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One thousand years of history under one roof, | 0:00:02 | 0:00:06 | |
the National Archives, a treasure house of secrets. | 0:00:06 | 0:00:11 | |
The records of extraordinary times and people, | 0:00:11 | 0:00:15 | |
these files are this nation's story, | 0:00:15 | 0:00:18 | |
our shared past. | 0:00:18 | 0:00:20 | |
Documents housed here were highly classified, | 0:00:20 | 0:00:24 | |
intended for the eyes of only the privileged few, | 0:00:24 | 0:00:28 | |
protected from your sight for decades, | 0:00:28 | 0:00:31 | |
but not now. | 0:00:31 | 0:00:33 | |
I've been granted special access | 0:00:39 | 0:00:41 | |
to files once kept hush-hush. | 0:00:41 | 0:00:44 | |
I'll unearth amazing tales from our hidden history. | 0:00:44 | 0:00:48 | |
Forget what you've been told, | 0:00:49 | 0:00:51 | |
these documents tell the truth. | 0:00:51 | 0:00:54 | |
Coming up in this programme, | 0:01:05 | 0:01:07 | |
crime and punishment - | 0:01:07 | 0:01:09 | |
infamous murderers | 0:01:09 | 0:01:11 | |
and the hangman who put hundreds of them to death. | 0:01:11 | 0:01:14 | |
For a good clean execution, | 0:01:14 | 0:01:16 | |
you must have his height and his weight. | 0:01:16 | 0:01:18 | |
Otherwise, if you get a man who's, say, 16 stone | 0:01:18 | 0:01:21 | |
and you give him an 8 foot drop you'll pull his head off. | 0:01:21 | 0:01:23 | |
BELL CHIMES | 0:01:23 | 0:01:26 | |
The art of detection and the science of fingerprinting. | 0:01:26 | 0:01:30 | |
How Scotland Yard pioneered forensics. | 0:01:30 | 0:01:34 | |
I am your suspect. | 0:01:34 | 0:01:36 | |
What do I need to do to clear my name? | 0:01:36 | 0:01:38 | |
You know what they say, big hands... | 0:01:38 | 0:01:40 | |
-I don't know what they say. -..big fingerprints! | 0:01:40 | 0:01:42 | |
Consulting detective... | 0:01:42 | 0:01:44 | |
And a new mystery for Sherlock. | 0:01:44 | 0:01:46 | |
Why did so many believe that | 0:01:46 | 0:01:48 | |
Conan Doyle's fictitious sleuth was real? | 0:01:48 | 0:01:51 | |
I get letters addressed to him | 0:01:51 | 0:01:53 | |
and I get letters asking for his autograph. | 0:01:53 | 0:01:56 | |
I get letters addressed to his rather stupid friend, Watson. | 0:01:56 | 0:02:00 | |
The ultimate punishment for crime is death. | 0:02:04 | 0:02:07 | |
These once secret files contain details | 0:02:09 | 0:02:11 | |
of thousands of those crimes, | 0:02:11 | 0:02:14 | |
how they were planned and perpetrated. | 0:02:14 | 0:02:16 | |
But the punishment was no secret. | 0:02:19 | 0:02:22 | |
In centuries gone by, | 0:02:22 | 0:02:23 | |
it was out in the open for all to see | 0:02:23 | 0:02:27 | |
and even enjoy. | 0:02:27 | 0:02:28 | |
Imagine that I am a condemned man | 0:02:30 | 0:02:33 | |
on my way to my public execution. | 0:02:33 | 0:02:36 | |
There's a good chance that my journey would begin here, | 0:02:36 | 0:02:39 | |
at the site of the old Newgate Prison, | 0:02:39 | 0:02:42 | |
now the Old Bailey. | 0:02:42 | 0:02:43 | |
Driver, take me to my fate. | 0:02:47 | 0:02:50 | |
CROWD CHEERS | 0:02:52 | 0:02:54 | |
Here in London, | 0:02:54 | 0:02:55 | |
when the use of capital punishment was at its height, | 0:02:55 | 0:02:58 | |
the condemned were transported to the gallows | 0:02:58 | 0:03:01 | |
on a horse-drawn cart | 0:03:01 | 0:03:03 | |
to the delight of the watching crowds. | 0:03:03 | 0:03:06 | |
Throngs of people cheering, jeering, hurling rotten food. | 0:03:08 | 0:03:14 | |
And no wonder they were happy, | 0:03:14 | 0:03:16 | |
for an execution day was often declared a public holiday. | 0:03:16 | 0:03:20 | |
The taverns along the route would be packed for the procession. | 0:03:22 | 0:03:26 | |
In the slang of the time, I was going west, | 0:03:26 | 0:03:29 | |
I was due to do the Tyburn jig. | 0:03:29 | 0:03:32 | |
In other words, I was going to be hanged. | 0:03:32 | 0:03:36 | |
Public executions may have generated a carnival atmosphere, | 0:03:38 | 0:03:42 | |
but they had a darker purpose - | 0:03:42 | 0:03:44 | |
to instil fear in the crowd | 0:03:44 | 0:03:46 | |
and to deter them from committing crime. | 0:03:46 | 0:03:50 | |
I'm heading for Tyburn, can I give you a lift? | 0:03:50 | 0:03:52 | |
Oh, I think so, thank you. | 0:03:52 | 0:03:54 | |
And in the 17th and 18th centuries, | 0:03:54 | 0:03:56 | |
