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In 1840, one man transformed travel in Britain. | 0:00:05 | 0:00:10 | |
His name was George Bradshaw | 0:00:10 | 0:00:12 | |
and his railway guides inspired the Victorians to take to the tracks. | 0:00:12 | 0:00:17 | |
Stop by stop he told them where to travel, | 0:00:17 | 0:00:21 | |
what to see and where to stay. | 0:00:21 | 0:00:24 | |
Now, 170 years later, I'm making a series of journeys across the length | 0:00:24 | 0:00:30 | |
and breadth of the country to see what of Bradshaw's Britain remains. | 0:00:30 | 0:00:34 | |
In the mid-19th century, Britain was in the grip of a railway revolution. | 0:00:51 | 0:00:56 | |
George Bradshaw's timetables were an essential tool for the new wave of Victorian travellers. | 0:00:56 | 0:01:01 | |
His handbook gave them travel tips and tourist information, | 0:01:01 | 0:01:06 | |
and today I'm using it to plan my journeys around Britain. | 0:01:06 | 0:01:09 | |
The journey I'm starting now is along a line | 0:01:09 | 0:01:11 | |
that was built for speedy communication. | 0:01:11 | 0:01:15 | |
Ireland was part of the United Kingdom in George Bradshaw's day. | 0:01:15 | 0:01:18 | |
The railway was extended to Holyhead in 1848 | 0:01:18 | 0:01:22 | |
to cut five hours off the journey time between Dublin and London, | 0:01:22 | 0:01:26 | |
for really important things, everything from urgent documents to members of parliament. | 0:01:26 | 0:01:33 | |
This historic railway was built to carry the Irish mail. | 0:01:36 | 0:01:40 | |
But it also brought changes to the crafts, | 0:01:40 | 0:01:43 | |
industries and places along the way. | 0:01:43 | 0:01:46 | |
Bradshaw wrote about many of them, and with his help I'll be finding | 0:01:46 | 0:01:50 | |
out how the railways transformed almost everything they touched. | 0:01:50 | 0:01:54 | |
On the first leg of my route I'll be sampling a classic Victorian drink... | 0:01:56 | 0:02:00 | |
How much cider or perry would they contain? | 0:02:00 | 0:02:03 | |
1,200 gallons in that one and there are about 40,000 in Pip and Squeak. | 0:02:03 | 0:02:07 | |
Pip and Squeak! | 0:02:07 | 0:02:08 | |
You'd get quite a hangover from one of those! | 0:02:08 | 0:02:11 | |
'..Meeting Britain's finest pedigree bulls...' | 0:02:11 | 0:02:15 | |
It's extraordinary that he's so docile. | 0:02:15 | 0:02:17 | |
Just not the reputation bulls have at all. | 0:02:17 | 0:02:20 | |
'..and discovering an engineering first.' | 0:02:20 | 0:02:23 | |
This is the grandfather of the skyscraper. | 0:02:23 | 0:02:27 | |
Really? The skyscraper was born in Shropshire. | 0:02:27 | 0:02:31 | |
The skyscraper is born right here. | 0:02:31 | 0:02:33 | |
Following my Bradshaw's guide, I'm journeying north, | 0:02:38 | 0:02:42 | |
through the Welsh borders towns | 0:02:42 | 0:02:44 | |
of Shrewsbury and Chirk towards Chester. | 0:02:44 | 0:02:46 | |
Then I'll follow the scenic coastal route to Llandudno | 0:02:46 | 0:02:50 | |
before travelling inland to explore Snowdonia | 0:02:50 | 0:02:54 | |
and crossing the Isle of Anglesey to Holyhead. | 0:02:54 | 0:02:57 | |
Starting in Ledbury, today I'll travel 65 miles | 0:03:00 | 0:03:03 | |
via Hereford to the pretty market town of Shrewsbury. | 0:03:03 | 0:03:07 | |
For city dwellers like me, | 0:03:13 | 0:03:16 | |
Herefordshire seems impenetrably rural. | 0:03:16 | 0:03:20 | |
In the days of horse and cart, its towns and villages would | 0:03:20 | 0:03:24 | |
have been days away from the major English cities. | 0:03:24 | 0:03:27 | |
The railways brought rapid connections and the products | 0:03:27 | 0:03:31 | |
of the countryside found markets throughout the kingdom. | 0:03:31 | 0:03:35 | |
We've passed through the most spectacular green rolling fields, | 0:03:42 | 0:03:46 | |
and that's brought us into my first stop - Ledbury. | 0:03:46 | 0:03:49 | |
Bradshaw's describes Ledbury as "a place remarkable for | 0:03:53 | 0:03:57 | |
"its manufacture of rope, twine and also cider and perry." | 0:03:57 | 0:04:01 | |
Perry has been made in this area for over 150 years, | 0:04:01 | 0:04:05 | |
but apparently few people know much about it today. | 0:04:05 | 0:04:10 | |
-Do you know what perry is? -Perry? It's a drink. | 0:04:12 | 0:04:15 | |
It is, yes. Does it mean anything to you? | 0:04:15 | 0:04:18 | |
