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September 3rd, 1939, and families all over the country flock to their radios. | 0:00:02 | 0:00:06 | |
ARCHIVE: I have to tell you now that no such undertaking has been received, | 0:00:06 | 0:00:09 | |
and that, consequently, this country is at war with Germany. | 0:00:09 | 0:00:15 | |
In that brief moment, life in our country changed forever. | 0:00:17 | 0:00:21 | |
World War II had begun, | 0:00:21 | 0:00:22 | |
but victory wouldn't be assured by military might alone. | 0:00:22 | 0:00:26 | |
The Blitz, evacuation, rationing, the loss of loved ones - | 0:00:27 | 0:00:31 | |
the war on the home front meant that everyone had to do their bit. | 0:00:31 | 0:00:34 | |
From the country's women, who took on everything - | 0:00:36 | 0:00:39 | |
farming, factory work, even flying Spitfires - | 0:00:39 | 0:00:42 | |
to the nation's auxiliary firemen who worked through the terror of countless air raids, | 0:00:42 | 0:00:46 | |
this is the story of ordinary people doing extraordinary things. | 0:00:46 | 0:00:51 | |
This is How We Won The War. | 0:00:51 | 0:00:53 | |
For the next two weeks, I'll be criss-crossing the UK. | 0:01:02 | 0:01:05 | |
Region by region, I'll be exploring how different parts of the country | 0:01:05 | 0:01:09 | |
made unique contributions to the war effort here at home. | 0:01:09 | 0:01:12 | |
I'll be looking at the lives of ordinary citizens | 0:01:13 | 0:01:16 | |
and the incredible efforts they went to to help us win the War. | 0:01:16 | 0:01:19 | |
I'm starting here in Northern Ireland. | 0:01:20 | 0:01:22 | |
It's a part of the country that's often overlooked, | 0:01:22 | 0:01:25 | |
yet a place of vital importance to our eventual victory in World War II. | 0:01:25 | 0:01:30 | |
On today's programme, devastated by the Blitz, | 0:01:30 | 0:01:33 | |
the people of Belfast unite as one... | 0:01:33 | 0:01:37 | |
Their mother and I lay under the table, | 0:01:37 | 0:01:40 | |
and the wee girl lay with her arms around her mammy and me. | 0:01:40 | 0:01:43 | |
We had a community spirit because we all became like a big family. | 0:01:43 | 0:01:47 | |
..the traditional techniques used to produce materials | 0:01:47 | 0:01:50 | |
for hundreds of thousands of British uniforms in the War... | 0:01:50 | 0:01:54 | |
That looks absolutely terrifying, Eugene. | 0:01:54 | 0:01:56 | |
I'm amazed that you haven't lost any fingers over the years. | 0:01:56 | 0:01:59 | |
..and a Spitfire a day keeps the Nazis away - | 0:01:59 | 0:02:01 | |
how the people of Northern Ireland raised enough money | 0:02:01 | 0:02:04 | |
to build 17 of the iconic fighters. | 0:02:04 | 0:02:07 | |
The Spitfire captured the imagination. | 0:02:07 | 0:02:11 | |
They were queuing up on Royal Avenue waiting to come in | 0:02:11 | 0:02:13 | |
and deposit their contributions to the fund. | 0:02:13 | 0:02:17 | |
When war broke out in September 1939, most people living here | 0:02:25 | 0:02:29 | |
thought they would be an unlikely target for Hitler. | 0:02:29 | 0:02:32 | |
And it is easy to see why. | 0:02:32 | 0:02:33 | |
To the south was the Republic of Ireland - | 0:02:33 | 0:02:35 | |
they, of course, were neutral - | 0:02:35 | 0:02:37 | |
and to the east, well, the rest of Great Britain, | 0:02:37 | 0:02:40 | |
with its army and anti-aircraft defences. | 0:02:40 | 0:02:42 | |
The idea the German air force would even get this far seemed pretty unlikely. | 0:02:42 | 0:02:47 | |
The theory was simple - if you were in Northern Ireland, you were safe. | 0:02:47 | 0:02:51 | |
But it was an assumption that was to cost the people of Belfast dearly. | 0:02:53 | 0:02:57 | |
AIR RAID SIREN | 0:02:57 | 0:02:59 | |
A year after war broke out, Germany began a relentless bombardment | 0:03:03 | 0:03:07 | |
of industrial and civilian centres across the UK. | 0:03:07 | 0:03:10 | |
In just nine months, the Blitz claimed 60,000 British lives. | 0:03:10 | 0:03:14 | |
London, Coventry, Birmingham, Manchester, and Liverpool - | 0:03:16 | 0:03:19 | |
just some of the cities targeted by the Luftwaffe because of their | 0:03:19 | 0:03:23 | |
industrial importance, devastated by ruthless bombing campaigns. | 0:03:23 | 0:03:26 | |
But despite the fact Belfast was also a hub of industry, | 0:03:28 | 0:03:32 | |
producing 140 warships and millions of shells for the war, | 0:03:32 | 0:03:35 | |
