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DRILL SERGEANT SHOUTS ORDERS | 0:00:02 | 0:00:04 | |
'You may be under the impression | 0:00:05 | 0:00:07 | |
'that the death penalty has long been abolished in Britain. That is not so. | 0:00:07 | 0:00:12 | |
'Every man here has sworn an oath to lay down his life for his monarch. | 0:00:12 | 0:00:16 | |
'Failure to expose himself to the risk if ordered to do so | 0:00:16 | 0:00:20 | |
'renders him liable to lawful execution. | 0:00:20 | 0:00:23 | |
'The contract to the British soldier is as unique | 0:00:23 | 0:00:27 | |
'as the traditions of the regiment he serves. | 0:00:27 | 0:00:29 | |
'Charles II, in 1656, was the first sovereign | 0:00:32 | 0:00:36 | |
'to raise a regiment for his personal protection. | 0:00:36 | 0:00:39 | |
'In 1815, after Waterloo, they became the Grenadier Guards. | 0:00:39 | 0:00:42 | |
'The Queen is now their Colonel-in-Chief. | 0:00:42 | 0:00:45 | |
'The Guards, perhaps to the irritation of other regiments, | 0:00:48 | 0:00:51 | |
'exude an effortless superiority | 0:00:52 | 0:00:53 | |
'that survives the apparently proletarian ill manners | 0:00:53 | 0:00:57 | |
'of eating with their hats on. | 0:00:57 | 0:00:58 | |
'It dates from the days of draughty messes | 0:00:58 | 0:01:00 | |
'and they see no reason to take them off. | 0:01:00 | 0:01:03 | |
'In any other regiment, you would be fined. | 0:01:06 | 0:01:08 | |
'Fine books, like that of the 18th Hussars in India in 1883, | 0:01:08 | 0:01:12 | |
'are less testimony of reproof, | 0:01:12 | 0:01:14 | |
'than an indication of what the lads were capable of getting up to. | 0:01:14 | 0:01:18 | |
'Drawing a sword in the mess, 15 rupees. | 0:01:18 | 0:01:22 | |
'Striking bets before the cloth had been removed from the dinner table, | 0:01:22 | 0:01:26 | |
'another 15 rupees. | 0:01:26 | 0:01:28 | |
'Today, the currency of the fine is champagne. | 0:01:29 | 0:01:32 | |
'Among the subalterns of the 16th/5th Lancers, | 0:01:32 | 0:01:35 | |
'fines are imposed not only for ghastly behaviour, | 0:01:35 | 0:01:38 | |
'but social indiscretions | 0:01:38 | 0:01:40 | |
'that will strike despair in the hearts of many a lady.' | 0:01:40 | 0:01:42 | |
There's one. Charles Moore. | 0:01:45 | 0:01:46 | |
Causing a group ejection from the Ritz Hotel, Piccadilly, | 0:01:46 | 0:01:50 | |
by seating himself uninvited at the tearoom piano | 0:01:50 | 0:01:53 | |
and giving a prep-scholic rendition of Chopsticks! | 0:01:54 | 0:01:57 | |
LAUGHTER | 0:01:57 | 0:02:00 | |
Here's one. Alex... | 0:02:01 | 0:02:02 | |
- Captain Edie having a female friend | 0:02:03 | 0:02:07 | |
who lives in a numbered house. | 0:02:07 | 0:02:09 | |
LAUGHTER | 0:02:09 | 0:02:11 | |
'And then there's the wagers book. | 0:02:13 | 0:02:16 | |
'Major Willie Peter of the 13th/18th hussars.' | 0:02:16 | 0:02:18 | |
Some of them, though, were on a more intellectual level. | 0:02:18 | 0:02:24 | |
Here we have one. Captain Cotterill waging at 2nd Lieutenant Haslam | 0:02:24 | 0:02:27 | |
that he will giggle at some stage during the dining out | 0:02:28 | 0:02:31 | |
of Captain John Wadmore on Wednesday 22nd October, 1969. | 0:02:31 | 0:02:36 | |
The wage is to be one bottle of champagne. Captain Cotterill won, | 0:02:36 | 0:02:40 | |
as Mr Haslam giggled within 30 seconds of the wager being taken. | 0:02:40 | 0:02:45 | |
Again, here is another one | 0:02:45 | 0:02:47 | |
on the authorship of a novel by Len Deighton. | 0:02:47 | 0:02:51 | |
Not much Kierkegaard here! | 0:02:51 | 0:02:53 | |
And the last one, perhaps, is on officers' futures, | 0:02:53 | 0:02:58 | |
other interesting things like that. | 0:02:58 | 0:03:00 | |
Lieutenant Scroobie here wagers Lieutenant Cameron | 0:03:00 | 0:03:03 | |
that Lieutenant Knowles' penalty for his exciting adventures | 0:03:03 | 0:03:06 | |
