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'In 1840, one man transformed travel in Britain and Ireland. | 0:00:03 | 0:00:10 | |
'His name was George Bradshaw, | 0:00:10 | 0:00:12 | |
'and his railway guides inspired the Victorians to take to the tracks. | 0:00:12 | 0:00:17 | |
'Stop by stop, he told them where to travel, | 0:00:18 | 0:00:21 | |
'what to see and where to stay. | 0:00:21 | 0:00:24 | |
'Now, 170 years later, I'm making a series of journeys | 0:00:24 | 0:00:28 | |
'across the length and breadth of these islands, | 0:00:28 | 0:00:31 | |
'to see what of Bradshaw's world remains.' | 0:00:31 | 0:00:34 | |
I'm in the middle of a delightful journey that will take me | 0:00:54 | 0:00:58 | |
from the Republic of Ireland into Northern Ireland, | 0:00:58 | 0:01:01 | |
following my Bradshaw's guide, | 0:01:01 | 0:01:03 | |
across tracks laid in the 19th century, | 0:01:03 | 0:01:05 | |
when there was one Ireland, living under the reign of Queen Victoria. | 0:01:05 | 0:01:10 | |
'On this leg, I'll be unravelling the mystery | 0:01:12 | 0:01:15 | |
'of Ireland's pagan past.' | 0:01:15 | 0:01:17 | |
That is a most extraordinary set of stones. | 0:01:17 | 0:01:20 | |
I suppose, Stonehenge-like. | 0:01:20 | 0:01:23 | |
'Seeing the technology used by Victorian stargazers.' | 0:01:23 | 0:01:26 | |
That, I DO recognise, as a telescope. | 0:01:26 | 0:01:30 | |
'And travelling on a 19th century country railway, | 0:01:30 | 0:01:32 | |
'lovingly restored to life.' | 0:01:32 | 0:01:36 | |
I might think I was in the wrong place, | 0:01:36 | 0:01:38 | |
if it weren't for the tell-tale drift of smoke. | 0:01:38 | 0:01:41 | |
'I'm almost halfway through exploring the history | 0:01:44 | 0:01:48 | |
'of 19th century Ireland. | 0:01:48 | 0:01:49 | |
'Having seen the railways' birthplace in Dublin, | 0:01:49 | 0:01:52 | |
'I'm following their expansion north, | 0:01:52 | 0:01:54 | |
'towards the industrial powerhouse of Belfast, | 0:01:54 | 0:01:57 | |
'and my final destination of Derry/Londonderry. | 0:01:57 | 0:02:00 | |
'Beginning in Dundalk, | 0:02:00 | 0:02:03 | |
'this stretch takes me over the border, | 0:02:03 | 0:02:06 | |
'where I'll see how this region's complex history | 0:02:06 | 0:02:09 | |
'has shaped the railways, | 0:02:09 | 0:02:11 | |
'finishing up in rural County Down.' | 0:02:11 | 0:02:14 | |
I shall be getting off at Dundalk, | 0:02:14 | 0:02:16 | |
in search of what my Bradshaw's guide calls, | 0:02:16 | 0:02:19 | |
"Rude vestiges of antiquity, | 0:02:19 | 0:02:21 | |
"which consist of earthworks, | 0:02:21 | 0:02:23 | |
"chiefly designed for sepulchral purposes. | 0:02:23 | 0:02:27 | |
"Cromlechs, and other relics of pre-Christian ages, | 0:02:27 | 0:02:31 | |
"still numerous, and in several instances, extremely curious." | 0:02:31 | 0:02:36 | |
And that has, indeed, excited my curiosity. | 0:02:36 | 0:02:39 | |
'The "cromlechs" referred to in my guidebook | 0:02:39 | 0:02:43 | |
'means "crooked stones". | 0:02:43 | 0:02:44 | |
'One of Ireland's finest examples is close to Dundalk. | 0:02:44 | 0:02:48 | |
'I'm getting off at its Victorian station, | 0:02:52 | 0:02:56 | |
'designed by the famous engineer, William Hemingway Mills, | 0:02:56 | 0:02:58 | |
'and opened in 1894.' | 0:02:58 | 0:03:00 | |
What a beautiful station. | 0:03:02 | 0:03:05 | |
Dundalk, wonderfully preserved, and beautifully kept, | 0:03:05 | 0:03:08 | |
with its lovely flowers, | 0:03:08 | 0:03:10 | |
looking great on a summer's day. | 0:03:10 | 0:03:13 | |
'The Victorians were fascinated, and somewhat obsessed, by death. | 0:03:16 | 0:03:22 | |
'Ancient pagan monuments like cromlechs, which honoured | 0:03:22 | 0:03:24 | |
'and interred the dead, drew artists and scientists alike | 0:03:24 | 0:03:28 | |
'to these mystical stones. | 0:03:28 | 0:03:31 | |
'In Bradshaw's day, | 0:03:31 | 0:03:33 | |
'tourists from Dundalk could stroll up from the station, | 0:03:33 | 0:03:36 | |
'but, to follow in their footsteps, | 0:03:36 | 0:03:38 | |
'I'm using a more modern form of transport.' | 0:03:38 | 0:03:40 | |
The cromlech I want to visit is on the edge of a golf course, | 0:03:40 | 0:03:44 | |
so a buggy is the way to go. | 0:03:44 | 0:03:47 | |
Normal train service will be resumed when possible. | 0:03:47 | 0:03:50 | |
'The cromlech is easy to spot, | 0:03:50 | 0:03:54 | |
standing out incongruously amongst the golfers.' | 0:03:54 | 0:03:57 | |
