | 0:12:04 | 0:12:06 | |
but his railway timetable was a household name | 0:12:06 | 0:12:10 | |
and the Victorians wrote comic songs about him. | 0:12:10 | 0:12:13 | |
-You are doing today a very special performance for me. -I certainly am today. | 0:12:13 | 0:12:17 | |
I'm going to sing a song with our wonderful organist here at the Tower, Phil Kelso. | 0:12:17 | 0:12:21 | |
We're going to sing a song called The Bradshaw Guide. | 0:12:21 | 0:12:25 | |
It's an old music-hall song, quite a catchy tune, actually. | 0:12:25 | 0:12:28 | |
-Ready to give your performance? -I think we should get in there. We've got an audience as well! | 0:12:28 | 0:12:33 | |
-So I think we'll get in there. -Thank you. Let's go. | 0:12:33 | 0:12:36 | |
APPLAUSE | 0:12:41 | 0:12:43 | |
Thank you. And stay, don't sit, because here's the next one for you this afternoon, the bossa nova. | 0:12:44 | 0:12:49 | |
Michael, a warm welcome | 0:12:51 | 0:12:52 | |
to the world-famous Blackpool Tower Ballroom. | 0:12:52 | 0:12:56 | |
-Thank you and good luck to you. -Thank you very much indeed. | 0:12:56 | 0:12:59 | |
A fantastic space, with this brilliantly painted ceiling and its lanterns | 0:12:59 | 0:13:03 | |
and its gold and its composers' names around the outside. | 0:13:03 | 0:13:06 | |
-Good afternoon, ladies and gentlemen. -I must take a seat. | 0:13:06 | 0:13:11 | |
This afternoon, Phil and myself, we're going to do a song | 0:13:11 | 0:13:14 | |
about a railway timetable, called The Bradshaw Guide. | 0:13:14 | 0:13:19 | |
# I had to take a journey a little while ago | 0:13:19 | 0:13:22 | |
# Somewhere down the Midlands The counties you must know | 0:13:22 | 0:13:25 | |
# A charming little creature was seated by my side | 0:13:25 | 0:13:29 | |
# And asked if she could borrow my Bradshaw guide | 0:13:29 | 0:13:32 | |
# The lady was in trouble with absence of mind | 0:13:32 | 0:13:36 | |
# She could not recollect a journey for the ride... # | 0:13:36 | 0:13:39 | |
It seems crazy to us today to write a hit song about the railways, | 0:13:39 | 0:13:43 | |
but Bradshaw's new guidebooks had captured the imagination of the Victorians. | 0:13:43 | 0:13:48 | |
# ..Sandringham, Alverston or Warrington | 0:13:48 | 0:13:50 | |
# Alvediston and Dorchester or Rochester and Rye | 0:13:50 | 0:13:53 | |
# Adlington and Darlington Warrington and Torrington | 0:13:53 | 0:13:57 | |
# Sure that she would find it in the Bradshaw's guide. # | 0:13:57 | 0:14:03 | |
APPLAUSE | 0:14:03 | 0:14:05 | |
Now, one thing I won't find in my Bradshaw's guide is the Blackpool Tower itself. | 0:14:13 | 0:14:17 | |
That opened in 1894, a smaller replica of the Eiffel Tower. | 0:14:17 | 0:14:24 | |
For sixpence, you could travel over 500 feet up, to enjoy the view from the top. | 0:14:24 | 0:14:30 | |
It may cost a little more today, but that doesn't stop | 0:14:30 | 0:14:33 | |
around half a million people trying it out every year. | 0:14:33 | 0:14:36 | |
-Have you been up the tower before? -Oh, yes. Years ago. | 0:14:36 | 0:14:40 | |
-Years ago. -A lot of years ago. -What do you remember of it? | 0:14:40 | 0:14:43 | |
Just this, and being very windy at the top. | 0:14:43 | 0:14:45 | |
-I think it's going to be windy today, don't you? -Yeah. | 0:14:45 | 0:14:48 | |
-Get a lovely view, though. -Beautiful. | 0:14:48 | 0:14:50 | |
Just as you remembered it? | 0:14:50 | 0:14:52 | |
