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For Edwardian Britons, a Bradshaw's was an indispensable guide | 0:00:04 | 0:00:09 | |
to a railway network at its peak. | 0:00:09 | 0:00:11 | |
I'm using an early 20th-century edition to navigate | 0:00:13 | 0:00:17 | |
a vibrant and optimistic Britain at the height of its power | 0:00:17 | 0:00:21 | |
and influence in the world. | 0:00:21 | 0:00:22 | |
But a nation wrestling with | 0:00:25 | 0:00:26 | |
political, social and industrial unrest at home. | 0:00:26 | 0:00:30 | |
Trains have brought me from the northern coast of Norfolk | 0:00:54 | 0:00:57 | |
to the Home Counties that border London. | 0:00:57 | 0:01:00 | |
Here, idealists planned modern towns far from the urban sprawl. | 0:01:00 | 0:01:06 | |
Meanwhile, in the metropolis, engineers tunnelled | 0:01:06 | 0:01:10 | |
while, in the streets above, | 0:01:10 | 0:01:12 | |
the proletariat sped along on their bicycles. | 0:01:12 | 0:01:15 | |
The King pursued his fast life at the Ritz Hotel, | 0:01:15 | 0:01:19 | |
and there I will hurry after him. | 0:01:19 | 0:01:21 | |
My journey began in the coastal resort of Cromer, | 0:01:27 | 0:01:31 | |
pointed south via Norwich to the university city of Cambridge. | 0:01:31 | 0:01:35 | |
And now I'm heading for the capital. | 0:01:35 | 0:01:38 | |
I'll wend my way along the South Coast | 0:01:38 | 0:01:40 | |
and cross the Solent to explore Edward VII's childhood | 0:01:40 | 0:01:44 | |
on the Isle of Wight. | 0:01:44 | 0:01:45 | |
Returning to the mainland, | 0:01:45 | 0:01:47 | |
I'll experience a turn-of-the-century seaside resort | 0:01:47 | 0:01:50 | |
and end on Brownsea Island near Poole. | 0:01:50 | 0:01:53 | |
This leg of my trip starts around 30 miles outside London, | 0:01:55 | 0:01:59 | |
in Letchworth Garden City. | 0:01:59 | 0:02:01 | |
I'll be exploring Edwardian London on the Underground, | 0:02:01 | 0:02:04 | |
beginning at Green Park, | 0:02:04 | 0:02:05 | |
stopping at a ground-breaking transport project | 0:02:05 | 0:02:08 | |
and finishing at the home of British track cycling near Brixton. | 0:02:08 | 0:02:13 | |
Along the way, I'll dig deep into the future of the Tube... | 0:02:16 | 0:02:21 | |
Every 45 minutes, we can get another 1.5 metres completed. | 0:02:21 | 0:02:27 | |
..tip the scales at an historic wine merchant... | 0:02:27 | 0:02:31 | |
I've obviously misjudged you, Michael, because I can see that, | 0:02:31 | 0:02:34 | |
actually, you're a lot lighter than I thought you were, and I apologise. | 0:02:34 | 0:02:37 | |
..and follow the old political advice to get on my bike, | 0:02:37 | 0:02:40 | |
clad in Lycra. | 0:02:40 | 0:02:42 | |
That was great. | 0:02:42 | 0:02:44 | |
Whoa! | 0:02:44 | 0:02:45 | |
I have here the programme for the official opening | 0:02:55 | 0:02:59 | |
of the Cheap Cottages Exhibition at the Garden City, Letchworth, | 0:02:59 | 0:03:04 | |
opened by the Duke of Devonshire in July 1905, | 0:03:04 | 0:03:09 | |
and sooty city-dwellers could travel from King's Cross, | 0:03:09 | 0:03:14 | |
have their third-class rail fare, their lunch and their conveyance, | 0:03:14 | 0:03:17 | |
their tea and their admission to the exhibition | 0:03:17 | 0:03:21 | |
for seven shillings and sixpence. | 0:03:21 | 0:03:23 | |
All aboard for rural - or at least suburban - utopia. | 0:03:23 | 0:03:28 | |
Arriving in Letchworth, I find an Arts and Crafts-inspired station, | 0:03:39 | 0:03:44 | |
fully in keeping with the ideals of the world's first garden city. | 0:03:44 | 0:03:48 | |
These tranquil streets were part of a radical vision for the future. | 0:03:57 | 0:04:02 | |
I'm meeting town historian, Josh Tidy. | 0:04:04 | 0:04:07 | |
-Hello, Josh. I'm Michael. -Pleasure to meet you. | 0:04:09 | 0:04:12 | |
I'm very happy to be in Letchworth. | 0:04:12 | 0:04:14 | |
Josh, how does the idea of Letchworth start? | 0:04:14 | 0:04:17 | |
