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The morning rush hour in London. | 0:00:03 | 0:00:05 | |
More than half-a-million people | 0:00:08 | 0:00:10 | |
arrive at the central termini every day. | 0:00:10 | 0:00:12 | |
This is a daily reality for so many people. | 0:00:15 | 0:00:18 | |
But before the age of steam, you would have needed a horse | 0:00:18 | 0:00:21 | |
to travel long distances over land, | 0:00:21 | 0:00:23 | |
and most of us lived close to where we worked. | 0:00:23 | 0:00:26 | |
The railways changed all of that. | 0:00:26 | 0:00:28 | |
The expanding transport network was at the heart of modern, | 0:00:29 | 0:00:32 | |
powerful Victorian Britain. | 0:00:32 | 0:00:34 | |
A Britain bursting with energy and confidence. | 0:00:36 | 0:00:38 | |
Railways were transforming virtually everything. | 0:00:40 | 0:00:43 | |
From where we live to how we work. | 0:00:43 | 0:00:45 | |
From what we eat to how we spend our leisure time. | 0:00:46 | 0:00:49 | |
The railways helped to create the new suburbia. | 0:00:56 | 0:00:59 | |
And where better to see the impact than London and the South East? | 0:00:59 | 0:01:03 | |
Home to a new type of worker and resident - the commuter. | 0:01:03 | 0:01:06 | |
TRAIN WHISTLE | 0:01:11 | 0:01:13 | |
For a person sitting in this carriage in the 1890s, | 0:01:36 | 0:01:39 | |
railways were already old hat. | 0:01:39 | 0:01:41 | |
For more than 60 years earlier, | 0:01:41 | 0:01:43 | |
the first passenger line had opened - | 0:01:43 | 0:01:45 | |
the Liverpool and Manchester Railway. | 0:01:45 | 0:01:47 | |
And over the decades, people were able to live further | 0:01:50 | 0:01:53 | |
and further from their place of work. | 0:01:53 | 0:01:55 | |
But the original motivation for developing rail travel | 0:01:58 | 0:02:01 | |
was to support industry. | 0:02:01 | 0:02:03 | |
And industry was centred up north. | 0:02:03 | 0:02:05 | |
London was a little behind the curve. | 0:02:07 | 0:02:10 | |
TRAIN WHISTLE | 0:02:10 | 0:02:12 | |
Before long, private railway companies realised | 0:02:12 | 0:02:15 | |
there was money to be made from passengers. | 0:02:15 | 0:02:18 | |
And it was inevitable that London would soon catch up. | 0:02:18 | 0:02:21 | |
The year was 1838. | 0:02:33 | 0:02:35 | |
London's first passenger railway opened. | 0:02:35 | 0:02:38 | |
Taking people from London Bridge all the way to Greenwich. | 0:02:38 | 0:02:42 | |
This is the train from London Bridge to Greenwich today, | 0:02:46 | 0:02:48 | |
running on exactly the same route. | 0:02:48 | 0:02:51 | |
And, just like in 1838, at no point do we touch the ground. | 0:02:51 | 0:02:55 | |
That's because, incredibly, | 0:02:55 | 0:02:57 | |
the railway was built entirely on arches | 0:02:57 | 0:03:00 | |
so it could cross the many streets and roads in its path. | 0:03:00 | 0:03:03 | |
This is the tracks of the London and Greenwich Railway | 0:03:06 | 0:03:09 | |
built in between 1836 and 1838. | 0:03:09 | 0:03:13 | |
And, really, Britain's first suburban railway. | 0:03:13 | 0:03:16 | |
And it was an amazing engineering achievement, | 0:03:16 | 0:03:19 | |
because it was built on 878 arches, | 0:03:19 | 0:03:23 | |
which still stand today, and we're still using them. | 0:03:23 | 0:03:25 | |
The success of this railway | 0:03:29 | 0:03:31 | |
meant there was pressure on the railway companies | 0:03:31 | 0:03:35 | |
to build more lines. | 0:03:35 | 0:03:36 | |
Because what happened was that once you had a station | 0:03:36 | 0:03:40 | |
in maybe a village or a small hamlet, | 0:03:40 | 0:03:42 | |
once you had connections to London, | 0:03:42 | 0:03:45 | |
then more houses would be built, more developments, | 0:03:45 | 0:03:48 | |
and therefore, more people would use the railway. | 0:03:48 | 0:03:50 | |
So it was a self-fulfilling success, as it were. | 0:03:50 | 0:03:53 | |
The London and Greenwich's engineer was Colonel George Landmann. | 0:03:56 | 0:04:00 | |
Five years before the railway was opened, he predicted that - | 0:04:00 | 0:04:03 | |
"The speed with which the inhabitants can be conveyed | 0:04:03 | 0:04:06 | |
"from the smoke of the city | 0:04:06 | 0:04:08 | |
"to the pure air | 0:04:08 | 0:04:09 | |
"of Blackheath and Shooter's Hill will be a great | 0:04:09 | 0:04:12 | |
