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Italy. I just love this country. | 0:00:02 | 0:00:04 | |
The people, the places, | 0:00:04 | 0:00:06 | |
a history that reaches back over 2,500 years. | 0:00:06 | 0:00:10 | |
From the birth of the Roman Empire | 0:00:10 | 0:00:13 | |
through the glories of the Middle Ages | 0:00:13 | 0:00:15 | |
to the flowering of the Renaissance, | 0:00:15 | 0:00:17 | |
its achievements are just breathtaking. | 0:00:17 | 0:00:20 | |
But behind its glorious facades, | 0:00:22 | 0:00:24 | |
so much of that invention and creativity | 0:00:24 | 0:00:26 | |
still remains invisible. | 0:00:26 | 0:00:28 | |
Look at that! | 0:00:28 | 0:00:29 | |
I'm exploring three of my favourite Italian cities | 0:00:29 | 0:00:32 | |
to discover how their hidden treasures | 0:00:32 | 0:00:35 | |
played their part in the making of Italy and of Western civilisation. | 0:00:35 | 0:00:39 | |
I'll be working with historian Dr Michael Scott | 0:00:39 | 0:00:41 | |
to uncover the invisible layers of Italy's past, | 0:00:41 | 0:00:45 | |
in Venice, in Florence and in Naples. | 0:00:45 | 0:00:49 | |
You've got Nero murdering his mum. | 0:00:49 | 0:00:51 | |
Using the latest 3D scanning technology, | 0:00:51 | 0:00:55 | |
we'll reveal the secrets of how these cities made Italy | 0:00:55 | 0:00:59 | |
a powerhouse of the Western world. | 0:00:59 | 0:01:02 | |
We're starting our journey in Naples... | 0:01:03 | 0:01:05 | |
..where beauty and danger collide. | 0:01:06 | 0:01:08 | |
We'll be descending into time-travelling tunnels, | 0:01:11 | 0:01:14 | |
lost cities and ancient underworlds. | 0:01:14 | 0:01:18 | |
It's like we're walking through a giant's armpit! | 0:01:18 | 0:01:21 | |
We'll explore the living, ever-present threat | 0:01:21 | 0:01:23 | |
of Mount Vesuvius. | 0:01:23 | 0:01:25 | |
The brain down there boils, blows the skull apart. | 0:01:25 | 0:01:30 | |
But the volcano has also nurtured a thriving network of | 0:01:30 | 0:01:34 | |
Roman cities and seaside resorts. | 0:01:34 | 0:01:36 | |
Oh, look at this! | 0:01:36 | 0:01:38 | |
The scandalous pleasure palaces of their day. | 0:01:38 | 0:01:40 | |
It's all about sex. | 0:01:40 | 0:01:42 | |
It's a crime against love. | 0:01:42 | 0:01:44 | |
For the very first time, | 0:01:44 | 0:01:46 | |
our scanners will create a 3D model of the region | 0:01:46 | 0:01:50 | |
and I'll use virtual reality to get inside the scan. | 0:01:50 | 0:01:54 | |
Oh, I can see! It's completely 3D. | 0:01:54 | 0:01:57 | |
We're dusting all the sand away. | 0:01:57 | 0:01:59 | |
You can't miss this! | 0:02:01 | 0:02:02 | |
This is Italy as you have never seen it before. | 0:02:05 | 0:02:09 | |
Welcome to Italy's Invisible Cities. | 0:02:09 | 0:02:11 | |
My journey to reveal the secrets of Italy begins | 0:02:27 | 0:02:29 | |
on the way to the Bay of Naples, home to the brooding Mount Vesuvius. | 0:02:29 | 0:02:34 | |
Well, this is a way to start an Italian exploration, isn't it? | 0:02:34 | 0:02:37 | |
Right here in the dramatic landscape of the Amalfi coast. | 0:02:37 | 0:02:41 | |
Swooping around these fairly treacherous roads, | 0:02:41 | 0:02:45 | |
with a peloton of cyclists. | 0:02:45 | 0:02:46 | |
First time I've been here since our honeymoon. | 0:02:50 | 0:02:53 | |
Not our honeymoon, you understand. But the one with my wife. | 0:02:53 | 0:02:56 | |
Well, this is the country to come to. | 0:02:56 | 0:02:57 | |
And although we're going to be exploring | 0:02:57 | 0:02:59 | |
some of the most well-known cities in this landscape, | 0:02:59 | 0:03:02 | |
what we're going to be doing is getting under their skin | 0:03:02 | 0:03:04 | |
and revealing their hidden secrets. | 0:03:04 | 0:03:06 | |
We're going to be finding out how they've lived life on the edge | 0:03:09 | 0:03:13 | |
between beauty and danger. | 0:03:13 | 0:03:15 | |
I love you talking about beauty and danger | 0:03:17 | 0:03:19 | |
as we hurtle round these corners and I'm thinking, | 0:03:19 | 0:03:22 | |
"Oh, this is beauty and danger, isn't it?" | 0:03:22 | 0:03:24 | |
The motto of this place is carpe diem, seize the day. | 0:03:26 | 0:03:30 | |
Well, let's seize it with both hands, shall we? | 0:03:30 | 0:03:32 | |
We're going to be doing just that. | 0:03:32 | 0:03:33 | |
Wow! | 0:03:39 | 0:03:40 | |
THUNDER CRACKS AND BELL TOLLS | 0:03:43 | 0:03:45 | |
Look at this dramatic weather that's closing in on us here. | 0:03:47 | 0:03:51 | |
But that is as nothing compared to the drama of | 0:03:51 | 0:03:53 | |
the last 2,500 years of history that we're going to be uncovering | 0:03:53 | 0:03:56 | |
just over there in the Bay of Naples. I can't wait. | 0:03:56 | 0:03:59 | |
Dominated by Mount Vesuvius, | 0:04:05 | 0:04:07 | |
the bay is today home to a patchwork of towns and cities... | 0:04:07 | 0:04:11 | |
..the most famous of which is Naples itself. | 0:04:12 | 0:04:15 | |
One of the oldest cities in the world, | 0:04:17 | 0:04:19 | |
it's been occupied across 2,500 years by the Greeks, Romans, | 0:04:19 | 0:04:24 | |
Goths, Byzantines, Normans | 0:04:24 | 0:04:27 | |
and one of Europe's most powerful dynasties, the Bourbons. | 0:04:27 | 0:04:30 | |
And that's just before lunch. | 0:04:30 | 0:04:32 | |
Today, it's a sprawling metropolis of nearly four million people. | 0:04:34 | 0:04:38 | |
Noisy, frenetic and exuberant, it lives its life on the street. | 0:04:38 | 0:04:43 | |
But there's another, invisible side to Naples, | 0:04:45 | 0:04:48 | |
and Michael's taking me to a less glamorous suburb | 0:04:48 | 0:04:51 | |
to uncover one of its secrets from only 400 years ago. | 0:04:51 | 0:04:54 | |
If you want to really discover invisible Naples, well, | 0:04:56 | 0:04:59 | |
they're's only one place to go. | 0:04:59 | 0:05:01 | |
-And that's... -I'm guessing it's underground. | 0:05:01 | 0:05:03 | |
It's underground, yeah, absolutely. | 0:05:03 | 0:05:05 | |
A portal here to a taster of what is to come. | 0:05:05 | 0:05:09 | |
But this one is special because it's only just been discovered. | 0:05:09 | 0:05:12 | |
Oh, really? | 0:05:12 | 0:05:13 | |
'That discovery was made when a mysterious shaft was uncovered | 0:05:13 | 0:05:17 | |
'in this humble farmyard in 2014.' | 0:05:17 | 0:05:20 | |
So, when they were looking around, they immediately came to this. | 0:05:20 | 0:05:23 | |
And if you have a good look down, you start to get a sense of it. | 0:05:23 | 0:05:28 | |
Hold my feet, won't you? | 0:05:28 | 0:05:30 | |
Whoa! Oh, Lord! | 0:05:32 | 0:05:35 | |
That's most terrifying thing. | 0:05:35 | 0:05:37 | |
Oh! That's just miles down. | 0:05:37 | 0:05:39 | |
About 45 metres down, Xander. | 0:05:39 | 0:05:41 | |
How are we getting down there? | 0:05:41 | 0:05:43 | |
The good thing is, there is another way down. | 0:05:43 | 0:05:45 | |
Oh, you beauty! | 0:05:45 | 0:05:47 | |
We might still need some help to get down there. | 0:05:47 | 0:05:50 | |
'And that help comes in the form of the Naples Fire Brigade...' | 0:05:50 | 0:05:53 | |
THEY GREET EACH OTHER IN ITALIAN | 0:05:53 | 0:05:56 | |
-Good morning. -Alexander... | 0:05:56 | 0:05:58 | |
'..almost all of them.' | 0:05:58 | 0:06:00 | |
Ciao! | 0:06:00 | 0:06:03 | |
Sinkholes are swallowing up Naples with alarming regularity, | 0:06:03 | 0:06:06 | |
so the city has its own Department of the Underground, | 0:06:06 | 0:06:10 | |
and every time a new hole emerges, the call in the Fire Brigade. | 0:06:10 | 0:06:14 | |
I'm intrigued and... And not a little worried. | 0:06:15 | 0:06:18 | |
Why are there 20 of them? | 0:06:18 | 0:06:20 | |
Well, we wanted to be safe. | 0:06:20 | 0:06:22 | |
When the Fire Brigade first abseiled down the shaft to investigate, | 0:06:26 | 0:06:30 | |
they discovered another entrance at the bottom of this ravine. | 0:06:30 | 0:06:33 | |
Now, all we have to do is break into it again. | 0:06:35 | 0:06:38 | |
So, all of this path we've been walking down, | 0:06:38 | 0:06:40 | |
descended into jungle, slightly. | 0:06:40 | 0:06:42 | |
We're almost there. | 0:06:42 | 0:06:43 | |
Oh, whoa! OK. | 0:06:43 | 0:06:45 | |
And here we are! | 0:06:50 | 0:06:51 | |
HE LAUGHS | 0:06:51 | 0:06:53 | |
Look at that! | 0:06:54 | 0:06:56 | |
I mean, look at that. Look at that bridge across there. | 0:06:56 | 0:06:59 | |
This was only discovered, though, about two years ago. | 0:06:59 | 0:07:01 | |
This is a man-made quarry. | 0:07:01 | 0:07:04 | |
It's like some jaws of a shark or something, isn't it? | 0:07:04 | 0:07:06 | |
This place has been hacked out by hand by workers | 0:07:06 | 0:07:10 | |
over hundreds of years, beginning in the Renaissance. | 0:07:10 | 0:07:13 | |
What the miners of this quarry were after | 0:07:13 | 0:07:15 | |
was the volcanic rock here known as tufo, laid down 15,000 years ago. | 0:07:15 | 0:07:21 | |
