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In 1840, one man transformed travel in Britain. | 0:00:04 | 0:00:09 | |
His name was George Bradshaw, | 0:00:10 | 0:00:12 | |
and his railway guides inspired the Victorians to take to the tracks. | 0:00:12 | 0:00:17 | |
Stop by stop, he told them where to travel, what to see | 0:00:17 | 0:00:21 | |
and where to stay. | 0:00:21 | 0:00:24 | |
Now, 170 years later, I'm making four long journeys | 0:00:24 | 0:00:27 | |
across the length and breadth of the country | 0:00:27 | 0:00:30 | |
to see what remains of Bradshaw's Britain. | 0:00:30 | 0:00:34 | |
Steered by Bradshaw's, my 150-year-old guide | 0:00:51 | 0:00:56 | |
to railway travel in Britain, | 0:00:56 | 0:00:57 | |
I'm headed north again to the Borders. | 0:00:57 | 0:01:01 | |
Today I'll be finding out about the wild Border clans of Carlisle. | 0:01:06 | 0:01:11 | |
The stone is the Archbishop of Glasgow's | 0:01:11 | 0:01:14 | |
curse on all these families, | 0:01:14 | 0:01:16 | |
because we got up to wicked deeds. | 0:01:16 | 0:01:17 | |
I'll be crashing a wedding. | 0:01:17 | 0:01:20 | |
-Does Gretna Green have a special feeling for you? -It does now. | 0:01:20 | 0:01:23 | |
It definitely does. After today it will, yes. | 0:01:23 | 0:01:25 | |
And I'll be visiting a top-secret munitions factory. | 0:01:25 | 0:01:28 | |
What was this thing called devil's porridge? | 0:01:28 | 0:01:31 | |
Devil's porridge was a mixture of cordite and explosive, | 0:01:31 | 0:01:35 | |
mainly mixed by hand by women at the time. | 0:01:35 | 0:01:37 | |
All this week, I've been heading north from Preston, | 0:01:45 | 0:01:48 | |
up the west of England. | 0:01:48 | 0:01:50 | |
I'm now travelling into the once-lawless frontier country | 0:01:50 | 0:01:54 | |
around Carlisle, | 0:01:54 | 0:01:55 | |
before crossing into Scotland and moving on to Kirkcaldy. | 0:01:55 | 0:02:01 | |
Today I'll stop in Carlisle, | 0:02:01 | 0:02:04 | |
then carry on to Gretna Green, | 0:02:04 | 0:02:06 | |
before ending my journey in Glasgow. | 0:02:06 | 0:02:08 | |
I often visit Scotland, frequently by air, | 0:02:12 | 0:02:16 | |
but even when I go by rail, I rush through the Borders. | 0:02:16 | 0:02:21 | |
I never think of stopping there. | 0:02:21 | 0:02:23 | |
Today I'll be intrigued just to linger and see what's there. | 0:02:23 | 0:02:28 | |
When the first trains arrived in 1847, | 0:02:31 | 0:02:34 | |
passengers had to change at Carlisle, | 0:02:34 | 0:02:37 | |
making it one of the busiest stations in the country. | 0:02:37 | 0:02:41 | |
This magnificent station, with its Gothic arches | 0:02:43 | 0:02:48 | |
and with the plaques from locomotives | 0:02:48 | 0:02:51 | |
and different railway lines, | 0:02:51 | 0:02:53 | |
it's a Victorian wonder and a railway museum | 0:02:53 | 0:02:58 | |
and gateway to Scotland. | 0:02:58 | 0:03:00 | |
In Carlisle, even the public buildings are built like castles, | 0:03:06 | 0:03:13 | |
suggesting that this has long been a warlike place | 0:03:13 | 0:03:17 | |
with fearsome peoples. | 0:03:17 | 0:03:19 | |
For over 700 years, the English and the Scots | 0:03:22 | 0:03:27 | |
battled for control of Carlisle and its castle. | 0:03:27 | 0:03:30 | |
It wasn't until 1745 that the last Scottish uprising was put down. | 0:03:31 | 0:03:37 | |
Do you know why the buildings in Carlisle are like castles? | 0:03:37 | 0:03:40 | |
Because it was needed to be a defence from the Picts and the Scots, | 0:03:40 | 0:03:44 | |
wouldn't they? | 0:03:44 | 0:03:45 | |
The Picts and the Scots. | 0:03:45 | 0:03:47 | |
-There were vicious people in those days. -Vicious? -Very vicious. | 0:03:47 | 0:03:50 | |
-Battling it out. -Yeah, battling it out, really, oooh, terrible. | 0:03:50 | 0:03:54 | |
I've come to Carlisle to find out more about its troubled history | 0:03:56 | 0:04:01 | |
from artist Gordon Young. | 0:04:01 | 0:04:03 | |
-Morning, Gordon! -Good morning. | 0:04:03 | 0:04:05 | |
Do you know, I'm delighted to be in Carlisle. | 0:04:05 | 0:04:08 | |
I had no idea it was such a beautiful city. | 0:04:08 | 0:04:11 | |
I think it's a really bonny city. | 0:04:11 | 0:04:13 | |
It's been fought over. | 0:04:13 | 0:04:14 | |
It's been fought over time and time again. | 0:04:14 | 0:04:17 | |
