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FAINT RACING COMMENTARY | 0:00:02 | 0:00:04 | |
On 30th April 1851, | 0:00:06 | 0:00:09 | |
a huge crowd came from far and wide | 0:00:09 | 0:00:11 | |
to this racecourse in the northwest of England to watch the Chester Cup. | 0:00:11 | 0:00:15 | |
2/1, the favourite. | 0:00:15 | 0:00:17 | |
It was the railways that made such large gatherings possible. | 0:00:17 | 0:00:21 | |
Thousands of racegoers travelled on special excursion trains, | 0:00:21 | 0:00:25 | |
sending the Cup's attendance rate soaring. | 0:00:25 | 0:00:28 | |
The expanding transport network was at the heart of a modern, | 0:00:31 | 0:00:35 | |
powerful Britain, bursting with energy and confidence. | 0:00:35 | 0:00:38 | |
Railways were transforming our world from the 1800s | 0:00:41 | 0:00:44 | |
and well into the 20th century, | 0:00:44 | 0:00:46 | |
from where we work and what we eat, to how we spend our leisure time. | 0:00:46 | 0:00:51 | |
TRAIN WHISTLE | 0:00:51 | 0:00:52 | |
Thanks to the railways, horse racing's Chester Cup | 0:00:52 | 0:00:55 | |
became established as a great sporting holiday, | 0:00:55 | 0:00:58 | |
a time for fun and escape. | 0:00:58 | 0:01:00 | |
As the era of steam gathered pace, | 0:01:03 | 0:01:05 | |
the summer of 1851 would prove to be a watershed moment | 0:01:05 | 0:01:09 | |
in the history of our nation, | 0:01:09 | 0:01:10 | |
and for a new and exciting age of leisure. | 0:01:10 | 0:01:13 | |
TRAIN WHISTLE | 0:01:18 | 0:01:20 | |
Today, most of us take rail travel for granted. | 0:01:36 | 0:01:39 | |
We use trains for easy getaways and staycation breaks, | 0:01:39 | 0:01:42 | |
for everything from sporting events to music festivals. | 0:01:42 | 0:01:46 | |
Before the railways, it was a different story. | 0:01:46 | 0:01:49 | |
For one thing, travelling around the country was a very slow business. | 0:01:52 | 0:01:55 | |
Only royalty and the moneyed classes could afford | 0:01:55 | 0:01:58 | |
the time and expense of going on holiday. | 0:01:58 | 0:02:00 | |
For the average factory worker | 0:02:00 | 0:02:03 | |
toiling 12 or 13 hours a day, six days a week, | 0:02:03 | 0:02:05 | |
the very idea of frolicking about on a beach | 0:02:05 | 0:02:08 | |
would have seemed completely pie in the sky. | 0:02:08 | 0:02:10 | |
Many had never even seen the sea. | 0:02:10 | 0:02:12 | |
With the opening of the pioneering Liverpool | 0:02:16 | 0:02:19 | |
and Manchester Railway in 1830, everything changed. | 0:02:19 | 0:02:22 | |
Almost immediately, the railway began carrying sightseers. | 0:02:25 | 0:02:29 | |
They came to look in appreciation | 0:02:29 | 0:02:31 | |
at the world's earliest major railway viaduct | 0:02:31 | 0:02:33 | |
here in Sankey, midway between Liverpool and Manchester. | 0:02:33 | 0:02:37 | |
The cost of travelling along this architectural wonder | 0:02:39 | 0:02:42 | |
was the pricey sum of five shillings per passenger. | 0:02:42 | 0:02:45 | |
At the Museum of Science and Industry in Manchester, | 0:02:52 | 0:02:54 | |
a replica of a locomotive built for that route | 0:02:54 | 0:02:57 | |
is still in regular use for the benefit of visitors. | 0:02:57 | 0:03:00 | |
TRAIN WHISTLE | 0:03:00 | 0:03:01 | |
The Planet was designed and built by Robert Stevenson. | 0:03:01 | 0:03:04 | |
The Sankey sightseers were in the vanguard of what was about | 0:03:15 | 0:03:17 | |
to become a leisure revolution. | 0:03:17 | 0:03:20 | |
The railways eventually would offer immense freedom and opportunity | 0:03:20 | 0:03:23 | |
to many of the nation's ordinary working men and women. | 0:03:23 | 0:03:26 | |
But back in 1830, passengers departing from here, | 0:03:35 | 0:03:39 | |
the booking hall of the brand-new Liverpool and Manchester Railway, | 0:03:39 | 0:03:42 | |
would have been slightly sceptical. | 0:03:42 | 0:03:44 | |
A scepticism born from the fact that these new trains | 0:03:47 | 0:03:49 | |
had been designed with freight in mind, | 0:03:49 | 0:03:51 | |
rather than passengers and luggage. | 0:03:51 | 0:03:53 | |
Originally, the railway companies thought that carrying goods, | 0:03:58 | 0:04:02 | |
in particular, coal and minerals and the like, | 0:04:02 | 0:04:06 | |
would be the best way of making a profit. | 0:04:06 | 0:04:09 | |
But they soon realised that, actually, there was fantastic demand | 0:04:09 | 0:04:13 | |
