Browse content similar to Lockerbie & Riverdance. Check below for episodes and series from the same categories and more!
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Ordinary people. | 0:00:02 | 0:00:03 | |
-Look at that. -Tsunami! | 0:00:03 | 0:00:05 | |
Extraordinary stories. | 0:00:05 | 0:00:07 | |
It was one of the most amazing days of my life. | 0:00:07 | 0:00:10 | |
It just felt like being part of a moment in history. | 0:00:10 | 0:00:14 | |
Bonds forged amid triumphs... | 0:00:14 | 0:00:16 | |
..and tragedies. | 0:00:17 | 0:00:19 | |
She came to help people, | 0:00:19 | 0:00:21 | |
so to me, she is an angel, she is a great person. | 0:00:21 | 0:00:24 | |
It would mean an awful lot to me | 0:00:24 | 0:00:26 | |
to be able to say thank you to the firemen that saved me. | 0:00:26 | 0:00:29 | |
They shared a past, then faced a future apart. | 0:00:29 | 0:00:33 | |
I just hope I recognise them. | 0:00:33 | 0:00:35 | |
Brought together by fate. | 0:00:35 | 0:00:36 | |
It's going to be very emotional. | 0:00:36 | 0:00:38 | |
Separated by time. | 0:00:38 | 0:00:40 | |
# Rap 'er to bank, me canny lad. # | 0:00:40 | 0:00:44 | |
Real Lives Reunited. | 0:00:46 | 0:00:48 | |
In today's programme... | 0:00:51 | 0:00:53 | |
terror in the sky. | 0:00:53 | 0:00:55 | |
There was a sound like loud peals of thunder. | 0:00:55 | 0:00:58 | |
But instead of them dying away, | 0:00:58 | 0:01:01 | |
they sort of coalesced into a roar. | 0:01:01 | 0:01:04 | |
The Lockerbie locals who saw their town on fire. | 0:01:04 | 0:01:08 | |
It's that confusion in the first few minutes and hours. | 0:01:08 | 0:01:11 | |
And it can get scaled up from a contained incident to getting | 0:01:11 | 0:01:14 | |
bigger and bigger and bigger, | 0:01:14 | 0:01:16 | |
with more and more casualties and death around it. | 0:01:16 | 0:01:19 | |
And Riverdance reunited! | 0:01:19 | 0:01:23 | |
The Lords and Ladies of the dance line up for one last encore. | 0:01:23 | 0:01:27 | |
-These are the shoes I wore in Eurovision. -No way! -There is no way! | 0:01:28 | 0:01:32 | |
# But I would walk 500 miles | 0:01:35 | 0:01:39 | |
# And I would walk 500 more | 0:01:39 | 0:01:42 | |
# Just to be that man | 0:01:42 | 0:01:45 | |
# Who walked a thousand miles | 0:01:45 | 0:01:47 | |
# To fall down at your door | 0:01:47 | 0:01:50 | |
# When I'm working | 0:01:50 | 0:01:51 | |
# Yes, I know I'm gonna be | 0:01:51 | 0:01:53 | |
# I'm gonna be the man | 0:01:53 | 0:01:55 | |
# Who's working hard for you | 0:01:55 | 0:01:57 | |
# And when the money... # | 0:01:57 | 0:01:59 | |
On December 21st 1988, | 0:02:00 | 0:02:03 | |
at 6.25pm, | 0:02:03 | 0:02:06 | |
Pan Am Flight 103 left London's Heathrow Airport | 0:02:06 | 0:02:09 | |
en route for Detroit. | 0:02:09 | 0:02:11 | |
243 passengers were on board, | 0:02:14 | 0:02:17 | |
most returning home for Christmas. | 0:02:17 | 0:02:19 | |
38 minutes into the flight, | 0:02:19 | 0:02:21 | |
a bomb exploded. | 0:02:21 | 0:02:23 | |
31,000 feet below, in the Scottish town of Lockerbie, | 0:02:29 | 0:02:33 | |
John Gair heard the explosion. | 0:02:33 | 0:02:35 | |
There was a sound like loud peals of thunder. | 0:02:35 | 0:02:40 | |
But instead of them dying away, | 0:02:40 | 0:02:42 | |
they sort of coalesced into a roar. | 0:02:42 | 0:02:46 | |
And then the hall was lit up with a sort of red light. | 0:02:46 | 0:02:50 | |
So we realised something strange had happened. | 0:02:50 | 0:02:53 | |
18-year-old police rookie Colin Dorrance was off duty. | 0:02:57 | 0:03:01 | |
He too saw and heard the explosion and immediately reported for work. | 0:03:01 | 0:03:06 | |
Not knowing what had taken place at the time, | 0:03:08 | 0:03:10 | |
I drove into the town to see what the explosion actually was. | 0:03:10 | 0:03:16 | |
And very quickly it became apparent this was a huge incident. | 0:03:16 | 0:03:21 | |
People were running towards the area which seemed to be | 0:03:21 | 0:03:24 | |
on fire. | 0:03:24 | 0:03:25 | |
Police Inspector George Stobbs also reported for duty. | 0:03:27 | 0:03:31 | |
There was a pile-up of traffic on the road. | 0:03:31 | 0:03:34 | |
They were being stopped and I couldn't get through. | 0:03:34 | 0:03:37 | |
So I dumped my car, started to walk in towards the town centre. | 0:03:37 | 0:03:42 | |