Both countries have laid good claim to it. | 0:04:17 | 0:04:20 | |
Scottish kings crowned in Carlisle. | 0:04:20 | 0:04:22 | |
An English parliament's been in Carlisle. | 0:04:22 | 0:04:25 | |
Strategically, it had importance and significance. | 0:04:25 | 0:04:28 | |
Loyal to the English crown, was it? | 0:04:28 | 0:04:30 | |
No, loyal to whatever army's in it that particular time. | 0:04:30 | 0:04:33 | |
But there was another group that was neither English nor Scots. | 0:04:35 | 0:04:39 | |
I hadn't heard of the Reivers living along the border | 0:04:39 | 0:04:43 | |
until I read about them in my Bradshaw's guide. | 0:04:43 | 0:04:46 | |
Gordon is one of their descendants. | 0:04:46 | 0:04:48 | |
In 2001, Gordon was commissioned to make this stone sculpture | 0:04:51 | 0:04:57 | |
as a tribute to his ancestors, a forgotten people. | 0:04:57 | 0:05:00 | |
Who were the Border Reivers? | 0:05:03 | 0:05:04 | |
They were the families that lived | 0:05:04 | 0:05:06 | |
either side of what we now acknowledge as the border. | 0:05:06 | 0:05:09 | |
The border, centuries ago, wasn't a single strip. | 0:05:09 | 0:05:13 | |
It was within 70 miles of what we currently know. | 0:05:13 | 0:05:17 | |
400 years ago, | 0:05:17 | 0:05:19 | |
the frontier between the English and the Scots shifted constantly, | 0:05:19 | 0:05:24 | |
as they vied for territory. | 0:05:24 | 0:05:26 | |
The Reivers operated within that no-man's-land | 0:05:26 | 0:05:30 | |
and took full advantage of its lawless state. | 0:05:30 | 0:05:33 | |
What kind of people were they? | 0:05:33 | 0:05:36 | |
Well, it's not good agricultural land. | 0:05:36 | 0:05:38 | |
It was hard land with hard people, | 0:05:38 | 0:05:41 | |
and they were pillaging, raping, robbing, thieving, | 0:05:41 | 0:05:45 | |
the Reivers were bereaving | 0:05:45 | 0:05:47 | |
and blackmailing and stealing and, of course, | 0:05:47 | 0:05:52 | |
to enforce English law would be a war. | 0:05:52 | 0:05:56 | |
To enforce Scottish law would be a war, | 0:05:56 | 0:05:58 | |
because where's the border? | 0:05:58 | 0:06:01 | |
Therefore this banditry was in the area. | 0:06:01 | 0:06:03 | |
This was our Border heritage, which was rough, tumble and bloody. | 0:06:03 | 0:06:07 | |
Neither Scottish nor English, | 0:06:07 | 0:06:09 | |
each Reiver swore allegiance only to his clan. | 0:06:09 | 0:06:13 | |
So these were the families and the family names | 0:06:13 | 0:06:17 | |
from specific valleys, towns, villages, | 0:06:17 | 0:06:19 | |
whether it's Irvine, Carmichael, Johnston, Nixon, Dixon, | 0:06:19 | 0:06:23 | |
Trotter, Blackadder. | 0:06:23 | 0:06:25 | |
Here's your name, Young. | 0:06:25 | 0:06:27 | |
Yeah. There's about 90-odd names | 0:06:27 | 0:06:30 | |
that are recognised as the families of the Borders, the Reivers. | 0:06:30 | 0:06:35 | |
There are also some very famous descendants, | 0:06:35 | 0:06:37 | |
like Richard Nixon and Neil Armstrong. | 0:06:37 | 0:06:41 | |
And then this stone. What's that about? | 0:06:41 | 0:06:44 | |
The stone is the Archbishop of Glasgow's | 0:06:44 | 0:06:47 | |
curse on all these families, | 0:06:47 | 0:06:48 | |
because we got up to wicked deeds. | 0:06:48 | 0:06:51 | |
The Archbishop wrote his 1,000-word curse in 1525, | 0:06:52 | 0:06:57 | |
hoping that disease and misfortune could avenge the Reivers' crimes. | 0:06:57 | 0:07:02 | |
As somebody with a good dialect would say, | 0:07:02 | 0:07:04 | |
it curses them standand and gangand and sittand and rydand. | 0:07:04 | 0:07:07 | |
It curses cabbages, it curses their heads. | 0:07:07 | 0:07:09 | |
This is really a pretty comprehensive curse. | 0:07:09 | 0:07:12 | |
Oh, there's pages of it. This is a fragment. | 0:07:12 | 0:07:15 | |
That's a fragment. | 0:07:15 | 0:07:17 | |
It goes on and on and on. He was very thorough. | 0:07:17 | 0:07:20 | |
There wasn't many things where he wasn't giving this great curse, | 0:07:20 | 0:07:24 | |
and it is an incredible piece of, I think, European literature, | 0:07:24 | 0:07:27 | |
let alone Scottish or northern British. | 0:07:27 | 0:07:30 | |
Bradshaw refers to the Reiver clans by their ancient name, | 0:07:36 | 0:07:39 | |
the Moss-troopers, | 0:07:39 | 0:07:41 | |