Well, that is a most extraordinary set of stones. | 0:03:57 | 0:04:00 | |
I suppose, Stonehenge-like. | 0:04:00 | 0:04:04 | |
No idea what it does, what it is. | 0:04:04 | 0:04:07 | |
'Hugh Smyth knows the story of this curious structure.' | 0:04:07 | 0:04:11 | |
-Hugh. This is a cromlech, is it? -It's a cromlech, yes. | 0:04:11 | 0:04:13 | |
And what is a cromlech? | 0:04:13 | 0:04:15 | |
It's actually an ancient tomb, | 0:04:15 | 0:04:17 | |
dating back to the Neolithic people, | 0:04:17 | 0:04:20 | |
approximately 4,500 to 5,000 years ago. | 0:04:20 | 0:04:23 | |
This is where they would have buried their people. | 0:04:23 | 0:04:26 | |
That's extraordinarily old. | 0:04:26 | 0:04:27 | |
Older than Stonehenge. | 0:04:27 | 0:04:30 | |
Older than the pyramids of Egypt. | 0:04:30 | 0:04:32 | |
'The stones' true purpose hasn't always been understood. | 0:04:32 | 0:04:36 | |
'They've even found a place in Irish mythology as a bed for giants. | 0:04:36 | 0:04:40 | |
'While some Victorians correctly associated them with tombs, | 0:04:40 | 0:04:45 | |
'others believed they were used for human sacrifice.' | 0:04:45 | 0:04:49 | |
My Bradshaw's guide describes it as "curious". | 0:04:49 | 0:04:54 | |
I think the Victorians did actually find it interesting, didn't they? | 0:04:54 | 0:04:59 | |
They found it very interesting, because they had resurrected | 0:04:59 | 0:05:03 | |
a belief and interest in spirituality and paganism. | 0:05:03 | 0:05:09 | |
They would have come here, | 0:05:09 | 0:05:11 | |
on many occasions, to look at this curiosity. | 0:05:11 | 0:05:13 | |
'In the 19th century, poets and artists of the Romantic movement | 0:05:16 | 0:05:21 | |
'harked back to pre-industrial innocence, | 0:05:21 | 0:05:23 | |
'and were fascinated by ancient beliefs. | 0:05:23 | 0:05:26 | |
'But, the Victorians were making great strides | 0:05:26 | 0:05:29 | |
'in scientific study. | 0:05:29 | 0:05:31 | |
'The foundations of modern archaeology were laid, | 0:05:31 | 0:05:34 | |
'while geologists began to unlock the secrets of rocks.' | 0:05:34 | 0:05:38 | |
Hugh, these are clearly massive stones. What do we know about them? | 0:05:40 | 0:05:44 | |
We know the three standing stones are native to the mountains here. | 0:05:44 | 0:05:49 | |
The top, capping stone, is not native to here at all. | 0:05:49 | 0:05:53 | |
It is native to the Mourne mountains, | 0:05:53 | 0:05:56 | |
which lie across Carlingford Lough in County Down. | 0:05:56 | 0:05:59 | |
'A theory is that these ancient people | 0:06:01 | 0:06:04 | |
'transported this 46-tonne stone more than ten miles, | 0:06:04 | 0:06:09 | |
'bringing it across the 2½ mile-wide lough, using rafts. | 0:06:09 | 0:06:14 | |
'It tops what was once probably the rocky gateway | 0:06:14 | 0:06:18 | |
'to a much bigger structure, covered in earth or stones. | 0:06:18 | 0:06:21 | |
'Victorian visitors could test their skill here, | 0:06:21 | 0:06:25 | |
'spurred on by a local legend.' | 0:06:25 | 0:06:27 | |
If you can manage to land a stone on top, | 0:06:27 | 0:06:31 | |
good luck will follow you all the days of your life. | 0:06:31 | 0:06:34 | |
-That's well worth trying for, isn't it? -Yes. You have to try. | 0:06:34 | 0:06:37 | |
-Brilliant! -Very well done! | 0:06:49 | 0:06:51 | |
'I think it's time for me to quit while I'm ahead, | 0:06:56 | 0:06:58 | |
'and return to the rails.' | 0:06:58 | 0:07:01 | |
I'm back at Dundalk Station, | 0:07:01 | 0:07:03 | |
close to something which didn't exist in Bradshaw's time, | 0:07:03 | 0:07:06 | |
the border. | 0:07:06 | 0:07:08 | |
But, who's existence, from the early part of the 20th century, | 0:07:08 | 0:07:11 | |
mightily affected rail services and people living either side of it. | 0:07:11 | 0:07:17 | |
'In Bradshaw's day, | 0:07:17 | 0:07:18 | |
'the United Kingdom of Great Britain | 0:07:18 | 0:07:21 | |
'and Ireland was a single state, governed from Westminster. | 0:07:21 | 0:07:24 | |
'As the 19th century drew on, calls grew for Irish independence, | 0:07:26 | 0:07:30 | |
'but those demands met dogged resistance, especially in the north. | 0:07:30 | 0:07:34 | |
'In 1922, after decades of sometimes violent dispute, | 0:07:34 | 0:07:41 | |
'the Irish Free State was established, | 0:07:41 | 0:07:43 | |
'but Northern Ireland remained part of the United Kingdom. | 0:07:43 | 0:07:46 | |