I was picked up by a patrol car that came up behind me. | 0:03:42 | 0:03:45 | |
And as I went over the fly-over, I could see a great pile of smoke. | 0:03:45 | 0:03:51 | |
Even as the car was driving along the road, | 0:03:51 | 0:03:53 | |
I could smell aviation fuel. | 0:03:53 | 0:03:55 | |
The jumbo jet had crashed into the heart of a built-up | 0:04:00 | 0:04:03 | |
residential area in Lockerbie. | 0:04:03 | 0:04:06 | |
News of the disaster started to spread. | 0:04:07 | 0:04:11 | |
Randolph Caughie, a photographer, had finished work for the year. | 0:04:11 | 0:04:16 | |
Or so he thought... | 0:04:16 | 0:04:18 | |
I was in the car, driving home, actually. | 0:04:18 | 0:04:21 | |
And got a call from one of my bosses in London. | 0:04:21 | 0:04:23 | |
And he says that a plane had gone down. | 0:04:23 | 0:04:25 | |
It was just as simple as that - a plane had gone down in Lockerbie. | 0:04:25 | 0:04:28 | |
He says, "Can you get there?" I said, "Sure." | 0:04:28 | 0:04:30 | |
Randolph found himself as the first photographer | 0:04:32 | 0:04:35 | |
at a scene he will never forget. | 0:04:35 | 0:04:38 | |
It was like...a field of death. | 0:04:38 | 0:04:40 | |
It was pretty horrific, I've got to say. | 0:04:42 | 0:04:44 | |
There was a lot of people lying there. | 0:04:46 | 0:04:48 | |
There was nothing... What can you do? | 0:04:48 | 0:04:50 | |
We decided that we weren't going to photograph them, um, | 0:04:51 | 0:04:55 | |
because it wasn't nice to see. | 0:04:55 | 0:04:57 | |
It wasn't nice to photograph. So we just concentrated doing what was left | 0:04:57 | 0:05:01 | |
of the plane. | 0:05:01 | 0:05:02 | |
By now, the small town was swarming with emergency services. | 0:05:02 | 0:05:07 | |
The fire and rescue service were very busy. | 0:05:07 | 0:05:10 | |
There was between a dozen and two dozen houses where | 0:05:10 | 0:05:13 | |
they were either on fire or at serious risk of fire, | 0:05:13 | 0:05:16 | |
including the petrol station. | 0:05:16 | 0:05:18 | |
The emergency service response was massive by any standards, | 0:05:18 | 0:05:22 | |
then and even now. | 0:05:22 | 0:05:24 | |
It wasn't until sunrise that the true scale of the disaster | 0:05:29 | 0:05:33 | |
became clear for all to see. | 0:05:33 | 0:05:35 | |
As far as I know, I've lost my brother-in-law, | 0:05:53 | 0:05:56 | |
my sister-in-law... | 0:05:56 | 0:05:58 | |
Their house is just...it's just...a 30-foot crater. | 0:05:58 | 0:06:02 | |
Where their house was, I can't even find the house. | 0:06:02 | 0:06:05 | |
It's gone, like. | 0:06:05 | 0:06:07 | |
All 259 people on board had lost their lives | 0:06:07 | 0:06:12 | |
as well as 11 people on the ground. | 0:06:12 | 0:06:16 | |
I mean, there was the ghastly problem of collecting | 0:06:16 | 0:06:19 | |
all of these bodies. | 0:06:19 | 0:06:21 | |
They started, I think, taking them to the town hall, but | 0:06:21 | 0:06:24 | |
eventually, they were taken to the ice rink. | 0:06:24 | 0:06:27 | |
Which was an extremely sensible place to take them. | 0:06:27 | 0:06:30 | |
It seemed like chaos at times, | 0:06:30 | 0:06:32 | |
but I think it was mostly very well organised. | 0:06:32 | 0:06:36 | |
Colin, now a sergeant in the area, | 0:06:40 | 0:06:43 | |
was just an 18-year-old rookie that night 26 years ago. | 0:06:43 | 0:06:47 | |
He has never really talked about it - before today. | 0:06:47 | 0:06:52 | |
I'm looking forward to meeting the other people today | 0:06:52 | 0:06:55 | |
because you know you've been there. And sometimes, trying to discuss | 0:06:55 | 0:06:59 | |
and describe what took place is very difficult to get across. | 0:06:59 | 0:07:03 | |
And there's a certain... | 0:07:03 | 0:07:05 | |
frustration, almost. | 0:07:05 | 0:07:07 | |
They're meeting in Lockerbie Town Hall, | 0:07:08 | 0:07:11 | |
which was used as a temporary resting place for the victims. | 0:07:11 | 0:07:15 | |
Hello, John. Nice to see you again. | 0:07:17 | 0:07:19 | |
Mr Gair, you were living amongst all this. | 0:07:19 | 0:07:23 | |
What was your recollection of it as someone who lived in the town | 0:07:23 | 0:07:28 | |
at the time? | 0:07:28 | 0:07:29 | |
A small town where nothing much had happened | 0:07:29 | 0:07:32 | |
was in the middle of a horrible international tragedy. | 0:07:32 | 0:07:36 | |