for passengers to travel by rail. | 0:04:13 | 0:04:15 | |
And that was because people couldn't really get about before | 0:04:15 | 0:04:19 | |
without the railways. | 0:04:19 | 0:04:20 | |
So the railways offered them maybe the first opportunity | 0:04:20 | 0:04:23 | |
of visiting the local market town, or visiting relatives | 0:04:23 | 0:04:29 | |
in distant parts of the country and the like. | 0:04:29 | 0:04:31 | |
And so it really opened up England | 0:04:31 | 0:04:36 | |
in a way that had never happened before. | 0:04:36 | 0:04:39 | |
This widening of travel opportunities | 0:04:39 | 0:04:41 | |
across the social classes wasn't welcomed by all. | 0:04:41 | 0:04:44 | |
There is this fundamental contradiction between | 0:04:46 | 0:04:49 | |
the idea of opening up places and people being worried | 0:04:49 | 0:04:52 | |
that, really, the hoi polloi | 0:04:52 | 0:04:54 | |
are going to be coming and spoiling the view. | 0:04:54 | 0:04:58 | |
Indeed, the upper echelons of early Victorian society | 0:04:59 | 0:05:02 | |
were suspicious of the very idea of leisure time for the masses. | 0:05:02 | 0:05:07 | |
They feared that inactivity | 0:05:07 | 0:05:08 | |
could lead to social and political disorder, | 0:05:08 | 0:05:11 | |
and the middle classes felt a moral duty | 0:05:11 | 0:05:13 | |
to educate the working masses about self-improvement. | 0:05:13 | 0:05:16 | |
Spare time, they believed, had its dangers. | 0:05:16 | 0:05:19 | |
Nearly a century before the state began to provide free education, | 0:05:22 | 0:05:25 | |
rail companies were offering Sunday schoolchildren | 0:05:25 | 0:05:28 | |
from local mills excursions. | 0:05:28 | 0:05:31 | |
Trips that could be fun, but had to have a moral purpose. | 0:05:31 | 0:05:34 | |
In the middle of the 19th century, | 0:05:40 | 0:05:42 | |
there was a lot of feeling amongst middle-class people | 0:05:42 | 0:05:46 | |
that the working classes needed to be protected | 0:05:46 | 0:05:49 | |
from the sort of things that they got up to, | 0:05:49 | 0:05:51 | |
such as gambling, racing, beer shops. | 0:05:51 | 0:05:55 | |
So this is an area where railway excursions came in. | 0:05:55 | 0:05:59 | |
And it was a kind of moral reform. | 0:05:59 | 0:06:01 | |
Excursions soon became a national pastime | 0:06:02 | 0:06:05 | |
and would quickly become big business. | 0:06:05 | 0:06:07 | |
Perhaps the most famous of those early excursion entrepreneurs | 0:06:07 | 0:06:10 | |
was Thomas Cook, | 0:06:10 | 0:06:12 | |
who started by organising trains to temperance meetings | 0:06:12 | 0:06:15 | |
in the early 1840s. | 0:06:15 | 0:06:17 | |
But despite Cook's enduring legacy, he was not alone. | 0:06:17 | 0:06:21 | |
When people talk about railway excursions, | 0:06:21 | 0:06:23 | |
the name that usually comes to mind is Thomas Cook. | 0:06:23 | 0:06:26 | |
He features in all the railway history books. | 0:06:26 | 0:06:28 | |
But there were other people operating at the same time | 0:06:28 | 0:06:30 | |
that were much more important to the ordinary person. | 0:06:30 | 0:06:33 | |
And one of the most important in his day | 0:06:33 | 0:06:35 | |
was a chappie called Henry Marcus, who was Liverpool-based, | 0:06:35 | 0:06:38 | |
who was contracted with the London and North Western Railway. | 0:06:38 | 0:06:43 | |
And he... By the time he'd finished, | 0:06:43 | 0:06:44 | |
he'd carried 1.5 million passengers on his excursions. | 0:06:44 | 0:06:48 | |
And yet, unfortunately, nobody has ever heard of him | 0:06:48 | 0:06:51 | |
because he finished in 1869, | 0:06:51 | 0:06:54 | |
he was, generally speaking, a one-man business, | 0:06:54 | 0:06:56 | |
and he didn't leave any records, so nobody knows about him, | 0:06:56 | 0:07:00 | |
apart from what you can find in newspaper advertisements. | 0:07:00 | 0:07:04 | |
Excursions that were morally-improving | 0:07:07 | 0:07:10 | |
were very important to early railway revenues. | 0:07:10 | 0:07:13 | |
But catering to people's vices was just as important | 0:07:13 | 0:07:15 | |
as catering to their virtues. | 0:07:15 | 0:07:18 | |
Trips to the horse races | 0:07:18 | 0:07:19 | |
were an important source of early railway revenue. | 0:07:19 | 0:07:23 | |
And the railways boosted the number of spectators | 0:07:23 | 0:07:25 | |
at venues like Chester Racecourse | 0:07:25 | 0:07:27 | |
