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# Wake up to Wogan on Radio 2. # | 0:00:02 | 0:00:05 | |
And this is it then. | 0:00:05 | 0:00:07 | |
This is the day I've been dreading, | 0:00:07 | 0:00:09 | |
the inevitable morning when you and I come to the parting of the ways. | 0:00:09 | 0:00:13 | |
'After 40 years of talking to myself and to you, the loyal listener, | 0:00:13 | 0:00:18 | |
'I gave up the day job and now I'm heading off to rediscover the country that made me. | 0:00:18 | 0:00:23 | |
'The Ireland I left behind at the end of the 1960s was an isolated place.' | 0:00:23 | 0:00:28 | |
Not much industry, agriculture was the mainstay and this meant a meagre existence for most. | 0:00:28 | 0:00:34 | |
It wasn't until the mid-'90s that the country's fortunes changed. | 0:00:34 | 0:00:38 | |
Now fully signed up to Europe, Ireland became | 0:00:38 | 0:00:40 | |
one of the fastest-growing economies in the world. | 0:00:40 | 0:00:43 | |
The boom was christened the Celtic Tiger and never having | 0:00:43 | 0:00:46 | |
had a boom before, the Irish thought it would go on forever. | 0:00:46 | 0:00:51 | |
When the global financial crisis hit in 2007, the bubble burst. | 0:00:51 | 0:00:56 | |
By November last year, Ireland was forced to seek a bail-out. | 0:00:56 | 0:01:01 | |
In return, the Irish people were asked to accept | 0:01:01 | 0:01:04 | |
some tough austerity measures. That didn't go down well. | 0:01:04 | 0:01:07 | |
You have to remember this island has a history that puts the present crisis firmly in context. | 0:01:08 | 0:01:15 | |
This island has survived famine, 500 years of colonisation and religious discrimination. | 0:01:15 | 0:01:21 | |
I have to say though, that on this journey I found plenty of laughter | 0:01:21 | 0:01:26 | |
and music and a joy for living. They may be down, | 0:01:26 | 0:01:29 | |
but don't ever count Ireland and the Irish out. | 0:01:29 | 0:01:33 | |
'We'd like to draw your attention to the safety instruction card located close to your seat.' | 0:01:47 | 0:01:52 | |
I've lived in Britain longer than I ever lived in Ireland. | 0:01:52 | 0:01:56 | |
So this for me is... | 0:01:56 | 0:02:00 | |
exciting. | 0:02:00 | 0:02:01 | |
I'm going back to see what's changed about the four green fields. | 0:02:01 | 0:02:04 | |
I'll be meeting up with old friends. | 0:02:04 | 0:02:07 | |
-We all used to go in through this door, didn't we? -Yes. -And family. | 0:02:07 | 0:02:11 | |
You go first, just in case they set the dog on him, you know. | 0:02:11 | 0:02:14 | |
And of course, I want to show you the country at its best. | 0:02:14 | 0:02:18 | |
This is Ireland, come on, nobody comes here for the weather. | 0:02:18 | 0:02:24 | |
The first part of my journey is going to take me in a semicircle, | 0:02:26 | 0:02:29 | |
down through Cork and Kerry, on to my old home town of Limerick. | 0:02:29 | 0:02:34 | |
This of course is what the granny used to call dear old dirty Dublin. | 0:02:37 | 0:02:41 | |
Ah, there it is, Anna Livia Plurabelle, | 0:02:41 | 0:02:44 | |
the great Liffey River and the Ha'penny Bridge that spans it. | 0:02:44 | 0:02:50 | |
And of course proud O'Connell Street, the great boulevard. | 0:02:50 | 0:02:53 | |
And there's where I lived from '53 until '69, it's over 40 years since I fled the bailiffs and stole away. | 0:02:53 | 0:03:00 | |
I'm going to be escorted around the ol' country by my driver, Dave Sullivan. | 0:03:00 | 0:03:05 | |
Like most Dubliners, he thinks Dublin has terrible traffic. | 0:03:05 | 0:03:10 | |
But then, they've obviously never been on the M6 near Birmingham or the M25 around London. | 0:03:10 | 0:03:17 | |
Now, that's traffic, OK? | 0:03:17 | 0:03:21 | |
This is not traffic. OK, Dave? | 0:03:21 | 0:03:24 | |