Yeah, yeah. Better actually, now. | 0:14:52 | 0:14:55 | |
-Why? -I don't know, you seem to appreciate it more. | 0:14:55 | 0:14:59 | |
When you're little, you're just excited about going up and don't bother, really. | 0:14:59 | 0:15:04 | |
-Were you very little when you went up? -About ten. | 0:15:04 | 0:15:06 | |
When it was opened, visitors had to use ladders to reach the top. | 0:15:08 | 0:15:13 | |
Thankfully, today, the steps are a little steadier. | 0:15:13 | 0:15:16 | |
There's no netting or anything and there's waist-height railings all around the edges. | 0:15:16 | 0:15:20 | |
-I'll follow you up. -I'll try to resist the temptation. | 0:15:20 | 0:15:23 | |
Please don't. Oh, no, please do, sorry! Please don't jump! | 0:15:23 | 0:15:26 | |
-Please don't... -You must be one of my voters! | 0:15:26 | 0:15:28 | |
Up and up and... | 0:15:31 | 0:15:34 | |
Whoa! | 0:15:34 | 0:15:36 | |
You really need a head for heights here. | 0:15:49 | 0:15:51 | |
It's very windy and it's quite a low rail, but it's a great view. | 0:15:51 | 0:15:55 | |
And Blackpool, like so many seaside resorts, has that nostalgic feel to it, | 0:15:55 | 0:16:00 | |
but the people I've met here have been really warm-hearted | 0:16:00 | 0:16:04 | |
and this town gives - to its many faithful visitors - | 0:16:04 | 0:16:09 | |
a really engaging welcome. | 0:16:09 | 0:16:11 | |
But, for me, Blackpool signifies the autumn trek north to attend | 0:16:16 | 0:16:21 | |
the political rally of the year. | 0:16:21 | 0:16:24 | |
This hotel is full of memories for me. | 0:16:24 | 0:16:26 | |
I must have been here for a dozen Conservative Party conferences | 0:16:26 | 0:16:29 | |
and this place was always teeming | 0:16:29 | 0:16:31 | |
with people and television crews and journalists | 0:16:31 | 0:16:34 | |
and I remember, on that staircase, the Prime Minister, with her entourage, would sweep through | 0:16:34 | 0:16:38 | |
and all the flashbulbs would be going off. | 0:16:38 | 0:16:41 | |
-Evening. -Michael Portillo, checking in, please. | 0:16:41 | 0:16:44 | |
Thank you. Just your signature there and there. | 0:16:44 | 0:16:46 | |
Thank you very much. It's lovely to be back. | 0:16:46 | 0:16:48 | |
-Lovely. Have you stayed with us before? -Oh, yeah. | 0:16:48 | 0:16:51 | |
You've got this place rigged out like a political museum. | 0:16:57 | 0:17:00 | |
Could I have a glass of red wine, please? | 0:17:00 | 0:17:02 | |
Of course, in the bar is where all the chicanery went on. | 0:17:06 | 0:17:13 | |
This is where all the politicians would be talking to the journalists. | 0:17:13 | 0:17:16 | |
Whenever you read in the newspaper, "Sources close to the Foreign Secretary say..." | 0:17:16 | 0:17:21 | |
What they mean is the Foreign Secretary told us over a drink. | 0:17:21 | 0:17:24 | |
-There you are, sir. -Thank you very much indeed. | 0:17:24 | 0:17:27 | |
-Thank you. -To your good health, | 0:17:27 | 0:17:28 | |
and to the memory of all those politicians | 0:17:28 | 0:17:31 | |
who've drunk in this bar. | 0:17:31 | 0:17:32 | |
I've spent many nights in this hotel in Blackpool, | 0:17:41 | 0:17:44 | |
but this is the first time I've enjoyed the best room in the building, the Royal Suite. | 0:17:44 | 0:17:49 | |
Now, Margaret Thatcher never spent the night here, | 0:17:49 | 0:17:53 | |
