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'Extraordinary stories from a shared past.' | 0:00:02 | 0:00:04 | |
There was 12 people on board the aircraft that day. | 0:00:04 | 0:00:06 | |
Six of us made it, six of us didn't. | 0:00:06 | 0:00:08 | |
'Bonds forged in tragedy...' | 0:00:08 | 0:00:10 | |
I'm really sorry. | 0:00:10 | 0:00:11 | |
'..and triumph.' | 0:00:11 | 0:00:12 | |
The little girl that you helped 15 years ago. | 0:00:14 | 0:00:17 | |
'Brought together by fate...' | 0:00:17 | 0:00:18 | |
It just...overwhelmed me a bit. | 0:00:18 | 0:00:21 | |
'..but separated by time.' | 0:00:21 | 0:00:23 | |
Where did all those years go? | 0:00:23 | 0:00:25 | |
'Decades on, we reunite them.' | 0:00:25 | 0:00:28 | |
They say life can change in the blink of an eye. | 0:00:37 | 0:00:40 | |
But for good fortune in just one moment in time, | 0:00:40 | 0:00:43 | |
things can be so different. | 0:00:43 | 0:00:45 | |
And so it was with this story - | 0:00:45 | 0:00:47 | |
a dramatic sea rescue back in the summer of 1990, | 0:00:47 | 0:00:52 | |
where a little boy's life was saved by the selfless quick thinking | 0:00:52 | 0:00:56 | |
of a group of strangers. | 0:00:56 | 0:00:58 | |
Richard Shortland was just 12 years old | 0:01:09 | 0:01:12 | |
when a family trip to the seaside at Castlerock on the north coast | 0:01:12 | 0:01:16 | |
took a dramatic and potentially disastrous turn for the worst. | 0:01:16 | 0:01:20 | |
He owes his life to the snap decision of three | 0:01:23 | 0:01:27 | |
complete strangers, who put their own lives at risk to rescue him. | 0:01:27 | 0:01:31 | |
He's never had the chance to say thank you, | 0:01:31 | 0:01:33 | |
but now, more than 25 years later, he will. | 0:01:33 | 0:01:38 | |
-Richard? -Jo. -Hello. -How you doing? -Lovely to meet you. -You too. | 0:01:45 | 0:01:48 | |
-How are you doing? -Come on in. | 0:01:48 | 0:01:49 | |
-I'm fine, thank you. -Oh, this is lovely. Nice and warm. -Come on in. -Thank you. | 0:01:49 | 0:01:52 | |
-Take me back, if you will... -OK. -..to the summer of 1990. | 0:01:54 | 0:01:59 | |
I was pretty free. | 0:01:59 | 0:02:01 | |
It was a good life. Er... | 0:02:01 | 0:02:04 | |
I always went on wee breaks with my dad - | 0:02:04 | 0:02:06 | |
Giant's Causeway, all around, you know. | 0:02:06 | 0:02:09 | |
-On the 22nd of July, then... -Yeah. | 0:02:09 | 0:02:11 | |
Take us through that morning. Who was in the car that day? | 0:02:11 | 0:02:15 | |
Well, there was my dad, my stepmum and my full sister, Andrea, | 0:02:15 | 0:02:19 | |
stepsister Sonia, my stepsister, Donna, | 0:02:19 | 0:02:22 | |
my friend, Simon and my sister's friend, Jennifer. | 0:02:22 | 0:02:26 | |
-We were all in the wee bus. -There was quite a squad! | 0:02:26 | 0:02:30 | |
Quite a squad of us. | 0:02:30 | 0:02:31 | |
I suppose the way they saw it, the more the merrier. | 0:02:31 | 0:02:33 | |
-And the sun was shining? -The sun... It was a good day. | 0:02:33 | 0:02:36 | |
Pretty much when we arrived, me and my friend disappeared, | 0:02:36 | 0:02:40 | |
explored and went round the beach. | 0:02:40 | 0:02:42 | |
The picnic was all set up, the big blanket was down, | 0:02:42 | 0:02:44 | |
and we all decided to go in for the swim. Ran straight in. | 0:02:44 | 0:02:48 | |
The waves were good. | 0:02:48 | 0:02:50 | |
They were strong waves and we were jumping about, having fun. | 0:02:50 | 0:02:54 | |
But very quickly, the three youngsters were out of their depth | 0:02:56 | 0:03:00 | |
and on the wrong side of the breaking waves. | 0:03:00 | 0:03:03 | |
And then, all of a sudden, | 0:03:06 | 0:03:07 | |
we realised that we were getting a wee bit further out from it | 0:03:07 | 0:03:11 | |
and we turned around and started swimming to get back in. | 0:03:11 | 0:03:14 | |
-And what was going through your mind at that time? -Panic. | 0:03:14 | 0:03:17 | |
Just adrenaline, panic. It was, er... | 0:03:17 | 0:03:20 | |
I just knew... | 0:03:21 | 0:03:23 | |
Every time I stopped swimming, I looked up and I could see... | 0:03:23 | 0:03:26 | |
getting further away and Sonia, she kept swimming back | 0:03:26 | 0:03:30 | |
and grabbing me and saying, "It's OK, it's OK," you know. | 0:03:30 | 0:03:33 | |
"Keep swimming. Just keep swimming." | 0:03:33 | 0:03:36 | |
It was very scary. It was like going down a slide. | 0:03:36 | 0:03:40 | |