Northern Ireland failed to grasp the scale of the threat. | 0:03:35 | 0:03:39 | |
A failure historian Brian Barton has looked at in detail. | 0:03:39 | 0:03:43 | |
Now, Brian, tell me, how prepared was Belfast | 0:03:43 | 0:03:46 | |
for the onset of the War? | 0:03:46 | 0:03:48 | |
Well, it was probably the least well-prepared major city | 0:03:48 | 0:03:51 | |
or port in the United Kingdom. | 0:03:51 | 0:03:53 | |
Very few people had been evacuated out of the city, | 0:03:53 | 0:03:56 | |
80,000 children were still there at the time of the Blitz. | 0:03:56 | 0:03:59 | |
It had 22 anti-aircraft guns - | 0:03:59 | 0:04:01 | |
Liverpool had over 100 at the time of the Blitz. | 0:04:01 | 0:04:03 | |
It had one fighter squadron, based at Aldergrove airport, | 0:04:03 | 0:04:08 | |
of Hurricane fighters, only equipped, however, | 0:04:08 | 0:04:11 | |
for daytime fighting, not for night time-operations. | 0:04:11 | 0:04:14 | |
There was an assumption that Belfast would never be attacked - | 0:04:14 | 0:04:17 | |
too far away, too remote, too insignificant. | 0:04:17 | 0:04:19 | |
Belfast had been hit once before, when bombs fell on the docks | 0:04:20 | 0:04:24 | |
and industrial targets, killing 13 people. | 0:04:24 | 0:04:27 | |
But on the night of 15th April, 1941, | 0:04:27 | 0:04:30 | |
the first of three devastating attacks struck the city. | 0:04:30 | 0:04:33 | |
It was to become known as The Easter Raid, | 0:04:33 | 0:04:37 | |
and some of the details of the tragedy are held here at the Linenhall library. | 0:04:37 | 0:04:41 | |
So, Brian, what are we looking at here? | 0:04:42 | 0:04:44 | |
Well, this is an ARP message book kept at a control centre - | 0:04:44 | 0:04:48 | |
the control centre in this case was for D District. | 0:04:48 | 0:04:51 | |
It covers the night of the Easter Tuesday raid, 15th and 16th of April. | 0:04:51 | 0:04:55 | |
Here we are, look, "Fire reported at Hanover Street - HQ fire brigade have arrived." | 0:04:55 | 0:04:59 | |
These are little moments in time that these messages | 0:04:59 | 0:05:01 | |
have captured, aren't they? Endless, endless entries. | 0:05:01 | 0:05:04 | |
You get a sense of the pattern of the raid - | 0:05:04 | 0:05:07 | |
the early reports are of incendiary bombs | 0:05:07 | 0:05:10 | |
and the first part of the raid was mainly incendiary bombs, the first 20-25 minutes. | 0:05:10 | 0:05:14 | |
Then subsequent to that it's high explosives, | 0:05:14 | 0:05:17 | |
then later on, about two o'clock, a further wave of incendiaries. | 0:05:17 | 0:05:20 | |
'It's estimated that between 800 and 1,000 people | 0:05:20 | 0:05:23 | |
'were killed in that raid.' | 0:05:23 | 0:05:26 | |
It's believed no other city apart from London, | 0:05:26 | 0:05:28 | |
lost as many people in one single night | 0:05:28 | 0:05:30 | |
as Belfast did on that night. | 0:05:30 | 0:05:32 | |
The main weight of the bombings - something like 200 tonnes of bombs, | 0:05:32 | 0:05:36 | |
30,000 incendiaries - fell almost exclusively on working class, | 0:05:36 | 0:05:41 | |
densely populated, poorly constructed terraced housing. | 0:05:41 | 0:05:44 | |
10.25, and it says, "Rescue squad military, | 0:05:44 | 0:05:48 | |
"in Strathdene Street, entrance by Halliday's Road, | 0:05:48 | 0:05:52 | |
"two dead taken away, two injured to hospital. | 0:05:52 | 0:05:55 | |
"One dead (?) in debris, warden still digging, | 0:05:55 | 0:05:59 | |
"one ambulance required in half an hour." | 0:05:59 | 0:06:01 | |
I mean, there is a snapshot of what was happening | 0:06:01 | 0:06:04 | |
to try and resolve another terrible situation in this location. | 0:06:04 | 0:06:08 | |
It's just one of thousands. | 0:06:08 | 0:06:10 | |
What was the overall effect on this city, on this population of 400,000? | 0:06:19 | 0:06:25 | |
I think the main effect was one which was totally unforeseen | 0:06:25 | 0:06:28 | |
by the government, that there was a crash evacuation across the city, | 0:06:28 | 0:06:32 | |
people in fear and panic fleeing from the city. | 0:06:32 | 0:06:34 | |
They did so because they were now aware that Belfast was a target. | 0:06:34 | 0:06:38 | |
They did so because they recognised, | 0:06:38 | 0:06:40 | |
they appreciated just how utterly undefended they were. | 0:06:40 | 0:06:43 | |
Those written reports of the fire and bomb damage | 0:06:43 | 0:06:46 | |