those crimes could be petty by our standards, | 0:03:56 | 0:04:00 | |
but still attract the ultimate punishment. | 0:04:00 | 0:04:03 | |
At the end of the Tudor period, | 0:04:03 | 0:04:05 | |
there were 50 capital crimes. | 0:04:05 | 0:04:07 | |
By the end of the Regency period there were over 200. | 0:04:07 | 0:04:11 | |
So you could be executed for shoplifting, house breaking, theft. | 0:04:11 | 0:04:16 | |
You could even be executed for walking disguised, | 0:04:16 | 0:04:19 | |
that was enough to hang you. | 0:04:19 | 0:04:21 | |
At one stage, it was even a capital offence | 0:04:21 | 0:04:23 | |
to be seen in the company of gypsies. | 0:04:23 | 0:04:27 | |
And the courts decreed that the resulting sentence | 0:04:27 | 0:04:30 | |
be carried out in full public glare. | 0:04:30 | 0:04:33 | |
That was one of the strongest points of the punishment, | 0:04:33 | 0:04:36 | |
the state wanted you to be humiliated. | 0:04:36 | 0:04:39 | |
You spent 20, 30 minutes thrashing at the end of the rope | 0:04:39 | 0:04:43 | |
with your legs kicking, | 0:04:43 | 0:04:44 | |
and the crowd saw this, | 0:04:44 | 0:04:46 | |
and they might just think, "That could be me." | 0:04:46 | 0:04:50 | |
At Tyburn, next to what's now Marble Arch, | 0:04:53 | 0:04:56 | |
the hangman let the prisoners say their last farewells | 0:04:56 | 0:05:00 | |
before leading them to the Triple Tree. | 0:05:00 | 0:05:03 | |
This triangular apparatus could hang up to 24 convicts at a time. | 0:05:03 | 0:05:08 | |
Do we know exactly where the gallows was? | 0:05:10 | 0:05:12 | |
We don't know with absolute certainty, | 0:05:12 | 0:05:15 | |
but this is the most likely spot. | 0:05:15 | 0:05:17 | |
It is extraordinary, isn't it? | 0:05:17 | 0:05:19 | |
This tiny monument actually represents | 0:05:19 | 0:05:22 | |
-tens of thousands of people... -Yes. -..who perished here. | 0:05:22 | 0:05:26 | |
Most of whom died a terrible, excruciating death | 0:05:26 | 0:05:30 | |
with crowds of people watching | 0:05:30 | 0:05:33 | |
or saying perhaps the silent prayer. | 0:05:33 | 0:05:35 | |
So how did hanging go from being a spectator event | 0:05:39 | 0:05:43 | |
to the taboo that it is now? | 0:05:43 | 0:05:45 | |
For that, I need to reach into more recent archives from 1955. | 0:05:45 | 0:05:50 | |
-TV ANNOUNCER: -Millions are asking, "Is it civilised to kill by law? | 0:05:54 | 0:05:57 | |
"Does it really act as a deterrent?" | 0:05:57 | 0:05:59 | |
This was the law of the centuries gone by, | 0:05:59 | 0:06:02 | |
should it remain the law of the 20th? | 0:06:02 | 0:06:04 | |
I've unearthed one document revealing details of an execution | 0:06:09 | 0:06:14 | |
that helped to change Britain's attitude | 0:06:14 | 0:06:17 | |
to capital punishment. | 0:06:17 | 0:06:19 | |
It's the case of the last woman to be hanged in this country, | 0:06:19 | 0:06:22 | |
Ruth Ellis. | 0:06:22 | 0:06:23 | |
These files from 1955 are the gory bureaucratic detail | 0:06:26 | 0:06:31 | |
that accompanies a judicial execution. | 0:06:31 | 0:06:35 | |
Name of prisoner, Ruth Ellis. | 0:06:35 | 0:06:36 | |
Prisoner number... Aged 28 years. | 0:06:36 | 0:06:39 | |
The Ellis case became controversial, | 0:06:42 | 0:06:44 | |
not least because of her circumstances. | 0:06:44 | 0:06:47 | |
Abused as a child, she'd led a chaotic life | 0:06:47 | 0:06:50 | |
and been involved in a series of disastrous relationships. | 0:06:50 | 0:06:54 | |
She shot her wealthy racing driver boyfriend, David Blakely, | 0:06:57 | 0:07:01 | |
after he'd been unfaithful and violent towards her, | 0:07:01 | 0:07:05 | |
allegedly punching her so hard in the stomach | 0:07:05 | 0:07:07 | |
that she lost her unborn baby. | 0:07:07 | 0:07:10 | |
-TV ANNOUNCER: -On June 21st, | 0:07:19 | 0:07:21 | |
Ruth Ellis was found guilty of murder at the Old Bailey | 0:07:21 | 0:07:24 | |
and sentenced to death in accordance with the law. | 0:07:24 | 0:07:27 | |
In the days leading up to her execution, | 0:07:28 | 0:07:31 | |
there was a public campaign for clemency. | 0:07:31 | 0:07:33 | |
Petitions attracted 50,000 signatures, | 0:07:34 | 0:07:38 | |
and these files describe the last minute efforts | 0:07:38 | 0:07:41 | |
made behind the scenes. | 0:07:41 | 0:07:43 | |
The prison governess picks up the story of a call | 0:07:44 | 0:07:47 | |