So, Letchworth started with one man, Ebenezer Howard, | 0:04:17 | 0:04:20 | |
and he was a social reformer who sought to solve the problems of the | 0:04:20 | 0:04:24 | |
late Victorian era, chiefly that people were living in | 0:04:24 | 0:04:27 | |
overcrowded towns and squalid conditions, | 0:04:27 | 0:04:29 | |
paying extortionate rents. | 0:04:29 | 0:04:30 | |
How did he sell his idea? | 0:04:30 | 0:04:32 | |
So, he puts all his ideas together in a book, | 0:04:32 | 0:04:34 | |
which was published in 1898, and in it he sets out what | 0:04:34 | 0:04:37 | |
a garden city should be, so it's a combination of the best parts | 0:04:37 | 0:04:40 | |
of town and country, so fresh air and the beauty of nature, | 0:04:40 | 0:04:44 | |
jobs and social opportunities, but without any smoke and smog. | 0:04:44 | 0:04:48 | |
Construction began in Letchworth just five years after | 0:04:48 | 0:04:51 | |
the book's publication. | 0:04:51 | 0:04:53 | |
The new town was to be self-sufficient, | 0:04:55 | 0:04:58 | |
a community within which inhabitants would both live and work. | 0:04:58 | 0:05:02 | |
Two architects were responsible for the look of this utopia - | 0:05:03 | 0:05:06 | |
Raymond Unwin and Barry Parker. | 0:05:06 | 0:05:09 | |
This museum was once the architect's drawing office. | 0:05:12 | 0:05:16 | |
Josh, I'm very struck by the furnishings. | 0:05:20 | 0:05:24 | |
This would be Arts and Crafts, would it? | 0:05:24 | 0:05:26 | |
That's right, so this is Barry Parker's private office | 0:05:26 | 0:05:29 | |
and it's done up, really, to give a prospective client an idea | 0:05:29 | 0:05:31 | |
of the sort of house they might expect if they commissioned him. | 0:05:31 | 0:05:34 | |
And this, then, is the town plan. | 0:05:34 | 0:05:36 | |
That's right, this is one of the development plans that were | 0:05:36 | 0:05:39 | |
published sporadically as the town grew. | 0:05:39 | 0:05:42 | |
This is from 1912. | 0:05:42 | 0:05:43 | |
And what it shows is the current level of development at that point, | 0:05:43 | 0:05:47 | |
set against the original masterplan, | 0:05:47 | 0:05:49 | |
so you can see what's been developed so far is here in orange | 0:05:49 | 0:05:52 | |
and then in white, not built, but still very much part of the plan. | 0:05:52 | 0:05:56 | |
At the heart of the town was the railway station | 0:05:57 | 0:06:01 | |
and, next to that, the town's hub. | 0:06:01 | 0:06:03 | |
Zones for housing and for industry radiated from the centre | 0:06:05 | 0:06:09 | |
and green space was planned throughout. | 0:06:09 | 0:06:12 | |
-Does any of this have lessons for us a century later? -I think so. | 0:06:16 | 0:06:21 | |
Lots of things that were radical and revolutionary here | 0:06:21 | 0:06:24 | |
have been adopted as standard practice since. | 0:06:24 | 0:06:27 | |
So, this Ebenezer Howard perhaps should be | 0:06:27 | 0:06:29 | |
-better remembered than he is? -Absolutely. | 0:06:29 | 0:06:32 | |
Howard's garden city ideas have spread around the world | 0:06:34 | 0:06:39 | |
and are still cherished in Letchworth, | 0:06:39 | 0:06:41 | |
especially his belief in the benefits of shared outdoor space, | 0:06:41 | 0:06:45 | |
which is apparently wholeheartedly embraced. | 0:06:45 | 0:06:49 | |
-Hello, gardeners. -Hello! | 0:06:49 | 0:06:51 | |
-Good morning, Michael! -Do not despair, help is at hand. | 0:06:51 | 0:06:54 | |
-Please come and join us. -What are we planting? -Red cabbage. -Red cabbage? | 0:06:54 | 0:06:58 | |
We have quite a mixture of crops which are rotated around the beds. | 0:06:58 | 0:07:02 | |
We have quite a big group of volunteers that | 0:07:02 | 0:07:05 | |
come on a rota basis and do watering and weeding. | 0:07:05 | 0:07:09 | |
So, I expect Letchworth to be quite a community-minded place. | 0:07:09 | 0:07:12 | |
Is it, in fact? | 0:07:12 | 0:07:13 | |
