Browse content similar to Episode 9. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Bonjour. Welcome to Inside Versailles where it's all happening. | 0:00:06 | 0:00:09 | |
We've seen Beatrice being beheaded - nasty. | 0:00:09 | 0:00:11 | |
-Louis de Rohan. Wrong 'un? -Wrong 'un. | 0:00:11 | 0:00:14 | |
Yeah, I knew it. And we've also seen Henriette being taken ill. | 0:00:14 | 0:00:18 | |
Hopefully, not too serious. | 0:00:18 | 0:00:20 | |
And, also, there's a sort of curious thing for us Brits at home. | 0:00:20 | 0:00:23 | |
We've got William and Mary being coupled up. | 0:00:23 | 0:00:25 | |
Yes, that amazing scene when Charles II said, "Well, actually, | 0:00:25 | 0:00:28 | |
"William, you are my friend because you're going to marry my niece." | 0:00:28 | 0:00:31 | |
And it brings it home to us that William Of Orange, | 0:00:31 | 0:00:34 | |
the person so hated by Louis, | 0:00:34 | 0:00:35 | |
so feared by him, is actually our William and Mary, our William III. | 0:00:35 | 0:00:38 | |
-That's right, they're going to become our Kings in 1688. -1688. -Joint monarchs. | 0:00:38 | 0:00:42 | |
Which has never happened, after all, before. | 0:00:42 | 0:00:44 | |
But, really, we need to talk about etiquette. | 0:00:44 | 0:00:47 | |
We've seen an awful lot of etiquette in the episode and we are | 0:00:47 | 0:00:49 | |
joined by Dr Sara Barker. | 0:00:49 | 0:00:51 | |
Philippe is put in charge of etiquette. What does that even mean? | 0:00:51 | 0:00:55 | |
What's going on in this lovely portrait? Could you give us a hand? | 0:00:55 | 0:00:58 | |
Absolutely. Etiquette is really important at the French court. | 0:00:58 | 0:01:02 | |
It's all about power. | 0:01:02 | 0:01:04 | |
It's establishing who is in control, | 0:01:04 | 0:01:06 | |
who's got preference, who's in favour with the King. | 0:01:06 | 0:01:09 | |
So, there's all kinds of different things going on there. | 0:01:09 | 0:01:12 | |
So, when you go to this picture here of the "grand lever," which is what | 0:01:12 | 0:01:15 | |
we saw in the drama, the idea that when the king even gets out of bed | 0:01:15 | 0:01:18 | |
-that's got to be witnessed by the courtiers. -Absolutely. | 0:01:18 | 0:01:21 | |
Every single minute of the day is scheduled, is timetabled and | 0:01:21 | 0:01:26 | |
Louis is really on show the entire time from when he gets up. | 0:01:26 | 0:01:30 | |
The day actually starts before Louis gets up. | 0:01:30 | 0:01:32 | |
His valet, who we've seen throughout the series, sleeps on | 0:01:32 | 0:01:36 | |
a bed in his chamber but gets up before him, | 0:01:36 | 0:01:39 | |
gets all the servants in to silently go around | 0:01:39 | 0:01:42 | |
getting the room perfect for when Louis will wake up. | 0:01:42 | 0:01:46 | |
And it carries on from there throughout the day. | 0:01:46 | 0:01:48 | |
It's quite funny, isn't it? Because we have this "grand lever" and the "petit lever." | 0:01:48 | 0:01:52 | |
So, the petit lever is the one that you really want to be at | 0:01:52 | 0:01:54 | |
cos it's very intimate, and then you come out | 0:01:54 | 0:01:56 | |
and you basically get dressed in front of the whole court. | 0:01:56 | 0:01:59 | |
A bit weird, getting dressed in front of the whole court. | 0:01:59 | 0:02:01 | |
Yeah, I think there are slightly different notions of privacy | 0:02:01 | 0:02:04 | |
than we would have today. Various aspects... | 0:02:04 | 0:02:06 | |
It's strange to imagine our Queen doing that in Buckingham Palace. | 0:02:06 | 0:02:09 | |
Absolutely. The King's body is not quite his own. | 0:02:09 | 0:02:12 | |
Every single aspect of his morning routine is witnessed. | 0:02:12 | 0:02:16 | |
It's hilarious to think that actually some kings were | 0:02:16 | 0:02:19 | |
so wearied by this great big ceremony that they got up, | 0:02:19 | 0:02:22 | |
did some stuff, went hunting then when back to bed to have the lever. | 0:02:22 | 0:02:26 | |
Yes, because that's the only chance you get to have some privacy, | 0:02:26 | 0:02:29 | |
really, during the day. | 0:02:29 | 0:02:30 | |
And, also, he's not even sleeping in the bed, particularly this special, | 0:02:30 | 0:02:33 | |
ceremonial bed. He gets into it from his other bed. | 0:02:33 | 0:02:36 | |
Well, he may well have been somewhere else during the night. | 0:02:36 | 0:02:38 | |
-Right. -Well, of course. -OK. | 0:02:38 | 0:02:40 | |
Yes, so, it is all highly-polished, highly-routine. | 0:02:40 | 0:02:45 | |
Everyone knows where the King is going to be at every single stage | 0:02:45 | 0:02:48 | |