No, it doesn't. | 0:04:18 | 0:04:19 | |
I'm following a 19th-century guidebook, and it says that this | 0:04:19 | 0:04:23 | |
place is remarkable for cider and perry. | 0:04:23 | 0:04:25 | |
Do you know what perry is? | 0:04:25 | 0:04:27 | |
It's like a sparkling... | 0:04:27 | 0:04:29 | |
er...like a sparkling... I'm not quite sure! | 0:04:29 | 0:04:34 | |
-What is it made from, do you know? -No, I don't. | 0:04:34 | 0:04:37 | |
Can you tell me what perry is? | 0:04:37 | 0:04:39 | |
Perry is an alcoholic drink made from pears rather than apples, for cider. | 0:04:39 | 0:04:44 | |
-So there are local perry producers in and around. -Do you drink it yourself? | 0:04:44 | 0:04:49 | |
Yes, I do, chilled, very nice. | 0:04:49 | 0:04:51 | |
One of the oldest perry producers is just up the road. | 0:04:56 | 0:05:00 | |
I've walked through a beautiful garden | 0:05:04 | 0:05:07 | |
up to this historic house, but it is surrounded by | 0:05:07 | 0:05:10 | |
an industrial complex, what looks like a brewery, | 0:05:10 | 0:05:13 | |
where they make the perry and cider. | 0:05:13 | 0:05:16 | |
-Helen. Hello, I'm Michael. -Hi, Michael. -Lovely to see you. | 0:05:17 | 0:05:20 | |
And you. | 0:05:20 | 0:05:22 | |
Helen Thomas' family has been making perry for over 100 years, | 0:05:22 | 0:05:26 | |
since her great grandfather, Henry Weston, began farming here. | 0:05:26 | 0:05:30 | |
But it wasn't always a business. | 0:05:30 | 0:05:33 | |
When it was first made, what was it for? | 0:05:33 | 0:05:36 | |
Presumably for just people locally? | 0:05:36 | 0:05:39 | |
Mainly it was for home consumption, | 0:05:39 | 0:05:42 | |
and also it was part of the wages they used to pay their labourers with. | 0:05:42 | 0:05:46 | |
So they would have so much cider and so much pay at the same time. | 0:05:46 | 0:05:49 | |
The drink used to pay the workers was also known as Haymaker's Cider, | 0:05:50 | 0:05:55 | |
and had little alcoholic content. | 0:05:55 | 0:05:57 | |
To make extra cash, it was sold to passing travellers | 0:05:57 | 0:06:01 | |
at the gate, who often added a little something of their own. | 0:06:01 | 0:06:05 | |
Bradshaw says the cider and perry are sometimes qualified with brandy. | 0:06:05 | 0:06:10 | |
-What does that mean? -I think they must have put a little extra | 0:06:10 | 0:06:13 | |
brandy with the perry and the cider just to make it a little stronger. | 0:06:13 | 0:06:17 | |
I haven't actually tried that. | 0:06:17 | 0:06:19 | |
-That would make you pretty drunk. -I'm sure it would. | 0:06:19 | 0:06:22 | |
So how did it go from being something just enjoyed by | 0:06:22 | 0:06:24 | |
the villagers and the farm workers to a commercial proposition? | 0:06:24 | 0:06:28 | |
Henry Weston, he made a particularly good cider and perry, | 0:06:28 | 0:06:31 | |
and he was encouraged to actually make more of it and start to sell it commercially. | 0:06:31 | 0:06:35 | |
Of course, he would have used the railway to get it further afield | 0:06:35 | 0:06:39 | |
so he would have used a horse and cart to actually take it to the railway station. | 0:06:39 | 0:06:43 | |
-And then from there to the nation. -That's right. | 0:06:43 | 0:06:45 | |
As the railway network expanded through Herefordshire, | 0:06:48 | 0:06:51 | |
Henry Weston's perry business began to grow. | 0:06:51 | 0:06:54 | |
Other farmers brought their perry pears here | 0:06:54 | 0:06:57 | |
to be processed and bottled before being sent all over Britain. | 0:06:57 | 0:07:02 | |
But Henry had his own orchards as well. | 0:07:02 | 0:07:06 | |
These are the cider apple trees, | 0:07:06 | 0:07:09 | |
and the taller trees you see in the front are perry pears. | 0:07:09 | 0:07:13 | |
This is a perry pear tree. You can see it's much larger | 0:07:14 | 0:07:18 | |
than the cider apple trees, which are behind you. | 0:07:18 | 0:07:20 | |
They take years and years to grow. | 0:07:20 | 0:07:22 | |
They say you plant a perry pear tree for your heirs. | 0:07:22 | 0:07:25 | |
So George Bradshaw might have been drinking perry from trees like this. | 0:07:25 | 0:07:29 | |
-I'm sure. -But if I come back here in 20, 30 years, I'll still be able to | 0:07:29 | 0:07:32 | |
see some of these magnificent, old, tall trees, will I? | 0:07:32 | 0:07:35 | |
Absolutely. I mean, I want them here for another 100 years. | 0:07:35 | 0:07:38 | |