but Tony Blair as Prime Minister did | 0:17:53 | 0:17:55 | |
and David Cameron has been here too. | 0:17:55 | 0:17:57 | |
So, I suppose that's the nearest I'm going to get to knowing what it feels like to be Prime Minister | 0:17:57 | 0:18:03 | |
or, for that matter, leader of the opposition. | 0:18:03 | 0:18:05 | |
Before I continue on my journey, there's just one more thing to do. | 0:18:08 | 0:18:13 | |
I can't come to Blackpool without meeting one of its comedians. | 0:18:13 | 0:18:18 | |
Joey, I recognise you. I saw your name in lights. | 0:18:20 | 0:18:22 | |
Hello, Michael. | 0:18:22 | 0:18:23 | |
'Joey Blower has performed in Blackpool countless times over the last 16 years, | 0:18:23 | 0:18:28 | |
'although his connections to the town go back even further.' | 0:18:28 | 0:18:31 | |
-You did come as a kid, though? -Oh, definitely, I think everybody came to Blackpool as a child. | 0:18:31 | 0:18:36 | |
It was the place to come. Even though Spain, when I was a child, | 0:18:36 | 0:18:39 | |
was very popular, there's nowhere like Blackpool. | 0:18:39 | 0:18:42 | |
-You used to see the comedy shows? -We went to see every show. | 0:18:42 | 0:18:45 | |
Crikey, when I was a child, there was theatres on every pier. | 0:18:45 | 0:18:48 | |
North Pier Theatre, South Pier Theatre, | 0:18:48 | 0:18:50 | |
there was shows in every hotel, in every bar. | 0:18:50 | 0:18:53 | |
There was...people came to Blackpool for a week's holiday | 0:18:53 | 0:18:57 | |
and couldn't take in all the shows, | 0:18:57 | 0:18:59 | |
-they'd have to do matinees. -Big audiences? -Ah, big audiences! | 0:18:59 | 0:19:02 | |
They'd sell out. 3,500 people in the Opera House, it was absolutely phenomenal. | 0:19:02 | 0:19:07 | |
Don't tell me you're not getting 3,500 in your audience. | 0:19:07 | 0:19:10 | |
No, we probably get about 5,500 in to see my show, | 0:19:10 | 0:19:13 | |
but that's the only successful show I've ever done | 0:19:13 | 0:19:16 | |
when we had 5,500 people in. Thousand, did you say? Sorry. | 0:19:16 | 0:19:19 | |
I understand they're going to be commemorating the great catchphrases here in Blackpool. | 0:19:19 | 0:19:25 | |
If you see the building works over there, | 0:19:25 | 0:19:27 | |
that's where they're doing "a comedy carpet". | 0:19:27 | 0:19:31 | |
The carpet will be an area of stone paving the size of a football pitch. | 0:19:31 | 0:19:35 | |
It will be engraved with catchphrases from the world's comedians, spanning generations. | 0:19:35 | 0:19:41 | |
There'll be "Nicky, nacky, nicky, nacky, noo", probably. | 0:19:41 | 0:19:43 | |
That'll be over two slabs, I'm sure. | 0:19:43 | 0:19:45 | |
And there's going to be catchphrases from Arthur Askey, | 0:19:45 | 0:19:48 | |
such as "Hello, playmates", | 0:19:48 | 0:19:50 | |
and there'll be Peter Kay "garlic bread", I'm sure. | 0:19:50 | 0:19:53 | |
The beauty of that is the different generations that come now... | 0:19:53 | 0:19:56 | |
My granddad wouldn't know what "garlic bread" meant, | 0:19:56 | 0:19:58 | |
he'd think that was just a menu that had been put in the carpet! | 0:19:58 | 0:20:01 | |
So I'd have to explain what Peter Kay's comedy was all about. | 0:20:01 | 0:20:04 | |
He would then, hopefully, become a fan of Peter Kay. | 0:20:04 | 0:20:07 | |
He would then explain to me what "Hello, playmates" was all about. | 0:20:07 | 0:20:10 | |