It's some of the best quality building stone in Italy | 0:07:21 | 0:07:24 | |
and it's all thanks to the surrounding volcanoes. | 0:07:24 | 0:07:27 | |
This tufo came from this single eruption, | 0:07:27 | 0:07:30 | |
which means its consistency is so much better. | 0:07:30 | 0:07:32 | |
It's harder, tougher and, at the same time, easier to carve. | 0:07:32 | 0:07:38 | |
It's astounding, isn't it? | 0:07:38 | 0:07:40 | |
-The scale of it. -It's cathedral-like, isn't it? | 0:07:40 | 0:07:42 | |
It is. | 0:07:42 | 0:07:44 | |
In the 17th century, these galleries would have been filled with miners, | 0:07:45 | 0:07:49 | |
hoisting building stone to the surface through the shafts above. | 0:07:49 | 0:07:53 | |
Xander, look at this. A stairway to heaven. | 0:07:53 | 0:07:55 | |
All the way to the top. | 0:07:57 | 0:08:00 | |
-Look at that. -Probably about 50 metres above us right now. | 0:08:00 | 0:08:04 | |
-You would not want to look down. -No, you absolutely wouldn't. | 0:08:04 | 0:08:07 | |
Right. Do you want to have a go? | 0:08:07 | 0:08:08 | |
Hold that. Yes. Let's see how far we get up here. | 0:08:08 | 0:08:10 | |
'I'm not so sure how far I want to take this.' | 0:08:11 | 0:08:15 | |
Each of these are like little rock pools, isn't it? | 0:08:15 | 0:08:17 | |
I know, amazing, aren't they? | 0:08:17 | 0:08:19 | |
There aren't many stones that you would trust. | 0:08:19 | 0:08:21 | |
What an introduction this has been to Naples. | 0:08:25 | 0:08:28 | |
'Michael's meeting our scanning team | 0:08:31 | 0:08:33 | |
'to see how they're going to create the most comprehensive | 0:08:33 | 0:08:36 | |
'3D scans of Naples ever produced. | 0:08:36 | 0:08:39 | |
'This quarry is already pushing their technology to its limits.' | 0:08:40 | 0:08:44 | |
What's going to be the big challenge for you? | 0:08:45 | 0:08:47 | |
Well, it's just monumental in here. | 0:08:47 | 0:08:50 | |
So, we've got different techniques | 0:08:50 | 0:08:52 | |
to kind of get round some of those problems. | 0:08:52 | 0:08:54 | |
What we're using has only been released in the last kind of year. | 0:08:54 | 0:08:56 | |
'And in a first for our team, they'll even be scanning underwater | 0:08:56 | 0:09:00 | |
'to help create some of the most accurate 3D maps of Naples ever.' | 0:09:00 | 0:09:05 | |
We're going to be able to fly in through the bay, underwater, | 0:09:05 | 0:09:08 | |
up through the coast over Herculaneum, | 0:09:08 | 0:09:11 | |
deep underground and around Naples. | 0:09:11 | 0:09:12 | |
So it's all being tied together as one seamless map. | 0:09:12 | 0:09:15 | |
The scans are already working their magic. | 0:09:17 | 0:09:20 | |
The scale of the quarry is so breathtaking, | 0:09:20 | 0:09:23 | |
it really needs them to make sense of it. | 0:09:23 | 0:09:25 | |
As we break through the floor, | 0:09:27 | 0:09:30 | |
we can really see how enormous this complex is. | 0:09:30 | 0:09:33 | |
It's like an Alice in Wonderland warren for giant rabbits. | 0:09:33 | 0:09:36 | |
In the 17th century, | 0:09:38 | 0:09:40 | |
it provided the building blocks for modern Naples. | 0:09:40 | 0:09:43 | |
Only Paris was larger back then. | 0:09:43 | 0:09:45 | |
If this is a taster of what we can expect to see in Naples, | 0:09:46 | 0:09:49 | |
then this is going to be absolutely phenomenal. | 0:09:49 | 0:09:52 | |
To continue our quest, Michael has brought me to the heart of the city. | 0:10:03 | 0:10:08 | |
We aren't starting as you might expect with the Romans, | 0:10:08 | 0:10:10 | |
but with the dynasty that ruled here until 150 years ago, | 0:10:10 | 0:10:14 | |
the Bourbons. | 0:10:14 | 0:10:15 | |
Nice to get a little sniff underground there, Michael. | 0:10:16 | 0:10:19 | |
I see you've brought me back above ground. | 0:10:19 | 0:10:20 | |
-Well, it was an amuse bouche, if you like. -OK. | 0:10:20 | 0:10:23 | |
For what we're going to explore. | 0:10:23 | 0:10:24 | |
But I brought you here because this is Piazza del Plebiscito. | 0:10:24 | 0:10:27 | |
It's the largest public square in Naples. | 0:10:27 | 0:10:31 | |
And it was built by the monarchs | 0:10:31 | 0:10:33 | |
that ruled this place for over 700 years. | 0:10:33 | 0:10:36 | |
Michael is introducing me to one of those monarchs. | 0:10:37 | 0:10:40 | |
This guy is Ferdinand the Big Nose. | 0:10:40 | 0:10:43 | |
Your archetypal wannabe Roman Emperor, | 0:10:43 | 0:10:45 | |
-but from the 18th, 19th centuries. -I see. | 0:10:45 | 0:10:48 | |
One of the Bourbons who ruled much of Europe, | 0:10:49 | 0:10:51 | |
Ferdinand became the King of Naples | 0:10:51 | 0:10:54 | |
just as his cousins lost their heads in the French Revolution of 1793. | 0:10:54 | 0:10:58 | |
And old Big Nose himself looked to be heading in the same direction. | 0:10:59 | 0:11:02 | |
Naples was known for corruption... | 0:11:05 | 0:11:07 | |
-..violence... -Yeah. -..and prostitution. | 0:11:08 | 0:11:11 | |
I mean, you've heard the phrase, "See Naples and die." | 0:11:11 | 0:11:14 | |
-Yes. -So, that comes from when Naples was | 0:11:14 | 0:11:16 | |
the final stop on the grand tour, the English aristocracy, | 0:11:16 | 0:11:19 | |
here to see all the archaeological sites | 0:11:19 | 0:11:22 | |
-and get syphilis from the prostitutes. -Oh, I see, that's nice. | 0:11:22 | 0:11:25 | |
-So, buy all the art and then... -See Naples and die! | 0:11:25 | 0:11:27 | |
..take something extra. Something for the weekend. | 0:11:27 | 0:11:29 | |
Now, I'm sure what this guy wished he'd had | 0:11:29 | 0:11:31 | |
is what his successors went on to build, | 0:11:31 | 0:11:34 | |
which was a whole set of escape tunnels | 0:11:34 | 0:11:36 | |
underground from their Royal Palace in case things got too bad. | 0:11:36 | 0:11:40 | |
It does smack of a dynasty | 0:11:40 | 0:11:42 | |
that's taking a very long-term view of its position. | 0:11:42 | 0:11:45 | |
Well, the great thing about these tunnels is they connect into | 0:11:45 | 0:11:48 | |
a whole underground world that dates back to the very earliest | 0:11:48 | 0:11:50 | |
eras of Naples' history. So, this is not just a tunnel, | 0:11:50 | 0:11:53 | |
this is a time-travelling tunnel. | 0:11:53 | 0:11:56 | |
I'd been aware that Naples and Neapolitans, | 0:12:05 | 0:12:08 | |
an expression which generally was considered something rather fruity, | 0:12:08 | 0:12:11 | |
but I hadn't realised it was such a celebrated part of Naples' history. | 0:12:11 | 0:12:15 | |
"See Naples and die." | 0:12:15 | 0:12:18 | |
But these time tunnels, they sound very exciting indeed. | 0:12:18 | 0:12:21 | |
'Now all we have to do is find a way in.' | 0:12:24 | 0:12:26 | |
'Hmmm. Let's hope it's not there.' | 0:12:31 | 0:12:33 | |
We're looking for a vet's surgery. | 0:12:35 | 0:12:37 | |
It should be somewhere...here. | 0:12:37 | 0:12:41 | |
-Is it a hole in the ground? -We're looking for an entrance. | 0:12:41 | 0:12:43 | |
I'm hoping this door might be... | 0:12:43 | 0:12:46 | |
Ciao? C'e qualcuno? | 0:12:46 | 0:12:48 | |
-Hello. -Ciao! -I am Gianluca. Welcome. | 0:12:49 | 0:12:52 | |
-Alexander. -Hi, hi, hi. | 0:12:52 | 0:12:54 | |
Come inside... | 0:12:54 | 0:12:55 | |
'Geologist Dr Gianluca Minin was the first to open up | 0:12:55 | 0:12:59 | |
'a huge section of the tunnels, | 0:12:59 | 0:13:01 | |
'blocked when they were used as a rubbish dump after World War II.' | 0:13:01 | 0:13:04 | |
What, you exposed all of this? | 0:13:04 | 0:13:06 | |
We needed six months, three people every day | 0:13:06 | 0:13:10 | |
-to clean everything here. -I suppose you couldn't guarantee | 0:13:10 | 0:13:13 | |
-you weren't going to find something grisly. -Yeah. | 0:13:13 | 0:13:15 | |
'Here we go. Down the rabbit hole. | 0:13:17 | 0:13:20 | |
'These steps descend 23 metres from the surface. | 0:13:26 | 0:13:30 | |
'It feels like a journey to the centre of the Earth. | 0:13:30 | 0:13:33 | |
'I'm not enormously fond of small spaces, | 0:13:33 | 0:13:36 | |
'so let's hope it doesn't get any tighter.' | 0:13:36 | 0:13:38 | |
Wow! | 0:13:40 | 0:13:41 | |
-I mean, look at this! -We are in the Bourbon tunnel now. | 0:13:43 | 0:13:45 | |
Ferdinand II was very worried. | 0:13:45 | 0:13:48 | |
And in 1853, decided to dig a tunnel | 0:13:49 | 0:13:54 | |
to connect the Royal Palace with the barracks outside, | 0:13:54 | 0:13:58 | |
very close to the sea. | 0:13:58 | 0:13:59 | |
And why is this so enormous if this is an escape tunnel? | 0:13:59 | 0:14:03 | |
Because we have a lot of layers of history here. | 0:14:03 | 0:14:07 | |
Not only the Bourbon time, but something before. | 0:14:07 | 0:14:09 | |
'What came before were the quarries used to mine the volcanic tufo | 0:14:10 | 0:14:14 | |
'that built Naples. All the Bourbon tunnellers had to do | 0:14:14 | 0:14:18 | |
'was join the ancient quarries together. | 0:14:18 | 0:14:21 | |
'Its uses didn't end there. | 0:14:22 | 0:14:25 | |