that she took on the morning of the execution. | 0:07:47 | 0:07:50 | |
"I received a telephone call from a Miss or Mrs Holmes | 0:07:52 | 0:07:56 | |
"who stated that she was private secretary | 0:07:56 | 0:07:58 | |
"to Major Lloyd George, | 0:07:58 | 0:08:00 | |
"who was the Home Secretary. | 0:08:00 | 0:08:01 | |
"She said that a stay of execution was on its way | 0:08:01 | 0:08:05 | |
"in the case of Ruth Ellis. | 0:08:05 | 0:08:07 | |
"This caused some delay, | 0:08:07 | 0:08:08 | |
"and in view of the unsatisfactory source of the message, | 0:08:08 | 0:08:11 | |
"and after consultation, | 0:08:11 | 0:08:13 | |
"it was decided to carry on with the execution. | 0:08:13 | 0:08:17 | |
"This was done, | 0:08:17 | 0:08:18 | |
"and the execution took place at 9.01am | 0:08:18 | 0:08:22 | |
"instead of 9am as arranged." | 0:08:22 | 0:08:25 | |
BELL CHIMES | 0:08:26 | 0:08:29 | |
The man who carried out the hanging | 0:08:33 | 0:08:35 | |
was Britain's most famous executioner, Albert Pierrepoint. | 0:08:35 | 0:08:39 | |
During his long career, he killed more than 400 people, | 0:08:39 | 0:08:43 | |
his record being 17 in a single day. | 0:08:43 | 0:08:46 | |
You see, every person has to have a... | 0:08:46 | 0:08:48 | |
In this 1983 interview, | 0:08:48 | 0:08:50 | |
he explained the methods that he employed | 0:08:50 | 0:08:52 | |
for a successful kill. | 0:08:52 | 0:08:55 | |
For a good clean execution, | 0:08:55 | 0:08:56 | |
you must have his age, his height and his weight. | 0:08:56 | 0:09:00 | |
Otherwise, if you get a man, say, 16 stone, | 0:09:00 | 0:09:03 | |
which it does happen, | 0:09:03 | 0:09:04 | |
and you give him an 8 foot drop, you'll pull his head off. | 0:09:04 | 0:09:07 | |
The files reveal, in macabre detail, | 0:09:07 | 0:09:10 | |
his careful preparations for the Ellis execution. | 0:09:10 | 0:09:14 | |
"Height, 5 foot 2. | 0:09:15 | 0:09:17 | |
"Build, spare, weighing 103 pounds. | 0:09:17 | 0:09:21 | |
"Character of the prisoner's neck, thin." | 0:09:21 | 0:09:23 | |
Now, Pierrepoint would have used that data | 0:09:23 | 0:09:26 | |
in order to make a calculation about what length of rope was necessary | 0:09:26 | 0:09:30 | |
to kill Ruth Ellis. | 0:09:30 | 0:09:33 | |
"A length of the drop as determined before the execution, | 0:09:33 | 0:09:36 | |
"8 foot 4 inches. | 0:09:36 | 0:09:38 | |
"Length of the drop as measured after the execution, | 0:09:38 | 0:09:41 | |
"8 foot 6 inches." | 0:09:41 | 0:09:43 | |
So the calculations had been perfectly made. | 0:09:43 | 0:09:47 | |
And they had to be, | 0:09:47 | 0:09:48 | |
because each hanging was subject to an official review, | 0:09:48 | 0:09:52 | |
like this one. | 0:09:52 | 0:09:54 | |
"Has Pierrepoint performed his duty satisfactorily? | 0:09:54 | 0:09:56 | |
"Yes. | 0:09:56 | 0:09:58 | |
"Was his general demeanour satisfactory | 0:09:58 | 0:10:00 | |
"during the period that he was in the prison? | 0:10:00 | 0:10:02 | |
"Yes. | 0:10:02 | 0:10:03 | |
"Cause of death, fracture dislocation | 0:10:03 | 0:10:06 | |
"between second and third cervical vertebrae | 0:10:06 | 0:10:09 | |
"and clean break of the spinal cord at that level." | 0:10:09 | 0:10:13 | |
Ruth Ellis would have died a quick death. | 0:10:13 | 0:10:16 | |
Mr Albert Pierrepoint could have gone home that day satisfied | 0:10:16 | 0:10:20 | |
he'd done exactly what was required of him | 0:10:20 | 0:10:23 | |
and his performance review was good. | 0:10:23 | 0:10:26 | |
The execution of Ruth Ellis caused widespread disquiet | 0:10:29 | 0:10:33 | |
and strengthened the campaign to abolish capital punishment. | 0:10:33 | 0:10:36 | |
That didn't happen for another decade, | 0:10:37 | 0:10:39 | |
but during that time, no other woman suffered her fate. | 0:10:39 | 0:10:43 | |
There was quite a high degree of public sympathy for her | 0:10:45 | 0:10:48 | |
and I think part of that was people could empathise with her, | 0:10:48 | 0:10:52 | |
they could identify with this, er, love story gone wrong. | 0:10:52 | 0:10:55 | |
And she was actually found at the scene of the crime | 0:10:55 | 0:10:58 | |
-with a gun in her hand, I think... -Yes, yeah. | 0:10:58 | 0:11:01 | |
So was there considerable public shock | 0:11:01 | 0:11:03 | |
when the sentence was carried out? | 0:11:03 | 0:11:06 | |
