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Bonjour. Welcome to Inside Versailles, | 0:00:06 | 0:00:08 | |
where we've seen some pretty strange things, including what looked | 0:00:08 | 0:00:12 | |
like a blood transfusion from animal to human. | 0:00:12 | 0:00:15 | |
From animal to human for Liselotte. | 0:00:15 | 0:00:17 | |
Actually, that was very common if you wanted to give | 0:00:17 | 0:00:19 | |
a blood transfusion, a very embryonic science at this point, | 0:00:19 | 0:00:22 | |
because if you put another human's blood into you, you could infuse | 0:00:22 | 0:00:25 | |
-with their soul. So sheep was thought to be safer. -Yeah. | 0:00:25 | 0:00:29 | |
It's a new technology. | 0:00:29 | 0:00:30 | |
Basically, the first person to be dabbling in this is actually | 0:00:30 | 0:00:33 | |
Christopher Wren, back in England. But, as you say, here at the | 0:00:33 | 0:00:36 | |
court in Versailles, I think the name is Denis is the doctor and he has put, yeah, sheep blood into | 0:00:36 | 0:00:42 | |
a human and hasn't killed them, so that's success. | 0:00:42 | 0:00:46 | |
But I'm not sure it lasts very long as a technique, | 0:00:46 | 0:00:48 | |
because I think after a couple it goes quite horribly wrong. | 0:00:48 | 0:00:50 | |
But we are now here going to talk about some proper science because | 0:00:50 | 0:00:54 | |
this is an era in which Louis XIV is embracing science and we are | 0:00:54 | 0:00:58 | |
joined by a historian of science, Dr Rebekah Higgitt. | 0:00:58 | 0:01:01 | |
Hello. So, yeah, when it comes to science, | 0:01:01 | 0:01:03 | |
Louis XIV perhaps comes in at the end of, or the culmination of, | 0:01:03 | 0:01:07 | |
what often gets called the scientific revolution, that's really | 0:01:07 | 0:01:10 | |
been going for the last couple of centuries, a very slow revolution. | 0:01:10 | 0:01:13 | |
But Louis definitely jumps on board the idea that he can be | 0:01:13 | 0:01:17 | |
patron of something that can really show him off internationally. | 0:01:17 | 0:01:20 | |
So, yeah, he's closely involved. | 0:01:20 | 0:01:23 | |
So Louis is all about spectacle and power and we often think about him | 0:01:23 | 0:01:26 | |
using culture, the arts, theatre to extend this. | 0:01:26 | 0:01:29 | |
But science is an even more effective way of extending it, | 0:01:29 | 0:01:32 | |
because it's almost like they're involved in this kind of space race, | 0:01:32 | 0:01:35 | |
-a scientific race. -Absolutely. | 0:01:35 | 0:01:37 | |
He gets the best scientists, finds out the things | 0:01:37 | 0:01:39 | |
-the fastest and therefore proves his pre-eminence in Europe. -Absolutely. | 0:01:39 | 0:01:43 | |
And this is a picture of him visiting the Academie de Sciences, | 0:01:43 | 0:01:46 | |
which he set up just after the Royal Society in London had been | 0:01:46 | 0:01:50 | |
formed, who have quite a large membership, people who pay themselves to become fellows, | 0:01:50 | 0:01:54 | |
if they're the right sort of person. Whereas here we have a much more select group of people who | 0:01:54 | 0:01:59 | |
are selected by Colbert, the first minister, and by Louis, | 0:01:59 | 0:02:02 | |
and they are then paid pensions. | 0:02:02 | 0:02:05 | |
The other thing that's intriguing to me is at the centre of this | 0:02:05 | 0:02:07 | |
painting, apart from the king, we've got a churchman. | 0:02:07 | 0:02:10 | |
Now science, obviously, we might think | 0:02:10 | 0:02:12 | |
is sort of rational and scientific. | 0:02:12 | 0:02:14 | |
-And yet, here at the centre, is a man of God. -Absolutely. | 0:02:14 | 0:02:17 | |
I mean, science isn't really the term that would have been used at the time. | 0:02:17 | 0:02:20 | |
They're talking about philosophy, natural philosophy, | 0:02:20 | 0:02:22 | |
experimental philosophy and then the disciplines like astronomy | 0:02:22 | 0:02:25 | |
and mathematics and so on. | 0:02:25 | 0:02:27 | |
So, it's a different kind of entity than the way we think about it now. | 0:02:27 | 0:02:32 | |
So we find a number of clergymen in this image. | 0:02:32 | 0:02:36 | |
We've got the secretary of the academy there, | 0:02:36 | 0:02:38 | |
being presented by Colbert to Louis, but there are others, as well - | 0:02:38 | 0:02:41 | |
Abbe Picard, who is among the members of the academy that | 0:02:41 | 0:02:45 | |
you can see there, and he did a lot of surveying work. | 0:02:45 | 0:02:48 | |
He surveyed the area around Versailles, | 0:02:48 | 0:02:49 | |
he also began surveying the whole of France. | 0:02:49 | 0:02:52 | |
And Picard is obviously also involved in the layout of the gardens | 0:02:52 | 0:02:55 | |
and the fountains, as well. I mean, that's not quite his gig, | 0:02:55 | 0:02:58 | |
but he has been brought on board to help out with that. | 0:02:58 | 0:03:01 | |
The survey tells you about the lay of the terrain, | 0:03:01 | 0:03:04 | |
so you can work out if it's possible to run water, | 0:03:04 | 0:03:06 | |
water doesn't really run uphill, and Versailles is on a hill. | 0:03:06 | 0:03:10 | |