'After World War II, it was even a dump for abandoned vehicles. | 0:14:25 | 0:14:29 | |
'But it's also a time machine, | 0:14:29 | 0:14:31 | |
'taking us through Naples' 2,500-year history. | 0:14:31 | 0:14:34 | |
'Our scanning team are beginning the task of | 0:14:36 | 0:14:38 | |
'making sense of this labyrinth, | 0:14:38 | 0:14:40 | |
'whilst we go through another time portal | 0:14:40 | 0:14:42 | |
'to earlier in the 20th century.' | 0:14:42 | 0:14:44 | |
Hey guys, come with me, | 0:14:49 | 0:14:50 | |
I want to show you something from the World War II. | 0:14:50 | 0:14:53 | |
A bomb shelter. | 0:14:53 | 0:14:55 | |
'Naples was the most bombed Italian city in the Second World War. | 0:14:56 | 0:15:00 | |
'It's estimated that Allied raids killed more than 20,000 people.' | 0:15:00 | 0:15:05 | |
Look there. | 0:15:05 | 0:15:07 | |
We have found the beds. | 0:15:07 | 0:15:08 | |
-XANDER GASPS -The original. | 0:15:08 | 0:15:10 | |
And the toys for children. | 0:15:10 | 0:15:11 | |
-Oh! -Look. | 0:15:11 | 0:15:13 | |
Come with me. | 0:15:13 | 0:15:15 | |
You can read. "Allarme. | 0:15:15 | 0:15:17 | |
"26 April, '43." | 0:15:17 | 0:15:19 | |
And here, | 0:15:21 | 0:15:22 | |
"Noi vivi". "We are still alive." | 0:15:22 | 0:15:26 | |
Because it was better to stay here than outside under the bombing. | 0:15:28 | 0:15:32 | |
Nearly 200km of tunnels were cleared | 0:15:35 | 0:15:38 | |
and electricity cables laid | 0:15:38 | 0:15:40 | |
to cater for the hundreds of thousands of Neapolitans | 0:15:40 | 0:15:43 | |
forced to shelter from Allied bombing. | 0:15:43 | 0:15:46 | |
But life went on. | 0:15:46 | 0:15:48 | |
Alexander, look. | 0:15:49 | 0:15:51 | |
-Green colour. -Look at that! | 0:15:52 | 0:15:54 | |
It's oil floating on top. | 0:15:54 | 0:15:56 | |
Yeah. 70 years old. | 0:15:56 | 0:15:59 | |
I can open... | 0:15:59 | 0:16:00 | |
..and, please, smell. | 0:16:02 | 0:16:03 | |
HE GASPS | 0:16:05 | 0:16:06 | |
-It's hair tonic, is it? -Yeah. | 0:16:06 | 0:16:09 | |
Hasn't lost any of its potency, has it? | 0:16:09 | 0:16:10 | |
It was very important for the person who took with him. | 0:16:10 | 0:16:14 | |
Yeah, to bring it down. | 0:16:14 | 0:16:16 | |
Maybe he had a fancy lady down here. | 0:16:16 | 0:16:18 | |
Yes, many people fell in love underground. | 0:16:18 | 0:16:22 | |
Don't forget, we are a romantic people. | 0:16:22 | 0:16:24 | |
You're absolutely right. | 0:16:24 | 0:16:26 | |
It's quite tempting to think of this as | 0:16:31 | 0:16:33 | |
a rather sombre and poignant scene, but I don't really feel that. | 0:16:33 | 0:16:37 | |
I think the emphasis is on the "Noi vivi", | 0:16:37 | 0:16:39 | |
rather than the "Allarme". | 0:16:39 | 0:16:42 | |
Tremendous triumph of human spirit. | 0:16:42 | 0:16:44 | |
This labyrinth has given me a new perspective on Neapolitans. | 0:16:56 | 0:17:00 | |
Tough like their tufo. | 0:17:02 | 0:17:04 | |
Resourceful as well as romantic. | 0:17:06 | 0:17:08 | |
'Our final destination in the Bourbon tunnel complex | 0:17:13 | 0:17:16 | |
'moves us forward another 45 years | 0:17:16 | 0:17:19 | |
'and connects Naples' most ancient history | 0:17:19 | 0:17:21 | |
'with its most recent.' | 0:17:21 | 0:17:23 | |
So, welcome to the never-quite-finished metro line. | 0:17:24 | 0:17:30 | |
Started in 1990... | 0:17:30 | 0:17:31 | |
Oh, right, for...yes, Italia '90. | 0:17:31 | 0:17:33 | |
..and abandoned in 1994. | 0:17:33 | 0:17:36 | |
But why was it abandoned? | 0:17:36 | 0:17:37 | |
It ended up being such a mismanaged and corrupt project | 0:17:37 | 0:17:42 | |
that they just decided to... | 0:17:42 | 0:17:45 | |
Naples just hasn't changed at all, then. | 0:17:45 | 0:17:47 | |
Look at this! A ghost station. | 0:17:49 | 0:17:51 | |
We are below... | 0:17:53 | 0:17:55 | |
..where we started this morning. | 0:17:56 | 0:17:58 | |
No! What? Under the Piazza... | 0:18:00 | 0:18:01 | |
Piazza del Plebiscito is directly above. | 0:18:01 | 0:18:04 | |
Oh, it would have been lovely. | 0:18:05 | 0:18:07 | |
There it is. It's just the end of the line right there. | 0:18:08 | 0:18:10 | |
Yeah, just a solid wall. | 0:18:10 | 0:18:12 | |
But what I love about being down here is, | 0:18:12 | 0:18:14 | |
it's such a time-travelling experience. | 0:18:14 | 0:18:16 | |
We're in the 20th century here, but we've been in the 19th century. | 0:18:16 | 0:18:19 | |
We can go back all the way to the Romans. | 0:18:19 | 0:18:21 | |
When they were building one of the metro lines, | 0:18:21 | 0:18:23 | |
they cut across the Roman aqueduct for this area. | 0:18:23 | 0:18:27 | |
The Aqua Augusta. | 0:18:27 | 0:18:29 | |
It is one of the longest Roman aqueducts in the world, | 0:18:29 | 0:18:32 | |
right here, feeding the whole Bay of Naples. | 0:18:32 | 0:18:34 | |
And even before that, you can find the Greeks here because this was... | 0:18:34 | 0:18:39 | |
-Neapolis. -..originally, a Greek colony of the fifth century BC. | 0:18:39 | 0:18:42 | |
So, this really does have 2,500 years of history | 0:18:42 | 0:18:47 | |
right here underground in these tunnels. | 0:18:47 | 0:18:50 | |
All crisscrossing right underneath Naples. | 0:18:50 | 0:18:53 | |
It's fascinating inside the tunnels, | 0:18:56 | 0:18:58 | |
but I'm keen to make sense of it all. | 0:18:58 | 0:19:01 | |
Matt from our scanning team has put together | 0:19:01 | 0:19:03 | |
-the first scans of our 3-D model of the bay. -Good to see you. | 0:19:03 | 0:19:06 | |
Are you well? | 0:19:06 | 0:19:08 | |
So excited about this, yes. | 0:19:08 | 0:19:10 | |
We are going to start off at Piazza Plebiscito. | 0:19:10 | 0:19:13 | |
In all of its glory. | 0:19:13 | 0:19:15 | |
That is beautiful. | 0:19:17 | 0:19:18 | |
If you could reproduce that on a canvas, I'd buy that. | 0:19:18 | 0:19:22 | |
I think it's beautiful! | 0:19:22 | 0:19:23 | |
The real purpose for being here is to take you | 0:19:23 | 0:19:26 | |
to this little alleyway over the side. | 0:19:26 | 0:19:28 | |
This was our little vet's shop. | 0:19:28 | 0:19:30 | |
Yeah, I mean, there's a whole new world. | 0:19:32 | 0:19:34 | |
From this tiny little entrance here, suddenly you're in an enormous, | 0:19:34 | 0:19:38 | |
enormous series of spaces. | 0:19:38 | 0:19:39 | |
I mean, thousands and thousands of individual chambers | 0:19:39 | 0:19:41 | |
-all connected together. -Wow. | 0:19:41 | 0:19:44 | |
These individual chambers which would have been quarried out | 0:19:44 | 0:19:47 | |
-for their raw material... -Right. | 0:19:47 | 0:19:49 | |
They then become a cistern, | 0:19:49 | 0:19:50 | |
and aquifer storing water for the properties above. | 0:19:50 | 0:19:54 | |
And then we have these much straighter tunnels | 0:19:54 | 0:19:56 | |
connecting them together. And that's the Bourbons coming in | 0:19:56 | 0:19:59 | |
and joining all of these ad hoc spaces together | 0:19:59 | 0:20:03 | |
into a complete network. You know, there's areas here | 0:20:03 | 0:20:05 | |
where there can't be anything holding the city up. | 0:20:05 | 0:20:08 | |
It's just the most baffling thing to discover. | 0:20:08 | 0:20:10 | |
You've got to do this sort of mad portal | 0:20:10 | 0:20:13 | |
into a whole splat of history. | 0:20:13 | 0:20:16 | |
And the maddest splat for me was the modern Metro, | 0:20:16 | 0:20:20 | |
destroying the ancient Roman aqueduct. | 0:20:20 | 0:20:22 | |
-There it is, look. -It looks like an exhaust pipe, doesn't it? | 0:20:22 | 0:20:25 | |
But that's our station. | 0:20:25 | 0:20:27 | |
Starting from here, | 0:20:28 | 0:20:29 | |
Matt has been uncovering the full extent | 0:20:29 | 0:20:32 | |
of the Roman aqueduct network. | 0:20:32 | 0:20:34 | |
The aqueducts span right the way from Plebiscito, | 0:20:34 | 0:20:36 | |
right out to the peripheries of the city | 0:20:36 | 0:20:39 | |
and they burst out above ground in the suburbs. | 0:20:39 | 0:20:41 | |
This is the Aqua Augusta. | 0:20:41 | 0:20:43 | |
Still very romantic somehow. | 0:20:44 | 0:20:46 | |
Just the idea of something tunnelling and then | 0:20:46 | 0:20:48 | |
suddenly appearing for a little short stretch above ground. | 0:20:48 | 0:20:52 | |
So there's just this incredibly extensive network | 0:20:52 | 0:20:54 | |
of underground spaces there. | 0:20:54 | 0:20:56 | |
Using their scans and researching old maps, | 0:20:57 | 0:21:00 | |
our team is building up a picture of the whole of Naples' underground. | 0:21:00 | 0:21:04 | |
Nearly 200km of aqueducts and their branches | 0:21:05 | 0:21:08 | |
inside the city alone. | 0:21:08 | 0:21:11 | |
Eight million cubic metres of rock from hundreds | 0:21:11 | 0:21:14 | |
of underground quarries | 0:21:14 | 0:21:16 | |
converted into household water cisterns. | 0:21:16 | 0:21:18 | |
All revealing how Naples' volcanic roots nurtured the city. | 0:21:20 | 0:21:24 | |
Surely, time for lunch? | 0:21:34 | 0:21:36 | |