are a very graphic reminder of the horrors | 0:06:46 | 0:06:48 | |
that the people of Belfast had to face here over 70 years ago. | 0:06:48 | 0:06:52 | |
But they are a list of events, and no matter how tragic, | 0:06:52 | 0:06:55 | |
they can never get you quite as close to the truth | 0:06:55 | 0:06:58 | |
as an account from somebody who was actually there. | 0:06:58 | 0:07:01 | |
Emily McGill from West Belfast was 31 years old when the attacks started. | 0:07:02 | 0:07:06 | |
She vividly remembers how the raids affected everyone's lives. | 0:07:06 | 0:07:11 | |
Before the raids started, | 0:07:11 | 0:07:13 | |
the Shankill Road would have been empty, | 0:07:13 | 0:07:15 | |
people were all in their house for the night, | 0:07:15 | 0:07:18 | |
and as soon as the sirens went there was hundreds | 0:07:18 | 0:07:21 | |
coming up the Shankill Road to go to the hills. | 0:07:21 | 0:07:24 | |
Cos you were safe there. | 0:07:24 | 0:07:26 | |
And when we got up to the mountains we lay in close to the mountains. | 0:07:26 | 0:07:30 | |
One night we were there and the Germans came in, | 0:07:30 | 0:07:34 | |
and Belfast just went up in fire. | 0:07:34 | 0:07:37 | |
Like thousands of men all over the UK, Emily's husband Bertie | 0:07:38 | 0:07:43 | |
had joined the Auxiliary Fire Service. | 0:07:43 | 0:07:44 | |
He drove the fire engine, you know, from work if there was fires. | 0:07:44 | 0:07:48 | |
One night my husband was going out as usual | 0:07:50 | 0:07:53 | |
and I say to him, "I wish you didn't go tonight." | 0:07:53 | 0:07:56 | |
He says, "Why? That's not like you." | 0:07:56 | 0:07:59 | |
"There's just this feeling over me, I just don't want you to go out." | 0:07:59 | 0:08:03 | |
"Ach," he says, "don't be ridiculous." | 0:08:03 | 0:08:05 | |
He says, "Come on and I'll leave you round to the air raid shelter." | 0:08:05 | 0:08:08 | |
Belfast had air raid shelters for only a quarter of the population. | 0:08:08 | 0:08:13 | |
Emily and her husband found their local one full to capacity. | 0:08:13 | 0:08:18 | |
When we got there, there was so many people outside it | 0:08:18 | 0:08:21 | |
he said to me, "It's no use standing here." | 0:08:21 | 0:08:24 | |
So him and I went up to the park, | 0:08:24 | 0:08:26 | |
which was just across the road, and he said to me, "Lie face down." | 0:08:26 | 0:08:31 | |
And we heard the German airplanes coming over, | 0:08:31 | 0:08:35 | |
and the next thing I was hit. | 0:08:35 | 0:08:38 | |
You know, just like as if a ton of bricks had fallen on you, | 0:08:39 | 0:08:42 | |
and I said to my husband, "I'm hit." | 0:08:42 | 0:08:45 | |
He says, "No, you're not, it was just the vibration of the ground." | 0:08:45 | 0:08:48 | |
But I said, "No, I feel the blood." | 0:08:48 | 0:08:52 | |
I felt the blood running down my back and down my arm. | 0:08:52 | 0:08:54 | |
The shrapnel came through the park and went through my back. | 0:08:54 | 0:08:59 | |
He said he thought he was going to lose me, | 0:08:59 | 0:09:02 | |
and I didn't think I would live myself, so I prepared myself to die. | 0:09:02 | 0:09:07 | |
Elsewhere in the city, Moya Woodside kept a diary | 0:09:11 | 0:09:14 | |
of her Blitz experiences. | 0:09:14 | 0:09:17 | |
The wife of a Belfast surgeon, she was also part | 0:09:17 | 0:09:20 | |
of a unique experiment called "Mass Observation". | 0:09:20 | 0:09:23 | |
Set up two years before the War, the project asked hundreds | 0:09:23 | 0:09:26 | |
of members of the public to keep records of their day-to-day lives. | 0:09:26 | 0:09:30 | |
An archive of almost 300,000 pages of personal writings | 0:09:30 | 0:09:35 | |
are held here at the University of Sussex. | 0:09:35 | 0:09:38 | |
Today, diaries like Moya's provide a unique insight | 0:09:38 | 0:09:41 | |
into the wartime lives of everyday citizens. | 0:09:41 | 0:09:44 | |
"The bombs started falling at 10.45. | 0:09:45 | 0:09:49 | |
"I went to bed, tried to sleep, but this proved impossible." | 0:09:49 | 0:09:54 | |
"Nazi planes kept coming back and coming back, | 0:09:56 | 0:09:59 | |
"for all the world like some giant swarm of insects | 0:09:59 | 0:10:02 | |
"whose drone was only ineffectually interrupted by bangs and crashes." | 0:10:02 | 0:10:06 | |
"This was civilisation in 1941 - sitting shivering, | 0:10:09 | 0:10:15 | |
"bored and frightened in a cubby hole at 3.30am." | 0:10:15 | 0:10:19 | |