I would then start to watch some of the Arthur Askey stuff | 0:20:10 | 0:20:13 | |
and it could be a bonding thing for all the generations of families | 0:20:13 | 0:20:16 | |
to get to know what comedy was like then and now, | 0:20:16 | 0:20:19 | |
because comedy's evolved massively. | 0:20:19 | 0:20:21 | |
Can I do you now, sir? | 0:20:21 | 0:20:24 | |
Well, not at this pace, no! | 0:20:24 | 0:20:26 | |
So that's it in Blackpool. | 0:20:27 | 0:20:30 | |
My journey now continues up the coast, | 0:20:32 | 0:20:35 | |
along another branch line to Morecambe Bay. | 0:20:35 | 0:20:38 | |
I'm on a really spectacular bit of railway track now | 0:20:40 | 0:20:44 | |
as we cross a bridge over an inlet of Morecambe Bay | 0:20:44 | 0:20:47 | |
and my Bradshaw's guide says, | 0:20:47 | 0:20:49 | |
"Morecambe Bay is a fine sheet of water, eight or ten miles wide when the tide is up, | 0:20:49 | 0:20:54 | |
"but at low tide, its quicksands are extremely treacherous | 0:20:54 | 0:20:57 | |
"and must on no account be crossed without the guide who's paid by the Government." | 0:20:57 | 0:21:02 | |
Amazingly, 160 years later, there's still an official Government guide | 0:21:04 | 0:21:08 | |
who lives near this remote station, Kent's Bank. | 0:21:08 | 0:21:12 | |
Thank you. | 0:21:13 | 0:21:16 | |
Ah, there can't be many railway stations with a view like this | 0:21:16 | 0:21:21 | |
over the grass and sheep meadow towards the bay. | 0:21:21 | 0:21:26 | |
Fabulous, fabulous view. | 0:21:26 | 0:21:28 | |
And I love this too. | 0:21:29 | 0:21:32 | |
I'm actually allowed to walk across the railway line. | 0:21:32 | 0:21:35 | |
Stop, look, listen, | 0:21:35 | 0:21:38 | |
use your common sense. | 0:21:38 | 0:21:40 | |
No health and safety overkill here! | 0:21:40 | 0:21:43 | |
Morecambe Bay is the largest expanse of tidal mud flats in Britain. | 0:21:48 | 0:21:52 | |
With its rapid tides and shifting sands, | 0:21:52 | 0:21:56 | |
it's every bit as treacherous now as it was in Bradshaw's day. | 0:21:56 | 0:22:01 | |
The job of guide is a job for life. | 0:22:01 | 0:22:04 | |
Cedric Robinson is the current officeholder. | 0:22:04 | 0:22:08 | |
-Cedric. -Hello. | 0:22:08 | 0:22:10 | |
-Hi. -Very pleased to meet you. | 0:22:10 | 0:22:12 | |
-Do I have the honour of addressing the Queen's guide to the sands? -Lovely title, isn't it? | 0:22:12 | 0:22:17 | |
Yes, fantastic. How old is that title then? | 0:22:17 | 0:22:19 | |
Well, it goes back to the early 1500s actually, before the Queen. | 0:22:19 | 0:22:23 | |
What are your duties to the public? | 0:22:23 | 0:22:25 | |
-You're bound to offer guidance to anyone wanting to walk on the sands, are you? -Yes. | 0:22:25 | 0:22:30 | |
Before that time, many lives were being lost on these sands. | 0:22:30 | 0:22:34 | |
It's a lot of responsibility, but I'm very laid back and I don't look at it as a responsibility. | 0:22:34 | 0:22:39 | |
I've been on the sands all my life. We've lived in this house 47 years. | 0:22:39 | 0:22:42 | |
This belongs to the Queen, this property. | 0:22:42 | 0:22:45 | |
Was it the pay that attracted you? | 0:22:45 | 0:22:47 | |
Oh, by gum, aye! Yeah! | 0:22:47 | 0:22:49 | |
-What are you paid? -Well, I'm paid £15 annually, right? | 0:22:49 | 0:22:54 | |
£15 per year and I'm given the cheque and a big smile. | 0:22:54 | 0:22:57 | |