"inducement to the occupation of houses | 0:04:12 | 0:04:14 | |
"on this side of London". | 0:04:14 | 0:04:16 | |
He was absolutely right. | 0:04:22 | 0:04:25 | |
Ten years later, 3.75 million passengers | 0:04:25 | 0:04:28 | |
were using London Bridge station every year. | 0:04:28 | 0:04:30 | |
Of course, before the railway arrived, | 0:04:41 | 0:04:43 | |
a good way to get from the city to Greenwich | 0:04:43 | 0:04:46 | |
was to sail down the Thames. | 0:04:46 | 0:04:48 | |
Nowadays, the site of London Bridge station | 0:04:48 | 0:04:50 | |
is marked by the tallest building in Britain - the Shard. | 0:04:50 | 0:04:54 | |
The perfect place to see the routes to Greenwich. | 0:04:55 | 0:04:58 | |
Over there, we have the old highway, as it were, the river. | 0:05:02 | 0:05:06 | |
And now, over here, we have what was obviously in the day, a superhighway | 0:05:06 | 0:05:10 | |
for the trains, and a much faster way | 0:05:10 | 0:05:13 | |
to get between London and Greenwich. | 0:05:13 | 0:05:15 | |
But the railway company wasn't entirely sure their plan would work, | 0:05:15 | 0:05:19 | |
so they actually allowed people to walk alongside. | 0:05:19 | 0:05:23 | |
They created a footpath next to it, | 0:05:23 | 0:05:25 | |
for which you had to pay a little bit to go on, | 0:05:25 | 0:05:27 | |
because they weren't sure they could attract enough business on the railway. | 0:05:27 | 0:05:31 | |
In fact, of course, the railway became very busy quite quickly | 0:05:31 | 0:05:34 | |
and took over from the river traffic because it was much quicker. | 0:05:34 | 0:05:38 | |
If Greenwich was the start, it wouldn't be long before | 0:05:41 | 0:05:43 | |
other rail companies followed, in and around London. | 0:05:43 | 0:05:46 | |
And one particular location would become synonymous | 0:05:46 | 0:05:49 | |
with the very idea of commuting. | 0:05:49 | 0:05:51 | |
Within a couple of years, the London and Southampton Railway Company | 0:05:54 | 0:05:57 | |
was building a line to Southampton. | 0:05:57 | 0:05:59 | |
The company wanted to go through Kingston upon Thames, | 0:06:01 | 0:06:03 | |
but the locals were having none of it. | 0:06:03 | 0:06:05 | |
Coaching companies didn't want the competition, | 0:06:09 | 0:06:11 | |
and there was always the River Thames. | 0:06:11 | 0:06:14 | |
But, I think, the major factor was the reaction | 0:06:16 | 0:06:18 | |
of some of the major landowners, | 0:06:18 | 0:06:20 | |
who didn't really want the railway | 0:06:20 | 0:06:22 | |
going through their land. | 0:06:22 | 0:06:23 | |
So a station was built away from Kingston, in the middle of farmland. | 0:06:23 | 0:06:28 | |
Because it was near Kingston upon Thames, | 0:06:30 | 0:06:32 | |
some bright spark came up with an appropriate name. | 0:06:32 | 0:06:35 | |
It was called Kingston upon Railway, this new area, | 0:06:35 | 0:06:39 | |
with a very small station, | 0:06:39 | 0:06:41 | |
which was not here, it was further up the track. | 0:06:41 | 0:06:43 | |
They called it Kingston upon Railway, | 0:06:43 | 0:06:46 | |
but this didn't last for very long. | 0:06:46 | 0:06:48 | |
And then the station was moved about a quarter of a mile, | 0:06:49 | 0:06:52 | |
to its current location | 0:06:52 | 0:06:53 | |
and was finally given the name it has today - Surbiton. | 0:06:53 | 0:06:58 | |
Houses began to spring up around it, | 0:06:59 | 0:07:01 | |
and it's very significant in railway history, | 0:07:01 | 0:07:04 | |
because it's the first suburb that came into existence | 0:07:04 | 0:07:07 | |
entirely because of a railway. | 0:07:07 | 0:07:09 | |
This is one of the mid-Victorian middleclass houses | 0:07:16 | 0:07:18 | |
that sprang up around Surbiton station. | 0:07:18 | 0:07:20 | |
Today, it's split into several homes. | 0:07:22 | 0:07:24 | |
I work for one of the big banks. | 0:07:25 | 0:07:27 | |
I do procurement for them. | 0:07:27 | 0:07:29 | |
How do you feel about the fact that you're commuting in the same way | 0:07:29 | 0:07:32 | |
that somebody in the 1850s did? | 0:07:32 | 0:07:34 | |
Part of the reason I'm here | 0:07:34 | 0:07:36 | |
is because I wanted to be able to commute. | 0:07:36 | 0:07:38 | |
I'm working in town, and it's really easy. | 0:07:38 | 0:07:41 | |