But in the face of such terror, the people of Northern Ireland were pulling together. | 0:10:21 | 0:10:26 | |
We had a community spirit because we all became like a big family. | 0:10:26 | 0:10:30 | |
There was an air raid, and the man two doors up, | 0:10:32 | 0:10:37 | |
he came to my house and I was on my own and he took me with them. | 0:10:37 | 0:10:43 | |
They had a little girl, and their mother and I lay under the table, | 0:10:43 | 0:10:48 | |
and the wee girl lay with her arms around her mammie and me, | 0:10:48 | 0:10:52 | |
and she sang, "When they sound the last all-clear, | 0:10:52 | 0:10:55 | |
"how happy, my darling, we'll be. | 0:10:55 | 0:10:57 | |
"When they turn on the lights, those dark lonely nights, | 0:10:57 | 0:11:01 | |
"will just be a memory. | 0:11:01 | 0:11:03 | |
"No more we'll be apart, always together, sweetheart, | 0:11:03 | 0:11:08 | |
"for the peace bells will ring, and the whole world will sing, | 0:11:08 | 0:11:11 | |
"when they sound the last all-clear." | 0:11:11 | 0:11:15 | |
While millions of men were away fighting, | 0:11:21 | 0:11:24 | |
those left behind tried to carry on with life as best they could. | 0:11:24 | 0:11:28 | |
But the impact of the War was felt everywhere, in all sorts of ways. | 0:11:28 | 0:11:31 | |
The story of Belfast during the War - | 0:11:33 | 0:11:36 | |
like so many other towns and cities across the UK - | 0:11:36 | 0:11:38 | |
is of a community really pulling together for the common good. | 0:11:38 | 0:11:42 | |
I'm on my way to the zoo here to find out a little bit more | 0:11:42 | 0:11:46 | |
about one such story that involved a rescue - | 0:11:46 | 0:11:49 | |
with a difference. | 0:11:49 | 0:11:51 | |
Now, it's not every day that you get to drive through a zoo, | 0:12:02 | 0:12:05 | |
looking for a bloke called Alyn. | 0:12:05 | 0:12:07 | |
What have we got there, monkeys? | 0:12:10 | 0:12:13 | |
Oh, there are the gorillas. | 0:12:13 | 0:12:14 | |
It's a nice zoo, this. | 0:12:19 | 0:12:21 | |
There are the chimpanzees. | 0:12:23 | 0:12:25 | |
Now, somebody said go right at the penguins - | 0:12:26 | 0:12:30 | |
there's the penguins. | 0:12:30 | 0:12:31 | |
What a great place to navigate round. | 0:12:33 | 0:12:35 | |
'After a few wrong turns, I finally track down my quarry - | 0:12:39 | 0:12:43 | |
'curator of elephants Alyn Cairns.' | 0:12:43 | 0:12:45 | |
Alyn, how long has the zoo been here in Belfast? | 0:12:48 | 0:12:50 | |
Well, the zoo was built in 1934, | 0:12:50 | 0:12:52 | |
and it was built as part of a pleasure complex, | 0:12:52 | 0:12:55 | |
and it was one of the most modern zoos of that time. | 0:12:55 | 0:12:58 | |
So, five years after it opens the War comes along and things change. | 0:12:58 | 0:13:01 | |
What happened was, at that time it wasn't the MOD, | 0:13:01 | 0:13:04 | |
it was the Public Ministry of Security, | 0:13:04 | 0:13:06 | |
and they actually gave us orders to destroy some of the animals, | 0:13:06 | 0:13:09 | |
actually quite a lot of the animals - 33 animals in total. | 0:13:09 | 0:13:13 | |
'The order was designed to deal with the wartime cost | 0:13:13 | 0:13:16 | |
'of food for the zoo and the fear that bomb damage might allow | 0:13:16 | 0:13:19 | |
'dangerous animals to escape into the city.' | 0:13:19 | 0:13:22 | |
As a zookeeper yourself, Alyn, the idea of putting down | 0:13:22 | 0:13:25 | |
the animals in your care is probably impossible to imagine? | 0:13:25 | 0:13:28 | |
Absolutely horrendous to think if I was faced with that decision, | 0:13:28 | 0:13:33 | |
and also for all of our staff here I think it would just be | 0:13:33 | 0:13:37 | |
so difficult, and actually at the time we do know | 0:13:37 | 0:13:40 | |
from records that we have that Dick Foster was the head keeper, | 0:13:40 | 0:13:44 | |
and indeed he had to stay there while the Ministry were doing this, | 0:13:44 | 0:13:48 | |
and he was in tears, you know, and it took a lot of consoling for him. | 0:13:48 | 0:13:51 | |
And I think it actually had quite an effect on him, | 0:13:51 | 0:13:55 | |
because not long after the War he actually left the zoo. | 0:13:55 | 0:13:58 | |
During the war a volunteer at the zoo, Denise Austen, | 0:13:59 | 0:14:02 | |
took unusual steps to ensure a baby elephant was saved from the cull list. | 0:14:02 | 0:14:06 | |
Alyn took me to meet her relative, David Ramsey. | 0:14:06 | 0:14:10 | |
