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In 1840, one man transformed travel in Britain. | 0:00:05 | 0:00:10 | |
His name was George Bradshaw and his railway guides inspired the Victorians to take to the tracks. | 0:00:10 | 0:00:17 | |
Stop by stop, he told them where to travel, what to see, and where to stay. | 0:00:17 | 0:00:24 | |
Now, 170 years later, I'm making a series of journeys across the length | 0:00:24 | 0:00:29 | |
and breadth of the country to see what of Bradshaw's Britain remains. | 0:00:29 | 0:00:35 | |
For the Victorian tourist, travelling by train | 0:00:57 | 0:01:00 | |
was more than just a way of getting from one place to another. | 0:01:00 | 0:01:04 | |
Particularly for those people who lived in industrial cities, | 0:01:04 | 0:01:06 | |
watching a rural idyll drifting past the carriage window would be an education | 0:01:06 | 0:01:12 | |
and the experience would be all the more improving if the tourist referred to his Bradshaw's Guide. | 0:01:12 | 0:01:18 | |
As I venture deeper into Kent, I'm appreciating my Bradshaw's more than ever. | 0:01:21 | 0:01:26 | |
A modern guidebook can point the way to historic artefacts but one a century-and-a-half-old | 0:01:26 | 0:01:31 | |
unwittingly reveals the values of a society which modern Britons both mock and revere. | 0:01:31 | 0:01:38 | |
Today I'm heading for Romney marsh, where the railways helped ensure the success of a special breed of sheep. | 0:01:38 | 0:01:45 | |
It was quite an important route for my family. It was the closest station from where they lived. | 0:01:45 | 0:01:51 | |
I'll be finding out why my guidebook compared Kent to the French Champagne region. | 0:01:51 | 0:01:57 | |
That south-facing slopes that we see on the North Downs, | 0:01:57 | 0:01:59 | |
that Bradshaw would have seen, is perfect terroir for Champagne. | 0:01:59 | 0:02:03 | |
And discovering how the railways led Victorian Britain into the grip of fern fever. | 0:02:03 | 0:02:09 | |
The nurseries would use the railways to send the plants to the customers. | 0:02:09 | 0:02:13 | |
-So this amazing craze was helped on by the railways. -Oh, yes, definitely. | 0:02:13 | 0:02:18 | |
I'm almost at the end of my journey from London, travelling 175 miles | 0:02:22 | 0:02:27 | |
in a circuit through Kent, enjoying the county's rich history. | 0:02:27 | 0:02:32 | |
Having followed the coastline to Folkestone, | 0:02:32 | 0:02:35 | |
now I'm making my way west, just over the border into Sussex. | 0:02:35 | 0:02:40 | |
The final stretch starts in Westenhanger before | 0:02:41 | 0:02:45 | |
passing through Ashford and ending at the seaside resort of Hastings. | 0:02:45 | 0:02:49 | |
In the 19th century, the railway line snaking along the coast | 0:02:56 | 0:03:00 | |
allowed hundreds of city dwellers to discover the rural villages of Kent. | 0:03:00 | 0:03:07 | |
I'm alighting at Westenhanger, not much more than a tiny hamlet in Bradshaw's day. | 0:03:07 | 0:03:13 | |
Having travelled around Kent, I feel like one of those Victorian | 0:03:17 | 0:03:21 | |
urban tourists myself, because I've always lived in the metropolis. | 0:03:21 | 0:03:24 | |
Of course, I have visited Kent, but I've never given it a proper tour, and I've found that it's not only | 0:03:24 | 0:03:29 | |
a county of great natural beauty but fundamentally important to British history. | 0:03:29 | 0:03:34 | |
Westenhanger is just my gateway to a remarkable English ecology, | 0:03:35 | 0:03:41 | |
a windswept landscape of salt flats and shingle, Romney Marsh. | 0:03:41 | 0:03:47 | |
Since the 11th century, settlers have attempted to tame this wild terrain. | 0:03:47 | 0:03:54 | |
This spectacular panorama is Romney Marsh | 0:03:54 | 0:03:57 | |
and Bradshaw says that it extends along the coast for 20 miles, including about 60,000 acres, | 0:03:57 | 0:04:03 | |
which within the last few years have been successfully drained and cultivated. | 0:04:03 | 0:04:09 | |
In fact, the land and sea have battled over this terrain for hundreds of years | 0:04:09 | 0:04:14 | |
but now, with the provision of a sea wall and with constant drainage, the marsh is stable. | 0:04:14 | 0:04:21 | |