Er, yes, there was shock | 0:11:06 | 0:11:08 | |
and then when people gathered outside the prison, | 0:11:08 | 0:11:10 | |
some people reportedly sort of dropped to their knees | 0:11:10 | 0:11:13 | |
at around the time that, erm, she would have been hanged. | 0:11:13 | 0:11:16 | |
Do you think, in terms of the history of the death penalty, | 0:11:16 | 0:11:20 | |
the Ruth Ellis case is very significant? | 0:11:20 | 0:11:23 | |
I think it would be too straightforward to say | 0:11:23 | 0:11:25 | |
because of Ruth Ellis | 0:11:25 | 0:11:26 | |
it became more likely that the death penalty would be abolished, | 0:11:26 | 0:11:30 | |
but in a sort of wider context, | 0:11:30 | 0:11:32 | |
Ruth Ellis' case can be seen as one of those really important ones. | 0:11:32 | 0:11:36 | |
What of Albert Pierrepoint? | 0:11:36 | 0:11:38 | |
Less than a year after he executed Ellis, | 0:11:38 | 0:11:41 | |
the most prolific hangman in British history finally retired. | 0:11:41 | 0:11:46 | |
He wrote an autobiography in which, amazingly, | 0:11:46 | 0:11:49 | |
he spoke out against the efficacy of capital punishment. | 0:11:49 | 0:11:53 | |
"It is said to be a deterrent, | 0:11:53 | 0:11:56 | |
"I cannot agree. | 0:11:56 | 0:11:57 | |
"All the men and women whom I have faced at that final moment | 0:11:57 | 0:12:00 | |
"convince me that in what I have done | 0:12:00 | 0:12:04 | |
"I've not prevented a single murder." | 0:12:04 | 0:12:07 | |
If Ellis had committed her crime in 1965, not 1955, | 0:12:09 | 0:12:15 | |
she'd probably have lived. | 0:12:15 | 0:12:17 | |
By then, Parliament had begun moves to abolish the ultimate sentence, | 0:12:17 | 0:12:21 | |
but for her, that change came a decade too late. | 0:12:21 | 0:12:24 | |
Shortly before she was hanged, | 0:12:29 | 0:12:31 | |
Ruth Ellis wrote to the parents of David, | 0:12:31 | 0:12:34 | |
the boyfriend that she had murdered. | 0:12:34 | 0:12:36 | |
She said, "We were very much in love with one another. | 0:12:36 | 0:12:40 | |
"Unfortunately, one woman in his life wasn't enough for David. | 0:12:40 | 0:12:45 | |
"I have forgiven him. | 0:12:45 | 0:12:47 | |
"I wish I could have found it in my heart | 0:12:47 | 0:12:49 | |
"to have forgiven him while he was alive. | 0:12:49 | 0:12:52 | |
"I shall die loving David. | 0:12:52 | 0:12:55 | |
"You should feel content that his death has been repaid. | 0:12:55 | 0:12:59 | |
"Goodbye, Ruth Ellis." | 0:13:01 | 0:13:03 | |
The name Scotland Yard has long been associated | 0:13:13 | 0:13:16 | |
with cutting-edge investigative techniques | 0:13:16 | 0:13:19 | |
and many brilliant detectives have passed through its doors. | 0:13:19 | 0:13:24 | |
But could any of them measure up | 0:13:24 | 0:13:25 | |
to Britain's most celebrated crime fighter? | 0:13:25 | 0:13:28 | |
This hat is widely worn in Scotland, | 0:13:31 | 0:13:33 | |
yet you're already thinking Sherlock Holmes, | 0:13:33 | 0:13:36 | |
an elementary demonstration of the power over our imagination | 0:13:36 | 0:13:40 | |
exercised by the fictitious detective | 0:13:40 | 0:13:43 | |
a century after he was created by Sir Arthur Conan Doyle. | 0:13:43 | 0:13:48 | |
But had you ever fallen into the trap | 0:13:48 | 0:13:50 | |
of thinking that the great sleuth was real? | 0:13:50 | 0:13:53 | |
Well, Watson, what do you make of it? | 0:13:53 | 0:13:55 | |
Me, Holmes? | 0:13:55 | 0:13:57 | |
You know my methods. | 0:13:57 | 0:13:59 | |
Apply them. | 0:13:59 | 0:14:00 | |
Scotland Yard has thick files of people who wrote in | 0:14:01 | 0:14:05 | |
asking the whereabouts of Sherlock Holmes. | 0:14:05 | 0:14:08 | |
This one comes from Odessa in present day Ukraine. | 0:14:08 | 0:14:12 | |
Erm, "Will you do me the favour of informing me | 0:14:12 | 0:14:15 | |
"where the great detective Sherlock Holmes is | 0:14:15 | 0:14:18 | |
"and what is his position? | 0:14:18 | 0:14:20 | |
"I want this information badly | 0:14:20 | 0:14:21 | |
"as I've had a bet with the great inspector named Von Lange | 0:14:21 | 0:14:25 | |
"who says Sherlock Holmes never existed." | 0:14:25 | 0:14:28 | |
And it's signed Nicolai Ivanovich Novaselski | 0:14:28 | 0:14:32 | |
who turns out to be the Secretary of the Odessa Suburban Police. | 0:14:32 | 0:14:37 | |
I suspect that the Yard's top brass | 0:14:38 | 0:14:41 | |