It was a baby elephant called Sheila. | 0:14:11 | 0:14:14 | |
She and Sheila were very great friends | 0:14:14 | 0:14:16 | |
and I think the two of them had bonded. | 0:14:16 | 0:14:18 | |
And, really, Denise became the surrogate mother for Sheila. | 0:14:18 | 0:14:22 | |
Denise was worried, I think, | 0:14:22 | 0:14:24 | |
that the elephant would be upset by the anti-aircraft gun fire | 0:14:24 | 0:14:27 | |
that was being generated round the Cave hill here, | 0:14:27 | 0:14:29 | |
worried about the raids and that the animal might become nervous, etc, | 0:14:29 | 0:14:36 | |
and become mentally upset and have to be put down. | 0:14:36 | 0:14:39 | |
Initially, when the air raid sirens came on she'd would've come up | 0:14:39 | 0:14:43 | |
from her home to the zoo to be with Sheila to comfort her, | 0:14:43 | 0:14:46 | |
but that was a lot of effort, getting out at maybe one or two | 0:14:46 | 0:14:49 | |
in the morning to come up here, so Denise, being a very pragmatic woman, | 0:14:49 | 0:14:52 | |
just decided the much easier option - why not take the elephant home with you? | 0:14:52 | 0:14:57 | |
It would be pretty unusual. | 0:14:59 | 0:15:01 | |
A cocker spaniel in the back garden might be more normal, | 0:15:01 | 0:15:05 | |
but they had a fairly big coachhouse just adjoining the house, | 0:15:05 | 0:15:09 | |
and the elephant only had a few hundred yards to walk | 0:15:09 | 0:15:12 | |
from the main gate here down through my grandfather's farm | 0:15:12 | 0:15:15 | |
to the back of Denise's house. | 0:15:15 | 0:15:18 | |
And then, if the air raid sirens went out, | 0:15:18 | 0:15:20 | |
Denise just got out of bed, walked out the back door | 0:15:20 | 0:15:23 | |
into the coachhouse and stood with Sheila, stroking her ear | 0:15:23 | 0:15:26 | |
and talking to her, massaging her trunk until the all clear was sounded. | 0:15:26 | 0:15:30 | |
And how long did it go on for before she got rumbled? | 0:15:30 | 0:15:32 | |
Quite a long period of time, probably around 18 months | 0:15:32 | 0:15:36 | |
or two years before the incident where the elephant actually chased a small dog. | 0:15:36 | 0:15:41 | |
It chased a small dog through a number of boundary fences of local householders, | 0:15:41 | 0:15:45 | |
and it was only when they approached the zoo to be compensated | 0:15:45 | 0:15:49 | |
for the damage to their property that the head zookeeper, Mr Foster, realised. | 0:15:49 | 0:15:53 | |
How would you summarise Denise's actions? | 0:15:53 | 0:15:55 | |
I think she was a remarkable woman. | 0:15:55 | 0:15:58 | |
I think to be able to spirit an animal weighing over a ton | 0:15:58 | 0:16:01 | |
out of the zoo at night under the watchful eyes of the head keeper, Dick Foster, | 0:16:01 | 0:16:05 | |
and get it away and back each day without anybody saying to her, | 0:16:05 | 0:16:09 | |
"Denise, what are you doing?" | 0:16:09 | 0:16:11 | |
Just remarkable. Couldn't be done. I think she's a form of magician. | 0:16:11 | 0:16:16 | |
All over the country, incredible stories like Denise and Sheila's | 0:16:18 | 0:16:22 | |
encapsulate the sense of spirit that got us through the Blitz. | 0:16:22 | 0:16:26 | |
And as the RAF battled to prevent Germany dominating the skies, | 0:16:26 | 0:16:30 | |
the Spitfire - perhaps one of the most important aircraft of World War II - | 0:16:30 | 0:16:35 | |
earned a special place in the hearts of Northern Ireland. | 0:16:35 | 0:16:38 | |
In August 1940, The Belfast Telegraph - the voice of the city - | 0:16:42 | 0:16:45 | |
launched the 100,000 Shillings Fund, | 0:16:45 | 0:16:49 | |
a donation scheme to fund the purchase of a Spitfire. | 0:16:49 | 0:16:52 | |
But the people of Northern Ireland weren't happy with just one. | 0:16:52 | 0:16:56 | |
The heroism of our troops on the front lines is well-documented, | 0:16:58 | 0:17:02 | |
but as a young reporter with the paper, Malcolm Brodie's job | 0:17:02 | 0:17:05 | |
was to capture the incredible stories of those making donations to the Fund here at home. | 0:17:05 | 0:17:09 | |
The Spitfire captured the imagination. | 0:17:09 | 0:17:14 | |
They were queuing up on Royal Avenue | 0:17:14 | 0:17:16 | |
waiting to come in and deposit their contribution to the Fund. | 0:17:16 | 0:17:21 | |
The stories that they brought with them were, invariably, | 0:17:21 | 0:17:26 | |