People were coming from all over the world, saying, | 0:07:37 | 0:07:40 | |
you know, "Where did this happen? When did that happen?" | 0:07:40 | 0:07:43 | |
-And I drew up a wee map... -So this is your own map? | 0:07:43 | 0:07:46 | |
This is my own map, yeah. | 0:07:46 | 0:07:47 | |
And all I did was put down the strategic places. | 0:07:47 | 0:07:50 | |
And I tried to explain to them that the wind was blowing across | 0:07:50 | 0:07:54 | |
-that way and it took all the... -That's what you were saying. | 0:07:54 | 0:07:57 | |
You had to reverse engineer everything from the finishing point | 0:07:57 | 0:08:01 | |
-back to up in the sky to understand how it all... -Yeah. | 0:08:01 | 0:08:04 | |
It was. It was a very strong wind that was blowing that day. | 0:08:04 | 0:08:07 | |
And it just took everything. | 0:08:07 | 0:08:09 | |
I mean, we were recovering stuff from the North Sea, | 0:08:09 | 0:08:11 | |
60 miles away. | 0:08:11 | 0:08:13 | |
Photographer Randolph saw at first-hand how the local | 0:08:13 | 0:08:17 | |
community and emergency services helped each other that night. | 0:08:17 | 0:08:21 | |
What you guys did... When I hear all these stories, | 0:08:21 | 0:08:24 | |
when they say it on the outside, you know, being a journalist... | 0:08:24 | 0:08:27 | |
The police were fantastic doing their tasks as well. | 0:08:27 | 0:08:30 | |
Just amazing. They kept us in touch with what was going on | 0:08:30 | 0:08:34 | |
and they were very helpful. | 0:08:34 | 0:08:36 | |
The service was amazing. | 0:08:36 | 0:08:37 | |
The thing I remember most about this was being stood out | 0:08:37 | 0:08:41 | |
in some of these areas where the engines were | 0:08:41 | 0:08:44 | |
-or, in the early days, where some passengers still were. -Uh-huh. | 0:08:44 | 0:08:47 | |
And people coming out of their homes at two o'clock in the morning | 0:08:47 | 0:08:50 | |
with flasks and sandwiches and... | 0:08:50 | 0:08:51 | |
Even give you the key to the house so that you could use the toilet. | 0:08:51 | 0:08:54 | |
The openness and the support was second to none. | 0:08:54 | 0:08:58 | |
If there's some consolation out of this, it was to see | 0:08:58 | 0:09:02 | |
-the very best of human nature. -Yes. | 0:09:02 | 0:09:04 | |
Good people came to the front and did their duty. | 0:09:04 | 0:09:08 | |
In the years that followed, a joint investigation | 0:09:10 | 0:09:13 | |
between Scottish Police and the FBI resulted in the arrest, conviction | 0:09:13 | 0:09:17 | |
and imprisonment of the Libyan intelligence officer | 0:09:17 | 0:09:21 | |
Abdelbaset al-Megrahi. | 0:09:21 | 0:09:23 | |
In August 2009, | 0:09:24 | 0:09:26 | |
he was released on compassionate grounds. | 0:09:26 | 0:09:29 | |
He died in May 2012, | 0:09:29 | 0:09:31 | |
remaining the only person to be convicted of the 270 murders. | 0:09:31 | 0:09:36 | |
Today, the four men are visiting the Lockerbie Air Disaster Memorial. | 0:09:39 | 0:09:45 | |
I think a community the size of Lockerbie, | 0:09:47 | 0:09:50 | |
where most people know each other. | 0:09:50 | 0:09:54 | |
A community like that will always pull together, | 0:09:54 | 0:09:56 | |
irrespective of what is thrown at them. | 0:09:56 | 0:10:00 | |
Some of these have got a nice... | 0:10:00 | 0:10:02 | |
It's a difficult subject matter and | 0:10:05 | 0:10:08 | |
nice to meet these three gentlemen | 0:10:08 | 0:10:12 | |
who have reflected on things over the years as well. | 0:10:12 | 0:10:15 | |
And you realise you're not alone with your own memories | 0:10:15 | 0:10:18 | |
of what took place. | 0:10:18 | 0:10:20 | |
Coming up... | 0:10:25 | 0:10:26 | |
Randolph reunites with reporters who covered | 0:10:26 | 0:10:29 | |
the disaster - one of the most emotional stories of their careers. | 0:10:29 | 0:10:34 | |
I don't think it prepared me | 0:10:34 | 0:10:36 | |
for what I was going to see. | 0:10:36 | 0:10:38 | |
But, um... Phew! It's, uh... | 0:10:38 | 0:10:41 | |
It brings it all back. | 0:10:43 | 0:10:44 | |
# It's written in the wind | 0:10:50 | 0:10:53 | |
# Oooh | 0:10:53 | 0:10:55 | |
# Everywhere I go | 0:10:55 | 0:10:58 | |
# Yeah | 0:10:58 | 0:11:00 | |
# So if you really love me | 0:11:02 | 0:11:04 | |
# Love me, love me | 0:11:04 | 0:11:06 | |
# Come on and let it show. # | 0:11:06 | 0:11:10 | |
April 30th 1994, | 0:11:11 | 0:11:14 | |