And upstairs, in the main part of the house... | 0:07:42 | 0:07:45 | |
So before we moved here, we both worked in advertising. | 0:07:45 | 0:07:49 | |
And I've slightly changed my work. I do editorial work now from home. | 0:07:49 | 0:07:53 | |
So I do telecommuting and John does proper commuting. | 0:07:53 | 0:07:56 | |
Do you feel any kind of personal connection | 0:07:56 | 0:07:59 | |
between the Victorian characters who occupied your house before? | 0:07:59 | 0:08:03 | |
Well, it's quite interesting, because I read in the Census that | 0:08:03 | 0:08:06 | |
as well as the generals that lived in this house, | 0:08:06 | 0:08:08 | |
there were also a couple of town clerks. | 0:08:08 | 0:08:10 | |
So they would have left the house | 0:08:10 | 0:08:12 | |
probably the same time as my husband, | 0:08:12 | 0:08:14 | |
walked up the road, went to the train station, | 0:08:14 | 0:08:17 | |
took 24 minutes, apparently, to get to London. | 0:08:17 | 0:08:21 | |
There is a definite sense that | 0:08:21 | 0:08:23 | |
the railway station links this whole community. | 0:08:23 | 0:08:26 | |
And it is the reason, if I'm honest, | 0:08:26 | 0:08:27 | |
why most of my friends and myself have moved here. | 0:08:27 | 0:08:29 | |
And it's an added bonus that it's a really nice place to live. | 0:08:29 | 0:08:32 | |
In the 1840s, there was a huge rush to build railways. | 0:08:42 | 0:08:45 | |
Fortunes were to be made in a period known as Railway Mania. | 0:08:45 | 0:08:49 | |
Massive sums were invested. | 0:08:49 | 0:08:52 | |
The closest modern comparison is the amount spent on Britain's defence | 0:08:52 | 0:08:55 | |
during the Second World War. | 0:08:55 | 0:08:57 | |
A satirical cartoon from the Times shows railway bosses | 0:09:03 | 0:09:06 | |
frantic to deliver all their individual plans before a deadline. | 0:09:06 | 0:09:10 | |
But as the British railway network was created, | 0:09:12 | 0:09:14 | |
the one thing it lacked was an overall strategy. | 0:09:14 | 0:09:17 | |
The British railway system was very much made up | 0:09:18 | 0:09:20 | |
as it went along. | 0:09:20 | 0:09:22 | |
It was up to local interests, local businessmen, local politicians, | 0:09:22 | 0:09:26 | |
to decide that there was a need, or they saw a need for a railway | 0:09:26 | 0:09:29 | |
in a particular area. They promoted it, they raised the money. | 0:09:29 | 0:09:33 | |
They had to go to Parliament to get permission, | 0:09:33 | 0:09:35 | |
so there was a bit of a check there, | 0:09:35 | 0:09:37 | |
but the state made no attempt whatsoever | 0:09:37 | 0:09:40 | |
to plan a national system. | 0:09:40 | 0:09:42 | |
This line in Sussex is a case in point, | 0:09:52 | 0:09:54 | |
from later in the Victorian period. | 0:09:54 | 0:09:56 | |
It was first authorised by | 0:09:58 | 0:09:59 | |
the Lewes and East Grinstead Railway Act in 1877. | 0:09:59 | 0:10:02 | |
But built in a sparsely-populated area, | 0:10:05 | 0:10:07 | |
at the request of local landowners. | 0:10:07 | 0:10:09 | |
It's now the Bluebell Railway, a heritage line. | 0:10:13 | 0:10:15 | |
As railways sprang up all over the country, | 0:10:21 | 0:10:23 | |
there was one man who tried to create order out of the chaos. | 0:10:23 | 0:10:27 | |
He was Lord Dalhousie, President of the Board of Trade. | 0:10:27 | 0:10:31 | |
But it didn't work. There were too many particular interests involved. | 0:10:38 | 0:10:43 | |
And Dalhousie's plan, which would have given each region | 0:10:43 | 0:10:48 | |
a carefully-thought-out set of railway routes, | 0:10:48 | 0:10:51 | |
was scrapped after maybe a year of planning. | 0:10:51 | 0:10:54 | |
And I think that was a great tragedy, really, | 0:10:54 | 0:10:57 | |
because the British railway system today | 0:10:57 | 0:10:59 | |
would probably be a lot more efficient | 0:10:59 | 0:11:02 | |
if Dalhousie's plan had been allowed to run. | 0:11:02 | 0:11:05 | |
There was intense competition between railway companies | 0:11:07 | 0:11:09 | |
to corner different parts of the passenger market. | 0:11:09 | 0:11:12 | |
In many cases, this would be a good thing and encourage innovation, | 0:11:12 | 0:11:15 | |
but the battlegrounds could sometimes get ugly | 0:11:15 | 0:11:18 | |
