Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some scenes which some viewers may find distressing. | 0:00:02 | 0:00:07 | |
'It was the first time I put on the uniform | 0:00:10 | 0:00:13 | |
'of the newly-formed Women Police and I thought I looked very smart | 0:00:13 | 0:00:17 | |
'in this dapper uniform. | 0:00:17 | 0:00:20 | |
-BREAKING GLASS WOMAN: -Oi, Miss Police Woman! | 0:00:23 | 0:00:26 | |
Leave off before you get your nice uniform dirty! | 0:00:26 | 0:00:29 | |
'The girls here are very rough. | 0:00:29 | 0:00:31 | |
'So are the conditions.' | 0:00:33 | 0:00:35 | |
WOMEN SHOUT | 0:00:35 | 0:00:37 | |
'The government are employing Women Police inside munitions factories, | 0:00:37 | 0:00:42 | |
'to control the women workers, | 0:00:42 | 0:00:44 | |
'and it is for this work that they want me. | 0:00:44 | 0:00:47 | |
'Endless rules are made and we have to enforce them - | 0:01:14 | 0:01:17 | |
'searching incoming workers for matches, cigarettes, spirits. | 0:01:17 | 0:01:23 | |
'Keeping guard at the gate and allowing no-one to enter | 0:01:23 | 0:01:26 | |
'without a pass. Patrolling, to see there is no larking or slacking.' | 0:01:26 | 0:01:31 | |
Show me your coat pockets, please. | 0:01:33 | 0:01:35 | |
You'll have to take a look yourself, Missie. | 0:01:37 | 0:01:40 | |
Or are you worried you'll get your uniform dirty? | 0:01:40 | 0:01:43 | |
It's a pity, Mary Morgan. I thought we were on friendly terms. | 0:01:43 | 0:01:46 | |
None of my friends wears a uniform. | 0:01:46 | 0:01:49 | |
Look 'ere, Missie's tryin' to fondle me! | 0:01:52 | 0:01:54 | |
-I ain't got time for all this. Duty calls and all that. -Stay there, Mary! | 0:01:54 | 0:01:59 | |
If the factory were to go up in flames... | 0:01:59 | 0:02:01 | |
Then I guess it'd go up in flames. | 0:02:01 | 0:02:02 | |
You think anybody would care? | 0:02:02 | 0:02:05 | |
WOMEN GIGGLE | 0:02:05 | 0:02:07 | |
'I'm Gabrielle West and, although sometimes a bit overwhelmed, | 0:02:08 | 0:02:13 | |
'I am proud to be a policewoman. | 0:02:13 | 0:02:16 | |
'Yes - a female police officer. | 0:02:16 | 0:02:20 | |
'That was unthinkable before the war. | 0:02:20 | 0:02:23 | |
'But last year, conscription was introduced in Britain. | 0:02:23 | 0:02:26 | |
'The war devours yet more and more soldiers. | 0:02:26 | 0:02:30 | |
'So now, it's not just factory workers we women have to replace. | 0:02:30 | 0:02:34 | |
'Even a female police force has had to be established | 0:02:34 | 0:02:39 | |
'and I'm one of the first ones here. | 0:02:39 | 0:02:42 | |
'1917 is turning out to be a terrible year. | 0:02:46 | 0:02:49 | |
'German submarines attack in wave after wave, | 0:02:53 | 0:02:56 | |
'in order to starve us out. | 0:02:56 | 0:02:57 | |
'The Germans speak of revenge for our own naval blockade, | 0:02:59 | 0:03:04 | |
'but for us, it is pure terror. | 0:03:04 | 0:03:08 | |
'Hundreds of freighters have already been sunk and, with them, | 0:03:08 | 0:03:13 | |
'the food and supplies destined for the Front. | 0:03:13 | 0:03:16 | |
So, now the women in the factories have to work even harder than ever.' | 0:03:16 | 0:03:21 | |
-What's going on here, Miss West? -Everything is in order, Sir. | 0:03:25 | 0:03:28 | |
Nonsense. Has this young lady refused to let you search her? | 0:03:28 | 0:03:31 | |
This kind of behaviour calls for consequences. | 0:03:31 | 0:03:34 | |
You know, Mr Anderson, it would be better for the girls to have | 0:03:34 | 0:03:37 | |
a longer break, so as they might smoke in peace | 0:03:37 | 0:03:40 | |
-outside the front gate. -A longer break? | 0:03:40 | 0:03:42 | |
Shall we send that message to our men in the field | 0:03:42 | 0:03:45 | |
when they run out of shells? | 0:03:45 | 0:03:47 | |
Tell them we're sorry, but we had to take longer breaks | 0:03:47 | 0:03:49 | |
-to go and smoke? -Sir, all I meant was that... -Enough. | 0:03:49 | 0:03:52 | |
Now, you can leave, Miss, um... Just leave... Out! | 0:03:53 | 0:03:58 | |
For heaven's sake, Miss West, | 0:04:00 | 0:04:02 | |
you have an official role here. | 0:04:02 | 0:04:04 | |
Don't let them take advantage of you. | 0:04:04 | 0:04:07 | |
Off you go. | 0:04:07 | 0:04:08 | |
'The girls here are recruited in batches - | 0:04:08 | 0:04:10 | |
'some from the Midlands, some from Yorkshire, | 0:04:10 | 0:04:13 | |
'Ireland, Scotland and Wales. They are brought down here | 0:04:13 | 0:04:17 | |
'and are put into very rough hostels or cheap lodgings. | 0:04:17 | 0:04:21 | |
'Naturally, under these circumstances, | 0:04:21 | 0:04:23 | |
'only the roughest of the rough will come.' | 0:04:23 | 0:04:26 | |