Very much so, yes. | 0:07:13 | 0:07:15 | |
For me, it encompasses the best of the town and country. | 0:07:15 | 0:07:19 | |
Denise, does your family go back a long way in Letchworth? | 0:07:19 | 0:07:22 | |
Indeed, in fact, my great-grandfather came down | 0:07:22 | 0:07:24 | |
from Hull and he was a great friend of Ebenezer Howard | 0:07:24 | 0:07:27 | |
and Ebenezer Howard would go and stay, | 0:07:27 | 0:07:29 | |
so they used to have great discussions about the garden city. | 0:07:29 | 0:07:31 | |
Now, Jani, you're of a different generation. | 0:07:31 | 0:07:33 | |
30 minutes away by train are the bright lights | 0:07:33 | 0:07:36 | |
of the West End of London. | 0:07:36 | 0:07:37 | |
Are you not tempted to go and live there? | 0:07:37 | 0:07:40 | |
Hmm... It may seem nice, but it's a lot different to Letchworth, | 0:07:40 | 0:07:44 | |
a lot busier, more pollution, and I prefer it here, actually. | 0:07:44 | 0:07:48 | |
You all seem very keen and loyal citizens, would that be right? | 0:07:48 | 0:07:53 | |
Absolutely. | 0:07:53 | 0:07:55 | |
We do actually have the feeling as though we all own Letchworth, | 0:07:55 | 0:08:00 | |
that was really Ebenezer Howard's idea, was that the people | 0:08:00 | 0:08:03 | |
-should feel that it was their city. -And you do feel that? | 0:08:03 | 0:08:06 | |
And I do feel that, definitely, yes. | 0:08:06 | 0:08:08 | |
My dear Letchworthians, my job is done here. Thank you so much. | 0:08:08 | 0:08:11 | |
-Bye-bye now. -Thank you. -Bye-bye. -Safe journey. | 0:08:11 | 0:08:14 | |
Welcome aboard this service to London King's Cross. | 0:08:32 | 0:08:37 | |
In Irving Berlin's song, | 0:08:48 | 0:08:50 | |
"putting on the ritz" meant getting on your gladrags, | 0:08:50 | 0:08:54 | |
getting all togged up. | 0:08:54 | 0:08:57 | |
A gossip column from 1907 tells me that | 0:08:57 | 0:08:59 | |
"a married women's ball is the latest to social sensation. | 0:08:59 | 0:09:03 | |
"Lady Colebrooke and Mrs George Keppel, the twin hostesses, | 0:09:03 | 0:09:07 | |
"chose the Ritz Hotel as their scene of operations. | 0:09:07 | 0:09:12 | |
"It would be interesting to know whether bachelors were excluded." | 0:09:12 | 0:09:17 | |
Or, indeed, a married monarch. | 0:09:17 | 0:09:19 | |
The next station is London King's Cross. | 0:09:42 | 0:09:45 | |
I'm heading underground. | 0:10:04 | 0:10:06 | |
Originally known as Dover Street, Green Park station | 0:10:49 | 0:10:53 | |
opened in 1906, in the same year as one of London's best-known hotels. | 0:10:53 | 0:10:59 | |
Very good to see you. Thank you very much. | 0:11:05 | 0:11:07 | |
-Hello. -A very warm welcome back to The Ritz London, Mr Portillo. | 0:11:28 | 0:11:33 | |
That's so kind of you. Michael, how long have you been here? | 0:11:33 | 0:11:36 | |
Almost 44 years. Started here as a pageboy on the 30th of July 1973. | 0:11:36 | 0:11:43 | |
What celebrities that you're allowed to mention can you | 0:11:43 | 0:11:45 | |
-tell me about? -I've met you many, many times, Mr Portillo. | 0:11:45 | 0:11:49 | |
You know, in the Ritz, we are very discreet. We have to be. | 0:11:49 | 0:11:53 | |
With the lips of the concierge firmly sealed... | 0:11:53 | 0:11:57 | |
-David. -Hello, Michael, how great to see you. | 0:11:57 | 0:11:59 | |
..I'm hoping to find out more | 0:11:59 | 0:12:01 | |
from architectural historian David Watkin. | 0:12:01 | 0:12:04 | |
David, here we are, meeting in the splendour of the Ritz. | 0:12:04 | 0:12:07 | |
Why is it that we feel it to be so grand and so welcoming? | 0:12:07 | 0:12:12 | |
Well, it is grand, partly because of the height of it, which is | 0:12:12 | 0:12:16 | |
quite imposing and unusual. | 0:12:16 | 0:12:19 | |
And then it's full of the most beautiful details | 0:12:19 | 0:12:22 | |
of French 17th and 18th-century grandeur. | 0:12:22 | 0:12:26 | |
The whole thing is so exciting architecturally, | 0:12:26 | 0:12:28 | |