and results were far from perfect. | 0:11:18 | 0:11:20 | |
One of the battlegrounds was Kent. | 0:11:22 | 0:11:24 | |
The first line that the Southeastern Railway Company | 0:11:24 | 0:11:27 | |
built into the county | 0:11:27 | 0:11:28 | |
was from London to Dover. | 0:11:28 | 0:11:30 | |
And the first line that the East Kent Railway Company built | 0:11:31 | 0:11:34 | |
went from Strood to Faversham. | 0:11:34 | 0:11:36 | |
And that was fine, as long as the two railways | 0:11:39 | 0:11:41 | |
served two separate parts of Kent. | 0:11:41 | 0:11:44 | |
But as they started to grow, as more people started to travel by train, | 0:11:44 | 0:11:48 | |
each company became more and more ambitious | 0:11:48 | 0:11:50 | |
and started to try to compete with the other one | 0:11:50 | 0:11:54 | |
to move into the other one's territory. | 0:11:54 | 0:11:57 | |
By the end of the 19th century, | 0:12:01 | 0:12:03 | |
the Southeastern Railway had lines all over Kent. | 0:12:03 | 0:12:06 | |
At the same time, the East Kent Railway had changed its name | 0:12:08 | 0:12:11 | |
to the London, Chatham and Dover Railway. | 0:12:11 | 0:12:14 | |
The rivals' lines were tangled across the county. | 0:12:14 | 0:12:17 | |
The battle became personal between two formidable figures. | 0:12:22 | 0:12:25 | |
Sir Edward Watkin, boss of the Southeastern Railway, | 0:12:27 | 0:12:31 | |
and James Staats Forbes of the London, Chatham and Dover Railway. | 0:12:31 | 0:12:35 | |
The two of them spent the best part of a quarter of a century | 0:12:37 | 0:12:40 | |
fighting each other. | 0:12:40 | 0:12:41 | |
I don't think it was just about profit. | 0:12:43 | 0:12:45 | |
I think these were, these were big, macho entrepreneurs | 0:12:45 | 0:12:49 | |
who were really fighting just to show that they were the top dogs. | 0:12:49 | 0:12:53 | |
And they absolutely hated each other | 0:12:53 | 0:12:55 | |
and did everything to do each other down. | 0:12:55 | 0:12:58 | |
And even if one of them built | 0:12:58 | 0:13:00 | |
a railway to a particular town or branch line, | 0:13:00 | 0:13:03 | |
the other would then want to build a railway to the same place | 0:13:03 | 0:13:07 | |
just to pinch each other's customers. | 0:13:07 | 0:13:09 | |
There was a lot of duplication. | 0:13:09 | 0:13:10 | |
Canterbury, for example, got two railway stations. | 0:13:10 | 0:13:13 | |
Ramsgate got two railway stations. | 0:13:13 | 0:13:15 | |
We live with that consequence today. | 0:13:15 | 0:13:18 | |
We live with a very, very tangled network of lines. | 0:13:18 | 0:13:21 | |
So that's why we didn't end up with the best possible railway, | 0:13:21 | 0:13:25 | |
we ended up with a railway that is all higgledy-piggledy, | 0:13:25 | 0:13:28 | |
lots of duplication, and not particularly efficient. | 0:13:28 | 0:13:31 | |
One result of the battle for Kent | 0:13:34 | 0:13:36 | |
was that several competing companies | 0:13:36 | 0:13:37 | |
were building lines into London Bridge station. | 0:13:37 | 0:13:41 | |
The upshot was a tangle of tracks, which is now being untangled. | 0:13:41 | 0:13:44 | |
Well, the railways in the Victorian era | 0:13:48 | 0:13:49 | |
were capitalism red in tooth and claw. | 0:13:49 | 0:13:53 | |
At one point, we had four different companies here at London Bridge, | 0:13:53 | 0:13:56 | |
all competing with each other, all over the same tracks. | 0:13:56 | 0:13:58 | |
You've got a spaghetti of tracks all crisscrossing each other, | 0:13:58 | 0:14:02 | |
all coming in from different angles. | 0:14:02 | 0:14:05 | |
They weren't designed with a sort of guiding mind in place. | 0:14:05 | 0:14:08 | |
They were sort of... They evolved. | 0:14:08 | 0:14:09 | |
London Bridge evolved, rather than being designed. | 0:14:09 | 0:14:12 | |
So now Network Rail is going through the process | 0:14:14 | 0:14:16 | |
of untangling the lines into London Bridge | 0:14:16 | 0:14:18 | |
so that commuters can pass through the station more smoothly. | 0:14:18 | 0:14:21 | |
So a little bit like going back in time | 0:14:24 | 0:14:26 | |
and telling all the disparate companies to do it a certain way, | 0:14:26 | 0:14:29 | |
-according to a big, major plan. -That would be fantastic. | 0:14:29 | 0:14:31 | |
If you could jump in a time machine and go back to 1844 and say, | 0:14:31 | 0:14:34 | |