throughout the 1800s and well into the 20th century. | 0:07:27 | 0:07:31 | |
The railways transformed the sport of horse racing | 0:07:33 | 0:07:36 | |
because horses could be taken by train straight to the meet, | 0:07:36 | 0:07:39 | |
being fresh and race-ready. | 0:07:39 | 0:07:40 | |
Top jockeys could travel around the country to ride at different meetings. | 0:07:40 | 0:07:44 | |
And it helped to build up a nationwide programme of events. | 0:07:44 | 0:07:47 | |
Racecourses at places like Newbury, Cheltenham and Aintree | 0:07:52 | 0:07:55 | |
would eventually have their own stations. | 0:07:55 | 0:07:58 | |
The station at Epsom Downs, home of the Derby, | 0:07:58 | 0:08:01 | |
would end up with nine platforms, | 0:08:01 | 0:08:02 | |
designed to cope with the massive influx of trains on race days. | 0:08:02 | 0:08:06 | |
As well as horse racing, another of the first spectator sports | 0:08:10 | 0:08:13 | |
to be helped by the railways was prize-fighting. | 0:08:13 | 0:08:16 | |
It's amazing to think that large crowds travelled around the country | 0:08:17 | 0:08:20 | |
to watch bare-knuckle fights, | 0:08:20 | 0:08:22 | |
laying bets on men beating each other to a bloody pulp. | 0:08:22 | 0:08:25 | |
Prize fights were actually illegal, bare-knuckle boxing. | 0:08:26 | 0:08:31 | |
So the organisers would hold the event | 0:08:31 | 0:08:34 | |
probably on the boundary between two different counties, | 0:08:34 | 0:08:37 | |
so you didn't know which police force was in charge. | 0:08:37 | 0:08:40 | |
And all the people would arrive, | 0:08:40 | 0:08:43 | |
the supporters of one prize-fight on one train | 0:08:43 | 0:08:45 | |
and another prize-fighter on the other train. | 0:08:45 | 0:08:48 | |
They would hold the event in a field nearby. | 0:08:48 | 0:08:50 | |
And then, after the event, | 0:08:50 | 0:08:52 | |
they'd get back on their respective trains and go away again. | 0:08:52 | 0:08:54 | |
It was treated as being a dubious enterprise | 0:08:54 | 0:08:57 | |
and frowned on, even at the time. | 0:08:57 | 0:09:00 | |
Later, in 1868, Parliament ended up banning railway companies | 0:09:00 | 0:09:04 | |
from running prize-fight specials. | 0:09:04 | 0:09:06 | |
Sport was one thing, | 0:09:08 | 0:09:09 | |
but the Victorians also used the new rail network | 0:09:09 | 0:09:12 | |
to attend fashionable events that involved spectators. | 0:09:12 | 0:09:16 | |
Sometimes with a macabre twist. | 0:09:16 | 0:09:17 | |
Public executions had always drawn crowds | 0:09:19 | 0:09:22 | |
and now special execution trains were laid on for willing spectators. | 0:09:22 | 0:09:26 | |
This quiet park in Liverpool was once the site of Kirkdale Jail. | 0:09:28 | 0:09:32 | |
And on execution days, they would hang people | 0:09:32 | 0:09:34 | |
on the scaffolding in full view of the public. | 0:09:34 | 0:09:37 | |
On 12th September, 1863, | 0:09:38 | 0:09:41 | |
excursion trains brought thousands upon thousands of people | 0:09:41 | 0:09:45 | |
to jostle for the best view to see Jose Maria Alvarez, | 0:09:45 | 0:09:48 | |
John Hughes, James O'Brien | 0:09:48 | 0:09:51 | |
and Benjamin Thomas hang for murder. | 0:09:51 | 0:09:53 | |
A correspondent from the Liverpool Mercury reported, | 0:09:56 | 0:09:59 | |
"Never before was seen such a mass of people at an execution at Kirkdale. | 0:09:59 | 0:10:04 | |
"At 11:45, there were over 100,000 persons on the ground. | 0:10:04 | 0:10:09 | |
"And this number was increased by large arrivals of excursionists | 0:10:09 | 0:10:13 | |
"from Huddersfield and Blackburn. | 0:10:13 | 0:10:15 | |
"Up to the last moment, too. | 0:10:15 | 0:10:18 | |
"The rush of people from Liverpool was something extraordinary." | 0:10:18 | 0:10:21 | |
Shortly after midday, | 0:10:25 | 0:10:27 | |
the four convicted murderers were dispatched simultaneously. | 0:10:27 | 0:10:30 | |
And the well-behaved, if morbid crowd | 0:10:30 | 0:10:32 | |
simply dispersed and went home. | 0:10:32 | 0:10:35 | |
Five years later, Parliament ordered that, in future, | 0:10:35 | 0:10:37 | |
no executions would take place outside prisons. | 0:10:37 | 0:10:41 | |
In the 1840s, the railway excursion business really took off. | 0:10:45 | 0:10:49 | |
Modern West Coast Main Line trains | 0:10:49 | 0:10:51 | |
can carry 600 passengers in 11 coaches | 0:10:51 | 0:10:54 | |