Reputedly a fearsome climate. | 0:04:21 | 0:04:24 | |
In the 1700s, the marsh was shared between smugglers and malaria-carrying mosquitoes. | 0:04:27 | 0:04:34 | |
Life expectancy was a mere 35 years. | 0:04:34 | 0:04:38 | |
But the Victorians finally built sea walls strong enough to keep the waters at bay. | 0:04:38 | 0:04:44 | |
The marsh may never have welcomed human life but a more hardy animal | 0:04:44 | 0:04:48 | |
has thrived here, Romney Marsh sheep. | 0:04:48 | 0:04:50 | |
Paul Boulden's family has been rearing them since the 1880s. | 0:04:50 | 0:04:56 | |
-Paul. -Morning. -What a fantastic vista over the marsh, isn't it? | 0:04:56 | 0:05:00 | |
-It is, it is. -It looks today like quite a gentle place, | 0:05:00 | 0:05:04 | |
but it has a bit of a reputation, doesn't it, for being a bit spooky? | 0:05:04 | 0:05:07 | |
Yes, most definitely. The mist comes in very quickly, just a run across the field. | 0:05:07 | 0:05:12 | |
It looks quite eerie. The superstitious type would think it's full of spirits! | 0:05:12 | 0:05:16 | |
This leads down to the sea and it's completely flat. | 0:05:16 | 0:05:19 | |
It's all been reclaimed at one time? | 0:05:19 | 0:05:21 | |
Yes, predominantly. | 0:05:21 | 0:05:24 | |
Everything you can see here's been reclaimed over past centuries. | 0:05:24 | 0:05:28 | |
And what sort of a soil has that given us down there? | 0:05:28 | 0:05:30 | |
It's a rich, alluvial silt, really. | 0:05:30 | 0:05:33 | |
-Pretty fertile? -Yes, very fertile. | 0:05:33 | 0:05:35 | |
Hence the amount of crops down there now, not so much grass. | 0:05:35 | 0:05:40 | |
Have you any idea how long the Romney Marsh sheep has been here? | 0:05:40 | 0:05:43 | |
It's been on the marsh for over 1,000 years. | 0:05:43 | 0:05:46 | |
I believe the Romans probably brought them in initially. | 0:05:46 | 0:05:49 | |
As time's gone on, they've evolved, really, to what they are today. | 0:05:49 | 0:05:53 | |
-Good for wool and for meat? -Yes, a dual purpose breed. | 0:05:53 | 0:05:57 | |
Being resistant to disease and able to feed on the boggy pasture, | 0:05:58 | 0:06:02 | |
these sheep are well adapted to the damp, harsh conditions. | 0:06:02 | 0:06:06 | |
Their meat is particularly sought after as it picks up a salty flavour from the marsh. | 0:06:06 | 0:06:11 | |
The railway arrived at Smeeth in 1852. | 0:06:11 | 0:06:15 | |
By the 1890s, Paul's family was using it on a weekly basis. | 0:06:15 | 0:06:19 | |
It was quite an important route for my family. | 0:06:19 | 0:06:23 | |
It was the closest station | 0:06:23 | 0:06:25 | |
from where they lived. | 0:06:25 | 0:06:27 | |
They were living on the end of the marsh and from there on to the marsh. | 0:06:27 | 0:06:31 | |
Paul preserves a Victorian farming diary kept by his great grandfather. | 0:06:31 | 0:06:36 | |
It's just sort of day-to-day jobs of what they were doing on the farm. | 0:06:36 | 0:06:39 | |
But there's references, which are very apt, to the railway station nearby. | 0:06:39 | 0:06:44 | |
This one here, Jan 14th 1895. | 0:06:44 | 0:06:48 | |
"100 trusses straw to Smeeth station for a Mr Hook." | 0:06:48 | 0:06:52 | |
There's one here, "31st January, 1894. | 0:06:52 | 0:06:56 | |
"One horse to Smeeth station for coals." | 0:06:56 | 0:06:59 | |
It really shows sheep farming has been going on here quite a while, | 0:06:59 | 0:07:03 | |
but the farmers were adapting pretty well to using the railway to keep themselves supplied? | 0:07:03 | 0:07:08 | |
Very much so. They cut a lot miles, I suspect. | 0:07:08 | 0:07:14 | |
Trains could carry sheep to markets all over the country. | 0:07:14 | 0:07:18 | |
By the second half of the 19th century, the breed had become | 0:07:18 | 0:07:23 | |
so popular that it was exported to most of the world's continents. | 0:07:23 | 0:07:27 | |
Today, 70% of New Zealand sheep are descended from Romney Marsh specimens. | 0:07:27 | 0:07:33 | |
What are their main physical attributes? | 0:07:33 | 0:07:36 | |
They're are a strong-bodied sheep, strong on the legs. | 0:07:36 | 0:07:38 | |