to have a promenade like this, so long and so high, | 0:12:28 | 0:12:32 | |
and going from one end to the other of an enormous building. | 0:12:32 | 0:12:36 | |
Swiss hotelier Cesar Ritz is credited with creating | 0:12:39 | 0:12:44 | |
the concept of the modern luxury hotel. | 0:12:44 | 0:12:46 | |
He pioneered ensuite bathrooms throughout and the kind | 0:12:49 | 0:12:52 | |
of perfectionism that we now associate with top establishments. | 0:12:52 | 0:12:56 | |
So what is it that makes this room so French, David? | 0:12:59 | 0:13:02 | |
We have these great mirrored walls, | 0:13:02 | 0:13:05 | |
which come from the Galerie des Glaces at Versailles | 0:13:05 | 0:13:08 | |
and the sculpture behind us, again, could be found | 0:13:08 | 0:13:11 | |
anywhere in the grounds of Versailles cos of Louis XIV. | 0:13:11 | 0:13:15 | |
Had London had hotels like this before? | 0:13:15 | 0:13:18 | |
It had nothing on this scale or quality. | 0:13:18 | 0:13:21 | |
They were beginning to come in in the 1890s, | 0:13:21 | 0:13:24 | |
but it was pretty rare to have anything like this. | 0:13:24 | 0:13:27 | |
When the hotel opened in 1906, | 0:13:29 | 0:13:31 | |
it became an instant favourite of the King. | 0:13:31 | 0:13:35 | |
He came here to pursue his passions for food and wine, | 0:13:35 | 0:13:39 | |
and to enjoy the company of women, | 0:13:39 | 0:13:41 | |
in particular of his mistress, Alice Keppel. | 0:13:41 | 0:13:44 | |
Do you think that part of Edward VII's relationship with | 0:13:46 | 0:13:49 | |
Mrs Keppel was played out here in public, lunch, dinner? | 0:13:49 | 0:13:52 | |
I think they did, yes, which was pretty unusual. | 0:13:52 | 0:13:55 | |
That's one of the reasons why hotels hadn't, I think, | 0:13:55 | 0:13:58 | |
been very successful before in England, because it was | 0:13:58 | 0:14:02 | |
thought very bad to see women, certainly alone, in a restaurant. | 0:14:02 | 0:14:07 | |
Was The Ritz, then, | 0:14:07 | 0:14:08 | |
a bit of a pioneer in allowing women to come on their own? | 0:14:08 | 0:14:12 | |
-Yes, I think because it was a pioneering hotel. -Splendid. | 0:14:12 | 0:14:16 | |
Sadly, I won't be staying at The Ritz tonight, but will take | 0:14:28 | 0:14:31 | |
advantage of being in my home city and sleep in my own bed. | 0:14:31 | 0:14:35 | |
But before I leave the St James's area, | 0:14:38 | 0:14:40 | |
I'm curious to visit another historic establishment. | 0:14:40 | 0:14:43 | |
-Welcome to Berry Bros & Rudd. -Ronnie. | 0:14:46 | 0:14:49 | |
with the sloping floor and the wood panelling, | 0:14:49 | 0:14:52 | |
it's a wonderful old institution. | 0:14:52 | 0:14:54 | |
How far back does it go? | 0:14:54 | 0:14:55 | |
It started in 1698 by somebody called the Widow Bourne, | 0:14:55 | 0:15:00 | |
and it became a retail store for coffee and spices. | 0:15:00 | 0:15:04 | |
It's still a retail store, but instead of coffee, | 0:15:04 | 0:15:06 | |
we now sell wines. And spirits, of course. | 0:15:06 | 0:15:09 | |
And, Ronnie, I notice you've got a contraption here | 0:15:09 | 0:15:11 | |
for weighing people. Is that because you're afraid that | 0:15:11 | 0:15:14 | |
they'll go through your old floorboards? | 0:15:14 | 0:15:16 | |
LAUGHTER | 0:15:16 | 0:15:17 | |
This originated as the coffee scales. | 0:15:17 | 0:15:20 | |
Up until about 1760, that was, because in about 1760, | 0:15:20 | 0:15:23 | |
people became much more health-conscious and they | 0:15:23 | 0:15:25 | |
wanted to be weighed, so we started weighing our customers as part of | 0:15:25 | 0:15:29 | |
the service that we would offer when they purchased a bottle of wine. | 0:15:29 | 0:15:33 | |
So, if you like, you can actually experience this, | 0:15:33 | 0:15:36 | |
and be very careful because it does move and swing as any balance would. | 0:15:36 | 0:15:41 | |