for the two-hour journey it takes from Manchester to London. | 0:10:54 | 0:10:57 | |
But at the start of the railway age, they went for something bigger. | 0:10:57 | 0:11:01 | |
Much bigger. | 0:11:01 | 0:11:03 | |
This was the era of the monster trains, | 0:11:09 | 0:11:11 | |
which were every bit as massive as their nickname suggests. | 0:11:11 | 0:11:14 | |
In 1844, an excursion from Leeds to Hull | 0:11:17 | 0:11:20 | |
reportedly took 7,800 day-trippers | 0:11:20 | 0:11:24 | |
in 250 carriages pulled by ten locomotives. | 0:11:24 | 0:11:28 | |
Millions of people were catching the railway bug, | 0:11:30 | 0:11:32 | |
leading to an era of true mass transportation. | 0:11:32 | 0:11:35 | |
And it was good news for Britain's picturesque towns, | 0:11:35 | 0:11:38 | |
many of which were on the coast. | 0:11:38 | 0:11:40 | |
They could throw themselves open to business. | 0:11:40 | 0:11:42 | |
The seaside holiday had arrived. | 0:11:42 | 0:11:44 | |
It was born here - Fleetwood, | 0:11:55 | 0:11:57 | |
a resort on the Lancashire coast | 0:11:57 | 0:11:59 | |
that was created because of the railways. | 0:11:59 | 0:12:01 | |
The land, initially no more than a series of sand dunes, | 0:12:05 | 0:12:08 | |
was transformed into a new town and seaport | 0:12:08 | 0:12:11 | |
designed to cater for this new era of tourism. | 0:12:11 | 0:12:14 | |
In 1840, the first passengers arrived in search of sun, | 0:12:14 | 0:12:18 | |
sea and sand along the Preston and Wyre Joint Railway. | 0:12:18 | 0:12:21 | |
Dick Gillingham is a local historian with the Fleetwood Museum. | 0:12:23 | 0:12:27 | |
This was the first place from the Lancashire workers' | 0:12:27 | 0:12:30 | |
point of view which they could reach by train. | 0:12:30 | 0:12:33 | |
Just six years later, the railway reached Blackpool and Lytham, | 0:12:33 | 0:12:37 | |
and then in years beyond that, other resorts were reached by the railway. | 0:12:37 | 0:12:42 | |
And how many people were the townspeople originally expecting to turn up? | 0:12:42 | 0:12:46 | |
They were expecting a very limited number of passengers. | 0:12:46 | 0:12:50 | |
Just 20,000 passengers for the year, probably. | 0:12:50 | 0:12:53 | |
And in fact, 20,000 came in the first month. | 0:12:53 | 0:12:56 | |
And in the first year of operation, | 0:12:56 | 0:12:58 | |
the first summer season, if you like, | 0:12:58 | 0:13:00 | |
over 100,000 people came on the train. | 0:13:00 | 0:13:03 | |
A terrific number for a town which, at the time, | 0:13:03 | 0:13:05 | |
only had a population of 2,500. | 0:13:05 | 0:13:09 | |
So it was a huge boost to the trade of the town. | 0:13:09 | 0:13:12 | |
And for somebody coming from a smoky, industrial town, | 0:13:12 | 0:13:15 | |
somewhere like Chorley or Bolton or Preston, arriving here, | 0:13:15 | 0:13:18 | |
what would that experience have been like? | 0:13:18 | 0:13:20 | |
Well, when they got off the train, | 0:13:20 | 0:13:22 | |
it was just a short walk to the beach, | 0:13:22 | 0:13:24 | |
obviously, the terrific vista in front of them. | 0:13:24 | 0:13:27 | |
The Lakeland Hills, magnificent views. | 0:13:27 | 0:13:29 | |
It was an awe-inspiring thing to look out there | 0:13:29 | 0:13:32 | |
and wonder where it all ended, really. | 0:13:32 | 0:13:34 | |
In the 1840s, the seaside holiday business, | 0:13:38 | 0:13:41 | |
previously the preserve of the rich, embraced the mass market. | 0:13:41 | 0:13:45 | |
Many of those travelling would have done so down this very line, | 0:13:45 | 0:13:48 | |
now known as the East Lancashire Heritage Railway. | 0:13:48 | 0:13:52 | |
In the 19th century, the line provided vital links | 0:13:52 | 0:13:55 | |
between the industrial towns of the North | 0:13:55 | 0:13:57 | |
and the nation's favourite coastal getaways. | 0:13:57 | 0:13:59 | |
Different seaside resorts attracted different clientele. | 0:14:08 | 0:14:11 | |
Blackpool became a mecca for Lancashire's working classes, | 0:14:11 | 0:14:14 | |
whilst Southport appealed to the slightly better-off customer. | 0:14:14 | 0:14:17 | |
Morecambe served the West Riding textile towns | 0:14:17 | 0:14:20 | |
and became known as Bradford-by-the-sea. | 0:14:20 | 0:14:23 | |
The new rail connections were making beach holidays possible all over the country, | 0:14:26 | 0:14:30 | |
from Weston-Super-Mare to Scarborough, | 0:14:30 | 0:14:33 | |
