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For Victorian Britons, | 0:00:04 | 0:00:06 | |
George Bradshaw was a household name. | 0:00:06 | 0:00:08 | |
At a time when railways were new, | 0:00:09 | 0:00:11 | |
Bradshaw's guidebook inspired them | 0:00:11 | 0:00:13 | |
to take to the tracks. | 0:00:13 | 0:00:14 | |
I'm using a Bradshaw's Guide | 0:00:15 | 0:00:17 | |
to understand how trains transformed Britain - | 0:00:17 | 0:00:21 | |
its landscape, its industry, | 0:00:21 | 0:00:23 | |
society and leisure time. | 0:00:23 | 0:00:25 | |
As I crisscross the country, | 0:00:25 | 0:00:28 | |
150 years later, | 0:00:28 | 0:00:30 | |
it helps me to discover the Britain of today. | 0:00:30 | 0:00:33 | |
I'm now concluding my Scottish journey. | 0:00:55 | 0:00:58 | |
While Victorian English flocked to Scotland, | 0:00:58 | 0:01:00 | |
the world beyond these shores also felt the Caledonian influence. | 0:01:00 | 0:01:05 | |
Men of fortune left their mark in the New World, | 0:01:05 | 0:01:08 | |
and around the globe sportsmen discovered a Scottish pastime | 0:01:08 | 0:01:12 | |
that suited them to a T. | 0:01:12 | 0:01:14 | |
My journey has taken me across Scotland, | 0:01:21 | 0:01:25 | |
from west to east. | 0:01:25 | 0:01:27 | |
It began at the Clyde estuary, | 0:01:27 | 0:01:28 | |
heading through the Scottish Lowlands to Glasgow. | 0:01:28 | 0:01:31 | |
It continued to Stirling and Perth, | 0:01:32 | 0:01:35 | |
touching the Highlands. | 0:01:35 | 0:01:38 | |
Now I'm travelling east to Fife | 0:01:38 | 0:01:40 | |
to the famous university town of St Andrews, | 0:01:40 | 0:01:42 | |
before heading south to Scotland's capital city. | 0:01:42 | 0:01:45 | |
On today's leg, I start on the bracing east coast, | 0:01:47 | 0:01:50 | |
before heading inland along the Firth of Forth, | 0:01:50 | 0:01:54 | |
and on to the theatrical city of Edinburgh. | 0:01:54 | 0:01:58 | |
And my journey ends in the former mining village of Newcraighall. | 0:01:58 | 0:02:02 | |
I pay homage at the birthplace of golf... | 0:02:04 | 0:02:06 | |
-Great shot, Michael! -(I can't believe I hit it!) | 0:02:07 | 0:02:10 | |
..discover how a poor Scot gave away a fortune... | 0:02:10 | 0:02:14 | |
He wrote The Gospel Of Wealth, and in that he said, | 0:02:14 | 0:02:17 | |
"He who dies thus rich dies disgraced." | 0:02:17 | 0:02:20 | |
..and tread the boards at the Edinburgh Fringe. | 0:02:20 | 0:02:23 | |
I demand to know where you deposited the handbag that contained that infant. | 0:02:23 | 0:02:27 | |
I left it | 0:02:27 | 0:02:28 | |
in the cloakroom | 0:02:28 | 0:02:30 | |
of one of the larger railway stations in London. | 0:02:30 | 0:02:34 | |
"No-one can say he has seen Scotland, | 0:02:45 | 0:02:47 | |
"who has not paid St Andrews a visit." | 0:02:47 | 0:02:50 | |
Thus declares Bradshaw's. And, with a university founded in 1411, | 0:02:50 | 0:02:55 | |
and my mother's school of St Leonard's in 1552, no wonder. | 0:02:55 | 0:03:00 | |
"One branch of manufacture flourishes - making balls for golf, | 0:03:00 | 0:03:03 | |
"a favourite game played on the links | 0:03:03 | 0:03:06 | |
or flat sands along the sea-shore." | 0:03:06 | 0:03:08 | |
I think I'll swing by! | 0:03:08 | 0:03:10 | |
Leuchars station may not be familiar, | 0:03:15 | 0:03:17 | |
but most people will have heard of the world-famous golf course nearby. | 0:03:17 | 0:03:20 | |
St Andrews Golf Club was founded in 1843 with 11 members | 0:03:22 | 0:03:27 | |
who were mostly tradesmen, | 0:03:27 | 0:03:29 | |
including a dancing master and a butler. | 0:03:29 | 0:03:31 | |
They were soon joined by | 0:03:31 | 0:03:33 | |
Allan Robertson, the foremost golfer of his day, | 0:03:33 | 0:03:35 | |
and MacKenzie Turpie, | 0:03:35 | 0:03:37 | |
who competed in the 1900 Paris Olympics | 0:03:37 | 0:03:40 | |
when golf was included. | 0:03:40 | 0:03:42 | |
I'm going to visit a golf club factory, | 0:03:45 | 0:03:48 | |
where they maintain the special skills needed | 0:03:48 | 0:03:51 | |
to craft traditional hickory-shafted clubs by hand. | 0:03:51 | 0:03:54 | |
I'm meeting Hamish Steedman, its chairman. | 0:03:55 | 0:03:58 | |
Hamish, I'm getting the feeling of a lovely traditional workshop here. | 0:04:01 | 0:04:04 | |
How far back in history does golf go? | 0:04:04 | 0:04:07 | |