Not traffic. | 0:03:24 | 0:03:26 | |
This is a few ol' cars. | 0:03:26 | 0:03:28 | |
Anyway, never mind what's supposed to be traffic. | 0:03:28 | 0:03:31 | |
The old city is still as familiar to me as it ever was. | 0:03:31 | 0:03:35 | |
Oh, it's lovely to come back to Dublin. | 0:03:37 | 0:03:39 | |
It's lovely to come back to Ireland, I don't come back often enough. | 0:03:39 | 0:03:43 | |
But when you come back, | 0:03:43 | 0:03:46 | |
you realise what | 0:03:46 | 0:03:48 | |
you don't realise that you've missed, if you see what I mean. | 0:03:48 | 0:03:51 | |
For many Irish people who've lived in Britain for years | 0:03:51 | 0:03:54 | |
and years, they still think of Ireland | 0:03:54 | 0:03:56 | |
as home. They'll say, "Are you going home for the holidays?" | 0:03:56 | 0:03:59 | |
They mean, are you going to Ireland? | 0:03:59 | 0:04:01 | |
I don't know whether I could live in Ireland again | 0:04:02 | 0:04:06 | |
because I think I've become anglicised. | 0:04:06 | 0:04:09 | |
For me, Ireland is wonderful, | 0:04:09 | 0:04:14 | |
a lovely place to come, but it's not home. | 0:04:14 | 0:04:17 | |
Home is where your family is as far as I'm concerned. | 0:04:17 | 0:04:19 | |
Saying that, Dublin was my home for nearly two decades. | 0:04:22 | 0:04:27 | |
My da was the general manager of a chain of grocery stores called Leverett and Frye. | 0:04:27 | 0:04:32 | |
I was sent to Belvedere College where I played my rugby and felt the stern hand of the Jesuit fathers. | 0:04:32 | 0:04:39 | |
And this is where my working life, if you can call it that, began | 0:04:41 | 0:04:46 | |
as a junior clerk of a long-forgotten branch | 0:04:46 | 0:04:48 | |
of the Royal Bank of Ireland. | 0:04:48 | 0:04:51 | |
'The building is long gone, but the bus stop's there, as is my old workmate, Leo Lacey.' | 0:04:51 | 0:04:56 | |
You and I were used to standing outside this bus stop. | 0:04:56 | 0:05:00 | |
We didn't care how long it took. | 0:05:00 | 0:05:02 | |
'Every week, Leo and I used to carry a bag of used banknotes | 0:05:02 | 0:05:05 | |
'from our branch out in the suburbs to head office.' | 0:05:05 | 0:05:08 | |
-We'll take it anyway, come on. -The longer it took, the better. | 0:05:08 | 0:05:11 | |
Right, down to Foster Place with the money. After you, Leo. | 0:05:11 | 0:05:16 | |
No armoured security van for us. | 0:05:16 | 0:05:17 | |
Not likely, the number 10 bus, yet between us, we were carrying a small fortune. | 0:05:17 | 0:05:24 | |
What would be the value of that? | 0:05:24 | 0:05:27 | |
Doing a rough rule of thumb | 0:05:27 | 0:05:29 | |
of ten times the bank manager's salary, it was probably about £100,000. | 0:05:29 | 0:05:36 | |
Back in the '50s, most of the bank's customers were cattle jobbers or farmers. | 0:05:36 | 0:05:43 | |
Of course, these were old notes that we were bringing down. | 0:05:43 | 0:05:46 | |
But they were wrecked after being through the bars or the markets up in Phibsborough. | 0:05:46 | 0:05:50 | |
-Phibsborough, yeah. -The cattle market. | 0:05:50 | 0:05:52 | |
I mean, the smell of them. | 0:05:52 | 0:05:54 | |
And the drippy, wet beer. | 0:05:54 | 0:05:57 | |
They were destroyed and then they gave us new notes which we brought back on another bus. | 0:05:57 | 0:06:03 | |
That's right, yeah. Casual as you like. | 0:06:03 | 0:06:06 | |
Racy days, eh? | 0:06:06 | 0:06:07 | |
And here we're coming up to Foster Place. | 0:06:11 | 0:06:13 | |
Foster Place was where the bank headquarters were, and we breathed | 0:06:15 | 0:06:19 | |
a little sigh of relief when we got to this point. | 0:06:19 | 0:06:22 | |
The question is, is the old place still there? | 0:06:22 | 0:06:26 | |
It's been 50 years since I made my last delivery of rancid banknotes. | 0:06:32 | 0:06:38 | |