with the military Land Rover in the Brompton Road, Knightsbridge, | 0:03:06 | 0:03:10 | |
will not exceed six extra duties or six extraordinary officers, | 0:03:10 | 0:03:14 | |
as it is normally called. | 0:03:14 | 0:03:15 | |
Scroobie won this one | 0:03:15 | 0:03:17 | |
because Lieutenant Knowles was not given any extras for his adventure. | 0:03:17 | 0:03:21 | |
He was however asked if he would mind awfully | 0:03:21 | 0:03:24 | |
seeking alternative employment, which Lieutenant Knowles readily agreed. | 0:03:24 | 0:03:30 | |
So that's the betting book. | 0:03:30 | 0:03:31 | |
'All of this contradicts the impression | 0:03:31 | 0:03:33 | |
'that young officers take themselves seriously.' | 0:03:33 | 0:03:36 | |
Oh, I don't think people do take themselves seriously. | 0:03:36 | 0:03:38 | |
I think, in a way, at times, | 0:03:39 | 0:03:40 | |
that people think we realise we're characters on the stage | 0:03:40 | 0:03:45 | |
so we fill the path by filling in the books. | 0:03:45 | 0:03:48 | |
It doesn't detract from standards, it just adds to amusement. | 0:03:48 | 0:03:52 | |
'On exercise in Germany, those standards never slacken. | 0:03:52 | 0:03:57 | |
'The Warrior is the new hi-tech personnel carrier | 0:03:57 | 0:04:00 | |
'of the Grenadier Guards, | 0:04:00 | 0:04:02 | |
'men traditionally associated with impeccable drill | 0:04:02 | 0:04:05 | |
'outside Buckingham Palace. | 0:04:05 | 0:04:07 | |
'Colourful tradition bucks up the tourist trade, | 0:04:07 | 0:04:10 | |
'but do the guards believe it contributes to bravery?' | 0:04:10 | 0:04:13 | |
No, I don't, I'm afraid. | 0:04:13 | 0:04:15 | |
I think it's a backcloth which people will draw reference on. | 0:04:15 | 0:04:20 | |
I mean, you know, it is something that a commanding officer | 0:04:20 | 0:04:23 | |
or company commanders or sergeant majors will perhaps reflect on. | 0:04:23 | 0:04:26 | |
I think it is unlikely. | 0:04:27 | 0:04:28 | |
What is much more the thing | 0:04:28 | 0:04:30 | |
that makes people do brave things is really comradeship. | 0:04:30 | 0:04:34 | |
It's the corporate spirit. | 0:04:34 | 0:04:37 | |
The loyalty to your platoon, to your company, to your battalion. | 0:04:37 | 0:04:40 | |
I don't think anybody thinks about Waterloo. | 0:04:40 | 0:04:43 | |
- Leave, march-ins, please. | 0:04:45 | 0:04:47 | |
'Yet the Guards are riddled with traditions.' | 0:04:47 | 0:04:50 | |
- March in. | 0:04:52 | 0:04:53 | |
- Sir, Sergeant. Attention! | 0:04:53 | 0:04:54 | |
THEY SHOUT ORDERS | 0:04:54 | 0:04:56 | |
- Sergeants, quick march! | 0:05:00 | 0:05:02 | |
Left, right, left, right, left, right. Mark time! | 0:05:02 | 0:05:06 | |
Sergeants, halt! | 0:05:06 | 0:05:09 | |
Left turn. | 0:05:09 | 0:05:10 | |
- Sergeant Jones? - Sir! | 0:05:10 | 0:05:12 | |
- Sergeant Worrel? - Sir! | 0:05:12 | 0:05:13 | |
- Sergeant Warrington? Sergeant McEwan. Sergeant McTaggart. | 0:05:13 | 0:05:17 | |
Sergeant Davis? - Sir! | 0:05:17 | 0:05:19 | |
'This discreet little gathering of sergeants | 0:05:21 | 0:05:24 | |
'from all five regiments of Foot Guards is called "CO's memoranda". | 0:05:24 | 0:05:27 | |
'Each sergeant has his own traditional | 0:05:27 | 0:05:29 | |
'and jealously-preserved style of response. | 0:05:29 | 0:05:31 | |
'Even the door opens by some kind of traditional magic.' | 0:05:31 | 0:05:34 | |
March! Left, right, left, right, left, left, right! | 0:05:34 | 0:05:38 | |
- That is all for Commanding Officer memoranda, sir. | 0:05:43 | 0:05:45 | |
Leave to fall out, sir, please. - Yes, please, Sergeant Major. | 0:05:45 | 0:05:48 | |
The drill sergeant's words of command need sorting out. | 0:05:48 | 0:05:51 | |
- Sir. | 0:05:51 | 0:05:52 | |
DRILL SERGEANT SHOUTS ORDERS | 0:06:00 | 0:06:02 | |
- The world sees you as elite. Do you see yourselves as elite? | 0:06:09 | 0:06:13 | |