They've got good, sound feet. That's one of the main characteristics coming off the Romney Marsh. | 0:07:38 | 0:07:43 | |
It's a traditionally wet landscape, so they've got good tolerance to foot rot, living in wet mud, really. | 0:07:43 | 0:07:51 | |
Your family's been farming sheep here for a long time. | 0:07:51 | 0:07:54 | |
Would your great-great grandfather recognise these sheep? | 0:07:54 | 0:07:57 | |
Yes, very much so. They've probably got a bit less wool on their head. | 0:07:57 | 0:08:01 | |
They'd have been more woolly 140 years ago or so. | 0:08:01 | 0:08:05 | |
In Bradshaw's day, Romney Marsh had an unusual system of freelance shepherds called "lookers". | 0:08:05 | 0:08:12 | |
They lived out on the marsh in tiny brick huts for weeks at a time, keeping a close eye on the flock. | 0:08:12 | 0:08:18 | |
These days, Paul checks on the sheep himself. | 0:08:18 | 0:08:22 | |
-Catch a good one, one that's... -I recommend you catch a small one! | 0:08:22 | 0:08:27 | |
If I can get near it! They're going to be a bit lively! | 0:08:27 | 0:08:30 | |
Oh, Lord! | 0:08:30 | 0:08:32 | |
-So, first catch yourself a sheep. -Yes. | 0:08:34 | 0:08:37 | |
You're rather good at catching sheep because you would get the sheep like this to shear? | 0:08:37 | 0:08:42 | |
-Something like this. -And you shear a sheep, where's that wool destined for? | 0:08:42 | 0:08:47 | |
Well, all our wool goes through | 0:08:47 | 0:08:50 | |
the British Wool Marketing Board, it goes into the local wool growers | 0:08:50 | 0:08:54 | |
in Ashford, and then it's graded there and then it's sold on the wool exchange at Bradford. | 0:08:54 | 0:09:00 | |
But Romney Marsh wool, still pretty highly regarded? | 0:09:00 | 0:09:03 | |
Yeah, for its versatility, really. | 0:09:03 | 0:09:06 | |
Although the historic exchange is no longer used for trading, | 0:09:06 | 0:09:11 | |
the wool is still regularly auctioned in Bradford. | 0:09:11 | 0:09:14 | |
And just as in Bradshaw's day, it's mainly used in carpets and clothes. | 0:09:14 | 0:09:19 | |
This sheep is destined for quite a nice life. | 0:09:19 | 0:09:22 | |
Once a year, it's got to put up with the indignity of being sheared, | 0:09:22 | 0:09:25 | |
got to produce a fair number of lambs, but that's it. | 0:09:25 | 0:09:27 | |
-That's not too bad, is it? -No, that's right. | 0:09:27 | 0:09:30 | |
We'd like to try to rear 1.5 lambs from the sheep, | 0:09:30 | 0:09:36 | |
-although on average it's 1.3. -Per year? -Per year. | 0:09:36 | 0:09:41 | |
Are you ready to have 1.3 lambs? | 0:09:41 | 0:09:44 | |
-Yeah, I think she's all set. -Good, good. | 0:09:44 | 0:09:47 | |
It's time for me to bid farewell to these distinguished sheep | 0:09:49 | 0:09:53 | |
and return to Westenhanger Station to catch my next train. | 0:09:53 | 0:09:57 | |
I was hoping to see a Eurostar rush by on the special tracks | 0:09:57 | 0:10:00 | |
on the other side of this barbed wire fence, but none has passed. | 0:10:00 | 0:10:05 | |
I shall be moving closer to Victorian speed. | 0:10:05 | 0:10:08 | |
I'm travelling 11 miles to Ashford. | 0:10:08 | 0:10:12 | |
The line runs parallel to the high speed route to the continent, but a century-and-a-half | 0:10:15 | 0:10:19 | |
before the channel tunnel was built, my guidebook was already reminded of France. | 0:10:19 | 0:10:25 | |
Bradshaw's describes this part of the line, between Ashford and the | 0:10:25 | 0:10:28 | |
coast, as "swerving slightly to the south east and having on each side a delightful Champagne country." | 0:10:28 | 0:10:36 | |
Now, it must be because it reminded him of Champagne | 0:10:36 | 0:10:39 | |
in France, because as far as I know, in Victorian times, they didn't grow grapes here for sparkling wine. | 0:10:39 | 0:10:45 | |
But now they do, so Bradshaw's was clairvoyant. Spooky. | 0:10:45 | 0:10:51 | |
Although vines have been grown in England since Roman times, Britain | 0:10:54 | 0:10:58 | |
last attempted wine-making on a commercial scale in Bradshaw's era. | 0:10:58 | 0:11:04 | |
Wealthy Victorians returned from their rail tours of Europe | 0:11:04 | 0:11:07 | |