Now, I've obviously misjudged you, Michael, because I can see | 0:15:41 | 0:15:44 | |
that, actually, you're a lot lighter than I thought you were | 0:15:44 | 0:15:47 | |
and I apologise. | 0:15:47 | 0:15:48 | |
So I'm going to remove one of these weights in the hopes that | 0:15:48 | 0:15:51 | |
that balances you out, which I think it does. | 0:15:51 | 0:15:57 | |
Yes! | 0:15:57 | 0:15:59 | |
In its 300-year history, this company has served many a VIP. | 0:15:59 | 0:16:03 | |
It gained its first Royal Warrant in 1903 | 0:16:05 | 0:16:08 | |
when it created a unique tipple for King Edward. | 0:16:08 | 0:16:11 | |
Ronnie, I think the clue must be in the name - The King's Ginger. | 0:16:13 | 0:16:17 | |
This product was invented for King Edward VII. | 0:16:17 | 0:16:19 | |
He had a passion for cars. | 0:16:19 | 0:16:22 | |
He was the first European monarch | 0:16:22 | 0:16:24 | |
ever to drive the horseless carriage. | 0:16:24 | 0:16:27 | |
Usually the early motor cars, | 0:16:27 | 0:16:28 | |
they had no canopy on the top and the wind-chill factor was | 0:16:28 | 0:16:31 | |
affecting him to such a degree that his physician came to us | 0:16:31 | 0:16:34 | |
and said, "We need something to revivify His Royal Highness. | 0:16:34 | 0:16:38 | |
"Have you got something?" | 0:16:38 | 0:16:39 | |
So this is the result - The King's Ginger liqueur. | 0:16:39 | 0:16:42 | |
It's a very edifying drink. | 0:16:42 | 0:16:44 | |
Soft on the palate, uplifting at the same time and very warming. | 0:16:44 | 0:16:48 | |
So, your health. | 0:16:48 | 0:16:50 | |
Ooh! | 0:16:54 | 0:16:55 | |
I don't know about revivified, | 0:16:55 | 0:16:57 | |
I think I shall sleep pretty well after that! | 0:16:57 | 0:16:59 | |
LAUGHTER | 0:16:59 | 0:17:00 | |
I'm sure you will, Michael. I hope you will. | 0:17:00 | 0:17:03 | |
This morning, I'm returning to the Underground. | 0:17:16 | 0:17:18 | |
My next stop is Vauxhall station, south of the River Thames. | 0:17:22 | 0:17:27 | |
To my surprise, my Bradshaw's 1907 | 0:17:27 | 0:17:30 | |
lists the City and South London Railway | 0:17:30 | 0:17:33 | |
running from Angel through Bank to Clapham. | 0:17:33 | 0:17:36 | |
Londoners will recognise that as the Northern Line, | 0:17:36 | 0:17:39 | |
so, since Edwardian times, | 0:17:39 | 0:17:41 | |
there have been electrified railways running deep underground in | 0:17:41 | 0:17:45 | |
round tunnels, and since then | 0:17:45 | 0:17:46 | |
they've been threaded throughout the capital | 0:17:46 | 0:17:49 | |
and I don't think the process of construction has finished yet. | 0:17:49 | 0:17:52 | |
1.37 billion journeys are made on London's Underground every year. | 0:17:56 | 0:18:02 | |
Today, it has 250 miles of track and 270 stations. | 0:18:02 | 0:18:08 | |
And as the rapid development of London continues above ground, | 0:18:10 | 0:18:13 | |
the network below is responding. | 0:18:13 | 0:18:16 | |
The Northern Line is London's oldest deep-level tube line, which today | 0:18:18 | 0:18:23 | |
is being extended and I'm meeting Sam Mullins of Transport For London. | 0:18:23 | 0:18:30 | |
Sam. What a sight. | 0:18:30 | 0:18:32 | |
We're standing in front of the hive of activity that's creating | 0:18:32 | 0:18:35 | |
a new station box for the Northern Line extension to | 0:18:35 | 0:18:39 | |
Battersea Power Station. | 0:18:39 | 0:18:41 | |
With 20,000 homes in this area, the new American Embassy | 0:18:41 | 0:18:45 | |
and everything else that goes with it, | 0:18:45 | 0:18:47 | |
a new quarter for London enabled and shaped by the railway. | 0:18:47 | 0:18:50 | |
In the 1860s, London built cut and cover railways | 0:18:50 | 0:18:54 | |
quite close to the surface - the Metropolitan Line for example. | 0:18:54 | 0:18:57 | |
When do we first get the deep-bored ones in the little round tunnels? | 0:18:57 | 0:19:01 | |
Well, the building of the cut and cover railways | 0:19:01 | 0:19:04 | |
