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In 1840, one man transformed travel in Britain. | 0:00:05 | 0:00:10 | |
His name was George Bradshaw | 0:00:10 | 0:00:12 | |
and his railway guides inspired the Victorians to take to the tracks. | 0:00:12 | 0:00:17 | |
Stop by stop, he told them where to travel, what to see, | 0:00:18 | 0:00:22 | |
and where to stay. | 0:00:22 | 0:00:24 | |
Now, 170 years later, I'm making a series of journeys across the length | 0:00:25 | 0:00:30 | |
and breadth of the country to see what of Bradshaw's Britain remains. | 0:00:30 | 0:00:34 | |
Steered by my Bradshaw's guide, I am now completing my journey | 0:00:54 | 0:00:58 | |
towards the most westerly part of South Wales. | 0:00:58 | 0:01:02 | |
This area hosted a powerhouse of the Industrial Revolution, | 0:01:02 | 0:01:06 | |
and I'm keen to discover the cultural legacy of that period, | 0:01:06 | 0:01:09 | |
and also to find out whether industry and trade | 0:01:09 | 0:01:12 | |
are still continued here on a colossal scale. | 0:01:12 | 0:01:16 | |
On the final leg of this journey, I'll be discovering | 0:01:17 | 0:01:19 | |
how the 19th-century steel trade has been brought up to date. | 0:01:19 | 0:01:23 | |
I can feel the heat of the blast furnace. | 0:01:23 | 0:01:25 | |
I can see a stream of molten iron. I can see sparks flying. | 0:01:25 | 0:01:29 | |
I can see smoke. And now, this fantastic train that's emerging. | 0:01:29 | 0:01:33 | |
Going on a Victorian adventure to see a marvel of the natural world. | 0:01:33 | 0:01:38 | |
It's wonderfully wet and wonderfully thrilling, isn't it? | 0:01:38 | 0:01:42 | |
It's, kind of...very, very romantic. | 0:01:42 | 0:01:44 | |
And learning how industry | 0:01:44 | 0:01:46 | |
gave birth to beautiful music in Bradshaw's day. | 0:01:46 | 0:01:49 | |
-Sir, how long have you been in the choir? -Oh, only 53 years. -No?! -Yeah! | 0:01:49 | 0:01:53 | |
Yeah! | 0:01:53 | 0:01:55 | |
I've been making a long journey from the heart of England to West Wales. | 0:01:57 | 0:02:01 | |
It's taken me through rolling hills | 0:02:01 | 0:02:03 | |
and ancient forests, before crossing the border, | 0:02:03 | 0:02:05 | |
where I've been exploring | 0:02:05 | 0:02:07 | |
the rich industrial and railway heritage of the Welsh valleys. | 0:02:07 | 0:02:11 | |
This stretch kicks off in Port Talbot, | 0:02:14 | 0:02:16 | |
then takes in the natural wonders of the Vale of Neath, | 0:02:16 | 0:02:20 | |
finishing up at the port of Milford Haven. | 0:02:20 | 0:02:23 | |
My guide book paints a vivid picture | 0:02:24 | 0:02:27 | |
of this region's beating industrial heart. | 0:02:27 | 0:02:31 | |
Here is Bradshaw's gripping description of South Wales | 0:02:31 | 0:02:35 | |
in the mid-19th century. | 0:02:35 | 0:02:37 | |
"At night, the lurid glare from countless coke ovens, | 0:02:37 | 0:02:40 | |
"by day, the dense clouds, | 0:02:40 | 0:02:42 | |
"proceeding from hundreds of chimney stalks overhanging the valley. | 0:02:42 | 0:02:47 | |
"At all times, the arsenical, | 0:02:47 | 0:02:50 | |
"sulphurous vapour filling the air, which you may both smell and taste. | 0:02:50 | 0:02:55 | |
"And that gives the scene | 0:02:55 | 0:02:57 | |
"a character scarcely to be seen elsewhere." | 0:02:57 | 0:03:00 | |
Bradshaw's recognised that the Industrial Revolution | 0:03:00 | 0:03:03 | |
had brought both Paradise and Inferno. | 0:03:03 | 0:03:06 | |
The heat and smoke that hung over the valleys in Bradshaw's day | 0:03:09 | 0:03:13 | |
was producing iron and steel, vital ingredients for the spread | 0:03:13 | 0:03:17 | |
of the railways and Britain's rapid industrial growth. | 0:03:17 | 0:03:21 | |
My first stop is Port Talbot, | 0:03:23 | 0:03:24 | |
a town that is still synonymous with steel today, | 0:03:24 | 0:03:28 | |
I'm heading to the vast modern steelworks | 0:03:31 | 0:03:34 | |
just south of the town | 0:03:34 | 0:03:36 | |
to see how the industry has changed since the 19th century. | 0:03:36 | 0:03:38 | |
This 20km squared site is managed by John Ferryman. | 0:03:38 | 0:03:44 | |
-Good morning, John. -Good morning, Michael. | 0:03:44 | 0:03:46 | |
-Lovely to see you. -This is really industry on an epic scale, isn't it? | 0:03:46 | 0:03:49 | |
Absolutely. We're stood in front of the blast furnaces, | 0:03:49 | 0:03:51 | |
here, at Port Talbot. | 0:03:51 | 0:03:53 | |
-Fantastic site. -I was reading my Bradshaw's guide on the way here. | 0:03:53 | 0:03:56 | |