inspired by continental viniculture to try their hand. | 0:11:07 | 0:11:10 | |
'We will shortly be arriving at Ashford International.' | 0:11:10 | 0:11:14 | |
But their efforts fizzled out before World War I and only in the 1950s | 0:11:14 | 0:11:19 | |
did a successful British wine industry emerge. | 0:11:19 | 0:11:22 | |
I'm come to the most beautiful setting of a vineyard. | 0:11:22 | 0:11:25 | |
I suppose it could be France but the treeline is entirely English. | 0:11:25 | 0:11:30 | |
Wine producer Fraser Thompson is just weeks away from harvesting this year's growth. | 0:11:30 | 0:11:35 | |
-What a very beautiful place. -Thank you. | 0:11:35 | 0:11:38 | |
My Bradshaw's guide compares this terrain to Champagne, but I guess | 0:11:38 | 0:11:45 | |
there were probably no vineyards around when that was written in the 1860s. | 0:11:45 | 0:11:50 | |
Very few. In fact, English wine's really gone through something of | 0:11:50 | 0:11:55 | |
a revolution in last 30 to 40 years. | 0:11:55 | 0:11:57 | |
Is there anything about the terrain to remind a Victorian of Champagne? | 0:11:57 | 0:12:01 | |
Very much so. The first thing you see, of course, when you come into England is this great mass of chalk. | 0:12:01 | 0:12:06 | |
And to a Frenchman arriving, thinking about champagne, chalk, well that's manna, that's terroir for champagne. | 0:12:06 | 0:12:12 | |
And of course, this great seam of chalk goes up through the North | 0:12:12 | 0:12:16 | |
Downs, and it turns to be facing broadly southwards, and south facing | 0:12:16 | 0:12:20 | |
slopes that we see on the North Downs, that Bradshaw would have seen, is perfect terroir for Champagne. | 0:12:20 | 0:12:25 | |
Kent is just 220 miles away from Champagne in France, so it's not | 0:12:28 | 0:12:33 | |
so surprising that there are similarities between the regions. | 0:12:33 | 0:12:36 | |
The cooler English climate actually works in the wine grower's favour, | 0:12:36 | 0:12:42 | |
producing sharper, refreshing, less-alcoholic wines | 0:12:42 | 0:12:45 | |
to suit tastes which have evolved since Bradshaw's day. | 0:12:45 | 0:12:49 | |
Back in the Victorian era and perhaps earlier in the 20th century, | 0:12:49 | 0:12:55 | |
we'd have been experiencing and wanting bigger, warmer, fleshier, | 0:12:55 | 0:12:59 | |
more alcoholic wines, with different flavour profiles, different sweetnesses. | 0:12:59 | 0:13:03 | |
Now, of course, people want acidity, freshness | 0:13:03 | 0:13:06 | |
and low-alcohol, and that's exactly what English wines can provide. | 0:13:06 | 0:13:09 | |
-These grapes here, what are they? -This is chardonnay, grown in England. | 0:13:09 | 0:13:13 | |
It'll go towards making great blanc de blancs sparkling wine. | 0:13:13 | 0:13:17 | |
Do you want to try one? At this stage, what you'll get is mainly acids. | 0:13:17 | 0:13:21 | |
You can get some other fruit in there, though. | 0:13:21 | 0:13:24 | |
That acidity is what is going to make your mouth water. | 0:13:24 | 0:13:28 | |
That's what we're going to need to make great sparkling wine. | 0:13:28 | 0:13:31 | |
That's the very wine in fact that England's won one of world's greatest wines for. | 0:13:31 | 0:13:37 | |
-Blanc de blancs? -Yeah. | 0:13:37 | 0:13:39 | |
In fact, one of our competitors did a fantastic job and produced | 0:13:39 | 0:13:44 | |
a blanc de blancs sparkling wine in 2006, | 0:13:44 | 0:13:47 | |
and it's beaten all competition from all over the world to make the best sparkling wine in the world. | 0:13:47 | 0:13:52 | |
-Including French? -Including French, New Zealand, everywhere else in the world. | 0:13:52 | 0:13:56 | |
Hopefully, if Bradshaw was to write a book in 200 years' time, | 0:13:56 | 0:14:00 | |
he'll say perhaps compare somewhere else to the great vineyards of south-east England. | 0:14:00 | 0:14:04 | |
It would be wonderful. | 0:14:04 | 0:14:06 | |
What distinguishes champagne and other sparkling wine is that it's fermented twice - | 0:14:06 | 0:14:11 | |
once in the vat and again in the bottle, which creates the bubbles. | 0:14:11 | 0:14:16 | |
Dom Perignon is often credited with inventing the process. | 0:14:16 | 0:14:19 | |