and The Point Theatre in Dublin was getting | 0:11:14 | 0:11:16 | |
ready to host the Eurovision Song Contest. | 0:11:16 | 0:11:20 | |
300 million people tuned in to watch, | 0:11:20 | 0:11:22 | |
and as usual, Sir Terry was on great form. | 0:11:22 | 0:11:26 | |
'Well, nobody could accuse those two of underselling this.' | 0:11:26 | 0:11:30 | |
What no-one bargained for, however, | 0:11:30 | 0:11:32 | |
was they were about to witness the birth of an act that would | 0:11:32 | 0:11:35 | |
break theatrical records all around the world. | 0:11:35 | 0:11:38 | |
Riverdance! | 0:11:40 | 0:11:41 | |
Just a few months before Eurovision, however, | 0:11:53 | 0:11:56 | |
Riverdance was barely a trickle of an idea. | 0:11:56 | 0:11:58 | |
The concept - to transform Irish dancing, a discipline associated | 0:12:00 | 0:12:04 | |
with stiff arms and ringlets into something cooler and sexier. | 0:12:04 | 0:12:09 | |
Michael Flatley and Jean Butler were on board as lead dancers, | 0:12:09 | 0:12:13 | |
but a chorus line had yet to be found. | 0:12:13 | 0:12:17 | |
My father took the phone call from RTE | 0:12:17 | 0:12:19 | |
to say that somebody had passed on my name for | 0:12:19 | 0:12:23 | |
the interval act for the Eurovision. | 0:12:23 | 0:12:25 | |
But my father, God rest him, said, | 0:12:25 | 0:12:27 | |
"You must have the wrong Emer O'Grady, | 0:12:27 | 0:12:28 | |
"because she doesn't have a note in her head." | 0:12:28 | 0:12:30 | |
He thought it was singing. | 0:12:30 | 0:12:32 | |
So they rang back a day or two later and spoke to my mum and they said | 0:12:32 | 0:12:35 | |
it was an Irish dancing act. | 0:12:35 | 0:12:37 | |
Scores of young dancers gathered to take part in a highly | 0:12:37 | 0:12:41 | |
secretive selection process, | 0:12:41 | 0:12:44 | |
all under the watchful | 0:12:44 | 0:12:45 | |
eye of a man who would soon become a dancing legend. | 0:12:45 | 0:12:49 | |
And Michael Flatley came in, and we all had to do our steps | 0:12:51 | 0:12:54 | |
for Michael Flatley. | 0:12:54 | 0:12:55 | |
And we just had to do it again and again and again... | 0:12:55 | 0:12:58 | |
It was just... | 0:12:58 | 0:13:00 | |
I was over the moon, like, | 0:13:00 | 0:13:01 | |
when we were picked cos we were told, | 0:13:01 | 0:13:03 | |
"Yeah, you're doing the Eurovision." It was like, "Oh, my God!" | 0:13:03 | 0:13:06 | |
With selection over, rehearsals got under way. | 0:13:06 | 0:13:10 | |
It was quite intense - very, very hard work. | 0:13:10 | 0:13:13 | |
But enjoyable because you were learning something new. | 0:13:13 | 0:13:16 | |
And you were working with Michael and Jean. | 0:13:16 | 0:13:18 | |
But it was worth it, as another of the line-up, Dara, remembers. | 0:13:18 | 0:13:24 | |
The producers, they came to see it one night, | 0:13:24 | 0:13:27 | |
the finished product. And there was definitely excitement | 0:13:27 | 0:13:29 | |
in the rehearsal hall. | 0:13:29 | 0:13:31 | |
It really became apparent that this was something big. | 0:13:31 | 0:13:34 | |
With weeks of intense rehearsals complete, the big night arrived. | 0:13:35 | 0:13:39 | |
For the Riverdance chorus line, the excitement was palpable. | 0:13:39 | 0:13:43 | |
The atmosphere backstage was just, like... It was electric. | 0:13:44 | 0:13:47 | |
Like, we were just... It was like, | 0:13:47 | 0:13:49 | |
"Oh, my God, this is happening. Wow!" | 0:13:49 | 0:13:51 | |
This is just something totally new to us. | 0:13:51 | 0:13:56 | |
This is...brilliant. | 0:13:56 | 0:13:57 | |
As Eurovision reached its interval, | 0:13:57 | 0:14:00 | |
usually a chance for viewers to have a cup of tea, | 0:14:00 | 0:14:03 | |
Riverdance was unleashed | 0:14:03 | 0:14:05 | |
onto an unsuspecting world. | 0:14:05 | 0:14:07 | |
It was an unforgettable performance, | 0:14:20 | 0:14:23 | |
for those watching at least. | 0:14:23 | 0:14:25 | |
I couldn't tell you one thing about the actual performance that night. | 0:14:25 | 0:14:29 | |
I actually don't remember. | 0:14:29 | 0:14:31 | |
I know before I went out on stage, | 0:14:31 | 0:14:33 | |
I was just praying that I'd stay on my feet | 0:14:33 | 0:14:35 | |
and I wouldn't slip on live television. | 0:14:35 | 0:14:37 | |
I just danced. | 0:14:37 | 0:14:39 | |