He has this description of the blast furnaces in the mid-19th century. | 0:03:56 | 0:04:00 | |
-So, iron and steel making goes back a long way here. -Absolutely. | 0:04:00 | 0:04:03 | |
The plant is built around coal supplies and iron ore supplies. | 0:04:03 | 0:04:08 | |
It goes back to Christopher Talbot, back in the 19th century. | 0:04:08 | 0:04:12 | |
Christopher Rice Mansel Talbot was a local landowner. | 0:04:12 | 0:04:17 | |
The ironworks he opened here in 1831 | 0:04:17 | 0:04:19 | |
took advantage of recent industrial innovations | 0:04:19 | 0:04:22 | |
that made large-scale iron production possible. | 0:04:22 | 0:04:26 | |
But his ambitions for the area went further, | 0:04:26 | 0:04:29 | |
as the town's name suggests. | 0:04:29 | 0:04:31 | |
-So, he gave his name to Port Talbot. He developed the dock? -Absolutely. | 0:04:31 | 0:04:37 | |
The dock came along. | 0:04:37 | 0:04:39 | |
He realised when you had an iron works, | 0:04:39 | 0:04:40 | |
you needed to bring materials in. | 0:04:40 | 0:04:42 | |
So he actually developed the docks. | 0:04:42 | 0:04:43 | |
He also had something to do with the railways as well. | 0:04:43 | 0:04:45 | |
In fact, Talbot was a major player | 0:04:45 | 0:04:48 | |
in the railway history of South Wales. | 0:04:48 | 0:04:50 | |
He was chairman of the South Wales Railway Company, | 0:04:50 | 0:04:53 | |
which built the line used to export coal from the region to London. | 0:04:53 | 0:04:57 | |
Closer to home, | 0:04:57 | 0:04:58 | |
his efforts helped Port Talbot to boom in the 19th century. | 0:04:58 | 0:05:03 | |
So, actually, in one person, this Talbot, you've got the dock, | 0:05:03 | 0:05:06 | |
you've got the ironworks, you've got the railways, | 0:05:06 | 0:05:08 | |
all integrated in this single figure. | 0:05:08 | 0:05:09 | |
Yeah, he did, and he actually brought that in in the 19th century | 0:05:09 | 0:05:13 | |
and made a huge difference to this area. | 0:05:13 | 0:05:15 | |
And it's still the same today. | 0:05:15 | 0:05:17 | |
Industrially produced iron helped Britain's railways | 0:05:18 | 0:05:22 | |
to unfurl across the land, used for everything | 0:05:22 | 0:05:26 | |
from tracks to stations and viaducts. | 0:05:26 | 0:05:28 | |
But, by the 1870s, a new technology allowed iron | 0:05:28 | 0:05:31 | |
to be transformed inexpensively into steel, which was stronger, | 0:05:31 | 0:05:35 | |
giving fresh impetus to the Industrial Revolution. | 0:05:35 | 0:05:37 | |
Port Talbot gained its first steelworks in 1901, | 0:05:38 | 0:05:42 | |
and then the core of the modern plant opened in the 1950s. | 0:05:42 | 0:05:46 | |
Further technological progress | 0:05:46 | 0:05:48 | |
has transformed the manufacturing process. | 0:05:48 | 0:05:51 | |
-Wade, hello. -Hello. -What is it that you control from here? | 0:05:51 | 0:05:54 | |
I control all the furnace parameters. | 0:05:54 | 0:05:57 | |
How quick the furnace is running, how much iron we are making, | 0:05:57 | 0:05:59 | |
what we put in the top, what percentage of coke to ore. | 0:05:59 | 0:06:03 | |
-What I'm looking at on the screen there. -Yes. | 0:06:03 | 0:06:05 | |
How far away is that from this building? | 0:06:05 | 0:06:06 | |
-It's about 30 foot behind those windows. -Really? | 0:06:06 | 0:06:09 | |
Straight across, yes. | 0:06:09 | 0:06:10 | |
But it would be pretty damn hot if we were down there. | 0:06:10 | 0:06:13 | |
If you were up there at the moment, you would be very warm, | 0:06:13 | 0:06:15 | |
quite uncomfortable. | 0:06:15 | 0:06:16 | |
You'd be wearing safety gear. | 0:06:16 | 0:06:17 | |
The iron itself is about 1,500 degrees this morning. | 0:06:17 | 0:06:20 | |
And how do you get the temperatures up? | 0:06:20 | 0:06:22 | |
We blow hot air in the bottom, about 1,000 degrees, and inside there, | 0:06:22 | 0:06:26 | |
we mix that with coke and oxygen and we get combustion. | 0:06:26 | 0:06:31 | |
The flame temperature at the bottom, there, is about 2,240 degrees, | 0:06:31 | 0:06:35 | |
which produces that iron, at about 1,528, right now. | 0:06:35 | 0:06:38 | |
The temperatures are just bewildering to me. | 0:06:38 | 0:06:41 | |
An extraordinary environment. | 0:06:41 | 0:06:43 | |
This vast site handles the whole steel-making process, | 0:06:44 | 0:06:48 | |
from smelting to rolling out the finished product, | 0:06:48 | 0:06:51 | |
producing up to 5,000,000 tonnes per year. | 0:06:51 | 0:06:53 | |
The plant has its own internal railway, | 0:06:53 | 0:06:57 | |