'The varieties of pears used for perry are native to Herefordshire | 0:07:38 | 0:07:43 | |
'and are still processed in traditional ways.' | 0:07:43 | 0:07:46 | |
-This is a fantastic site. -This is our vat house. | 0:07:46 | 0:07:49 | |
So all these immense casks, vats you call them? | 0:07:49 | 0:07:52 | |
Yes, and they've all got a particular name. | 0:07:52 | 0:07:55 | |
So when you refer to something you know exactly where it is and what they're talking about. | 0:07:55 | 0:08:00 | |
We have three that Henry Weston... The first vats that he bought, | 0:08:00 | 0:08:03 | |
and they're called Gloucester, Worcester and Hereford. | 0:08:03 | 0:08:07 | |
Is this a museum? | 0:08:07 | 0:08:09 | |
-You don't still use these vats? -No, all these vats are used. | 0:08:09 | 0:08:11 | |
We can't get these vats now so these are part of our heritage. | 0:08:11 | 0:08:16 | |
Very important to how we make our ciders. | 0:08:16 | 0:08:18 | |
So how much cider or perry would they contain? | 0:08:18 | 0:08:21 | |
There's 1,200 gallons in that one, and about 40,000 in Pip and Squeak. | 0:08:21 | 0:08:24 | |
Pip and Squeak! A bit of an understatement, isn't it? | 0:08:24 | 0:08:27 | |
You could get quite a hangover from one of those, couldn't you? | 0:08:27 | 0:08:30 | |
'There's one change to perry since Bradshaw's day. | 0:08:30 | 0:08:34 | |
'Victorian perry was still, but Helen also makes a sparkling | 0:08:34 | 0:08:38 | |
'variety which, these days, is sold as pear cider. | 0:08:38 | 0:08:42 | |
'I'm happy to try both.' | 0:08:42 | 0:08:44 | |
-Any technique to this? -I don't think so. | 0:08:44 | 0:08:47 | |
I think you drink it like a fine wine. | 0:08:47 | 0:08:50 | |
Slight smell of pear. | 0:08:50 | 0:08:51 | |
-Soft and mellow. -Yes, soft, mellow. Completely flat, of course. | 0:08:54 | 0:08:58 | |
Yes, this is still. This is what Henry Weston would have made. | 0:08:58 | 0:09:01 | |
And this fellow, I can see, has bubbles. | 0:09:01 | 0:09:05 | |
-Slightly sparkling. -Yeah. | 0:09:05 | 0:09:07 | |
Stronger smell of pear, I'd say. | 0:09:07 | 0:09:11 | |
Much sweeter, more pear-like. | 0:09:11 | 0:09:13 | |
I like the bubbles on the tongue. | 0:09:13 | 0:09:15 | |
I remember perry being advertised when I was a child, | 0:09:15 | 0:09:19 | |
with a little bambi hopping around on the edge of a champagne glass. | 0:09:19 | 0:09:23 | |
So it's not for men, is that right? | 0:09:23 | 0:09:24 | |
It is today. It's served in pubs | 0:09:24 | 0:09:26 | |
and you buy it by the pint, by the half pint. | 0:09:26 | 0:09:29 | |
So you can go to a pub and say, "I want some perry, please". | 0:09:29 | 0:09:32 | |
Yes, you can! | 0:09:32 | 0:09:33 | |
Well done. Cheers! | 0:09:33 | 0:09:35 | |
Happy days. | 0:09:35 | 0:09:37 | |
Before the perry goes to my head, I need to retrace my steps to Ledbury | 0:09:40 | 0:09:45 | |
and unearth more about its very unusual station. | 0:09:45 | 0:09:49 | |
-Hello. -Morning. -Very beautiful ticket office. | 0:09:51 | 0:09:54 | |
We do our best to keep standards up here. | 0:09:54 | 0:09:57 | |
'Unlike at most stations, the ticket office is not run by | 0:09:57 | 0:10:01 | |
'a railway company, but by a small scale entrepreneur, John Goldrick.' | 0:10:01 | 0:10:05 | |
I am paid on commission basis rather than a salary from the railways. | 0:10:05 | 0:10:09 | |
I want to see people travelling by train. | 0:10:09 | 0:10:11 | |
It's up to me to encourage people to use the railways here. | 0:10:11 | 0:10:15 | |
So have you got a lot of people using the line these days? | 0:10:15 | 0:10:18 | |
We're pretty much jammed. | 0:10:18 | 0:10:20 | |
We've gone from a forgotten country station to capacity, almost. | 0:10:20 | 0:10:23 | |
Let me boost your commission a tiny bit. | 0:10:23 | 0:10:26 | |
Can I have a single ticket, standard class, | 0:10:26 | 0:10:28 | |
to Hereford this afternoon, please? | 0:10:28 | 0:10:30 | |
OK, that will cost you five pounds. | 0:10:30 | 0:10:33 | |
Next stop, Hereford. | 0:10:38 | 0:10:40 | |
'My Bradshaw's guide describes this next part of the line | 0:10:41 | 0:10:45 | |
'as one of the most picturesque in the country.' | 0:10:45 | 0:10:47 | |
This is the very essence of England, isn't it? | 0:10:49 | 0:10:52 | |
Deep, beautiful, rich greens, rolling countryside. Fantastic. | 0:10:52 | 0:11:00 | |