In fact it was first documented in the 1660s | 0:14:19 | 0:14:23 | |
by an Englishman, Christopher Merrit, in a paper for the Royal Society. | 0:14:23 | 0:14:28 | |
So the wine's arrived here, the final part of the journey for a bottle of sparkling wine. | 0:14:28 | 0:14:34 | |
It has arrived here upside-down, as the French call it, sur pointe. | 0:14:34 | 0:14:39 | |
At sur pointe, all the yeast used to make the bubbles and the extra | 0:14:39 | 0:14:43 | |
alcohol used to make the sparkling wine is condensed into a little crust at the bottom of the bottle. | 0:14:43 | 0:14:49 | |
So it's upside down and, by the time we enter the machine here, | 0:14:49 | 0:14:51 | |
it comes off the other end a perfect bottle of sparkling wine. | 0:14:51 | 0:14:55 | |
Corked and caged, the wine bottles are then cleaned and labelled, | 0:14:56 | 0:15:01 | |
and I'm curious to know what remains to be done. | 0:15:01 | 0:15:04 | |
-How long after that before you can actually drink it? -Straightaway. | 0:15:04 | 0:15:10 | |
The moment it comes off this machine behind you it's drinkable. | 0:15:10 | 0:15:13 | |
There's some debate about whether a month or two of cork age will do it | 0:15:13 | 0:15:17 | |
any good, but essentially it's very drinkable - very, very drinkable - the moment it comes off this machine. | 0:15:17 | 0:15:24 | |
Very drinkable, you say. Shall we put it to the test? | 0:15:24 | 0:15:28 | |
More sparkling wine is sold here than in France and, for the first | 0:15:28 | 0:15:31 | |
time, England is competing seriously in the international wine stakes. | 0:15:31 | 0:15:37 | |
That's what I call a picnic basket! | 0:15:37 | 0:15:40 | |
Well, let's hope you like the contents. Cheers. | 0:15:40 | 0:15:43 | |
Cheers. | 0:15:43 | 0:15:46 | |
Wow! Powerful taste of fruits. Mmm. | 0:15:46 | 0:15:51 | |
It's a bang-on mouthful of flavour. | 0:15:51 | 0:15:53 | |
Yeah. What am I getting? | 0:15:53 | 0:15:54 | |
-Apple certainly. -You're probably getting some apple. | 0:15:54 | 0:15:57 | |
You're almost certainly getting some wild strawberries and maybe even a little bit of shortcake. | 0:15:57 | 0:16:02 | |
I don't think my sample was quite big enough for me to get all the flavours. | 0:16:02 | 0:16:06 | |
Shall we just top you up with a little bit more? | 0:16:06 | 0:16:08 | |
Thank you. | 0:16:08 | 0:16:11 | |
I even like the noise. | 0:16:11 | 0:16:13 | |
Cheers again! | 0:16:13 | 0:16:15 | |
Nicely stimulated by my glass of English fizz, I'm ready to | 0:16:17 | 0:16:21 | |
find a hotel for the night, and my guidebook has a suggestion. | 0:16:21 | 0:16:25 | |
Time for bed and, thanks to my Bradshaw's, I can continue the champagne life. | 0:16:25 | 0:16:30 | |
He recommends Eastwell Park, this fantastic pile, which was the seat of the Earl of Winchilsea. | 0:16:30 | 0:16:38 | |
He tells me it's the place where Richard Plantagenet, the last | 0:16:38 | 0:16:42 | |
descendant of that royal household, breathed his last. | 0:16:42 | 0:16:46 | |
The story is that the boy was told by his father, Richard III, just before | 0:16:46 | 0:16:51 | |
his death at the Battle of Bosworth, to keep his identity a secret, so that he wouldn't face persecution. | 0:16:51 | 0:16:57 | |
Bradshaw tells me that Richard Plantagenet | 0:16:57 | 0:17:01 | |
"died in obscurity as a bricklayer to the family who lived here in 1550". | 0:17:01 | 0:17:08 | |
Well, it's a good story. | 0:17:08 | 0:17:10 | |
This may or may not be the last resting place | 0:17:10 | 0:17:14 | |
of Richard III's illegitimate son, but it'll do splendidly as a resting place for me. | 0:17:14 | 0:17:19 | |
-Good evening. -Mr Portillo. Welcome to Eastwell Manor. | 0:17:19 | 0:17:22 | |
Very good to see you. Have you got a room for me? | 0:17:22 | 0:17:24 | |
Indeed. We have Broderick for you. | 0:17:24 | 0:17:26 | |
I was hoping for Plantagenet. | 0:17:26 | 0:17:29 | |
-It's a much nicer room on the grounds side of the manor. -Thank you. | 0:17:29 | 0:17:34 | |
Oh, yes! Suitably grand... | 0:17:36 | 0:17:39 | |
And a vista over the formal gardens. | 0:17:44 | 0:17:48 | |