where locomotives pull so-called torpedoes | 0:06:57 | 0:07:01 | |
full of blistering hot liquid iron. | 0:07:01 | 0:07:03 | |
John, it's a fantastic feeling here. | 0:07:03 | 0:07:07 | |
I can feel the heat of the blast furnace. | 0:07:07 | 0:07:09 | |
I can see a stream of molten iron. I can see sparks flying. | 0:07:09 | 0:07:12 | |
I can see smoke. And now, this fantastic train that's emerging. | 0:07:12 | 0:07:17 | |
Tell me about that. | 0:07:17 | 0:07:19 | |
The torpedo is like a flask on wheels | 0:07:19 | 0:07:21 | |
and it's holding in 1,530 degrees of molten iron. | 0:07:21 | 0:07:25 | |
So there's about 300 tonnes in this torpedo behind us. | 0:07:25 | 0:07:28 | |
And it's now going off to our steel plant, where it will be treated | 0:07:28 | 0:07:31 | |
to turn it from iron into steel. | 0:07:31 | 0:07:33 | |
I can see the heat haze rising above the torpedoes. | 0:07:33 | 0:07:35 | |
This is an open vessel, is it? | 0:07:35 | 0:07:37 | |
Yeah, the top of the vessel is open. | 0:07:37 | 0:07:39 | |
That's the area we pour into and actually pour out of | 0:07:39 | 0:07:42 | |
when it gets into the steel plant. | 0:07:42 | 0:07:44 | |
You must have, yourselves, a pretty enormous | 0:07:44 | 0:07:47 | |
and busy railway network inside the plant. | 0:07:47 | 0:07:50 | |
Yeah, I mean, the blast furnaces are known as the heart of the plant, | 0:07:50 | 0:07:54 | |
and the railway network is known as the veins. | 0:07:54 | 0:07:56 | |
And, actually, we're moving about 80,000 tonnes of molten iron a week | 0:07:56 | 0:08:00 | |
through the plant. | 0:08:00 | 0:08:01 | |
-A week?! -A week, yes. | 0:08:01 | 0:08:02 | |
So, I mean, you know, that does make you a very substantial | 0:08:02 | 0:08:06 | |
railway operation. | 0:08:06 | 0:08:07 | |
The railway here is absolutely essential to this business. | 0:08:07 | 0:08:09 | |
It just cannot operate without a railway network. | 0:08:09 | 0:08:12 | |
I'm sure George Bradshaw would be struck that coke, | 0:08:14 | 0:08:16 | |
iron smelting, and the transportation of steel | 0:08:16 | 0:08:20 | |
by rail continue today in a form that he would recognise. | 0:08:20 | 0:08:25 | |
But the railways in his day served passengers as well as freight. | 0:08:25 | 0:08:29 | |
I'm leaving Port Talbot, following the tracks of Victorian | 0:08:29 | 0:08:32 | |
adventurers who came to explore this region's gorgeous landscape. | 0:08:32 | 0:08:36 | |
My Bradshaw's says, "Here, the fine Vale of Neath may be ascended | 0:08:37 | 0:08:42 | |
"to the beautiful waterfalls at its summit. | 0:08:42 | 0:08:45 | |
"Some of the best waterfalls in South Wales." | 0:08:45 | 0:08:48 | |
And while industry has changed a lot since Bradshaw's day, | 0:08:48 | 0:08:52 | |
I'm assuming that nature has not. | 0:08:52 | 0:08:55 | |
I leave the train at Neath station. | 0:09:09 | 0:09:11 | |
In Bradshaw's day, | 0:09:11 | 0:09:13 | |
I would have been able to pick up the Vale of Neath Railway here, | 0:09:13 | 0:09:15 | |
to take me closer to the valley's most stunning scenery. | 0:09:15 | 0:09:18 | |
The line's gone, now, | 0:09:21 | 0:09:23 | |
but that won't deter me | 0:09:23 | 0:09:25 | |
from following the trail of Victorians, | 0:09:25 | 0:09:27 | |
who sought the thrill of nature in waterfall country. | 0:09:27 | 0:09:31 | |
I'm meeting countryside warden Helen Pie, | 0:09:39 | 0:09:42 | |
to hear whether this beauty spot has changed since Bradshaw's day. | 0:09:42 | 0:09:47 | |
-Helen. -How are you? | 0:09:47 | 0:09:50 | |
-What an awesome site that is. -It's absolutely stunning, isn't it? | 0:09:50 | 0:09:53 | |
The power of nature, eh? | 0:09:53 | 0:09:55 | |
I imagine that Victorian tourists did come in considerable numbers. | 0:09:55 | 0:09:59 | |
The numbers were actually quite low. | 0:09:59 | 0:10:01 | |
This area was quite an extreme environment for them to come to, | 0:10:01 | 0:10:06 | |
so, you did generally tend to get explorers, naturalists, | 0:10:06 | 0:10:10 | |
artists, really. | 0:10:10 | 0:10:11 | |
And probably people who were more of the higher classes, | 0:10:11 | 0:10:15 | |
because it was quite an adventure to come here, really. | 0:10:15 | 0:10:18 | |
Of course, the Victorians combined this romanticism, | 0:10:18 | 0:10:21 | |
this wish to get back to the forces of nature, with a very keen | 0:10:21 | 0:10:26 | |
sense of scientific enquiry, didn't they? | 0:10:26 | 0:10:28 | |
Yeah, definitely. | 0:10:28 | 0:10:29 | |