Tickets, please. | 0:11:00 | 0:11:02 | |
-Thank you very much. -Cheers. | 0:11:02 | 0:11:04 | |
This is a very beautiful stretch of line. | 0:11:04 | 0:11:06 | |
We are seeing it at its best today, aren't we? | 0:11:06 | 0:11:09 | |
-Very lovely. Nice day for it as well. -Thank you very much. Bye bye. | 0:11:09 | 0:11:13 | |
Next stop is Hereford, which I know a bit. | 0:11:15 | 0:11:19 | |
Beautiful cathedral city, | 0:11:19 | 0:11:21 | |
although there are things I haven't seen there. | 0:11:21 | 0:11:24 | |
But I'm going in particular because Bradshaw mentions the cattle. | 0:11:24 | 0:11:27 | |
He says, "They are a splendid breed, | 0:11:27 | 0:11:31 | |
"white faced with soft, reddish brown coats". | 0:11:31 | 0:11:35 | |
I'm really looking forward to meeting my Herefords. | 0:11:35 | 0:11:39 | |
'We'll shortly be arriving at Hereford | 0:11:42 | 0:11:45 | |
'where this service will be terminating. All change, please.' | 0:11:45 | 0:11:49 | |
In the 19th century, the Hereford was one of the country's top breeds, | 0:11:51 | 0:11:55 | |
and Hereford beef graced many Victorian dinner tables. | 0:11:55 | 0:11:59 | |
Astonishingly, there were three trains a day leaving Hereford | 0:11:59 | 0:12:03 | |
carrying cows acquired in the city's market down to London. | 0:12:03 | 0:12:07 | |
I'm interested to know what made this pedigree breed so successful, | 0:12:10 | 0:12:14 | |
so I'm heading to a farm whose speciality is grass fed, | 0:12:14 | 0:12:18 | |
organic Hereford cattle. | 0:12:18 | 0:12:20 | |
It's been owned by the Watkins family for five generations | 0:12:20 | 0:12:23 | |
and once enjoyed its own railway link. | 0:12:23 | 0:12:26 | |
Hello. Michael. | 0:12:26 | 0:12:28 | |
Hello. David Watkins. | 0:12:28 | 0:12:30 | |
-Nice to see you, David. -George Watkins. -Hello. | 0:12:30 | 0:12:32 | |
-Welcome to Ballingham. -This is an old railway bridge, is it? | 0:12:32 | 0:12:36 | |
This is in fact the old Ballingham Station. | 0:12:36 | 0:12:38 | |
Not much trace of the line now. | 0:12:38 | 0:12:41 | |
When did this close? Do you know? | 0:12:41 | 0:12:43 | |
'64, I think, when the rest of the beeching closes. | 0:12:43 | 0:12:46 | |
So you would remember this, David? | 0:12:46 | 0:12:49 | |
Yes, I can remember the steam train coming through here, very, very young. | 0:12:49 | 0:12:53 | |
Were you using it as a passenger or were you bringing cattle here? | 0:12:53 | 0:12:57 | |
We used to bring cattle down, so my grandfather used to tell me | 0:12:57 | 0:13:00 | |
to load them on the train to go to Hereford and Ross markets. | 0:13:00 | 0:13:04 | |
'In Victorian times the farm and the cattle began to thrive, thanks to the railway.' | 0:13:04 | 0:13:10 | |
It really is a very handsome animal. | 0:13:10 | 0:13:12 | |
It really is strikingly red. | 0:13:12 | 0:13:14 | |
What are its characteristics as an animal and as a meat? | 0:13:14 | 0:13:17 | |
I think the animal itself, | 0:13:17 | 0:13:19 | |
why it was originally so popular was its hardiness. | 0:13:19 | 0:13:23 | |
They get fat off the land here, they don't need a lot of grass | 0:13:23 | 0:13:27 | |
to get them fat in comparison with a more modern breed. | 0:13:27 | 0:13:32 | |
This old Welsh breed was so resilient that in the 19th century | 0:13:34 | 0:13:39 | |
farmers around the world imported them to improve the quality of their cattle stock. | 0:13:39 | 0:13:44 | |
I think they first started going off in 1850s, firstly | 0:13:47 | 0:13:52 | |
to America, then Australia and then pretty much everywhere in between. | 0:13:52 | 0:13:56 | |
So that coincided with the railways, | 0:13:56 | 0:13:59 | |
probably enabled them to take them to the ports in good time. | 0:13:59 | 0:14:02 | |
And then after, anywhere else, yeah. | 0:14:02 | 0:14:04 | |
And Herefords have become pretty much globalised, is that right? | 0:14:04 | 0:14:07 | |
Yeah, you'll see Herefords as far as the States, | 0:14:07 | 0:14:10 | |
Mongolia, Australia, Argentina. They're pretty much everywhere. | 0:14:10 | 0:14:14 | |
George Bradshaw describes the Herefords as having the red coat and the white face. | 0:14:14 | 0:14:18 | |
That's clearly exactly the same, but would he otherwise recognise these Herefords of today? | 0:14:18 | 0:14:23 | |