in the 1860s was incredibly disruptive, | 0:19:04 | 0:19:06 | |
but by later in the 19th century, there are new technologies | 0:19:06 | 0:19:09 | |
available, which enable tube railways to happen. | 0:19:09 | 0:19:12 | |
You've got lifts, you've got electric traction | 0:19:12 | 0:19:15 | |
and safe tunnelling technology, which enabled you to take | 0:19:15 | 0:19:19 | |
the railway deep beneath the streets. | 0:19:19 | 0:19:20 | |
A massive expansion of the railway capacity of London | 0:19:20 | 0:19:24 | |
in quite a short period of time. | 0:19:24 | 0:19:26 | |
What impact does it have on Edwardian Britain? | 0:19:26 | 0:19:28 | |
I think it's remarkable that Edwardian London | 0:19:28 | 0:19:30 | |
kind of acquires all the characteristics of what | 0:19:30 | 0:19:33 | |
we would think of as a modern metro, a network of tube lines, | 0:19:33 | 0:19:36 | |
all common ownership, common ticketing, | 0:19:36 | 0:19:38 | |
there's a map that helps you get around it, | 0:19:38 | 0:19:41 | |
predictable timetables, before the First World War, | 0:19:41 | 0:19:43 | |
which always strikes me as a generation | 0:19:43 | 0:19:45 | |
earlier than you would expect. | 0:19:45 | 0:19:47 | |
And that, really, is the making of our metropolis, | 0:19:47 | 0:19:50 | |
and the metropolis is so influential in the making of Britain. | 0:19:50 | 0:19:53 | |
Well, it shapes London. We go on, of course, | 0:19:53 | 0:19:55 | |
in the '20s and the '30s to see the extension of the Northern Line, | 0:19:55 | 0:19:59 | |
extension of the Piccadilly Line, | 0:19:59 | 0:20:01 | |
to create huge suburbs well outside the old bounds of London. | 0:20:01 | 0:20:04 | |
The ambition to connect new areas for Londoners is the same | 0:20:07 | 0:20:11 | |
today as it was a century ago and modern technology offers | 0:20:11 | 0:20:15 | |
engineers some powerful tools for the job. | 0:20:15 | 0:20:18 | |
I'm meeting Jonathan Cooper, | 0:20:27 | 0:20:29 | |
project manager for this multi-million pound undertaking. | 0:20:29 | 0:20:32 | |
Jonathan, with all the noise just shortly ahead of us here, | 0:20:34 | 0:20:36 | |
it looks like we've reached the business end of your tunnel. | 0:20:36 | 0:20:39 | |
-What's going on ahead of us? -So, what you can see here is the | 0:20:39 | 0:20:41 | |
back end of the tunnel-boring machine, so the total length | 0:20:41 | 0:20:44 | |
is 100 metres in all, so 100 metres from what you see here is | 0:20:44 | 0:20:48 | |
where you have the cutterhead pushing into the London clay. | 0:20:48 | 0:20:51 | |
Now, as your machine goes along, it's placing these | 0:20:52 | 0:20:56 | |
pieces of concrete against the tunnel wall, is that right? | 0:20:56 | 0:20:59 | |
Yeah, that's correct, so we excavate a 6m diameter hole | 0:20:59 | 0:21:02 | |
and then we build a slightly smaller tunnel within that | 0:21:02 | 0:21:05 | |
and the ground is immediately supported by a shield | 0:21:05 | 0:21:07 | |
and that prevents the ground above settling, so we've obviously got a | 0:21:07 | 0:21:11 | |
lot of buildings above us | 0:21:11 | 0:21:12 | |
and we want to make sure they don't get damaged. | 0:21:12 | 0:21:14 | |
How fast will you progress when you're running at your fastest? | 0:21:14 | 0:21:17 | |
It takes about 20 to 25 minutes to actually excavate the ground | 0:21:17 | 0:21:20 | |
and then 10 to 15 minutes to actually build the ring, | 0:21:20 | 0:21:23 | |
and then we can start up again, so every 45 minutes, | 0:21:23 | 0:21:26 | |
we can get another 1.5 metres completed. | 0:21:26 | 0:21:29 | |
Tremendous rate of progress. | 0:21:29 | 0:21:31 | |
You seem very enthusiastic | 0:21:31 | 0:21:32 | |
and rather young to be a project manager. | 0:21:32 | 0:21:34 | |
What made you interested in tunnelling? | 0:21:34 | 0:21:37 | |
My parents took me to the Channel Tunnel Rail Exhibition | 0:21:37 | 0:21:40 | |