It just pushed you out further and further, very, very quickly. | 0:03:40 | 0:03:43 | |
Sonia - she had... | 0:03:45 | 0:03:48 | |
She had to break free. She broke away. | 0:03:48 | 0:03:51 | |
She had to break away - she had no choice. She broke away and... | 0:03:51 | 0:03:54 | |
On her face, there was a lot of terror, doing that. | 0:03:56 | 0:03:59 | |
You could see her... | 0:03:59 | 0:04:00 | |
Like, her heart breaking when she had to do it. Er... | 0:04:00 | 0:04:03 | |
She said she had to go. And... | 0:04:05 | 0:04:07 | |
..she just let go and that was it. | 0:04:10 | 0:04:12 | |
-Did you just feel defeated at that point? -Yeah. | 0:04:12 | 0:04:15 | |
I lay on my back, because I was giving up and I was looking up | 0:04:15 | 0:04:19 | |
at the sky, praying to God, and the waves were so far in front. | 0:04:19 | 0:04:26 | |
The beach was getting further and further away. | 0:04:27 | 0:04:29 | |
Sonia and their friend, Simon, made it to the beach - | 0:04:30 | 0:04:33 | |
but time was running out for 12-year-old Richard. | 0:04:33 | 0:04:37 | |
Desperate and alone, his fate hung in the balance. | 0:04:37 | 0:04:40 | |
However, around the coast at Portstewart, help was at hand. | 0:04:44 | 0:04:48 | |
Seamus O'Neill was in his boat, water-skiing with his children | 0:04:51 | 0:04:56 | |
and two friends. | 0:04:56 | 0:04:57 | |
Well, Seamus, hello. | 0:05:00 | 0:05:03 | |
-How are you, Jo? -Lovely to meet you. | 0:05:03 | 0:05:05 | |
Look at this place. Portstewart - hard to beat. | 0:05:05 | 0:05:08 | |
Yeah, fantastic place to come. | 0:05:08 | 0:05:10 | |
The Mayday call had been issued | 0:05:10 | 0:05:12 | |
and only by chance did the water-skiers happen to hear it. | 0:05:12 | 0:05:16 | |
The boat's radio hadn't been working for two years and they'd only | 0:05:16 | 0:05:19 | |
just got round to fixing it that morning - a move that would | 0:05:19 | 0:05:23 | |
save young Richard's life. | 0:05:23 | 0:05:25 | |
-So you were skiing just over here? -Yeah, just over there. | 0:05:39 | 0:05:43 | |
And I heard a noise and didn't know what it was. | 0:05:43 | 0:05:46 | |
I realised it was the radio. We stopped and listened to it. | 0:05:46 | 0:05:49 | |
It was the lifeguard and they said that | 0:05:49 | 0:05:52 | |
any vessels in the vicinity of Castlerock, | 0:05:52 | 0:05:55 | |
make their way there because there were some people in distress. | 0:05:55 | 0:05:59 | |
I said, "Guys, we don't know what we're going in for here." | 0:05:59 | 0:06:02 | |
There was proper life jackets in there under the seat | 0:06:02 | 0:06:05 | |
and we put them on us and lucky enough we did, | 0:06:05 | 0:06:08 | |
because whenever we got to the mouth, | 0:06:08 | 0:06:10 | |
the whole situation had changed. | 0:06:10 | 0:06:12 | |
It was darkened down, the waves started to get choppy. | 0:06:12 | 0:06:14 | |
It was very, very rough. | 0:06:14 | 0:06:17 | |
Unsure of what or whom they were looking for, | 0:06:19 | 0:06:22 | |
the men scoured the waves, hoping to find something. | 0:06:22 | 0:06:25 | |
Where you silently anxious about what you might find? | 0:06:27 | 0:06:30 | |
It was a three-man effort, like. We were always hoping all the time. | 0:06:30 | 0:06:33 | |
We were shouting to each other, "Do you see anybody? | 0:06:33 | 0:06:36 | |
"Do you see anybody?" I said, "Look, guys, I'll look in the front. | 0:06:36 | 0:06:39 | |
"Thomas, look you to the left. Barry, look you to the right." | 0:06:39 | 0:06:43 | |
So, by this stage, things are getting pretty treacherous? | 0:06:43 | 0:06:46 | |
Yeah, they were. The waves were very, very, very treacherous | 0:06:46 | 0:06:49 | |
and the waves were very high. | 0:06:49 | 0:06:51 | |
I didn't think anybody would survive. | 0:06:51 | 0:06:54 | |
So in your heart, were hopes fading? | 0:06:54 | 0:06:56 | |
Oh, heart was jumping, jumping out of our skins. | 0:06:56 | 0:06:59 | |
Like, frantically looking for him, thinking, | 0:06:59 | 0:07:02 | |
"Here, this guy must be dead. | 0:07:02 | 0:07:03 | |
"We can't see him. He couldn't get out this far." | 0:07:03 | 0:07:06 | |
And just when they thought all hope was lost, | 0:07:08 | 0:07:11 | |
they spotted something on the horizon. | 0:07:11 | 0:07:13 | |
Well, the first person to see it was Thomas. | 0:07:16 | 0:07:19 | |
He said, "There he is, there, there he is, there," | 0:07:19 | 0:07:21 | |