- Well, there is only one Grenadier Guards. My answer to that must be, | 0:06:13 | 0:06:17 | |
certainly, we do. I can't say yes, because Grenadiers never say yes. | 0:06:17 | 0:06:22 | |
'To outsiders, the elimination of the word "yes" | 0:06:23 | 0:06:25 | |
'can be baffling and infuriating.' | 0:06:25 | 0:06:27 | |
Lance Corporal Teague, sir. | 0:06:27 | 0:06:29 | |
I think it probably emanates from, really, | 0:06:32 | 0:06:36 | |
Grenadiers having an unquestioned obedience. | 0:06:36 | 0:06:41 | |
I think that the word "no" was rather irrelevant, | 0:06:41 | 0:06:45 | |
it was never used, it was always, "Yes, sir." | 0:06:45 | 0:06:48 | |
"Yes" becomes redundant, so you just say "sir". | 0:06:48 | 0:06:52 | |
- Can you give me a few acting examples of this? | 0:06:52 | 0:06:55 | |
You know I've been lying to you | 0:06:55 | 0:06:57 | |
or I'm asking you to do something ridiculous. How do you...? | 0:06:57 | 0:07:00 | |
- "Sir?" | 0:07:01 | 0:07:02 | |
And then you get... You are given a rocket. | 0:07:04 | 0:07:07 | |
You say, "Sir!" | 0:07:07 | 0:07:10 | |
It does not mean you are very happy about it | 0:07:10 | 0:07:12 | |
or very unhappy about it, but you accept it. | 0:07:13 | 0:07:16 | |
"Sir!" | 0:07:16 | 0:07:19 | |
You are told something that you simply don't believe. | 0:07:19 | 0:07:22 | |
"Sir?" | 0:07:22 | 0:07:23 | |
You are told something | 0:07:23 | 0:07:25 | |
which you definitely do disagree with and don't like. | 0:07:25 | 0:07:29 | |
"Sir." | 0:07:29 | 0:07:31 | |
So it's very useful and, used in its different inflections, | 0:07:31 | 0:07:35 | |
it's a useful mechanism. | 0:07:35 | 0:07:37 | |
'The Queen's Association with the Grenadier Guards | 0:07:37 | 0:07:41 | |
'stretches back to the war years when, | 0:07:41 | 0:07:43 | |
'as the 16-year-old Princess Elizabeth, | 0:07:43 | 0:07:45 | |
'she became colonel of the regiment. | 0:07:45 | 0:07:46 | |
'On her 18th birthday in 1944, her soldiers paraded for her at Windsor.' | 0:07:47 | 0:07:52 | |
MARCHING BAND MUSIC | 0:07:52 | 0:07:54 | |
NEWSREEL: 'Apart from the occasion itself, the princess' birthday, | 0:07:56 | 0:08:00 | |
'what distinguished the ceremony was the presentation made to her. | 0:08:00 | 0:08:04 | |
'This was a replica in miniature | 0:08:04 | 0:08:06 | |
'of the King's Colour of the 1st Battalion, the Grenadier Guards, | 0:08:06 | 0:08:09 | |
'with her own monogram. | 0:08:09 | 0:08:11 | |
'It was presented by Colonel Prescott. | 0:08:11 | 0:08:13 | |
'As you will see, the fine workmanship of the gift | 0:08:20 | 0:08:23 | |
'proved quite irresistible to the Princess and the Queen. | 0:08:23 | 0:08:26 | |
'The colour will in future be mounted | 0:08:26 | 0:08:28 | |
'whenever Her Royal Highness attends the parade | 0:08:28 | 0:08:31 | |
'or inspects any battalion of the Grenadier Guards.' | 0:08:31 | 0:08:35 | |
She became the colonel of this regiment in the middle of the war. | 0:08:35 | 0:08:40 | |
It's an association which we are very proud of. | 0:08:40 | 0:08:43 | |
And the story goes that she has, from time to time, | 0:08:45 | 0:08:49 | |
referred to this regiment as "my Grenadiers" | 0:08:49 | 0:08:53 | |
and it's something which we are very proud of. | 0:08:53 | 0:08:57 | |
'For the young princess, it was the start, literally, | 0:08:58 | 0:09:01 | |
'of a relationship for life, | 0:09:01 | 0:09:03 | |
'for she is also commander of the elite Queen's Company. | 0:09:03 | 0:09:06 | |
'Average height - 6ft 2 inches. | 0:09:06 | 0:09:08 | |
'Each year, the Queen's Company present her | 0:09:10 | 0:09:12 | |
'with an album of their activities and each year, | 0:09:12 | 0:09:15 | |
'with mutual tradition, the Queen is photographed | 0:09:15 | 0:09:17 | |
'with the company's officers. | 0:09:17 | 0:09:20 | |
'Not only as her grandfather, George V, had done in his reign, | 0:09:20 | 0:09:24 | |