-You don't feel that we should be carrying something? -Yes. | 0:06:38 | 0:06:41 | |
The bags with the money. | 0:06:41 | 0:06:44 | |
Look, and the counter is still the same here. We used to go round here | 0:06:44 | 0:06:48 | |
and in there, which is now an open space, | 0:06:48 | 0:06:50 | |
-was where we used to carry the notes because that was the note department. -And the major. | 0:06:50 | 0:06:56 | |
And the major was there with his Smith & Wesson. | 0:06:56 | 0:06:59 | |
Grumpy, crusty, old... | 0:06:59 | 0:07:01 | |
I suppose we were very lucky he didn't shoot us. | 0:07:01 | 0:07:03 | |
It probably wouldn't work, it'd blow up in his face! | 0:07:03 | 0:07:06 | |
But it brings back happy memories. | 0:07:06 | 0:07:08 | |
I'm delighted to see it's still here. | 0:07:08 | 0:07:09 | |
Foster Place. | 0:07:09 | 0:07:11 | |
Yeah, working in a bank was a respectable job then. | 0:07:11 | 0:07:14 | |
Here I am desperately trying to look like a man about town on the bonnet of my da's car. | 0:07:14 | 0:07:20 | |
But I thought of myself as an urban Irishman and the problem | 0:07:20 | 0:07:23 | |
with the bank was sooner or later, | 0:07:23 | 0:07:25 | |
they'd send you off to work in a branch out in the sticks. | 0:07:25 | 0:07:28 | |
It could be years before you returned to what you thought of as civilisation. | 0:07:28 | 0:07:32 | |
That wasn't for me, so I was on the lookout for something else. | 0:07:32 | 0:07:36 | |
In those olden times, I indulged the hidden show-off in me in amateur dramatics, | 0:07:36 | 0:07:42 | |
never thinking of a professional career | 0:07:42 | 0:07:44 | |
until I stumbled into broadcasting. | 0:07:44 | 0:07:46 | |
Irish National Radio offered me a traineeship and before I knew it, | 0:07:46 | 0:07:50 | |
I was sitting in front of a microphone talking to the nation, no-one more surprised than me. | 0:07:50 | 0:07:56 | |
That fear I had of being trapped in a small, provincial town | 0:08:02 | 0:08:05 | |
goes back perhaps to my father who spent a very unhappy childhood growing up under the patronage | 0:08:05 | 0:08:10 | |
of an English Protestant landowner in the little country village of Enniskerry. | 0:08:10 | 0:08:16 | |
My father in the great Irish tradition, resented authority | 0:08:16 | 0:08:21 | |
and the kind of authority that he had to endure, | 0:08:21 | 0:08:24 | |
and most people had to endure in Enniskerry in the 1900s, | 0:08:24 | 0:08:29 | |
was the authority of Lord Powerscourt who not only owned all the land, | 0:08:29 | 0:08:34 | |
but actually in the tradition of those English lords, | 0:08:34 | 0:08:39 | |
owned the people as well. | 0:08:39 | 0:08:41 | |
The village of Enniskerry was built to house the servants and workers of the nearby Powerscourt Estate. | 0:08:45 | 0:08:51 | |
Now, I've come back to my father's birthplace to meet a relation of mine, | 0:08:51 | 0:08:56 | |
Una Wogan, a second cousin and she's traced the Wogan clan as far back as they go in this village. | 0:08:56 | 0:09:02 | |
-Just look at one of them. -God, you've got the pictures of my antecedents. | 0:09:02 | 0:09:06 | |
We have a picture of your grandfather and grandmother. | 0:09:06 | 0:09:10 | |
Look at that. | 0:09:10 | 0:09:11 | |
So that's Michael and he married a Sarah MacRoe, she was from Fermanagh. | 0:09:11 | 0:09:15 | |
Your father was very fond of, his mother, | 0:09:15 | 0:09:17 | |
-I heard. -He was. -Yes. -And my father didn't like his father much. | 0:09:17 | 0:09:21 | |
By all accounts, his father wasn't a very pleasant man. | 0:09:21 | 0:09:24 | |
-Well, my father was a really nice man. -Yeah. | 0:09:24 | 0:09:26 | |
But he didn't have a moustache like that, | 0:09:26 | 0:09:29 | |