So, you had people like Alfred Russel Wallace coming here. | 0:10:29 | 0:10:33 | |
He was a famous naturalist of the 19th century. | 0:10:33 | 0:10:35 | |
Though no longer a household name, | 0:10:36 | 0:10:38 | |
Alfred Russel Wallace was well known in Victorian times. | 0:10:38 | 0:10:42 | |
Working independently, | 0:10:42 | 0:10:44 | |
he hit upon a theory of evolution at the same time as Darwin. | 0:10:44 | 0:10:48 | |
Indeed, hearing of Wallace's work spurred Darwin to publish his own. | 0:10:48 | 0:10:52 | |
This countryside first inspired Wallace to study the natural world, | 0:10:52 | 0:10:56 | |
and it still attracts scientific interest today. | 0:10:56 | 0:10:59 | |
This site is actually of European importance, and it's designated | 0:10:59 | 0:11:03 | |
for its open Ash woodland and some of the really rare species | 0:11:03 | 0:11:08 | |
that that supports, so, and most people don't really know about them. | 0:11:08 | 0:11:12 | |
They are lichens and mosses, all those green things that you | 0:11:12 | 0:11:15 | |
see growing on trees, but they are actually really important | 0:11:15 | 0:11:18 | |
and rare on this site. | 0:11:18 | 0:11:19 | |
These days, the area attracts 154,000 visitors a year, | 0:11:21 | 0:11:24 | |
many doing the 21st century equivalent of the Victorian tour. | 0:11:24 | 0:11:29 | |
The four waterfalls walk. | 0:11:29 | 0:11:31 | |
A highlight is the opportunity to stand behind | 0:11:32 | 0:11:35 | |
this magnificent torrent of water. | 0:11:35 | 0:11:37 | |
It's wonderfully wet, and wonderfully thrilling, isn't it? | 0:11:39 | 0:11:43 | |
It's kind of...very, very romantic. | 0:11:43 | 0:11:47 | |
I wish I were a Victorian poet who could pen a few lines, | 0:11:47 | 0:11:53 | |
or a Victorian painter who captured the beauty, or a Victorian who | 0:11:53 | 0:11:56 | |
could take the steam railway back down the Neath Valley. | 0:11:56 | 0:11:58 | |
Somewhere dry. | 0:11:58 | 0:12:00 | |
After my Victorian adventure, | 0:12:06 | 0:12:08 | |
I'm now in search of a bed for the night. | 0:12:08 | 0:12:11 | |
Bradshaw's recommends Neath's Castle Hotel, | 0:12:11 | 0:12:15 | |
and, apparently, it also has a sporting claim to fame. | 0:12:15 | 0:12:19 | |
Before I touch down for the night, I'm stopping off for a chat | 0:12:19 | 0:12:22 | |
with Neath Rugby Club Secretary Mike Price. | 0:12:22 | 0:12:26 | |
-Hello, Mike. -Michael, welcome to Wales's rugby capital. | 0:12:26 | 0:12:30 | |
-That's Neath, is it? -That's Neath, yeah. | 0:12:30 | 0:12:32 | |
The good citizens of Cardiff might disagree with it, | 0:12:32 | 0:12:35 | |
but Neath is the place where Welsh rugby really all started. | 0:12:35 | 0:12:37 | |
And this room is a particular shrine, isn't it? | 0:12:37 | 0:12:40 | |
Yes, this is the Centenary room in the Castle Hotel in Neath, | 0:12:40 | 0:12:44 | |
and this is where the Welsh Rugby Union itself was founded. | 0:12:44 | 0:12:46 | |
Rugby was introduced to Wales in the 19th century, and the working men | 0:12:50 | 0:12:54 | |
of the Welsh valleys were quick to make it their own. | 0:12:54 | 0:12:57 | |
The railways helped to encourage matches, even between distant teams. | 0:12:57 | 0:13:01 | |
And with the creation of the Rugby Union, Welsh rugby came of age. | 0:13:01 | 0:13:04 | |
Now, Wales could field an official national team, | 0:13:07 | 0:13:10 | |
kicking off a love affair that shows no sign of fading. | 0:13:10 | 0:13:13 | |
So, tell me about Wales's love of, or passion for rugby. | 0:13:14 | 0:13:19 | |
Well, it borders on fanaticism, really, | 0:13:19 | 0:13:22 | |
and I think it all grows from people's school days. | 0:13:22 | 0:13:25 | |
I wouldn't think there's a school kid in Wales who hasn't participated | 0:13:25 | 0:13:29 | |
in a game of rugby at some level or other, | 0:13:29 | 0:13:32 | |
and even before that, | 0:13:32 | 0:13:34 | |
children get given rugby balls as presents, even as toddlers. | 0:13:34 | 0:13:38 | |
After a stimulating day, I must convert my energy to sleep, | 0:13:38 | 0:13:42 | |
and try to get some rest. | 0:13:42 | 0:13:44 | |
Today, I'm continuing west towards the city of Swansea. | 0:13:53 | 0:13:57 | |
In the 19th century, this area was a hive of industrial activity, | 0:13:59 | 0:14:02 | |
dominated by coalmining and copper smelting. | 0:14:02 | 0:14:05 | |
At the end of a day working in the pit, or on the railways, | 0:14:13 | 0:14:17 | |