But nowhere's safe from Vesuvius, | 0:21:36 | 0:21:38 | |
even when you're tucking into a Neapolitan food icon. | 0:21:38 | 0:21:42 | |
So, Xander, this isn't your first Naples pizza, though, I'm presuming. | 0:21:42 | 0:21:46 | |
-Do you know? I think it is. -Really? -Mmm. | 0:21:46 | 0:21:49 | |
I mean, it's delicious. | 0:21:49 | 0:21:51 | |
But it's the tomato. | 0:21:51 | 0:21:53 | |
-It's the tomato. -Incredibly sweet. | 0:21:53 | 0:21:55 | |
And it's a special tomato. | 0:21:55 | 0:21:57 | |
-Is it? -The San Marzano plum tomato. | 0:21:57 | 0:22:00 | |
Grown in the volcanic soil which is abundant in this area. | 0:22:00 | 0:22:04 | |
Of course. Which is just full of minerals and full of... | 0:22:04 | 0:22:07 | |
So, they taste amazing. | 0:22:07 | 0:22:08 | |
So, the trade-off is you live under constant threat of eruption. | 0:22:08 | 0:22:12 | |
And, yes, you might all die in hot ash, | 0:22:12 | 0:22:16 | |
but for as long as you don't, you have centuries of great pizza. | 0:22:16 | 0:22:19 | |
You get great pizza and great tomato. | 0:22:19 | 0:22:21 | |
I mean, there's something about Naples, isn't there? | 0:22:21 | 0:22:23 | |
-And probably good wine, too. Sorry to interrupt. -And good wine. | 0:22:23 | 0:22:25 | |
This is from the area as well. | 0:22:25 | 0:22:27 | |
Growing in that fantastic volcanic soil. | 0:22:27 | 0:22:29 | |
But implicit in Naples is this sense of beauty and danger combined. | 0:22:29 | 0:22:35 | |
And Vesuvius is exactly that. | 0:22:35 | 0:22:36 | |
You know, there's the danger, but here's the beauty. | 0:22:36 | 0:22:39 | |
And for me, nothing epitomises beauty and danger | 0:22:42 | 0:22:46 | |
more than a scooter. | 0:22:46 | 0:22:48 | |
Oh, look at this! They're letting me back on a Vespa again. | 0:22:48 | 0:22:50 | |
Last time I rode one of these was in Rome. That was sort of fine. | 0:22:50 | 0:22:53 | |
I could do Rome. | 0:22:53 | 0:22:54 | |
Naples, I think, might be a slightly more tricky prospect. | 0:22:54 | 0:22:58 | |
But it'll be fine. What did your man say? | 0:22:58 | 0:23:00 | |
"Beauty and danger." | 0:23:00 | 0:23:01 | |
Here goes. | 0:23:01 | 0:23:03 | |
I'm off to explore the perils of living next to an active volcano. | 0:23:07 | 0:23:11 | |
I'm hurtling towards the town of Herculaneum. | 0:23:15 | 0:23:17 | |
It sits even closer to the ever-threatening Vesuvius. | 0:23:17 | 0:23:21 | |
And the volcano's exactly where Michael's heading, | 0:23:28 | 0:23:31 | |
to explore the source of Naples' wealth and its woes. | 0:23:31 | 0:23:35 | |
Roberto Adeo is guiding Michael to the business end of the volcano. | 0:23:35 | 0:23:40 | |
Slowly, slowly here. | 0:23:40 | 0:23:41 | |
So, you drive on the edge of the volcano. | 0:23:42 | 0:23:45 | |
From here you feel like Gods looking down on the world. | 0:23:45 | 0:23:49 | |
One more? Oh! | 0:23:49 | 0:23:50 | |
-Here we are. -And on your left, the Vesuvius Crater. | 0:23:50 | 0:23:54 | |
Oh, my God! | 0:23:54 | 0:23:55 | |
The crater rim towers nearly 1,300 metres over the suburbs below. | 0:23:55 | 0:24:01 | |
We are exactly on the edge of the crater that was formed | 0:24:01 | 0:24:05 | |
with the last eruption, 1944. | 0:24:05 | 0:24:07 | |
Before the eruption, it was almost full up to the edge. | 0:24:09 | 0:24:12 | |
So, in a couple of weeks, everything was removed from inside. | 0:24:12 | 0:24:15 | |
Eruptions of Vesuvius are rare, | 0:24:17 | 0:24:19 | |
but they are among the most violent in Europe. | 0:24:19 | 0:24:22 | |
So, what makes this a particularly explosive volcano? | 0:24:22 | 0:24:26 | |
Yeah, that's because... It's especially because | 0:24:26 | 0:24:28 | |
of this long period of rest. | 0:24:28 | 0:24:30 | |
Then it's like charging the energy for the next eruption, | 0:24:30 | 0:24:34 | |
so the chimney's plugged. | 0:24:34 | 0:24:36 | |
Magma's very deep inside, but then when it comes up, | 0:24:36 | 0:24:39 | |
after a long period of rest, normally it's with a big eruption. | 0:24:39 | 0:24:43 | |
When magma in the chamber below can't escape, the molten rock cools. | 0:24:43 | 0:24:48 | |
This causes bubbles to form and the magma to expand. | 0:24:48 | 0:24:51 | |
Roberto is going to demonstrate | 0:24:53 | 0:24:54 | |
just how explosive this ultimately can be. | 0:24:54 | 0:24:57 | |
I have Coca-Cola. | 0:24:58 | 0:25:00 | |
I have a drill. | 0:25:00 | 0:25:02 | |
I have Mentos... | 0:25:02 | 0:25:04 | |
The Coke represents the magma. | 0:25:04 | 0:25:06 | |
The mints, the effect of the bubbles | 0:25:06 | 0:25:09 | |
and the rapid change in pressure | 0:25:09 | 0:25:11 | |
once the magma breaches the surface. | 0:25:11 | 0:25:13 | |
One... | 0:25:13 | 0:25:14 | |
..Two... | 0:25:15 | 0:25:16 | |
-Three. -..Three. | 0:25:16 | 0:25:17 | |
-Whoohoo! -HE LAUGHS | 0:25:19 | 0:25:22 | |
Amazing! | 0:25:22 | 0:25:23 | |
This area is such a hotbed of hidden volcanic activity, | 0:25:31 | 0:25:35 | |
it holds a secret. | 0:25:35 | 0:25:37 | |
Vesuvius isn't the biggest volcano in the Bay of Naples. | 0:25:37 | 0:25:41 | |
You got the different chambers. | 0:25:41 | 0:25:43 | |
Campi Flegrei, which is close to the surface. | 0:25:43 | 0:25:46 | |
-So, there are two magma chambers underneath this area. -Yeah. | 0:25:46 | 0:25:50 | |
Campi Flegrei means burning fields. | 0:25:52 | 0:25:55 | |
It's one of only 20 active supervolcanoes. | 0:25:55 | 0:25:59 | |
Its last major eruption 15,000 years ago laid down all that tufo. | 0:25:59 | 0:26:05 | |
Campi Flegrei is much more dangerous, | 0:26:07 | 0:26:10 | |
if possible, for the city of Naples. | 0:26:10 | 0:26:12 | |
First of all, because the city is exactly above the volcano. | 0:26:12 | 0:26:16 | |
And that also because in the past, this volcano had huge eruptions. | 0:26:16 | 0:26:21 | |
But it was another eruption from the much smaller Vesuvius in AD 79 | 0:26:23 | 0:26:28 | |
that has defined our understanding | 0:26:28 | 0:26:30 | |
of the destructive power of volcanoes. | 0:26:30 | 0:26:33 | |
Vesuvius at that time was very, very quiet. | 0:26:35 | 0:26:37 | |
It had been quiet for 800 years. | 0:26:37 | 0:26:39 | |
So, they lost memories. | 0:26:39 | 0:26:41 | |
-Nobody knew. -So, when it erupted in 79 AD, it was a complete shock. | 0:26:41 | 0:26:46 | |
We all know what happened to Pompeii, | 0:26:48 | 0:26:51 | |
but the people closest to Vesuvius were the citizens of Herculaneum, | 0:26:51 | 0:26:55 | |
just 6km below. | 0:26:55 | 0:26:57 | |
No-one knows more about their fate than | 0:27:03 | 0:27:05 | |
Professor Andrew Wallace-Hadrill, | 0:27:05 | 0:27:07 | |
who's been studying the site for the last 30 years. | 0:27:07 | 0:27:11 | |
You have do imagine everything in dark, of course. | 0:27:11 | 0:27:14 | |
Because for 12 hours, the eruption's been happening. | 0:27:14 | 0:27:18 | |
-Yes. -And the odd thing is, nothing happens here. | 0:27:18 | 0:27:22 | |
Because the wind is blowing in the wrong direction for Herculaneum. | 0:27:22 | 0:27:27 | |
And we found no bodies. | 0:27:27 | 0:27:29 | |
No skeletons here in the main bit of the city. | 0:27:29 | 0:27:32 | |
Because they saw... They saw the warning and... | 0:27:32 | 0:27:34 | |
-They ran. -They weren't here. | 0:27:34 | 0:27:36 | |
That's for sure. And then, at about midnight, | 0:27:36 | 0:27:41 | |
this eruptive column collapses and you get pyroclastic surges. | 0:27:41 | 0:27:45 | |
You get great, billowing clouds of piping hot gas | 0:27:45 | 0:27:50 | |
and ash come cascading down the mountainside | 0:27:50 | 0:27:54 | |
and very, very rapidly cover up this city. | 0:27:54 | 0:27:58 | |
To a height that is way, way above | 0:27:58 | 0:28:00 | |
the height at which Pompeii is covered. | 0:28:00 | 0:28:02 | |
The depth is something like 20, even 30 metres, of solid rock. | 0:28:02 | 0:28:08 | |
So, if Herculaneum was buried under 30 metres of volcanic tufo, | 0:28:10 | 0:28:14 | |
how did it get to be discovered? | 0:28:14 | 0:28:16 | |
As the scan team starts to create a millimetre-accurate | 0:28:18 | 0:28:22 | |
3D map of ancient Herculaneum, | 0:28:22 | 0:28:24 | |
Michael is joining us to explore this remarkable story | 0:28:24 | 0:28:28 | |
in the town's best-kept secret. | 0:28:28 | 0:28:30 | |
Now, I've been promising Xander this is something special. | 0:28:30 | 0:28:32 | |
-Yes. -People really don't get much of an opportunity. | 0:28:32 | 0:28:35 | |
This is awesome. Down below here... | 0:28:35 | 0:28:36 | |
-Yeah. -..is the ancient theatre. | 0:28:36 | 0:28:38 | |
Come down here and you see the real history of archaeology. | 0:28:38 | 0:28:43 | |
This is where it all starts. | 0:28:43 | 0:28:45 | |
300 years ago, treasure hunters were drawn here | 0:28:45 | 0:28:49 | |
when perfectly preserved Roman statues were discovered | 0:28:49 | 0:28:53 | |