'but in precisely the same spot.' | 0:09:24 | 0:09:26 | |
By...the left! | 0:09:27 | 0:09:29 | |
'There is rather more to it than an exchange of courtesies, | 0:09:30 | 0:09:33 | |
'for the Queen's Company provides the pallbearers for all dead monarchs, | 0:09:33 | 0:09:38 | |
'acknowledging what she describes as "the important ceremonial duties | 0:09:38 | 0:09:42 | |
'"on great and solemn occasions of our history", | 0:09:42 | 0:09:45 | |
'The Queen wrote this to them - | 0:09:45 | 0:09:46 | |
"I have sacred memories of the reverend care | 0:09:47 | 0:09:49 | |
"shown by the bearer parties of my company | 0:09:49 | 0:09:52 | |
"at the funerals of my father and grandmother." | 0:09:52 | 0:09:55 | |
'Down the ages, the demon drink has not been unknown to the British Army. | 0:10:02 | 0:10:07 | |
'This tradition, Guards officers walking in straight lines | 0:10:07 | 0:10:10 | |
'to prove that they are sober enough to lead their men, | 0:10:10 | 0:10:12 | |
'might well have a future in civilian life. | 0:10:13 | 0:10:15 | |
'But the days of heroic pre-yardarm drinking are gone. | 0:10:20 | 0:10:24 | |
'Among the 4th/7th Royal Dragoon Guards, | 0:10:24 | 0:10:26 | |
'there are those who order soft drinks before lunch.' | 0:10:26 | 0:10:29 | |
CHATTER | 0:10:29 | 0:10:31 | |
'There is also the most civilised custom here which averts the dangers | 0:10:35 | 0:10:39 | |
'of buying a round.' | 0:10:39 | 0:10:41 | |
Yes, I offered Bijan a drink when I was asking for my own drink, | 0:10:41 | 0:10:44 | |
but we do it out of courtesy to each other. | 0:10:44 | 0:10:46 | |
We are not actually paying for one another's drink. | 0:10:46 | 0:10:49 | |
My drink will go on my mess bill. | 0:10:49 | 0:10:50 | |
Bijan's drink will go on his mess bill, | 0:10:50 | 0:10:52 | |
as it would if we offered any other officer in the mess a drink. | 0:10:52 | 0:10:56 | |
It would go on their own mess bill, rather than paying for it, | 0:10:56 | 0:10:59 | |
thereby avoiding any necessities to have large mess bills | 0:10:59 | 0:11:02 | |
or to get into unnecessary drinking of rounds, | 0:11:02 | 0:11:05 | |
it is just a matter of courtesy, not of payment. | 0:11:05 | 0:11:08 | |
'Civility prevails. Off-duty officers always buy a bottle | 0:11:10 | 0:11:14 | |
'of tangible compensation for the orderly officer | 0:11:14 | 0:11:18 | |
'left to dine on his own.' | 0:11:18 | 0:11:20 | |
- Your champagne, sir. | 0:11:20 | 0:11:22 | |
- Thank you very much. I'll enjoy that very much later after my duties. | 0:11:22 | 0:11:26 | |
'It's the pride of the regiment | 0:11:29 | 0:11:32 | |
'that even the corkscrew comes on all fours.' | 0:11:32 | 0:11:35 | |
- Go on. Go on! | 0:11:37 | 0:11:39 | |
-Good boy! | 0:11:39 | 0:11:42 | |
'A long way from these effete party tricks | 0:11:42 | 0:11:45 | |
'stands the town of Burnley in Lancashire. | 0:11:45 | 0:11:47 | |
'The children here, thank God, have never known wars. | 0:11:47 | 0:11:50 | |
'But their forebears did and at Burnley Miners Club, | 0:11:50 | 0:11:53 | |
'the North's answer to Annabel's, is the living and drinking proof of it.' | 0:11:53 | 0:11:57 | |
Two Bennies, Margaret, please. | 0:12:02 | 0:12:04 | |
'The key word here is "Benny", short for Benedictine. | 0:12:04 | 0:12:08 | |
'Although the chances of hearing Gregorian chant | 0:12:08 | 0:12:10 | |
'on a stroll through the old cotton town are rather remote, | 0:12:10 | 0:12:13 | |
'Burnley's links with one of the more secular aspects | 0:12:13 | 0:12:16 | |
'of French monastic life are considerable, | 0:12:16 | 0:12:19 | |
'thanks to the Queen's Lancashire Regiment in World War One. | 0:12:19 | 0:12:22 | |
'The monks, when they were not at prayers | 0:12:22 | 0:12:25 | |
'or painting elaborate scrolls in books, produced alcohol, | 0:12:25 | 0:12:28 | |