"Look, guys, quit squabbling and think about it together | 0:14:34 | 0:14:37 | |
"and design a station for the future", | 0:14:37 | 0:14:39 | |
that would be absolutely brilliant, | 0:14:39 | 0:14:41 | |
but we can't do that. We're doing our best with it now. | 0:14:41 | 0:14:43 | |
But I really do want to emphasise | 0:14:43 | 0:14:45 | |
that the Victorians did a lot of great stuff as well. | 0:14:45 | 0:14:47 | |
One of the great things the Victorians did | 0:14:47 | 0:14:49 | |
was they built their viaducts really strong. | 0:14:49 | 0:14:52 | |
That was partly because in the Victorian era, | 0:14:52 | 0:14:54 | |
they weren't quite as good at | 0:14:54 | 0:14:56 | |
understanding tolerances as we are now, | 0:14:56 | 0:14:58 | |
so the viaducts were built incredibly strong. | 0:14:58 | 0:15:01 | |
And we're now throwing a huge number of trains across them every day | 0:15:01 | 0:15:04 | |
and they're solid as a rock. | 0:15:04 | 0:15:06 | |
By the mid 1800s, rail travel was reaching a new level of popularity. | 0:15:20 | 0:15:24 | |
The network was expanding rapidly. | 0:15:24 | 0:15:27 | |
Steam trains were striking out all across the country | 0:15:27 | 0:15:30 | |
and they were picking up speed. | 0:15:30 | 0:15:32 | |
The railways started to come within the reach of the working classes. | 0:15:35 | 0:15:38 | |
This was helped by special schemes | 0:15:38 | 0:15:40 | |
operating out of the big new stations, | 0:15:40 | 0:15:42 | |
like Liverpool Street in London. | 0:15:42 | 0:15:44 | |
By the time Liverpool Street was built in 1874, | 0:15:49 | 0:15:52 | |
many railways were running workmen's trains. | 0:15:52 | 0:15:55 | |
They offered cheap, early-morning transport into town | 0:15:55 | 0:15:57 | |
for as little as tuppence return. | 0:15:57 | 0:16:00 | |
The government liked the idea. | 0:16:00 | 0:16:02 | |
When they passed an Act of Parliament | 0:16:06 | 0:16:07 | |
to give a company permission to build a railway, | 0:16:07 | 0:16:10 | |
they began to write in workmen's trains as part of the deal. | 0:16:10 | 0:16:13 | |
In the first wave of railway building and station building | 0:16:15 | 0:16:18 | |
in the early part of the 19th century, | 0:16:18 | 0:16:20 | |
the government didn't really take any interest in the fact that | 0:16:20 | 0:16:23 | |
that displaced a lot of people who'd been living and working | 0:16:23 | 0:16:26 | |
in the places where the railways are built. | 0:16:26 | 0:16:28 | |
But now we're in the 1860s and the 1870s | 0:16:28 | 0:16:30 | |
and the government's much more socially aware | 0:16:30 | 0:16:32 | |
and concerned about what's going to happen | 0:16:32 | 0:16:33 | |
to those people living in these places, | 0:16:33 | 0:16:35 | |
so they start to make it a condition of building railways | 0:16:35 | 0:16:39 | |
and building the track out | 0:16:39 | 0:16:40 | |
that you provide workmen's trains and that you price them cheaply | 0:16:40 | 0:16:43 | |
and that they start early in the morning, | 0:16:43 | 0:16:45 | |
precisely so that those people who have been displaced | 0:16:45 | 0:16:48 | |
have the opportunity, at least, to get back into London. | 0:16:48 | 0:16:51 | |
But variations in the cost of the ticket | 0:16:52 | 0:16:55 | |
caused variations in the character of different parts of London. | 0:16:55 | 0:16:58 | |
When the government says you've got to put on workmen's trains, | 0:16:59 | 0:17:02 | |
they're never explicit about how much they ought to cost, | 0:17:02 | 0:17:04 | |
or how many there ought to be. | 0:17:04 | 0:17:06 | |
So different companies make different decisions. | 0:17:06 | 0:17:08 | |
And here in the east, a lot of the companies put on two-pence trains. | 0:17:08 | 0:17:12 | |
In parts of the south of London | 0:17:12 | 0:17:13 | |
and the railways going out to the south and to the west, | 0:17:13 | 0:17:16 | |
often, those workmen's trains would be six or seven pence. | 0:17:16 | 0:17:19 | |
That's quite a lot more. | 0:17:19 | 0:17:20 | |
So that starts to determine what kind of housing is built | 0:17:20 | 0:17:23 | |
in the different parts of London. | 0:17:23 | 0:17:25 | |
For instance, what was the small hamlet of Walthamstow | 0:17:27 | 0:17:30 | |