-And you get the cottage... -We get the cottage. -..thrown in? -Yes. | 0:22:57 | 0:23:00 | |
Mind you, they do say when they give me the £15, "rent deducted", | 0:23:00 | 0:23:04 | |
so I never know how much rent I pay! | 0:23:04 | 0:23:06 | |
What's it safe for us to see today? | 0:23:09 | 0:23:11 | |
Safe for us to see? Well, it's safe... | 0:23:11 | 0:23:14 | |
As long as you're with me, it's safe, right? | 0:23:14 | 0:23:16 | |
If you went out there on your own, I could wave bye-bye to you. | 0:23:16 | 0:23:20 | |
The bay spans almost 200 square miles, | 0:23:20 | 0:23:22 | |
and Cedric conducts tours across the sands for walkers about once a fortnight, | 0:23:22 | 0:23:27 | |
sometimes taking over 100 people. | 0:23:27 | 0:23:30 | |
It's very impressive countryside and dramatic vista, this, isn't it, Cedric? | 0:23:32 | 0:23:38 | |
It's a lovely area. I mean, I don't think there's anywhere else | 0:23:38 | 0:23:43 | |
as nice as Morecambe Bay, but it has its dangers. | 0:23:43 | 0:23:46 | |
So, what really is the nature of the danger here? | 0:23:46 | 0:23:49 | |
Firstly, there's the speed of the incoming tide. | 0:23:49 | 0:23:52 | |
You could never outrun it, and the tide never tires. | 0:23:52 | 0:23:56 | |
And, secondly, there's the dangerous quicksands. | 0:23:56 | 0:23:59 | |
And we're approaching now a dyke which only a few weeks ago | 0:23:59 | 0:24:02 | |
I brought hundreds of walkers across safely | 0:24:02 | 0:24:04 | |
and when we approach it now and look at it, | 0:24:04 | 0:24:06 | |
you wouldn't dare set foot anywhere near it. It's all quicksands. | 0:24:06 | 0:24:10 | |
If you were in a quicksand, would it really suck you in? | 0:24:10 | 0:24:13 | |
Well, the danger is, people tend to stop. When the sand gets soft, | 0:24:13 | 0:24:17 | |
they stop, and that's the worst thing you can do. | 0:24:17 | 0:24:20 | |
You must always keep moving, and the other thing with quicksands is, | 0:24:20 | 0:24:24 | |
if you lie even on dangerous quicksands, you won't go down. You can lie flat and roll out of it. | 0:24:24 | 0:24:28 | |
where if you just stood there like a fool, you would go down like a stone. | 0:24:28 | 0:24:32 | |
-Like a stone? -Yes. I've seen two horses go down in quicksands in my lifetime. | 0:24:32 | 0:24:36 | |
They didn't disappear altogether and luckily when the tide come, | 0:24:36 | 0:24:39 | |
it covered them and the buoyancy of them struggling, floating, brought them out to the surface. | 0:24:39 | 0:24:44 | |
I've seen tractors go down and they're still down. | 0:24:44 | 0:24:47 | |
Cedric, a lot of people, I'm afraid, will associate Morecambe Bay | 0:24:47 | 0:24:51 | |
with the tragedy of those Chinese cockle pickers a few years ago. | 0:24:51 | 0:24:54 | |
-What happened there? -These Chinese cockle pickers had gone out when they should have been coming back in. | 0:24:54 | 0:25:00 | |
It was quite high tides, a really cold night and... | 0:25:00 | 0:25:03 | |
I mean, there'd been a lot of cockle pickers on that area that day, and they'd come home, | 0:25:03 | 0:25:08 | |
but seemingly these cockle pickers were almost forced to go out | 0:25:08 | 0:25:12 | |
and I don't think they could speak much English | 0:25:12 | 0:25:15 | |
and they didn't know the state of the tides. | 0:25:15 | 0:25:17 | |
So they were just cut off by the water? | 0:25:17 | 0:25:19 | |