-Have they changed at all? -Oh, I think he'd recognise them. | 0:14:23 | 0:14:26 | |
Sometimes you see old photographs of Hereford cattle | 0:14:26 | 0:14:29 | |
that might be a bit more dumpy and short, whereas now | 0:14:29 | 0:14:31 | |
we try and get a longer animal with less wastage in the leg. | 0:14:31 | 0:14:35 | |
Herefords were known for their succulent meat marbled with fat. | 0:14:37 | 0:14:41 | |
But as tastes changed in the 20th century, they fell out of fashion. | 0:14:41 | 0:14:44 | |
In England they were replaced by larger, leaner European cattle, | 0:14:44 | 0:14:50 | |
and today, Hereford meat is marketed as a niche product for discerning customers. | 0:14:50 | 0:14:54 | |
People are much more interested in where their food comes from. | 0:14:56 | 0:15:00 | |
Obviously, here we can oversee the whole thing from the moment | 0:15:00 | 0:15:04 | |
I pull the calf to the moment it ends up on the plate in Hereford. | 0:15:04 | 0:15:10 | |
-So traceability is really important now. -Mmm. | 0:15:10 | 0:15:13 | |
And why is it such a good breed to have? | 0:15:13 | 0:15:17 | |
I think it's because they're very relaxed, a very docile sort of... | 0:15:17 | 0:15:21 | |
As you can see now, they're not bothered too much about us | 0:15:21 | 0:15:25 | |
and I think it comes through into the flavour of the meat. | 0:15:25 | 0:15:28 | |
We've got a bull just over there. | 0:15:28 | 0:15:30 | |
-We can go up and stroke him and he's pretty docile. -You're not serious? | 0:15:30 | 0:15:33 | |
-Yeah. -As part of my Spanish heritage, | 0:15:33 | 0:15:36 | |
I'm not used to doing that. | 0:15:36 | 0:15:38 | |
We have a rather more aggressive approach normally. | 0:15:38 | 0:15:41 | |
George, this is an immense animal. | 0:15:44 | 0:15:46 | |
It's extraordinary that he's so docile. | 0:15:46 | 0:15:49 | |
Just not the reputation bulls have at all! | 0:15:49 | 0:15:52 | |
What a friendly guy. | 0:15:52 | 0:15:54 | |
Well, I didn't think I would ever touch a bull. | 0:15:54 | 0:15:57 | |
George and David sell most of their meat locally | 0:16:00 | 0:16:03 | |
and some of it ends up on the plate at their hotel | 0:16:03 | 0:16:07 | |
in the centre of Hereford, where I'm going to spend the night. | 0:16:07 | 0:16:11 | |
Isn't this absolutely wonderful? | 0:16:13 | 0:16:16 | |
Quintessentially English. | 0:16:16 | 0:16:18 | |
The medieval cathedral rising above the river. | 0:16:18 | 0:16:22 | |
The bridge, 1490, damaged in the English civil war. | 0:16:22 | 0:16:27 | |
A perfect summer's evening, a superb view | 0:16:27 | 0:16:32 | |
and now, at last, I think, an excellent steak dinner. | 0:16:32 | 0:16:36 | |
Traditionally, Hereford beef is hung for 25 days to enhance the taste. | 0:16:39 | 0:16:43 | |
I'm about to enjoy the result of all that patient effort. | 0:16:43 | 0:16:48 | |
Thank you very much indeed. | 0:16:48 | 0:16:50 | |
Mmm. Marvellous. | 0:16:55 | 0:16:57 | |
Tender, delicious... | 0:16:57 | 0:17:02 | |
full of flavour. Fantastic. | 0:17:02 | 0:17:03 | |
Morning in Hereford and I'm on my way to the cathedral, | 0:17:11 | 0:17:15 | |
which I've seen before, but there's something I haven't seen and I have long wanted to, | 0:17:15 | 0:17:20 | |
and today, I will fulfil that ambition. | 0:17:20 | 0:17:23 | |
My Bradshaw's guide talks about "A curious Saxon map of the world," | 0:17:26 | 0:17:30 | |
kept in the cathedral's library. | 0:17:30 | 0:17:33 | |
I'm meeting the commercial director of the cathedral, | 0:17:33 | 0:17:36 | |
Dominic Harbour, to find out more. | 0:17:36 | 0:17:38 | |
-Dominic. -Hello, Michael. | 0:17:38 | 0:17:40 | |
You're admiring your beautiful cathedral. | 0:17:40 | 0:17:43 | |
The map is fragile and must be a kept in a darkened room. | 0:17:44 | 0:17:48 | |
It's the most extraordinary thing, Dominic. | 0:17:51 | 0:17:54 | |
So point out to me the great places. | 0:17:55 | 0:17:57 | |
Where's Jerusalem? | 0:17:57 | 0:18:00 | |
Jerusalem is at the very centre of the map there, shown as a circle, | 0:18:00 | 0:18:05 | |
and really it's from there where the rest of the world, | 0:18:05 | 0:18:08 | |
the known habitable world, spreads out. | 0:18:08 | 0:18:10 | |
'This extremely rare manuscript is called the Mappa Mundi. | 0:18:10 | 0:18:14 | |
'It's a 13th century concept of the world drawn onto animal skin.' | 0:18:14 | 0:18:20 | |