during the digging of the town's wells. | 0:28:53 | 0:28:55 | |
They found loads of statues. | 0:28:55 | 0:28:58 | |
But it wasn't just statues they discovered. | 0:28:58 | 0:29:01 | |
Right down at the bottom, you can see, that is the theatre. | 0:29:01 | 0:29:04 | |
Wow. And that's it. | 0:29:04 | 0:29:05 | |
Right... You said there was a theatre here! | 0:29:05 | 0:29:08 | |
And you look right down onto the auditorium. And I can see it. | 0:29:08 | 0:29:10 | |
I can see the shape of the seats. | 0:29:10 | 0:29:12 | |
Come on, let's make our way down to Hades. | 0:29:12 | 0:29:15 | |
It's another 20 metres down through the rock | 0:29:15 | 0:29:18 | |
to reach the top of what was once an open-air theatre. | 0:29:18 | 0:29:21 | |
We are up in the top level of the theatre. | 0:29:22 | 0:29:25 | |
I'm guessing these are the restricted-view seats. | 0:29:25 | 0:29:28 | |
Well, the view was a little better | 0:29:28 | 0:29:30 | |
when there wasn't a million tonnes of rock in the way! | 0:29:30 | 0:29:33 | |
Certainly the cheap seats up here, for sure. | 0:29:33 | 0:29:35 | |
And here at last, this is where to sit. | 0:29:35 | 0:29:39 | |
And there's a story that there was a performance in full flow | 0:29:39 | 0:29:43 | |
-when the eruption happened. -That's right. | 0:29:43 | 0:29:46 | |
You spent the whole day in the theatre, | 0:29:46 | 0:29:48 | |
and if the eruption is at about midday, | 0:29:48 | 0:29:50 | |
it's reasonable there should be people already in the theatre. | 0:29:50 | 0:29:53 | |
This is a daylight, daylong festival | 0:29:53 | 0:29:56 | |
where the audience are supposed to be noisy. | 0:29:56 | 0:29:59 | |
The big people of town who have paid for the performance, | 0:29:59 | 0:30:02 | |
they're very anxious to get good reactions from the audience. | 0:30:02 | 0:30:06 | |
So, they'd be quite keen that come hell or high water, | 0:30:06 | 0:30:08 | |
or indeed an eruption, | 0:30:08 | 0:30:10 | |
everyone should pretty much stay in their seats, it'll be fine. | 0:30:10 | 0:30:13 | |
They want people packed in. | 0:30:13 | 0:30:15 | |
Bums on seats. | 0:30:15 | 0:30:16 | |
It's a sign of political power. | 0:30:16 | 0:30:18 | |
It's about the maddest thing in the world to try and understand | 0:30:21 | 0:30:24 | |
something as open as this theatre and yet we reach it | 0:30:24 | 0:30:28 | |
right at the bottom of this huge great tunnel. | 0:30:28 | 0:30:31 | |
30 metres of volcanic ash on top of us. | 0:30:31 | 0:30:35 | |
This place is so entombed, I'm wondering, | 0:30:37 | 0:30:40 | |
can we even get to the stage? | 0:30:40 | 0:30:42 | |
OK. Here are our steps. | 0:30:43 | 0:30:45 | |
-You see how beautifully cut they are. -Beautiful. | 0:30:45 | 0:30:49 | |
-So, here we are. At last. -Right down at the bottom. | 0:30:49 | 0:30:52 | |
We have found the stage. | 0:30:52 | 0:30:54 | |
And look at it, stretching right down there. | 0:30:54 | 0:30:57 | |
Look at that! | 0:30:57 | 0:30:58 | |
It's deep, deep, deep. | 0:31:00 | 0:31:02 | |
-Look back here. -Back it goes there. | 0:31:02 | 0:31:04 | |
So, if we come backstage here, | 0:31:05 | 0:31:07 | |
there's a wonderful spooky treat to show you. | 0:31:07 | 0:31:11 | |
Look at this. | 0:31:11 | 0:31:12 | |
THEY GASP | 0:31:12 | 0:31:13 | |
-Out of the ceiling. -No! | 0:31:13 | 0:31:16 | |
That's not... That's not one of our actors, is it? | 0:31:16 | 0:31:19 | |
No. That is the negative impression of a statue. | 0:31:19 | 0:31:22 | |
Somehow, the statue from right over there | 0:31:22 | 0:31:27 | |
has got blown by the pyroclastic surge | 0:31:27 | 0:31:30 | |
and formed an impression of the face. | 0:31:30 | 0:31:33 | |
The creases on his forehead. | 0:31:33 | 0:31:35 | |
I can walk on the stage, | 0:31:40 | 0:31:42 | |
but it's impossible to get a sense of its true scale. | 0:31:42 | 0:31:44 | |
To shine some light on this, we need our scans. | 0:31:46 | 0:31:49 | |
Another building block in our 3D model of the bay. | 0:31:49 | 0:31:53 | |
It helps reveal the outline of the stage itself in all its glory. | 0:31:54 | 0:31:58 | |
The tunnels excavated by the treasure hunters | 0:32:00 | 0:32:03 | |
help delineate the semi-circular shape of a 2,500-seat Roman theatre. | 0:32:03 | 0:32:08 | |
The scan also reveals where the theatre was set in the Roman town, | 0:32:10 | 0:32:14 | |
and that two thirds of Herculaneum is still entombed. | 0:32:14 | 0:32:18 | |
No bodies were found in the theatre, | 0:32:20 | 0:32:23 | |
so what happened to the people when Vesuvius erupted? | 0:32:23 | 0:32:26 | |
Andrew has brought me to a place at the edge of town | 0:32:28 | 0:32:31 | |
that recently provided the answer. | 0:32:31 | 0:32:33 | |
We're right down by the ancient sea where all this... | 0:32:34 | 0:32:37 | |
-Oh, I see! -..green gunk is growing. | 0:32:37 | 0:32:40 | |
-This was the sea. -This was sea. | 0:32:40 | 0:32:43 | |
I see, and of course, that is just volcanic matter there. | 0:32:43 | 0:32:46 | |
So, everyone escaped, then. This is... They were thinking... | 0:32:46 | 0:32:49 | |
Well, come and meet them. Come and meet them. | 0:32:49 | 0:32:51 | |
And every single one of these arches is packed with skeletons. | 0:32:54 | 0:33:00 | |
We have this incredibly convincing image of a really ghastly death. | 0:33:00 | 0:33:07 | |
Do you see the way that their knees are contracted? | 0:33:07 | 0:33:10 | |
-Yeah. -What happens when you're hit by a thermal blast... | 0:33:10 | 0:33:14 | |
-It's fatal. -Everything contracts. | 0:33:14 | 0:33:15 | |
-Yeah. -And they're all found in what's sometimes called | 0:33:15 | 0:33:19 | |
the pugilist pose, as if they were fighting. | 0:33:19 | 0:33:22 | |
But they don't even know about it. | 0:33:22 | 0:33:24 | |
Sometimes, you find the skeleton with the top of the skull missing. | 0:33:24 | 0:33:28 | |
Because the heat is so intense that the brain down there boils... | 0:33:28 | 0:33:34 | |
-MAKES POPPING SOUND -..blows the skull apart. | 0:33:34 | 0:33:36 | |
There's a detail. Wow. | 0:33:38 | 0:33:40 | |
I think, happily, they won't know too much about it | 0:33:40 | 0:33:42 | |
-when their brains boil. -Right, yes, right. | 0:33:42 | 0:33:44 | |
And it's very interesting they found not just skeletons in here, | 0:33:44 | 0:33:48 | |
but spread out onto the shore. And on the whole, | 0:33:48 | 0:33:51 | |
it's women and children right at the back | 0:33:51 | 0:33:54 | |
and young males out at the front. | 0:33:54 | 0:33:58 | |
Goodness me. It's all well and good to walk around ruins | 0:34:00 | 0:34:04 | |
and to talk about what happened, look up at Vesuvius and imagine. | 0:34:04 | 0:34:10 | |
It's a scene from hell, really. | 0:34:11 | 0:34:13 | |
400 people, one tenth of the population, | 0:34:18 | 0:34:22 | |
waiting on the shore for a rescue that never came. | 0:34:22 | 0:34:25 | |
Like Pompeii and several nearby Roman towns, | 0:34:27 | 0:34:30 | |
Herculaneum never recovered from the destruction of 79 AD. | 0:34:30 | 0:34:34 | |
Ten kilometres up the road, Naples was completely untouched. | 0:34:42 | 0:34:47 | |
A lucky break for the Romans, | 0:34:47 | 0:34:49 | |
because the city was one of the most important ports | 0:34:49 | 0:34:51 | |
in the whole of the Empire. | 0:34:51 | 0:34:53 | |
To find out what life was like in downtown Naples | 0:34:54 | 0:34:57 | |
just after the eruption, Michael's descending seven metres | 0:34:57 | 0:35:01 | |
below the surface of the modern city. | 0:35:01 | 0:35:03 | |
We've come to the Roman street | 0:35:06 | 0:35:09 | |
that is part of the central Roman forum and market, | 0:35:09 | 0:35:13 | |
and beneath this as well is the very origins of this city. | 0:35:13 | 0:35:16 | |
Its Greek origins with its Greek agora, its marketplace, | 0:35:16 | 0:35:20 | |
where you could buy food, chat politics | 0:35:20 | 0:35:23 | |
and catch up on what was going on. | 0:35:23 | 0:35:25 | |
And on top of it, the Romans have put their market, | 0:35:25 | 0:35:29 | |
with shops lining the route | 0:35:29 | 0:35:30 | |
where you could buy anything and everything. | 0:35:30 | 0:35:34 | |
And we're now getting to the fresh fish area. | 0:35:34 | 0:35:37 | |
These are the slanting tables that they'd have laid the fish out on, | 0:35:37 | 0:35:41 | |
the slant helping to wash off all the excess liquid. | 0:35:41 | 0:35:44 | |
And then on the floor, | 0:35:44 | 0:35:46 | |
you've got the water channels so they could clear it all away. | 0:35:46 | 0:35:50 | |
Our scanning reveals the influence of Roman Naples on the modern city. | 0:35:52 | 0:35:56 | |
The streets are planned on the same axis. | 0:35:56 | 0:35:59 | |
It also gives a sense of how big the ancient city might have been. | 0:36:00 | 0:36:04 | |
Its own partially-excavated theatre had a huge capacity of 5,000, | 0:36:04 | 0:36:10 | |