one relating to their efforts to raise this money. | 0:17:26 | 0:17:29 | |
One guy, I understood, sold his donkey to get money for it. | 0:17:29 | 0:17:34 | |
Kids who knew nothing about war | 0:17:36 | 0:17:39 | |
decided to stage street parties, all for the Spitfire Fund. | 0:17:39 | 0:17:44 | |
And a lot of catchphrases, like "A Spitfire a day keeps the Nazis away." | 0:17:46 | 0:17:52 | |
I remember on one particular occasion a woman came in and she had this parcel. | 0:17:54 | 0:18:00 | |
And she opened it up and in it were her son's effects. | 0:18:00 | 0:18:04 | |
He had been killed just before the evacuation at Dunkirk, | 0:18:04 | 0:18:11 | |
and in it was his wallet with two fivers in it, | 0:18:11 | 0:18:15 | |
and she said, "I'm giving that to the Fund, | 0:18:15 | 0:18:19 | |
"I'm giving that in memory of my boy." | 0:18:19 | 0:18:22 | |
There was a fascination amongst the public as to the amount the Fund was raising | 0:18:26 | 0:18:33 | |
and our billboards gave the figure every night. | 0:18:33 | 0:18:37 | |
And we had a huge tobacco factory, Gallagher's, | 0:18:37 | 0:18:42 | |
and the staff would pour up Royal Avenue from work, | 0:18:42 | 0:18:46 | |
and you would see them stopping and looking just to say, | 0:18:46 | 0:18:49 | |
"Right, what is it tonight there?" | 0:18:49 | 0:18:52 | |
In coming together as they did, the people of Northern Ireland | 0:18:54 | 0:18:57 | |
smashed the original 100,000 shillings target, | 0:18:57 | 0:19:01 | |
raising almost £3 million in today's money - enough to buy 17 Spitfires. | 0:19:01 | 0:19:06 | |
They were named after the areas and businesses that donated the cash. | 0:19:08 | 0:19:12 | |
This, of course, is what the Fund was all about - | 0:19:13 | 0:19:16 | |
some lovely black and white photographs of just some of the Telegraph Spitfires. | 0:19:16 | 0:19:20 | |
Belfast itself, Armagh, Harlandic - | 0:19:20 | 0:19:25 | |
Harland and Wolff's very own one - and Londonderry's. | 0:19:25 | 0:19:28 | |
And in amongst all this is just some more information | 0:19:28 | 0:19:31 | |
as to how the money was raised. | 0:19:31 | 0:19:33 | |
This is amazing, the headline here reads, "Pensioner's self-denial." | 0:19:33 | 0:19:39 | |
"Pensioner gives up a shilling a week." How about that? | 0:19:39 | 0:19:42 | |
This one - "30 shillings raised from the sale of a wedding ring from a woman in Newry." | 0:19:42 | 0:19:48 | |
I mean, generosity that's hard to fathom these days. | 0:19:48 | 0:19:52 | |
And this is lovely - this is the story of two boys in Ballymena. | 0:19:52 | 0:19:56 | |
They created a machine made out of Meccano parts that contained | 0:19:56 | 0:20:01 | |
an image of Hitler and Churchill, and if you put a penny in the slot | 0:20:01 | 0:20:04 | |
Churchill would kick Hitler up the backside. | 0:20:04 | 0:20:08 | |
Northern Ireland felt this was part of their war effort, | 0:20:12 | 0:20:15 | |
and they had so many people killed in the War, killed in action. | 0:20:15 | 0:20:20 | |
And they felt Northern Ireland is playing its part, | 0:20:20 | 0:20:25 | |
and they were proud of it. | 0:20:25 | 0:20:27 | |
The aircraft went on to play an invaluable role | 0:20:27 | 0:20:31 | |
in the Battle of Britain, and one of the legendary fighters | 0:20:31 | 0:20:34 | |
was piloted by Londonderry-born Cecil Austin, | 0:20:34 | 0:20:38 | |
who put Spitfires above all the other planes he flew in the War. | 0:20:38 | 0:20:41 | |
He said there was nothing like flying the Spitfires. | 0:20:41 | 0:20:44 | |
He said it was just the most exhilarating thing he had ever done. | 0:20:44 | 0:20:49 | |
They were much lighter to the touch and much quicker to respond, | 0:20:49 | 0:20:52 | |
I think they were faster, as well. | 0:20:52 | 0:20:54 | |
After flying missions all over the UK, | 0:20:54 | 0:20:57 | |
he eventually ended up stationed back at home in Northern Ireland. | 0:20:57 | 0:21:01 | |
Ballyhalbert's on the Atlantic, really, or on the coast, | 0:21:01 | 0:21:04 | |
and a big priority at that time was protecting the Atlantic convoys. | 0:21:04 | 0:21:09 | |
And he was very proud of the fact that, among the many Spitfires | 0:21:09 | 0:21:13 | |
that he flew out of Ballyhalbert, one of them was the Down Spitfire. | 0:21:13 | 0:21:19 | |
It was one of the 17 Spitfires that were bought through | 0:21:19 | 0:21:23 | |