Sir, I'm rather afraid it is the girls who won't let us | 0:04:26 | 0:04:29 | |
take advantage of them. | 0:04:29 | 0:04:30 | |
Now, now, Miss West. | 0:04:30 | 0:04:33 | |
This isn't Russia. | 0:04:33 | 0:04:35 | |
I can't see a revolution breaking out around here. | 0:04:35 | 0:04:39 | |
Understood? | 0:04:39 | 0:04:41 | |
I hope not, Sir. | 0:04:41 | 0:04:43 | |
I hope not. | 0:04:45 | 0:04:47 | |
'The gas has been cut off. | 0:04:53 | 0:04:55 | |
'There are no candles to be had. | 0:04:55 | 0:04:58 | |
'No petroleum, no spirit. | 0:04:58 | 0:05:00 | |
'So, how one is to cook, let alone have a lighted room, I don't know. | 0:05:00 | 0:05:05 | |
'The renowned German sense of organisation seems to fail terribly | 0:05:06 | 0:05:10 | |
'when it comes to social rather than military matters.' | 0:05:10 | 0:05:14 | |
Hello? | 0:05:19 | 0:05:20 | |
'A new order about coals has appeared. | 0:05:27 | 0:05:30 | |
'No-one is allowed to have more than a quarter of a ton. | 0:05:30 | 0:05:33 | |
'Well, there are none to be had, anyway, | 0:05:33 | 0:05:36 | |
'so the order does not do much harm.' | 0:05:36 | 0:05:38 | |
'My name is Ethel Cooper and I'm an Australian living in Leipzig. | 0:06:04 | 0:06:09 | |
'I came to this German "capital of music" as a piano teacher, | 0:06:09 | 0:06:13 | |
'but since the war began, all of my German students have left, | 0:06:13 | 0:06:18 | |
'because I am now considered the enemy. | 0:06:18 | 0:06:21 | |
'So, here I am, stranded on the wrong side of the front that defines | 0:06:21 | 0:06:26 | |
'this war, 10,000 miles from my family and my home town of Adelaide. | 0:06:26 | 0:06:31 | |
'Part of the British Empire, half a million Australians fight | 0:06:32 | 0:06:36 | |
'on the side of the Allies. As our naval blockade | 0:06:36 | 0:06:39 | |
'brings increasing misery and hunger to the Germans, | 0:06:39 | 0:06:43 | |
'we are all the object of their hatred. | 0:06:43 | 0:06:46 | |
'Trapped, I do not know how to survive without money, without work | 0:06:46 | 0:06:52 | |
'and without friends. | 0:06:52 | 0:06:54 | |
'I need to escape.' | 0:06:55 | 0:06:57 | |
'She came laden up to the eyes with eatables. | 0:07:35 | 0:07:39 | |
'I couldn't believe my senses and then discovered, | 0:07:39 | 0:07:42 | |
'to my mixed horror and amusement, that she is making | 0:07:42 | 0:07:47 | |
'a small, private business out of buying food in Poland, | 0:07:47 | 0:07:50 | |
'getting it smuggled in and then selling it in Germany, | 0:07:50 | 0:07:53 | |
'at a very considerable profit.' | 0:07:53 | 0:07:55 | |
'Any other people on Earth would rise against a government | 0:08:09 | 0:08:12 | |
'that had reduced it to such misery, but these folks seemed to have | 0:08:12 | 0:08:16 | |
'no spirit left.' | 0:08:16 | 0:08:18 | |
'Oh! Bloody Krauts! | 0:08:33 | 0:08:35 | |
'Collections have been organised at school - | 0:08:40 | 0:08:43 | |
'copper, tin, lead, | 0:08:43 | 0:08:44 | |
'zinc, brass and cast iron are all needed. | 0:08:44 | 0:08:47 | |
'They are to be turned into rifle barrels, cannons, | 0:08:48 | 0:08:52 | |
'cartridge casings and so on. | 0:08:52 | 0:08:54 | |
'There is a competition to see which class can collect the most. | 0:08:54 | 0:08:57 | |
'My class has collected a lot. | 0:08:57 | 0:09:00 | |
'I turned my home inside out. | 0:09:00 | 0:09:02 | |
'Grandmother was not pleased. | 0:09:04 | 0:09:07 | |
Sometimes, I don't think she understands that we all have to do | 0:09:07 | 0:09:10 | |
'our bit for the war effort. | 0:09:10 | 0:09:13 | |
'Maybe it's because, when she was young, wars didn't last so long. | 0:09:13 | 0:09:18 | |
'What a Christmas. | 0:09:21 | 0:09:23 | |
'I spend most of my spare time queuing outside the shops... | 0:09:24 | 0:09:28 | |
'..either trying to get hold of a few groceries | 0:09:30 | 0:09:33 | |
'or to give them anything that could be useful for the war.' | 0:09:33 | 0:09:36 | |
'Because of the British blockade, | 0:09:39 | 0:09:41 | |
'no food, no raw materials can get through to us in Germany. | 0:09:41 | 0:09:45 | |
'I am afraid that, soon, | 0:09:47 | 0:09:49 | |
'you won't be able to find any metal or food anywhere. | 0:09:49 | 0:09:52 | |
'My name is Elfriede Kuhr. | 0:10:14 | 0:10:16 | |
'I am 16 years old and a very poor student. | 0:10:16 | 0:10:19 | |
'But what's the point of learning all these useless things | 0:10:19 | 0:10:23 | |
'in mathematics or history | 0:10:23 | 0:10:24 | |
'when the war is the most important thing in our life? | 0:10:24 | 0:10:28 | |
'Luckily, lessons are cancelled more and more often. | 0:10:28 | 0:10:31 | |
'Not because there are so many victories to be celebrated, | 0:10:31 | 0:10:35 | |