In a way, this is what we would almost call a virtual map, | 0:18:20 | 0:18:23 | |
a conceptual map. It's not geographically accurate. | 0:18:23 | 0:18:26 | |
Yes, absolutely. Geography isn't the greatest priority on this map. | 0:18:26 | 0:18:31 | |
You've got illustrations from the Bible. | 0:18:31 | 0:18:34 | |
You've got information about flora, fauna. | 0:18:34 | 0:18:37 | |
It's like cyber-space at the end of the 13th century. | 0:18:37 | 0:18:40 | |
'Originally the map would have been visited by religious pilgrims. | 0:18:40 | 0:18:45 | |
'But by the 19th century, Hereford Cathedral was increasingly | 0:18:45 | 0:18:48 | |
'attracting Victorians, who were simply curious about their history.' | 0:18:48 | 0:18:53 | |
George Bradshaw calls it "A curious Saxon map of the world." | 0:18:53 | 0:18:56 | |
Why was he rather dismissive of this thing? | 0:18:56 | 0:18:59 | |
Particularly to Bradshaw's time, this was something that illustrated | 0:18:59 | 0:19:03 | |
perhaps everything that was bad about what we think of medieval today. | 0:19:03 | 0:19:07 | |
It's chaotic, it's barbaric, it's dirty, it's complete chaos. | 0:19:07 | 0:19:12 | |
Is it unique to Hereford? | 0:19:12 | 0:19:14 | |
There would have been other Mappa Mundi that existed all across Europe. | 0:19:14 | 0:19:18 | |
In fact they were quite common at that time. | 0:19:18 | 0:19:21 | |
However, certainly by Bradshaw's time, | 0:19:21 | 0:19:23 | |
this was really a rare and exceptional survival. | 0:19:23 | 0:19:26 | |
And did you tell me it was on hide? | 0:19:26 | 0:19:27 | |
Yes, it's a single piece of calf skin. | 0:19:27 | 0:19:30 | |
-It could be a Herefordshire, could it? -Possibly. | 0:19:30 | 0:19:34 | |
Really remarkable visit. | 0:19:36 | 0:19:38 | |
Thank you so much. | 0:19:38 | 0:19:39 | |
I'm now leaving Hereford for the last leg of my journey. | 0:19:42 | 0:19:46 | |
Busy, busy. | 0:19:46 | 0:19:47 | |
50 miles along the track, towards Shrewsbury. | 0:19:47 | 0:19:51 | |
And there's one thing I'd like to straighten out before I arrive there. | 0:19:52 | 0:19:57 | |
Excuse me, | 0:19:58 | 0:19:59 | |
do you know the line quite well? | 0:19:59 | 0:20:01 | |
-Yes. -It's such beautiful country. -It's absolutely gorgeous. | 0:20:03 | 0:20:06 | |
I love the ride just going into Shrewsbury station | 0:20:06 | 0:20:09 | |
and the castle up above and the gorgeous station. | 0:20:09 | 0:20:12 | |
I notice you say "Shroos-bury", | 0:20:12 | 0:20:14 | |
should I say "Shroos-bury" or "Shrows-bury"? | 0:20:14 | 0:20:16 | |
You could ask people in Shroos-bury or Shrows-bury what they say. | 0:20:16 | 0:20:21 | |
-I think that's a good idea. It's like "tom-ah-to" "tom-ay-to" isn't it? -Yes, it is. | 0:20:21 | 0:20:25 | |
'This train is for Manchester Piccadilly. | 0:20:28 | 0:20:32 | |
'The next stop is Shrewsbury.' | 0:20:32 | 0:20:34 | |
The electronic voice thinks it's Shroos-bury. | 0:20:36 | 0:20:40 | |
I think I'll check with real human beings when I get there. | 0:20:40 | 0:20:43 | |
My Bradshaw's guide offers no advice on this thorny matter | 0:20:44 | 0:20:47 | |
but it does make me focus on the town's impressive station. | 0:20:47 | 0:20:52 | |
Bradshaw is really keen on it because it's built | 0:20:52 | 0:20:55 | |
in the Tudor style with these lovely tall chimneys. | 0:20:55 | 0:20:59 | |
He's kind of shocked at how much it cost. | 0:20:59 | 0:21:01 | |
£100,000, including acquiring the site. | 0:21:01 | 0:21:05 | |
But he really approves of it too, and it is beautiful. | 0:21:05 | 0:21:08 | |
But I suppose it's testimony that Shrewsbury was really keen on the railways and this palace | 0:21:08 | 0:21:13 | |
indicates Shrewsbury's enthusiasm for the new age. | 0:21:13 | 0:21:16 | |
Time now, though, to find out just how the good folk of Shrewsbury | 0:21:18 | 0:21:23 | |
pronounce their town's name. | 0:21:23 | 0:21:26 | |
Excuse me, am I in Shroos-bury or Shrows-bury? | 0:21:26 | 0:21:30 | |
-Shroos-bury. -You're very clear about that. Why is that? | 0:21:30 | 0:21:34 | |
It's always known as being that side of the bridge says Shrows-bury, that side says Shroos-bury. | 0:21:34 | 0:21:39 | |
And what's the difference between the two sides? | 0:21:39 | 0:21:41 | |
The private school tends to bring a lot of the Shrows-bury to it. | 0:21:41 | 0:21:44 | |