considered letters like this to be a bit of a nuisance. | 0:14:41 | 0:14:44 | |
Still, they were courteous enough to reply to each one. | 0:14:44 | 0:14:48 | |
"Sir, with reference to your letter of the 16th ultimo, | 0:14:48 | 0:14:52 | |
"I am directed by the Commissioner of Police of the Metropolis | 0:14:52 | 0:14:55 | |
"to acquaint you that Sherlock Holmes is not a real person | 0:14:55 | 0:14:58 | |
"but a character in fiction. | 0:14:58 | 0:14:59 | |
"I am, sir, your obedient servant." | 0:14:59 | 0:15:01 | |
And it's signed by the Chief Clerk. | 0:15:01 | 0:15:04 | |
Given that Sherlock Holmes often showed up the Metropolitan Police | 0:15:04 | 0:15:07 | |
to be Plodders, | 0:15:07 | 0:15:08 | |
I feel there's a certain tight-lipped sourness | 0:15:08 | 0:15:11 | |
about this reply. | 0:15:11 | 0:15:12 | |
Holmes was, of course, entirely the product | 0:15:17 | 0:15:19 | |
of Arthur Conan Doyle's imagination. | 0:15:19 | 0:15:23 | |
The stories published in instalments from 1887 | 0:15:23 | 0:15:26 | |
became instant classics | 0:15:26 | 0:15:29 | |
and the central character, an instant hero. | 0:15:29 | 0:15:32 | |
Well, he caught on almost immediately. | 0:15:33 | 0:15:35 | |
Within a year of his first appearance, | 0:15:35 | 0:15:37 | |
er, letters started coming in | 0:15:37 | 0:15:39 | |
to the editor of the Strand Magazine | 0:15:39 | 0:15:41 | |
asking if in fact Sherlock Holmes really existed. | 0:15:41 | 0:15:44 | |
And the editor had a standard reply where he said, | 0:15:44 | 0:15:47 | |
"I cannot confirm whether it be aye or nay, | 0:15:47 | 0:15:50 | |
"but let us hope so." | 0:15:50 | 0:15:52 | |
Why do you think people might have thought | 0:15:52 | 0:15:55 | |
that this detective was real? | 0:15:55 | 0:15:56 | |
Partly to do with the brilliance of Conan Doyle's writing, of course, | 0:15:56 | 0:15:59 | |
and also, the illustrations which accompanied the stories | 0:15:59 | 0:16:03 | |
gave a focus for their imagination. | 0:16:03 | 0:16:06 | |
And Doyle also included so many factual details into the stories, | 0:16:06 | 0:16:10 | |
you know, real locations | 0:16:10 | 0:16:12 | |
and also real people he mentions in passing. | 0:16:12 | 0:16:15 | |
And so, you're getting Doyle putting a real person with Holmes | 0:16:15 | 0:16:19 | |
and so they...the reality rubs off on the character. | 0:16:19 | 0:16:23 | |
At the height of Sherlock's popularity, | 0:16:25 | 0:16:27 | |
fact and fiction became blurred in many people's minds | 0:16:27 | 0:16:32 | |
and the confusion continued for years | 0:16:32 | 0:16:34 | |
as his creator, Conan Doyle, recalled. | 0:16:34 | 0:16:37 | |
Well, the curious thing is how many people around the world | 0:16:39 | 0:16:42 | |
who are perfectly convinced that he is a living human being. | 0:16:42 | 0:16:45 | |
I get letters addressed to him | 0:16:45 | 0:16:47 | |
and I get letters asking for his autograph. | 0:16:47 | 0:16:51 | |
I get letters addressed to his rather stupid friend, Watson. | 0:16:51 | 0:16:56 | |
I've even had ladies writing to say that | 0:16:56 | 0:16:58 | |
they'd be very glad to act as his housekeeper. | 0:16:58 | 0:17:00 | |
Despite Holmes' popularity, | 0:17:02 | 0:17:04 | |
Conan Doyle began to tire of him | 0:17:04 | 0:17:07 | |
so he decided on extreme literary action. | 0:17:07 | 0:17:10 | |
He upset his mother by saying, | 0:17:12 | 0:17:14 | |
"In the last story I shall be killing Holmes." | 0:17:14 | 0:17:17 | |
And when he died, such was the effect on the populous at the time | 0:17:17 | 0:17:22 | |
that men in the City wore black arm bands | 0:17:22 | 0:17:24 | |
in respect for the death of this great detective character. | 0:17:24 | 0:17:28 | |
Another sign that he was treated as though he was a real person. | 0:17:28 | 0:17:31 | |
Someone wrote to Conan Doyle, a lady wrote to Conan Doyle | 0:17:31 | 0:17:34 | |
after the death of Holmes in the Final Problem | 0:17:34 | 0:17:37 | |
and said, "Mr Doyle, you brute!" | 0:17:37 | 0:17:40 | |
Nine million quid, for what? | 0:17:42 | 0:17:45 | |
The pressure from fans persuaded the author | 0:17:45 | 0:17:49 | |
to bring his character back to life | 0:17:49 | 0:17:51 | |
and more than a century on, he's still with us. | 0:17:51 | 0:17:54 | |
But it's all computer generated, electronic codes, | 0:17:54 | 0:17:57 | |