'Suddenly, the island of Ireland was divided by an international border, | 0:07:48 | 0:07:52 | |
'and Dundalk became a frontier town. | 0:07:52 | 0:07:55 | |
'Retired station master, Brendan McQuaid, is showing me | 0:07:57 | 0:08:01 | |
'how this left its mark on the station.' | 0:08:01 | 0:08:04 | |
I'm guessing this gate is of some historic significance? | 0:08:05 | 0:08:08 | |
It's very significant, yes. | 0:08:08 | 0:08:10 | |
That fence there was erected in 1922. | 0:08:10 | 0:08:13 | |
People disembarking had to be customs cleared here at Dundalk. | 0:08:13 | 0:08:18 | |
So, this gate was closed all along. | 0:08:18 | 0:08:20 | |
That barrier ran the length of the station. | 0:08:20 | 0:08:23 | |
People couldn't exit the station | 0:08:23 | 0:08:26 | |
until they had been cleared by the customs. | 0:08:26 | 0:08:29 | |
'Partition changed life overnight for people living near the border. | 0:08:29 | 0:08:34 | |
'A shopping trip to Belfast became an international journey. | 0:08:34 | 0:08:39 | |
'Border controls were set up, | 0:08:39 | 0:08:41 | |
'and duty levied on goods brought across the frontier. | 0:08:41 | 0:08:45 | |
'For railway passengers, | 0:08:45 | 0:08:46 | |
'that meant customs officers searching the train.' | 0:08:46 | 0:08:51 | |
So, what sort of things were they looking for? | 0:08:51 | 0:08:53 | |
Anything. Virtually everything that was bought in the north | 0:08:53 | 0:08:58 | |
would be dutiable here. | 0:08:58 | 0:08:59 | |
Things like butter were cheaper in the north than the south, | 0:08:59 | 0:09:03 | |
so people going to visit in the north brought back butter with them. | 0:09:03 | 0:09:08 | |
Copies of the News Of The World, | 0:09:08 | 0:09:10 | |
which wasn't sold this side of the border. | 0:09:10 | 0:09:12 | |
Tide washing powder, Mars Bars, | 0:09:12 | 0:09:15 | |
anything. | 0:09:15 | 0:09:16 | |
'It wasn't until the 1990s, and the creation of | 0:09:16 | 0:09:19 | |
'the Single European Market, that the customs controls were removed. | 0:09:19 | 0:09:23 | |
'For the people of Dundalk, they were a way of life for 70 years.' | 0:09:23 | 0:09:27 | |
What did people think of it? | 0:09:27 | 0:09:29 | |
People were very disgruntled, Michael, and very annoyed. | 0:09:29 | 0:09:32 | |
Of course, they did everything they possibly could to hide the goods. | 0:09:32 | 0:09:36 | |
The stories that we hear about people hanging goods | 0:09:36 | 0:09:40 | |
from the door handles of trains, ladies buying clothes in the north, | 0:09:40 | 0:09:44 | |
putting them on top of the clothes they were wearing going down. | 0:09:44 | 0:09:47 | |
As regards what people thought about it, | 0:09:47 | 0:09:49 | |
there was nothing they could really do about it. | 0:09:49 | 0:09:52 | |
It was the system, and people just accepted it. | 0:09:52 | 0:09:54 | |
'Partition failed to bring peace to the region. | 0:09:54 | 0:09:58 | |
'With the advent of the so-called Troubles in the late 1960s, | 0:09:58 | 0:10:02 | |
'security was tightened further, and services were often disrupted | 0:10:02 | 0:10:07 | |
'as the railway line became a target.' | 0:10:07 | 0:10:09 | |
How long might the interruptions last? | 0:10:09 | 0:10:12 | |
Some might only last two or three hours, | 0:10:12 | 0:10:14 | |
depending on where the device was supposed to be. | 0:10:14 | 0:10:16 | |
I remember one Christmas, around 1988, | 0:10:16 | 0:10:20 | |
and it went on for about three weeks. | 0:10:20 | 0:10:22 | |
The railway line was closed for approximately three weeks. | 0:10:22 | 0:10:26 | |
That was the longest that we had. | 0:10:26 | 0:10:27 | |
'The express service from Dublin to Belfast was renamed | 0:10:29 | 0:10:33 | |
'the Enterprise in 1947, and I'm about to experience | 0:10:33 | 0:10:36 | |
'just how seamless crossing the border has become.' | 0:10:36 | 0:10:40 | |
-Hello, are you the station master? -Yes. Anthony Monaghan is my name. | 0:10:44 | 0:10:48 | |
I'm taking the Enterprise in a moment. | 0:10:48 | 0:10:51 | |
When I get to the border, what will I notice? | 0:10:51 | 0:10:53 | |
There's actually no real difference in the crossover. | 0:10:53 | 0:10:56 | |
There's a signal post, and the signals change. | 0:10:56 | 0:10:59 | |
There's no signage, it's just straight on in. | 0:10:59 | 0:11:02 | |
So, when I go over the border, I'm going to change country, | 0:11:02 | 0:11:05 | |
I'm going to change currency. | 0:11:05 | 0:11:08 | |