or at the blast furnace, the working man sought a leisure activity, | 0:14:17 | 0:14:22 | |
and that has bequeathed us something we associate more particularly | 0:14:22 | 0:14:26 | |
with the Welsh than even coal or steel. | 0:14:26 | 0:14:29 | |
MALE CHOIR SINGS | 0:14:32 | 0:14:34 | |
In this region, the dirt and smoke of the Industrial Revolution | 0:14:41 | 0:14:45 | |
gave birth to the Welsh male voice choir. | 0:14:45 | 0:14:48 | |
Formed not of classically trained musicians but working men, | 0:14:51 | 0:14:55 | |
these choirs are a fundament of Welsh culture. | 0:14:55 | 0:14:58 | |
I'm leaving the train at Swansea | 0:14:59 | 0:15:02 | |
and heading to the nearby suburb of Dunvant, | 0:15:02 | 0:15:04 | |
where I've heard there's an intriguing connection | 0:15:04 | 0:15:07 | |
between singing and the railways. | 0:15:07 | 0:15:09 | |
Until the 1960s, Dunvant was linked by rail to Swansea docks. | 0:15:12 | 0:15:17 | |
Sadly, these days, that line has gone, | 0:15:17 | 0:15:19 | |
and all that remains of the station is a modest hut. | 0:15:19 | 0:15:23 | |
It's where I'm meeting the choir chairman, Barry Evans. | 0:15:23 | 0:15:27 | |
-Barry. -Michael, nice to meet you. -Great to see you. | 0:15:27 | 0:15:31 | |
The Dunvant Male Voice Choir has quite a claim to fame, doesn't it? | 0:15:31 | 0:15:36 | |
Yes, it's the oldest established continuous male voice choir | 0:15:36 | 0:15:40 | |
in Wales, established in 1895, and has been going ever since, | 0:15:40 | 0:15:44 | |
without a break, really. | 0:15:44 | 0:15:46 | |
You've decided to meet me here for what reason? | 0:15:46 | 0:15:48 | |
Well, because before the main male voice choir was formed, | 0:15:48 | 0:15:50 | |
the other choir in the village started in this building in 1880 | 0:15:50 | 0:15:55 | |
when it was part of the main station building. | 0:15:55 | 0:15:57 | |
And when this choir split up, | 0:15:57 | 0:15:58 | |
some of the members went to form the male voice choir. | 0:15:58 | 0:16:01 | |
Why did they form in a railway station? | 0:16:01 | 0:16:04 | |
Well, because the station master, Isaac Peters, | 0:16:04 | 0:16:06 | |
was a musician of sorts and he pulled people | 0:16:06 | 0:16:09 | |
together in the area from Killay and Dunvant | 0:16:09 | 0:16:11 | |
to form a mixed choir, | 0:16:11 | 0:16:13 | |
and they used to practise in the station when he was on shift. | 0:16:13 | 0:16:16 | |
Industrialisation and the new railways soon brought | 0:16:16 | 0:16:20 | |
unprecedented numbers of miners and metalworkers | 0:16:20 | 0:16:23 | |
to villages across the valleys, | 0:16:23 | 0:16:25 | |
all working to the new rhythms of the industrial age. | 0:16:25 | 0:16:29 | |
Set shifts became the norm, | 0:16:29 | 0:16:31 | |
leaving the men with structured leisure time to fill. | 0:16:31 | 0:16:35 | |
Why did working men join choirs in the 19th century? | 0:16:35 | 0:16:37 | |
Well, I think it was a bit of a challenge. | 0:16:37 | 0:16:38 | |
There wasn't much else to do at the time. | 0:16:38 | 0:16:40 | |
Most people were in the chapel. | 0:16:40 | 0:16:42 | |
It paid to be in the chapel and the schools. | 0:16:42 | 0:16:44 | |
And it was a community thing. | 0:16:44 | 0:16:46 | |
You got together, not just men, but ladies as well. | 0:16:46 | 0:16:48 | |
And you had mixed choirs. | 0:16:48 | 0:16:49 | |
And then the men found you could have a nice sound | 0:16:49 | 0:16:52 | |
with a male voice choir. | 0:16:52 | 0:16:53 | |
So, lots of male voice choirs were founded. | 0:16:53 | 0:16:55 | |
Did it mix with what, I assume, is quite a macho culture? | 0:16:55 | 0:16:57 | |
I mean, men who were working underground all day, | 0:16:57 | 0:17:00 | |
men who were working on the railways, | 0:17:00 | 0:17:01 | |
men who were working in the blast furnaces. | 0:17:01 | 0:17:03 | |
Well, I think it was just being part of a team. | 0:17:03 | 0:17:06 | |
As well as being in the pit, they used to play rugby together, | 0:17:06 | 0:17:09 | |
and do all sorts of things together, and singing, | 0:17:09 | 0:17:11 | |
it just brought people together for a bit of enjoyment. | 0:17:11 | 0:17:15 | |
That was the main reason for it. | 0:17:15 | 0:17:16 | |
The choirs could exploit local rivalries, | 0:17:16 | 0:17:19 | |
as the men threw their hearts into competitions between villages. | 0:17:19 | 0:17:24 | |
The tradition survives to this day | 0:17:24 | 0:17:27 | |
and the quest for excellence is undiminished. | 0:17:27 | 0:17:30 | |