The earliest documented evidence of golf was 1452, | 0:04:07 | 0:04:12 | |
when James II banned golf, | 0:04:12 | 0:04:13 | |
in favour of archery practice. | 0:04:13 | 0:04:16 | |
But we know ball-and-stick games | 0:04:16 | 0:04:19 | |
have been played from the earliest days. | 0:04:19 | 0:04:21 | |
The Scots were the first to actually play | 0:04:21 | 0:04:24 | |
towards a hole in the ground to hit a ball in, | 0:04:24 | 0:04:27 | |
and that's really defined the start of golf. | 0:04:27 | 0:04:29 | |
So, for over 600 years it's been played at St Andrews. | 0:04:29 | 0:04:33 | |
What was the game like here in St Andrews? | 0:04:33 | 0:04:36 | |
Well, the history demonstrates | 0:04:36 | 0:04:37 | |
that links courses have been here for centuries. | 0:04:37 | 0:04:40 | |
The links land for example is really the common ground | 0:04:40 | 0:04:44 | |
between the shoreline and the farmland. | 0:04:44 | 0:04:46 | |
It wasn't manicured as it is today | 0:04:46 | 0:04:48 | |
and, in fact, it was nearly lost to rabbits, in the early 1800s, | 0:04:48 | 0:04:52 | |
when the rabbit holes almost took over the golf holes. | 0:04:52 | 0:04:55 | |
It took a handful of rocks to fill in the rabbit holes, | 0:04:58 | 0:05:02 | |
plus pluck and a favourable wind | 0:05:02 | 0:05:04 | |
to see those early golfers | 0:05:04 | 0:05:06 | |
safely through 11 holes out and the same 11 back. | 0:05:06 | 0:05:09 | |
So, Michael, this is one of the long-nosed clubs here | 0:05:11 | 0:05:14 | |
that was used throughout Victorian times and before. | 0:05:14 | 0:05:18 | |
We have the splice shaft here, | 0:05:18 | 0:05:20 | |
the leather face insert, | 0:05:20 | 0:05:22 | |
the ram's horn, to protect the leading edge of the club, | 0:05:22 | 0:05:27 | |
and the most important part... | 0:05:27 | 0:05:28 | |
Each club was weighed with lead-weight poured into the club. | 0:05:28 | 0:05:33 | |
Even now the skill lies in precise measurement of the molten lead. | 0:05:34 | 0:05:38 | |
-Hello, Angus. -Hello, there. | 0:05:40 | 0:05:42 | |
-What temperature is your lead? -Hot. | 0:05:42 | 0:05:44 | |
THEY LAUGH | 0:05:44 | 0:05:45 | |
What weight are you trying to achieve now? | 0:05:45 | 0:05:47 | |
The head weight's usually three to four ounces, | 0:05:47 | 0:05:50 | |
and you add lead till it comes up to the eight-ounce mark, | 0:05:50 | 0:05:52 | |
and that's the standard weight that we make the putters. | 0:05:52 | 0:05:56 | |
When the molten lead has cooled a little, | 0:05:57 | 0:06:00 | |
it's hammered and left to set. | 0:06:00 | 0:06:02 | |
Nowadays golf clubs and their shafts are made from steel and titanium, | 0:06:04 | 0:06:08 | |
but hickory clubs smack of history and craftsmanship. | 0:06:08 | 0:06:12 | |
Hickory is obviously the shaft of the golf club. | 0:06:12 | 0:06:15 | |
It's not indigenous to this country, | 0:06:15 | 0:06:17 | |
but it was used in tooling - | 0:06:17 | 0:06:19 | |
your pickaxes, shovels, broom handles - | 0:06:19 | 0:06:23 | |
and the wood is indigenous to North America. | 0:06:23 | 0:06:26 | |
So it was imported. | 0:06:26 | 0:06:28 | |
So you are still making Victorian golf clubs... | 0:06:28 | 0:06:30 | |
There must be a market for them? | 0:06:30 | 0:06:32 | |
Yes, there is. | 0:06:32 | 0:06:33 | |
We export, primarily, around the world. | 0:06:33 | 0:06:36 | |
We're involved with the World Hickory Open Championship | 0:06:36 | 0:06:39 | |
that's played here every year. | 0:06:39 | 0:06:41 | |
Last year we had 14 different countries playing in it. | 0:06:41 | 0:06:43 | |
So it is a growing interest in the hickory game. | 0:06:43 | 0:06:47 | |
And it's exciting to see. | 0:06:47 | 0:06:49 | |
In Victorian times, the game was regarded as a great leveller | 0:06:49 | 0:06:53 | |
between ranks and classes. | 0:06:53 | 0:06:55 | |
When matched in skill, | 0:06:55 | 0:06:57 | |
king and commoner played on equal terms. | 0:06:57 | 0:07:00 | |
Lacking skill, I'd hoped at least to look the part. | 0:07:00 | 0:07:03 | |
Hamish, I can't say that I feel completely sensible in this gear. | 0:07:11 | 0:07:14 | |
What's the origin of it? | 0:07:14 | 0:07:16 | |
Well, the plus-fours were typical of country wear. | 0:07:17 | 0:07:20 | |
Ideal for golf, ideal for hunting and shooting, | 0:07:22 | 0:07:25 | |