'a liqueur that some see as "a southern poofter's drink".' | 0:12:28 | 0:12:32 | |
- It's not a southern poofter's drink up here, though. | 0:12:33 | 0:12:35 | |
We sell an awful lot of Benedictine. | 0:12:35 | 0:12:38 | |
It's come about from the First World War. | 0:12:38 | 0:12:41 | |
I think that David has the history of it better than I do. | 0:12:41 | 0:12:45 | |
- The First World War, the local TA regiment, 5th Battalion, | 0:12:45 | 0:12:50 | |
was stationed close to the monastery. | 0:12:50 | 0:12:53 | |
They liked the stuff, brought it back and it's developed ever since. | 0:12:53 | 0:12:57 | |
In fact, it probably sells more now | 0:12:57 | 0:12:59 | |
than what it did when it first came across. | 0:12:59 | 0:13:02 | |
- Well, we do sell an awful lot. | 0:13:02 | 0:13:04 | |
It has been said that we sell more than anybody in the world, | 0:13:04 | 0:13:07 | |
believe it or not. | 0:13:07 | 0:13:08 | |
It sounds silly from a little place like Burnley, | 0:13:08 | 0:13:11 | |
but over Christmas we sold, it was about a four-week period, | 0:13:11 | 0:13:15 | |
we sold 241 bottles. | 0:13:15 | 0:13:17 | |
- Most certainly, this club, | 0:13:17 | 0:13:19 | |
Alan's said, MAYBE it's the biggest outlet in the world, | 0:13:19 | 0:13:22 | |
but it is a fact that it is the biggest outlet in the world | 0:13:22 | 0:13:27 | |
and Burnley, Nelson, Colne, Accrington, that area, | 0:13:27 | 0:13:31 | |
is the biggest outlet in the world by no shadow of doubt. | 0:13:31 | 0:13:35 | |
- Put out the glasses again. Get some more glasses... | 0:13:35 | 0:13:39 | |
'The army has a disarming way | 0:13:44 | 0:13:46 | |
'of confessing its booze-related indiscretions. | 0:13:46 | 0:13:49 | |
'For instance, why do the 14th/20th King's Hussars, | 0:13:49 | 0:13:53 | |
'a Northern outfit, | 0:13:53 | 0:13:54 | |
'parade to completely the wrong regimental march?' | 0:13:54 | 0:13:57 | |
It became the regimental march of the 14th/20th King's Hussars in 1922. | 0:13:57 | 0:14:03 | |
Before that, it was connected to the 14th Flight Dragoons. | 0:14:03 | 0:14:08 | |
The band itself was in Dover. | 0:14:08 | 0:14:10 | |
The regiment was coming back from abroad | 0:14:10 | 0:14:13 | |
and, of course, it's normal for a band to go to the dock | 0:14:13 | 0:14:16 | |
and play the regiment in. | 0:14:16 | 0:14:18 | |
On this particular day, the sea was very rough, | 0:14:18 | 0:14:22 | |
so the bandmaster, being a good chap as he was, | 0:14:22 | 0:14:27 | |
took the band away down to the pub and they got so drunk, of course, | 0:14:27 | 0:14:32 | |
when they came for the band to go and play at the dockside, | 0:14:32 | 0:14:35 | |
they could not perform at all. | 0:14:35 | 0:14:38 | |
So they had to go up to the Dover Castle | 0:14:38 | 0:14:41 | |
and ask the band of the 35th Foot, the Royal Sussex regimental band, | 0:14:41 | 0:14:46 | |
to come down and play for the regiment to dock. | 0:14:46 | 0:14:49 | |
This they did and the colonel from the 14th and 8th Dragoons | 0:14:49 | 0:14:53 | |
and the 35th Foot, the Royal Sussex Regiment, decided that, | 0:14:53 | 0:14:57 | |
from that day, | 0:14:57 | 0:14:58 | |
the band would have to play the Royal Sussex regimental march, | 0:14:58 | 0:15:03 | |
the Royal Sussex. | 0:15:03 | 0:15:05 | |
- Today, of course, the band is entirely sober at all times | 0:15:05 | 0:15:08 | |
and never takes drop. | 0:15:08 | 0:15:09 | |
- Have I got to comment on that?! | 0:15:09 | 0:15:12 | |
BAGPIPES SKIRL | 0:15:14 | 0:15:15 | |
'A beverage hardly distinguishable from nuclear heavy water | 0:15:15 | 0:15:19 | |
'is Atholl brose, much favoured by the King's Own Scottish Borders. | 0:15:19 | 0:15:23 | |
'It's ostensibly prepared to a secret recipe of a former Duchess of Atholl. | 0:15:23 | 0:15:27 | |
'Someone had to make porridge palatable. | 0:15:27 | 0:15:31 | |