It's ridiculous. | 0:03:10 | 0:03:11 | |
So, you know, Louis wants to do it and show off the sheer cost, | 0:03:11 | 0:03:15 | |
the power, the manpower in trying to get water to create the | 0:03:15 | 0:03:19 | |
fountains in the gardens. | 0:03:19 | 0:03:21 | |
Were there any awkward problems where science actually | 0:03:21 | 0:03:24 | |
hindered Louis's sort of image? | 0:03:24 | 0:03:26 | |
I'm thinking of a quote where he said his mappers had removed land... | 0:03:26 | 0:03:30 | |
Right, yeah. | 0:03:30 | 0:03:31 | |
The astronomers La Hire and Picard used new astronomical techniques to | 0:03:31 | 0:03:36 | |
map the coastlines of France more accurately than has been known, | 0:03:36 | 0:03:39 | |
and, when they remapped it, | 0:03:39 | 0:03:40 | |
they actually brought the coastline in considerably further to | 0:03:40 | 0:03:44 | |
the east, which meant there was actually a lot less land. | 0:03:44 | 0:03:46 | |
So, yes, Louis is said to have quipped that his astronomers | 0:03:46 | 0:03:49 | |
have lost him more land than his generals ever did. | 0:03:49 | 0:03:52 | |
And, just looking at the clock, | 0:03:52 | 0:03:53 | |
I know that Marin Mersenne was a theologian | 0:03:53 | 0:03:55 | |
who came up with the second pendulum, | 0:03:55 | 0:03:57 | |
which gives you accurate clocks for the first time. | 0:03:57 | 0:04:00 | |
Is it just nice to have a clock or is it actually useful, as well? | 0:04:00 | 0:04:03 | |
Incredibly useful. So, people like Galileo, Mersenne | 0:04:03 | 0:04:06 | |
and also Christiaan Huygens here combined to develop | 0:04:06 | 0:04:10 | |
something that is really a scientific instrument | 0:04:10 | 0:04:12 | |
for the first time, | 0:04:12 | 0:04:13 | |
rather than just being something that kind of backs up your sundial. | 0:04:13 | 0:04:16 | |
They become absolutely essential to astronomy in particular. | 0:04:16 | 0:04:20 | |
Astronomy can't be particularly scientific until you can really | 0:04:20 | 0:04:23 | |
time accurately the motions of the heavens when you're observing them. | 0:04:23 | 0:04:27 | |
So it is crucial to the foundation of the observatory there to | 0:04:27 | 0:04:31 | |
make astronomy more accurate, and all of that feeds into navigation. | 0:04:31 | 0:04:36 | |
But Versailles itself really became a centre for science. | 0:04:36 | 0:04:39 | |
Scientific experiments really did happen there, | 0:04:39 | 0:04:41 | |
including the one we saw in episode one, | 0:04:41 | 0:04:43 | |
-so shall we go and talk a bit more about it over here? -OK. | 0:04:43 | 0:04:46 | |
So, what's going on here? | 0:04:46 | 0:04:48 | |
Cos you've got this big glass mirror that we saw in episode one, | 0:04:48 | 0:04:52 | |
and that sounds pretty impressive. | 0:04:52 | 0:04:54 | |
Did it actually really happen like this? | 0:04:54 | 0:04:57 | |
It happened at Versailles | 0:04:57 | 0:04:58 | |
and certainly impressed Louis a great deal. | 0:04:58 | 0:05:01 | |
So we have a huge mirror that is focusing the sun's rays to | 0:05:01 | 0:05:05 | |
create a great deal of heat that will actually cause combustion. | 0:05:05 | 0:05:08 | |
And also at this period, | 0:05:08 | 0:05:09 | |
we find that solar eclipses particularly are something | 0:05:09 | 0:05:12 | |
that the astronomy of the period had become accurate enough to be | 0:05:12 | 0:05:16 | |
able to predict with quite a lot of certainty exactly when an | 0:05:16 | 0:05:19 | |
eclipse would happen and exactly where. | 0:05:19 | 0:05:21 | |
That had always been the question. | 0:05:21 | 0:05:23 | |
So the fact that they could predict it and then Louis could appear | 0:05:23 | 0:05:26 | |
to almost be in control of this spectacle | 0:05:26 | 0:05:28 | |
was another good coup for him. | 0:05:28 | 0:05:30 | |
-Send everyone out wearing those sunglasses. -Yeah. | 0:05:30 | 0:05:33 | |
We do know that by the time eclipses... Certainly, say, the 1715 eclipse, that was seen | 0:05:33 | 0:05:37 | |
widely in Britain, it was much talked about in advance. | 0:05:37 | 0:05:40 | |
Edmond Halley sent out broadsheets so that people would know it was going to happen. | 0:05:40 | 0:05:44 | |
So lots of people were prepared with smoked glasses or tinted lenses, | 0:05:44 | 0:05:48 | |
potentially endangering their eyes quite a lot. | 0:05:48 | 0:05:50 | |
But we do know that in the 17th century there were tinted | 0:05:50 | 0:05:52 | |
lenses for various reasons, whether it was to protect the eyes, | 0:05:52 | 0:05:55 | |
whether it was for sun or snow, so they did certainly exist. | 0:05:55 | 0:05:59 | |
Well, that has been absolutely fascinating. | 0:05:59 | 0:06:01 | |
A gripping insight into science at the Court of the King. | 0:06:01 | 0:06:04 | |
Thank you so much, Rebekah, for joining us. | 0:06:04 | 0:06:06 | |
Fascinating insight into science. | 0:06:06 | 0:06:08 | |
And thank you for joining us again on Inside Versailles. | 0:06:08 | 0:06:11 | |
-Bonsoir. -Bonsoir. | 0:06:11 | 0:06:13 |