because you don't get the bottom of your trousers dirty. | 0:07:25 | 0:07:28 | |
And, of course, the greens, the golf courses in those days, | 0:07:28 | 0:07:31 | |
weren't manicured like they are today. | 0:07:31 | 0:07:34 | |
And, certainly, Scottish rough isn't very pleasant at the best of times, anyway. | 0:07:34 | 0:07:37 | |
Lovely weather. Beautiful views. | 0:07:37 | 0:07:40 | |
Although that flag looks a rather long way. | 0:07:40 | 0:07:42 | |
Nice slowly back, | 0:07:47 | 0:07:48 | |
nice easy forward. | 0:07:48 | 0:07:49 | |
That's you. | 0:07:49 | 0:07:50 | |
And follow through, straight to the hole. | 0:07:50 | 0:07:52 | |
Oh! | 0:07:56 | 0:07:57 | |
I personally blame that one on the stiffening sea breeze! | 0:07:57 | 0:08:01 | |
Michael, with the hickory clubs, you trust the club. | 0:08:01 | 0:08:04 | |
So it's a nice and easy swing back | 0:08:04 | 0:08:05 | |
and swinging through, trusting the club, and hitting towards the hole. | 0:08:05 | 0:08:09 | |
Great shot, Michael. | 0:08:11 | 0:08:12 | |
(I can't believe I hit it.) | 0:08:12 | 0:08:13 | |
Let's hope I haven't peaked already! | 0:08:19 | 0:08:21 | |
Oh, stop-stop-stop-STOP! | 0:08:23 | 0:08:24 | |
Ran on. | 0:08:26 | 0:08:27 | |
I hope no-one was looking down from the famous St Andrews clubhouse, | 0:08:27 | 0:08:31 | |
which has occupied this splendid Victorian mansion since 1933. | 0:08:31 | 0:08:36 | |
-I'll get the flag for you, Michael. -Oh, thank you. | 0:08:38 | 0:08:42 | |
Not sure that it will be needed. | 0:08:42 | 0:08:43 | |
-Oh... -Close. | 0:08:50 | 0:08:51 | |
I'm feeling a bit below par today. | 0:08:51 | 0:08:53 | |
Not before time, I must resume my journey south from Leuchars station. | 0:09:00 | 0:09:04 | |
My next stop will be Dunfermline. | 0:09:14 | 0:09:16 | |
Bradshaw's tells me it's | 0:09:16 | 0:09:17 | |
"a large burgh town in the county of Fife, | 0:09:17 | 0:09:20 | |
"whose inhabitants are engaged in the manufacture | 0:09:20 | 0:09:23 | |
"of diaper, damask and table linen." | 0:09:23 | 0:09:26 | |
I'm here to find out about the son of a linen worker | 0:09:26 | 0:09:29 | |
who moved from below the salt to the top of the table. | 0:09:29 | 0:09:33 | |
The ancient town of Dunfermline dates back to Neolithic times. | 0:09:43 | 0:09:47 | |
Perched on a rocky hilltop, it's crowned by a magnificent abbey - | 0:09:48 | 0:09:52 | |
the resting place of Scottish kings. | 0:09:52 | 0:09:54 | |
The Victorian visitor armed with Bradshaw's guide | 0:09:56 | 0:09:59 | |
came to see a Scotland swathed in romance. | 0:09:59 | 0:10:03 | |
On my own travels abroad, I have been impressed | 0:10:03 | 0:10:05 | |
by the philanthropic works of Andrew Carnegie, | 0:10:05 | 0:10:08 | |
but I knew little of his poor beginnings here in Dunfermline. | 0:10:08 | 0:10:12 | |
To discover more about this remarkable man, | 0:10:13 | 0:10:16 | |
I'm meeting Lorna Owers from the Carnegie Birthplace Museum. | 0:10:16 | 0:10:20 | |
I believe that this beautiful park might not be open to the public | 0:10:20 | 0:10:23 | |
if it weren't for the generosity of Mr Andrew Carnegie. | 0:10:23 | 0:10:26 | |
That's true. When Andrew Carnegie was a child, | 0:10:26 | 0:10:29 | |
he wasn't allowed to go into the park, | 0:10:29 | 0:10:31 | |
it was owned by Colonel Hunt, | 0:10:31 | 0:10:33 | |
and it was a private estate, | 0:10:33 | 0:10:35 | |
and the locals were allowed in one day a year, | 0:10:35 | 0:10:38 | |
on a public holiday, | 0:10:38 | 0:10:40 | |
but because Andrew's uncle was a Chartist | 0:10:40 | 0:10:43 | |
and very anti-establishment - | 0:10:43 | 0:10:46 | |
which didn't go down too well with Colonel Hunt - he and his family | 0:10:46 | 0:10:49 | |
were banned from the park, including Andrew. | 0:10:49 | 0:10:51 | |
Chartism was one of the most important popular reform movements | 0:10:51 | 0:10:56 | |
of the 19th century. | 0:10:56 | 0:10:57 | |
Working-class men hadn't gained the vote | 0:10:57 | 0:11:00 | |
in the great parliamentary reforms of 1832. | 0:11:00 | 0:11:03 | |
Radicals drew up a People's Charter - | 0:11:03 | 0:11:05 | |
so becoming known as Chartists - | 0:11:05 | 0:11:07 | |
which included the demand for universal male suffrage. | 0:11:07 | 0:11:11 | |