One of the prettiest views in Kent. | 0:17:48 | 0:17:51 | |
The next morning I'm moving on to the last leg of my journey. | 0:18:01 | 0:18:04 | |
So it's back to Ashford to catch my final train. | 0:18:04 | 0:18:10 | |
For the first time since I began my trip, I am on a diesel, not electric, train. | 0:18:10 | 0:18:16 | |
I'm quitting Kent for Sussex, headed for one of the best known | 0:18:16 | 0:18:20 | |
places on the British coast, Hastings, famous for 1066 and all that. | 0:18:20 | 0:18:27 | |
I'm heading about 25 miles along the line towards the sea. | 0:18:29 | 0:18:35 | |
'Now approaching Hastings.' | 0:18:35 | 0:18:37 | |
Hastings. This was one of the first towns, along with Eastbourne and Ramsgate, | 0:18:49 | 0:18:54 | |
to offer a service early on a Monday morning, so that London workers could get back to their offices. | 0:18:54 | 0:19:01 | |
That gave rise to a new kind of holiday, from Saturday to Monday morning. | 0:19:01 | 0:19:06 | |
It wasn't until 1870 that the Oxford dictionary recognised | 0:19:06 | 0:19:11 | |
a new phenomenon, and entered for the first time the word "weekend". | 0:19:11 | 0:19:17 | |
In the second half of the 19th century, | 0:19:18 | 0:19:21 | |
weekend breaks by train became popular with middle-class Victorians. | 0:19:21 | 0:19:25 | |
Hastings grew from a small fishing town to a lively seaside resort. | 0:19:25 | 0:19:31 | |
"The openness of the coast" says Bradshaw, "and the smoothness | 0:19:31 | 0:19:34 | |
"of the beach have long made Hastings a favourite resort. | 0:19:34 | 0:19:38 | |
"The water's almost limpid and of that beautiful sea-green hue so inviting to bathers. | 0:19:38 | 0:19:44 | |
"A very efficient substitute for a trip to Madeira." | 0:19:44 | 0:19:47 | |
So scrap the package holiday and buy a train ticket. | 0:19:47 | 0:19:51 | |
The railways didn't boost tourism alone. | 0:19:53 | 0:19:55 | |
In the 1860s, as trains conveyed fresh herring to London, fishing flourished too. | 0:19:55 | 0:20:02 | |
I'm heading to a famous area of the Hastings beach called The Stade to meet fisherman Budd White. | 0:20:02 | 0:20:09 | |
-Hello, Budd! -Hello, there. | 0:20:09 | 0:20:13 | |
-Not interrupting? -No, not at all. | 0:20:13 | 0:20:15 | |
I go around using this 19th-century railway guide book. | 0:20:15 | 0:20:19 | |
Your great-grandfather, your grandfather - do you think they | 0:20:19 | 0:20:22 | |
were using the railways to send their fish elsewhere? | 0:20:22 | 0:20:25 | |
They certainly were. | 0:20:25 | 0:20:28 | |
I'm not certain of the dates - probably late 1800s - directly the rails were | 0:20:28 | 0:20:34 | |
up and running to London | 0:20:34 | 0:20:36 | |
they could get their mackerel from here to London | 0:20:36 | 0:20:39 | |
early enough to get to market - I presume Billingsgate - | 0:20:39 | 0:20:43 | |
and they got a much better price for several years. | 0:20:43 | 0:20:46 | |
My great-grandfather did very well indeed. | 0:20:46 | 0:20:50 | |
There's no harbour here so, on their return from fishing, the boats must be hauled onto the beach. | 0:20:50 | 0:20:55 | |
From necessity, they tend to be smaller than elsewhere, as are their catches. | 0:20:55 | 0:21:00 | |
People these days are very worried about sustainability. | 0:21:00 | 0:21:03 | |
So your small catches presumably mean you're quite respectful of the fish stocks. | 0:21:03 | 0:21:07 | |
Absolutely. Over the years, you're brought up with the fact that all the small fish is your future, | 0:21:07 | 0:21:14 | |
so you get it back in the sea as quickly as possible. | 0:21:14 | 0:21:16 | |
All the fish we return to the sea, with the exception of a very small percentage, is alive and survives. | 0:21:16 | 0:21:23 | |
Your boats on the beach are part of what makes Hastings distinctive - | 0:21:23 | 0:21:29 | |
picturesque. | 0:21:29 | 0:21:31 | |
The other thing are the net lofts behind. Tell me about those. | 0:21:31 | 0:21:34 | |
They were used originally for drying nets. | 0:21:34 | 0:21:38 | |
When the likes of my great-grandfather and grandfather | 0:21:38 | 0:21:41 | |