but I can see the resemblance. | 0:09:29 | 0:09:31 | |
'My father left Enniskerry and his home and family' | 0:09:31 | 0:09:35 | |
as soon as he could, at 15. | 0:09:35 | 0:09:38 | |
He couldn't bear having to kowtow and doff his cap to Powerscourt's local dignitaries. | 0:09:38 | 0:09:43 | |
Now it seems Una has discovered a previous generation of Wogans in Enniskerry | 0:09:43 | 0:09:48 | |
'going way back into the 19th century. | 0:09:48 | 0:09:51 | |
'A man that would be my great-grandfather.' | 0:09:51 | 0:09:54 | |
The very first Wogan to come to the village was Michael Wogan. | 0:09:54 | 0:09:57 | |
He came from Dublin City and he married an Eliza Kelly who was from the village. | 0:09:57 | 0:10:03 | |
And then they went on to have 11 children. | 0:10:03 | 0:10:05 | |
They didn't fool around in those days, did they? | 0:10:06 | 0:10:09 | |
-No. -And what did he do for a living? | 0:10:09 | 0:10:10 | |
He was a bootmaker. A master bootmaker. | 0:10:10 | 0:10:13 | |
Young Una here claims to have tracked down a photograph | 0:10:13 | 0:10:16 | |
of the great Wogan ancestor hanging on a wall in a pub. | 0:10:16 | 0:10:19 | |
'That's a surprise(!) | 0:10:19 | 0:10:21 | |
'This I must see.' | 0:10:21 | 0:10:23 | |
-So this is the old pub. -This is the old pub. | 0:10:25 | 0:10:29 | |
-Yeah. And what's this? -This is your great-grandfather, Michael. | 0:10:29 | 0:10:33 | |
-Of course, I'm a Michael. -You're a Michael? | 0:10:33 | 0:10:35 | |
-Yeah, I'm a Michael Terence and my mother called me Terry because my father was Michael Thomas. -Right. | 0:10:35 | 0:10:42 | |
To distinguish between us instead of shouting Michael and nobody knowing who's being called, | 0:10:42 | 0:10:46 | |
she called me Terry and that's another Michael. | 0:10:46 | 0:10:48 | |
Look at the herbaceous border. Don't tell me there's more. | 0:10:48 | 0:10:51 | |
-This is him sitting down. -Where was this taken? | 0:10:51 | 0:10:54 | |
-Powerscourt House so he was 75 in this. -And is that Lord Powerscourt there? -That's him, yeah. | 0:10:54 | 0:10:59 | |
He's sitting there in what could only be described as a seigneurial position. | 0:10:59 | 0:11:03 | |
This is it. They were all at attention, really. | 0:11:03 | 0:11:07 | |
And this is Powerscourt today. | 0:11:09 | 0:11:11 | |
Over a century after my great-grandfather toiled over making the boots and shoes of the people | 0:11:11 | 0:11:17 | |
that served and worked here. | 0:11:17 | 0:11:20 | |
It's been transformed from Lord Powerscourt's stately home to one of Ireland's | 0:11:20 | 0:11:25 | |
most popular tourist destinations, but the reminders of the old hierarchies are still here. | 0:11:25 | 0:11:30 | |
These steps look strangely bare, don't they, | 0:11:36 | 0:11:39 | |
after those photographs in the pub. So how does one man get all this? | 0:11:39 | 0:11:44 | |
Well, his ancestor was a very successful soldier, | 0:11:44 | 0:11:48 | |
Wingfield was his name, and so he was rewarded by being Marshal of Ireland. | 0:11:48 | 0:11:52 | |
Given this huge parcel of land, he built this modest little place behind us... | 0:11:52 | 0:11:57 | |
Not him, the unfortunate Irish peasantry built this little place behind | 0:11:57 | 0:12:01 | |
and then these magnificent Italianate gardens. | 0:12:01 | 0:12:07 | |
For 20 years, hundreds of local Irish labourers slaved over the creation | 0:12:09 | 0:12:13 | |
of these fabulous gardens | 0:12:13 | 0:12:15 | |
and inside the house, great teams of butlers and cooks and tweenies | 0:12:15 | 0:12:20 | |
and housemaids and footmen would've been put to service running | 0:12:20 | 0:12:24 | |
and maintaining this vast residence for the comfort and pleasure of its wealthy owners. | 0:12:24 | 0:12:29 | |