and when we looked over, we seen the head of a person, like. | 0:07:21 | 0:07:25 | |
Motionless and floating on top of the water, | 0:07:25 | 0:07:27 | |
the men knew they had only moments to get the young boy onto the boat. | 0:07:27 | 0:07:31 | |
Barry jumped off the side of the boat and jumped out and swam over. | 0:07:32 | 0:07:37 | |
I told him to come back again and I said, | 0:07:37 | 0:07:38 | |
"Here, Thomas, there's a life jacket. | 0:07:38 | 0:07:40 | |
"Jump you out, give Barry a hand and put that onto the lad somehow." | 0:07:40 | 0:07:44 | |
The boys brought him in and I hauled him up into the boat. | 0:07:44 | 0:07:47 | |
Out of the water, but not out of harm, it quickly became clear | 0:07:50 | 0:07:54 | |
that young Richard needed immediate medical attention. | 0:07:54 | 0:07:58 | |
We threw all the clothes we had in the boat on top of him | 0:07:58 | 0:08:02 | |
to get him warm, because he was actually blue. | 0:08:02 | 0:08:04 | |
Like, you hear people saying, "Oh, he was blue." This guy was blue. | 0:08:04 | 0:08:08 | |
He was nearly black. We thought he was very close to death. | 0:08:08 | 0:08:12 | |
This was a young lad, you know. We didn't know... | 0:08:12 | 0:08:16 | |
I didn't know the age he was, like, but I knew | 0:08:16 | 0:08:18 | |
he was younger than my own son that I left off at Portstewart. | 0:08:18 | 0:08:22 | |
And, you know, it was hard to see... | 0:08:22 | 0:08:26 | |
Just to see him lying there, you know? | 0:08:26 | 0:08:28 | |
Then, on the horizon, they spotted a lifeboat approaching. | 0:08:31 | 0:08:35 | |
The lifeboat would never have reached him in time. That lad was... | 0:08:35 | 0:08:41 | |
He was... The waves were just throwing him about the place. | 0:08:41 | 0:08:45 | |
I just can't even, to this day, think how he stayed alive. | 0:08:45 | 0:08:50 | |
Seamus and his fellow boatmen have never seen Richard since that day. | 0:08:50 | 0:08:56 | |
But they will get to meet and when they do, the young boy's father | 0:08:56 | 0:08:59 | |
and stepmother want to be there to say their own special thanks. | 0:08:59 | 0:09:03 | |
25 years on from the dramatic rescue, | 0:09:09 | 0:09:12 | |
Tom and Sandra Shortland are returning from their home in Spain | 0:09:12 | 0:09:16 | |
to meet, for the first time, the men who saved their son's life. | 0:09:16 | 0:09:20 | |
But first, I want to get their perspective | 0:09:24 | 0:09:26 | |
on what happened that day. | 0:09:26 | 0:09:28 | |
Give us a flavour of what was going on on the beach at that time. | 0:09:29 | 0:09:32 | |
We heard a bit of commotion going on and we turned and thought, | 0:09:32 | 0:09:35 | |
"What's happening?" And then we were standing by the edge of the water. | 0:09:35 | 0:09:39 | |
Suddenly we kind of knew that Simon, Richard and Sonia | 0:09:39 | 0:09:43 | |
were the ones that were out in the water. | 0:09:43 | 0:09:46 | |
And, er, eventually, Sonia came, | 0:09:46 | 0:09:50 | |
coming out of the water in hysterics. | 0:09:50 | 0:09:52 | |
And she was crying, | 0:09:52 | 0:09:54 | |
"I've had to leave him there, I've had to leave him there." | 0:09:54 | 0:09:57 | |
And... Ooh, sorry. | 0:09:57 | 0:09:59 | |
It's OK. | 0:10:01 | 0:10:02 | |
Sonia, in her moment of panic, of course - | 0:10:04 | 0:10:07 | |
anybody would be - knew exactly what to do. | 0:10:07 | 0:10:10 | |
Told Richard to get on his back and paddle. | 0:10:10 | 0:10:13 | |
She even gave an example. | 0:10:13 | 0:10:15 | |
And giving that example, she was paddling away from him. | 0:10:15 | 0:10:17 | |
-Ooh, sorry! -It does, it digs deep! -I know. | 0:10:17 | 0:10:21 | |
Just talking to her about this the other day just made me realise - | 0:10:32 | 0:10:36 | |
we nearly lost two that day. | 0:10:36 | 0:10:39 | |
It was... It was... It was scary. | 0:10:42 | 0:10:45 | |
A terrible, terrible feeling. | 0:10:45 | 0:10:47 | |
An experience that you would never wish upon anybody. | 0:10:47 | 0:10:50 | |
Unable to swim out to Richard, | 0:10:51 | 0:10:53 | |
all they could do was watch helplessly from the shore. | 0:10:53 | 0:10:56 | |
All I could see on the horizon - a minute figure. | 0:10:58 | 0:11:02 | |
A spot like that, which was Richard's head. | 0:11:02 | 0:11:05 | |
Because the coastguard had binoculars, | 0:11:05 | 0:11:07 | |
he could see clearly what was happening and he was able to | 0:11:07 | 0:11:10 | |