who lived in a wild landscape of rugged, rocky mountains | 0:07:41 | 0:07:45 | |
thrown together with beautiful valleys. | 0:07:45 | 0:07:49 | |
Many Reiver families still live here, | 0:07:49 | 0:07:53 | |
and through Gordon's Reiver grapevine, | 0:07:53 | 0:07:55 | |
I've found out about a party taking place | 0:07:55 | 0:07:58 | |
in the village of Hallbankgate. | 0:07:58 | 0:08:01 | |
A few centuries ago, | 0:08:02 | 0:08:03 | |
this would have been the very heart of Reiver territory. | 0:08:03 | 0:08:07 | |
I've come to sample Borders hospitality, | 0:08:07 | 0:08:10 | |
and to find out how the fearsome Moss-troopers sounded | 0:08:10 | 0:08:14 | |
when they were in party mood. | 0:08:14 | 0:08:16 | |
FOLK MUSIC | 0:08:20 | 0:08:22 | |
Good Lord, an amazing display of giant vegetables. | 0:08:23 | 0:08:26 | |
-Hello! Hi. How are you doing? -OK, thank you. | 0:08:26 | 0:08:29 | |
So what - obviously a competition? | 0:08:29 | 0:08:32 | |
Bizarrely, the locals are engaged in a gentle vegetable contest. | 0:08:32 | 0:08:36 | |
Not the behaviour I associate with bandits and robbers. | 0:08:36 | 0:08:39 | |
But these are amazing! Do you weigh them or do you measure them or... | 0:08:39 | 0:08:44 | |
No, we measure them. | 0:08:44 | 0:08:45 | |
What they do, they measure them from this point here. | 0:08:45 | 0:08:48 | |
It has to be no longer than six inches, | 0:08:48 | 0:08:50 | |
and it has got to be as thick as you can get them. | 0:08:50 | 0:08:54 | |
-These are the winners. -Mr Starkey is the winner. -Mr Starkey. | 0:08:54 | 0:08:58 | |
-Mr Forster. -That's Mr Forster there. | 0:08:58 | 0:09:00 | |
-He was second. -Congratulations to you. -Thank you. | 0:09:00 | 0:09:03 | |
What an amazing effort! Have you been growing them for a long time? | 0:09:03 | 0:09:06 | |
-Trying to, yeah. -Ah, right! | 0:09:06 | 0:09:08 | |
20 or 30 years. | 0:09:08 | 0:09:10 | |
-I'm here for a Reiver song. -The Reivers' song? | 0:09:10 | 0:09:13 | |
Do you know anything about that? | 0:09:13 | 0:09:15 | |
They're going to be singing very shortly. | 0:09:15 | 0:09:17 | |
The Reivers' songs were first made popular by Sir Walter Scott, | 0:09:17 | 0:09:21 | |
himself from Reiver stock. | 0:09:21 | 0:09:24 | |
Thank you very much. Cheers. | 0:09:24 | 0:09:26 | |
He travelled the Borders collecting battle songs and ballads. | 0:09:26 | 0:09:30 | |
-Good evening! -Hello. -Hi, how are you all? | 0:09:30 | 0:09:33 | |
So you're going to do us some Reiver music this evening? | 0:09:33 | 0:09:36 | |
We're going to play a ballad about the Reivers. | 0:09:36 | 0:09:38 | |
Are you in the group, are you fearsome Border Reivers? | 0:09:38 | 0:09:42 | |
-I'm married to a Reiver. -You're married to a Reiver? -I am. | 0:09:42 | 0:09:44 | |
In fact, he's out reiving at this very minute. | 0:09:44 | 0:09:47 | |
-What's the song called? -The song's called Lock the Door, Lariston. | 0:09:47 | 0:09:50 | |
and it's about a feud between two of the reiving families. | 0:09:50 | 0:09:55 | |
I look forward to it. Thank you. | 0:09:55 | 0:09:57 | |
For such a fearsome people, they had very, very jolly music. | 0:10:23 | 0:10:26 | |
I think the Reivers have got an unfair reputation. | 0:10:26 | 0:10:29 | |
They were clearly fun lovers. | 0:10:29 | 0:10:31 | |
Although some of the Reiver traditions | 0:10:33 | 0:10:35 | |
still seem pretty scary to me. | 0:10:35 | 0:10:37 | |
I've been asked to ask you to dance. | 0:10:37 | 0:10:39 | |
-No, I'm not going to dance. -He won't dance with me. | 0:10:39 | 0:10:42 | |
I heard you were a very good dancer. | 0:10:45 | 0:10:47 | |
No, you're wrong, you're wrong. | 0:10:47 | 0:10:49 | |
Bravo! | 0:10:56 | 0:10:58 | |
After a very good party, it's time for a new day, | 0:11:05 | 0:11:08 | |
and a new country. Crossing the border into Scotland. | 0:11:08 | 0:11:13 | |
Despite the slightly bleary head, | 0:11:16 | 0:11:19 | |
I'm glad I took time to stop in Carlisle. | 0:11:19 | 0:11:22 | |
So farewell, Carlisle. The Borders are interesting, beautiful and fun. | 0:11:22 | 0:11:28 | |
But now it's time to move on. | 0:11:29 | 0:11:31 | |
Next stop Gretna Green, | 0:11:33 | 0:11:36 | |
and Bradshaw's guide puts it finger on | 0:11:36 | 0:11:38 | |