Dara however knew | 0:14:47 | 0:14:49 | |
just how special it was. | 0:14:49 | 0:14:50 | |
It's a hard number to do. You know, | 0:14:50 | 0:14:52 | |
that...keeping that line straight | 0:14:52 | 0:14:54 | |
and keeping it all in sequence and that, you know. It's a hard thing to | 0:14:54 | 0:14:57 | |
do. But it went brilliantly, yeah. | 0:14:57 | 0:14:59 | |
CHEERING AND APPLAUSE | 0:15:03 | 0:15:05 | |
'Good grief! That brought the folk memories out.' | 0:15:05 | 0:15:08 | |
Standing there, listening to that applause | 0:15:08 | 0:15:10 | |
and everybody cheering - absolutely amazing. | 0:15:10 | 0:15:14 | |
The hairs stood up on the back of your neck. | 0:15:14 | 0:15:16 | |
Kind of looking at each other as if to say, you know, | 0:15:16 | 0:15:18 | |
"Oh, my God, this is really good," like. | 0:15:18 | 0:15:21 | |
You feel this ovation coming towards you and it was like | 0:15:21 | 0:15:23 | |
a tsunami, you know, of appreciation. | 0:15:23 | 0:15:26 | |
And, um... | 0:15:26 | 0:15:27 | |
And it was just...you were filled with this kind of unbelievable sense | 0:15:27 | 0:15:30 | |
of...achievement. | 0:15:30 | 0:15:33 | |
The whole place erupted. | 0:15:33 | 0:15:35 | |
Tears, laughter, everything. The whole lot. | 0:15:35 | 0:15:38 | |
It was brilliant. Brilliant. | 0:15:38 | 0:15:40 | |
Although meant to be just a one-off, | 0:15:42 | 0:15:44 | |
the clamour for more Riverdance was overwhelming. | 0:15:44 | 0:15:47 | |
Within months, it was expanded into a full-length show | 0:15:47 | 0:15:50 | |
and toured the world. | 0:15:50 | 0:15:52 | |
For the dancers, nothing was ever the same again. | 0:15:52 | 0:15:55 | |
Something that I absolutely loved and was my life became my career. | 0:15:55 | 0:16:00 | |
I actually was studying to be an accountant, | 0:16:00 | 0:16:03 | |
and that all went by the wayside. I never... | 0:16:03 | 0:16:05 | |
I never worked as an accountant for a day in my life. | 0:16:05 | 0:16:08 | |
Looking back at Riverdance now, I'm extremely proud at having been | 0:16:08 | 0:16:11 | |
part of it. It changed things for all of us and it changed things | 0:16:11 | 0:16:14 | |
for Irish dancing as well. I mean, | 0:16:14 | 0:16:16 | |
people take Irish dancing seriously now. | 0:16:16 | 0:16:19 | |
# Beautiful day... # | 0:16:19 | 0:16:23 | |
Today, after 20 years, the four dancers are heading back | 0:16:23 | 0:16:27 | |
to their old watering hole, The Hairy Lemon in Dublin. | 0:16:27 | 0:16:30 | |
Today is really special cos we haven't really had a reunion | 0:16:32 | 0:16:35 | |
to hear how it's affected everyone's life. | 0:16:35 | 0:16:38 | |
I think it'll just be like old times, | 0:16:38 | 0:16:40 | |
just as if we haven't been apart. | 0:16:40 | 0:16:41 | |
Going back to The Hairy Lemon will bring back a lot of memories. | 0:16:41 | 0:16:44 | |
-Nice to see you. -Great to see you. | 0:16:49 | 0:16:51 | |
Oh, my God! Hello! | 0:16:51 | 0:16:53 | |
All grown up. | 0:16:53 | 0:16:55 | |
It's amazing to walk in through the doors. | 0:16:57 | 0:16:59 | |
It was a... "Wow, we're here." | 0:16:59 | 0:17:01 | |
It brings back so many memories, doesn't it? | 0:17:01 | 0:17:03 | |
I remember you being quite a personality. | 0:17:03 | 0:17:05 | |
But you kind of made a point of getting to know people. | 0:17:05 | 0:17:07 | |
-Yeah... -Gosh, you didn't have to stand beside her. | 0:17:07 | 0:17:10 | |
-LAUGHTER -Are you saying I talked a lot? | 0:17:10 | 0:17:13 | |
So what are your strongest recollections of doing the show? | 0:17:13 | 0:17:16 | |
I think it was all a blur. | 0:17:16 | 0:17:17 | |
I remember walking on. | 0:17:17 | 0:17:19 | |
And I remember it being over. And the light kind of came on | 0:17:19 | 0:17:22 | |
all of a sudden and I felt this wave of atmosphere and energy | 0:17:22 | 0:17:27 | |
coming off the audience. | 0:17:27 | 0:17:28 | |
You forget the specifics of the dancing, the rehearsals, | 0:17:28 | 0:17:31 | |
but the bonding and the friendships | 0:17:31 | 0:17:32 | |
-at that time, it was so intense. -Yeah. | 0:17:32 | 0:17:34 | |
What are the elements | 0:17:34 | 0:17:36 | |
that made it the success that it was? | 0:17:36 | 0:17:38 | |
Just Riverdance took it that step that showed it to the whole world. | 0:17:38 | 0:17:41 | |
We were doing all these things, do you know what I mean? | 0:17:41 | 0:17:43 | |