of the day and work that to their advantage because, as you say, | 0:02:48 | 0:02:51 | |
it's all about proximity and access. | 0:02:51 | 0:02:53 | |
This is where business is done and you actually see | 0:02:53 | 0:02:56 | |
who's important and who's not. | 0:02:56 | 0:02:58 | |
But Louis XIV didn't invent the lever, did he? | 0:02:58 | 0:03:00 | |
No, he didn't, it's an amalgamation of traditions. | 0:03:00 | 0:03:03 | |
Some French traditions, some Italian, some Spanish. | 0:03:03 | 0:03:05 | |
What Louis really does, is perfect this system. | 0:03:05 | 0:03:08 | |
And it really works brilliantly well for him. | 0:03:08 | 0:03:12 | |
He is incredibly good at remembering names and faces. | 0:03:12 | 0:03:16 | |
He plays his part to perfection. | 0:03:16 | 0:03:18 | |
He's really vain. Likes everyone to look at him. | 0:03:18 | 0:03:21 | |
"Look at me getting dressed, how great!" | 0:03:21 | 0:03:23 | |
I think you'd have to be like that to really make the most of it. | 0:03:23 | 0:03:26 | |
And we know, of course, slightly alarming for our modern | 0:03:26 | 0:03:28 | |
sensibilities, but Louis happily goes to the toilet in the open. | 0:03:28 | 0:03:32 | |
He just drops his breeches and does it there and then. | 0:03:32 | 0:03:35 | |
There's a chamber pot in the middle of the room. | 0:03:35 | 0:03:37 | |
He had a special chair with a potty put into the chair, | 0:03:37 | 0:03:40 | |
almost like a high seat for kids and he would just go on that and | 0:03:40 | 0:03:43 | |
it wasn't until the 1680s | 0:03:43 | 0:03:44 | |
that he even roped himself off with a little curtain. | 0:03:44 | 0:03:47 | |
So, he openly did it in front of courtiers and if you were in | 0:03:47 | 0:03:49 | |
the middle of a conversation, you just carried on chatting. | 0:03:49 | 0:03:52 | |
Well, it was rather difficult for the women because they were never allowed to go to | 0:03:52 | 0:03:55 | |
the loo themselves and so, especially on campaign, they had to go with him | 0:03:55 | 0:03:59 | |
for a long time and they couldn't possibly ever go to the loo, so some | 0:03:59 | 0:04:01 | |
of them became rather desperate and bursting by the end of it. | 0:04:01 | 0:04:04 | |
That's true, there's a, sort of, famous story that he would never let | 0:04:04 | 0:04:07 | |
his ladies urinate if they were travelling in his carriage and | 0:04:07 | 0:04:10 | |
apparently he had a very large bladder, he could hold his wee for quite some time. | 0:04:10 | 0:04:14 | |
-So, they were really desperate. -One poor woman had to rush into a church. -Really? -Yes. -Crikey. | 0:04:14 | 0:04:18 | |
So, Sara, it's almost like an instrument of political control, isn't it? | 0:04:18 | 0:04:22 | |
Because the nobles have to be there and do these pretty menial jobs. | 0:04:22 | 0:04:25 | |
I mean, you can't imagine the Duke Of Cassel being thrilled to | 0:04:25 | 0:04:28 | |
have to stand there watching the King put his shirt on. | 0:04:28 | 0:04:31 | |
No, I imagine that's probably true for some of them. | 0:04:31 | 0:04:33 | |
It's probably quite a tedious process. | 0:04:33 | 0:04:36 | |
But it's also about recognising who has authority, | 0:04:36 | 0:04:40 | |
who has power and not just with Louis, | 0:04:40 | 0:04:42 | |
there's differentiation between the nobles as well. | 0:04:42 | 0:04:44 | |
The closer you are allowed to the King the more in favour, the more high-ranking that you are. | 0:04:44 | 0:04:48 | |
So, when you're here, you're really in. | 0:04:48 | 0:04:51 | |
And it even comes down to the grandeur of the chairs in which people are sitting. | 0:04:51 | 0:04:56 | |
Louis here will always be in the most grand, | 0:04:56 | 0:04:58 | |
ornate chair, and then chairs become increasingly less grand | 0:04:58 | 0:05:03 | |
depending on where you are in the hierarchy. | 0:05:03 | 0:05:05 | |
Might get a stool if you're really lucky. | 0:05:05 | 0:05:07 | |
The stool is actually very lucky because that means that you | 0:05:07 | 0:05:09 | |
are allowed to sit at the foot of the King. And have his confidence. | 0:05:09 | 0:05:13 | |
Fascinating stuff, thank you very much, Sara. | 0:05:13 | 0:05:15 | |
It's been a thrilling episode, we've got one more left to go next week. | 0:05:15 | 0:05:19 | |
We've seen all kinds of people get their comeuppance and fingers crossed for Henriette. | 0:05:19 | 0:05:23 | |
So, join us next week for the last episode of Inside Versailles. | 0:05:23 | 0:05:27 | |
-Bonsoir. -Bonsoir. | 0:05:27 | 0:05:28 |