'but because most teachers have long since been sent to the Front. | 0:10:35 | 0:10:39 | |
'In this fifth year of the war, | 0:10:39 | 0:10:40 | |
'we students have been appointed as "soldiers on the home front". | 0:10:40 | 0:10:44 | |
'We help with the harvest, try to collect donations | 0:10:44 | 0:10:47 | |
'or scrape together the last few raw materials. | 0:10:47 | 0:10:50 | |
'At some point, surely all these efforts will have to bring the war | 0:10:52 | 0:10:55 | |
'to an end and victory for us. | 0:10:55 | 0:10:58 | |
'I can barely remember what peace was like. | 0:10:58 | 0:11:01 | |
'It's just been too long now.' | 0:11:01 | 0:11:03 | |
BABY CRIES | 0:11:03 | 0:11:07 | |
BABY CRIES | 0:11:35 | 0:11:37 | |
'His name was Gerhardchen, and I had immediately grown fond of him.' | 0:12:10 | 0:12:14 | |
So... | 0:12:17 | 0:12:18 | |
..what is it this time? | 0:12:20 | 0:12:22 | |
They refuse to work, so long as Mary Morgan isn't reinstated. | 0:12:22 | 0:12:25 | |
Who is this Mary Morgan? | 0:12:27 | 0:12:31 | |
The girl from the entrance gate. | 0:12:31 | 0:12:33 | |
The one you dismissed, sir. | 0:12:33 | 0:12:34 | |
The one I had to dismiss, because of your quarrel with her! | 0:12:36 | 0:12:40 | |
Right, ladies, our dear sweet Miss West simply made a mistake | 0:12:42 | 0:12:48 | |
and will apologise to you for it. | 0:12:48 | 0:12:50 | |
Then you can all get back to work. | 0:12:50 | 0:12:52 | |
No, sir, with all due respect, I will not apologise. | 0:12:52 | 0:12:56 | |
And don't you ever dare call me "sweet" again. | 0:12:56 | 0:12:59 | |
Things would be far better around here if you would please ensure | 0:12:59 | 0:13:02 | |
that the girls no longer need fear the rats | 0:13:02 | 0:13:04 | |
when they visit the lavatories. | 0:13:04 | 0:13:05 | |
That their overalls don't fall apart before they're even put on! | 0:13:05 | 0:13:09 | |
That 20 or 30 girls do not end up fainting every day! | 0:13:09 | 0:13:13 | |
THEY CHEER | 0:13:13 | 0:13:16 | |
I see. | 0:13:49 | 0:13:50 | |
'I, Vincenzo D'Aquila, am 24 years old. | 0:14:15 | 0:14:20 | |
'As a volunteer, I had set out from New York | 0:14:20 | 0:14:22 | |
'with thousands of other Italians to fight for the land of our birth. | 0:14:22 | 0:14:26 | |
'We arrived full of ideals of freedom and democracy. | 0:14:28 | 0:14:31 | |
'Also, in truth, Italy simply wanted to capture Trentino | 0:14:31 | 0:14:35 | |
'and the port city of Trieste from Austria. | 0:14:35 | 0:14:37 | |
'For three years now, our armies have been battling the Austrians. | 0:14:38 | 0:14:43 | |
'And we have achieved nothing but millions of dead and maimed. | 0:14:43 | 0:14:47 | |
'The wounded men who lost arms or legs are sent home. | 0:14:48 | 0:14:53 | |
'But those like me, who just don't want to kill any more, | 0:14:55 | 0:14:58 | |
'who just can't kill any more, | 0:14:58 | 0:15:01 | |
'are regarded as malingerers, cowards and traitors.' | 0:15:01 | 0:15:05 | |
'To be asked the question, "Are you the Christ?", point blank, | 0:15:14 | 0:15:18 | |
'of course, disconcerted me. | 0:15:18 | 0:15:20 | |
'"What is this?" said I. "Am I Christ?" | 0:15:20 | 0:15:23 | |
'and is the Second Coming being accomplished via the insane asylum?' | 0:15:23 | 0:15:27 | |
'I thought hard for a minute. What a fool this doctor was.' | 0:15:36 | 0:15:39 | |
'We, supposedly heroic soldiers, suffered from panic attacks, | 0:16:07 | 0:16:12 | |
'trembled with fear, and wake up at night screaming in terror. | 0:16:12 | 0:16:16 | |
'All this is concealed from the world. | 0:16:17 | 0:16:20 | |
'I am sent from one madhouse to another, | 0:16:22 | 0:16:25 | |
'while they try to unmask me as a malingerer. | 0:16:25 | 0:16:28 | |
'Like all the others here, I ought to be sent back to the Front, | 0:16:30 | 0:16:34 | |
'which would be my death sentence.' | 0:16:34 | 0:16:36 | |
Avanti! | 0:16:47 | 0:16:49 | |
'There was a young man who was subject, at periodic intervals, | 0:16:50 | 0:16:53 | |
'to an epileptic fit | 0:16:53 | 0:16:54 | |
'in which he repeated, crawling across the hospital floor...' | 0:16:54 | 0:16:57 | |
Avanti! Avanti Savoia! | 0:16:57 | 0:17:00 | |
'As in his trench, communicating in the war cry, | 0:17:00 | 0:17:03 | |
'"Avanti, Savoia."' | 0:17:03 | 0:17:05 | |
Avanti. Avanti Savoia! | 0:17:31 | 0:17:34 | |
Avanti! | 0:17:34 | 0:17:36 | |
Avanti! | 0:17:36 | 0:17:37 | |
Avanti! Avanti! Avanti Savoia! | 0:17:37 | 0:17:42 | |
'I have been assigned to the night watch at the nursery.' | 0:17:51 | 0:17:54 | |
'I'm afraid of being alone at night. | 0:18:16 | 0:18:18 | |
'There is no-one else here, only the children and me.' | 0:18:18 | 0:18:21 | |