Riots broke out, and Colonel Hunt | 0:11:11 | 0:11:13 | |
may have feared disorder in his park. | 0:11:13 | 0:11:16 | |
Carnegie vowed that one day he would hold a public meeting there, | 0:11:16 | 0:11:19 | |
and in the end, of course, he bought the park | 0:11:19 | 0:11:21 | |
and gave it to the people to enjoy. | 0:11:21 | 0:11:23 | |
A lot of people think that he only started his philanthropy | 0:11:23 | 0:11:26 | |
when he retired, but actually | 0:11:26 | 0:11:28 | |
he wrote a memo to himself when he was 33, | 0:11:28 | 0:11:32 | |
and he'd decided at that point to retire when he was 35, | 0:11:32 | 0:11:35 | |
before he discovered the steel industry, | 0:11:35 | 0:11:38 | |
and he was going to give his money away for good causes, | 0:11:38 | 0:11:42 | |
he was going to get a proper education - | 0:11:42 | 0:11:44 | |
because he'd only had four years at school - | 0:11:44 | 0:11:46 | |
and he was going to buy a newspaper. | 0:11:46 | 0:11:49 | |
And he didn't get a proper education, | 0:11:49 | 0:11:51 | |
because he discovered steel and kept working until he was 65. | 0:11:51 | 0:11:55 | |
But he did start giving his money away - actually, when he was 43 - | 0:11:55 | 0:11:59 | |
and he left a huge legacy. | 0:11:59 | 0:12:00 | |
There are now 22 institutions worldwide | 0:12:00 | 0:12:03 | |
which are still going strong, | 0:12:03 | 0:12:05 | |
which are spending something like 150 every minute of every day. | 0:12:05 | 0:12:09 | |
So it's quite an impressive legacy. | 0:12:09 | 0:12:12 | |
And here in the town, of course, Dunfermline | 0:12:12 | 0:12:15 | |
has benefitted from the library, | 0:12:15 | 0:12:17 | |
and the swimming baths, and the music institute | 0:12:17 | 0:12:20 | |
and, of course, our Carnegie Hall, | 0:12:20 | 0:12:21 | |
which was built after the original American, New York, Carnegie Hall. | 0:12:21 | 0:12:25 | |
And give me some sort of indication of what kind of a man he was? | 0:12:25 | 0:12:29 | |
He wrote The Gospel Of Wealth, and in it he said, | 0:12:29 | 0:12:32 | |
"He who dies thus rich dies disgraced." | 0:12:32 | 0:12:35 | |
In other words, you should give your money away. | 0:12:35 | 0:12:38 | |
You can't take it with you. | 0:12:38 | 0:12:39 | |
-And he was really as good as his own motto. -He was, indeed. | 0:12:39 | 0:12:42 | |
He gave away 350 million dollars in his lifetime, | 0:12:42 | 0:12:46 | |
and that's probably the equivalent of over 100 billion nowadays. | 0:12:46 | 0:12:51 | |
A truly inspirational example from a man of humble beginnings. | 0:12:54 | 0:12:58 | |
Lorna is taking me to his birthplace. | 0:12:58 | 0:13:01 | |
Carnegie was born at this cottage in Moody Street in 1835, | 0:13:01 | 0:13:05 | |
where his father worked as a hand-loom weaver. | 0:13:05 | 0:13:08 | |
Competition from the linen factories | 0:13:08 | 0:13:10 | |
hit these artisans hard | 0:13:10 | 0:13:12 | |
and the family emigrated to America, | 0:13:12 | 0:13:14 | |
where Carnegie began to work on the railroads | 0:13:14 | 0:13:17 | |
before making his fortune in steel. | 0:13:17 | 0:13:20 | |
Despite acquiring great wealth, | 0:13:20 | 0:13:22 | |
he retained an affinity with Dunfermline | 0:13:22 | 0:13:25 | |
and his wife bought him this cottage for his 60th birthday. | 0:13:25 | 0:13:28 | |
Today it survives as a museum celebrating his life. | 0:13:28 | 0:13:32 | |
Andrew Carnegie was given a record number of freedoms of cities. | 0:13:37 | 0:13:42 | |
We have 56 in the museum, | 0:13:42 | 0:13:44 | |
and this was his very first, | 0:13:44 | 0:13:46 | |
which he was presented with in 1877 | 0:13:46 | 0:13:49 | |
from Dunfermline, | 0:13:49 | 0:13:51 | |
and it's the one he was most proud of. | 0:13:51 | 0:13:53 | |
Of course - his native city, to which he was so generous. | 0:13:53 | 0:13:56 | |
That's right. | 0:13:56 | 0:13:57 | |
It was mainly thanks for the library and the swimming baths. | 0:13:57 | 0:14:00 | |
We also have the original manuscript | 0:14:00 | 0:14:03 | |
of Triumphant Democracy, one of the many books he wrote. | 0:14:03 | 0:14:06 | |
This is unusual, because it's in his own handwriting. | 0:14:06 | 0:14:10 | |
"The United States have already reached the foremost rank | 0:14:10 | 0:14:13 | |
"among civilised nations. | 0:14:13 | 0:14:15 | |