Eastbourne to Torquay, Bournemouth to Skegness. | 0:14:33 | 0:14:36 | |
TRAIN WHISTLE | 0:14:41 | 0:14:43 | |
Beaches will always attract holiday-makers, | 0:14:43 | 0:14:45 | |
but in industrial Victorian Britain, | 0:14:45 | 0:14:47 | |
there was one more simple healthy attraction | 0:14:47 | 0:14:49 | |
that was now easy to reach - clean air. | 0:14:49 | 0:14:53 | |
The Lake District had already been attracting | 0:15:00 | 0:15:03 | |
well-heeled visitors and artists, | 0:15:03 | 0:15:05 | |
drawn to its dramatic landscapes. | 0:15:05 | 0:15:07 | |
William Wordsworth, one of our great Romantic poets | 0:15:07 | 0:15:10 | |
and a native of the Lakes, | 0:15:10 | 0:15:12 | |
had written a guidebook which was proving popular. | 0:15:12 | 0:15:15 | |
His famous poem, I Wandered Lonely As A Cloud, | 0:15:15 | 0:15:19 | |
was inspired by the sight of daffodils | 0:15:19 | 0:15:22 | |
on the shores of Ullswater. | 0:15:22 | 0:15:23 | |
Many others now wanted to sample the same air | 0:15:23 | 0:15:25 | |
and increase their contact with nature. | 0:15:25 | 0:15:28 | |
The railways made that possible. | 0:15:28 | 0:15:30 | |
The Furness Railway, now known as the Lakeside and Haverthwaite Heritage Railway, | 0:15:42 | 0:15:46 | |
was historically used for moving coal and iron ore. | 0:15:46 | 0:15:49 | |
But it was tourists who were increasingly being brought into the Lakes by rail. | 0:15:51 | 0:15:55 | |
But Wordsworth was horrified by the prospect of trainloads | 0:15:58 | 0:16:02 | |
of working-class people descending upon his beloved Lakes. | 0:16:02 | 0:16:05 | |
As a new line was proposed between Kendall and Windermere, | 0:16:05 | 0:16:08 | |
Wordsworth launched a campaign against it. | 0:16:08 | 0:16:11 | |
He believed that bringing in uncultured travellers | 0:16:11 | 0:16:13 | |
would destroy the beauty of the places they'd come to enjoy. | 0:16:13 | 0:16:17 | |
For Wordsworth, these were the wrong sort of tourists. | 0:16:30 | 0:16:33 | |
"As for holiday pastimes," he wrote, | 0:16:33 | 0:16:36 | |
"if a scene is to be chosen suitable to them | 0:16:36 | 0:16:38 | |
"for persons thronging from a distance, | 0:16:38 | 0:16:40 | |
"it may be found elsewhere at less cost of every kind." | 0:16:40 | 0:16:43 | |
Wordsworth's campaign failed and the line opened in 1847. | 0:16:46 | 0:16:50 | |
But one of the ironies surrounding the poet | 0:16:50 | 0:16:52 | |
was that while he was against tourism, | 0:16:52 | 0:16:54 | |
he himself would become one of the Lakes' greatest tourist attractions. | 0:16:54 | 0:16:59 | |
Wordsworth's great-great-great-great grandson still owns Rydal Mount, | 0:17:01 | 0:17:05 | |
the house where the poet lived and died. | 0:17:05 | 0:17:07 | |
Well, I think he was sort of partly a poet, liking to be a recluse, | 0:17:07 | 0:17:12 | |
but partly wanted the public acclaim. | 0:17:12 | 0:17:15 | |
So you have this slight balance. | 0:17:15 | 0:17:17 | |
He had, on average, 600 people a year coming through the house. | 0:17:17 | 0:17:20 | |
And these people would have been well-to-do people. | 0:17:20 | 0:17:23 | |
It's a bit of a struggle to get here, you're actually making a slight pilgrimage, | 0:17:23 | 0:17:27 | |
you're coming to see a great poet. | 0:17:27 | 0:17:28 | |
And that is a wonderful thing, he would have loved that, | 0:17:28 | 0:17:31 | |
because he could have gone off into the hills and read his poetry, | 0:17:31 | 0:17:34 | |
they could have come here, been given refreshment by his wife | 0:17:34 | 0:17:36 | |
and his daughter and his sister, and the other women of the house, | 0:17:36 | 0:17:40 | |
and then he could have come in and held court temporarily | 0:17:40 | 0:17:42 | |
and then out he goes. And that would have played up to his ego. | 0:17:42 | 0:17:46 | |
Because towards the end of his life, he undoubtedly had an ego. | 0:17:46 | 0:17:48 | |
By the time the railways had expanded, more people were coming to the area, | 0:17:48 | 0:17:53 | |
do you think that Wordsworth was part of a bygone age? | 0:17:53 | 0:17:56 | |
The railways opened here in 1840s and he died in 1850, | 0:17:56 | 0:18:01 | |
so he was right at the end of his life. | 0:18:01 | 0:18:03 | |
The Industrial Age was coming, there was no getting away from that. | 0:18:03 | 0:18:08 | |