twice the size of Herculaneum's. | 0:36:10 | 0:36:12 | |
Roman Naples escaped unscathed the eruption of Vesuvius, | 0:36:14 | 0:36:18 | |
but 400 years later, after cataclysmic flooding, | 0:36:18 | 0:36:21 | |
it was buried in a mudslide. | 0:36:21 | 0:36:23 | |
Wherever you go in the city, | 0:36:29 | 0:36:31 | |
there's evidence that the trauma of these natural disasters | 0:36:31 | 0:36:34 | |
has been seared into its soul. | 0:36:34 | 0:36:36 | |
This is an extraordinary place. You've got these characters here. | 0:36:39 | 0:36:43 | |
The souls of the dead in Purgatory. | 0:36:43 | 0:36:46 | |
Here they are, burning away, waiting for the living to pray for them. | 0:36:46 | 0:36:50 | |
So, in the midst of all this life, death is right there. | 0:36:50 | 0:36:54 | |
A bit spooky! | 0:36:55 | 0:36:56 | |
Naples seems obsessed with religion and death. | 0:36:59 | 0:37:03 | |
With 448 churches, it's one of the most devout cities in the world. | 0:37:03 | 0:37:09 | |
It cares for its dead in some of the most exquisite cemeteries | 0:37:09 | 0:37:12 | |
and catacombs in Italy. | 0:37:12 | 0:37:14 | |
Those of the church of San Gaudioso are among the finest. | 0:37:14 | 0:37:18 | |
But strangest of them all is the cemetery of Fontanelle. | 0:37:22 | 0:37:25 | |
Until 1969, it was home to a cheery little group | 0:37:26 | 0:37:30 | |
called the Cult Of The Abandoned Souls. | 0:37:30 | 0:37:32 | |
Originally a tufo quarry - what else? | 0:37:36 | 0:37:39 | |
It became a repository for bodies from various epidemics. | 0:37:39 | 0:37:43 | |
In the 19th century, the bones were tidied | 0:37:44 | 0:37:47 | |
and locals adopted individual skeletons | 0:37:47 | 0:37:49 | |
and prayed for their souls in purgatory. | 0:37:49 | 0:37:53 | |
In return, they believed the dead would help Neapolitans | 0:37:53 | 0:37:56 | |
through their many disasters. | 0:37:56 | 0:37:58 | |
This is like walking down... | 0:38:00 | 0:38:01 | |
..the nave of some... | 0:38:02 | 0:38:04 | |
..nightmare abbey. | 0:38:05 | 0:38:07 | |
You could either think of this as the stuff of nightmares... | 0:38:10 | 0:38:14 | |
..or as something... | 0:38:15 | 0:38:17 | |
profoundly honest. | 0:38:17 | 0:38:19 | |
And this is the truth that none of this can get away from. | 0:38:22 | 0:38:25 | |
It's where we all end up. | 0:38:25 | 0:38:27 | |
Throughout their history, death, catastrophe, | 0:38:31 | 0:38:34 | |
calamity has been thrown down on these people. | 0:38:34 | 0:38:38 | |
They truly were living on the edge. | 0:38:38 | 0:38:41 | |
And I get a sense that this is a place where the membrane | 0:38:41 | 0:38:43 | |
between this world and the next... | 0:38:43 | 0:38:45 | |
..is very thin. I'm thinking of those people | 0:38:46 | 0:38:49 | |
sheltering from the bombing in World War II and that graffiti... | 0:38:49 | 0:38:53 | |
Do you remember? On the wall of the tunnel, "Noi vivi". | 0:38:53 | 0:38:55 | |
"We're still alive." | 0:38:55 | 0:38:56 | |
And there they were being helped by the dead. | 0:38:56 | 0:38:58 | |
The Bourbons, their tunnel. | 0:38:58 | 0:39:00 | |
A hand being held through the membrane of those two worlds, | 0:39:00 | 0:39:03 | |
in a way. There it is, this geological fault line | 0:39:03 | 0:39:07 | |
that, like it or lump it, means they are in two worlds. | 0:39:07 | 0:39:13 | |
And nowhere in the Bay of Naples represents that living fault line | 0:39:18 | 0:39:22 | |
better than the burning fields of the slumbering supervolcano | 0:39:22 | 0:39:26 | |
of Campi Flegrei. | 0:39:26 | 0:39:28 | |
This place gave rise to some of the most powerful stories | 0:39:30 | 0:39:33 | |
of the ancient worlds, | 0:39:33 | 0:39:35 | |
none more potent than the myth of the underworld. | 0:39:35 | 0:39:38 | |
The ancients believed that when they died, | 0:39:39 | 0:39:41 | |
their souls descended to Hades. | 0:39:41 | 0:39:44 | |
To get there, they crossed the underground River Styx, | 0:39:44 | 0:39:47 | |
the boundary between the worlds of the living and the dead. | 0:39:47 | 0:39:51 | |
According to the Roman poet Virgil, | 0:39:51 | 0:39:53 | |
"The gates of hell are open night and day. | 0:39:53 | 0:39:56 | |
"Smooth the descent and easy is the way." | 0:39:56 | 0:39:59 | |
Michael has brought me to the heart of the Campi Flegrei, | 0:40:06 | 0:40:09 | |
to the Roman town of Baia, | 0:40:09 | 0:40:11 | |
for my very own introduction to the underworld. | 0:40:11 | 0:40:14 | |
So, Virgil, the great Roman epic writer who wrote the Aeneid, | 0:40:16 | 0:40:19 | |
he lived here. And his character, Aeneas, | 0:40:19 | 0:40:23 | |
this is where he accesses the underworld. | 0:40:23 | 0:40:26 | |
And we're going to recreate one of those journeys for you today. | 0:40:26 | 0:40:29 | |
Of course we are! Yes. | 0:40:29 | 0:40:31 | |
I'm not sure what evil plan Michael's got in mind, | 0:40:31 | 0:40:35 | |
but Ivana Gidoni will be our guide. | 0:40:35 | 0:40:37 | |
And Ivana's a caving expert. | 0:40:37 | 0:40:40 | |
And is this the entrance to the underworld | 0:40:40 | 0:40:42 | |
that I've promised Xander? | 0:40:42 | 0:40:44 | |
Yes, it is. | 0:40:44 | 0:40:45 | |
-Good. -HE LAUGHS | 0:40:45 | 0:40:46 | |
This way for the underworld, Xand. | 0:40:46 | 0:40:48 | |
Extraordinary. | 0:40:48 | 0:40:50 | |
MICHAEL LAUGHS | 0:40:56 | 0:40:59 | |
It's a trench two metres and a half deep. | 0:40:59 | 0:41:02 | |
It's about, what? Half a metre wide? | 0:41:02 | 0:41:05 | |
-60 centimetres, about. -OK, fine. -60 centimetres. -Fine! | 0:41:05 | 0:41:09 | |
And Xander, remind me, is it true you're a little claustrophobic? | 0:41:09 | 0:41:12 | |
I'm... I've been known to be claustrophobic, yes. | 0:41:12 | 0:41:16 | |
We can meet some animals also. | 0:41:16 | 0:41:18 | |
Some bats, scorpions. | 0:41:18 | 0:41:20 | |
-Oh, good. -Cave crickets. | 0:41:20 | 0:41:21 | |
-Friendly Italian ones. -Maybe some snakes. | 0:41:21 | 0:41:23 | |
Will they be released once we're in, or...? Rats and... | 0:41:23 | 0:41:27 | |
-It'll be fine. -Be fine. | 0:41:28 | 0:41:30 | |
'What's even more worrying is that | 0:41:30 | 0:41:31 | |
'Ivana comes with a whole team of speleologists.' | 0:41:31 | 0:41:35 | |
Am I allowed to ask yet what this is? | 0:41:37 | 0:41:40 | |
It's the entrance to the underworld. | 0:41:40 | 0:41:42 | |
That I'm getting! | 0:41:42 | 0:41:43 | |
As soon as some problem should arise, we should stop. | 0:41:47 | 0:41:52 | |
I am genuinely concerned. It's the fact there's going to be | 0:41:52 | 0:41:55 | |
someone right in front of me and someone right behind me. | 0:41:55 | 0:41:57 | |
-So, if I suddenly have an "aaargh!" moment... -We're there. | 0:41:57 | 0:42:00 | |
Yes, it's the being-there-ness that worries me! | 0:42:00 | 0:42:03 | |
Actually, what I really want is to be able to turn round and run out. | 0:42:03 | 0:42:06 | |
Oh, wow. | 0:42:08 | 0:42:09 | |
You'll be fine. It'll be absolutely fine. | 0:42:09 | 0:42:11 | |
Suddenly, it gets a little bit darker. | 0:42:23 | 0:42:26 | |
When this man-made tunnel was rediscovered in the 1960s, | 0:42:27 | 0:42:31 | |
the explorers thought they'd found the mythical entrance | 0:42:31 | 0:42:34 | |
leading to the River Styx - the threshold of hell. | 0:42:34 | 0:42:37 | |
The most glorious effect, these wet roots. | 0:42:39 | 0:42:44 | |
It's like we're walking through a giant's armpit | 0:42:44 | 0:42:46 | |
on a particularly hot day! | 0:42:46 | 0:42:48 | |
-How you doing, Xander? -I'm all right. | 0:42:50 | 0:42:53 | |
It's quite... It's quite exciting. | 0:42:53 | 0:42:55 | |
Wildlife quotient has gone up bit. | 0:42:56 | 0:43:00 | |
I can't remember what else he said we were going to expect. | 0:43:00 | 0:43:03 | |
Zebras, was it? I can't remember. | 0:43:03 | 0:43:04 | |
Now, Michael, we have reached a point | 0:43:04 | 0:43:07 | |
where the level of the floor starts to incline downwards | 0:43:07 | 0:43:11 | |
quite extremely. So, yeah, look out for that. | 0:43:11 | 0:43:13 | |
Whoa! | 0:43:13 | 0:43:15 | |
'The lower we go, the tighter the tunnel, the higher the temperature.' | 0:43:15 | 0:43:19 | |
Ah, right, I see. Right, the level of the ceiling, right, comes down. | 0:43:19 | 0:43:22 | |
Michael, how long do you think we've been going? | 0:43:22 | 0:43:24 | |
-About quarter of an hour? -Yeah. | 0:43:24 | 0:43:26 | |
Feels like we're about quarter of a mile into the earth, doesn't it? | 0:43:26 | 0:43:28 | |
-Yeah. -I haven't been laying my breadcrumbs, or whatever. | 0:43:28 | 0:43:32 | |
It was said to be easy to find your way into the underworld. | 0:43:32 | 0:43:36 | |
-Yes. -The real trick was finding your way back out again. | 0:43:36 | 0:43:41 | |
I'm... I'm guessing today we're not going to be recreating that, though. | 0:43:41 | 0:43:44 | |
MICHAEL LAUGHS | 0:43:44 | 0:43:45 | |
We've come to a junction here. | 0:43:46 | 0:43:48 | |