BABIES CRY | 0:18:26 | 0:18:29 | |
PIANO PLAYS | 0:18:34 | 0:18:37 | |
'Feeling is running very high against England. | 0:18:37 | 0:18:40 | |
'I loathe most of all this policy of hate-breeding | 0:18:42 | 0:18:45 | |
'which is being followed everywhere. | 0:18:45 | 0:18:48 | |
'How frightfully bitter the feeling of the whole nation is against us!' | 0:18:48 | 0:18:52 | |
SHE COUGHS | 0:18:52 | 0:18:55 | |
'The police forbad one to telephone in English | 0:18:57 | 0:19:00 | |
'or to speak English in the streets. | 0:19:00 | 0:19:02 | |
'At the concert hall, | 0:19:04 | 0:19:06 | |
'all music and all musicians that are not German and Austrian | 0:19:06 | 0:19:09 | |
'are now tabooed. | 0:19:09 | 0:19:11 | |
'Only at home am I able to play.' | 0:19:11 | 0:19:14 | |
SHE FINISHES PLAYING | 0:19:17 | 0:19:20 | |
SHE COUGHS | 0:19:20 | 0:19:22 | |
'I acclimatised myself to the place at once. | 0:19:24 | 0:19:27 | |
'When one is looked upon as hallucinated, | 0:19:27 | 0:19:30 | |
'the best thing to do is to behave accordingly | 0:19:30 | 0:19:32 | |
'and begin to lead a life of make-believe. | 0:19:32 | 0:19:35 | |
'I accustomed myself to a belief | 0:19:35 | 0:19:37 | |
'that I was a member of a very select and exclusive club.' | 0:19:37 | 0:19:41 | |
'I decided that the time had come to do something.' | 0:20:02 | 0:20:05 | |
HE SHOUTS | 0:20:32 | 0:20:35 | |
In times that are extremely out of joint, | 0:20:37 | 0:20:39 | |
perhaps the madhouse was the sanest place to live after all. | 0:20:39 | 0:20:44 | |
GLASS SMASHES | 0:20:44 | 0:20:46 | |
'The great and terrible strike again. | 0:20:48 | 0:20:51 | |
'More violent than the last, | 0:20:51 | 0:20:53 | |
'and, as usual, for more pay and less work. | 0:20:53 | 0:20:56 | |
'The girls stormed around, yelled, shrieked, threw stones and so on. | 0:20:57 | 0:21:04 | |
'The strikers knocked down a policewoman who prevented them | 0:21:04 | 0:21:07 | |
'from getting at the changing room. | 0:21:07 | 0:21:09 | |
'Then they went to the main offices | 0:21:09 | 0:21:11 | |
'and broke all the windows, demanding to see the manager.' | 0:21:11 | 0:21:14 | |
Show your face, Anderson. Come out here! | 0:21:17 | 0:21:20 | |
Get rid of the extra shifts. Show your face, Anderson! | 0:21:21 | 0:21:25 | |
Get rid of those extra shifts! | 0:21:25 | 0:21:26 | |
Avanti! Avanti! | 0:22:27 | 0:22:28 | |
BANGING ON DOOR Well, now, Miss West, why don't you simply go outside... | 0:23:04 | 0:23:07 | |
-Anderson! Get out here! -..and do your police work? | 0:23:07 | 0:23:10 | |
You know very well that this uniform is just a pretty facade. | 0:23:10 | 0:23:13 | |
We've no rights or authority | 0:23:13 | 0:23:15 | |
and no chance against 4,000 furious working girls. | 0:23:15 | 0:23:18 | |
THEY ALL SHOUT | 0:23:18 | 0:23:21 | |
-Well, perhaps you should have considered that earlier! -No, sir, | 0:23:21 | 0:23:24 | |
perhaps you should have considered earlier whether you really ought | 0:23:24 | 0:23:27 | |
to extend our working hours, despite all our warnings. | 0:23:27 | 0:23:29 | |
Do you think I'm doing this for my own pleasure?! | 0:23:29 | 0:23:32 | |
We won't hurt you! Promise! | 0:23:32 | 0:23:34 | |
The army's planning a new offensive | 0:23:34 | 0:23:36 | |
and wants twice as many shells as before! | 0:23:36 | 0:23:39 | |
Has that ever crossed your sweet, little mind? | 0:23:39 | 0:23:42 | |
THEY ALL SHOUT | 0:23:42 | 0:23:43 | |
I told you before, I'm not your "sweet" young lady. | 0:23:43 | 0:23:47 | |
Consider this my resignation. | 0:23:49 | 0:23:52 | |
SHE COUGHS | 0:23:52 | 0:23:54 | |
God sakes. | 0:23:55 | 0:23:56 | |
HE PLAYS A FEW NOTES ON PIANO | 0:24:26 | 0:24:27 | |
DOOR CREAKS | 0:25:47 | 0:25:48 | |
DOOR SLAMS | 0:25:50 | 0:25:51 | |
MUFFLED SHOUTS | 0:25:53 | 0:25:55 | |
DOOR SLAMS | 0:26:13 | 0:26:14 | |
KEY TURNS | 0:26:15 | 0:26:17 | |
'I, Marina Yurlova, have been awarded the Order of Saint George, | 0:26:19 | 0:26:23 | |
'and have fought in a Cossack unit in the Caucasus for four years. | 0:26:23 | 0:26:27 | |
'I never thought that I would celebrate my 18th birthday | 0:26:27 | 0:26:30 | |
'in prison. | 0:26:30 | 0:26:32 | |
'But, for the new Russian government, | 0:26:32 | 0:26:34 | |
'I am now an enemy of the people. | 0:26:34 | 0:26:36 | |
'The Tsar, sacred to us Cossacks for centuries, is overthrown. | 0:26:37 | 0:26:41 | |
'The new rulers are the revolutionary Bolsheviks. | 0:26:42 | 0:26:45 | |
'Promising to end the war immediately, | 0:26:47 | 0:26:49 | |
'the Bolsheviks have abolished the old order. | 0:26:49 | 0:26:52 | |
'With the help of the masses, | 0:26:52 | 0:26:54 | |