I suppose that I could have strayed here during Victoria's reign | 0:17:51 | 0:17:55 | |
and heard a sound as powerful and as moving. | 0:17:55 | 0:17:58 | |
What a privilege. What beautiful harmonies. | 0:18:02 | 0:18:05 | |
You've got fantastic voices. | 0:18:05 | 0:18:06 | |
Absolutely incredible voices. Thank you so much. | 0:18:06 | 0:18:10 | |
May I ask you, how long have you been in the choir? | 0:18:10 | 0:18:13 | |
25 years, now. | 0:18:13 | 0:18:15 | |
-25 years. -Yes. | 0:18:15 | 0:18:16 | |
And what do you get out of your singing? | 0:18:16 | 0:18:17 | |
I suppose it's the comradeship. It's good fun. | 0:18:17 | 0:18:20 | |
It's good for your health. | 0:18:20 | 0:18:21 | |
Very good for your health, in fact. The opportunity to travel. | 0:18:21 | 0:18:26 | |
And the opportunity to learn from people | 0:18:26 | 0:18:29 | |
like our musical team here, for instance. | 0:18:29 | 0:18:32 | |
How to hone our voices and take us to some very prestigious venues | 0:18:32 | 0:18:37 | |
to sing with some very prestigious people. | 0:18:37 | 0:18:40 | |
-Sir, how long have you been in the choir? -Oh, only 53 years. -No?! -Yeah! | 0:18:40 | 0:18:45 | |
Yeah! | 0:18:45 | 0:18:47 | |
-53 years! -And I'm the youngster in the choir now. -Fantastic. | 0:18:48 | 0:18:52 | |
-Was your family in the choir? -Very much so. | 0:18:52 | 0:18:55 | |
My father and my grandfather. Three generations. | 0:18:55 | 0:18:59 | |
And my other grandfather was also in it, but not during my time. | 0:18:59 | 0:19:03 | |
Why have you done it for 53 years? | 0:19:03 | 0:19:06 | |
What have you gained from your singing? | 0:19:06 | 0:19:07 | |
Well, it's my village. I was born here. Born into this chapel. | 0:19:07 | 0:19:12 | |
Spent all my life here. And it's the people that I've lived with. | 0:19:12 | 0:19:17 | |
It's a part of what we are. | 0:19:17 | 0:19:19 | |
What would life have been like for you without your singing? | 0:19:19 | 0:19:22 | |
Oh, dear. I... LAUGHTER | 0:19:22 | 0:19:26 | |
-You can't even think about it, can you? -No, not really, no. | 0:19:29 | 0:19:33 | |
I wouldn't have imagined living without singing. | 0:19:33 | 0:19:36 | |
You know, I can't imagine anything more beautiful than | 0:19:36 | 0:19:40 | |
walking in here and hearing this choir sing. | 0:19:40 | 0:19:43 | |
I can't imagine any better welcome | 0:19:43 | 0:19:44 | |
in the hillside or any better welcome in the vales. | 0:19:44 | 0:19:47 | |
With the sound of Wales ringing in my ears, I'm now taking my last | 0:20:03 | 0:20:07 | |
train on this long trip. | 0:20:07 | 0:20:09 | |
I'm bound for Milford Haven, in Pembrokeshire, | 0:20:09 | 0:20:11 | |
which receives an enthusiastic review in my 19th-century guide. | 0:20:11 | 0:20:15 | |
The final stage of my journey takes me to the Welsh coast, | 0:20:18 | 0:20:21 | |
to one of the most westerly places in mainland Britain. | 0:20:21 | 0:20:24 | |
My Bradshaw's talks about... | 0:20:24 | 0:20:26 | |
"that magnificent inlet called Milford Haven. | 0:20:26 | 0:20:29 | |
"Milford is prettily situated on a sloping point of land | 0:20:30 | 0:20:34 | |
"about six miles from the entrance to the Haven | 0:20:34 | 0:20:37 | |
"to which it gives its name." | 0:20:37 | 0:20:39 | |
And the natural advantages of that harbour serve Milford Haven | 0:20:39 | 0:20:44 | |
today as well as they have in centuries gone by. | 0:20:44 | 0:20:48 | |
The railway reached Milford in 1856, | 0:20:49 | 0:20:52 | |
and a few years later, the line was extended to reach the main docks. | 0:20:52 | 0:20:57 | |
I'm getting off in the town centre, and heading to the waterfront, | 0:20:57 | 0:21:01 | |
to see what the locals make of their fine harbour. | 0:21:01 | 0:21:04 | |
-Hello. -Hello. -Enjoying the view? -It's lovely. | 0:21:13 | 0:21:15 | |
Do you come from Milford Haven? | 0:21:15 | 0:21:16 | |
I live around the corner, yeah, just round the corner, | 0:21:16 | 0:21:19 | |
not far from here at all. | 0:21:19 | 0:21:20 | |
And do you manage to get out and enjoy the water sometimes? | 0:21:20 | 0:21:23 | |
Yes, we do. We go out on my friend's jet ski, and we go surfing. | 0:21:23 | 0:21:28 | |
The beaches are beautiful, I have to say. | 0:21:28 | 0:21:30 | |
Pembrokeshire has its cons, but the beaches are absolutely stunning. | 0:21:30 | 0:21:34 | |
Yeah, I know it's not great today, but the scenery is beautiful. | 0:21:34 | 0:21:37 | |
You know, it's supposed to be summer. But obviously not today. | 0:21:37 | 0:21:42 | |