now has a huge number of comparatively-small terraced houses. | 0:17:30 | 0:17:34 | |
Walthamstow really develops its housing. | 0:17:36 | 0:17:38 | |
Kind of terraced housing, quite densely packed, | 0:17:38 | 0:17:40 | |
precisely because there's a large number of workers | 0:17:40 | 0:17:43 | |
who want to take advantage of the two-pence train. | 0:17:43 | 0:17:45 | |
So they actually really look... | 0:17:45 | 0:17:47 | |
I mean, these places still look very much like they do today | 0:17:47 | 0:17:50 | |
precisely because of the way the railways were built. | 0:17:50 | 0:17:53 | |
As time went on, the railways became unstoppable | 0:17:55 | 0:17:58 | |
as the networks spread across the country. | 0:17:58 | 0:18:01 | |
-MEDIA BROADCAST: -A spate of British railway building astonished the world. | 0:18:04 | 0:18:08 | |
A century of pioneering with the sky the limit. | 0:18:08 | 0:18:12 | |
And transport kept pace. | 0:18:12 | 0:18:14 | |
To meet the needs of factories and trade, | 0:18:14 | 0:18:17 | |
to carry our country's new-found greatness to far horizons, | 0:18:17 | 0:18:20 | |
modern transport was born. | 0:18:20 | 0:18:23 | |
But what about the town that came into existence | 0:18:27 | 0:18:30 | |
entirely because of the railways? | 0:18:30 | 0:18:32 | |
How was Surbiton getting on? | 0:18:32 | 0:18:34 | |
In the local archive at Kingston upon Thames, | 0:18:47 | 0:18:50 | |
the Census information and original maps | 0:18:50 | 0:18:53 | |
show the growth of Surbiton's population. | 0:18:53 | 0:18:55 | |
For example, in 1841, | 0:19:01 | 0:19:02 | |
the population was still under 400. | 0:19:02 | 0:19:05 | |
But with the arrival of the railways, | 0:19:05 | 0:19:07 | |
it began to grow very, very rapidly. | 0:19:07 | 0:19:09 | |
So that by 1861, we're looking at just under 5,000. | 0:19:09 | 0:19:12 | |
By 1881, we're looking at just under 10,000, | 0:19:12 | 0:19:16 | |
and then by the turn of the century, 1901, | 0:19:16 | 0:19:18 | |
we're looking at 12,000. | 0:19:18 | 0:19:21 | |
But an odd phenomenon grew around Surbiton | 0:19:26 | 0:19:28 | |
at the same time as the population. | 0:19:28 | 0:19:30 | |
It became the butt of jokes | 0:19:30 | 0:19:32 | |
and has been known for its comedy value ever since. | 0:19:32 | 0:19:35 | |
Like this Punch cartoon from 1938. | 0:19:38 | 0:19:40 | |
"We really must be going now, darling, | 0:19:42 | 0:19:44 | |
"we've got to get right out to Surbiton!" | 0:19:44 | 0:19:46 | |
Though, perhaps, some of the joke has been lost in the midst of time. | 0:19:48 | 0:19:52 | |
There were jokes about the development of Surbiton, | 0:19:54 | 0:19:57 | |
which I think are pretty unfair, to be honest. | 0:19:57 | 0:20:00 | |
And I think the origins of this were | 0:20:00 | 0:20:03 | |
a small, intelligent, um...faction in London | 0:20:03 | 0:20:08 | |
who tended to poke fun at the suburbs. | 0:20:08 | 0:20:11 | |
And ever since then, we've had this strand in British culture | 0:20:11 | 0:20:16 | |
which has tended to look down on the suburbs. | 0:20:16 | 0:20:19 | |
And, in particular, of course, it's looked upon as being | 0:20:19 | 0:20:22 | |
dull, boring. People were inward-looking | 0:20:22 | 0:20:25 | |
and didn't really take much part in any community activity. | 0:20:25 | 0:20:30 | |
And, of course, what is the ultimate suburb, but Surbiton. | 0:20:30 | 0:20:34 | |
Because Surbiton sounds like suburbia. | 0:20:34 | 0:20:36 | |
Surbiton was never part of the grand plan. | 0:20:37 | 0:20:39 | |
It evolved, like so many other railway towns. | 0:20:39 | 0:20:42 | |
But in the 1900s, things started to change, | 0:20:42 | 0:20:45 | |
and commuting and suburbia were taken to a whole new level. | 0:20:45 | 0:20:48 | |
To the northwest of London, you'll find streets, | 0:20:56 | 0:20:58 | |
avenues and crescents of the ultimate English suburbia. | 0:20:58 | 0:21:01 | |
This is because, as the 20th century arrived, | 0:21:03 | 0:21:06 | |
the Metropolitan Railway, with their new electric trains, | 0:21:06 | 0:21:09 | |
could do something that no other railway company could do. | 0:21:09 | 0:21:12 | |
They had the legal power to use land | 0:21:14 | 0:21:16 | |
they no longer wanted to build houses. | 0:21:16 | 0:21:19 | |