You use kilometres here in the Republic, | 0:11:08 | 0:11:10 | |
they use miles in the North. | 0:11:10 | 0:11:11 | |
-But there's no stopping, just straight through? -Yes. | 0:11:11 | 0:11:14 | |
Straight into Newry, and then that's it. | 0:11:14 | 0:11:17 | |
-Do I need that? -Oh, you won't need your passport, you're OK. | 0:11:17 | 0:11:20 | |
-Just all the way through? -All the way through. | 0:11:20 | 0:11:23 | |
That's a great relief. Thank you so much. | 0:11:23 | 0:11:25 | |
-No problem, Michael, thank you. -I love your station. | 0:11:25 | 0:11:29 | |
The Enterprise. | 0:11:35 | 0:11:37 | |
Beam me north. | 0:11:37 | 0:11:39 | |
'My next station is just 15 miles and 20 minutes away. | 0:11:41 | 0:11:45 | |
'There's barely a clue that I'm crossing a frontier.' | 0:11:45 | 0:11:48 | |
This is the Enterprise crossing the border. | 0:11:53 | 0:11:56 | |
I've had a wonderful time in the Republic, | 0:11:56 | 0:11:59 | |
so farewell, Republic, | 0:11:59 | 0:12:00 | |
I'm going back to the United Kingdom. | 0:12:00 | 0:12:03 | |
I don't need my euros any more. | 0:12:03 | 0:12:05 | |
I can put them away. | 0:12:05 | 0:12:08 | |
'My Northern Ireland adventure begins at the first stop | 0:12:08 | 0:12:14 | |
'north of the border.' | 0:12:14 | 0:12:16 | |
Newry Station. So, my journey continues now in Northern Ireland. | 0:12:24 | 0:12:28 | |
'It's time for me to find my bed for the night, | 0:12:28 | 0:12:32 | |
'and I'm heading out towards the east coast, | 0:12:32 | 0:12:36 | |
'in search of a slice of Railway Age opulence. | 0:12:36 | 0:12:38 | |
'Unfortunately, it's no longer possible to get there by train, | 0:12:38 | 0:12:41 | |
'so it's the bus for me.' | 0:12:41 | 0:12:43 | |
Buses are all very fine, but when you're on them, | 0:12:46 | 0:12:49 | |
you do miss the train. | 0:12:49 | 0:12:50 | |
'My bus journey is taking me towards the seaside resort of Newcastle, | 0:12:54 | 0:12:57 | |
'backed by the splendour of the Mourne mountains. | 0:12:57 | 0:13:00 | |
'In the 19th century, railway builders had grand plans | 0:13:02 | 0:13:05 | |
'to transform this town into a magnet for the tourist.' | 0:13:05 | 0:13:08 | |
The old railway station here at Newcastle, County Down, | 0:13:10 | 0:13:14 | |
has no more trains. | 0:13:14 | 0:13:15 | |
But the railways have left their mark on the place, | 0:13:15 | 0:13:18 | |
in the form of this 19th century resort hotel, | 0:13:18 | 0:13:21 | |
the Slieve Donard. | 0:13:21 | 0:13:23 | |
This is where I'll spend the night. | 0:13:23 | 0:13:25 | |
'This ornate Victorian hotel was built | 0:13:25 | 0:13:28 | |
'by the Belfast and County Down Railway Company, | 0:13:28 | 0:13:32 | |
'and opened in 1898. | 0:13:32 | 0:13:34 | |
'The hope was to lure businessmen from Belfast | 0:13:34 | 0:13:38 | |
'to a luxurious retreat, and before I turn in, | 0:13:38 | 0:13:41 | |
'I want to hear about the hotel's heyday from manager, John Toner.' | 0:13:41 | 0:13:45 | |
What was the standard of accommodation when it opened? | 0:13:45 | 0:13:48 | |
Very high. Every room had its own fire, | 0:13:48 | 0:13:51 | |
and it had the highest sort of public areas, | 0:13:51 | 0:13:54 | |
like billiard rooms. | 0:13:54 | 0:13:56 | |
It also had a drawing room, reading rooms and writing rooms. | 0:13:56 | 0:13:59 | |
There were Turkish baths | 0:13:59 | 0:14:02 | |
and hot seawater baths. | 0:14:02 | 0:14:04 | |
It really led the path well. | 0:14:04 | 0:14:07 | |
And wonderful views of mountain and sea? | 0:14:07 | 0:14:10 | |
Yes, it's in the heart of Dundrum Bay, looking out to the Irish Sea. | 0:14:10 | 0:14:14 | |
On a clear day, you can see Scotland to your right. | 0:14:14 | 0:14:17 | |
You can see the Isle Of Man. | 0:14:17 | 0:14:19 | |
I think I've chosen well. I'll sleep well, with this wonderful sea air. | 0:14:19 | 0:14:24 | |
-I'm sure you will. -Thank you. -Good night. -Bye. | 0:14:24 | 0:14:28 | |
'After a good night's rest, it's time for me to rejoin my route.' | 0:14:38 | 0:14:43 | |
An uplifting view of sea and mountain puts a spring in my step, | 0:14:43 | 0:14:49 | |
as I go back to the rails. | 0:14:49 | 0:14:50 | |
'I've retraced my steps to Newry, to continue my journey north. | 0:14:52 | 0:14:56 | |
'It's had a station ever since 1855, but the latest incarnation | 0:14:56 | 0:15:00 | |
'is this modern building, opened just two years ago. | 0:15:00 | 0:15:04 | |