electronic ciphering methods... | 0:17:57 | 0:17:58 | |
Today, the Victorian sleuth has been reinvented | 0:17:58 | 0:18:01 | |
as a 21st-century action hero. | 0:18:01 | 0:18:04 | |
Whatever was stolen, he wants it back... | 0:18:04 | 0:18:07 | |
This detective is 125 years old, | 0:18:07 | 0:18:10 | |
even his creator tried to kill him off | 0:18:10 | 0:18:13 | |
and yet, even today, people love him and even find him realistic, why? | 0:18:13 | 0:18:18 | |
Well, he's a magical character, | 0:18:18 | 0:18:19 | |
enigmatic, a superhero. | 0:18:19 | 0:18:22 | |
-Sherlock? -Where is it? Quickly, where? | 0:18:22 | 0:18:24 | |
It's here, it's in 221 Baker Street... | 0:18:24 | 0:18:29 | |
And, of course, there is the wonderful friendship | 0:18:29 | 0:18:31 | |
between Holmes and Watson which appeals too many. | 0:18:31 | 0:18:33 | |
But there's something about him that appeals to the heart, | 0:18:33 | 0:18:38 | |
and you can't fully explain that. | 0:18:38 | 0:18:40 | |
Those who feel it know it. | 0:18:40 | 0:18:43 | |
The cipher, the book, | 0:18:43 | 0:18:44 | |
it's the London A to Z that they use... | 0:18:44 | 0:18:47 | |
TENSE MUSIC PLAYS | 0:18:47 | 0:18:49 | |
Today, when the police arrive at a crime scene, | 0:19:00 | 0:19:03 | |
their first task is to seal the area, | 0:19:03 | 0:19:06 | |
so that forensic officers can do their work. | 0:19:06 | 0:19:10 | |
But the validity of forensic evidence wasn't always accepted | 0:19:10 | 0:19:14 | |
by the British Criminal Justice system. | 0:19:14 | 0:19:17 | |
A breakthrough came at the start of the 20th century | 0:19:17 | 0:19:20 | |
with a trial that transformed the investigation of crime. | 0:19:20 | 0:19:24 | |
Nowadays, we take it for granted | 0:19:26 | 0:19:28 | |
that on everything that we touch with our fingers, | 0:19:28 | 0:19:31 | |
we will leave our prints, | 0:19:31 | 0:19:32 | |
and that because those marks are unique, | 0:19:32 | 0:19:35 | |
we can be identified from them. | 0:19:35 | 0:19:37 | |
But at one time, | 0:19:38 | 0:19:40 | |
that science had to be pioneered, tested and proven | 0:19:40 | 0:19:43 | |
to public satisfaction. | 0:19:43 | 0:19:45 | |
That happened in a Court of Law. | 0:19:46 | 0:19:49 | |
I'm looking at court papers | 0:19:49 | 0:19:51 | |
on the double murder of a Mr and Mrs Farrow in 1905. | 0:19:51 | 0:19:56 | |
Two men attempted to rob their South London shop late at night. | 0:19:56 | 0:20:00 | |
When the couple resisted, they were brutally killed | 0:20:02 | 0:20:05 | |
and their money stolen from a cashbox. | 0:20:05 | 0:20:07 | |
The prime suspects were Alfred and Albert Stratton, | 0:20:10 | 0:20:14 | |
but witnesses couldn't identify the brothers, | 0:20:14 | 0:20:17 | |
as they'd been wearing these very masks. | 0:20:17 | 0:20:20 | |
So the prosecution turned to | 0:20:23 | 0:20:25 | |
the revolutionary science of fingerprints | 0:20:25 | 0:20:27 | |
in an effort to convict them. | 0:20:27 | 0:20:30 | |
The jury, sceptical of newfangled ideas, | 0:20:30 | 0:20:33 | |
would need convincing. | 0:20:33 | 0:20:34 | |
The files that I have here record that very moment in history | 0:20:37 | 0:20:42 | |
when public suspicions were overcome, | 0:20:42 | 0:20:45 | |
the occasion on which an expert witness, Charles Collins, | 0:20:45 | 0:20:49 | |
was able to convince a jury | 0:20:49 | 0:20:51 | |
to convict the Stratton brothers of the crime of murder | 0:20:51 | 0:20:56 | |
based on a fingerprint. | 0:20:56 | 0:20:58 | |
Charles Collins says, | 0:20:59 | 0:21:01 | |
"There was a mark of a digit | 0:21:01 | 0:21:04 | |
"on the side of the inner case of the cashbox. | 0:21:04 | 0:21:08 | |
"I have since photographically enlarged the mark | 0:21:08 | 0:21:10 | |
"and produced the result marked X. | 0:21:10 | 0:21:13 | |
"On the 3rd of April, I went to Greenwich Police Station | 0:21:13 | 0:21:16 | |
"and there took an imprint of | 0:21:16 | 0:21:17 | |
"the right thumb of the prisoner, Alfred Stratton, | 0:21:17 | 0:21:21 | |
"which I produced marked Y. | 0:21:21 | 0:21:24 | |
"On exhibits X and Z, | 0:21:24 | 0:21:26 | |
"I have marked with red ink 11 points of identity | 0:21:26 | 0:21:30 | |
"and I have numbered them respectively one to 11. | 0:21:30 | 0:21:34 | |