And they called it Metro-land. | 0:21:19 | 0:21:22 | |
So, to them it was wonderful, | 0:21:23 | 0:21:26 | |
they'd created a market | 0:21:26 | 0:21:28 | |
for the railway services. | 0:21:28 | 0:21:30 | |
A win-win situation for | 0:21:30 | 0:21:31 | |
the Metropolitan Railway. | 0:21:31 | 0:21:33 | |
That was a smart move. | 0:21:33 | 0:21:35 | |
The Metropolitan Railway could open stations, | 0:21:35 | 0:21:37 | |
fairly confident that housing | 0:21:37 | 0:21:39 | |
development would follow shortly thereafter, | 0:21:39 | 0:21:42 | |
because it was the company that was either building the houses | 0:21:42 | 0:21:45 | |
or selling the land very cheaply to developers. | 0:21:45 | 0:21:48 | |
So the Metropolitan Railway generated its own demand. | 0:21:48 | 0:21:52 | |
They did wonderful publicity, | 0:21:54 | 0:21:55 | |
they did posters that were really very beautiful, evocative. | 0:21:55 | 0:22:00 | |
And they sold the northwest extension into the Chilterns | 0:22:00 | 0:22:04 | |
as a way of being in London | 0:22:04 | 0:22:07 | |
without having to live in the inner-city. | 0:22:07 | 0:22:10 | |
Metro-land is famous for being the archetype of English suburbia. | 0:22:11 | 0:22:15 | |
And it was also the inspiration for poetry by John Betjeman. | 0:22:15 | 0:22:19 | |
"Gaily into Ruislip Gardens runs the red electric train. | 0:22:21 | 0:22:26 | |
"With a thousand Ta's and Pardon's, daintily descends Elaine." | 0:22:26 | 0:22:30 | |
Yes. I mean, you knew he was going to rhyme | 0:22:30 | 0:22:33 | |
"electric train" with "Elaine" there. | 0:22:33 | 0:22:36 | |
Well, Betjeman is really the great author of Metro-land. | 0:22:36 | 0:22:41 | |
TRAIN WHISTLE | 0:22:41 | 0:22:45 | |
Betjeman's fascination with the new suburbia | 0:22:45 | 0:22:48 | |
led him to make this documentary in 1973. | 0:22:48 | 0:22:51 | |
The Metropolitan had a very good idea. | 0:22:53 | 0:22:55 | |
Look at these fields! | 0:22:55 | 0:22:58 | |
"Why not..." said a clever member of the board, | 0:22:58 | 0:23:01 | |
"..fill the meadowland with houses?" | 0:23:01 | 0:23:04 | |
The healthy air of Harrow in the 1920s and '30s, | 0:23:08 | 0:23:12 | |
when these villas were built. | 0:23:12 | 0:23:15 | |
In fact, the country had come to the suburbs. | 0:23:15 | 0:23:19 | |
Roses are blooming in Metro-land, | 0:23:19 | 0:23:23 | |
just as they do in the brochure. | 0:23:23 | 0:23:26 | |
English people have this yearning to own a house of their own | 0:23:26 | 0:23:31 | |
in a leafy, green area. | 0:23:31 | 0:23:34 | |
Which was, of course, the way the Metropolitan Railway | 0:23:34 | 0:23:37 | |
marketed Metro-land. | 0:23:37 | 0:23:38 | |
You could enjoy the countryside | 0:23:38 | 0:23:41 | |
and yet work in the city. | 0:23:41 | 0:23:43 | |
Meanwhile, over on the other side of London, | 0:23:46 | 0:23:48 | |
the Southern Railway was also targeting the commuters. | 0:23:48 | 0:23:51 | |
Unlike the Metropolitan, they weren't able to build houses, | 0:23:53 | 0:23:56 | |
but in parts of their territory near the capital, | 0:23:56 | 0:23:59 | |
they enthusiastically began to electrify their railways. | 0:23:59 | 0:24:02 | |
We stand here, beside the evidence of progress, | 0:24:05 | 0:24:08 | |
which the railways have made since the station was opened in 1842. | 0:24:08 | 0:24:14 | |
The National Railway Museum in York has a collection of posters | 0:24:15 | 0:24:19 | |
from the time of the electrification of the Southern Railway. | 0:24:19 | 0:24:22 | |
Herbert Walker, who was the dynamic manager of the Southern Railway, | 0:24:22 | 0:24:26 | |
decided that electricity was the way forward. | 0:24:26 | 0:24:28 | |
The way to compete with trams for that inner-suburban traffic, | 0:24:28 | 0:24:32 | |
but also, to expand the market and to encourage people, | 0:24:32 | 0:24:35 | |
as was happening in the north of London, with Metro-land, | 0:24:35 | 0:24:37 | |
to live outside of London itself, | 0:24:37 | 0:24:40 | |
in what were going to become the suburbs. | 0:24:40 | 0:24:42 | |
A wonderful example being the line to Brighton, | 0:24:42 | 0:24:45 | |
which was electrified in the early 1930s. | 0:24:45 | 0:24:48 | |
And the Southern went all-out to persuade people | 0:24:48 | 0:24:51 | |