relate to us that he's still alive and he's still floating. | 0:11:10 | 0:11:13 | |
And people were actually on their knees on the sand, | 0:11:13 | 0:11:16 | |
praying for this boy out in the water, you know? | 0:11:16 | 0:11:19 | |
And he just was getting further and further away. | 0:11:19 | 0:11:22 | |
At that time, you thought you were about to lose him? | 0:11:22 | 0:11:25 | |
For one moment, I didn't think he would survive. | 0:11:25 | 0:11:27 | |
Just one statement from Sonia, the daughter, who actually said, | 0:11:27 | 0:11:31 | |
"Get onto your back." | 0:11:31 | 0:11:33 | |
That possibly saved him and gave him that time until the boat came. | 0:11:33 | 0:11:36 | |
At what point, then, did you know that Richard had been saved? | 0:11:36 | 0:11:40 | |
The boat came along and radioed in to say they'd picked up | 0:11:40 | 0:11:44 | |
Richard and, of course, we were elated. | 0:11:44 | 0:11:46 | |
There was an "amen" and "praise God" and all that. | 0:11:46 | 0:11:49 | |
All around us, people were praying and then they were thanking God. | 0:11:49 | 0:11:52 | |
It was a moment of joy. Boy, it was a moment of joy and blessing. | 0:11:54 | 0:11:58 | |
And thankfulness that everybody is safe. | 0:12:00 | 0:12:04 | |
Every one of them was safe. | 0:12:04 | 0:12:06 | |
You know, rushing, getting to the hospital, | 0:12:06 | 0:12:08 | |
making sure he was alive, that he was going to survive this - | 0:12:08 | 0:12:11 | |
that was really what was uppermost in our minds. | 0:12:11 | 0:12:14 | |
And taking him home to his mum in one piece. | 0:12:16 | 0:12:19 | |
It was a life-changing moment. | 0:12:19 | 0:12:21 | |
The people on that boat changed our lives. | 0:12:21 | 0:12:23 | |
I'd like to hug them and say thank you. | 0:12:23 | 0:12:26 | |
A big thank you, from the bottom of my heart. | 0:12:26 | 0:12:29 | |
Later in the programme, they get to do just that. | 0:12:29 | 0:12:33 | |
25 years on, Richard and his parents | 0:12:33 | 0:12:35 | |
are reunited with the men who saved his life. | 0:12:35 | 0:12:39 | |
-Hello. -Hi. | 0:12:40 | 0:12:41 | |
They say a picture paints a thousand words. | 0:12:52 | 0:12:56 | |
Even decades on, a painting or photograph can bring us right back | 0:12:56 | 0:13:00 | |
to a time in our lives, sometimes long forgotten. | 0:13:00 | 0:13:03 | |
To a time that's so far removed from life as it is now | 0:13:05 | 0:13:09 | |
that we hardly recognise ourselves in the image. | 0:13:09 | 0:13:12 | |
That's how a group of university students reacted | 0:13:12 | 0:13:15 | |
when we reunited them with their rebellious selves. | 0:13:15 | 0:13:19 | |
MUSIC: Wild World by Cat Stevens | 0:13:19 | 0:13:22 | |
The year was 1971. Edward Heath was Prime Minister. | 0:13:25 | 0:13:30 | |
Decimalisation had just been introduced. | 0:13:30 | 0:13:33 | |
And internment without trial was about to unleash mayhem | 0:13:33 | 0:13:36 | |
in Northern Ireland. | 0:13:36 | 0:13:37 | |
We'd become a place of protest. | 0:13:47 | 0:13:49 | |
Violence on the streets was ritual. | 0:13:49 | 0:13:52 | |
But in March that year, Belfast city centre would play host to | 0:13:53 | 0:13:57 | |
a protest of a very different kind. | 0:13:57 | 0:14:00 | |
The annual Rag Day takeover by students. | 0:14:01 | 0:14:04 | |
The youthful high jinks, a welcome relief to a Troubles-torn city. | 0:14:09 | 0:14:13 | |
Among the throng that day, | 0:14:23 | 0:14:25 | |
geography student and want-to-be photographer Norman Craig. | 0:14:25 | 0:14:29 | |
I was a young man who wasn't quite sure what he was going to do next. | 0:14:31 | 0:14:36 | |
The fact that I had a camera made me, perhaps, | 0:14:36 | 0:14:38 | |
a bit cool, but I must admit, I didn't think of it in those days. | 0:14:38 | 0:14:40 | |
There were cool dudes there. | 0:14:40 | 0:14:42 | |
I certainly wasn't one of them. | 0:14:42 | 0:14:44 | |
Armed with his camera, | 0:14:47 | 0:14:49 | |
Norman followed the student parade from Queen's University | 0:14:49 | 0:14:52 | |
to Royal Avenue, snapping as he went. | 0:14:52 | 0:14:54 | |
Rag was just something subversive about it, when you're given licence. | 0:14:59 | 0:15:03 | |
The police were standing back. They were seeing us, | 0:15:03 | 0:15:06 | |
but they were allowing terrible things to happen! | 0:15:06 | 0:15:09 | |
-Complete freedom, as you say. -Complete freedom. | 0:15:09 | 0:15:11 | |