You know, the good Lord and Lady Powerscourt, | 0:12:32 | 0:12:34 | |
they didn't get where they are or WERE by not thinking of everything. | 0:12:34 | 0:12:38 | |
This sunken road was specially designed by them so they didn't | 0:12:38 | 0:12:43 | |
have to see the rough peasantry | 0:12:43 | 0:12:45 | |
and their servants making their way to the fields and the house. | 0:12:45 | 0:12:49 | |
And the only reason you can see me is I'm taller | 0:12:49 | 0:12:53 | |
than the average peasant of those times... I like to think. | 0:12:53 | 0:12:56 | |
Powerscourt was built | 0:12:58 | 0:13:00 | |
by the people of Enniskerry. | 0:13:00 | 0:13:03 | |
And indeed, they relied on this place for their living. | 0:13:03 | 0:13:08 | |
They still do. | 0:13:08 | 0:13:10 | |
Enniskerry relies on Powerscourt and its tourism to this day. | 0:13:10 | 0:13:15 | |
At one time, Ireland was full of little fiefdoms like Powerscourt. | 0:13:20 | 0:13:24 | |
English and Scottish settlers seized much of the country's best land. | 0:13:24 | 0:13:28 | |
The native Catholics became tenants in their own country. | 0:13:28 | 0:13:31 | |
During the 1840s, the country experienced a crippling famine. | 0:13:33 | 0:13:37 | |
A million people died of starvation. | 0:13:37 | 0:13:41 | |
Even before the famine, thousands of people eked out an existence growing their crops among the stony hills | 0:13:49 | 0:13:55 | |
and valleys of the Wicklow Mountains. | 0:13:55 | 0:13:58 | |
On family drives over here over the weekends in the 1950s, | 0:14:00 | 0:14:04 | |
we'd marvel at the beauty of Sugarloaf Mountain, but coming from | 0:14:04 | 0:14:08 | |
the poverty-ridden countryside as he did, my da would always remind us, "You can't eat the scenery." | 0:14:08 | 0:14:14 | |
During the Great Famine, over a million people emigrated rather than starve to death | 0:14:18 | 0:14:23 | |
and the austere conditions in Ireland | 0:14:23 | 0:14:25 | |
meant people continued to emigrate in large numbers right up until the 1960s. | 0:14:25 | 0:14:31 | |
They left without knowing what they were going to, | 0:14:31 | 0:14:34 | |
they left because they were desperate, they left because they were starving, | 0:14:34 | 0:14:38 | |
they left because there was no work and their last view | 0:14:38 | 0:14:42 | |
of their native land was Cobh. | 0:14:42 | 0:14:46 | |
And I just thought that you might like to see it. | 0:14:46 | 0:14:49 | |
Adjacent to the city of Cork, the port of Cobh lies on an island | 0:14:51 | 0:14:55 | |
in the middle of the second-largest natural harbour in the world. | 0:14:55 | 0:14:59 | |
This was Ireland's emergency exit. | 0:15:02 | 0:15:05 | |
Poverty, escalating rents, anti-Catholic discrimination were just some of the reasons | 0:15:08 | 0:15:14 | |
Irish people sought a better life elsewhere. | 0:15:14 | 0:15:17 | |
Between the 1850s and the 1950s, 30% of the population, | 0:15:17 | 0:15:22 | |
around 2.5 million people, emigrated to America. | 0:15:22 | 0:15:27 | |
One of them was Philomena O'Shea. | 0:15:27 | 0:15:30 | |
She was just 17 when she decided to leave her family behind and set sail for America in 1952. | 0:15:30 | 0:15:36 | |
Why did you decide to leave? | 0:15:36 | 0:15:39 | |
There wasn't any work, | 0:15:39 | 0:15:42 | |
but it was an adventure I suppose as well, you know? | 0:15:42 | 0:15:45 | |
And we went to the cathedral that afternoon and lit candles and said our prayers. | 0:15:46 | 0:15:50 | |
Of course. | 0:15:50 | 0:15:53 | |
They brought us out and there was about 600 passengers on it | 0:15:53 | 0:15:57 | |
and we were shown our cabin and there were six of us in the cabin, to my memory I think, in bunk beds. | 0:15:57 | 0:16:04 | |
It was dawning in the morning. | 0:16:04 | 0:16:07 | |