why most of us have heard of that Scottish town. | 0:11:38 | 0:11:41 | |
"It's been for more than 80 years | 0:11:41 | 0:11:43 | |
"a place of the celebration of marriages | 0:11:43 | 0:11:46 | |
"of fugitive lovers from England." | 0:11:46 | 0:11:49 | |
Well, Gretna Green has gone on being celebrated for its weddings | 0:11:49 | 0:11:53 | |
for another 150 years too. | 0:11:53 | 0:11:56 | |
The marriage laws in Scotland | 0:11:58 | 0:12:01 | |
have always been more liberal than those in England. | 0:12:01 | 0:12:04 | |
When the railways arrived in Gretna in 1848, | 0:12:04 | 0:12:08 | |
the steady stream of young lovers crossing the border to wed | 0:12:08 | 0:12:12 | |
turned into a flood. | 0:12:12 | 0:12:13 | |
Today marriage is big business here. | 0:12:13 | 0:12:15 | |
This is really an extraordinary sight. | 0:12:15 | 0:12:19 | |
This is a tourist haven. This is the Las Vegas of Scotland. | 0:12:19 | 0:12:26 | |
This is a reminder that Gretna Green is a town built on love. | 0:12:26 | 0:12:32 | |
-Alasdair? -How do you do? -Hello, I'm Michael. | 0:12:35 | 0:12:38 | |
Alasdair Houston's family | 0:12:38 | 0:12:39 | |
have been farmers and blacksmiths in the area for generations. | 0:12:39 | 0:12:43 | |
What's it got to do with blacksmiths? | 0:12:43 | 0:12:46 | |
Well, it's not so much blacksmith per se. | 0:12:46 | 0:12:48 | |
The blacksmith, the fisherman, the weaver - a number of trades | 0:12:48 | 0:12:52 | |
could have conducted a quickie wedding in Gretna Green, | 0:12:52 | 0:12:55 | |
but it's location, location, location, | 0:12:55 | 0:12:57 | |
and the blacksmith's workshop was on this important crossroads, | 0:12:57 | 0:13:01 | |
so this rush of eloping couples | 0:13:01 | 0:13:03 | |
who would be trying to escape from the English law, | 0:13:03 | 0:13:07 | |
they would get here and this was the first building. | 0:13:07 | 0:13:09 | |
It quickly developed into the anvil becoming such | 0:13:09 | 0:13:12 | |
a strong symbol of weddings, | 0:13:12 | 0:13:14 | |
-because... -Forging on the anvil. | 0:13:14 | 0:13:16 | |
Just so. I mean, as the blacksmith would use the anvil | 0:13:16 | 0:13:19 | |
and heat the joint to join metals together, | 0:13:19 | 0:13:21 | |
so it was said that he would join lives together in marriage. | 0:13:21 | 0:13:24 | |
But just as the train loads of lovers | 0:13:24 | 0:13:28 | |
began to arrive here 160 years ago, | 0:13:28 | 0:13:30 | |
the law changed. | 0:13:30 | 0:13:32 | |
My Bradshaw's Guide, which was probably written in the 1860s, | 0:13:32 | 0:13:37 | |
says that Parliament has recently passed a law | 0:13:37 | 0:13:41 | |
which requires residency in Scotland before you can get married, | 0:13:41 | 0:13:45 | |
and he says, "The blacksmith will now find his occupation gone." | 0:13:45 | 0:13:51 | |
That would be referring to an 1856 act | 0:13:51 | 0:13:55 | |
by the then Lord Chancellor, Lord Brougham, | 0:13:55 | 0:13:57 | |
and it was called the "cooling off" act, | 0:13:57 | 0:13:59 | |
because what it said is that one of the parties to the marriage | 0:13:59 | 0:14:02 | |
had to spend 21 days in Scotland | 0:14:02 | 0:14:05 | |
before they could have a legal ceremony. | 0:14:05 | 0:14:08 | |
Still the same ceremony, simple declaration. | 0:14:08 | 0:14:10 | |
So that cooling off act was expected | 0:14:10 | 0:14:13 | |
to completely stop this flow of newlyweds. | 0:14:13 | 0:14:16 | |
Now, what, in fact, happened, is it sprung up all sort of guesthouses, | 0:14:16 | 0:14:19 | |
an early form of B&Bs, if you like. | 0:14:19 | 0:14:21 | |
My grandparents remember the farm workers | 0:14:21 | 0:14:24 | |
pitchforking hay and straw out of sheds, | 0:14:24 | 0:14:26 | |
and, "Ow! Ow!" There'd be somebody lying out rough in the area, | 0:14:26 | 0:14:29 | |
being woken up in the morning. | 0:14:29 | 0:14:31 | |
In Scotland, unlike in England, | 0:14:31 | 0:14:34 | |
you can marry at 16 without parental permission, | 0:14:34 | 0:14:36 | |
and these days you don't even have to be resident for three weeks. | 0:14:36 | 0:14:40 | |
So Gretna is still the most popular place for quickie weddings. | 0:14:40 | 0:14:46 | |
Bradshaw's predicted, 150 years ago, | 0:14:46 | 0:14:48 | |
that the blacksmith was going to be extinct, | 0:14:48 | 0:14:52 | |