"I am of the opinion on the doctoring of chances | 0:21:39 | 0:21:42 | |
"that the odds are a hundred thousand million to one | 0:21:42 | 0:21:46 | |
"against the imprint on the cashbox shown being any other | 0:21:46 | 0:21:50 | |
"than that of the right thumb of Alfred Stratton, the accused." | 0:21:50 | 0:21:55 | |
The power of the numbers was overwhelming, | 0:21:57 | 0:22:00 | |
and it took the jury just two hours to convict. | 0:22:00 | 0:22:03 | |
The brothers were to be hanged. | 0:22:08 | 0:22:10 | |
110 years have passed since the Stratton case, | 0:22:15 | 0:22:19 | |
but basic fingerprinting science remains the same. | 0:22:19 | 0:22:23 | |
Today, former fingerprint expert for the Met Janice Runacres | 0:22:23 | 0:22:28 | |
is going to take my dabs. | 0:22:28 | 0:22:31 | |
There's a first time for everything. | 0:22:31 | 0:22:32 | |
-Right, I am your suspect. -OK. | 0:22:34 | 0:22:37 | |
What do I need to do to clear my name? | 0:22:37 | 0:22:40 | |
Make a fist with your right hand | 0:22:40 | 0:22:41 | |
-and then roll carefully across. -Roll it. | 0:22:41 | 0:22:44 | |
Try not to press hard at all, otherwise they will be blurry. | 0:22:44 | 0:22:47 | |
Really gently and lift up. | 0:22:47 | 0:22:50 | |
-Perfect. -Oh, how's that? -That's perfect. | 0:22:50 | 0:22:52 | |
There certainly is a knack to it | 0:22:55 | 0:22:58 | |
and the results are definitely worth all the care and effort. | 0:22:58 | 0:23:02 | |
-Do you mind if I have a look... -Certainly. -..for myself? | 0:23:02 | 0:23:06 | |
It's extraordinary how much you see, isn't it? | 0:23:06 | 0:23:09 | |
Yes and it's all the individual characteristics | 0:23:09 | 0:23:11 | |
that we are looking at. | 0:23:11 | 0:23:13 | |
So when a ridge changes direction or stops abruptly, | 0:23:13 | 0:23:16 | |
we call that a ridge ending. | 0:23:16 | 0:23:17 | |
If it faults into two, we call it a bifurcation, | 0:23:17 | 0:23:21 | |
and it's those individual characteristics | 0:23:21 | 0:23:23 | |
that form our identification process. | 0:23:23 | 0:23:26 | |
Are our fingerprints always the same throughout our life? | 0:23:26 | 0:23:29 | |
Yes, they are. | 0:23:29 | 0:23:30 | |
They're formed whilst the, er, foetus is in the womb. | 0:23:30 | 0:23:33 | |
Then, by 6 months, all the characteristics are fully formed | 0:23:33 | 0:23:36 | |
on the pads of the fingers and on the soles of the feet. | 0:23:36 | 0:23:39 | |
Back in 1905, | 0:23:41 | 0:23:43 | |
it must have been extremely hard for the Stratton brothers | 0:23:43 | 0:23:46 | |
to understand how carelessly leaving a thumb print | 0:23:46 | 0:23:49 | |
would lead them to the gallows. | 0:23:49 | 0:23:51 | |
-Is that one nice and clear? -That's lovely and clear, yeah. | 0:23:51 | 0:23:54 | |
Lots of clarity here, lots of definition. | 0:23:54 | 0:23:56 | |
Yeah, that would be good. | 0:23:56 | 0:23:57 | |
And we're going again, are we? | 0:23:57 | 0:23:59 | |
Well, we're just going to put your four fingers flat down. | 0:23:59 | 0:24:02 | |
Straight down and then lift up. | 0:24:02 | 0:24:04 | |
And then, you've got to get them into this silly little box. | 0:24:04 | 0:24:06 | |
-So you've got... -Right. -..big hands here. | 0:24:06 | 0:24:08 | |
You know what they say, big hands... | 0:24:08 | 0:24:10 | |
-I don't know what they say. -..big fingerprints! | 0:24:10 | 0:24:12 | |
The use of fingerprint evidence to solve the Stratton case | 0:24:17 | 0:24:21 | |
is rightly celebrated inside Scotland Yard's Museum. | 0:24:21 | 0:24:25 | |
But it was the use of forensics in another trial, | 0:24:25 | 0:24:28 | |
just five years later, | 0:24:28 | 0:24:29 | |
that cemented the Yard's reputation | 0:24:29 | 0:24:32 | |
for pioneering detection techniques. | 0:24:32 | 0:24:35 | |
It was the notorious case of Dr Hawley Crippen. | 0:24:35 | 0:24:40 | |
Here, in about half a dozen images, | 0:24:45 | 0:24:49 | |
is told the story of a murder that gripped Britain in 1910. | 0:24:49 | 0:24:56 | |
TENSE MUSIC PLAYS | 0:24:56 | 0:24:59 | |
The disappearance of Crippen's American wife, Cora, | 0:24:59 | 0:25:03 | |
seemed, initially, a mundane affair, | 0:25:03 | 0:25:06 | |
until some months later, | 0:25:06 | 0:25:08 | |
when the police made a gruesome discovery | 0:25:08 | 0:25:11 | |
at the home that she'd shared with her husband. | 0:25:11 | 0:25:13 | |