Newry Station has the feeling of an airport terminal. | 0:15:05 | 0:15:10 | |
Very new, indeed. | 0:15:10 | 0:15:12 | |
Hello, how you doing? | 0:15:14 | 0:15:16 | |
-Oh, you're for Belfast? -Yes, here to Portadown. | 0:15:16 | 0:15:19 | |
Platform Two. The train's coming in now, OK? | 0:15:19 | 0:15:22 | |
Upstairs, over the bridge. | 0:15:22 | 0:15:24 | |
-Thanks. Bye. -Bye. | 0:15:24 | 0:15:26 | |
'Once again, I'm travelling on one of the smart express trains | 0:15:29 | 0:15:32 | |
'that speed between Dublin and Belfast. | 0:15:32 | 0:15:36 | |
'But train travel hasn't always been this comfortable, | 0:15:36 | 0:15:39 | |
'or this safe.' | 0:15:39 | 0:15:41 | |
I don't know about you, but when I get on a train, | 0:15:41 | 0:15:43 | |
I never think about the possibility of an accident. | 0:15:43 | 0:15:46 | |
But, let's face it. Over nearly two centuries of railway history, | 0:15:46 | 0:15:49 | |
there have been some appalling disasters. | 0:15:49 | 0:15:52 | |
The consolation, perhaps, is that the worst of those | 0:15:52 | 0:15:55 | |
lead to improvements in procedures and regulations. | 0:15:55 | 0:15:59 | |
'I'm leaving the train at Portadown. | 0:16:02 | 0:16:05 | |
'These days, it's as close as you can get by rail to Armagh, | 0:16:05 | 0:16:09 | |
'the site of one of the 19th century's most shocking accidents. | 0:16:09 | 0:16:13 | |
'Track inspector Urban Magee has been researching the story.' | 0:16:13 | 0:16:17 | |
-Urban, hello. -Hello, Michael. How are you? Pleased to meet you. | 0:16:17 | 0:16:20 | |
It's good to see you. I'm interested in the Armagh rail disaster of 1889. | 0:16:20 | 0:16:25 | |
It's gone down in history. What was the cause of it? | 0:16:25 | 0:16:28 | |
What happened was, there was a large number of passengers | 0:16:28 | 0:16:32 | |
coming out of the train at Armagh, in 1889. | 0:16:32 | 0:16:35 | |
As a result, they put extra coaches on the train. | 0:16:35 | 0:16:39 | |
The engine provided wasn't capable of pulling the train | 0:16:39 | 0:16:42 | |
up the hill, coming out of Armagh Station, so the train stalled | 0:16:42 | 0:16:46 | |
and the driver decided to hook the first four coaches off the train, | 0:16:46 | 0:16:50 | |
and bring those on to a nearby station. | 0:16:50 | 0:16:54 | |
'At the time, | 0:16:54 | 0:16:56 | |
'carriages didn't have their own continuous braking system, | 0:16:56 | 0:17:00 | |
'so to stop the remaining eight coaches rolling down the hill, | 0:17:00 | 0:17:03 | |
'the crew placed stones beneath the wheels. | 0:17:03 | 0:17:06 | |
'It was a technique that proved fatal.' | 0:17:06 | 0:17:09 | |
When he had come back, | 0:17:09 | 0:17:11 | |
the stones had crushed from underneath the wheels | 0:17:11 | 0:17:14 | |
of the rear eight, and they had rolled back down the hill | 0:17:14 | 0:17:17 | |
into Armagh Station, and collided with a train coming out. | 0:17:17 | 0:17:21 | |
How big was the disaster? | 0:17:21 | 0:17:22 | |
At that time, 88 people died. Several hundreds were injured. | 0:17:22 | 0:17:25 | |
There was a total of 1,200 passengers on board the train. | 0:17:25 | 0:17:29 | |
'It was Ireland's worst disaster since the birth of the railways, | 0:17:29 | 0:17:32 | |
'and revealed some serious flaws in the system.' | 0:17:32 | 0:17:35 | |
Would the signalman not have known | 0:17:35 | 0:17:37 | |
the train hadn't cleared out of the patch, | 0:17:37 | 0:17:39 | |
when he allowed the next train through? | 0:17:39 | 0:17:41 | |
No. At that time, that section of track | 0:17:41 | 0:17:44 | |
was controlled by time interval. | 0:17:44 | 0:17:46 | |
So, the signalman just let the train out | 0:17:46 | 0:17:48 | |
at a certain amount of time, usually an hour, | 0:17:48 | 0:17:51 | |
after the other train had left. | 0:17:51 | 0:17:53 | |
He was confident that train had left the portion of track, and it hadn't. | 0:17:53 | 0:17:57 | |
'Soon after the disaster, an Act of Parliament was passed, | 0:17:57 | 0:18:01 | |
'requiring railway companies | 0:18:01 | 0:18:03 | |
'to introduce better braking and signalling, | 0:18:03 | 0:18:06 | |
'and setting in train railway safety features we now take for granted. | 0:18:06 | 0:18:11 | |
'A modern signal box contains sophisticated technology | 0:18:11 | 0:18:14 | |
'designed to ensure that such an accident could not recur.' | 0:18:14 | 0:18:18 | |
On this board, I'd still be able to see | 0:18:18 | 0:18:21 | |