'they plan to build an entirely new form of society - | 0:26:54 | 0:26:57 | |
'communism. | 0:26:57 | 0:26:59 | |
'Everyone who stands in their way, faces their "revolutionary terror."' | 0:27:01 | 0:27:05 | |
KEY TURNS | 0:27:14 | 0:27:15 | |
GUNSHOT | 0:27:27 | 0:27:28 | |
GUNFIRE | 0:27:30 | 0:27:32 | |
BANGING AT DOOR | 0:28:10 | 0:28:11 | |
SHOUTING IN GERMAN | 0:28:11 | 0:28:13 | |
Madame... | 0:28:25 | 0:28:26 | |
'The Boche's conduct in France has been shameful. | 0:28:37 | 0:28:40 | |
'It is unbelievable how much plunder they are taking back to Germany. | 0:28:40 | 0:28:44 | |
'They'll have enough to completely rebuild every one of their towns. | 0:28:44 | 0:28:48 | |
'But soon, we'll go over there, | 0:28:48 | 0:28:50 | |
'and then we'll be the ones stealing, setting fire and pillaging...' | 0:28:50 | 0:28:55 | |
HE GIVES ORDER IN FRENCH | 0:28:55 | 0:28:56 | |
Non! Non, non! | 0:28:56 | 0:28:58 | |
Yves! | 0:29:00 | 0:29:01 | |
'My name is Yves Congar and I am a French patriot. | 0:29:05 | 0:29:08 | |
'I reached my 14th birthday this year - | 0:29:10 | 0:29:12 | |
'but how miserable it was. | 0:29:12 | 0:29:15 | |
'For four years we have languished here in Sedan under German rule - | 0:29:15 | 0:29:19 | |
'although behind their backs we call them the Boche. | 0:29:19 | 0:29:24 | |
'Like so many of our neighbours, | 0:29:24 | 0:29:26 | |
'a few months ago my father was rounded up by the occupiers | 0:29:26 | 0:29:29 | |
'and transported to a labour camp in Germany. | 0:29:29 | 0:29:32 | |
'There they are forced to work in the munitions factories. | 0:29:33 | 0:29:37 | |
'I've heard that the Germans are planning a new offensive. | 0:29:38 | 0:29:41 | |
'There have never been so many of their soldiers staying with us. | 0:29:41 | 0:29:46 | |
'They are everywhere.' | 0:29:46 | 0:29:48 | |
'Boche, Boche, Boche, Boche, Boche, Boche, Boche, Boche.' | 0:30:04 | 0:30:07 | |
'Sweet Jesus, I pray to you for France, | 0:30:48 | 0:30:51 | |
'in your mercy grant us victory and bring peace in God's love.' | 0:30:51 | 0:30:55 | |
ARTILLERY RUMBLES | 0:30:55 | 0:30:58 | |
'There came the crash of heavy guns far away. | 0:31:09 | 0:31:12 | |
'All day long, the bombardment increased in fury. | 0:31:12 | 0:31:16 | |
'The thunder of the guns drummed across the night | 0:31:16 | 0:31:19 | |
'like an endless parade, stealing away all sense of time. | 0:31:19 | 0:31:22 | |
'And then... shots inside the courtyard.' | 0:31:25 | 0:31:29 | |
EXPLOSIONS AND SHOUTING | 0:31:29 | 0:31:33 | |
'It is exhilarating, in a way, | 0:31:39 | 0:31:41 | |
'to feel that we truly are at the razor's edge of fortune. | 0:31:41 | 0:31:45 | |
'This is not merely a fight in which the only question | 0:31:45 | 0:31:48 | |
'is at what date we shall win. | 0:31:48 | 0:31:50 | |
'In all our old wars - the wars in the colonies - | 0:31:51 | 0:31:55 | |
'we were not really putting a fair stake on the table, so to speak, | 0:31:55 | 0:32:00 | |
'because we could not possibly be destroyed by defeat, | 0:32:00 | 0:32:04 | |
'but only mortified a little. | 0:32:04 | 0:32:07 | |
'All the moral trial of the possibility of destruction | 0:32:07 | 0:32:10 | |
'was left to the other side. | 0:32:10 | 0:32:13 | |
'But now...' | 0:32:13 | 0:32:14 | |
The enemy is at the gates. | 0:32:14 | 0:32:16 | |
15 minutes to pack up and leave. | 0:32:16 | 0:32:18 | |
I'm ready. | 0:32:19 | 0:32:21 | |
'I am Charles Edward Montague, | 0:32:25 | 0:32:28 | |
'chief censor for British Military Intelligence. | 0:32:28 | 0:32:30 | |
'I am based at the elegant but otherwise utterly boring headquarters | 0:32:30 | 0:32:35 | |
'at Chateau Rollencourt. | 0:32:35 | 0:32:37 | |
'The desk job is all very well, but despite my 52 years, | 0:32:37 | 0:32:41 | |
'I would far rather be in the trenches, fighting as a real soldier. | 0:32:41 | 0:32:45 | |
'As befits high command, | 0:32:47 | 0:32:49 | |
'the Chateau is located well behind the front line - | 0:32:49 | 0:32:52 | |
'safely out of harm's way... at least until today. | 0:32:52 | 0:32:57 | |
'A major German offensive was launched, | 0:32:59 | 0:33:01 | |
'which caught us completely by surprise. | 0:33:01 | 0:33:04 | |
'Our defences have been breached, our troops are fleeing.' | 0:33:04 | 0:33:07 | |
EXPLOSION | 0:33:10 | 0:33:12 | |
Sir, with all due respect, | 0:33:12 | 0:33:14 | |
would now not be the time for me to resume active service? | 0:33:14 | 0:33:17 | |
We must move more quickly - no more documents in the car. | 0:33:17 | 0:33:20 | |
Yes, sir. | 0:33:20 | 0:33:21 | |
-I mean at the Front, sir. -Do you know where the Front is, Montague? | 0:33:21 | 0:33:23 | |