We came up on deck, they told us that we were seeing the last sight of Ireland, but I do remember | 0:16:07 | 0:16:13 | |
looking at that and being very lonely and everybody was lonely on the deck. | 0:16:13 | 0:16:18 | |
That's the recollection I have, it was very sad. | 0:16:25 | 0:16:29 | |
Leaving it, I suppose, you know, and seeing my family out there. | 0:16:29 | 0:16:34 | |
-Did you cry? -I did and I remember my brother was crying. | 0:16:34 | 0:16:38 | |
And how long did it take you to get over that on the boat before you recovered from the sadness of it? | 0:16:40 | 0:16:46 | |
Oh, I think I never got over it, for a year. | 0:16:46 | 0:16:49 | |
-It was a very tough year, that, for us. -Were you lonely? -Very lonely. | 0:16:49 | 0:16:55 | |
Very lonely. | 0:16:55 | 0:16:57 | |
But Philomena didn't stay lonely forever. | 0:17:07 | 0:17:12 | |
-You met the love of your life when you were there? -I did. | 0:17:12 | 0:17:15 | |
-How did you meet him? -At the Irish Centre. | 0:17:15 | 0:17:18 | |
William O'Shea. He was from Ventry, Dingle. | 0:17:18 | 0:17:21 | |
-That's where you're up from at the moment? -That's where I'm living now, yeah. | 0:17:21 | 0:17:24 | |
He dragged you back to County Kerry? | 0:17:24 | 0:17:26 | |
He did! | 0:17:26 | 0:17:29 | |
Did you have a family before you left America? | 0:17:29 | 0:17:32 | |
I had brought one daughter with me, she was five months old from the States. | 0:17:32 | 0:17:35 | |
And how many children did you have again? | 0:17:35 | 0:17:37 | |
Six children altogether. | 0:17:37 | 0:17:40 | |
-Six O'Sheas. And so now, your children have married. -They have. | 0:17:40 | 0:17:45 | |
-You've how many grandchildren? -I have ten grandchildren. | 0:17:45 | 0:17:47 | |
God, I've only got four. | 0:17:47 | 0:17:49 | |
-Ten grandchildren, the prolific O'Shea family. -Yeah. | 0:17:49 | 0:17:53 | |
History seems to be repeating itself, | 0:17:55 | 0:17:57 | |
the number of Irish people emigrating to the United States is up by 12%. | 0:17:57 | 0:18:02 | |
For the first time in 15 years, there are more people leaving Ireland than entering it. | 0:18:02 | 0:18:08 | |
Further up the River Lee is Cork City. | 0:18:11 | 0:18:14 | |
There's one thing that's all too readily associated with the Irish, and that's the demon drink. | 0:18:18 | 0:18:24 | |
There's no doubt it has been a problem in the past, there were once | 0:18:26 | 0:18:30 | |
800 licensed premises here in Cork alone. | 0:18:30 | 0:18:34 | |
Holy Catholic Ireland though has always regarded drinking as ungodly. | 0:18:36 | 0:18:41 | |
Back in the 1840s, the great temperance reformer Father Mathew | 0:18:41 | 0:18:44 | |
convinced almost half the adult population | 0:18:44 | 0:18:46 | |
of the country at the time to take the pledge and banish alcohol from their lives forever. | 0:18:46 | 0:18:52 | |
It didn't last forever though. | 0:18:52 | 0:18:54 | |
By 2003, Ireland had the second highest alcohol consumption in the world. | 0:18:54 | 0:19:00 | |
I've come to one of the oldest and most far-famed bars in Cork, to meet the bar owner | 0:19:03 | 0:19:07 | |
Mary O'Donovan and the Hi B proprietor himself, Brian O'Donnell. | 0:19:07 | 0:19:12 | |
I remember serving in the parlour of my aunts in the country | 0:19:13 | 0:19:17 | |
50 years ago or longer | 0:19:17 | 0:19:19 | |
and I saw a man having 24 pints, | 0:19:19 | 0:19:23 | |
but there was yeast in the pints at that stage and it was a kind of nourishment. | 0:19:23 | 0:19:28 | |
I see, this is kind of... | 0:19:28 | 0:19:30 | |
This wouldn't be regarded as a health drink now? | 0:19:30 | 0:19:33 | |
They'd like to call it that, but it wouldn't be any more. | 0:19:33 | 0:19:36 | |