when I was a small boy and it was there which I first saw | 0:21:40 | 0:21:43 | |
a tunnel-boring machine and that really got me inspired to | 0:21:43 | 0:21:46 | |
go into engineering and I'm really fortunate today to be involved | 0:21:46 | 0:21:49 | |
in a sort of once-in-a-generation project to benefit Londoners. | 0:21:49 | 0:21:53 | |
Hear, hear! | 0:21:53 | 0:21:54 | |
For the final leg of today's journey, | 0:22:03 | 0:22:05 | |
I'm taking the Victoria Line further south to Brixton. | 0:22:05 | 0:22:08 | |
I'm hoping to get the wind in my hair on a hugely popular mode | 0:22:13 | 0:22:17 | |
of transport that took hold at the turn of the 20th century. | 0:22:17 | 0:22:22 | |
The Standard newspaper, dated April the 22nd 1905, | 0:22:24 | 0:22:29 | |
tells me that the Southern Counties Cycling Union | 0:22:29 | 0:22:32 | |
held its annual race meeting yesterday, | 0:22:32 | 0:22:35 | |
which was Good Friday, in the presence of 7,000 spectators | 0:22:35 | 0:22:39 | |
at the London County Grounds, Herne Hill. | 0:22:39 | 0:22:42 | |
7,000 is a very large crowd, | 0:22:43 | 0:22:46 | |
particularly given that the bike was quite a recent invention. | 0:22:46 | 0:22:50 | |
I had no idea that the sport was that popular century ago. | 0:22:50 | 0:22:55 | |
But then again, these things are cyclical. | 0:22:55 | 0:22:57 | |
The Herne Hill Velodrome is considered the honorary home | 0:23:04 | 0:23:08 | |
of track cycling in the United Kingdom. | 0:23:08 | 0:23:11 | |
It's one of the oldest and arguably the best hidden, | 0:23:12 | 0:23:16 | |
reached from a quiet, leafy street in South London. | 0:23:16 | 0:23:19 | |
I'm meeting expert cyclist Peter Cattermole. | 0:23:24 | 0:23:26 | |
Peter, I had no idea about Herne Hill Velodrome and here it is, | 0:23:28 | 0:23:31 | |
hidden amongst suburban housing. | 0:23:31 | 0:23:33 | |
How long has it been here? | 0:23:33 | 0:23:34 | |
It's been here since 1891, so 125 years or so, | 0:23:34 | 0:23:38 | |
but it was here before the housing so it was basically farmland. | 0:23:38 | 0:23:42 | |
Did it have this impressive - and I must say, rather intimidating - | 0:23:42 | 0:23:45 | |
banking from the beginning? | 0:23:45 | 0:23:46 | |
The banking was a bit shallower, maybe half of what it is now, | 0:23:46 | 0:23:49 | |
but then the surface was made of wood back then. | 0:23:49 | 0:23:51 | |
I was reading a press cutting from 1905. | 0:23:51 | 0:23:53 | |
It talks about 7,000 spectators. | 0:23:53 | 0:23:56 | |
Where would you have put them? | 0:23:56 | 0:23:58 | |
It's 500 metres round, so if you imagine the crowd | 0:23:58 | 0:24:01 | |
two, three, four deep, that would be about right. | 0:24:01 | 0:24:04 | |
I think the highest crowd they've had in here is 15,000 in the 1950s. | 0:24:04 | 0:24:08 | |
The cutting from 1905 talks about a meeting on Good Friday. | 0:24:08 | 0:24:11 | |
-Was that a custom? -Yes, and it still runs today. | 0:24:11 | 0:24:14 | |
Why do you think there was such passion in the Edwardian era, | 0:24:14 | 0:24:17 | |
both amongst cyclists and spectators? | 0:24:17 | 0:24:19 | |
I think it was human endeavour, so someone under their own power, | 0:24:19 | 0:24:22 | |
under human power, being able to go fast. | 0:24:22 | 0:24:24 | |
As the 19th turned into the 20th century, | 0:24:25 | 0:24:28 | |
a boom in cycling saw velodromes opening across the city. | 0:24:28 | 0:24:33 | |
By the First World War, most of them had shut | 0:24:33 | 0:24:36 | |
and today there are just two. | 0:24:36 | 0:24:38 | |
The 2012 Olympic Velodrome and this one at Herne Hill. | 0:24:38 | 0:24:42 | |
How can people who train here on this old-fashioned track | 0:24:43 | 0:24:48 | |
hope to compete with others who are training | 0:24:48 | 0:24:50 | |
on more modern, high-performance tracks? | 0:24:50 | 0:24:52 | |