these different sections of line controlled by a signalman? | 0:18:21 | 0:18:24 | |
Yep. There's block sections all along this panel here. | 0:18:24 | 0:18:28 | |
Trains would not be permitted to pass this signal, | 0:18:28 | 0:18:32 | |
unless the section of line is clear. | 0:18:32 | 0:18:34 | |
So, I guess, when we have these really appalling disasters, | 0:18:34 | 0:18:38 | |
in the worst cases at least, | 0:18:38 | 0:18:40 | |
some kind of good comes out of it, some improvement? | 0:18:40 | 0:18:43 | |
Well, there's usually lessons learned from everything. | 0:18:43 | 0:18:46 | |
'Armagh lost its station in the 1950s, but my 19th century guide | 0:18:51 | 0:18:55 | |
'gives the town's fine buildings an approving review. | 0:18:55 | 0:18:58 | |
'It singles out "the well-organised observatory, | 0:18:58 | 0:19:01 | |
'"containing transit, zenith sector, mural circle, telescope, | 0:19:01 | 0:19:06 | |
'"electro-meter, etcetera". | 0:19:06 | 0:19:08 | |
'As telescope is the only word I recognise, | 0:19:08 | 0:19:11 | |
'I've come to look for that, | 0:19:11 | 0:19:12 | |
'helped by observatory librarian, John McFarland. | 0:19:12 | 0:19:16 | |
'He's leading me to the observatory's oldest instrument, | 0:19:16 | 0:19:19 | |
'one of very few such devices left in the world.' | 0:19:19 | 0:19:22 | |
What a magnificent object, John. | 0:19:22 | 0:19:24 | |
Yes, this is the so-called Troughton equatorial telescope, | 0:19:24 | 0:19:30 | |
manufactured in 1795 | 0:19:30 | 0:19:32 | |
by the firm of John & Edward Troughton, of London. | 0:19:32 | 0:19:36 | |
Here's the actual telescope. | 0:19:36 | 0:19:38 | |
Quite small by modern standards, of course. | 0:19:38 | 0:19:40 | |
But large enough for the purposes of the astronomer in those days, | 0:19:40 | 0:19:44 | |
working out positions of stars on the sky. | 0:19:44 | 0:19:46 | |
'The observatory was founded in 1789, by the Archbishop of Armagh, | 0:19:48 | 0:19:52 | |
'Richard Robinson, | 0:19:52 | 0:19:54 | |
'who had a vision of turning Armagh into a university town. | 0:19:54 | 0:19:58 | |
'His observatory, thereafter, | 0:19:58 | 0:20:00 | |
'pushed forward our understanding of the universe.' | 0:20:00 | 0:20:03 | |
The Victorians were very keen on acquiring scientific knowledge. | 0:20:03 | 0:20:08 | |
-Did it have a practical value? -Indeed it did, Michael. | 0:20:08 | 0:20:11 | |
The work of the astronomer in those days | 0:20:11 | 0:20:14 | |
was calculating the positions of stars on the sky, | 0:20:14 | 0:20:16 | |
for the use of navigators and sailors. | 0:20:16 | 0:20:19 | |
For example, in crossing the vast oceans, | 0:20:19 | 0:20:22 | |
you had to know exactly where you were, | 0:20:22 | 0:20:24 | |
otherwise you could crash into rocks, | 0:20:24 | 0:20:26 | |
or be miles out at the end of your journey. | 0:20:26 | 0:20:28 | |
'Mapping the stars was a mammoth task that kept the astronomers busy | 0:20:28 | 0:20:32 | |
'for most of the 19th century, | 0:20:32 | 0:20:34 | |
'but in the mid-1800s, | 0:20:34 | 0:20:36 | |
'this vital project was threatened by a proposed new railway.' | 0:20:36 | 0:20:40 | |
You had to have absolute steadiness in your instruments. | 0:20:42 | 0:20:45 | |
They couldn't move, in any way, | 0:20:45 | 0:20:47 | |
while you were making your observations. | 0:20:47 | 0:20:49 | |
'The astronomers feared vibrations from passing trains | 0:20:49 | 0:20:53 | |
'would ruin their results. | 0:20:53 | 0:20:56 | |
'Although they couldn't prevent the arrival of the rails in Armagh, | 0:20:56 | 0:20:59 | |
'observatory director Thomas Robinson | 0:20:59 | 0:21:01 | |
'blocked the line from coming within 700 yards of the building.' | 0:21:01 | 0:21:05 | |
In your professional opinion, would that be a safe distance? | 0:21:05 | 0:21:09 | |
No. I think Robinson eventually regretted that short distance. | 0:21:09 | 0:21:14 | |
He thought it should have been much further, | 0:21:14 | 0:21:16 | |
once he had completed his experiments | 0:21:16 | 0:21:18 | |
on the disturbing forces of the locomotives. | 0:21:18 | 0:21:23 | |
'Despite their precautions, the astronomers ended up | 0:21:23 | 0:21:27 | |
'throwing out a great many results due to vibrations from trains. | 0:21:27 | 0:21:31 | |
'Luckily, it didn't force the observatory to close. | 0:21:31 | 0:21:34 | |
'Astronomers here today work on state-of-the-art astrophysics. | 0:21:34 | 0:21:38 | |