And, therefore, you know, his age was coming to an end | 0:18:08 | 0:18:12 | |
and the new age was starting. | 0:18:12 | 0:18:14 | |
Having said that, he wrote a very famous, which he actually was very fond of, | 0:18:14 | 0:18:18 | |
his Guide To The Lakes, which, ironically, | 0:18:18 | 0:18:20 | |
was encouraging people to come to the Lake District. | 0:18:20 | 0:18:23 | |
And therefore, he had this slight paradox of, | 0:18:23 | 0:18:25 | |
"I've written this book, people should come to the Lakes, | 0:18:25 | 0:18:27 | |
"and yet they're all going to come up and ruin the Lakes". | 0:18:27 | 0:18:30 | |
So it was a slight double-edged sword. | 0:18:30 | 0:18:33 | |
To be fair, Wordsworth wasn't the only one who was nervous | 0:18:39 | 0:18:41 | |
about the impact of the railways. | 0:18:41 | 0:18:43 | |
The passengers themselves often questioned the wisdom | 0:18:43 | 0:18:46 | |
of travelling by train. | 0:18:46 | 0:18:48 | |
It took a bit of courage to go on your first train, | 0:18:50 | 0:18:54 | |
because it must have been a very mysterious experience. | 0:18:54 | 0:18:58 | |
Here was this engine, which somehow generated the power | 0:18:58 | 0:19:01 | |
to pull along maybe a dozen carriages. | 0:19:01 | 0:19:05 | |
How did it work? How did it get its power? | 0:19:05 | 0:19:07 | |
And would it explode? | 0:19:07 | 0:19:09 | |
Which was something that did happen occasionally. | 0:19:09 | 0:19:12 | |
Excursion trains were slightly more prone to accidents | 0:19:12 | 0:19:16 | |
than regular trains. | 0:19:16 | 0:19:18 | |
That's because they tended to be longer, | 0:19:18 | 0:19:20 | |
they were running at irregular times, | 0:19:20 | 0:19:23 | |
sometimes signallers kind of forgot about them. | 0:19:23 | 0:19:27 | |
They often used older rolling stock. | 0:19:27 | 0:19:30 | |
So they had more than their fair share of serious accidents. | 0:19:30 | 0:19:35 | |
So there was a little bit of trepidation | 0:19:35 | 0:19:38 | |
about taking this new mechanical way of getting around. | 0:19:38 | 0:19:43 | |
But most people managed to set their fears aside and take the plunge | 0:19:43 | 0:19:49 | |
because of the advantages that the railways offered. | 0:19:49 | 0:19:53 | |
The 1851 Chester Cup was a great success, | 0:19:55 | 0:19:58 | |
but the day was marred with tragedy. | 0:19:58 | 0:20:00 | |
Returning home from the race meeting, nine people were killed | 0:20:00 | 0:20:04 | |
when excursion trains crashed in a tunnel between here and Manchester. | 0:20:04 | 0:20:07 | |
By June 1851, the Bolton Chronicle had had enough. | 0:20:11 | 0:20:15 | |
"Each week now brings its batch of railway disasters | 0:20:16 | 0:20:19 | |
"as regularly as the world turns around. | 0:20:19 | 0:20:22 | |
"Accidents are not to be waited for, but prevented. | 0:20:22 | 0:20:25 | |
"And to delay improvements | 0:20:25 | 0:20:27 | |
"is neglect criminal in fact, if not in law." | 0:20:27 | 0:20:30 | |
Despite the concerns over safety, | 0:20:36 | 0:20:38 | |
that very same year would also see millions of people | 0:20:38 | 0:20:41 | |
take advantage of the railways to travel to the great metropolis. | 0:20:41 | 0:20:45 | |
Many for the first time in their lives. | 0:20:45 | 0:20:47 | |
As well as opening up isolated parts of the country, | 0:20:47 | 0:20:50 | |
the railways placed the capital | 0:20:50 | 0:20:52 | |
within much easier reach of the general public. | 0:20:52 | 0:20:54 | |
And this would make all the difference when the Great Exhibition opened in London. | 0:20:54 | 0:20:58 | |
The Exhibition was a brainwave of Victoria's husband, Prince Albert. | 0:21:02 | 0:21:05 | |
It was conceived as a grand display | 0:21:05 | 0:21:07 | |
of the wonders of industry from around the world | 0:21:07 | 0:21:09 | |
and was to be temporarily sited in London's Hyde Park | 0:21:09 | 0:21:13 | |
in a glass structure nicknamed the Crystal Palace. | 0:21:13 | 0:21:16 | |
Pictured here in later years, | 0:21:19 | 0:21:20 | |
the Palace was designed by Sir Joseph Paxton, | 0:21:20 | 0:21:23 | |
a director of the Midland Railway. | 0:21:23 | 0:21:25 | |
And it was the trains that brought the crowds. | 0:21:25 | 0:21:27 | |
An average of 40,000 a day. | 0:21:27 | 0:21:30 | |
Six million over a six-month period. | 0:21:30 | 0:21:32 | |
The Great Exhibition of 1851 was a real watershed | 0:21:33 | 0:21:36 | |