the Belfast Telegraph Fund and it was named after County Down. | 0:21:23 | 0:21:27 | |
I actually found the flight that he made in the Down Spitfire. | 0:21:27 | 0:21:33 | |
P7823, it says, "December 9th, convoy patrol." | 0:21:33 | 0:21:38 | |
And that's the very plane and the very convoy | 0:21:38 | 0:21:42 | |
that is actually captured in the painting of the Down Spitfire, | 0:21:42 | 0:21:46 | |
and that's my dad flying it. | 0:21:46 | 0:21:48 | |
I'm very proud of him. | 0:21:54 | 0:21:56 | |
They were just boys, really, but they... | 0:22:00 | 0:22:03 | |
I don't know what it was that drove them to do it, | 0:22:03 | 0:22:06 | |
but they had a real determination, and I think they were a very special generation, too. | 0:22:06 | 0:22:11 | |
I don't think that our generation - even those of us here | 0:22:11 | 0:22:15 | |
in Northern Ireland who have lived through a 35-year war, | 0:22:15 | 0:22:19 | |
as many people would describe it - it's still not the same. | 0:22:19 | 0:22:23 | |
They had real steel and grit, and something that set them aside. | 0:22:23 | 0:22:28 | |
I think they really were "the few". | 0:22:28 | 0:22:30 | |
And in 1994, a refurbished plane was renamed the Enniskillen | 0:22:34 | 0:22:40 | |
to mark the contribution the Belfast Spitfires made to the War. | 0:22:40 | 0:22:43 | |
But it wasn't just money to pay for the planes the people of Belfast contributed. | 0:23:09 | 0:23:14 | |
It was the very materials used to build them, as well. | 0:23:14 | 0:23:18 | |
The wings of Spitfires were sometimes covered in linen - | 0:23:18 | 0:23:21 | |
a material derived from a traditional Northern Irish crop. | 0:23:21 | 0:23:25 | |
Flax was an essential ingredient to the already established textile business here, | 0:23:25 | 0:23:32 | |
and I'm looking for McConville's Mill. | 0:23:32 | 0:23:35 | |
Here we are, right here. | 0:23:37 | 0:23:38 | |
There we are, McConville's Flax Mill and Museum. | 0:23:40 | 0:23:43 | |
It's home to brothers Eugene and Felix, | 0:23:43 | 0:23:45 | |
whose passion for flax has given them a detailed knowledge | 0:23:45 | 0:23:48 | |
of how ancient techniques were adapted for the war effort. | 0:23:48 | 0:23:52 | |
It is a pretty tough crop. | 0:23:52 | 0:23:54 | |
Now, you couldn't process that there now as you see it now. | 0:23:54 | 0:23:57 | |
That has to be stopped in water for nine to 14 nights to soften the fibre. | 0:23:57 | 0:24:03 | |
Now, this is it here after it's dried. | 0:24:03 | 0:24:06 | |
Now, this looks like hay, doesn't it? | 0:24:06 | 0:24:08 | |
Yes, not unlike hay. | 0:24:08 | 0:24:10 | |
Now, if you compare them, first thing you'll notice | 0:24:10 | 0:24:13 | |
is the two different colours. | 0:24:13 | 0:24:14 | |
Now this is pretty tough, this is soft and limber. | 0:24:14 | 0:24:19 | |
Oh, you're right, look at that - I can wrap that round my finger. | 0:24:19 | 0:24:22 | |
That is ready for scutching. | 0:24:22 | 0:24:23 | |
By soaking the crop in water, the flax becomes soft enough | 0:24:23 | 0:24:26 | |
for the fibres to be extracted from the tough stalks. | 0:24:26 | 0:24:29 | |
This is done through a process called scutching. | 0:24:29 | 0:24:32 | |
This is industrialised scutching. | 0:24:32 | 0:24:35 | |
We'll just jump over the bench and put a bit through | 0:24:35 | 0:24:38 | |
and let you see how it used to be done in the olden days, during the War days. | 0:24:38 | 0:24:42 | |
Let's have a look then, guys. I've certainly come to the right place. | 0:24:42 | 0:24:45 | |
Well, there's six blades on cast-iron stocks, | 0:24:46 | 0:24:50 | |
and they're flying round at high speed. | 0:24:50 | 0:24:52 | |
That looks absolutely terrifying, Eugene. | 0:24:58 | 0:25:01 | |
I'm amazed you haven't lost any fingers over the years. | 0:25:01 | 0:25:03 | |
Have you finished yours, Felix? | 0:25:06 | 0:25:08 | |
HE LAUGHS | 0:25:08 | 0:25:09 | |
Are you slacking with your scutching? | 0:25:09 | 0:25:13 | |
Lovely. Let's have a look at it. Where's the finished article? | 0:25:13 | 0:25:16 | |
That's the finished article there, Jules. | 0:25:16 | 0:25:18 | |
Millions of men went into battle wearing clothes made from this raw product, | 0:25:19 | 0:25:23 | |
but first it had to spun into linen, ready to be stitched. | 0:25:23 | 0:25:27 | |
Valerie Wilson, curator of textiles at the Ulster Folk and Transport Museum, | 0:25:28 | 0:25:32 | |