-OK. -It looks very much as though that tunnel goes underwater there. | 0:43:48 | 0:43:52 | |
So, please, God, can we not be going that way. | 0:43:52 | 0:43:54 | |
Let's go down first. | 0:43:54 | 0:43:55 | |
-You brought your swimmers, right? -XANDER LAUGHS NERVOUSLY | 0:43:57 | 0:44:01 | |
-It should be pleasingly warm. -I never quite know if he's joking. | 0:44:01 | 0:44:03 | |
Oh, I might go down on my arse, I think. | 0:44:03 | 0:44:07 | |
Yes. | 0:44:07 | 0:44:08 | |
Is that... Yes, that's water right there. | 0:44:08 | 0:44:11 | |
-Look down. -The river! -The river is here. | 0:44:11 | 0:44:14 | |
There's every chance this could be the fabled River Styx. | 0:44:14 | 0:44:17 | |
Yeah, I mean, I have to say, we've been spinning you a bit of a yarn. | 0:44:17 | 0:44:21 | |
-That's more of a... -Don't... Don't ruin it! | 0:44:21 | 0:44:23 | |
..a tourist story than it is an archaeological reality. | 0:44:23 | 0:44:25 | |
-No, no, no! -I'm not being a killjoy, | 0:44:25 | 0:44:27 | |
but the real story is perhaps even more interesting. | 0:44:27 | 0:44:29 | |
-Yes. -Because this is definitely water heated by geothermal energy. | 0:44:29 | 0:44:33 | |
When this water was first tested, it was at 50, 60 degrees C. | 0:44:33 | 0:44:37 | |
So, the mystery is what is this man-made tunnel doing | 0:44:37 | 0:44:42 | |
if we're not here for the River Styx? | 0:44:42 | 0:44:45 | |
Well, to understand that, | 0:44:45 | 0:44:47 | |
-it's probably best if we head back outside. -Oh! | 0:44:47 | 0:44:51 | |
And I can show you what this might well have been doing here. | 0:44:51 | 0:44:56 | |
'I was out of that tunnel like a rat up a drainpipe. | 0:44:58 | 0:45:01 | |
'Once I'd recovered, Michael revealed what this was all about.' | 0:45:03 | 0:45:07 | |
That was hot enough to send hot air blasting up that tunnel. | 0:45:07 | 0:45:12 | |
And it diverts into three different mini tunnels | 0:45:12 | 0:45:15 | |
just before it comes out here, | 0:45:15 | 0:45:16 | |
coming to the underfloor area of this room. | 0:45:16 | 0:45:21 | |
-I see! -And those are the telltale signs right there of... | 0:45:21 | 0:45:24 | |
-Yes. -Underfloor heating. | 0:45:24 | 0:45:25 | |
So, where are we right here? | 0:45:25 | 0:45:28 | |
This is all that remains of a bath complex. | 0:45:30 | 0:45:31 | |
-I see! -This is what people came to Baia for. | 0:45:31 | 0:45:34 | |
And Baia was the largest set of thermal mineral hot springs | 0:45:34 | 0:45:39 | |
in the ancient world. Right here. | 0:45:39 | 0:45:42 | |
Right here. | 0:45:42 | 0:45:43 | |
So, Roman Baia was a spa resort taking full advantage of the | 0:45:44 | 0:45:48 | |
geothermal waters of the burning fields. | 0:45:48 | 0:45:51 | |
Our aqueduct, the Aqua Augusta, | 0:45:53 | 0:45:56 | |
even came through here to help quench its thirst. | 0:45:56 | 0:45:59 | |
We're off to see one of Baia's wonders, | 0:46:01 | 0:46:03 | |
fed by the aqueduct's waters. | 0:46:03 | 0:46:05 | |
VOICE ECHOING: Oh, look at this! | 0:46:08 | 0:46:10 | |
Listen to this! | 0:46:12 | 0:46:13 | |
Welcome to the Temple Of Echoes. | 0:46:15 | 0:46:18 | |
It's like a sort of mini Pantheon, isn't it? | 0:46:18 | 0:46:20 | |
The dome is half the size of the Pantheon in Rome, | 0:46:20 | 0:46:23 | |
but until the Pantheon was built in its second century AD version, | 0:46:23 | 0:46:28 | |
this was the biggest dome around. | 0:46:28 | 0:46:31 | |
But it's actually a swimming pool. | 0:46:31 | 0:46:33 | |
SPLASH ECHOES | 0:46:36 | 0:46:39 | |
Oh, look at that! | 0:46:41 | 0:46:43 | |
Oh, it's beautiful! | 0:46:44 | 0:46:45 | |
And how many Romans do you think sort of laid back | 0:46:47 | 0:46:50 | |
after a decent two-amphora lunch? | 0:46:50 | 0:46:52 | |
Recovering from the night before. | 0:46:52 | 0:46:54 | |
Saying, "Whoa, throw another stone!" | 0:46:54 | 0:46:57 | |
Baia was so popular as a spa resort | 0:47:02 | 0:47:05 | |
that the great and the good from emperors to ordinary citizens | 0:47:05 | 0:47:08 | |
flocked here in search of a cure. | 0:47:08 | 0:47:11 | |
But Romans being Romans, that wasn't all they came for. | 0:47:12 | 0:47:16 | |
On the one hand, you've got the Roman writers saying | 0:47:18 | 0:47:20 | |
that this place is a beautiful gift of nature. | 0:47:20 | 0:47:22 | |
-Yeah. -But on the other hand, | 0:47:22 | 0:47:24 | |
it's a place in which the Romans can really let their hair down. | 0:47:24 | 0:47:27 | |
You hear Roman love writers sort of pleading with their girlfriends | 0:47:27 | 0:47:32 | |
not to come to Baia because, | 0:47:32 | 0:47:35 | |
you know, the place is a crime against love. | 0:47:35 | 0:47:37 | |
It's just about sex here. | 0:47:37 | 0:47:39 | |
This was, "Come, fill your boots, we won't talk about it any further." | 0:47:39 | 0:47:43 | |
And there's one thing I'm wondering about, | 0:47:43 | 0:47:45 | |
is where did they live when they were here? | 0:47:45 | 0:47:47 | |
Well, just like any posh seaside town today, | 0:47:47 | 0:47:50 | |
the most expensive villas are on the seafront. | 0:47:50 | 0:47:53 | |
So, I imagine they've been sort of built over? | 0:47:53 | 0:47:55 | |
No, they haven't been built over, but they are hidden from view. | 0:47:55 | 0:47:59 | |
Well, from us here, at least. | 0:47:59 | 0:48:00 | |
Because they're actually now under the water. | 0:48:00 | 0:48:03 | |
Even powerful Roman playboys couldn't hold back a supervolcano. | 0:48:06 | 0:48:10 | |
Its heaving underground belly | 0:48:11 | 0:48:13 | |
constantly filling and emptying with magma | 0:48:13 | 0:48:16 | |
causes the coastline to rise and fall. | 0:48:16 | 0:48:19 | |
I've survived the underworld. Now I'm heading underwater. | 0:48:22 | 0:48:26 | |
And our scanning team is joining Michael and me | 0:48:27 | 0:48:29 | |
for the most ambitious stage of their mission. | 0:48:29 | 0:48:32 | |
In another first, they'll be scanning beneath Baia's waves. | 0:48:34 | 0:48:38 | |
All I have to do is get my wet suit on. | 0:48:38 | 0:48:41 | |
These are backward-facing wet suits, right? | 0:48:42 | 0:48:45 | |
Yeah, yeah, yeah, yeah, yeah. Xander... | 0:48:45 | 0:48:47 | |
Have I got the wrong...? | 0:48:47 | 0:48:49 | |
Oh, no! | 0:48:49 | 0:48:51 | |
-LAUGHTER -Yeah, I'm afraid you're... | 0:48:51 | 0:48:53 | |
This is going to be special for both of us. | 0:48:57 | 0:49:00 | |
Even Michael has never seen the treasures we've been promised. | 0:49:00 | 0:49:04 | |
Quite cold, so I'm preparing myself mentally for that. | 0:49:04 | 0:49:09 | |
NASALLY: And I'm talking like this. | 0:49:09 | 0:49:10 | |
Come on in, Xander, the water's lovely. | 0:49:11 | 0:49:14 | |
Honest! | 0:49:14 | 0:49:15 | |
He's not kidding! | 0:49:20 | 0:49:21 | |
This is Baia's lost harbour, | 0:49:23 | 0:49:25 | |
where the notorious Caligula is supposed to have refuted a prophecy | 0:49:25 | 0:49:29 | |
that he would never be emperor until he rode on horseback | 0:49:29 | 0:49:33 | |
across the water of the bay. | 0:49:33 | 0:49:34 | |
So, he tethered 4,000 ships together from this harbour wall | 0:49:39 | 0:49:43 | |
and trotted across. | 0:49:43 | 0:49:44 | |
No mistaking those columns, is there? | 0:49:47 | 0:49:49 | |
This area's called the Portus Iulius. | 0:49:49 | 0:49:51 | |
But it's the mole, the harbour walls that were sunk. | 0:49:51 | 0:49:54 | |
I was going to say, this is a functional building, isn't it? | 0:49:54 | 0:49:56 | |
-Yeah, to create safe space. -These are not your posh villas here. | 0:49:56 | 0:49:59 | |
-No. -No. -Originally for the Roman military fleet. -Yeah. | 0:49:59 | 0:50:02 | |
Now, I want to experience the posh villas | 0:50:04 | 0:50:07 | |
where I've been told the dining rooms contained sea-water pools | 0:50:07 | 0:50:10 | |
on which exotic dishes floated. | 0:50:10 | 0:50:12 | |
That may not be quite as easy as I thought. | 0:50:14 | 0:50:17 | |
As these watery gems have sunk even deeper beneath the waves, | 0:50:17 | 0:50:21 | |
we'll need to scuba-dive. | 0:50:21 | 0:50:23 | |
But only one of us is a diver. | 0:50:23 | 0:50:25 | |
Well, Michael's just gone overboard. | 0:50:28 | 0:50:30 | |
I mean, he's got... He's got the easy job here. | 0:50:30 | 0:50:32 | |
I, meanwhile, have got to sit here and man the comms. | 0:50:32 | 0:50:36 | |
Mikey Michael, this is Xander, are you receiving me? | 0:50:39 | 0:50:42 | |
Maybe that was something being plugged in. | 0:50:50 | 0:50:52 | |
'Can you hear me, topside? Over.' | 0:50:52 | 0:50:54 | |
Yes, I can. | 0:50:54 | 0:50:56 | |
Over. Loud and clear. | 0:50:56 | 0:50:59 | |
'Xander...this is absolutely incredible down here. | 0:50:59 | 0:51:04 | |
'I could do with a little champagne, I think, at this moment in time.' | 0:51:06 | 0:51:10 | |
Tell me what you can see, over. | 0:51:13 | 0:51:15 | |
'So, we're in one of the rooms | 0:51:15 | 0:51:18 | |