for leisure mobility for ordinary people. | 0:21:36 | 0:21:39 | |
But the Great Exhibition was important in other ways, as well. | 0:21:39 | 0:21:42 | |
For many people, it was the first time they'd seen huge crowds | 0:21:42 | 0:21:46 | |
of ordinary people in great numbers. | 0:21:46 | 0:21:49 | |
And, of course, the 1840s was a time when there were great worries | 0:21:49 | 0:21:53 | |
about Chartism, about riots, about crowd unrest. | 0:21:53 | 0:21:56 | |
So the working classes had a bit of a reputation. | 0:21:56 | 0:21:59 | |
And people were actually quite genuinely worried | 0:21:59 | 0:22:02 | |
that if there was a big crowd of ordinary people | 0:22:02 | 0:22:05 | |
that they would somehow cause a riot. | 0:22:05 | 0:22:07 | |
And for the first time, the commentators said, | 0:22:07 | 0:22:09 | |
"Well, actually, these people are quite well-behaved." | 0:22:09 | 0:22:12 | |
So it was, again, a watershed for perceptions | 0:22:12 | 0:22:16 | |
of the working class in great numbers. | 0:22:16 | 0:22:18 | |
-MEDIA BROADCAST: -The signal was given. | 0:22:21 | 0:22:24 | |
And 1,000 tonnes of steel and glass came hurtling to the ground. | 0:22:26 | 0:22:30 | |
The Crystal Palace came to a fiery and indeed explosive end. | 0:22:32 | 0:22:35 | |
But it ushered in a new era for London | 0:22:35 | 0:22:37 | |
as an excursion destination for people up and down the country. | 0:22:37 | 0:22:41 | |
According to The Times, "30 years ago, | 0:22:41 | 0:22:45 | |
"not one countryman in 100 had seen the metropolis. | 0:22:45 | 0:22:48 | |
"Now there is scarcely one in the same number | 0:22:48 | 0:22:50 | |
"who has not spent a day there." | 0:22:50 | 0:22:52 | |
The passing of the Bank Holidays Act in 1871 | 0:22:55 | 0:22:58 | |
helped to develop the idea of the weekend short break | 0:22:58 | 0:23:01 | |
and created more opportunities for special excursion trains. | 0:23:01 | 0:23:05 | |
By the turn of the century, | 0:23:05 | 0:23:07 | |
resort towns like Blackpool were really hitting their glory days. | 0:23:07 | 0:23:11 | |
A popularity that would continue well into modern times. | 0:23:11 | 0:23:15 | |
-MEDIA BROADCAST: -Yes, you'll feel you're really on top of the world. | 0:23:15 | 0:23:18 | |
How can you be down in the dumps | 0:23:18 | 0:23:20 | |
when your heart's up in the clouds | 0:23:20 | 0:23:22 | |
and you can throw away cares to the four winds? | 0:23:22 | 0:23:25 | |
This is the height of happiness. | 0:23:25 | 0:23:27 | |
But these huge numbers of holiday-makers | 0:23:27 | 0:23:29 | |
would simply not have been possible without the railways. | 0:23:29 | 0:23:32 | |
Not only as a mass form of transport, | 0:23:32 | 0:23:34 | |
but also as a force for social change. | 0:23:34 | 0:23:37 | |
It wasn't true that Blackpool only started when the railway came. | 0:23:37 | 0:23:42 | |
But certainly in 1846, when the branch line reached Blackpool, | 0:23:42 | 0:23:47 | |
it heralded an awful lot of visitors | 0:23:47 | 0:23:50 | |
and meant that there were very soon changes to Blackpool. | 0:23:50 | 0:23:53 | |
They laid out streets and walks, | 0:23:53 | 0:23:55 | |
they developed hotels, lodgings, | 0:23:55 | 0:23:58 | |
churches, gasworks, water supplies. | 0:23:58 | 0:24:00 | |
So it made a tremendous difference to the infrastructure in Blackpool. | 0:24:00 | 0:24:05 | |
As the Edwardian era dawned, marketing of seaside towns | 0:24:11 | 0:24:14 | |
reached new levels of sophistication. | 0:24:14 | 0:24:16 | |
The National Railway Museum in York | 0:24:16 | 0:24:19 | |
has an extensive collection of railway posters | 0:24:19 | 0:24:21 | |
featuring resort towns from up and down the British coast. | 0:24:21 | 0:24:25 | |
By the end of the 19th century, the railway companies began to use colour lithography. | 0:24:26 | 0:24:30 | |
And they had much better illustrations. | 0:24:30 | 0:24:31 | |
Sometimes they would be made by the publishers, | 0:24:31 | 0:24:34 | |
but increasingly, they began to use artists | 0:24:34 | 0:24:36 | |
to actually create their posters for them. | 0:24:36 | 0:24:38 | |
The advertising is quite aspirational. | 0:24:38 | 0:24:41 | |
The pictures are quite carefully selected, they're telling the story. | 0:24:41 | 0:24:43 | |
So if you look at the posters for Fleetwood, for example, | 0:24:43 | 0:24:47 | |