Milford Haven was founded only in the 1790s, but in its short | 0:21:42 | 0:21:47 | |
200 year history, it's been through several incarnations. | 0:21:47 | 0:21:51 | |
Surprisingly, some of the first people | 0:21:52 | 0:21:53 | |
to settle here came from America. | 0:21:53 | 0:21:55 | |
And their legacy is discernible in the town today. | 0:21:55 | 0:21:58 | |
This transatlantic connection came about | 0:21:58 | 0:22:01 | |
thanks to the remarkable natural harbour. | 0:22:01 | 0:22:04 | |
To hear more, I'm meeting Andrew Brown, | 0:22:04 | 0:22:07 | |
from the Milford Haven Port Authority. | 0:22:07 | 0:22:10 | |
-Hello, Andrew. -Michael, welcome to Milford Haven. | 0:22:10 | 0:22:13 | |
It's great to be here. I've been lured here by my Bradshaw's guide. | 0:22:13 | 0:22:18 | |
It says, "As there is plenty of deep water, | 0:22:18 | 0:22:20 | |
"the harbour at Milford Haven | 0:22:20 | 0:22:22 | |
"would easily hold the entire British Navy." | 0:22:22 | 0:22:24 | |
That's quite a thought, and quite a claim, isn't it? | 0:22:24 | 0:22:27 | |
It is, and it's absolutely true, | 0:22:27 | 0:22:29 | |
and it's been part of the success of Milford Haven | 0:22:29 | 0:22:32 | |
over the last 200 years. | 0:22:32 | 0:22:33 | |
The water depth is 16.5 metres in the main channel, | 0:22:33 | 0:22:37 | |
and that's minimum, it's actually more than that, | 0:22:37 | 0:22:39 | |
or in Bradshaw's day, that's over 50 feet of water | 0:22:39 | 0:22:42 | |
at all states of the tide. | 0:22:42 | 0:22:43 | |
Only in the late 18th century | 0:22:43 | 0:22:45 | |
did local landowners realise the potential of the Haven. | 0:22:45 | 0:22:48 | |
They lobbied Parliament for permission to build a new town, | 0:22:51 | 0:22:55 | |
with a very unusual group of new residents in mind, American whalers. | 0:22:55 | 0:22:59 | |
They were looking for a base in the UK | 0:23:01 | 0:23:04 | |
to bring in all the spoils from their whaling. | 0:23:04 | 0:23:08 | |
And they started here in the late 1790s into the 1800s. | 0:23:08 | 0:23:12 | |
They would go away into the seas for a year or more at a time. | 0:23:14 | 0:23:18 | |
They brought the whales in. | 0:23:18 | 0:23:21 | |
The whale bones were used for fine ladies corsetry, apparently, | 0:23:21 | 0:23:24 | |
and the sperm oil was taken up to London, | 0:23:24 | 0:23:27 | |
and that was used as fuel for street lighting in London. | 0:23:27 | 0:23:31 | |
These whalers had settled in Milford, | 0:23:32 | 0:23:34 | |
partly because of its excellent harbour, | 0:23:34 | 0:23:37 | |
but also to avoid high import duties. | 0:23:37 | 0:23:40 | |
At that time, America led the hugely lucrative whale trade. | 0:23:41 | 0:23:45 | |
In the days before petroleum, oil made from whale blubber | 0:23:45 | 0:23:48 | |
was highly prized, and as the Industrial Revolution progressed, | 0:23:48 | 0:23:52 | |
it was put to many uses, from candles to lubricating locomotives. | 0:23:52 | 0:23:57 | |
But as a whaling port, Milford didn't last long. | 0:23:57 | 0:24:01 | |
By the mid-19th century, the whale trade was in decline, | 0:24:01 | 0:24:06 | |
thanks to the inventions of gas lighting and kerosene. | 0:24:06 | 0:24:09 | |
In the 1880s, Milford Haven decided to chart a different course, | 0:24:09 | 0:24:13 | |
which began with building new docks. | 0:24:13 | 0:24:16 | |
The initial aspiration was that the docks, | 0:24:18 | 0:24:21 | |
when they were built, would attract transatlantic liners. | 0:24:21 | 0:24:24 | |
But the reality, when the gates first opened in 1888, | 0:24:24 | 0:24:28 | |
was that the first ship in was this small steam trawler | 0:24:28 | 0:24:31 | |
by the name of Sybil. | 0:24:31 | 0:24:33 | |
And she landed, I believe, about five tonnes of fish. | 0:24:33 | 0:24:37 | |
And that set the future of Milford for the following 100 years. | 0:24:37 | 0:24:40 | |
And that fish was headed, I assume, for the railway | 0:24:40 | 0:24:44 | |
for the cities of Britain? | 0:24:44 | 0:24:46 | |
Well, indeed. And, in fact, | 0:24:46 | 0:24:47 | |
there was a fish quay which was one fifth of a mile long, | 0:24:47 | 0:24:49 | |
and, in fact, in Paddington as well, | 0:24:49 | 0:24:51 | |
there were posters that said, | 0:24:51 | 0:24:53 | |
"Milford Haven, where the fish comes from." | 0:24:53 | 0:24:55 | |
And there were fish trains that went up to London, | 0:24:55 | 0:24:57 | |
up to Billingsgate, every day. | 0:24:57 | 0:24:59 | |