Because certainly nobody here can tell me that. | 0:33:23 | 0:33:26 | |
Well, sir, we could wait here until they reach the gates and then fight. | 0:33:26 | 0:33:30 | |
When was the last time you looked at yourself in the mirror? | 0:33:30 | 0:33:33 | |
You're an old man. | 0:33:33 | 0:33:34 | |
Oh, if you really must! | 0:33:34 | 0:33:36 | |
Stay for a couple of hours, | 0:33:36 | 0:33:38 | |
and ensure all the documents are duly destroyed. | 0:33:38 | 0:33:40 | |
-With pleasure, sir. -Sir, we really should be leaving now. | 0:33:40 | 0:33:43 | |
Don't stay too long, and don't let the Germans snap you up, old boy. | 0:33:43 | 0:33:46 | |
Now, off. | 0:33:46 | 0:33:47 | |
'It seems we are as men wrecked upon a sand...' | 0:33:52 | 0:33:54 | |
Quick, quick, quick, get in, get in, get in. | 0:33:54 | 0:33:57 | |
'..that looked to be washed off by the next tide. | 0:33:57 | 0:34:00 | |
'It is the first time I have seen the rear of a retreating army, | 0:34:01 | 0:34:05 | |
'or felt the curious tingle there is | 0:34:05 | 0:34:08 | |
'in an atmosphere where the enemy may appear at any time. | 0:34:08 | 0:34:12 | |
'If the Germans used all their strength now, | 0:34:12 | 0:34:14 | |
'with all their generalship on this front, | 0:34:14 | 0:34:17 | |
'not even our men could save our generals. | 0:34:17 | 0:34:20 | |
'The asses would go down with the lions they had tried to lead.' | 0:34:21 | 0:34:25 | |
SHELLFIRE | 0:35:20 | 0:35:22 | |
'This time, I face battle with complete indifference. | 0:35:35 | 0:35:39 | |
'Live or die, it means nothing to me. | 0:35:39 | 0:35:42 | |
'If I have to leave this world, | 0:35:42 | 0:35:45 | |
'I would be sorry for only two things - family and nature. | 0:35:45 | 0:35:49 | |
'I am Ernst Junger, 23 years old, | 0:35:51 | 0:35:55 | |
'and lieutenant in an elite storm trooper unit | 0:35:55 | 0:35:57 | |
'on the Western Front. | 0:35:57 | 0:35:59 | |
'Today, the 21st of March 1918, | 0:36:00 | 0:36:04 | |
'we begin our great offensive against the Allies.' | 0:36:04 | 0:36:07 | |
'Following the Russian Revolution and the collapse of Russia, | 0:36:08 | 0:36:12 | |
'we have been able to transfer a million of our soldiers | 0:36:12 | 0:36:15 | |
'from the Eastern to the Western Front. | 0:36:15 | 0:36:18 | |
'For the first time in four years, | 0:36:18 | 0:36:20 | |
'we outnumber and outgun their defences. | 0:36:20 | 0:36:23 | |
'With America now in the war, | 0:36:24 | 0:36:26 | |
'this attack is our last chance to make a decisive breakthrough | 0:36:26 | 0:36:30 | |
'before they are able to muster their full strength. | 0:36:30 | 0:36:33 | |
'Fuelled by a mixture of excitement, bloodthirstiness, rage and alcohol, | 0:36:38 | 0:36:43 | |
'we attack the enemy lines. | 0:36:43 | 0:36:45 | |
Open fire! | 0:36:48 | 0:36:50 | |
GUNFIRE | 0:36:50 | 0:36:51 | |
'I felt the overwhelming urge to destroy.' | 0:36:52 | 0:36:55 | |
You English son of a bitch! | 0:36:59 | 0:37:01 | |
'The Englishman is cowering, holding up a photograph. | 0:37:02 | 0:37:06 | |
'It was a woman, and at least a half dozen children.' | 0:37:06 | 0:37:09 | |
'I was glad that I eventually overcame my insane rage, | 0:37:19 | 0:37:22 | |
'and walked past him.' | 0:37:22 | 0:37:24 | |
HE SOBS | 0:37:29 | 0:37:30 | |
GLASS SHATTERS | 0:37:49 | 0:37:50 | |
Oh, sir, I didn't think there were any officers left here. | 0:37:55 | 0:38:00 | |
You wouldn't happen to have a corkscrew on you, would you? | 0:38:00 | 0:38:03 | |
A corkscrew?! | 0:38:03 | 0:38:04 | |
Stand up straight, would you, man? | 0:38:04 | 0:38:06 | |
-Oh, never mind. -What's all this then? | 0:38:06 | 0:38:08 | |
HE CHUCKLES | 0:38:08 | 0:38:09 | |
Well... | 0:38:09 | 0:38:11 | |
Seems to me, you're one of those desk officers, | 0:38:11 | 0:38:13 | |
ironed uniform and all. | 0:38:13 | 0:38:17 | |
Don't think you've got much to say to me. | 0:38:17 | 0:38:19 | |
I wouldn't take that chance if I were you, Private. | 0:38:19 | 0:38:22 | |
Be careful, sir. You might hurt yourself. | 0:38:23 | 0:38:26 | |
CORK POPS | 0:38:26 | 0:38:27 | |
GUNSHOT | 0:38:27 | 0:38:29 | |
Right, lads. | 0:38:34 | 0:38:36 | |
THEY CHUCKLE | 0:38:37 | 0:38:39 | |
Now, gentlemen, drink up your champagne, | 0:38:42 | 0:38:45 | |
and then get a grip of yourselves - and start behaving like Englishmen. | 0:38:45 | 0:38:50 | |
-Have some. -Thanks. | 0:38:50 | 0:38:52 | |
'Nearly all the divisions which have been in battle are now mere shadows, | 0:38:52 | 0:38:55 | |
'with a quarter to a half of their strength left, | 0:38:55 | 0:38:58 | |
'and those - dead beat.' | 0:38:58 | 0:39:01 | |