in the 1930s, they're advertising the Marine Hall and the Lido. | 0:24:47 | 0:24:52 | |
-It's really something to look forward to, isn't it? -Yeah. | 0:24:52 | 0:24:54 | |
You spend all your year working. | 0:24:54 | 0:24:56 | |
Yeah. And, of course, these appeared in railway stations. | 0:24:56 | 0:24:58 | |
With a lot of steam trains in and out, railway stations could look grimy, | 0:24:58 | 0:25:02 | |
and often quite sombre colours. | 0:25:02 | 0:25:04 | |
And you've got really vibrant posters | 0:25:04 | 0:25:07 | |
carefully positioned to catch the eye. | 0:25:07 | 0:25:09 | |
So, this is really advertising as a profession, isn't it? | 0:25:09 | 0:25:12 | |
Poster advertising had been around for some time, | 0:25:12 | 0:25:14 | |
but railway companies began to take it really seriously. | 0:25:14 | 0:25:17 | |
And they had people whose job it was specifically | 0:25:17 | 0:25:20 | |
to grab customers and get them to travel by rail. | 0:25:20 | 0:25:22 | |
Railways made all kinds of outdoor activities | 0:25:26 | 0:25:29 | |
and recreational trips possible. | 0:25:29 | 0:25:32 | |
From cycling and rambling to angling and golf. | 0:25:32 | 0:25:34 | |
The railways transformed the world of sport, | 0:25:44 | 0:25:47 | |
making countrywide competitions possible | 0:25:47 | 0:25:49 | |
and driving the formation of national sporting leagues. | 0:25:49 | 0:25:53 | |
This is the Sir Alex Ferguson stand. | 0:25:55 | 0:25:57 | |
'Graham Simmonds works for the Manchester United Museum | 0:25:57 | 0:26:00 | |
'and has supported the club all his life.' | 0:26:00 | 0:26:03 | |
It all began around about 1878, | 0:26:03 | 0:26:06 | |
when a group of engineers and coach-builders | 0:26:06 | 0:26:08 | |
who worked for Newton Heath railway depot, | 0:26:08 | 0:26:11 | |
they wanted to form a football club. | 0:26:11 | 0:26:14 | |
And so they went to their employer | 0:26:14 | 0:26:15 | |
to ask for their help, which they agreed to. | 0:26:15 | 0:26:18 | |
And from that, the team was known as Newton Heath Lancashire | 0:26:18 | 0:26:23 | |
and Yorkshire Railway Cricket and Football Club. | 0:26:23 | 0:26:27 | |
When this film was shot in 1902, | 0:26:28 | 0:26:31 | |
the club had just changed its name. | 0:26:31 | 0:26:33 | |
Playing here in the slightly darker tops, | 0:26:33 | 0:26:35 | |
they were now known as Manchester United. | 0:26:35 | 0:26:38 | |
-MEDIA BROADCAST: -The old Newton Heath club of 1902 now seen rushing to say, "How-do?" | 0:26:38 | 0:26:42 | |
It was the railways which had allowed clubs up and down the country to grow. | 0:26:44 | 0:26:47 | |
Not least because it meant that supporters could now travel | 0:26:47 | 0:26:50 | |
far and wide for away matches. | 0:26:50 | 0:26:52 | |
From humble beginnings to a group of railway workers | 0:26:56 | 0:27:00 | |
that worked hard all week | 0:27:00 | 0:27:01 | |
and then they played football on a Saturday afternoon | 0:27:01 | 0:27:04 | |
as a form of leisure, as a form of escape, | 0:27:04 | 0:27:07 | |
with the help of the railways, | 0:27:07 | 0:27:09 | |
we've grown into a national and global football club. | 0:27:09 | 0:27:13 | |
TRAIN WHISTLE | 0:27:15 | 0:27:17 | |
From prize-fights to football | 0:27:20 | 0:27:22 | |
and temperance meetings to beach breaks, | 0:27:22 | 0:27:24 | |
the railways changed how Britons came to see and experience leisure. | 0:27:24 | 0:27:28 | |
Nowadays, our habits have changed. | 0:27:37 | 0:27:39 | |
Many of us own our own cars and we're just as likely | 0:27:39 | 0:27:42 | |
to sun ourselves on the Costa del Sol as we are in Scarborough. | 0:27:42 | 0:27:45 | |
But it's amazing to think how many of the leisure opportunities we now enjoy | 0:27:49 | 0:27:53 | |
were first made possible by the railways. | 0:27:53 | 0:27:55 | |
By collapsing space and time, these thundering beasts | 0:27:58 | 0:28:01 | |
helped us connect as a nation in all kinds of unexpected ways. | 0:28:01 | 0:28:05 | |
And today, well, it's fitting that all across the country, | 0:28:07 | 0:28:10 | |
there are restored heritage railways where people come for a day out | 0:28:10 | 0:28:13 | |
to experience the wonders of steam power | 0:28:13 | 0:28:16 | |
nearly 200 years after their transformation | 0:28:16 | 0:28:19 | |
of our national culture and sense of identity. | 0:28:19 | 0:28:21 | |
That's quite a tribute. | 0:28:21 | 0:28:23 |