And things were becoming that much tighter in security style. | 0:15:11 | 0:15:16 | |
Maybe that made it all the sweeter. | 0:15:16 | 0:15:18 | |
Black-and-white reminders of a life long since forgotten. | 0:15:21 | 0:15:25 | |
Now respected citizens, like the former Irish President, | 0:15:25 | 0:15:28 | |
Mary McAleese, seen here enjoying a more carefree and colourful day. | 0:15:28 | 0:15:33 | |
That's a fine figure of a young man, I must say. | 0:15:36 | 0:15:39 | |
Belfast city councillor, the PUP's John Kyle, | 0:15:39 | 0:15:43 | |
had no idea the photo of his rebellious past existed. | 0:15:43 | 0:15:47 | |
My hairnet and rollers had come out a bit. | 0:15:49 | 0:15:51 | |
But, yes, that is me. | 0:15:51 | 0:15:53 | |
I cannot deny it. | 0:15:53 | 0:15:55 | |
I modelled myself on Ena Sharples, | 0:15:55 | 0:15:57 | |
so I went for my granny's hairnet and her rollers and her nightie. | 0:15:57 | 0:16:02 | |
There was that element of fun and, er, it was like a circus. | 0:16:02 | 0:16:08 | |
Also caught on camera back then by the rookie photographer, | 0:16:08 | 0:16:12 | |
now-retired consultant psychiatrist Stephen Compton, | 0:16:12 | 0:16:16 | |
one of the ringleaders in the kidnap | 0:16:16 | 0:16:18 | |
of some unsuspecting members of the public. | 0:16:18 | 0:16:21 | |
Kidnap people and hold them to ransom in the hope | 0:16:21 | 0:16:25 | |
that members of the public would have donated into the box | 0:16:25 | 0:16:29 | |
to get their partner or companion back. | 0:16:29 | 0:16:32 | |
Just like the others, 45 years on, | 0:16:36 | 0:16:40 | |
Margaret Byrne is surprised to see herself. | 0:16:40 | 0:16:43 | |
This is the one that I'm in... We're on the float. | 0:16:43 | 0:16:46 | |
Although I was in the parade, | 0:16:46 | 0:16:48 | |
I was observing what was going on around me. | 0:16:48 | 0:16:50 | |
I was just watching and enjoying it. | 0:16:50 | 0:16:52 | |
I was a very innocent young 18-year-old. | 0:16:52 | 0:16:56 | |
It was a day like she'd never seen before | 0:16:56 | 0:16:59 | |
and Norman's photos have brought back all those memories. | 0:16:59 | 0:17:03 | |
We started out nice and clean and by the time we came back, | 0:17:03 | 0:17:07 | |
we were just doused in flour. | 0:17:07 | 0:17:09 | |
There's kind of a joyousness about those photos. | 0:17:09 | 0:17:12 | |
You can see just how happy... | 0:17:12 | 0:17:15 | |
And it's like we got happier the more we got covered in flour, | 0:17:15 | 0:17:18 | |
for some reason. | 0:17:18 | 0:17:20 | |
I think it was almost like a rite of passage, you know, | 0:17:20 | 0:17:22 | |
that we were christened with flour. | 0:17:22 | 0:17:24 | |
A rite of passage for every student throughout the decades, | 0:17:30 | 0:17:33 | |
but it was only by chance that the memories in Norman's photographs | 0:17:33 | 0:17:37 | |
weren't forgotten for ever. | 0:17:37 | 0:17:39 | |
Never actually did print them. | 0:17:41 | 0:17:43 | |
Within a couple of months of taking them, I was off to London, | 0:17:43 | 0:17:47 | |
so they were in the loft for a couple of decades. | 0:17:47 | 0:17:50 | |
-I was eventually told, "If you want those, you'd better take them." -Wow! | 0:17:50 | 0:17:52 | |
-So... -And when you looked at those negatives, | 0:17:52 | 0:17:54 | |
what was your initial reaction? | 0:17:54 | 0:17:56 | |
My initial reaction was, "Do you know what? | 0:17:56 | 0:17:58 | |
"You're a better photographer than I thought you were, Norman." | 0:17:58 | 0:18:01 | |
Norman's refound photos now provide a chance for the former students | 0:18:01 | 0:18:05 | |
to look back at themselves with the eyes of hindsight. | 0:18:05 | 0:18:09 | |
There was a darkness over Belfast in those days. | 0:18:09 | 0:18:12 | |
I mean, you know, terrible things were happening, | 0:18:12 | 0:18:15 | |
and you'd be working in casualty, and people would be coming in | 0:18:15 | 0:18:17 | |
having been kneecapped and stuff like that. | 0:18:17 | 0:18:21 | |
So, I think being able to laugh and being able to laugh at yourself | 0:18:21 | 0:18:25 | |
is really important. | 0:18:25 | 0:18:27 | |
Margaret Byrne is now retired after working for 35 years | 0:18:27 | 0:18:31 | |
as a social worker, a job her 18-year-old self would have | 0:18:31 | 0:18:35 | |
been very proud of. | 0:18:35 | 0:18:37 | |
Well, while I liked to have fun, you know, there was definitely | 0:18:37 | 0:18:40 | |