"The old nations of the Earth creep on at a snail's pace, | 0:14:15 | 0:14:19 | |
"America thunders past with the rush of the express train." | 0:14:19 | 0:14:23 | |
I love a man who uses a railway analogy. | 0:14:23 | 0:14:28 | |
It's back to the tracks for me to travel further south, | 0:14:40 | 0:14:43 | |
for a night at Fife's most southerly village. | 0:14:43 | 0:14:47 | |
Bradshaw's tells me that "in the neighbourhood of Queensferry, | 0:14:47 | 0:14:51 | |
"by the southern approximation of opposite promontories, | 0:14:51 | 0:14:54 | |
"the River Forth is forced into a narrow strait." | 0:14:54 | 0:14:58 | |
That enabled the building, after my Bradshaw's, | 0:14:58 | 0:15:01 | |
of the famous Forth Rail Bridge. | 0:15:01 | 0:15:04 | |
Before that people relied on the ferry. | 0:15:04 | 0:15:07 | |
And the northern point was marked by a light. | 0:15:07 | 0:15:10 | |
North Queensferry lies between two huge bridges - | 0:15:14 | 0:15:17 | |
the Forth Road Bridge and the red Forth Rail Bridge. | 0:15:17 | 0:15:20 | |
I'm meeting Queensferry Trust chairman James Lawson | 0:15:27 | 0:15:30 | |
in this stunning setting | 0:15:30 | 0:15:31 | |
to find out more about the light. | 0:15:31 | 0:15:33 | |
This just has to be the greatest view of the bridge, doesn't it? | 0:15:35 | 0:15:37 | |
You only get the sense of scale when you are down here. | 0:15:37 | 0:15:40 | |
'And absolutely dwarfed by the bridge is the light.' | 0:15:42 | 0:15:45 | |
Now, James, I don't want to be rude, | 0:15:46 | 0:15:48 | |
but I was expecting something a little larger. | 0:15:48 | 0:15:51 | |
Well, it is what it is. | 0:15:51 | 0:15:54 | |
Designed and put up by Robert Stevenson, | 0:15:54 | 0:15:57 | |
perhaps the grandfather of all Scottish lighthouses. | 0:15:57 | 0:16:02 | |
And how does it work now, James? | 0:16:02 | 0:16:04 | |
Well, there's a single wick, | 0:16:04 | 0:16:06 | |
and there is an oil reservoir, | 0:16:06 | 0:16:09 | |
and you just light it with a match. | 0:16:09 | 0:16:12 | |
It originally burned whale oil, | 0:16:12 | 0:16:14 | |
commonly in use until about 1850, | 0:16:14 | 0:16:16 | |
when the much cheaper paraffin became available. | 0:16:16 | 0:16:19 | |
The light would have guided sailors towards the safety of the pier. | 0:16:20 | 0:16:24 | |
The tower's not much more than 20 feet tall. | 0:16:24 | 0:16:27 | |
What you see here is the oil reservoir. | 0:16:29 | 0:16:32 | |
The oil comes out through this S-bend tube | 0:16:32 | 0:16:34 | |
to the bottom of the wick. | 0:16:34 | 0:16:36 | |
You light the wick here, | 0:16:36 | 0:16:38 | |
and then put on the glass funnel. | 0:16:38 | 0:16:42 | |
You lift the whole mechanism up, | 0:16:42 | 0:16:44 | |
with this unit here. | 0:16:44 | 0:16:46 | |
Very, very clever. | 0:16:46 | 0:16:48 | |
Well, it is certainly getting towards dark... | 0:16:48 | 0:16:50 | |
Shall we give it a go? | 0:16:50 | 0:16:52 | |
Why not? | 0:16:52 | 0:16:53 | |
It's hard to imagine now how dependent traffic would have been | 0:16:55 | 0:16:58 | |
for navigation on this little light. | 0:16:58 | 0:17:00 | |
In the 1840s, ferry boats traversing the Forth | 0:17:00 | 0:17:03 | |
would have picked their way between trading ships from the continents. | 0:17:03 | 0:17:07 | |
It's interesting to reflect that this little light burned on | 0:17:07 | 0:17:11 | |
until the opening of the road bridge in 1964. | 0:17:11 | 0:17:14 | |
After a night's rest, it's back to the station | 0:17:26 | 0:17:29 | |
for the penultimate leg of my journey across Scotland. | 0:17:29 | 0:17:32 | |
Edinburgh, says Bradshaw's, | 0:17:33 | 0:17:35 | |
is "one of the most ancient cities in the country | 0:17:35 | 0:17:38 | |
"and the capital of Scotland. | 0:17:38 | 0:17:40 | |
"It is not inaptly termed the modern Athens." | 0:17:40 | 0:17:43 | |
Now you may think that a little bit of an exaggeration, | 0:17:43 | 0:17:46 | |
but think of this - the ancient Greeks brought theatre to the masses, | 0:17:46 | 0:17:50 | |
and if one city has done as much as Athens to popularise theatre, | 0:17:50 | 0:17:55 | |
it could claim to be Edinburgh. | 0:17:55 | 0:17:57 | |
Edinburgh's origins are as a defensive stronghold | 0:18:00 | 0:18:05 | |
on this imposing rocky ridge. | 0:18:05 | 0:18:07 | |