not just to use the electric trains to go to Brighton, | 0:24:51 | 0:24:53 | |
to go to the seaside, to enjoy a day out, | 0:24:53 | 0:24:56 | |
but also to persuade people to go and live in Brighton | 0:24:56 | 0:24:59 | |
and commute into London, a good 50 miles. | 0:24:59 | 0:25:02 | |
It was a long way to travel in the 1930s to go to work, | 0:25:02 | 0:25:05 | |
but the Southern managed to persuade people to do that. | 0:25:05 | 0:25:08 | |
And they did it by using modern, | 0:25:08 | 0:25:10 | |
cutting-edge advertising. | 0:25:10 | 0:25:12 | |
Very early on, it marketed its | 0:25:13 | 0:25:15 | |
newly-electrified suburban lines | 0:25:15 | 0:25:17 | |
as Southern Electric. | 0:25:17 | 0:25:18 | |
Just those two words. | 0:25:18 | 0:25:20 | |
Very powerful, I think. | 0:25:20 | 0:25:21 | |
Really, the creation of a brand. | 0:25:21 | 0:25:23 | |
-MEDIA BROADCAST: -A new type of electric train | 0:25:27 | 0:25:29 | |
makes its first appearance along the Southern Railway. | 0:25:29 | 0:25:32 | |
It is capable of a speed of 75mph. | 0:25:32 | 0:25:34 | |
Through the 20th century, | 0:25:43 | 0:25:44 | |
commuters travelled further and further by rail. | 0:25:44 | 0:25:47 | |
Now, the London larger urban zone has a population | 0:25:48 | 0:25:52 | |
of nearly 12 million and is the largest in Europe. | 0:25:52 | 0:25:55 | |
One attempt to deal with some of the limitations left to us | 0:25:55 | 0:25:59 | |
by the Victorians is the Crossrail project. | 0:25:59 | 0:26:01 | |
What we ended up with was a vast network of lines, | 0:26:14 | 0:26:17 | |
radiating mainly out from London, north, east, south and west. | 0:26:17 | 0:26:22 | |
A fantastic way to get in and out of the capital. | 0:26:22 | 0:26:25 | |
But what passengers found difficult | 0:26:25 | 0:26:27 | |
was to travel long distance from another part of the country, | 0:26:27 | 0:26:31 | |
through London and out the other side in one seat. | 0:26:31 | 0:26:34 | |
When the Victorians built lots of railway lines heading into London, | 0:26:40 | 0:26:43 | |
it would seem logical to join them up in a massive central hub. | 0:26:43 | 0:26:47 | |
But a Royal Commission on London railways in 1846 | 0:26:47 | 0:26:50 | |
advised against it | 0:26:50 | 0:26:51 | |
because it would destroy too much valuable property in the centre. | 0:26:51 | 0:26:55 | |
Instead, it advised that an inner-circle underground railway | 0:26:57 | 0:27:00 | |
should be built. | 0:27:00 | 0:27:01 | |
Joining up most of the major London termini. | 0:27:01 | 0:27:04 | |
Today, it is known as the Circle line. | 0:27:06 | 0:27:08 | |
But now the Crossrail project has been busy underground. | 0:27:11 | 0:27:15 | |
It's created new routes from east and west, | 0:27:17 | 0:27:20 | |
through the heart of the capital. | 0:27:20 | 0:27:22 | |
This will extend the commuter belt out into new places around London. | 0:27:22 | 0:27:26 | |
Traditionally, in the UK, particularly in London, | 0:27:28 | 0:27:31 | |
railways, big national railways, | 0:27:31 | 0:27:34 | |
they stopped at the edge of the city. | 0:27:34 | 0:27:37 | |
And so you then had to come down an escalator, | 0:27:37 | 0:27:39 | |
get on a different train to take you around the middle of the city. | 0:27:39 | 0:27:43 | |
That's something that projects like Crossrail, | 0:27:43 | 0:27:47 | |
a boundary that's being removed, | 0:27:47 | 0:27:49 | |
so you'll be able to travel straight through and out the other side | 0:27:49 | 0:27:51 | |
if you want to. | 0:27:51 | 0:27:53 | |
Commuting by train. | 0:27:58 | 0:28:01 | |
Millions of us do it every day. | 0:28:01 | 0:28:03 | |
You may see your commute as liberating. | 0:28:07 | 0:28:09 | |
A way to get away from your desk in the busy city, | 0:28:09 | 0:28:12 | |
and live somewhere attractive that you can afford. | 0:28:12 | 0:28:15 | |
On the other hand, you may see yourself condemned | 0:28:16 | 0:28:18 | |
to wasting hours every day | 0:28:18 | 0:28:20 | |
in the daily trudge to and from work. | 0:28:20 | 0:28:22 | |
For this, we can thank or blame the Victorians. | 0:28:26 | 0:28:30 | |
They gave us a new type of place to live, suburbia, | 0:28:30 | 0:28:33 | |
and a new type of person, the commuter. | 0:28:33 | 0:28:36 |