The Hi B is like pubs used to be. | 0:19:39 | 0:19:41 | |
You won't find any plasma screens or Wi-Fi spots here. | 0:19:41 | 0:19:45 | |
The problem is, though, pubs can't be like they were. | 0:19:45 | 0:19:48 | |
The smoking ban has been enforced since 2004 in Ireland. | 0:19:48 | 0:19:52 | |
You can barely sniff a drink here before you're over the limit. | 0:19:52 | 0:19:55 | |
How can pub culture survive? | 0:19:55 | 0:19:59 | |
The pub can be the focus of a community. | 0:19:59 | 0:20:04 | |
Would you say that the pub is a very important part of Irish culture? | 0:20:04 | 0:20:09 | |
-Not any more. -Have things changed? | 0:20:09 | 0:20:12 | |
Ah, they have. The drink-driving and the smoking. | 0:20:12 | 0:20:16 | |
So in your experience, Mary, are there less people coming into your pub? | 0:20:16 | 0:20:19 | |
Well, it has changed completely. | 0:20:19 | 0:20:21 | |
-The day trade has gone. -The day trade? -Yeah. | 0:20:21 | 0:20:24 | |
We don't open now until 4.00. | 0:20:24 | 0:20:26 | |
So, tell us about an average day | 0:20:26 | 0:20:28 | |
when times were good. When would the first customer come in? | 0:20:28 | 0:20:31 | |
-Oh, 10.30. -Yeah. | 0:20:31 | 0:20:34 | |
Taking a drop of the craythur | 0:20:34 | 0:20:36 | |
during the day was once commonplace in Ireland | 0:20:36 | 0:20:39 | |
and this was because bars like the Hi B were at the centre of the community. | 0:20:39 | 0:20:44 | |
People came seeking company and conversation. | 0:20:44 | 0:20:46 | |
Not any more. | 0:20:46 | 0:20:49 | |
I understand you threw somebody out of this pub for having a mobile phone. | 0:20:49 | 0:20:54 | |
HE LAUGHS | 0:20:54 | 0:20:57 | |
-You're a hard man. -But, I mean, you see in a kind of way, Terry, it is antisocial in a sort of way. | 0:20:57 | 0:21:02 | |
I mean, we provide people to talk to. | 0:21:02 | 0:21:04 | |
Social drinking and the pub has been at the heart of Irish life for centuries. | 0:21:05 | 0:21:10 | |
In times of hardship people have sought solace in drink and companionship. | 0:21:10 | 0:21:15 | |
But, of course, the other great mainstay of Irish life has been religion. | 0:21:16 | 0:21:21 | |
From Cork, and its neighbouring port of Cobh, | 0:21:26 | 0:21:28 | |
it's a short, but scenic journey to the little village of Ballinspittle. | 0:21:28 | 0:21:33 | |
To get there we head west over the picturesque estuary | 0:21:35 | 0:21:38 | |
of the River Bandon and on past the Old Head Of Kinsale. | 0:21:38 | 0:21:41 | |
'Like 90% of the population of the Republic of Ireland, I was raised in the Catholic tradition.' | 0:21:43 | 0:21:49 | |
Roadside statues of the Virgin Mary are as familiar as bus shelters, | 0:21:49 | 0:21:54 | |
corner shops, yet this one managed to catch the attention of the entire nation. | 0:21:54 | 0:22:00 | |
The statue of the Blessed Virgin Mary just outside the little village | 0:22:00 | 0:22:04 | |
moved, at least according to passers-by and devout Catholics. | 0:22:04 | 0:22:10 | |
This was the very statue. | 0:22:10 | 0:22:13 | |
It was first spotted moving in July 1985 by a small group of local people. | 0:22:13 | 0:22:18 | |
Two months later, it had become one of the biggest news stories in Ireland. | 0:22:18 | 0:22:24 | |
# Mother of Christ... # | 0:22:24 | 0:22:28 | |
Since that first sighting in July, | 0:22:28 | 0:22:30 | |
more than 250,000 people have flocked | 0:22:30 | 0:22:33 | |
to see Ballinspittle's moving Madonna. | 0:22:33 | 0:22:35 | |
They come from as far away as Dublin and Belfast in special coaches laid on for the pilgrimage. | 0:22:35 | 0:22:40 | |
Look at her head now. | 0:22:42 | 0:22:44 | |
Her head is moving now. | 0:22:44 | 0:22:47 | |
-Yeah. -Yeah! -Definitely now. | 0:22:47 | 0:22:49 | |