'The subtlety would appear to come from pouring in Scotch whisky... | 0:15:31 | 0:15:35 | |
'..adding Scotch whisky... | 0:15:39 | 0:15:41 | |
'..and then topping it up with Scotch whisky. | 0:15:43 | 0:15:46 | |
'Atholl brose is a serious drink, | 0:15:47 | 0:15:50 | |
'much in evidence on St Andrew's Night, a serious occasion.' | 0:15:50 | 0:15:54 | |
Gentlemen, we now drink in solemn silence | 0:15:56 | 0:16:01 | |
to our patron saint, St Andrew. | 0:16:01 | 0:16:03 | |
'The toast to St Andrew is drunk in silence, | 0:16:26 | 0:16:28 | |
'about two large tots per man, from a quaich, a Scottish loving cup. | 0:16:28 | 0:16:33 | |
'But the great moment, of course, is trooping the haggis, | 0:16:44 | 0:16:48 | |
'hardly less impressive than trooping the colour. | 0:16:48 | 0:16:52 | |
BAGPIPES STOP PLAYING | 0:17:16 | 0:17:18 | |
'Naturally, the CO initially inscribes it | 0:17:26 | 0:17:29 | |
'with the cross of St Andrew.' | 0:17:29 | 0:17:31 | |
CHATTER | 0:17:52 | 0:17:54 | |
'The Queen's Own Highlanders observe an equally solemn tradition | 0:17:58 | 0:18:02 | |
'when toasting a departing Commanding Officer.' | 0:18:02 | 0:18:05 | |
Gentlemen, I propose a toast. Highland honours, Colonel Peter. | 0:18:05 | 0:18:10 | |
Colonel Peter. | 0:18:21 | 0:18:23 | |
ALL: Colonel Peter. | 0:18:23 | 0:18:24 | |
'Well, it does save the washing-up! | 0:18:31 | 0:18:33 | |
'The King's Own Scottish Borders | 0:18:36 | 0:18:38 | |
'have recovered from the Atholl brose, or have they? | 0:18:38 | 0:18:40 | |
'A sergeant in Russian uniform?' | 0:18:40 | 0:18:43 | |
Right...slow...march! | 0:18:43 | 0:18:46 | |
'It's the sergeants' annual challenge to their officers.' | 0:18:46 | 0:18:50 | |
BAGPIPES AND DRUMS PLAY | 0:18:50 | 0:18:52 | |
- It's a bit of fun, | 0:18:56 | 0:18:58 | |
but just underneath, | 0:18:58 | 0:19:00 | |
it is an opportunity for the sergeants and the officers to mix | 0:19:00 | 0:19:03 | |
and get together, both during the event of the challenge | 0:19:03 | 0:19:07 | |
and afterwards, when they have a drink. | 0:19:07 | 0:19:10 | |
It's a chance for one mess to upstage the other in competition | 0:19:10 | 0:19:14 | |
and a little bit of good-natured needle, if you like. | 0:19:14 | 0:19:17 | |
In particular, the sergeants' mess always set out to win | 0:19:18 | 0:19:21 | |
and they normally do, which is rather fun, that they reverse the tables | 0:19:21 | 0:19:25 | |
for the day and are seen to be the leaders. | 0:19:25 | 0:19:29 | |
The NCOs are very much the day-to-day managers. | 0:19:32 | 0:19:37 | |
They make things work. | 0:19:37 | 0:19:39 | |
It's the officers who, if you like, paint the picture, | 0:19:39 | 0:19:42 | |
the background, but both have got to have a mutual respect. | 0:19:42 | 0:19:48 | |
It's got to be equal in both directions, although the officers | 0:19:48 | 0:19:51 | |
are higher-ranking, if you like, and are paid slightly better. | 0:19:51 | 0:19:55 | |
The more that we can get together and work as an outfit, the better it is. | 0:19:55 | 0:20:00 | |
If you have too much of a separation | 0:20:00 | 0:20:02 | |
between the officers and the sergeants' mess, | 0:20:02 | 0:20:04 | |
the rest of the unit will suffer. | 0:20:04 | 0:20:06 | |
- "Five and his gang arrived with a bang | 0:20:06 | 0:20:08 | |
"They wish us to go sledging | 0:20:08 | 0:20:10 | |
"But they should beware | 0:20:10 | 0:20:11 | |
"That we dinnae care | 0:20:11 | 0:20:12 | |
"And that we are oot | 0:20:12 | 0:20:13 | |
"To embarrass them mair | 0:20:13 | 0:20:14 | |
"As requested by your chap..." | 0:20:14 | 0:20:16 | |
- Like everyone else, | 0:20:16 | 0:20:18 | |
we need a bit of light relief. We are a very cost-effective army. | 0:20:18 | 0:20:22 | |
In some ways, we are very stretched throughout the year, | 0:20:22 | 0:20:26 | |