From the seventh to the ninth centuries, | 0:18:07 | 0:18:09 | |
it was part of the Kingdom of Northumbria, | 0:18:09 | 0:18:11 | |
and, after that, a royal residence of the Scottish kings. | 0:18:11 | 0:18:14 | |
-STATION PA: -'We are now approaching Edinburgh Waverley.' | 0:18:20 | 0:18:23 | |
I'm alighting at Edinburgh Waverley. | 0:18:23 | 0:18:26 | |
Developed in 1854, the station sits in the valley | 0:18:26 | 0:18:29 | |
between the medieval old town | 0:18:29 | 0:18:31 | |
and the 18th-century new town. | 0:18:31 | 0:18:33 | |
Today it's Britain's busiest | 0:18:35 | 0:18:37 | |
mainline station outside London, | 0:18:37 | 0:18:39 | |
with around 60,000 people passing through each day. | 0:18:39 | 0:18:43 | |
When Britain built its railways, | 0:18:46 | 0:18:48 | |
that changed everything for good or ill. | 0:18:48 | 0:18:52 | |
For example, when Queen Victoria came to the throne, | 0:18:52 | 0:18:55 | |
Edinburgh had the sort of theatre scene | 0:18:55 | 0:18:57 | |
that you'd associate with a capital city. | 0:18:57 | 0:19:00 | |
But in 1859, the Theatre Royal Edinburgh closed its doors, | 0:19:00 | 0:19:04 | |
claiming that there had been an exodus of talent - | 0:19:04 | 0:19:07 | |
of writers and actors - attracted by the bright lights | 0:19:07 | 0:19:11 | |
of the West End of London, and now able to travel easily by train. | 0:19:11 | 0:19:15 | |
Well, if that was so, | 0:19:15 | 0:19:17 | |
the process was reversed after the Second World War, | 0:19:17 | 0:19:19 | |
when talent came from all over Britain to the Scottish capital, | 0:19:19 | 0:19:23 | |
attracted by the Edinburgh Fringe. | 0:19:23 | 0:19:25 | |
The Edinburgh Fringe is the world's largest arts festival. | 0:19:32 | 0:19:35 | |
This wonderful craziness began in 1947 | 0:19:35 | 0:19:38 | |
when a group of uninvited theatre companies gate-crashed | 0:19:38 | 0:19:41 | |
the launch of the city's International Cultural Festival. | 0:19:41 | 0:19:45 | |
Today the Fringe fills 25 days with more than 3,000 shows. | 0:19:56 | 0:20:01 | |
The result is a joyful anarchy combining household names | 0:20:02 | 0:20:05 | |
and hopeful amateurs. | 0:20:05 | 0:20:08 | |
Merci, monsieur. | 0:20:08 | 0:20:09 | |
-Do you come to the Fringe often? -No, it's my first time. | 0:20:13 | 0:20:15 | |
In fact, it's my first time in Edinburgh. | 0:20:15 | 0:20:17 | |
Oh, my goodness. How on earth do you decide what to go to? | 0:20:17 | 0:20:20 | |
Easily, I've let a friend of mine choose. | 0:20:20 | 0:20:22 | |
How are you enjoying the Fringe? | 0:20:22 | 0:20:24 | |
Yeah, I am actually performing. | 0:20:24 | 0:20:25 | |
What are you performing? | 0:20:25 | 0:20:27 | |
I'm a choreographer, presenting my work at Dance Space. | 0:20:27 | 0:20:31 | |
What do you hope to get out of being at the Fringe? | 0:20:31 | 0:20:33 | |
Uh, I guess visibility and lots of fun, to be honest. | 0:20:33 | 0:20:36 | |
I mean, it's great to be in a place where you can see so many things. | 0:20:36 | 0:20:39 | |
-What's the best thing you've seen? -You! | 0:20:39 | 0:20:42 | |
THEY ALL LAUGH | 0:20:42 | 0:20:44 | |
-I feel sorry for you, then. -Oh, do you? | 0:20:44 | 0:20:46 | |
Well, we're not so sure about that. | 0:20:46 | 0:20:48 | |
-Do you come every year? -Yeah, we try to come every year, yeah. | 0:20:48 | 0:20:51 | |
And what makes you come back every year? | 0:20:51 | 0:20:53 | |
-Just the atmosphere! -Atmosphere! -Atmosphere. Yeah. | 0:20:53 | 0:20:56 | |
-It's brilliant. -A 20-minute journey on a train. | 0:20:56 | 0:20:59 | |
See if I can squeeze in there. | 0:20:59 | 0:21:01 | |
Anyone else, come in. Let's take a selfie. | 0:21:01 | 0:21:03 | |
-Let's do the world's biggest selfie. -World's biggest selfie. | 0:21:03 | 0:21:07 | |
'I mustn't let this adulation go to my head. | 0:21:13 | 0:21:16 | |
'I've secured tickets for an alternative take | 0:21:16 | 0:21:19 | |
'on Oscar Wilde's The Importance Of Being Earnest, | 0:21:19 | 0:21:22 | |
'where women play men and vice versa.' | 0:21:22 | 0:21:24 | |
Hello...to our wonderful audience. | 0:21:25 | 0:21:28 | |
Right, can everyone stand up. | 0:21:28 | 0:21:30 | |
Everyone. | 0:21:30 | 0:21:31 | |
Everyone, please. Thank you kindly to you. | 0:21:31 | 0:21:34 | |
'Ah-ha... It seems this production is short of a cast member.' | 0:21:34 | 0:21:37 | |