but you're still banging out the marriages. | 0:14:52 | 0:14:55 | |
Yeah, I mean Gretna Green is still an important wedding destination, | 0:14:55 | 0:14:59 | |
happily for the area and for the whole region | 0:14:59 | 0:15:02 | |
because of this ripple effect, | 0:15:02 | 0:15:04 | |
so Bradshaw, I'm happy to say, was wrong. | 0:15:04 | 0:15:06 | |
-# Love is in the air. # -Are you going to sing? Yes. | 0:15:06 | 0:15:09 | |
Today over 5,000 couples a year get married in Gretna Green. | 0:15:09 | 0:15:14 | |
That's one in six of all weddings in Scotland. | 0:15:14 | 0:15:18 | |
I guess you're here to play for a wedding, are you? | 0:15:18 | 0:15:21 | |
Er, I've got three weddings on today, yes. Aye. | 0:15:21 | 0:15:23 | |
And is that fairly typical? Do you do three weddings a day often? | 0:15:23 | 0:15:27 | |
Three weddings very often. Aye, sometimes four, five, six. | 0:15:27 | 0:15:30 | |
-Sometimes seven. Very busy. -It's a kind of industry here, isn't it? | 0:15:30 | 0:15:33 | |
Oh, yes, very much so. | 0:15:33 | 0:15:34 | |
Why do they go to Gretna Green? | 0:15:34 | 0:15:36 | |
Oh, this is the romantic capital of the world. | 0:15:36 | 0:15:39 | |
Without a doubt. | 0:15:39 | 0:15:41 | |
BAGPIPES PLAY: "Scotland The Brave" | 0:15:41 | 0:15:44 | |
Lots of excitement, now | 0:15:44 | 0:15:46 | |
and people in their wedding best are pouring out. | 0:15:46 | 0:15:49 | |
It's very, very exciting and it's very, very British. | 0:15:49 | 0:15:53 | |
I see the bridesmaids in their lovely dresses. | 0:15:53 | 0:15:55 | |
Shivering. | 0:15:55 | 0:15:57 | |
-You're a very lucky man indeed. -Thank you very much. | 0:16:08 | 0:16:11 | |
May I ask you, why did you choose Gretna Green? | 0:16:11 | 0:16:13 | |
Um, well, we wanted to elope, | 0:16:13 | 0:16:15 | |
but my family found out about it and they ended up coming with us. | 0:16:15 | 0:16:19 | |
-You're English? -Yes. -Yes. | 0:16:19 | 0:16:21 | |
And so it was originally going to be an elopement? | 0:16:21 | 0:16:23 | |
-Yes, yes. -How very romantic! | 0:16:23 | 0:16:25 | |
I didn't know that stuff happened any more! | 0:16:25 | 0:16:27 | |
Does Gretna Green have a special feeling for you? | 0:16:27 | 0:16:31 | |
It does now. It definitely does. After today it will, yes. Yes. | 0:16:31 | 0:16:34 | |
-Have the most fantastic marriage. -Thank you. | 0:16:34 | 0:16:37 | |
It started beautifully. Thank you. Bye-bye. | 0:16:37 | 0:16:39 | |
Gretna Green is nationally famous, internationally famous, | 0:16:45 | 0:16:48 | |
for its weddings. | 0:16:48 | 0:16:50 | |
But there's another part of this town | 0:16:50 | 0:16:52 | |
which played a really significant role | 0:16:52 | 0:16:54 | |
in Britain's military history, | 0:16:54 | 0:16:56 | |
and which, even today, is so secret | 0:16:56 | 0:16:59 | |
that very few people have had the peep inside that I'm about to get. | 0:16:59 | 0:17:05 | |
This strange landscape of bunkers and hills | 0:17:07 | 0:17:10 | |
was built to handle the explosives made and stored here. | 0:17:10 | 0:17:15 | |
The site was once key to Britain's survival, | 0:17:18 | 0:17:21 | |
although these days it's mainly a Ministry of Defence depot | 0:17:21 | 0:17:25 | |
managed by David Watt. | 0:17:25 | 0:17:27 | |
Why was this enormous site brought into existence? | 0:17:27 | 0:17:31 | |
During the Battle of Loos in 1915, | 0:17:31 | 0:17:34 | |
during the First World War, | 0:17:34 | 0:17:36 | |
the British army found itself very short of shells. | 0:17:36 | 0:17:39 | |
In fact, we almost lost the war due to the lack of shells, | 0:17:39 | 0:17:42 | |
so this huge ammunition manufacturing facility was built in 1916 | 0:17:42 | 0:17:47 | |
and in fact, at one time there was 30,000 people worked here, | 0:17:47 | 0:17:50 | |
almost all of them women, making and packing shells, | 0:17:50 | 0:17:53 | |
in order to support the British Army offensive. | 0:17:53 | 0:17:56 | |
The factory was built at Gretna because it was remote. | 0:17:56 | 0:18:01 | |
But also, it had a fast rail link | 0:18:01 | 0:18:04 | |
to deliver shells and bombs to the Western Front. | 0:18:04 | 0:18:07 | |
Another internal railway carried the munitions around the vast site. | 0:18:07 | 0:18:13 | |