doing all of our normal business. | 0:20:26 | 0:20:28 | |
It is nice to have one day where it is slightly less serious. | 0:20:28 | 0:20:32 | |
There's another aspect, which is, of course, the Jocks all come and watch | 0:20:37 | 0:20:40 | |
what we're up to, I think that they get a certain amount of amusement | 0:20:40 | 0:20:44 | |
out of seeing what the officers and the sergeants are doing. | 0:20:44 | 0:20:48 | |
It's just a little bit of a change, | 0:20:48 | 0:20:50 | |
but it's part of the glue, again, the friendship bond, | 0:20:50 | 0:20:54 | |
taking part in this sort of thing that helps to hold us together | 0:20:54 | 0:20:58 | |
when it comes to more serious things like operations. | 0:20:58 | 0:21:03 | |
Yes, well, I'm the caricature of an army officer, | 0:21:07 | 0:21:09 | |
which keeps everyone very amused. | 0:21:09 | 0:21:11 | |
They know fine that I'm terrified and not a very good horseman, | 0:21:11 | 0:21:15 | |
so that is another bit of fun | 0:21:15 | 0:21:17 | |
and perhaps laughing at yourself a little bit. | 0:21:17 | 0:21:19 | |
It does us no harm at all. | 0:21:19 | 0:21:22 | |
SHE LAUGHS | 0:21:30 | 0:21:32 | |
Thank you! | 0:21:32 | 0:21:33 | |
- You can put them back in now. - I thought it was part of the game! | 0:21:33 | 0:21:37 | |
BANG! | 0:21:37 | 0:21:38 | |
SHOUTING | 0:21:38 | 0:21:41 | |
BANG! | 0:21:41 | 0:21:42 | |
SHOUTING | 0:21:42 | 0:21:45 | |
First of all, the timescale, we always run this on a day | 0:21:45 | 0:21:48 | |
which is not a working day. | 0:21:48 | 0:21:50 | |
It is normally run at the weekend, so it is our own time, | 0:21:50 | 0:21:53 | |
and secondly, this is entirely funded by the individuals. | 0:21:53 | 0:21:57 | |
We don't use anything in there | 0:21:57 | 0:21:59 | |
that is costing any great money to the taxpayer. | 0:21:59 | 0:22:03 | |
BAGPIPES SKIRL | 0:22:03 | 0:22:05 | |
BANG! | 0:22:05 | 0:22:07 | |
'The Germans find it utterly bewildering. | 0:22:10 | 0:22:12 | |
'A few years ago, the smoke was so intense, | 0:22:12 | 0:22:14 | |
'they thought the Russians were coming through again.' | 0:22:14 | 0:22:17 | |
BAGPIPES SKIRL | 0:22:17 | 0:22:20 | |
SHOUTING | 0:22:20 | 0:22:22 | |
'The entire proceedings are accompanied by the bagpipes, | 0:22:26 | 0:22:29 | |
'just as they were under graver circumstances | 0:22:29 | 0:22:32 | |
'at the Battle of Loos in September, 1915. | 0:22:32 | 0:22:36 | |
'Then, it was piper Daniel Laidlaw | 0:22:36 | 0:22:38 | |
'of the 7th King's Own Scottish Borderers who, 13 years later, | 0:22:38 | 0:22:41 | |
'was to play himself in a cinema reconstruction of the action.' | 0:22:41 | 0:22:46 | |
GUNFIRE | 0:22:46 | 0:22:47 | |
Zero hour came, | 0:22:50 | 0:22:52 | |
the whistles blew | 0:22:52 | 0:22:55 | |
and very little happened. | 0:22:55 | 0:22:57 | |
It was Laidlaw who saw that very little was happening. | 0:22:57 | 0:23:00 | |
He got up on the parapet of the trench | 0:23:01 | 0:23:03 | |
and the Germans started to shoot back. They... | 0:23:03 | 0:23:06 | |
He fired up his pipes, played the regimental march | 0:23:06 | 0:23:11 | |
and the soldiers got out of the trench and went forward | 0:23:11 | 0:23:16 | |
and Laidlaw went too. | 0:23:16 | 0:23:18 | |
When he was within a couple of hundred yards of the German wire, | 0:23:18 | 0:23:22 | |
he changed from the regimental march into the regimental charge, | 0:23:22 | 0:23:26 | |
the Standard on the Braes o' Mar, | 0:23:26 | 0:23:29 | |
and they went forward and they captured that trench. | 0:23:29 | 0:23:34 | |
And the terrible thing was that the battalion, | 0:23:34 | 0:23:38 | |
who started off 900-strong, | 0:23:38 | 0:23:40 | |
took 650 casualties that morning | 0:23:40 | 0:23:43 | |
and there were only three officers left at the end of it. | 0:23:43 | 0:23:49 | |
They took the enemy front trench | 0:23:49 | 0:23:52 | |