But it was behind closed doors. | 0:17:43 | 0:17:45 | |
-Absolutely. -Riverdance just put it on that world stage | 0:17:45 | 0:17:49 | |
and it just blew it all open. | 0:17:49 | 0:17:52 | |
Catch-up complete, Emer, Breandan, Joan | 0:17:52 | 0:17:54 | |
and Dara are off to a nearby dance studio to see | 0:17:54 | 0:17:58 | |
if they can recreate the iconic steps from that amazing night. | 0:17:58 | 0:18:02 | |
-These are the shoes I wore in the Eurovision. -No way! | 0:18:02 | 0:18:05 | |
My only worry about putting the shoes on is that | 0:18:05 | 0:18:08 | |
the rest of them would be any better than me. | 0:18:08 | 0:18:10 | |
Hopefully, yeah, I'm definitely better than the rest of them now... | 0:18:10 | 0:18:14 | |
-Still. -HE LAUGHS | 0:18:14 | 0:18:16 | |
1998 would have been the last time we performed together, so... | 0:18:16 | 0:18:20 | |
Yeah, it could be great fun doing it now again. | 0:18:20 | 0:18:23 | |
THEY LAUGH Jesus! | 0:19:12 | 0:19:14 | |
It's been a wonderful day for these former Riverdancers - | 0:19:14 | 0:19:18 | |
retracing their old footsteps. | 0:19:18 | 0:19:20 | |
It was just a great reunion with old friends. | 0:19:22 | 0:19:24 | |
And just to rehash it all out and share the memories | 0:19:24 | 0:19:27 | |
and go back to The Hairy Lemon. | 0:19:27 | 0:19:29 | |
It was just really special. | 0:19:29 | 0:19:31 | |
-WOMEN: -Whoo! | 0:19:31 | 0:19:34 | |
It was really nice to kind of see the three girls. | 0:19:34 | 0:19:36 | |
I think it made me think about doing something | 0:19:36 | 0:19:38 | |
like this a little bit more often - reconnecting. | 0:19:38 | 0:19:40 | |
What happened back in those days was very special. It was historic. | 0:19:40 | 0:19:43 | |
-ALL: Cheers! -Slainte! -Slainte! | 0:19:43 | 0:19:46 | |
Today was absolutely super, brilliant. One of the best days. | 0:19:46 | 0:19:50 | |
Nearly as good as the night of the Eurovision. | 0:19:50 | 0:19:53 | |
The world awoke on the morning of December 22nd 1988 | 0:20:08 | 0:20:12 | |
to find out the news that Pan Am Flight 103 | 0:20:12 | 0:20:15 | |
had come down over the town | 0:20:15 | 0:20:16 | |
of Lockerbie, | 0:20:16 | 0:20:18 | |
causing massive fatalities and serious causalities. | 0:20:18 | 0:20:22 | |
'The victims on the jumbo jet - | 0:20:22 | 0:20:24 | |
'258 people died, | 0:20:24 | 0:20:26 | |
'most were Americans. | 0:20:26 | 0:20:28 | |
'At least 13 adults and four children from this small Scottish | 0:20:28 | 0:20:31 | |
'town are dead or unaccounted for.' | 0:20:31 | 0:20:34 | |
Throughout the night, journalists, broadcasters | 0:20:35 | 0:20:38 | |
and photographers had worked tirelessly, | 0:20:38 | 0:20:40 | |
piecing the story together in the midst of chaos and confusion. | 0:20:40 | 0:20:44 | |
Photographer Randolph Caughie was first on the scene | 0:20:45 | 0:20:48 | |
and took the iconic photo that came to symbolise the tragedy for many. | 0:20:48 | 0:20:53 | |
Today, he will return to the field | 0:20:55 | 0:20:57 | |
where he captured that image for the first time. | 0:20:57 | 0:21:00 | |
When I go around the places, like where the nose cone was, | 0:21:02 | 0:21:05 | |
I'll have my moments, | 0:21:05 | 0:21:07 | |
um, to reflect. | 0:21:07 | 0:21:10 | |
You know, I stood here 25 years ago at these places and photographed | 0:21:10 | 0:21:14 | |
what happened. | 0:21:14 | 0:21:16 | |
That night, Randolph was joined by rookie photographer | 0:21:16 | 0:21:19 | |
John Paul. | 0:21:19 | 0:21:21 | |
When they arrived at the crash site, | 0:21:21 | 0:21:23 | |
it was still pitch-black. | 0:21:23 | 0:21:25 | |
We drove up this country lane. | 0:21:25 | 0:21:27 | |
And you could see just as you crested | 0:21:27 | 0:21:30 | |
the top of the rise, | 0:21:30 | 0:21:31 | |
there was a police car sitting in the middle of it. | 0:21:31 | 0:21:33 | |
And it was the most amazing site I'd ever seen. | 0:21:33 | 0:21:37 | |
Out of the gloom, | 0:21:37 | 0:21:39 | |
this thing was just...the front of an airplane... It was huge! | 0:21:39 | 0:21:44 | |
..looming out of the field. | 0:21:44 | 0:21:46 | |
It was like, "Wow! | 0:21:46 | 0:21:48 | |
"What is that?" | 0:21:48 | 0:21:50 | |
From a photographer's point of view, | 0:21:50 | 0:21:52 | |
it was the most amazing sight. | 0:21:52 | 0:21:55 | |