Private schools, Shrows-bury. | 0:21:44 | 0:21:46 | |
Yeah, I think so. | 0:21:46 | 0:21:48 | |
Shroos-bury or Shrows-bury - | 0:21:49 | 0:21:52 | |
in Bradshaw's day, this place was very different | 0:21:52 | 0:21:55 | |
from the rural market town we see today. | 0:21:55 | 0:21:57 | |
It was once at the centre of the Industrial Revolution, | 0:21:57 | 0:22:01 | |
surrounded by mills and foundries. | 0:22:01 | 0:22:03 | |
There's one mill in particular that I've been urged to see. | 0:22:03 | 0:22:09 | |
John. | 0:22:09 | 0:22:10 | |
-Hello, Michael. -Good to see you. -Welcome to Ditherington Flax Mill. | 0:22:10 | 0:22:13 | |
'Showing me around the mill is John Yates, inspector of historic buildings for Shropshire.' | 0:22:13 | 0:22:19 | |
Forgive me, it doesn't look all that special. What is the point of it? | 0:22:19 | 0:22:22 | |
Well, it's special on the inside as you'll see in a minute. | 0:22:22 | 0:22:26 | |
But it's an actual first. The world's first iron-framed building. | 0:22:26 | 0:22:30 | |
This is absolutely at the cutting edge of technology. | 0:22:30 | 0:22:33 | |
The new technology of the time. | 0:22:33 | 0:22:35 | |
An iron building, an experimental building. | 0:22:35 | 0:22:37 | |
200 feet long, five storeys high, 40 feet wide. | 0:22:37 | 0:22:41 | |
An astonishing act of confidence and bravado, virtuosity and skill. | 0:22:41 | 0:22:45 | |
You've whetted my appetite. How do we get into it? | 0:22:45 | 0:22:48 | |
The owners of the site had just suffered a financial catastrophe. | 0:22:51 | 0:22:55 | |
They'd lost thousands of pounds when one of their timber-framed mills in Leeds had burned down. | 0:22:55 | 0:23:02 | |
Onwards and upwards. | 0:23:02 | 0:23:04 | |
'Desperate to avoid more losses, | 0:23:04 | 0:23:07 | |
'they hired engineer Charles Bage to design a new mill in Shrewsbury. | 0:23:07 | 0:23:12 | |
'Bage knew that cast iron was being used to make rails at nearby Coalbrookdale. | 0:23:12 | 0:23:17 | |
'And he decided to make use of it in a building.' | 0:23:17 | 0:23:21 | |
-Aha! -That's what it's all about. | 0:23:23 | 0:23:26 | |
Isn't it wonderful? | 0:23:26 | 0:23:28 | |
So these supports, they're made of iron, are they? | 0:23:28 | 0:23:31 | |
They are. They're made of cast iron, | 0:23:31 | 0:23:33 | |
iron poured molten into a bed of sand that's been shaped to go to this | 0:23:33 | 0:23:38 | |
lovely slender shape, just tapering out a little in the middle, | 0:23:38 | 0:23:43 | |
just like the columns on the Parthenon. | 0:23:43 | 0:23:45 | |
Significantly, Charles Bage's iron frame was fireproof. | 0:23:46 | 0:23:51 | |
When the railways arrived, it became easier to transport large | 0:23:51 | 0:23:55 | |
pieces of iron and then steel around the country | 0:23:55 | 0:23:59 | |
and many other new buildings adopted the technology. | 0:23:59 | 0:24:03 | |
These columns all support iron beams | 0:24:03 | 0:24:05 | |
that run right across the building from one side to another. | 0:24:05 | 0:24:09 | |
And then the beams themselves support shallow brick vaults, | 0:24:09 | 0:24:14 | |
just half a brick thick, that span from one beam to the other. | 0:24:14 | 0:24:18 | |
Then to stop the vaults simply collapsing | 0:24:18 | 0:24:22 | |
by pushing apart in the way that arches always do, | 0:24:22 | 0:24:26 | |
there are wrought iron, even stronger iron, | 0:24:26 | 0:24:28 | |
formed into bars, that run the whole length of the building, | 0:24:28 | 0:24:31 | |
all 200 foot of it. | 0:24:31 | 0:24:33 | |
So this three-way metal frame, up, across and along, | 0:24:33 | 0:24:39 | |
-is the grandfather of the skyscraper. -Really? | 0:24:39 | 0:24:43 | |
-Yes. -The skyscraper was born in Shropshire? | 0:24:43 | 0:24:45 | |
The skyscraper is born right here. | 0:24:45 | 0:24:48 | |
Shropshire may seem a sleepy place now, | 0:24:48 | 0:24:51 | |
but in 1800, this was Silicon Valley. | 0:24:51 | 0:24:53 | |
This was absolutely at the cutting edge of the technological and Industrial Revolution. | 0:24:53 | 0:24:59 | |
The use of a metal frame in place of wood enabled architects to design | 0:25:00 | 0:25:05 | |
taller buildings and eventually led to the steel-framed skyscrapers of the 20th century. | 0:25:05 | 0:25:11 | |
Before I leave Shrewsbury, there's an intriguing reference | 0:25:15 | 0:25:19 | |