a serious side to me that wanted to do something in the world, | 0:18:40 | 0:18:43 | |
you know, that would be of benefit. | 0:18:43 | 0:18:46 | |
Looking back to his rebellious days, | 0:18:46 | 0:18:48 | |
Stephen Compton is just as philosophical. | 0:18:48 | 0:18:51 | |
I was able, at one point, to have a good time. | 0:18:52 | 0:18:55 | |
And I'm not, you know... | 0:18:55 | 0:18:56 | |
Even though you're old and sensible. | 0:18:56 | 0:18:58 | |
Older and wiser, it's time for the one-time rebellious students | 0:19:01 | 0:19:05 | |
to go back to the place where they caused all that mayhem. | 0:19:05 | 0:19:09 | |
Hey, I know... I thought you were to blame for this. OK. | 0:19:09 | 0:19:13 | |
-How are you doing? -You haven't changed a bit. | 0:19:13 | 0:19:17 | |
I think... I think I look pretty good there, actually. | 0:19:17 | 0:19:20 | |
-Actually... -I'm amazed. | 0:19:20 | 0:19:21 | |
-I fancied you myself, actually. -Yeah, I know. | 0:19:21 | 0:19:23 | |
Joining the party next, Margaret. | 0:19:23 | 0:19:25 | |
Hello. Margaret Byrne. | 0:19:25 | 0:19:28 | |
This is me here. | 0:19:28 | 0:19:29 | |
-Oh, that's you? -MARGARET LAUGHS | 0:19:29 | 0:19:32 | |
Budding photographer Norman Craig has lived in London | 0:19:32 | 0:19:35 | |
since he graduated. | 0:19:35 | 0:19:36 | |
-All of these people... -Oh. Oh, my God. | 0:19:36 | 0:19:38 | |
You are John Compton's little brother. | 0:19:38 | 0:19:41 | |
Yes, that's right. | 0:19:41 | 0:19:42 | |
-And I'm the man who took those pictures. -Ah. -See... | 0:19:42 | 0:19:44 | |
You're Craig... | 0:19:44 | 0:19:46 | |
-So that's why the name's ringing bells all the time. -Gosh. | 0:19:46 | 0:19:50 | |
And which one was yours? | 0:19:50 | 0:19:51 | |
-Simon, yeah. -Yeah... | 0:19:51 | 0:19:53 | |
-I thought I'd clicked in that one. -Yeah. | 0:19:53 | 0:19:55 | |
-It's his new election poster. -The picture... | 0:19:55 | 0:19:57 | |
That was me in my... | 0:19:57 | 0:19:59 | |
-How I dressed, as a hippie, in those days. -Uh-huh. | 0:19:59 | 0:20:01 | |
-All these people are looking at the camera. -That's good. | 0:20:01 | 0:20:04 | |
Uh-huh. They're aware of it, you see. | 0:20:04 | 0:20:05 | |
Acting to the camera, but I'm just, like, mesmerised. | 0:20:05 | 0:20:08 | |
Look, that's me, there. | 0:20:08 | 0:20:09 | |
Ah, really? | 0:20:09 | 0:20:11 | |
Can you believe, I've never actually seen the prints? | 0:20:11 | 0:20:13 | |
It wasn't until 2006 that I got them out and started putting them | 0:20:13 | 0:20:19 | |
on the web, and I've never actually seen these printed. | 0:20:19 | 0:20:23 | |
Finally, photographer, photos and subject reunited. | 0:20:23 | 0:20:28 | |
Yes. Oh, dear, well, | 0:20:28 | 0:20:29 | |
I'm not sure whether to thank you or not, but... | 0:20:29 | 0:20:32 | |
But, well... But fabulous photographs. | 0:20:32 | 0:20:33 | |
Well, thank you for dressing up and letting me take it. | 0:20:33 | 0:20:36 | |
It's just been really delightful and stimulated even more memories, | 0:20:36 | 0:20:41 | |
and very happy memories, so it's been lovely. | 0:20:41 | 0:20:45 | |
Well, meeting Norman was really interesting. | 0:20:45 | 0:20:47 | |
When he came along and introduced himself, | 0:20:47 | 0:20:49 | |
then it all began to fit together, so that was, erm... | 0:20:49 | 0:20:53 | |
That was quite a surprise. | 0:20:53 | 0:20:54 | |
I've done adult things, you know, I've brought up kids, | 0:20:54 | 0:20:58 | |
all that sort of stuff, but I'm still a boy back there. | 0:20:58 | 0:21:03 | |
I still am. | 0:21:03 | 0:21:04 | |
Time passes, we all move on and change, | 0:21:06 | 0:21:10 | |
but sometimes not as much as we think we have, | 0:21:10 | 0:21:13 | |
and a simple photo can remind us of that. | 0:21:13 | 0:21:16 | |
Richard Shortland owes his life to three complete strangers | 0:21:28 | 0:21:32 | |
who, without a second thought, rescued him from the sea. | 0:21:32 | 0:21:36 | |
Today, for the first time in the quarter of a century since, | 0:21:37 | 0:21:41 | |
he's returning to the place where it all happened - | 0:21:41 | 0:21:43 | |
Castlerock Beach on the north coast. | 0:21:43 | 0:21:45 | |
It feels like I was just... | 0:21:51 | 0:21:54 | |
I want to say thank you to the sea, | 0:21:54 | 0:21:56 | |
in a certain sense, for giving me back. | 0:21:56 | 0:21:58 | |