-How much track do you have through the site? -About 20 miles. | 0:18:13 | 0:18:17 | |
It's quite an extensive facility | 0:18:17 | 0:18:19 | |
and this site here is mainly served by narrow-gauge rail. | 0:18:19 | 0:18:22 | |
At that time, there wasn't any motorways | 0:18:24 | 0:18:27 | |
and one of the main methods of moving heavy objects was by rail, | 0:18:27 | 0:18:30 | |
and ammunition is very heavy. | 0:18:30 | 0:18:32 | |
The women toiled around the clock, mixing devil's porridge, | 0:18:32 | 0:18:37 | |
a lethal paste of nitroglycerine and cotton. | 0:18:37 | 0:18:40 | |
At its peak, the factory produced 800 tonnes | 0:18:40 | 0:18:43 | |
of the deadly stuff every week. | 0:18:43 | 0:18:45 | |
What was this thing called devil's porridge? | 0:18:45 | 0:18:48 | |
It was a mixture of cordite and explosive, | 0:18:48 | 0:18:51 | |
mainly mixed by hand by women at the time. | 0:18:51 | 0:18:54 | |
Very dangerous mixture. Some of the chemicals in it are such | 0:18:54 | 0:18:57 | |
that their teeth were discoloured, their hair turned orange. | 0:18:57 | 0:19:02 | |
It was not a nice substance at all. | 0:19:02 | 0:19:04 | |
And they were literally mixing it by hand? | 0:19:04 | 0:19:06 | |
They were literally mixing it by hand, yes. | 0:19:06 | 0:19:09 | |
And this devil's porridge was used in what? | 0:19:09 | 0:19:11 | |
The filling of shells. | 0:19:11 | 0:19:13 | |
More explosives were produced here than anywhere else in Britain. | 0:19:13 | 0:19:17 | |
It involved extremely dangerous work. | 0:19:17 | 0:19:21 | |
So what was that tunnel? | 0:19:23 | 0:19:24 | |
The tunnel there was the escape tunnel between the traverses. | 0:19:24 | 0:19:27 | |
The whole idea of this area here is to protect the people who work here | 0:19:27 | 0:19:32 | |
and to protect the explosives. | 0:19:32 | 0:19:33 | |
If you can imagine a town full of explosives, the idea being, | 0:19:33 | 0:19:37 | |
if that blew, the blast goes up the way and not across the way. | 0:19:37 | 0:19:40 | |
And then if anything goes wrong, you escape through the tunnel. | 0:19:40 | 0:19:43 | |
Through the tunnel and hopefully you'll be safe through there. | 0:19:43 | 0:19:46 | |
After leaving the MOD site, | 0:19:50 | 0:19:52 | |
I'm catching my next train from Lockerbie, | 0:19:52 | 0:19:55 | |
a name remembered for tragedy. | 0:19:55 | 0:19:58 | |
Lockerbie is sadly known to all of us | 0:20:01 | 0:20:04 | |
because of the terrorist outrage against Pan Am 103 in 1988, | 0:20:04 | 0:20:09 | |
but a few miles down the track, | 0:20:09 | 0:20:11 | |
in 1915 there occurred Britain's worst ever rail disaster. | 0:20:11 | 0:20:16 | |
A troop train carrying soldiers bound for Gallipoli | 0:20:16 | 0:20:20 | |
collided with a local train that in turn was hit by the night sleeper | 0:20:20 | 0:20:24 | |
coming in the other direction, | 0:20:24 | 0:20:26 | |
and an enormous ball of fire engulfed the trains | 0:20:26 | 0:20:29 | |
and freight trains on either side of the line. | 0:20:29 | 0:20:32 | |
227 people were killed, | 0:20:32 | 0:20:35 | |
a figure never matched in railway history since. | 0:20:35 | 0:20:39 | |
The ball of fire engulfed three trains | 0:20:39 | 0:20:42 | |
and took 23 hours to extinguish. | 0:20:42 | 0:20:45 | |
Because of wartime censorship, | 0:20:45 | 0:20:47 | |
the terrible disaster went unreported at the time. | 0:20:47 | 0:20:50 | |
From then on, gas lighting on trains was banned. | 0:20:52 | 0:20:55 | |
So one important reform resulted from the dreadful death toll. | 0:20:57 | 0:21:01 | |
I'm now catching my last train of the day | 0:21:06 | 0:21:08 | |
to Scotland's largest city, Glasgow. | 0:21:08 | 0:21:12 | |
Hello, there. Can I have a cup of coffee, please? | 0:21:12 | 0:21:15 | |
Is it milk and sugar for you? | 0:21:15 | 0:21:17 | |
Er, just milk, please. | 0:21:17 | 0:21:20 | |
So what's better, Glasgow or Edinburgh? | 0:21:20 | 0:21:22 | |
Ah, well, I've got to say Glasgow, haven't I? | 0:21:22 | 0:21:25 | |
You ask anybody else on the train, and they'll say Edinburgh. | 0:21:25 | 0:21:29 | |
And what shall I eat in Glasgow? | 0:21:29 | 0:21:31 | |
-Fish and chips. -Fish and chips! | 0:21:32 | 0:21:34 | |