CAMERA CLICKS | 0:21:55 | 0:21:58 | |
If images showed the immediate horror of the tragedy, | 0:22:01 | 0:22:05 | |
putting what had happened into words | 0:22:05 | 0:22:07 | |
would be another challenge altogether. | 0:22:07 | 0:22:09 | |
That task fell to others, like newspaper journalist Tony Brooks, | 0:22:11 | 0:22:15 | |
who travelled to Lockerbie from Stoke-on-Trent that evening. | 0:22:15 | 0:22:18 | |
The journey took about three hours. | 0:22:20 | 0:22:22 | |
And I should say that it was probably among the most stressful, | 0:22:22 | 0:22:25 | |
from a work point of view, of my life. | 0:22:25 | 0:22:27 | |
You didn't really know what was going on. | 0:22:27 | 0:22:29 | |
There was... Obviously, the radio was on in the car. | 0:22:29 | 0:22:31 | |
The enormity was not fully explained, | 0:22:33 | 0:22:35 | |
so I didn't really know what to expect. | 0:22:35 | 0:22:37 | |
And when I did arrive, that area of Lockerbie was still in flames. | 0:22:42 | 0:22:46 | |
Quite stunned. Quite stunned. | 0:22:50 | 0:22:52 | |
With phone lines down, mobiles not working | 0:22:56 | 0:22:58 | |
and without the internet technology we take for granted today, | 0:22:58 | 0:23:03 | |
Lockerbie became a black hole for communications. | 0:23:03 | 0:23:06 | |
For broadcasters like Bert Houston, | 0:23:07 | 0:23:09 | |
it was hard to separate fact from fiction and accurately report | 0:23:09 | 0:23:13 | |
the disaster to a public desperate for information. | 0:23:13 | 0:23:16 | |
It's difficult to really convey a story | 0:23:17 | 0:23:22 | |
over the radio and give details when you do not know | 0:23:22 | 0:23:27 | |
what had happened. | 0:23:27 | 0:23:29 | |
I had been told that it was a Pan Am jumbo jet and yet couldn't see it. | 0:23:31 | 0:23:35 | |
It was very, very difficult | 0:23:35 | 0:23:37 | |
to give the true significance of what had happened. | 0:23:37 | 0:23:40 | |
Despite all this, you do have to do the job and...you have to do it | 0:23:42 | 0:23:46 | |
pretty quickly because of the time. | 0:23:46 | 0:23:48 | |
If it had happened much earlier in the day, you've got more time | 0:23:48 | 0:23:51 | |
to collect your thoughts, but you have the news desk screaming for | 0:23:51 | 0:23:54 | |
copy before you've even got out of your car. | 0:23:54 | 0:23:58 | |
It was just virtually impossible | 0:23:58 | 0:24:00 | |
trying to find from witnesses what had happened. | 0:24:00 | 0:24:03 | |
People were dazed. They didn't know | 0:24:03 | 0:24:05 | |
what it was or to what extent it was. | 0:24:05 | 0:24:09 | |
All they knew was that something | 0:24:09 | 0:24:11 | |
terrible had happened. | 0:24:11 | 0:24:13 | |
It was a night the men would never forget. | 0:24:14 | 0:24:17 | |
But until today, they've never had the chance to reflect on it | 0:24:17 | 0:24:20 | |
together. | 0:24:20 | 0:24:21 | |
Well, this is Lockerbie. We've just arrived. | 0:24:23 | 0:24:27 | |
26 years since I've been here. | 0:24:27 | 0:24:29 | |
Last time I was here was that fearful night. | 0:24:31 | 0:24:35 | |
It was completely lined with fire engines and police cars, | 0:24:35 | 0:24:39 | |
ambulances... | 0:24:39 | 0:24:41 | |
Mixed emotions, really. | 0:24:42 | 0:24:45 | |
Exciting, in a way, to meet | 0:24:45 | 0:24:48 | |
old colleagues. But also sad to recall | 0:24:48 | 0:24:53 | |
what actually happened here. | 0:24:53 | 0:24:56 | |
Randolph and his former protege, John Paul, are first to meet. | 0:24:56 | 0:25:00 | |
-You good? -Better for seeing you. | 0:25:00 | 0:25:03 | |
-How are you? -Randolph. -Tony. | 0:25:03 | 0:25:05 | |
How nice to see you. | 0:25:05 | 0:25:07 | |
Hello, Bert, how are you? Nice to see you again. | 0:25:07 | 0:25:10 | |
You must have been one of the first on the scene, then. | 0:25:10 | 0:25:13 | |
Yes, one of the first. | 0:25:13 | 0:25:15 | |
I mean, because I had the call... I as on duty at BBC Radio Cumbria. | 0:25:15 | 0:25:19 | |
Got the telephone call | 0:25:19 | 0:25:21 | |
more or less when it happened. | 0:25:21 | 0:25:23 | |
It was quite tricky for us to work out what had actually happened. | 0:25:23 | 0:25:27 | |
-Where to go. -And where to go, yeah. | 0:25:27 | 0:25:29 | |
Because there wasn't anything physical that you could say, | 0:25:29 | 0:25:33 | |