DOOR OPENS | 0:39:01 | 0:39:03 | |
Dottore... | 0:39:25 | 0:39:26 | |
SHE COUGHS | 0:41:11 | 0:41:12 | |
SHE COUGHS | 0:41:35 | 0:41:37 | |
SHELLFIRE AND GUNSHOTS | 0:41:39 | 0:41:41 | |
THEY WHISPER IN GERMAN | 0:41:53 | 0:41:55 | |
PRIEBKE LAUGHS | 0:41:59 | 0:42:01 | |
Mm! | 0:42:04 | 0:42:05 | |
'Not even for the high ranks in the German army | 0:42:14 | 0:42:17 | |
'would you see such abundance.' | 0:42:17 | 0:42:18 | |
'There were entire boxes filled with eggs, onions, tomatoes, | 0:42:23 | 0:42:27 | |
'coffee, delicious sauces, jams - | 0:42:27 | 0:42:31 | |
'in short, everything a gourmet could dream of.' | 0:42:31 | 0:42:34 | |
Jawohl! | 0:42:46 | 0:42:47 | |
BABY CRIES | 0:43:23 | 0:43:24 | |
Ssh! | 0:43:30 | 0:43:31 | |
'Oh, these babies! | 0:43:35 | 0:43:37 | |
'Nothing but skin and bones. Tiny, starved bodies. | 0:43:37 | 0:43:41 | |
'And their eyes are so big. | 0:43:41 | 0:43:44 | |
'Some look like living mummies. | 0:43:44 | 0:43:46 | |
'When they cry, they can barely make a sound.' | 0:43:46 | 0:43:50 | |
BABY CRIES | 0:43:50 | 0:43:52 | |
Ssh-ssh! | 0:44:00 | 0:44:02 | |
ALL CRY | 0:44:02 | 0:44:05 | |
'Seven-month-old Gerhard suddenly twists his whole body, | 0:44:07 | 0:44:10 | |
'his arms shake. | 0:44:10 | 0:44:12 | |
'He craned his neck, and suddenly lay still and stiff in my arms.' | 0:44:12 | 0:44:15 | |
'I would happily die, if it would bring the war to an end.' | 0:44:27 | 0:44:30 | |
MUSIC PLAYS ON RADIO | 0:44:35 | 0:44:37 | |
'Little Gerhard looks frightening, | 0:45:39 | 0:45:42 | |
'like an ancient dwarf, dead for a century.' | 0:45:42 | 0:45:45 | |
Oh, nein... | 0:45:50 | 0:45:51 | |
Nein! | 0:45:53 | 0:45:54 | |
Nein... | 0:45:56 | 0:45:57 | |
Komm. | 0:46:02 | 0:46:03 | |
SHE SOBS | 0:46:03 | 0:46:05 | |
Komm! | 0:46:05 | 0:46:06 | |
'Little Gerhardchen's mother screamed | 0:46:11 | 0:46:13 | |
'that it was the nursery that was responsible | 0:46:13 | 0:46:15 | |
'for the death of her child. | 0:46:15 | 0:46:17 | |
'That wasn't true. | 0:46:18 | 0:46:20 | |
'He was just another victim of the war.' | 0:46:20 | 0:46:23 | |
SHE COUGHS | 0:46:24 | 0:46:26 | |
'The flat feels dreadfully empty and deserted. | 0:46:27 | 0:46:30 | |
'I am more homesick than ever. | 0:46:32 | 0:46:34 | |
'And I am beginning to loathe Leipzig. | 0:46:36 | 0:46:38 | |
'All that made me care for it has gone. | 0:46:40 | 0:46:42 | |
'The sordid, dogged despair of the place and the people | 0:46:45 | 0:46:49 | |
'is getting on my nerves.' | 0:46:49 | 0:46:51 | |
'Morale in my squad is pretty low, I have to say. | 0:47:09 | 0:47:12 | |
'Our great offensive faltered | 0:47:12 | 0:47:14 | |
'and now the British and American counter-attacks never cease. | 0:47:14 | 0:47:18 | |
'Pretty much everyone has given up any hope of a German victory. | 0:47:18 | 0:47:22 | |
'We all know that with their overwhelming firepower | 0:47:24 | 0:47:27 | |
'and logistical support, they intend to crush us into submission. | 0:47:27 | 0:47:31 | |
'And they probably will.' | 0:47:31 | 0:47:33 | |
'I turned around and saw a strange sight.' | 0:47:40 | 0:47:42 | |
Angriff! | 0:47:42 | 0:47:44 | |
'Men were coming up from behind me with their hands up. | 0:47:45 | 0:47:49 | |
'They were moving towards the enemy lines, | 0:47:54 | 0:47:56 | |
'their hands held high.' | 0:47:56 | 0:47:58 | |
'Unfortunately I didn't have a rifle in my hand | 0:48:07 | 0:48:10 | |
'to gun down this riffraff.' | 0:48:10 | 0:48:11 | |
EXPLOSION | 0:48:22 | 0:48:23 | |
SCREAMS | 0:48:23 | 0:48:25 | |
Gentlemen, as promised, | 0:48:28 | 0:48:31 | |
here's your opportunity to photograph some German prisoners. | 0:48:31 | 0:48:34 | |
Sorry, you're kind of in the way here. | 0:48:39 | 0:48:41 | |
Hands Up, Fritz! | 0:48:44 | 0:48:45 | |
Do you mind moving slightly to the left? | 0:48:45 | 0:48:48 | |
'These Germans seem like frightened rabbits, | 0:48:49 | 0:48:53 | |
'gathering up their courage just to peer out of their burrows. | 0:48:53 | 0:48:57 | |
'We have now the most stirring opportunity | 0:48:58 | 0:49:01 | |
'to show greatness in victory.' | 0:49:01 | 0:49:04 | |
Come on - one more for the Kaiser! | 0:49:04 | 0:49:08 | |
Hey, Montague, where did you get these guys? | 0:49:08 | 0:49:10 | |
I mean, these are hardly the terrible Huns | 0:49:10 | 0:49:12 | |
my readers are keen to see. You got anything else? | 0:49:12 | 0:49:14 | |
A few weeks ago you'd have been running away from this lot. | 0:49:14 | 0:49:17 | |
Believe me. | 0:49:17 | 0:49:19 | |
'But there appears to be hard pressure | 0:49:19 | 0:49:21 | |
'on the side of showing littleness, | 0:49:21 | 0:49:23 | |