were fishing, for each type of fish they were catching, herrings, sprats, there was a different size mesh. | 0:21:41 | 0:21:48 | |
They used to use the different floors of the sheds for particular nets. | 0:21:48 | 0:21:53 | |
They'd have mackerel nets on the first floor, herring nets on the next floor, sprat nets on the next floor, | 0:21:53 | 0:21:59 | |
because it wasn't that easy to tell one net from the other. | 0:21:59 | 0:22:03 | |
These days, wider mesh nets are used to catch only mature fish. | 0:22:03 | 0:22:08 | |
That's earned Hastings a sustainable fishing certificate from the Marine Stewardship Council. | 0:22:08 | 0:22:13 | |
-Hello, there! -Hello, Michael! -What lovely-looking fish. | 0:22:13 | 0:22:18 | |
-Thank you very much. -What's local, then? | 0:22:18 | 0:22:20 | |
Skate, plaice fillets, whiting... | 0:22:20 | 0:22:22 | |
-All local? -All local, yeah. | 0:22:22 | 0:22:25 | |
Tell me about public taste. | 0:22:25 | 0:22:27 | |
-Is there a change in public taste over the years? -Definitely, yes. | 0:22:27 | 0:22:30 | |
What are they into now? | 0:22:30 | 0:22:31 | |
When I came and worked here with my mum and dad at 16, it was cod, haddock, plaice. | 0:22:31 | 0:22:38 | |
That was the majority of it. | 0:22:38 | 0:22:40 | |
Now, with people travelling so much, | 0:22:40 | 0:22:43 | |
they see different things abroad, and they realise they can get it here in the UK. | 0:22:43 | 0:22:47 | |
They realise that, see it on the counter, | 0:22:47 | 0:22:50 | |
and are willing to try it, so we sell more and more of that stuff. | 0:22:50 | 0:22:54 | |
Would you say Hastings was a pretty good place to buy and eat fish? | 0:22:54 | 0:22:57 | |
Definitely. Yeah. A shop like ours - ten paces from the boat that caught a lot of this stuff. | 0:22:57 | 0:23:04 | |
Hastings has a lot to offer fish-wise. We get such a variety down here. | 0:23:04 | 0:23:09 | |
Before I leave Hastings, I'm setting out along the cliffs to | 0:23:11 | 0:23:15 | |
a place that became hugely popular with the Victorians, Fairlight Glen. | 0:23:15 | 0:23:20 | |
It inspired a lyrical description in my guidebook. | 0:23:20 | 0:23:24 | |
I wish I had more time here. | 0:23:24 | 0:23:27 | |
Bradshaw says, "A week may be delightfully spent exploring the fairy-like nooks around Fairlight | 0:23:27 | 0:23:34 | |
"Glen, situated in a sweet umbrageous spot, down which, by narrow, winding | 0:23:34 | 0:23:40 | |
"steps, hewn out of the solid rock, one only can descend at a time." | 0:23:40 | 0:23:46 | |
I'm here to discover | 0:23:46 | 0:23:48 | |
a Victorian craze. | 0:23:48 | 0:23:52 | |
My guidebook displays symptoms of fern fever, an obsession with | 0:23:52 | 0:23:57 | |
feathery green plants that gripped the Victorians for several decades. | 0:23:57 | 0:24:01 | |
Fairlight Glen, with its secret forests and abundant ferns, captured the Victorian imagination. | 0:24:01 | 0:24:08 | |
I'm meeting garden historian Dr Sarah Whittingham to discover why. | 0:24:08 | 0:24:13 | |
Sarah, hello! | 0:24:13 | 0:24:15 | |
-Hello! -Why did the Victorians have such a passion for ferns? | 0:24:15 | 0:24:19 | |
It was the heyday of natural history. | 0:24:19 | 0:24:22 | |
If they weren't hunting for ferns, they were out tapping rocks with hammers, trying to find fossils, | 0:24:22 | 0:24:27 | |
or catching butterflies or looking into rock pools, that sort of thing. | 0:24:27 | 0:24:30 | |
It was first time you got the middle classes, who had villas | 0:24:30 | 0:24:35 | |
and houses in the centre of town with a small garden they wanted to fill with plants and flowers. | 0:24:35 | 0:24:41 | |
Ferns were seen as magical plants with, some believed, the power to make you invisible. | 0:24:41 | 0:24:46 | |
Books identifying almost 2,000 varieties were published | 0:24:46 | 0:24:51 | |
to aid the fern-mad Victorians. | 0:24:51 | 0:24:53 | |
The craze even had a name, pteridomania. | 0:24:53 | 0:24:57 | |
The railways enabled amateur collectors to widen | 0:24:57 | 0:24:59 | |
their hunt for specimens and a fern by mail order business developed. | 0:24:59 | 0:25:04 | |
The light really is pretty and I can just imagine Victorians | 0:25:04 | 0:25:07 | |