'But they haven't entirely abandoned their Victorian instruments.' | 0:21:38 | 0:21:43 | |
Now, John, that I DO recognise, as a telescope. | 0:21:43 | 0:21:46 | |
What vintage is this? | 0:21:46 | 0:21:48 | |
This dates from 1885. | 0:21:48 | 0:21:50 | |
It was built by the firm of Howard Grubb, of Dublin. | 0:21:50 | 0:21:54 | |
This is the telescope we'd use nowadays | 0:21:54 | 0:21:56 | |
for making our visual observations. | 0:21:56 | 0:21:58 | |
-And you're still using it today? -Very much so. | 0:21:58 | 0:22:00 | |
As and when the weather permits, of course. | 0:22:00 | 0:22:03 | |
For example, you can rotate the dome here right around, | 0:22:03 | 0:22:08 | |
by pulling on this rope over here. | 0:22:08 | 0:22:09 | |
-May I have a go? -Yes, please do. | 0:22:09 | 0:22:13 | |
That operates amazingly smoothly, doesn't it? | 0:22:18 | 0:22:22 | |
-Yes, it's cooperating today. -That's a great design in itself. | 0:22:22 | 0:22:26 | |
I'm so impressed you're still using a telescope | 0:22:26 | 0:22:32 | |
-nearly as old as my Bradshaw's, and just as useful. -Yes, indeed. | 0:22:32 | 0:22:37 | |
'For the last leg of my journey, | 0:22:39 | 0:22:42 | |
'I'm taking a detour from my route. | 0:22:42 | 0:22:44 | |
'I've been following the mainline that links Dublin and Belfast, | 0:22:44 | 0:22:47 | |
'but in Bradshaw's day, there were other, smaller lines | 0:22:47 | 0:22:50 | |
'radiating from the island's second city.' | 0:22:50 | 0:22:53 | |
'I've come to the County Down countryside, | 0:22:53 | 0:22:56 | |
'to see what's left of a celebrated Victorian service.' | 0:22:56 | 0:23:00 | |
A remote platform, set amongst fields and cows. | 0:23:02 | 0:23:05 | |
I might think I was in the wrong place, if it weren't | 0:23:05 | 0:23:08 | |
for the tell-tale drift of smoke. | 0:23:08 | 0:23:10 | |
'I'm catching a steam train on the Downpatrick and County Down Railway. | 0:23:13 | 0:23:17 | |
'It's Northern Ireland's only full-size heritage line, | 0:23:17 | 0:23:21 | |
'and it runs on a route created in Bradshaw's day. | 0:23:21 | 0:23:24 | |
'The original Belfast & County Down Railway | 0:23:26 | 0:23:29 | |
'was built by the famous engineer William Dargan, | 0:23:29 | 0:23:32 | |
'the man behind Ireland's very first railway, back in 1834. | 0:23:32 | 0:23:36 | |
'But, like so many Irish lines, it's had a chequered history. | 0:23:36 | 0:23:39 | |
'En route to Downpatrick, | 0:23:41 | 0:23:42 | |
'I'm getting the story from volunteer Robert Gardiner.' | 0:23:42 | 0:23:46 | |
-Was this built for passengers, or freight? -Passengers. | 0:23:48 | 0:23:52 | |
The Belfast And County Down Railway was a commuter line. | 0:23:52 | 0:23:55 | |
This line to Downpatrick was for the legal profession, | 0:23:55 | 0:23:59 | |
so that judges and barristers could get from the crown court in Belfast | 0:23:59 | 0:24:05 | |
down to the courthouse here in Downpatrick, | 0:24:05 | 0:24:07 | |
which was a major legal centre in the county. | 0:24:07 | 0:24:11 | |
A silky-smooth ride for them? | 0:24:11 | 0:24:13 | |
Absolutely. If you compare the stagecoach ride from Belfast | 0:24:13 | 0:24:17 | |
in small, pitted roads, | 0:24:17 | 0:24:19 | |
versus this brand new marvel of wondrous technology. | 0:24:19 | 0:24:22 | |
There would be no comparison. | 0:24:22 | 0:24:24 | |
'But the lawyers had to wait for their commuter line. | 0:24:26 | 0:24:29 | |
'The route was first proposed in 1845, | 0:24:29 | 0:24:32 | |
'when Ireland was in the grip of the great famine, | 0:24:32 | 0:24:36 | |
'which began with the potato blight, | 0:24:36 | 0:24:38 | |
'and went on to kill around a million people.' | 0:24:38 | 0:24:40 | |
There's a myth that Ulster wasn't as badly affected | 0:24:42 | 0:24:46 | |
as the rest of the island of Ireland was. | 0:24:46 | 0:24:48 | |
But it WAS affected, and the Irish famine did have a severe impact | 0:24:48 | 0:24:53 | |
on the construction of this line. | 0:24:53 | 0:24:54 | |
'The famine delayed construction of the line for a decade, | 0:24:54 | 0:25:00 | |
'but by the end of the 19th century, | 0:25:00 | 0:25:02 | |
'Ireland's railways had spread impressively. | 0:25:02 | 0:25:05 | |
'They reached their zenith in the 1920s, | 0:25:05 | 0:25:08 | |
'when the island was criss-crossed by nearly 3,500 miles of track. | 0:25:08 | 0:25:12 | |
'But it wasn't to last.' | 0:25:12 | 0:25:14 | |