and they went on and they just disappeared. | 0:23:52 | 0:23:55 | |
A lot of them just disappeared. | 0:23:55 | 0:23:57 | |
They went into the German second line, | 0:23:57 | 0:24:00 | |
they were cut off and shot down. | 0:24:00 | 0:24:02 | |
'Amid the carnage, Laidlaw won a Victoria Cross, | 0:24:02 | 0:24:06 | |
'an object of visible pride to his great-grandson, Kevin, | 0:24:06 | 0:24:10 | |
'when he visits the regimental headquarters at Berwick-upon-Tweed | 0:24:10 | 0:24:13 | |
'74 years later. | 0:24:13 | 0:24:14 | |
'Back in Berlin, officers of the Black Watch are still serving penance | 0:24:21 | 0:24:25 | |
'for a predecessor's shortcomings | 0:24:25 | 0:24:27 | |
'a little matter of some 137 years earlier. | 0:24:28 | 0:24:30 | |
'On the 15th day of each month, they assemble at dawn.' | 0:24:30 | 0:24:34 | |
Some things haven't changed very much. | 0:24:36 | 0:24:38 | |
In the Crimea, sadly, one of the Highland Brigade picket officers | 0:24:38 | 0:24:41 | |
was fast asleep when he should have been patrolling the lines. | 0:24:41 | 0:24:44 | |
The whole idea of a picket officer | 0:24:44 | 0:24:46 | |
was he stayed with the outlying pickets | 0:24:46 | 0:24:49 | |
to make sure that the enemy did not come in. | 0:24:49 | 0:24:51 | |
Well, at dawn, a Pecheneg Cossack regiment | 0:24:51 | 0:24:54 | |
managed to penetrate into the Highland Brigade lines, | 0:24:54 | 0:24:57 | |
the picket officer was fast asleep | 0:24:57 | 0:25:00 | |
and Sod's law had it that the duty piper was very young, | 0:25:00 | 0:25:04 | |
he knew he had to wake the brigade up, | 0:25:04 | 0:25:06 | |
but he could not remember what pipe tune it was. | 0:25:06 | 0:25:10 | |
So what he did, he started playing any tune that came to his head, | 0:25:10 | 0:25:13 | |
and that is why Crimea Long Reveille | 0:25:14 | 0:25:16 | |
has such an extraordinary medley of tunes. | 0:25:16 | 0:25:18 | |
Eventually, he got to Johnny Cope, | 0:25:26 | 0:25:28 | |
the traditional Scottish reveille, commemorating Prestonpans | 0:25:28 | 0:25:31 | |
when people were asleep as well, | 0:25:31 | 0:25:33 | |
so as a punishment, | 0:25:33 | 0:25:35 | |
all officers in what is left of the Highland Brigade | 0:25:35 | 0:25:40 | |
now have to get up, | 0:25:40 | 0:25:41 | |
this time of the month, with the attitude to remind themselves of A, | 0:25:41 | 0:25:45 | |
what the pipe tunes are and secondly, what their duty is. | 0:25:45 | 0:25:48 | |
Similarly, it helps the pipes and the drums | 0:25:48 | 0:25:51 | |
to learn what Johnny Cope is as well. | 0:25:51 | 0:25:52 | |
'For the Black Watch, it is not only tradition, but a pertinent reminder. | 0:26:00 | 0:26:05 | |
'They are frontline troops again, | 0:26:05 | 0:26:06 | |
'since the frontier between West and East actually bisects this building.' | 0:26:06 | 0:26:11 | |
I mean, we are standing 50m from the border. | 0:26:13 | 0:26:16 | |
My own company office, | 0:26:16 | 0:26:17 | |
I can sit and wave at the East German border guards from. | 0:26:17 | 0:26:21 | |
Similarly, there is a tower overlooking me now, as we film, | 0:26:21 | 0:26:25 | |
they are no doubt filming us. | 0:26:25 | 0:26:27 | |
So we have to be ever-alert. | 0:26:27 | 0:26:30 | |
The threat is actually theoretically, they could have a surprise attack | 0:26:32 | 0:26:36 | |
and their start line would be 50m from where we are standing now | 0:26:36 | 0:26:40 | |
and the officers' mess would be evaporated. | 0:26:40 | 0:26:43 | |
'Beyond the wire fence, | 0:26:43 | 0:26:44 | |
'there still remain 6.25 million Eastern Bloc troops | 0:26:45 | 0:26:48 | |
'and, for all the talking, | 0:26:48 | 0:26:50 | |
'enough nuclear weaponry to annihilate Western Europe. | 0:26:50 | 0:26:53 | |
'Vigilance is more than a dawn tradition once a month.' | 0:26:53 | 0:26:57 |