Some victims left? | 0:21:39 | 0:21:41 | |
You, sir. What was your name, sir? | 0:21:41 | 0:21:43 | |
Michael. | 0:21:43 | 0:21:44 | |
'No surprises. I've drawn the short straw.' | 0:21:44 | 0:21:47 | |
APPLAUSE | 0:21:47 | 0:21:49 | |
'Great names have trodden these boards before me - | 0:21:51 | 0:21:53 | |
'John Cleese and Emma Thompson, to name but two geniuses of comedy. | 0:21:53 | 0:21:57 | |
'My wig should get a laugh, | 0:21:58 | 0:22:00 | |
'and beneath it I'm playing Miss Prism, | 0:22:00 | 0:22:02 | |
'the forgetful governess who mislays the baby in her charge.' | 0:22:02 | 0:22:06 | |
Prism, | 0:22:06 | 0:22:08 | |
where is that baby? | 0:22:08 | 0:22:10 | |
-HIGH VOICE: -Lady Bracknell... | 0:22:10 | 0:22:11 | |
LAUGHTER | 0:22:11 | 0:22:13 | |
I-I-I admit with some shame that I do not know. | 0:22:13 | 0:22:16 | |
I only wish that I did! | 0:22:16 | 0:22:18 | |
I had with me a somewhat old but capacious handbag | 0:22:18 | 0:22:22 | |
in which I'd intended to place the manuscript of a work of fiction | 0:22:22 | 0:22:25 | |
that I've written in my few unoccupied hours. | 0:22:25 | 0:22:29 | |
In a moment of mental...obstruction | 0:22:29 | 0:22:31 | |
for which I can NEVER FORGIVE MYSELF, | 0:22:31 | 0:22:34 | |
I deposited the manuscript in the bassinet | 0:22:34 | 0:22:36 | |
and placed the baby in the handbag. | 0:22:36 | 0:22:39 | |
I demand to know where you deposited the handbag containing that infant. | 0:22:39 | 0:22:43 | |
I left it | 0:22:43 | 0:22:44 | |
in the cloakroom | 0:22:44 | 0:22:46 | |
of one of the larger | 0:22:46 | 0:22:48 | |
railway stations in London. | 0:22:48 | 0:22:50 | |
What railway station? | 0:22:50 | 0:22:53 | |
-TINY VOICE: -Victoria. | 0:22:53 | 0:22:55 | |
LAUGHTER | 0:22:55 | 0:22:57 | |
'Entrusted to the railways...!' | 0:22:57 | 0:22:59 | |
I'm now travelling on a line that once joined England and Scotland. | 0:23:12 | 0:23:16 | |
Bradshaw's tells me that the Waverley route | 0:23:19 | 0:23:21 | |
"passes through country that assumes a highly picturesque character | 0:23:21 | 0:23:25 | |
"and becomes rich in its historical association, | 0:23:25 | 0:23:28 | |
"being immortalised by the pen of Sir Walter Scott." | 0:23:28 | 0:23:31 | |
The Old Waverley line that ran | 0:23:31 | 0:23:33 | |
from Carlisle through the Borders to Edinburgh, | 0:23:33 | 0:23:35 | |
like so many lines in my Bradshaw's Guide | 0:23:35 | 0:23:38 | |
passed into history, remembered only by grandparents. | 0:23:38 | 0:23:41 | |
But now a section of it from Edinburgh | 0:23:41 | 0:23:43 | |
to Galasheils and Tweedbank will reopen. | 0:23:43 | 0:23:46 | |
This part of the Waverley Line was built | 0:23:47 | 0:23:50 | |
by the North British Railway Company in 1849. | 0:23:50 | 0:23:54 | |
At the time, Newcraighall was a mining village, | 0:23:54 | 0:23:57 | |
built around a pit that's since closed. | 0:23:57 | 0:23:59 | |
I've come to meet project director Hugh Wark. | 0:24:01 | 0:24:04 | |
The Waverley railway is a very well-known railway, | 0:24:09 | 0:24:11 | |
at least in Scotland. How does it feel to be rebuilding it? | 0:24:11 | 0:24:14 | |
When I started my career | 0:24:14 | 0:24:16 | |
we were still ripping up some of the old railways | 0:24:16 | 0:24:19 | |
that had been closed. | 0:24:19 | 0:24:20 | |
So, it's great at this stage to be | 0:24:20 | 0:24:22 | |
actually working to reopen one again. | 0:24:22 | 0:24:25 | |
The line, like so many, was a victim of the Beeching cuts. | 0:24:26 | 0:24:30 | |
The announcement of its closure in 1967 | 0:24:30 | 0:24:33 | |
provoked fierce local protest, | 0:24:33 | 0:24:35 | |
even sabotage attacks. | 0:24:35 | 0:24:38 | |
So it's quite emotional | 0:24:38 | 0:24:39 | |
to be driving along what will be the route of this new line. | 0:24:39 | 0:24:42 | |
With 50km of track, | 0:24:43 | 0:24:46 | |
this is the longest domestic passenger line to be reopened | 0:24:46 | 0:24:49 | |
in the United Kingdom for 100 years. | 0:24:49 | 0:24:51 | |
The buffer in front of us here is the end of the existing railway. | 0:24:54 | 0:24:57 | |
It is actually a folding buffer | 0:24:57 | 0:24:59 | |
to allow our new engineering trains | 0:24:59 | 0:25:01 | |
to come onto the line, | 0:25:01 | 0:25:03 | |