When did this lovely line close to the public? | 0:25:14 | 0:25:16 | |
1950. It was one of the first lines in Northern Island to be closed. | 0:25:16 | 0:25:21 | |
The line had been run into the ground during the Second World War. | 0:25:21 | 0:25:25 | |
At that time, the Stormont government decided | 0:25:25 | 0:25:28 | |
it wasn't worth the while keeping it open. | 0:25:28 | 0:25:31 | |
"And, we'll close it. Sure, buses will do the work instead." | 0:25:31 | 0:25:34 | |
'This pattern was repeated across the land. | 0:25:34 | 0:25:37 | |
'Today, fewer than half the lines in use at the peak | 0:25:37 | 0:25:40 | |
'remain in service. | 0:25:40 | 0:25:42 | |
'Here in County Down, the track was lifted, | 0:25:43 | 0:25:45 | |
'and it was thought the line was history, | 0:25:45 | 0:25:48 | |
'until, in the 1980s, | 0:25:48 | 0:25:49 | |
'a group of enthusiasts decided to revive it.' | 0:25:49 | 0:25:53 | |
1982, that was a pretty troubled moment | 0:25:53 | 0:25:55 | |
in the history of Northern Ireland? | 0:25:55 | 0:25:58 | |
It was at the height of the Troubles, and, I suppose, | 0:25:58 | 0:26:01 | |
it would be an unlikely time for a heritage railway to be set up. | 0:26:01 | 0:26:06 | |
I think we were just lucky, | 0:26:06 | 0:26:08 | |
in terms of the politics of this area | 0:26:08 | 0:26:11 | |
were very favourable to promoting tourism. | 0:26:11 | 0:26:14 | |
And, basically getting on with life, at that time, | 0:26:14 | 0:26:17 | |
and ensuring that something kept going on, beyond the Troubles. | 0:26:17 | 0:26:22 | |
'The heritage project had a slow start, | 0:26:22 | 0:26:25 | |
'with little funding, and barely any facilities. | 0:26:25 | 0:26:29 | |
'Now it's popular with tourists, who come to where St Patrick, | 0:26:29 | 0:26:32 | |
'who introduced Christianity to Ireland, is believed to be buried. | 0:26:32 | 0:26:37 | |
'The heritage line is run entirely by volunteers like Robert, | 0:26:37 | 0:26:40 | |
'who do everything from driving trains | 0:26:40 | 0:26:44 | |
'to restoring vintage coaches.' | 0:26:44 | 0:26:47 | |
Oh dear, this is a poor old wreck of a thing, isn't it? | 0:26:47 | 0:26:49 | |
It is, but it's pretty much a gem in our collection, at the minute. | 0:26:49 | 0:26:52 | |
We found it in a field, near Hillsborough, | 0:26:52 | 0:26:55 | |
being used as a chicken house. | 0:26:55 | 0:26:58 | |
But, if I mentioned the names King George V, King George VI, | 0:26:58 | 0:27:02 | |
and King Edward VII, and a bunch of chickens, | 0:27:02 | 0:27:05 | |
what do you think they'd have in common? | 0:27:05 | 0:27:07 | |
They all used this carriage? | 0:27:07 | 0:27:09 | |
They've all used this carriage. | 0:27:09 | 0:27:11 | |
This was the Belfast & County Down Railway's royal saloon. | 0:27:11 | 0:27:15 | |
It was built in 1897, for Queen Victoria's jubilee. | 0:27:15 | 0:27:18 | |
And, one day, you will restore it, to regal splendour. | 0:27:18 | 0:27:22 | |
'It's a labour of love for the volunteers, | 0:27:22 | 0:27:25 | |
'and reminds us of the railways' important part | 0:27:25 | 0:27:28 | |
'in this region's history.' | 0:27:28 | 0:27:31 | |
For the first time, my railway journey | 0:27:31 | 0:27:33 | |
has taken me across an international border. | 0:27:33 | 0:27:36 | |
During my lifetime, relations across that border have been strained, | 0:27:36 | 0:27:39 | |
and rail services have been disrupted by political issues. | 0:27:39 | 0:27:44 | |
But, since Bradshaw's day, | 0:27:44 | 0:27:47 | |
whenever peoples were able to live at peace, | 0:27:47 | 0:27:50 | |
the train was there to smooth trade | 0:27:50 | 0:27:53 | |
and to link families and friends. | 0:27:53 | 0:27:55 | |
'On the next leg of my journey, | 0:27:59 | 0:28:01 | |
'I'll be taking a step back in time.' | 0:28:01 | 0:28:04 | |
This is like the early stages of the Industrial Revolution. | 0:28:04 | 0:28:07 | |
'Seeing what gave pleasure-seeking Victorians | 0:28:07 | 0:28:12 | |
'the thrill of their lives.' | 0:28:12 | 0:28:13 | |
Being 30 to 70 feet above the sea crashing below you. | 0:28:13 | 0:28:16 | |
A big change from city life. | 0:28:16 | 0:28:18 | |
'And taking to the tracks in the latest high-tech train simulator.' | 0:28:18 | 0:28:23 | |
Oh, dear! I think we're all dead! | 0:28:25 | 0:28:28 | |
Subtitles by Red Bee Media Ltd | 0:28:49 | 0:28:52 | |
E-mail [email protected] | 0:28:52 | 0:28:55 |