has a wealth of stories from the sewing front lines. | 0:25:32 | 0:25:36 | |
Valerie, hello. How are you? | 0:25:36 | 0:25:38 | |
It's nice to meet you, how are you? | 0:25:38 | 0:25:40 | |
-Well, this certainly sets the scene. -Yes, well, welcome to the drapers. | 0:25:40 | 0:25:43 | |
Now, the statistics that surround textile production | 0:25:43 | 0:25:46 | |
here in Northern Ireland when we think about the War are staggering. | 0:25:46 | 0:25:50 | |
Well, they are. Even just before the War | 0:25:50 | 0:25:53 | |
it was estimated that one in five people in Northern Ireland | 0:25:53 | 0:25:56 | |
were working in the linen industry, | 0:25:56 | 0:25:59 | |
either in the growing of flax or the finishing off of the actual fabrics. | 0:25:59 | 0:26:03 | |
We had a very trained, very able workforce here, | 0:26:03 | 0:26:05 | |
we had all the facilities, all of the factories | 0:26:05 | 0:26:08 | |
and also the right climate for flax production. | 0:26:08 | 0:26:11 | |
-LAUGHING: -It likes it wet, does it? | 0:26:11 | 0:26:12 | |
Wet and damp, sort of constantly. | 0:26:12 | 0:26:15 | |
Ulster Linen was used in everything | 0:26:15 | 0:26:17 | |
from parachute harnesses to military bootlaces, | 0:26:17 | 0:26:20 | |
but the industry's adoption of other fabrics meant Northern Ireland | 0:26:20 | 0:26:23 | |
provided the bulk of Britain's uniforms during the War. | 0:26:23 | 0:26:26 | |
There were so many different roles, | 0:26:26 | 0:26:28 | |
and every different role needed its own uniform, | 0:26:28 | 0:26:31 | |
so the factories in Ulster that had previously been making | 0:26:31 | 0:26:34 | |
linen sheeting, linen tablecloths, household goods, and shirts | 0:26:34 | 0:26:39 | |
switched production to all the uniform fabrics | 0:26:39 | 0:26:41 | |
because the skills were there, | 0:26:41 | 0:26:43 | |
and the women who had previously been making up shirts | 0:26:43 | 0:26:46 | |
found themselves making battle dress blouses - same skills, really. | 0:26:46 | 0:26:50 | |
In 1940, the Ministry of Commerce were placing orders | 0:26:50 | 0:26:56 | |
for up to 60,000 denim overalls a week, 60,000 shirts, | 0:26:56 | 0:27:01 | |
30,000 battle dress shirts, | 0:27:01 | 0:27:03 | |
and 100,000 gas haversacks per year. | 0:27:03 | 0:27:08 | |
So the statistics are incredible. | 0:27:08 | 0:27:10 | |
Now, I gather there's a very human side to this production story. | 0:27:10 | 0:27:14 | |
It's not just about volume and uniforms. | 0:27:14 | 0:27:17 | |
Within the shirts, is it true that love letters were stashed away? | 0:27:17 | 0:27:20 | |
Oh yes, I have this on good authority - | 0:27:20 | 0:27:22 | |
the good authority being my late mother. | 0:27:22 | 0:27:25 | |
She started work in a shirt factory in Ballymena | 0:27:25 | 0:27:28 | |
about the same week that war broke out in 1939. | 0:27:28 | 0:27:32 | |
She was a 14-year-old girl, and she assured me that only the older girls | 0:27:32 | 0:27:36 | |
on the production line put their names and addresses and little notes | 0:27:36 | 0:27:40 | |
into the pockets in the hope that they'd get a penpal out of it. | 0:27:40 | 0:27:44 | |
ARCHIVE: Here's a Sister Susie sending a message to a soldier, | 0:27:45 | 0:27:48 | |
"This shirt was made by an Ulster lass | 0:27:48 | 0:27:51 | |
"whose lips were made for kissing, | 0:27:51 | 0:27:52 | |
"so hurry up and win the war, you don't know what you're missing." | 0:27:52 | 0:27:55 | |
During the War, the Belfast Civil Defence Authority | 0:28:02 | 0:28:06 | |
issued a publication called the Belfast Citizens' Handbook. | 0:28:06 | 0:28:11 | |
It said that the good citizen was one who realised that | 0:28:11 | 0:28:14 | |
the only way victory would be achieved is that if every man, | 0:28:14 | 0:28:17 | |
every woman, every boy, every girl, | 0:28:17 | 0:28:19 | |
gave every ounce, every day, in every way. | 0:28:19 | 0:28:23 | |
And, certainly, from what I've seen here, | 0:28:23 | 0:28:25 | |
the people of Northern Ireland did that admirably. | 0:28:25 | 0:28:29 | |
Next time, I'm in Scotland | 0:28:29 | 0:28:31 | |
enjoying a taste of the food dished up during the War... | 0:28:31 | 0:28:35 | |
..and revealing the mysteries of a field in East Kilbride. | 0:28:36 | 0:28:39 | |
This marker here is where a well-known aviator landed. | 0:28:39 | 0:28:44 | |
Subtitles by Red Bee Media Ltd | 0:28:46 | 0:28:50 |