getting on the railways and coming to remote-ish spots like this, looking for their ferns. | 0:25:07 | 0:25:11 | |
That's right, but they didn't have to come out to these places. | 0:25:11 | 0:25:14 | |
They could just buy their ferns from nurseries. | 0:25:14 | 0:25:17 | |
The nurseries would use the railways to send plants to the customers. | 0:25:17 | 0:25:20 | |
So the middle classes could buy whatever they needed for their gardens? | 0:25:20 | 0:25:24 | |
They could. They could buy ferns from a professional fern tout, and they certainly used the railways. | 0:25:24 | 0:25:30 | |
They would come out to places like this. They'd ransack the countryside. | 0:25:30 | 0:25:34 | |
They'd send up huge amounts of ferns in hampers, up to the towns. | 0:25:34 | 0:25:39 | |
They'd follow them up and then tout them door-to-door or sell them on street corners. | 0:25:39 | 0:25:45 | |
-So this amazing craze was helped on by the railways. -Oh, yes. | 0:25:45 | 0:25:50 | |
-Definitely. -But all those Victorians hoping to recreate a slice of | 0:25:50 | 0:25:54 | |
country life in their urban houses found it to be harder they thought. | 0:25:54 | 0:25:58 | |
So when Victorians take all their ferns back to their gardens, do they thrive | 0:25:58 | 0:26:03 | |
-in the city? -No - that was the major problem. | 0:26:03 | 0:26:06 | |
Of course Victorian cities were very polluted. | 0:26:06 | 0:26:09 | |
Luckily, a doctor in the east end of London, Nathaniel Bagshaw Ward, who | 0:26:09 | 0:26:13 | |
was a very keen fern grower, found a way of successfully growing ferns. | 0:26:13 | 0:26:18 | |
He invented the Wardian case. | 0:26:18 | 0:26:22 | |
Which was what? A little kind of conservatory? | 0:26:22 | 0:26:26 | |
That's right. Like the terrariums popular in the in the 1960s and '70s. | 0:26:26 | 0:26:30 | |
They came in all shapes and styles, all sizes. | 0:26:30 | 0:26:34 | |
It became the thing to have in your drawing room in the 1850s. | 0:26:34 | 0:26:38 | |
Fern fever took root, and feathery leaves made their | 0:26:38 | 0:26:42 | |
appearance on wallpaper, tea cups and chamber pots. | 0:26:42 | 0:26:46 | |
Even in architecture they adorned columns and railings. | 0:26:46 | 0:26:50 | |
It's now time for me to leave the enchanted forest and Hastings. | 0:26:54 | 0:26:57 | |
I've reached the end of the line for this journey and | 0:26:57 | 0:27:00 | |
my trusty guidebook supplies me with a suitable way to say goodbye. | 0:27:00 | 0:27:05 | |
Bradshaw's commends the view "reaching from Beachy Head | 0:27:05 | 0:27:09 | |
"to Dover Cliffs, between 70 and 80 miles apart, and stretching out to the heights of Boulogne. | 0:27:09 | 0:27:16 | |
"The best time for seeing it is in the afternoon. | 0:27:16 | 0:27:20 | |
"Upon favourable atmospheric influences, it is a view never to be forgotten." | 0:27:20 | 0:27:26 | |
As I look back on my journey, I thank George Bradshaw for guiding | 0:27:26 | 0:27:31 | |
me from the heart of London to the cliff's edge, | 0:27:31 | 0:27:35 | |
from the nation's capital to the end of England. | 0:27:35 | 0:27:39 | |
On my next journey, I'll be travelling up the West | 0:27:39 | 0:27:42 | |
Coast of Scotland on a railway voted the world's most scenic. | 0:27:42 | 0:27:47 | |
Along the way, I'll be discovering how the | 0:27:47 | 0:27:49 | |
Victorians built a weather station atop Britain 's highest mountain. | 0:27:49 | 0:27:54 | |
People having to go up there and take the readings? | 0:27:54 | 0:27:57 | |
They didn't have to go up there, they had to live up there. | 0:27:57 | 0:27:59 | |
Finding out how the railways spread the word about whisky... | 0:27:59 | 0:28:03 | |
This is from pretty much the exact time the railways arrived in Oban. | 0:28:03 | 0:28:07 | |
I can see the railway here. Here's the station, here's a train puffing along. | 0:28:07 | 0:28:11 | |
And crossing a pioneering viaduct, one of Britain's most spectacular. | 0:28:11 | 0:28:16 | |
Somehow the wheels gripping the wet rails and now we're on the wonderful Glenfinnan viaduct. | 0:28:16 | 0:28:23 | |
Subtitles by Red Bee Media | 0:28:31 | 0:28:35 |