'and so poisoning the future of the world.' | 0:49:23 | 0:49:26 | |
'I cried so much over poor little Gerhard. | 0:49:29 | 0:49:32 | |
'Now I offer up myself to die, so that this war might end. | 0:49:32 | 0:49:37 | |
'If a child - for is that not what I am? - | 0:49:37 | 0:49:41 | |
'is willing to make this sacrifice, | 0:49:41 | 0:49:43 | |
'then surely, God, you will not let this war go on. | 0:49:43 | 0:49:46 | |
'Dear God, I am serious - as I pray you are. | 0:49:52 | 0:49:55 | |
'Grandmother is at Frau Leonhard's for coffee | 0:50:01 | 0:50:04 | |
'and won't be back for three hours. | 0:50:04 | 0:50:06 | |
'Everything is quiet here. | 0:50:06 | 0:50:08 | |
'Keep your word, dear God, for I am keeping mine. | 0:50:18 | 0:50:21 | |
'This is my solemn vow.' | 0:50:23 | 0:50:24 | |
Hey! | 0:51:23 | 0:51:24 | |
Hey! | 0:51:25 | 0:51:26 | |
MAN SOBS | 0:51:29 | 0:51:31 | |
SOBBING CONTINUES | 0:51:37 | 0:51:39 | |
HE SOBS | 0:51:44 | 0:51:45 | |
HE SINGS: | 0:52:12 | 0:52:13 | |
SHELL DETONATES | 0:52:27 | 0:52:29 | |
SHE CHANTS | 0:52:34 | 0:52:36 | |
SHE CONTINUES CHANTING | 0:52:45 | 0:52:47 | |
'The rout goes on - | 0:53:37 | 0:53:39 | |
'convoys come and go continuously, | 0:53:39 | 0:53:41 | |
'through the night. | 0:53:41 | 0:53:43 | |
'Groups of infantrymen, muddy, dirty, | 0:53:43 | 0:53:46 | |
'their equipment gone, | 0:53:46 | 0:53:48 | |
'without helmets, without guns, all in complete chaos.' | 0:53:48 | 0:53:52 | |
GUNSHOTS | 0:54:51 | 0:54:53 | |
MACHINE GUN FIRE | 0:54:53 | 0:54:54 | |
So, tell me, Montague, how is the morale at the Front? | 0:54:59 | 0:55:02 | |
The Germans are retreating day by day, | 0:55:02 | 0:55:04 | |
but they're fighting on. | 0:55:04 | 0:55:06 | |
Losses are still huge, even on our side. | 0:55:06 | 0:55:08 | |
They're all good men, | 0:55:10 | 0:55:11 | |
-but more than anything they hope it'll soon be over. -Mm. | 0:55:11 | 0:55:14 | |
We must stick to our guns, mustn't we, hm? | 0:55:14 | 0:55:16 | |
Shouldn't end the war too soon. | 0:55:16 | 0:55:18 | |
Finish the Hun off once and for all. | 0:55:18 | 0:55:20 | |
Can't be too harsh. Let them bleed out a little longer. | 0:55:20 | 0:55:23 | |
It doesn't appear to be what the men think, sir. | 0:55:23 | 0:55:26 | |
Well, that is exactly what the men shall be demanding. | 0:55:26 | 0:55:28 | |
Tomorrow, in the papers. | 0:55:28 | 0:55:30 | |
Cross, would you do the honours? | 0:55:30 | 0:55:33 | |
-Yes, sir. -CORK POPS | 0:55:33 | 0:55:35 | |
Gentlemen, a toast... to the honest Tommy | 0:55:39 | 0:55:42 | |
and a resounding thrashing of the Hun. | 0:55:42 | 0:55:45 | |
'I hope our greedy and bloodthirsty non-combatants | 0:55:47 | 0:55:49 | |
'and profiteers will hold their tongues.' | 0:55:49 | 0:55:51 | |
I think we've all done our bit in the face of enemy fire. | 0:55:51 | 0:55:54 | |
'But there are signs of eager baseness | 0:55:54 | 0:55:56 | |
'about demands for territory for ourselves, | 0:55:56 | 0:55:59 | |
'for a share of what Germany can pay. | 0:55:59 | 0:56:01 | |
'If the caterpillars of the Commonwealth had their way, | 0:56:01 | 0:56:04 | |
'our part in this war, noble at first, | 0:56:04 | 0:56:08 | |
'would end in meanness.' | 0:56:08 | 0:56:10 | |
Mm. You were saying, Montague? | 0:56:10 | 0:56:12 | |
It won't be worth one more drop of blood to pursue this war, | 0:56:12 | 0:56:16 | |
if the enemy is already defeated. | 0:56:16 | 0:56:18 | |
'No news, no newspapers, no gas, no electricity, | 0:56:42 | 0:56:46 | |
'but no-one wants to leave Sedan now. | 0:56:46 | 0:56:48 | |
'Better to die in our ruins than to be killed fleeing. | 0:56:50 | 0:56:53 | |
'We can hear the cannons, very close, and to the west. | 0:56:55 | 0:57:00 | |
'The moment we've been waiting for for four years | 0:57:00 | 0:57:04 | |
'is approaching quickly now. | 0:57:04 | 0:57:05 | |
'But we fear its arrival too - | 0:57:06 | 0:57:09 | |
'the evacuation, poison gas, fire, perhaps even death.' | 0:57:09 | 0:57:14 | |
EXPLOSION | 0:57:15 | 0:57:18 | |
BELL TOLLS | 0:57:18 | 0:57:19 | |
BIRDS SING | 0:57:19 | 0:57:21 | |
'I crawled close to her and rested my head on her chest and cried. | 0:57:41 | 0:57:47 | |
'Grandma pressed her head onto mine and cried as well. | 0:57:47 | 0:57:51 | |
'We cried and cried, | 0:57:51 | 0:57:53 | |
'and neither of us asking the other why we felt so miserable.' | 0:57:53 | 0:57:57 | |
'Being cut off like this from the world was the worst part - | 0:58:07 | 0:58:12 | |
'unsure if we were still slaves... | 0:58:12 | 0:58:14 | |
'or free citizens of France again.' | 0:58:14 | 0:58:17 | |
WIND HOWLS | 0:58:19 | 0:58:21 | |
CROWS CAW | 0:58:44 | 0:58:47 |