"This is a plane crash." | 0:25:33 | 0:25:35 | |
It wasn't until we actually | 0:25:35 | 0:25:37 | |
went up to the nose cone. | 0:25:37 | 0:25:39 | |
I didn't know about the nose cone, of course, when I did my first piece. | 0:25:39 | 0:25:43 | |
There were lots of problems, | 0:25:43 | 0:25:45 | |
the biggest one being communication. | 0:25:45 | 0:25:47 | |
So tell me, Tony, when did it first sort of get to you | 0:25:47 | 0:25:49 | |
as a journalist, as a writer? | 0:25:49 | 0:25:51 | |
I think it dawned on me pretty quickly as I was hurdling up | 0:25:51 | 0:25:53 | |
the M6 and getting news flashes on the car radio. | 0:25:53 | 0:25:58 | |
I don't think it prepared me for... | 0:25:58 | 0:26:00 | |
for what I was going to see, but... | 0:26:00 | 0:26:03 | |
Phew! It's, uh... | 0:26:03 | 0:26:05 | |
It brings it all back. | 0:26:06 | 0:26:08 | |
My mind has blanked an awful lot of those details. | 0:26:10 | 0:26:13 | |
-Seeing the pictures is bringing it back. -I think many of us were | 0:26:13 | 0:26:17 | |
in a sort of zombified state, almost. | 0:26:17 | 0:26:20 | |
It's so unreal. | 0:26:20 | 0:26:22 | |
I've found, Tony, that if you had a camera in front of you, | 0:26:22 | 0:26:25 | |
it sort of acted as a sort of | 0:26:25 | 0:26:28 | |
blind to what was going on, you know, because you had | 0:26:28 | 0:26:31 | |
a fairly focused view of what was going on. | 0:26:31 | 0:26:34 | |
How did that work for you guys? Because you didn't have that | 0:26:34 | 0:26:37 | |
object to hide behind, that sort of... | 0:26:37 | 0:26:39 | |
No, you didn't. And that's why I think it was... | 0:26:39 | 0:26:42 | |
it made it for me even more overwhelming. | 0:26:42 | 0:26:44 | |
-Yeah. -The new guys would find it. -Yeah. | 0:26:44 | 0:26:47 | |
There we are. Such is life. | 0:26:47 | 0:26:49 | |
Whoo! | 0:26:49 | 0:26:51 | |
Wow. | 0:26:51 | 0:26:53 | |
The reunion has given the men an opportunity to | 0:26:53 | 0:26:56 | |
share their feelings about one of the most emotionally | 0:26:56 | 0:26:59 | |
challenging nights of their careers. | 0:26:59 | 0:27:01 | |
Before going their separate ways, | 0:27:01 | 0:27:03 | |
they visit the field where Randolph and John photographed the nose cone. | 0:27:03 | 0:27:08 | |
This is where it was, 26 years ago. | 0:27:12 | 0:27:14 | |
Looking across an empty field now, | 0:27:14 | 0:27:16 | |
but there was a nose cone there. | 0:27:16 | 0:27:18 | |
If it hadn't been for the police car | 0:27:18 | 0:27:21 | |
lighting that nose cone up, we probably would've come up this road | 0:27:21 | 0:27:24 | |
and driven on, cos we don't know where we were. | 0:27:24 | 0:27:26 | |
What did you think when you first arrived? | 0:27:26 | 0:27:29 | |
My first thoughts were... | 0:27:29 | 0:27:30 | |
"Where's the rest of this plane?" | 0:27:30 | 0:27:32 | |
All you could see was that looming out of the field. | 0:27:32 | 0:27:36 | |
So as far as we knew, the whole aircraft was sitting there. | 0:27:36 | 0:27:39 | |
And it wasn't till the next morning when the light started to break | 0:27:39 | 0:27:42 | |
and we stood and watched | 0:27:42 | 0:27:44 | |
and then we realised we're parked at a church with a cemetery in it. | 0:27:44 | 0:27:47 | |
-Yeah, right next to it. -Which was very ironic | 0:27:47 | 0:27:50 | |
when this was just a field of...horror. | 0:27:50 | 0:27:54 | |
It's a sight that I don't think | 0:27:54 | 0:27:55 | |
-either you or I will ever forget. -No, no, no. | 0:27:55 | 0:27:58 | |
Even for hardened newsmen, the trip back to Lockerbie has been | 0:28:00 | 0:28:04 | |
a bittersweet occasion. | 0:28:04 | 0:28:06 | |
'It's great to see old colleagues again, | 0:28:06 | 0:28:08 | |
'but...I would have preferred it to be in other circumstances.' | 0:28:08 | 0:28:13 | |
Much more fun to see them somewhere | 0:28:13 | 0:28:16 | |
which hasn't been blighted by tragedy. | 0:28:16 | 0:28:18 | |
I don't think I'd want to come back to Lockerbie | 0:28:19 | 0:28:22 | |
and think about what happened then again, | 0:28:22 | 0:28:26 | |
but it was an interesting journey. | 0:28:26 | 0:28:28 | |
Brings back sort of sad kind of memories, but happy memories | 0:28:30 | 0:28:34 | |
that I can talk to these guys about what we did | 0:28:34 | 0:28:36 | |
26 years ago. Very interesting indeed. | 0:28:36 | 0:28:39 |