'Ladies and gentlemen, now arriving at Central Station. | 0:21:37 | 0:21:40 | |
'Make sure you have all your belongings and luggage with you.' | 0:21:40 | 0:21:44 | |
Bradshaw talks about the famous rivalry | 0:21:44 | 0:21:46 | |
between Glasgow and Edinburgh. | 0:21:46 | 0:21:48 | |
He says, | 0:21:48 | 0:21:50 | |
"The ancient city of Glasgow is one of the most splendid in Europe | 0:21:50 | 0:21:54 | |
"and is not surpassed for beauty of architecture | 0:21:54 | 0:21:56 | |
"in its public and private buildings, | 0:21:56 | 0:21:58 | |
"the length, breadth and elegance of its streets, squares and crescents, | 0:21:58 | 0:22:03 | |
even by Edinburgh itself." | 0:22:03 | 0:22:05 | |
BAGPIPE MUSIC | 0:22:05 | 0:22:08 | |
Feel the buzz of the city. | 0:22:11 | 0:22:13 | |
After all those lakes and hills and sheep and cows, | 0:22:13 | 0:22:17 | |
it's good to feel the throb of urban life again. | 0:22:17 | 0:22:20 | |
A city boy like me is never happy | 0:22:20 | 0:22:22 | |
unless I've got the whiff of carbon monoxide in my nostrils. | 0:22:22 | 0:22:25 | |
Today Scotland's two great cities still jostle for pole position. | 0:22:27 | 0:22:32 | |
How are you enjoying Glasgow? | 0:22:33 | 0:22:35 | |
It's a beautiful city with beautiful buildings. | 0:22:35 | 0:22:39 | |
-Have you been to Edinburgh yet? -Yes, yes. | 0:22:39 | 0:22:42 | |
And which is better, Edinburgh or Glasgow? | 0:22:42 | 0:22:44 | |
-Glasgow. -Ah! | 0:22:47 | 0:22:50 | |
He's intimidated you, I know. | 0:22:50 | 0:22:52 | |
He's got you under his thumb. | 0:22:52 | 0:22:54 | |
Glasgow is wonderful. | 0:22:54 | 0:22:56 | |
Edinburgh is wonderful too. | 0:22:56 | 0:22:57 | |
The centre of Glasgow still pleases the tourists. | 0:22:59 | 0:23:03 | |
But I'm intrigued by another part of the city described by Bradshaw. | 0:23:03 | 0:23:07 | |
In a Victorian version of poverty tourism, | 0:23:07 | 0:23:10 | |
he sends visitors to the Calton, | 0:23:10 | 0:23:13 | |
which was and is one of its most deprived areas. | 0:23:13 | 0:23:16 | |
Hello. Hi, Michael. | 0:23:16 | 0:23:19 | |
-So this is the Calton. -This is the Calton. | 0:23:19 | 0:23:22 | |
Janey Godley ran a pub in the Calton for over 15 years. | 0:23:22 | 0:23:26 | |
-Let me read you this from my Bradshaw Guide. -Good. | 0:23:26 | 0:23:29 | |
"Glasgow is supposed to offer few attractions, but this is a mistake. | 0:23:29 | 0:23:34 | |
"Old Glasgow, with all its dirt and discomfort, | 0:23:34 | 0:23:36 | |
"the swarming wretchedness and filth of the celebrated Saltmarket, | 0:23:36 | 0:23:40 | |
"the Goosedubs, the Gallowgate and the Cowcaddens | 0:23:40 | 0:23:44 | |
"is well worthy of a visit, if it were only to see how quaint | 0:23:44 | 0:23:47 | |
"and even picturesque in misery | 0:23:47 | 0:23:49 | |
"are the haunts of the poor population | 0:23:49 | 0:23:52 | |
"of one of the richest cities of the world." | 0:23:52 | 0:23:54 | |
Would it do as a description of the Calton today? | 0:23:54 | 0:23:57 | |
Partly it is still a description of the Calton today. | 0:23:57 | 0:24:00 | |
There is still some resonance with the poverty | 0:24:00 | 0:24:02 | |
and how people manage their lives, | 0:24:02 | 0:24:04 | |
although whether it would make a tourist attraction, | 0:24:04 | 0:24:07 | |
I'm not very sure. | 0:24:07 | 0:24:08 | |
In the 19th and early 20th centuries, | 0:24:08 | 0:24:11 | |
the Calton was a wretched place. | 0:24:11 | 0:24:13 | |
Several families would be crammed into each small house. | 0:24:13 | 0:24:19 | |
Cholera was a permanent threat | 0:24:19 | 0:24:21 | |
and killed thousands every year. | 0:24:21 | 0:24:24 | |
It's shocking to find that now, as in Bradshaw's day, | 0:24:24 | 0:24:28 | |
the area is notorious for its social problems. | 0:24:28 | 0:24:31 | |
The age expectancy is still incredibly hard to swallow. | 0:24:31 | 0:24:35 | |
I mean, the age expectancy round here is 55. | 0:24:35 | 0:24:38 | |
In Fallujah, Iraq, it's 65. | 0:24:38 | 0:24:40 | |
-Now, that statistic you've given is not a very happy one, is it? -No. | 0:24:40 | 0:24:45 | |
I expected to find an area of narrow little streets and tenements | 0:24:45 | 0:24:48 | |
and I don't know what... | 0:24:48 | 0:24:50 | |
No, that's clearly not been here a long time. | 0:24:50 | 0:24:53 | |