'of one of those posh, fancy villa owners. | 0:51:18 | 0:51:21 | |
'And I am currently in the process of uncovering | 0:51:21 | 0:51:26 | |
'this gentleman's mosaic floor. | 0:51:26 | 0:51:28 | |
'I don't know if his guests were impressed 2,000 years ago, | 0:51:28 | 0:51:33 | |
'but I'm certainly impressed today.' | 0:51:33 | 0:51:36 | |
Oh, Michael, that sounds incredible. | 0:51:38 | 0:51:40 | |
I'm just wondering how quickly I can learn to scuba dive, | 0:51:40 | 0:51:44 | |
so I can come down and join you. | 0:51:44 | 0:51:45 | |
-MICHAEL LAUGHS -'You would absolutely love it.' | 0:51:45 | 0:51:48 | |
Michael, we've got a snorkel here. | 0:51:49 | 0:51:51 | |
I might pop that on. I can see it with a snorkel, surely? | 0:51:51 | 0:51:53 | |
'Absolutely. You can't miss this.' | 0:51:53 | 0:51:55 | |
'I also wish I knew what had happened in this...' | 0:51:57 | 0:52:01 | |
I feel like a war child listening to Churchill on the radio. | 0:52:01 | 0:52:05 | |
I just want... I want to get in there. | 0:52:05 | 0:52:07 | |
'Wow. | 0:52:07 | 0:52:09 | |
'If only this mosaic could talk. | 0:52:09 | 0:52:11 | |
'I'm sure it would have some fantastic stories | 0:52:12 | 0:52:15 | |
'and secrets to tell us all.' | 0:52:15 | 0:52:16 | |
Michael's description doesn't disappoint. | 0:52:18 | 0:52:20 | |
I can just imagine this as one of those villas | 0:52:20 | 0:52:22 | |
with sea-water pools and floating dishes. | 0:52:22 | 0:52:25 | |
But some Roman god with a sense of humour has taken it a step further | 0:52:26 | 0:52:30 | |
and inundated the whole villa with sea water. | 0:52:30 | 0:52:33 | |
It's like the tiled floor of some oligarch's gym, I should think. | 0:52:45 | 0:52:50 | |
Very beautiful. | 0:52:50 | 0:52:52 | |
And there's so much more. | 0:52:52 | 0:52:54 | |
Roads running along the seafront... | 0:52:54 | 0:52:56 | |
..countless amphorae and even a villa with its statues. | 0:52:58 | 0:53:02 | |
They're now faithful replicas, | 0:53:03 | 0:53:05 | |
so that enthusiasts can still share the magic of this lost world. | 0:53:05 | 0:53:09 | |
'I absolutely love it down here. | 0:53:13 | 0:53:15 | |
'This is the first time that I've been able | 0:53:16 | 0:53:19 | |
'to see this underwater world. | 0:53:19 | 0:53:22 | |
'Lost in time, wrapped in silence, | 0:53:23 | 0:53:27 | |
'as the sea levels have risen and the Earth has fallen.' | 0:53:27 | 0:53:30 | |
What a great place to experience. | 0:53:33 | 0:53:35 | |
The scanning team has almost completed its underwater mission. | 0:53:37 | 0:53:41 | |
What an experience. Extraordinary! Extraordinary, | 0:53:48 | 0:53:50 | |
then you come up and look at this bay anew and you think, well, | 0:53:50 | 0:53:53 | |
what must this have been like? | 0:53:53 | 0:53:55 | |
'We are better placed than ever before to find out. | 0:53:57 | 0:54:00 | |
'In another first for our scanning team, | 0:54:01 | 0:54:03 | |
'they're bringing it back to life as virtual reality.' | 0:54:03 | 0:54:07 | |
I'm going to show you Baia like you've never seen it before. | 0:54:08 | 0:54:11 | |
OK, shall I get in there? | 0:54:11 | 0:54:13 | |
Oh! | 0:54:15 | 0:54:16 | |
Oh, wonderful, I can see. It's completely 3D. | 0:54:18 | 0:54:21 | |
I see where we are. Look at this! | 0:54:21 | 0:54:23 | |
You see the little traces of algae and fish life around you. | 0:54:23 | 0:54:27 | |
I do! Look... Oh, and I can breathe! | 0:54:27 | 0:54:29 | |
-Yeah, handy, isn't it? -HE INHALES DEEPLY | 0:54:29 | 0:54:32 | |
It's fantastic. I feel like I'm snorkelling, slightly. | 0:54:32 | 0:54:35 | |
HE GASPS | 0:54:35 | 0:54:37 | |
So this is what Michael was talking about. | 0:54:37 | 0:54:39 | |
Look at that! | 0:54:39 | 0:54:40 | |
-Incredible. I'm so dry! -Yeah. | 0:54:42 | 0:54:45 | |
I think I'm going down for a little crawl on the floor, | 0:54:45 | 0:54:47 | |
just to have a closer look at it. | 0:54:47 | 0:54:49 | |
I feel like I've been dusting all the sand away. | 0:54:53 | 0:54:57 | |
Almost every tile. | 0:54:57 | 0:54:58 | |
Time to come up for air | 0:55:00 | 0:55:01 | |
and explore what the team has done with above-ground Baia. | 0:55:01 | 0:55:05 | |
Blimey, there it is. | 0:55:05 | 0:55:07 | |
There's Baia. It's like we've got a sort of tabletop train set. | 0:55:07 | 0:55:10 | |
-Yeah. Or the best doll's house in the world. -It's amazing! | 0:55:10 | 0:55:13 | |
Look at that! I mean, it... | 0:55:13 | 0:55:15 | |
The extraordinary thing is we never got a chance to see | 0:55:15 | 0:55:18 | |
how beautifully landscaped it is. | 0:55:18 | 0:55:20 | |
It's the weirdest thing in the world. | 0:55:21 | 0:55:23 | |
What about that! Amazing! | 0:55:23 | 0:55:25 | |
It helps build up an astonishing picture | 0:55:28 | 0:55:30 | |
of what Baia was like two millennia ago | 0:55:30 | 0:55:33 | |
before half of it was dragged underwater by the volcanic activity | 0:55:33 | 0:55:36 | |
that gave it life and then snuffed it out. | 0:55:36 | 0:55:40 | |
With our 3D model almost complete, | 0:55:45 | 0:55:48 | |
Michael has a plan to piece together all the strands of our story. | 0:55:48 | 0:55:52 | |
So he's taking me to nearby Miseno, | 0:55:53 | 0:55:55 | |
the port that succeeded Baia as the headquarters of the Roman fleet. | 0:55:55 | 0:56:00 | |
Thousands of sailors, | 0:56:03 | 0:56:05 | |
but also all the support staff were all suddenly based out of here. | 0:56:05 | 0:56:08 | |
-It would have put enormous strain on the natural resources. -Yeah. | 0:56:08 | 0:56:12 | |
And so they came up with a solution to be able to | 0:56:12 | 0:56:15 | |
at least give them water to drink. | 0:56:15 | 0:56:17 | |
This is just the most extraordinarily magnificent place. | 0:56:19 | 0:56:25 | |
Absolutely colossal. | 0:56:25 | 0:56:27 | |
So this is the largest ever Roman cistern, | 0:56:28 | 0:56:33 | |
built to hold the water that would be necessary | 0:56:33 | 0:56:36 | |
to supply such a large number of people. | 0:56:36 | 0:56:39 | |
And where did all that water come from? | 0:56:39 | 0:56:42 | |
I'm guessing this is the Aqua... | 0:56:42 | 0:56:43 | |
-The Aqua Augusta, that we saw back in Naples. -There we are. | 0:56:43 | 0:56:46 | |
The Aqua Augusta, that runs for 100km, | 0:56:46 | 0:56:51 | |
connects all the places we visited. | 0:56:51 | 0:56:53 | |
It's the thread that draws our 3D model together. | 0:56:53 | 0:56:56 | |
It shows how Baia really was two millennia ago. | 0:56:57 | 0:57:01 | |
It reveals Naples' hidden underworld | 0:57:03 | 0:57:06 | |
that helped it grow into one of the world's greatest cities. | 0:57:06 | 0:57:09 | |
And it shows the Roman towns that thrived in Vesuvius' fertile soils | 0:57:10 | 0:57:16 | |
before they were destroyed by it. | 0:57:16 | 0:57:18 | |
They've been so flabbergasting, the things we've seen. | 0:57:21 | 0:57:26 | |
I think the most beautiful thing was looking at the mosaic. | 0:57:26 | 0:57:28 | |
As you were sort of sweeping that away, that must have felt wonderful. | 0:57:28 | 0:57:32 | |
That was a magic experience. Something I will never forget. | 0:57:32 | 0:57:34 | |
And I think Naples is one of the places in the world | 0:57:34 | 0:57:37 | |
where you can really get a sense of people building on | 0:57:37 | 0:57:40 | |
the foundations of civilisations that came before them. | 0:57:40 | 0:57:43 | |
The layers of time. | 0:57:43 | 0:57:44 | |
Below ground, below the water and above ground, as well. | 0:57:44 | 0:57:48 | |
It's extraordinary and, you know, you look up here, | 0:57:48 | 0:57:50 | |
there's Vesuvius over there, and people have lived | 0:57:50 | 0:57:53 | |
in full knowledge of the shadow they might be under at any moment. | 0:57:53 | 0:57:57 | |
But, you know, they'll take that | 0:57:57 | 0:57:59 | |
for the joy of living in this beautiful place. | 0:57:59 | 0:58:02 | |
It's like a city that's entire history has been lived | 0:58:02 | 0:58:05 | |
-as if during wartime. -On the edge. -Do you know what I mean? | 0:58:05 | 0:58:08 | |
Carpe Diem, as you said. We've just got to... | 0:58:08 | 0:58:10 | |
-We've got to live! -Intoxicating, heady, | 0:58:10 | 0:58:13 | |
but perhaps one to not stay in too long. | 0:58:13 | 0:58:16 | |
I think that's probably right. Yes. | 0:58:16 | 0:58:18 | |
-I think... -See Naples... -See Naples and go home! | 0:58:18 | 0:58:20 | |
Next time, Venice. | 0:58:23 | 0:58:25 | |
Italy's amphibious city. | 0:58:25 | 0:58:28 | |
The smell of power reeking. | 0:58:28 | 0:58:31 | |
Welcome to the highlight of Black Death. | 0:58:31 | 0:58:33 | |
Right, we're off. | 0:58:33 | 0:58:34 | |
The city was devoted to erotic pleasure. | 0:58:34 | 0:58:36 | |
Weyyy, ohhh! | 0:58:36 | 0:58:38 | |
If you'd like to explore Naples in 3D yourself, go to... | 0:58:38 | 0:58:43 | |
..and follow the link. | 0:58:43 | 0:58:45 |