And I recognise the strength in the element of the sea, | 0:21:58 | 0:22:04 | |
and, as much as I was at its mercy that day, it gave me back. | 0:22:04 | 0:22:08 | |
-Hi. -Hiya, Jo. | 0:22:18 | 0:22:19 | |
-How are you doing? -Not too bad. | 0:22:19 | 0:22:21 | |
Nice to see you again. | 0:22:21 | 0:22:22 | |
-Today's the day... -I know. | 0:22:26 | 0:22:28 | |
..and I can tell you that Seamus and Barry and Thomas... | 0:22:28 | 0:22:32 | |
-Are here? -..are just over there on the beach to meet you. | 0:22:32 | 0:22:35 | |
-OK. -So, go for it. Good luck. | 0:22:35 | 0:22:37 | |
All right. | 0:22:37 | 0:22:39 | |
Hi, guys. I've been sitting, trying to think of what to say, and... | 0:22:53 | 0:22:56 | |
Never mind. | 0:22:56 | 0:22:57 | |
Hello there. It's good to see you in this kind of weather. | 0:22:57 | 0:23:01 | |
I suppose you're going to go back out there today... | 0:23:01 | 0:23:03 | |
-HE LAUGHS -Thank you. | 0:23:03 | 0:23:06 | |
Cheers, man. | 0:23:06 | 0:23:08 | |
-You don't have to say anything. -No, nothing to talk. | 0:23:08 | 0:23:10 | |
We done something that anybody would have done, not any different. | 0:23:10 | 0:23:12 | |
No, they would not have. That's not true. | 0:23:12 | 0:23:14 | |
If that was me... You've got two lives. | 0:23:14 | 0:23:16 | |
Well, I did. I have a lot to show you. | 0:23:16 | 0:23:18 | |
I have a lot to say in that sense. | 0:23:18 | 0:23:20 | |
Remember me swimming over to you in the water? | 0:23:20 | 0:23:22 | |
-Aye, I can remember one of you jumping out, then. -It was me. | 0:23:22 | 0:23:24 | |
You said to me when I swam over to you, "I thought I was dead." | 0:23:24 | 0:23:27 | |
-I did. I was ready to go. -"That's it," you said. Yeah. | 0:23:27 | 0:23:30 | |
The right place, the right time. | 0:23:30 | 0:23:32 | |
Unreal. I'd gave up at that time, cos you... | 0:23:32 | 0:23:34 | |
When I saw... I saw you out of the corner of my eye, | 0:23:34 | 0:23:37 | |
and you jumping in, the fight went back in me. | 0:23:37 | 0:23:39 | |
You were sent like angels - honestly, you were. | 0:23:39 | 0:23:42 | |
And Richard isn't the only one wanting to thank | 0:23:42 | 0:23:45 | |
his angels of the sea. | 0:23:45 | 0:23:47 | |
His dad Tom and stepmum Sandra have waited 25 years for | 0:23:47 | 0:23:52 | |
their moment to finally say thank you. | 0:23:52 | 0:23:55 | |
Hello. | 0:24:00 | 0:24:02 | |
Hi. How are you? Hi, Tom. | 0:24:02 | 0:24:04 | |
-I'm Tom. -You're Tom? By the way, there's two of us. | 0:24:04 | 0:24:07 | |
Wow, this is a day and a half. | 0:24:08 | 0:24:10 | |
Undoubtedly! This is a lovely day. | 0:24:10 | 0:24:12 | |
-Yeah. -LAUGHTER | 0:24:12 | 0:24:15 | |
All right. I came and went. | 0:24:15 | 0:24:17 | |
Wow, a lot of emotions are running here. | 0:24:17 | 0:24:19 | |
-You never thought of it? -Absolutely not. Absolutely not, no. | 0:24:19 | 0:24:22 | |
-Yeah? -Just, ooh... | 0:24:22 | 0:24:24 | |
I just wanted to show you some of the paper readings | 0:24:26 | 0:24:29 | |
of that time, with it... | 0:24:29 | 0:24:30 | |
Oh, my, look at those bits of paper. | 0:24:30 | 0:24:32 | |
Did you ever see that? Have you seen that? | 0:24:32 | 0:24:35 | |
Now, that's... Oh, no, I didn't see that one. | 0:24:35 | 0:24:37 | |
-Oh, my. -"I thought my son was going to die." | 0:24:37 | 0:24:40 | |
-And this is you. -Hey, Seamus, you were a handsome young man. | 0:24:40 | 0:24:43 | |
-Wow! This is you. -LAUGHTER | 0:24:43 | 0:24:45 | |
What happened to you? | 0:24:45 | 0:24:47 | |
Oh, wow. | 0:24:47 | 0:24:48 | |
You guys must have slept really good that night. | 0:24:48 | 0:24:51 | |
-We did, but actually... -With a heartfelt... | 0:24:51 | 0:24:52 | |
Not at the time, we didn't think of it. At the time... | 0:24:52 | 0:24:54 | |
But see after, when you think of it, you know, | 0:24:54 | 0:24:56 | |
as you get grandchildren and stuff of your own, as you'd know, | 0:24:56 | 0:24:59 | |
and different things, and, you know, you start to realise it now. | 0:24:59 | 0:25:02 | |
I have to say, you three guys changed our lives, | 0:25:02 | 0:25:06 | |
-because we could have gone in a bad direction. -Mm-hmm. | 0:25:06 | 0:25:08 | |
We could have lost a son, but it's not just losing the son - | 0:25:08 | 0:25:11 | |
it's your life afterwards, knowing that you took a son out there | 0:25:11 | 0:25:13 | |
