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Bonjour. Welcome to Inside Versailles, where it's got... | 0:00:06 | 0:00:10 | |
-It's pretty dramatic - I think we can agree on that one. -Hot stuff. | 0:00:10 | 0:00:14 | |
Literally hot stuff. | 0:00:14 | 0:00:15 | |
So we have seen, in this series, the rise and fall of Athenais and | 0:00:15 | 0:00:20 | |
the introduction of a new... well, mistress. | 0:00:20 | 0:00:24 | |
How would you describe that relationship? | 0:00:24 | 0:00:26 | |
Louis does the classic - he falls for the nanny! | 0:00:26 | 0:00:29 | |
And here we see Louis completely fascinated by | 0:00:29 | 0:00:32 | |
Madame Scarron, Madame de Maintenon. | 0:00:32 | 0:00:34 | |
They love having these conversations about religion and philosophy. | 0:00:34 | 0:00:37 | |
The court is shocked. | 0:00:37 | 0:00:39 | |
They can't believe he's with this old woman, | 0:00:39 | 0:00:41 | |
with this dreary woman, with this quite plain woman. | 0:00:41 | 0:00:44 | |
But it does seem clear that Louis is falling in love with her. | 0:00:44 | 0:00:46 | |
So, across the series, we've seen poisons and murdering, | 0:00:46 | 0:00:49 | |
we've seen strange dark masses. People at home might be thinking | 0:00:49 | 0:00:54 | |
this is all sort of made up and sexed up for telly. | 0:00:54 | 0:00:57 | |
Actually, this is real, this is one of the biggest scandals in French | 0:00:57 | 0:01:00 | |
history from that period, and it's called the Affair of the Poisons. | 0:01:00 | 0:01:03 | |
And what happens is Louis begins to realise that everyone's been | 0:01:03 | 0:01:06 | |
poisoning each other - it's not just natural causes. | 0:01:06 | 0:01:09 | |
And he really launches this very special investigation. | 0:01:09 | 0:01:12 | |
Except, as soon as they launch the commission, | 0:01:12 | 0:01:14 | |
they realise there's a huge number of people involved here, | 0:01:14 | 0:01:17 | |
and some of these people are big, high-profile names. | 0:01:17 | 0:01:20 | |
For Louis, he can't allow this to get out cos it's humiliating, | 0:01:20 | 0:01:24 | |
and the people at his court are implicated in the most horrific crimes. | 0:01:24 | 0:01:28 | |
So the public investigation is redacted and de la Reynie goes | 0:01:28 | 0:01:32 | |
undercover and does a private investigation. | 0:01:32 | 0:01:34 | |
And the real problems come with this lady here, and this is La Voisin. | 0:01:34 | 0:01:39 | |
-She is the basis of Agathe in the drama. -Yep. | 0:01:39 | 0:01:42 | |
They burn her at the stake. It's a public execution. | 0:01:42 | 0:01:45 | |
We can see here everyone's watching it, then there were all these | 0:01:45 | 0:01:47 | |
-cartoons and pictures of it. -And pamphlets, yeah. | 0:01:47 | 0:01:49 | |
And Louis thinks that if you get rid of her, | 0:01:49 | 0:01:52 | |
you put the fire out but, unfortunately, | 0:01:52 | 0:01:54 | |
the minute that she is dead, her daughter, Marie Marguerite, | 0:01:54 | 0:01:58 | |
who's been rather oppressed by her mother, she says, | 0:01:58 | 0:02:01 | |
"There's one client that my mother never mentioned," | 0:02:01 | 0:02:04 | |
and that is Athenais. | 0:02:04 | 0:02:06 | |
And you couldn't imagine a bigger bombshell. | 0:02:06 | 0:02:09 | |
This is also terrifying because we're now talking treason of | 0:02:09 | 0:02:12 | |
the highest order against the King himself from his lover. | 0:02:12 | 0:02:16 | |
-As with all murder, you have to ask, who benefits? -Yes. | 0:02:16 | 0:02:19 | |
And what benefit did it possibly have to her to kill the King? | 0:02:19 | 0:02:23 | |
Yes, use love potions, yes, use beauty potions, | 0:02:23 | 0:02:26 | |
but what would be the point of killing him when the Dauphin | 0:02:26 | 0:02:29 | |