Officers began to investigate, | 0:25:15 | 0:25:18 | |
and they discovered a shovel | 0:25:18 | 0:25:20 | |
which Crippen used to use. | 0:25:20 | 0:25:23 | |
And, apparently, he had dug a grave in his cellar... | 0:25:23 | 0:25:27 | |
..for bits and pieces of his wife. | 0:25:28 | 0:25:30 | |
Dr Crippen insisted that Cora had left him months earlier. | 0:25:31 | 0:25:36 | |
If the police wanted to put him on trial, | 0:25:36 | 0:25:38 | |
they had to prove that the headless body parts were hers, | 0:25:38 | 0:25:42 | |
so they turned to the new science of forensics. | 0:25:42 | 0:25:46 | |
What could the police do with the evidence of parts of a body in 1910? | 0:25:46 | 0:25:52 | |
Bearing in mind that there was partial putrefaction | 0:25:52 | 0:25:55 | |
they were in a pretty terrible state, | 0:25:55 | 0:25:57 | |
they had to call in the experts, | 0:25:57 | 0:25:59 | |
people from St Mary's Hospital, Paddington, | 0:25:59 | 0:26:01 | |
which by this time had built up quite a reputation, | 0:26:01 | 0:26:03 | |
pioneering fields of medicine, toxicology, bacteriology | 0:26:03 | 0:26:07 | |
and, indeed, pathology. | 0:26:07 | 0:26:09 | |
If it was Mrs Crippen, | 0:26:09 | 0:26:10 | |
she would have had a scar as a result of an operation | 0:26:10 | 0:26:13 | |
she had in America in the 1890s. | 0:26:13 | 0:26:15 | |
That was very, very important. | 0:26:15 | 0:26:17 | |
Tests did discover a scar on the remains, | 0:26:20 | 0:26:22 | |
providing the police with crucial evidence | 0:26:22 | 0:26:25 | |
that the body was indeed that of Cora. | 0:26:25 | 0:26:28 | |
And not only that, | 0:26:28 | 0:26:30 | |
the forensic team discovered that before being mutilated, | 0:26:30 | 0:26:34 | |
she'd been poisoned with the deadly narcotic hyoscine. | 0:26:34 | 0:26:39 | |
Now, this is very, very significant | 0:26:39 | 0:26:41 | |
because Crippen had bought five grains of hyoscine, | 0:26:41 | 0:26:45 | |
which I may add is between five and 10 times a fatal dose, | 0:26:45 | 0:26:48 | |
at a chemist's in London | 0:26:48 | 0:26:50 | |
about a fortnight before Mrs Crippen disappeared. | 0:26:50 | 0:26:53 | |
Now, how new, then, was it, at that time, | 0:26:53 | 0:26:56 | |
for Scotland Yard to be able to make deductions about the toxicology? | 0:26:56 | 0:27:00 | |
-Was this novel? -This was, this was very new. | 0:27:00 | 0:27:02 | |
This is really pioneering stuff. Very, very important. | 0:27:02 | 0:27:05 | |
It's a landmark case, in that respect. | 0:27:05 | 0:27:07 | |
As the net tightened, | 0:27:08 | 0:27:09 | |
Crippen fled with his mistress aboard a ship bound for Canada. | 0:27:09 | 0:27:14 | |
But when its captain recognised them, | 0:27:14 | 0:27:17 | |
he used the innovatory ship to shore telegram | 0:27:17 | 0:27:20 | |
to alert Scotland Yard. | 0:27:20 | 0:27:22 | |
And as their ship arrived, | 0:27:22 | 0:27:24 | |
officers were waiting to arrest the couple. | 0:27:24 | 0:27:27 | |
Crippen's trial was a global sensation, | 0:27:28 | 0:27:31 | |
and thanks to the forensic evidence, | 0:27:31 | 0:27:34 | |
the jury found him guilty of murdering his wife | 0:27:34 | 0:27:37 | |
after just 27 minutes deliberation. | 0:27:37 | 0:27:40 | |
Dr Crippen was hanged in Pentonville Jail | 0:27:43 | 0:27:47 | |
and the use in this case | 0:27:47 | 0:27:49 | |
of toxicology, forensics and the telegraph | 0:27:49 | 0:27:52 | |
strengthened the view around the world | 0:27:52 | 0:27:55 | |
that the Yard always got its man. | 0:27:55 | 0:27:58 | |
And yet, as with all good detective stories, | 0:28:01 | 0:28:06 | |
there's a twist. | 0:28:06 | 0:28:08 | |
Remember how the police were so confident | 0:28:08 | 0:28:10 | |
that the remains found in Crippen's cellar | 0:28:10 | 0:28:12 | |
were those of his missing wife? | 0:28:12 | 0:28:15 | |
Well, it turns out that that confidence | 0:28:15 | 0:28:18 | |
may have been misplaced. | 0:28:18 | 0:28:20 | |
In 2010, exactly 100 years after Cora's death, | 0:28:20 | 0:28:24 | |
American researchers carried out new tests, | 0:28:24 | 0:28:28 | |
this time using much more modern DNA techniques. | 0:28:28 | 0:28:32 | |
Their controversial conclusion, | 0:28:32 | 0:28:35 | |
the remains were not Mrs Crippen's | 0:28:35 | 0:28:38 | |
and they may even have been those of a man. | 0:28:38 | 0:28:41 |