Wherever the river is, that's the lowest part of the bay. | 0:25:19 | 0:25:22 | |
The tide comes up there first. That was behind them. | 0:25:22 | 0:25:25 | |
There was a wind blowing, | 0:25:25 | 0:25:26 | |
they wouldn't even know the tide was coming in. | 0:25:26 | 0:25:28 | |
They were just working there until it just came | 0:25:28 | 0:25:31 | |
and they'd be on an island, it would just close in on them. | 0:25:31 | 0:25:34 | |
-Very, very sad. -That's terrible, isn't it? Terrible. | 0:25:34 | 0:25:37 | |
-That's all quicksands. -So if I set foot in there, I'd disappear? | 0:25:42 | 0:25:46 | |
You wouldn't come out again. That is so dangerous. | 0:25:46 | 0:25:50 | |
Changes are so frequent. | 0:25:50 | 0:25:52 | |
I think I'll stick by your side, Cedric. | 0:25:52 | 0:25:55 | |
Well, one thing is certain, you may keep by my side, but we're not going down in that area! | 0:25:55 | 0:26:00 | |
THEY LAUGH | 0:26:00 | 0:26:02 | |
In the 19th century, Morecambe Bay was a remote area of small, shell-fishing villages, | 0:26:05 | 0:26:11 | |
but the trains made it more accessible | 0:26:11 | 0:26:13 | |
and very soon fresh cockles, prawns, shrimps and lobsters | 0:26:13 | 0:26:17 | |
were all on their way to the fish market in Manchester. | 0:26:17 | 0:26:21 | |
People still brave the sands to gather shellfish from Morecambe Bay, | 0:26:23 | 0:26:27 | |
but in smaller quantities. | 0:26:27 | 0:26:29 | |
Luckily, some of the local catch is still on the menus today. | 0:26:29 | 0:26:34 | |
So, here we are, Morecambe Bay potted shrimp. | 0:26:36 | 0:26:39 | |
Warm, buttery, | 0:26:42 | 0:26:45 | |
spicy, | 0:26:45 | 0:26:48 | |
perfect for coming off the sands and that cold, cold wind. | 0:26:48 | 0:26:53 | |
Delicious. | 0:26:53 | 0:26:54 | |
The remote communities of the north-west coast of England | 0:27:03 | 0:27:07 | |
were virtually impenetrable before the railways came | 0:27:07 | 0:27:10 | |
and then they took holidaymakers and fun, laughter and prosperity | 0:27:10 | 0:27:16 | |
to a town like Blackpool. | 0:27:16 | 0:27:18 | |
But, for rural communities, | 0:27:18 | 0:27:20 | |
dependent on the produce from the land or the sea, | 0:27:20 | 0:27:23 | |
the railways provided that vital lifeline, | 0:27:23 | 0:27:27 | |
the thing that's enabled them to survive. | 0:27:27 | 0:27:30 | |
On my next journey, I'll be exploring | 0:27:43 | 0:27:47 | |
the historic Settle to Carlisle line. | 0:27:47 | 0:27:49 | |
I'll find out what's happened to it | 0:27:49 | 0:27:51 | |
since I convinced Margaret Thatcher to save it. | 0:27:51 | 0:27:53 | |
You know, of all the things I did, | 0:27:53 | 0:27:55 | |
it's the one that I can still point at and say, | 0:27:55 | 0:27:58 | |
"Look, that made this difference." | 0:27:58 | 0:28:00 | |
I'll discover how building the route claimed so many lives. | 0:28:00 | 0:28:05 | |
Of all the chapels along the line, | 0:28:05 | 0:28:08 | |
this, sadly, has got the most number of deaths. | 0:28:08 | 0:28:10 | |
And I'll be getting the thrill of a lifetime. | 0:28:10 | 0:28:15 | |
This is a fantastic sight | 0:28:15 | 0:28:16 | |
as the steam engine begins to go over the Ribblehead Viaduct. | 0:28:16 | 0:28:20 | |
You'll never see another sight like this on a railway in Britain. | 0:28:20 | 0:28:24 | |
Subtitles by Red Bee Media Ltd | 0:28:34 | 0:28:37 | |
E-mail [email protected] | 0:28:37 | 0:28:40 |