By the 1900s, Milford was Britain's sixth largest fishing port. | 0:25:01 | 0:25:04 | |
But by the middle of the 20th century, things were going downhill. | 0:25:04 | 0:25:09 | |
The harbour came to the rescue once again when, in the 1950s | 0:25:09 | 0:25:13 | |
and '60s, oil companies saw it as an ideal site for refineries. | 0:25:13 | 0:25:19 | |
Today, the docks are filled with vast tankers carrying oil | 0:25:20 | 0:25:24 | |
and liquefied natural gas. | 0:25:24 | 0:25:26 | |
So, Milford Haven has gone from whale oil to crude oil. | 0:25:28 | 0:25:32 | |
It's the second oil age, as we call it, | 0:25:33 | 0:25:35 | |
and then more recently, | 0:25:35 | 0:25:37 | |
in the last two or three years, | 0:25:37 | 0:25:39 | |
liquefied natural gas has started to come ashore, | 0:25:39 | 0:25:42 | |
and each of them produce about 20%, 25% of the UK's needs, | 0:25:42 | 0:25:47 | |
both in terms of refined product, and in terms of the gas. | 0:25:47 | 0:25:51 | |
Milford's liquefied natural gas complex | 0:25:51 | 0:25:55 | |
is one of the biggest in the world. | 0:25:55 | 0:25:57 | |
The oil companies still use the railways, | 0:25:57 | 0:25:59 | |
with eight to ten trains | 0:25:59 | 0:26:01 | |
carrying 2,000 tonnes of refined material out of the town every week. | 0:26:01 | 0:26:06 | |
It was the references in Bradshaw's that brought me here today, | 0:26:06 | 0:26:08 | |
and, frankly, it's been a surprise, because Milford Haven | 0:26:08 | 0:26:12 | |
is not necessarily a name that's on everybody's lips, | 0:26:12 | 0:26:16 | |
and yet it turns out to be a fundamentally important port | 0:26:16 | 0:26:19 | |
for the very same reason that Bradshaw's mentions, | 0:26:19 | 0:26:22 | |
the depth of the water. | 0:26:22 | 0:26:23 | |
It's the depth of the water that has made Milford Haven, | 0:26:23 | 0:26:26 | |
in spite of its peripherality, in spite of how far away it is | 0:26:26 | 0:26:30 | |
from the centre of the UK and Europe, we are the energy port of the UK. | 0:26:30 | 0:26:36 | |
We are the third largest port, in terms of tonnage moved in the UK, | 0:26:36 | 0:26:40 | |
and we are the largest port in Wales. | 0:26:40 | 0:26:42 | |
There is an immense pride in Milford Haven | 0:26:42 | 0:26:44 | |
in what the port has done for it. | 0:26:44 | 0:26:45 | |
During this rail trip, I have been musing on how the Victorians | 0:26:47 | 0:26:51 | |
harnessed the railways to make the most of their resources. | 0:26:51 | 0:26:55 | |
Trains carried everything from self-improving tourists | 0:26:55 | 0:26:58 | |
to the very coal, iron, and steel | 0:26:58 | 0:27:01 | |
that fuelled the Industrial Revolution. | 0:27:01 | 0:27:03 | |
On this journey from Oxford to Milford Haven, I have contemplated | 0:27:05 | 0:27:10 | |
beautiful British landscape from towers and hills. | 0:27:10 | 0:27:13 | |
This land has been good to us. | 0:27:13 | 0:27:16 | |
The Victorians changed it, cultivating its fields, | 0:27:16 | 0:27:19 | |
and mining its minerals. | 0:27:19 | 0:27:21 | |
Some of what they did has now returned to nature. | 0:27:21 | 0:27:24 | |
For the span from Bradshaw's time to ours is but a moment gone, | 0:27:24 | 0:27:30 | |
whilst this island of ours endures forever. | 0:27:30 | 0:27:33 | |
My next journey takes me to the North of England, | 0:27:35 | 0:27:38 | |
as my Bradshaw's leads me from Berwick-upon-Tweed, | 0:27:38 | 0:27:40 | |
south-west across the backbone of England, | 0:27:40 | 0:27:43 | |
through industrial heartlands and dramatic scenery, | 0:27:43 | 0:27:46 | |
finishing on the beautiful and unique Isle of Man. | 0:27:46 | 0:27:49 | |
I'll be admiring spectacular engineering triumphs | 0:27:51 | 0:27:54 | |
in the Cumbrian countryside. | 0:27:54 | 0:27:56 | |
Thank you for going so slowly over the viaduct. | 0:27:56 | 0:27:58 | |
-You're welcome. -Isn't that a beautiful thing? -Oh, it's beautiful. | 0:27:58 | 0:28:01 | |
Submerging myself in a top secret world. | 0:28:01 | 0:28:04 | |
It is enormous, | 0:28:04 | 0:28:05 | |
and it's like the last scene of a James Bond movie, isn't it? | 0:28:05 | 0:28:07 | |
And hearing how perilous life was on the industrial railways | 0:28:07 | 0:28:10 | |
of the North East. | 0:28:10 | 0:28:11 | |
So, if it's your job to get that rope off and you happened to trip, | 0:28:11 | 0:28:16 | |
-what's the consequence? -You're dead. | 0:28:16 | 0:28:20 | |
Subtitles by Red Bee Media Ltd | 0:28:27 | 0:28:30 | |
E-mail [email protected] | 0:28:30 | 0:28:34 |