but it's also the start of the new line | 0:25:03 | 0:25:06 | |
and this three and a half kilometres | 0:25:06 | 0:25:09 | |
of brand-new railway - not on the original Waverley route, at all. | 0:25:09 | 0:25:12 | |
The reasons we've diverted the railways | 0:25:12 | 0:25:14 | |
to take it through this area called Shawfair | 0:25:14 | 0:25:17 | |
is because it's a major development area, | 0:25:17 | 0:25:19 | |
and some of the bridges in this area, and the station | 0:25:19 | 0:25:22 | |
just along the line, | 0:25:22 | 0:25:23 | |
is all part of bringing economic development into this area. | 0:25:23 | 0:25:28 | |
All the communities down the line | 0:25:35 | 0:25:37 | |
see the benefits the railways are going to bring, | 0:25:37 | 0:25:39 | |
and they're all really looking forward to having stations | 0:25:39 | 0:25:42 | |
in the local communities, that'll give them good transport access | 0:25:42 | 0:25:46 | |
to Edinburgh and down into the Borders. | 0:25:46 | 0:25:49 | |
And in honour of the line's remarkable reversal of fortune, | 0:25:51 | 0:25:55 | |
Hugh invites me to leave a mark on the beautiful Lothian bridge viaduct | 0:25:55 | 0:25:59 | |
during its restoration. | 0:25:59 | 0:26:01 | |
-Michael, how are you? My name's Willy. -Good to see you. | 0:26:04 | 0:26:06 | |
I see you've got some quite big cracks here. | 0:26:06 | 0:26:09 | |
Does all that have to come out? | 0:26:09 | 0:26:11 | |
In the worst case scenario, yes. | 0:26:11 | 0:26:13 | |
But in this case, we were lucky. | 0:26:13 | 0:26:14 | |
Sounds like you are doing this | 0:26:14 | 0:26:16 | |
with a great deal of respect for the original structure. | 0:26:16 | 0:26:18 | |
Amazing respect. Amazing respect for the masons, | 0:26:18 | 0:26:21 | |
and the engineers that built it, as well. | 0:26:21 | 0:26:23 | |
I'm really in awe of these guys. | 0:26:23 | 0:26:25 | |
We're so lucky that it's lasted. | 0:26:25 | 0:26:26 | |
That it's not been demolished. | 0:26:26 | 0:26:28 | |
The very fact it has lasted shows you how skilful they were. | 0:26:28 | 0:26:30 | |
It certainly does. | 0:26:30 | 0:26:31 | |
Invited to position even one brick, I gain a new sense of respect | 0:26:31 | 0:26:35 | |
for the hundreds who toiled to build this viaduct. | 0:26:35 | 0:26:39 | |
Put your trowel up to it, | 0:26:39 | 0:26:41 | |
and just push it in along the bed. | 0:26:41 | 0:26:43 | |
-Like that? -Yep. That's perfect. | 0:26:43 | 0:26:44 | |
Pushing that along the bed there. | 0:26:44 | 0:26:46 | |
Make sure you've got all of it, right to the back. | 0:26:46 | 0:26:48 | |
Oop... I see why it's a skilled job. | 0:26:48 | 0:26:50 | |
You've done a great job, Michael. Thank you very much. | 0:27:06 | 0:27:09 | |
One small brick | 0:27:09 | 0:27:11 | |
in one arch of 23 arches | 0:27:11 | 0:27:13 | |
of this enormous Victorian structure, | 0:27:13 | 0:27:16 | |
because those people had big ideas. | 0:27:16 | 0:27:18 | |
Victorian railways bound England and Scotland together as never before. | 0:27:24 | 0:27:29 | |
Despite that, the Scottish retained a distinctive national culture, | 0:27:29 | 0:27:34 | |
expressed not least in the sports | 0:27:34 | 0:27:36 | |
and the ware that I've sampled in recent days. | 0:27:36 | 0:27:39 | |
One of the advantages of Scotland is that people like me, | 0:27:39 | 0:27:43 | |
associated with it only through ancestry, | 0:27:43 | 0:27:46 | |
swell with pride at what the Scots have done for the world. | 0:27:46 | 0:27:50 | |
That's certainly what I've been feeling | 0:27:50 | 0:27:52 | |
as I've travelled with my Bradshaw's. | 0:27:52 | 0:27:55 | |
Next time I'll scoop a cool treat in suburban London. | 0:28:00 | 0:28:04 | |
-Sludging, yes? -Sludging. -Keep going. | 0:28:04 | 0:28:06 | |
Not sure I want to be known for making sludgy ice cream. | 0:28:06 | 0:28:09 | |
Learn how the Railway Age was also a boom time for cemeteries... | 0:28:10 | 0:28:14 | |
Some wag had written, "New graves warmed by steam!" | 0:28:14 | 0:28:19 | |
..and visit an exotic 19th-century attraction | 0:28:19 | 0:28:22 | |
that still draws a crowd today. | 0:28:22 | 0:28:25 | |
It's a great way for people to get close to animals... | 0:28:25 | 0:28:27 | |
A bit too close possibly! | 0:28:27 | 0:28:29 | |
THEY LAUGH | 0:28:29 | 0:28:30 |