in my guide book that I must investigate. | 0:25:19 | 0:25:22 | |
This high spire is the Church of St Mary's | 0:25:22 | 0:25:26 | |
and Bradshaw is clearly quite amused by an incident that occurred here. | 0:25:26 | 0:25:31 | |
He says, | 0:25:31 | 0:25:33 | |
"Many years ago, a hair-brained fellow | 0:25:33 | 0:25:36 | |
"undertook to slide down a rope, | 0:25:36 | 0:25:38 | |
"laid from the top of this spire to the other side of the river. | 0:25:38 | 0:25:42 | |
"But he was killed in the attempt". | 0:25:42 | 0:25:45 | |
That's rather sad. | 0:25:45 | 0:25:47 | |
I've come to find out more about the tragic events of 1739 | 0:25:49 | 0:25:53 | |
from Robert Milton, who works at St Mary's Church. | 0:25:53 | 0:25:58 | |
Robert Cadman was a steeple jack by trade and he was asked by the church council | 0:25:58 | 0:26:02 | |
to come and repair the weather vane on top of the spire. | 0:26:02 | 0:26:05 | |
Having done so, he then requested permission to do his party trick, | 0:26:05 | 0:26:09 | |
which was to tie a rope to the bell frame, | 0:26:09 | 0:26:12 | |
bringing it through behind us, | 0:26:12 | 0:26:14 | |
it then extended to the very, very far-side of the river, | 0:26:14 | 0:26:18 | |
to ground just short of the railway box. | 0:26:18 | 0:26:21 | |
-About 500 yards. -Good Lord. | 0:26:21 | 0:26:23 | |
He would then walk up the line, performing tricks and firing pistols. | 0:26:23 | 0:26:27 | |
And I suppose hundreds of people | 0:26:27 | 0:26:29 | |
would've turned out to watch this stuff? | 0:26:29 | 0:26:31 | |
It was a craze of its day. | 0:26:31 | 0:26:34 | |
And, of course, his wife would go around and collect | 0:26:34 | 0:26:37 | |
the pennies and whatever offerings were being offered at the time. | 0:26:37 | 0:26:40 | |
'His final trick was to slide all the way down the rope | 0:26:40 | 0:26:44 | |
'from the spire to the ground.' | 0:26:44 | 0:26:47 | |
That's where it went wrong unfortunately on this occasion. | 0:26:47 | 0:26:50 | |
Where the rope had come through the bell louvers, it parted and poor Robert plummeted to his death. | 0:26:50 | 0:26:54 | |
-It snapped here? -It snapped where it came through the wooden frame. | 0:26:54 | 0:26:58 | |
So is Cadman regarded as the hero of Shrewsbury? | 0:26:58 | 0:27:02 | |
Do people celebrate his birthday? | 0:27:02 | 0:27:05 | |
No, I think, relatively speaking, he's quite unknown within the town. | 0:27:05 | 0:27:09 | |
Well, I hope George Bradshaw's done something to revive his memory. | 0:27:09 | 0:27:12 | |
I sincerely hope so. I think it's well deserved. | 0:27:12 | 0:27:15 | |
I am often surprised by details that Bradshaw thought to include in his guide book. | 0:27:17 | 0:27:21 | |
From hare-brained tightrope walkers to white-faced cows | 0:27:21 | 0:27:25 | |
and the origins of perry - the full breadth of life and death | 0:27:25 | 0:27:29 | |
is captured in its pages. | 0:27:29 | 0:27:31 | |
And all of it accessible because of the new railways. | 0:27:31 | 0:27:35 | |
In Herefordshire, farmers made use of the arrival of the railways | 0:27:35 | 0:27:40 | |
to find new markets for their products. | 0:27:40 | 0:27:43 | |
In Shropshire, inventors and entrepreneurs grasped the railways | 0:27:43 | 0:27:47 | |
enthusiastically to pursue their Industrial Revolution. | 0:27:47 | 0:27:51 | |
The railways transformed everywhere, | 0:27:51 | 0:27:54 | |
but the nature of the change depended upon the geography | 0:27:54 | 0:27:58 | |
and the character of the people in each county. | 0:27:58 | 0:28:01 | |
On my next journey, I'm following Bradshaw to see the world's first iron bridge. | 0:28:08 | 0:28:13 | |
-Where do I go to see it? -Just down the bottom. It's amazing. You'll love it. | 0:28:13 | 0:28:16 | |
Visiting a place where the railways weren't initially welcome. | 0:28:16 | 0:28:21 | |
My ancestor at the time of the railway | 0:28:21 | 0:28:23 | |
was particularly disenchanted with the idea of a railway being | 0:28:23 | 0:28:27 | |
built across his land, so he tried very hard to disrupt the surveyors. | 0:28:27 | 0:28:33 | |
And discovering the secrets of good cheese. | 0:28:33 | 0:28:37 | |
It's just exactly as my great grandfather would recognise. | 0:28:37 | 0:28:42 | |
Subtitles by Red Bee Media Ltd | 0:29:05 | 0:29:07 | |
Email [email protected] | 0:29:07 | 0:29:10 |