I mean, the oldest buildings in the Calton | 0:24:53 | 0:24:55 | |
are just a couple that are dotted on the outskirts of the streets, | 0:24:55 | 0:24:59 | |
but by and large, it is all very new. | 0:24:59 | 0:25:01 | |
You wouldn't know that you were in an ancient area, you're right. | 0:25:01 | 0:25:04 | |
It doesn't really lend to itself. | 0:25:04 | 0:25:06 | |
In an attempt to deal with these difficulties, | 0:25:09 | 0:25:12 | |
the Calton was rebuilt in the 1980s. | 0:25:12 | 0:25:15 | |
But I'm glad to see that some of the great Victorian buildings | 0:25:20 | 0:25:24 | |
from Bradshaw's time have survived. | 0:25:24 | 0:25:27 | |
Janey, we've only come 100 yards from your old pub | 0:25:30 | 0:25:32 | |
and we're in a different world. | 0:25:32 | 0:25:34 | |
Yeah. Well, this is the People's Palace, | 0:25:34 | 0:25:37 | |
dedicated to the people of Glasgow, | 0:25:37 | 0:25:39 | |
and over there, of course, we've got the Doulton Fountain. | 0:25:39 | 0:25:42 | |
This is, um... the empire of Glasgow is right here, | 0:25:42 | 0:25:47 | |
personified in brick. | 0:25:47 | 0:25:49 | |
The one place where there is so much death and destruction | 0:25:49 | 0:25:52 | |
and yet, there's all this beauty, | 0:25:52 | 0:25:54 | |
and that kind of represents what the Calton is to me. | 0:25:54 | 0:25:57 | |
There is a backdrop of pain and difficult lives, | 0:25:57 | 0:26:03 | |
yet there is still the will to go on and a sense of regeneration. | 0:26:03 | 0:26:08 | |
I came out of the Calton | 0:26:08 | 0:26:10 | |
and a part of me makes me who I am that I lived here, | 0:26:10 | 0:26:13 | |
and I think I'll live forever because of it. | 0:26:13 | 0:26:16 | |
Glasgow has been through some dark times | 0:26:18 | 0:26:21 | |
and the Calton struggles still. | 0:26:21 | 0:26:23 | |
Elsewhere in the city, a renaissance has been apparent in recent years. | 0:26:23 | 0:26:28 | |
Sleek, contemporary museums now line the old docks. | 0:26:28 | 0:26:32 | |
The grand Victorian buildings of the West End have been restored. | 0:26:34 | 0:26:38 | |
George Square, Glasgow, | 0:26:39 | 0:26:42 | |
set out on the grand scale with its columns and towers and statues, | 0:26:42 | 0:26:48 | |
feels like a continental city, | 0:26:48 | 0:26:51 | |
as though Glasgow is saying, | 0:26:51 | 0:26:52 | |
"Well, we may not be the capital, | 0:26:52 | 0:26:55 | |
"but we will remind you that we are the biggest city in Scotland." | 0:26:55 | 0:26:59 | |
Glasgow is a top tourist destination with four million visitors a year. | 0:26:59 | 0:27:05 | |
A city that became truly great in Victorian times | 0:27:05 | 0:27:08 | |
retains its civic pride, spurred on by the competition from the capital. | 0:27:08 | 0:27:12 | |
A handbook 150 years old | 0:27:15 | 0:27:17 | |
is turning out to be a pretty good guide to Britain today. | 0:27:17 | 0:27:21 | |
It showed me how to crash a wedding | 0:27:21 | 0:27:24 | |
and led me to a good night out at the pub, | 0:27:24 | 0:27:26 | |
and here in Glasgow, | 0:27:26 | 0:27:28 | |
it's been a guide not only to the fine buildings of the city, | 0:27:28 | 0:27:31 | |
but even an insight on some of its social problems, | 0:27:31 | 0:27:34 | |
but for the sake of balance, I must now go towards the Scottish capital. | 0:27:34 | 0:27:40 | |
Next time I'll be braving the weather in Carluke | 0:27:48 | 0:27:52 | |
to see an industry being brought back to life. | 0:27:52 | 0:27:55 | |
Is it apple juice you make or cider? | 0:27:55 | 0:27:57 | |
Both. You might have to come back in a year for the cider, though. | 0:27:57 | 0:28:01 | |
I'll be searching for a famous Scottish basement. | 0:28:01 | 0:28:04 | |
I'm looking for a cellar | 0:28:04 | 0:28:07 | |
where the Act of Union may have been signed, according to my guidebook. | 0:28:07 | 0:28:11 | |
Right. Um, it's actually our ladies' toilets. | 0:28:11 | 0:28:14 | |
And I'll be realising a lifelong ambition. | 0:28:14 | 0:28:17 | |
It gives you an idea of the scale, | 0:28:17 | 0:28:21 | |
the complexity, | 0:28:21 | 0:28:23 | |
the height. It's a beautiful thing, isn't it? | 0:28:23 | 0:28:26 | |
Subtitles by Red Bee Media Ltd | 0:28:45 | 0:28:48 | |
E-mail [email protected] | 0:28:48 | 0:28:51 |