-and he died and drowned, and you've got to live with that. -Yeah. | 0:25:13 | 0:25:16 | |
It's not just pulling the boy out of the water. | 0:25:16 | 0:25:18 | |
You've turned our life around, and I think that was the best thing. | 0:25:18 | 0:25:20 | |
Yeah, and it could've been really, really different. | 0:25:20 | 0:25:23 | |
And I honestly say, I put my hand on my heart, I am so thankful. | 0:25:23 | 0:25:25 | |
Everything pointed that morning to us | 0:25:25 | 0:25:29 | |
-being there and saving him. -Absolutely. | 0:25:29 | 0:25:31 | |
Especially with the radio that had not worked for two years, | 0:25:31 | 0:25:33 | |
like, let's face it, like. | 0:25:33 | 0:25:34 | |
That a miracle in itself, isn't it? | 0:25:34 | 0:25:36 | |
I just think, and I've got to say, I do believe God was in all that. | 0:25:36 | 0:25:39 | |
-Absolutely, absolutely. -God was with us there, | 0:25:39 | 0:25:41 | |
if you believe in anything, yes. | 0:25:41 | 0:25:42 | |
So, Richard, what was it like for you to meet these guys? | 0:25:42 | 0:25:45 | |
It... | 0:25:45 | 0:25:47 | |
-It's hard to describe. It was a big moment. -Wow. | 0:25:47 | 0:25:50 | |
-A big moment for us, as well as being you. -I'm sure. | 0:25:50 | 0:25:52 | |
It's hard to put words into motion, but... | 0:25:52 | 0:25:55 | |
I want to show you some photos of my family. | 0:25:55 | 0:25:57 | |
You've brought them to life, as well as myself. | 0:25:57 | 0:25:59 | |
I have four sons and they're fit and healthy boys. | 0:25:59 | 0:26:01 | |
From that rescue, you did miracles, | 0:26:01 | 0:26:05 | |
because this is my family here. | 0:26:05 | 0:26:06 | |
My two eldest boys, Jake and Daniel. | 0:26:11 | 0:26:13 | |
Two fine-looking chaps. | 0:26:15 | 0:26:16 | |
-They take after their father. -LAUGHTER | 0:26:16 | 0:26:19 | |
That's the wee man, two and a half, Lucas. | 0:26:19 | 0:26:23 | |
Richard and his family owe so much to the strangers that went to | 0:26:23 | 0:26:27 | |
his rescue that summer's day... | 0:26:27 | 0:26:28 | |
God, God's miracle... | 0:26:28 | 0:26:29 | |
..and, as a token of his thanks, he's brought a small gift | 0:26:29 | 0:26:32 | |
for each of the men so they never forget what that means. | 0:26:32 | 0:26:36 | |
"..and the roots spring up and make new trees. | 0:26:42 | 0:26:45 | |
"Thank you from Richard, Gail, Jake, Daniel, Troy and Lucas." | 0:26:45 | 0:26:50 | |
-That's fabulous. -Thank you very much. -You're welcome. | 0:26:50 | 0:26:52 | |
Well, really, from the bottom of my heart, I really... | 0:26:52 | 0:26:54 | |
I can't thank you enough. I'll never forget your faces. | 0:26:54 | 0:26:58 | |
I won't forget any of your faces. Thank you so much. | 0:26:58 | 0:27:01 | |
Thank you so, so much. | 0:27:01 | 0:27:03 | |
-It's been a really emotional time for us. -Yeah. | 0:27:03 | 0:27:07 | |
-And for us as well, like. -Yeah. | 0:27:07 | 0:27:10 | |
I'm reading the paper here, August 1990, | 0:27:10 | 0:27:14 | |
and it says, "Thanks." | 0:27:14 | 0:27:16 | |
-That's it. -Yeah. | 0:27:16 | 0:27:17 | |
I thought my son was going to die. | 0:27:17 | 0:27:19 | |
-Yeah. -Yeah. | 0:27:19 | 0:27:21 | |
Yeah. | 0:27:21 | 0:27:22 | |
It's so bizarre, hearing it from the... | 0:27:22 | 0:27:25 | |
-Thank you for this. -Thank you. | 0:27:26 | 0:27:28 | |
Thank you. Thanks, guys. OK? | 0:27:28 | 0:27:32 | |
OK, not a problem. | 0:27:32 | 0:27:35 | |
No, you'd do the same for me. Yeah. | 0:27:35 | 0:27:36 | |
-Goodbye, Tommy. -In the bar, a wee Tommies' get-together, all right? | 0:27:36 | 0:27:39 | |
Yeah. | 0:27:39 | 0:27:41 | |
A big impact. | 0:27:41 | 0:27:42 | |
To see the people and see what we saved, | 0:27:44 | 0:27:46 | |
to see these families... | 0:27:46 | 0:27:47 | |
It created another four kids and, you know, it... | 0:27:47 | 0:27:51 | |
It's brought it back home again that it's... | 0:27:51 | 0:27:54 | |
It's just... | 0:27:54 | 0:27:55 | |
It's just they've overwhelmed me a bit, so... | 0:27:55 | 0:28:00 | |
Coming back here after 26 years is pretty intense. | 0:28:02 | 0:28:06 | |
I'm glad it's happened. | 0:28:07 | 0:28:10 | |
It's a very happy day. | 0:28:10 | 0:28:12 | |
A life that could so easily have been cut short - | 0:28:16 | 0:28:20 | |
a family that would never have been - | 0:28:20 | 0:28:23 | |
and now, after all those years, | 0:28:23 | 0:28:26 | |
they've finally been able to say thank you. | 0:28:26 | 0:28:29 |