would become king and, the minute the Dauphin became king, | 0:02:29 | 0:02:31 | |
he would push her out of favour? | 0:02:31 | 0:02:34 | |
There's also this interesting sort of cover-up notion because | 0:02:34 | 0:02:38 | |
Nicolas de la Reynie, the chief of police, has sort of spent six years | 0:02:38 | 0:02:41 | |
piecing this all together, he's interrogated all the suspects, | 0:02:41 | 0:02:44 | |
La Voisin's daughter, several other sort of key names, | 0:02:44 | 0:02:49 | |
and he then burns his papers or maybe the papers are burned, | 0:02:49 | 0:02:52 | |
but some survive, and that's how we know about the Affair of the Poisons | 0:02:52 | 0:02:55 | |
-because Louis did a really good job of just sort of... -Trying to cover it up. | 0:02:55 | 0:02:58 | |
..covering it up, and this is where it gets technical and tricky | 0:02:58 | 0:03:01 | |
because some of the others, who have not yet been burnt at the stake, | 0:03:01 | 0:03:04 | |
who have certainly done pretty serious crimes, well, | 0:03:04 | 0:03:07 | |
they can't be allowed to go free because they might be guilty, | 0:03:07 | 0:03:10 | |
and you can't burn them at the stake because that means they're guilty | 0:03:10 | 0:03:13 | |
and then everyone goes, "Hang on a minute! | 0:03:13 | 0:03:15 | |
"How many poisoners were there?" | 0:03:15 | 0:03:16 | |
You know, you can't have that scandal, | 0:03:16 | 0:03:18 | |
so the only course of action is you chuck them in prison, | 0:03:18 | 0:03:21 | |
throw away the key and never hear from them again. | 0:03:21 | 0:03:24 | |
So the aftermath of the Affair of the Poisons - it has some pretty big effects. | 0:03:24 | 0:03:28 | |
It wipes out a lot of this magical underworld, | 0:03:28 | 0:03:30 | |
but also Louis says, "You know what? | 0:03:30 | 0:03:33 | |
"The best way to deal with this is through law, | 0:03:33 | 0:03:35 | |
"and this is by saying that these people aren't witches or criminals, | 0:03:35 | 0:03:38 | |
"they're just frauds, and they're actually just making it all up, | 0:03:38 | 0:03:40 | |
"so we're not going to arrest them." So he decriminalised it. | 0:03:40 | 0:03:43 | |
Yeah, he does. | 0:03:43 | 0:03:45 | |
What he does is, rather cunningly, instead of coming down hard | 0:03:45 | 0:03:48 | |
on witchcraft, he goes, "No, it's just bunkum, it's just hokum." | 0:03:48 | 0:03:52 | |
So the Affair of the Poisons - it's a huge scandal, | 0:03:52 | 0:03:54 | |
Versailles becomes a laughing stock, | 0:03:54 | 0:03:56 | |
it's talked about all over Europe, and it has | 0:03:56 | 0:03:58 | |
this huge effect on Louis that he changes, | 0:03:58 | 0:04:01 | |
he moves towards morality, he moves towards virtue, | 0:04:01 | 0:04:04 | |
he moves away from Athenais towards Madame de Maintenon. | 0:04:04 | 0:04:08 | |
And that is really a beginning of a new type of Versailles, isn't it? | 0:04:08 | 0:04:12 | |
But is it going to last? | 0:04:12 | 0:04:13 | |
Well, we'll have to see in the next series because, obviously, | 0:04:13 | 0:04:16 | |
we've run out episodes. | 0:04:16 | 0:04:18 | |
But absolutely, we've seen perhaps the great scandal and maybe | 0:04:18 | 0:04:22 | |
the emergence of a new type of king. | 0:04:22 | 0:04:24 | |
Well, thank you so much for joining us for Inside Versailles, | 0:04:24 | 0:04:27 | |
both this episode and all of the episodes. | 0:04:27 | 0:04:30 | |
It's been wonderful to have your company. | 0:04:30 | 0:04:31 | |
I hope you've enjoyed our explorations into scandal, | 0:04:31 | 0:04:35 | |
murder, mistresses, poisons, love potions - the whole lot. | 0:04:35 | 0:04:38 | |
-Orgies. -Orgies. -Yeah. -Everything. Bonsoir. -Bonsoir. | 0:04:38 | 0:04:42 |