One of the methods is, in fact, we've almost gone back to the past. | 0:24:52 | 0:24:55 | |
Where they used to be paced by tandems, | 0:24:55 | 0:24:56 | |
we now use a small motorbike called a derny to paste them. | 0:24:56 | 0:24:59 | |
And what do the cyclists do? | 0:24:59 | 0:25:00 | |
They sit behind in the slipstream and so it enables them | 0:25:00 | 0:25:04 | |
to ride faster than they would if they were pushing the wind | 0:25:04 | 0:25:07 | |
themselves and they can do 40, 50, 60mph | 0:25:07 | 0:25:09 | |
behind one of these bikes. | 0:25:09 | 0:25:11 | |
Cycling superstars such as Bradley Wiggins, Chris Hoy | 0:25:13 | 0:25:17 | |
and Laura Trott have all cycled here. | 0:25:17 | 0:25:21 | |
Now to add my name to that illustrious list. | 0:25:21 | 0:25:24 | |
I'm getting some tips from coach Joseph Alberti. | 0:25:24 | 0:25:28 | |
-Hello, Joseph. -Welcome to Herne Hill. -It's a great privilege. | 0:25:28 | 0:25:31 | |
-This is your bike. -Uh-huh. | 0:25:31 | 0:25:32 | |
The best way to climb on the bike would be to hold it | 0:25:32 | 0:25:35 | |
with your left and have your right hand over here so you can climb | 0:25:35 | 0:25:38 | |
-easily over the saddle, then I'll help you strap in. -Thank you. | 0:25:38 | 0:25:41 | |
-You have probably noticed there are no brakes. -Ah! | 0:25:41 | 0:25:44 | |
Fixed-gear bicycle, so no brakes, no gears. | 0:25:44 | 0:25:47 | |
All we're doing is controlling our bike with our legs, | 0:25:47 | 0:25:49 | |
that's why we need to be strapped in. | 0:25:49 | 0:25:51 | |
You need to use your legs to go fast and you use your legs to go slow, | 0:25:51 | 0:25:55 | |
so to start, you will need the right hand | 0:25:55 | 0:25:57 | |
to give yourself a little momentum. | 0:25:57 | 0:25:59 | |
You need your gaze to go and look forward | 0:25:59 | 0:26:01 | |
so the bike will ride in a straight line. | 0:26:01 | 0:26:03 | |
When you want to stop, using your legs to slow down, | 0:26:03 | 0:26:06 | |
you've got a whole fence here | 0:26:06 | 0:26:07 | |
and when you're walking, basically just grab it with your right hand. | 0:26:07 | 0:26:10 | |
That is your first stage of the Olympic dream. | 0:26:10 | 0:26:13 | |
OK, no gears, no brakes, no experience. What could go wrong? | 0:26:13 | 0:26:16 | |
Well, we'll soon find out! | 0:26:16 | 0:26:18 | |
-Very good. -Ahh... | 0:26:55 | 0:26:58 | |
-Well, I enjoyed that. -Very good. Congratulations. Well done. | 0:26:58 | 0:27:02 | |
That was great. | 0:27:02 | 0:27:04 | |
Whoa! | 0:27:04 | 0:27:05 | |
LAUGHTER | 0:27:06 | 0:27:08 | |
The social reformer Ebenezer Howard conceived garden cities outside the | 0:27:14 | 0:27:19 | |
metropolis where people could escape from overcrowding and foul air. | 0:27:19 | 0:27:24 | |
But improvements during the Edwardian era gave us | 0:27:24 | 0:27:28 | |
some of the distinctive features of London today - | 0:27:28 | 0:27:31 | |
a network of underground electric railways | 0:27:31 | 0:27:34 | |
and hotels so stylish that they were fit for a king. | 0:27:34 | 0:27:38 | |
Pollution is still a problem today, | 0:27:38 | 0:27:40 | |
but I'm more likely to do my bit by riding the new Northern Line | 0:27:40 | 0:27:45 | |
than by jumping on my bike. | 0:27:45 | 0:27:47 | |
Next time, I spruce up some rolling stock... | 0:27:51 | 0:27:55 | |
-We're going to clean this Class 700, are we? -We are indeed. -Very good. | 0:27:55 | 0:27:58 | |
-What are your tips? -Try and stay dry. | 0:27:58 | 0:28:01 | |
..encounter a progressive group whose private lives would have | 0:28:01 | 0:28:04 | |
scandalised Edwardians... | 0:28:04 | 0:28:06 | |
They were living in still very restrictive times and they couldn't | 0:28:06 | 0:28:09 | |
be publicly open about their sexuality or their relationships. | 0:28:09 | 0:28:12 | |
..and go up-tiddly-up in my flying machine. | 0:28:12 | 0:28:15 | |
We are away! | 0:28:16 | 0:28:17 |