Kind of bowing a lot. | 0:22:49 | 0:22:51 | |
I thought we'd better go along and meet a couple of people, sensible people, | 0:22:51 | 0:22:56 | |
all right, devout Catholics, | 0:22:56 | 0:22:59 | |
who believe that they saw the statue move in Ballinspittle. | 0:22:59 | 0:23:05 | |
Pat Bowen and Sean Murray were there the day the alleged miracle happened. | 0:23:08 | 0:23:13 | |
..and of the Son and of the Holy Spirit, Amen. The Angel of the Lord declared unto Mary. | 0:23:13 | 0:23:17 | |
-She began to receive the Holy Spirit. -You're a former policeman. | 0:23:17 | 0:23:20 | |
-That's right. -So, you know, you're not going to be too easily deceived. | 0:23:20 | 0:23:24 | |
No. Well, I came here on the evening of the 24th July, 1985. | 0:23:24 | 0:23:29 | |
It was the crowd I was watching, not the statue, because as a policeman it's the crowd interested me. | 0:23:29 | 0:23:35 | |
And the only time my gaze switched to the statute was when the crowd | 0:23:35 | 0:23:39 | |
of about 400 people that were here at the time in mid-sentence stopped. | 0:23:39 | 0:23:44 | |
It was like you flick a light switch. | 0:23:47 | 0:23:50 | |
There was this collective gasp of amazement and then I looked at the statue. | 0:23:50 | 0:23:54 | |
It sounds crazy even today, and even mad today, but the statue, to my mind, was free of the grotto. | 0:23:54 | 0:23:59 | |
-It seemed to be floating. -Floating in the air. | 0:23:59 | 0:24:01 | |
Now, I was so convinced this was a hoax | 0:24:01 | 0:24:04 | |
that the following morning at 7.00 on my way to work in the city | 0:24:04 | 0:24:09 | |
I decided I was going to solve this thing once and for all and I climbed up there at 7.00 in the morning. | 0:24:09 | 0:24:14 | |
I expected to find some form of trick wiring or trick lighting or something | 0:24:14 | 0:24:19 | |
and I was absolutely amazed when I found nothing. | 0:24:19 | 0:24:22 | |
And I actually walked right around the statue, even at the back. | 0:24:22 | 0:24:26 | |
I caught it by the shoulders, I tried to shake it | 0:24:26 | 0:24:29 | |
and it was as solid as the railings there we're looking at here. | 0:24:29 | 0:24:32 | |
So, tell me, did it change your life? | 0:24:36 | 0:24:39 | |
Well, I was always religious, but, yeah, it definitely deepened my faith. | 0:24:39 | 0:24:45 | |
So it's been a place of inspiration and consolation. | 0:24:45 | 0:24:49 | |
-Yes. -Does it console you still? | 0:24:49 | 0:24:52 | |
Yeah, it certainly does. | 0:24:52 | 0:24:54 | |
I always come here with my troubles. | 0:24:54 | 0:24:56 | |
-And what about you? -It's been an extraordinary place. | 0:24:56 | 0:24:59 | |
The only way I can describe it to you is that, like, | 0:24:59 | 0:25:03 | |
I can touch Terry Wogan, I know that's you because I can touch you, | 0:25:03 | 0:25:07 | |
but by the same token there are things out there that | 0:25:07 | 0:25:09 | |
we can't either see or touch, but that's where a bit of faith comes in. | 0:25:09 | 0:25:14 | |
The statue continued to attract the crowds for more than four months after the initial sighting, | 0:25:14 | 0:25:19 | |
but you have to remember back in 1985 Ireland was one of the most devout | 0:25:19 | 0:25:23 | |
Catholic nations in the world, so it's not hard to understand | 0:25:23 | 0:25:28 | |
how an alleged miracle like this might gather momentum amongst the faithful. | 0:25:28 | 0:25:33 | |
Back in the village, local journalist Tim Ryan has followed the story from the very beginning. | 0:25:33 | 0:25:40 | |
The amazing thing about the events of '85 was very ordinary people | 0:25:40 | 0:25:44 | |
believed they saw something moving, something happening. | 0:25:44 | 0:25:47 | |
I would say, an estimated guess from my memory, | 0:25:47 | 0:25:50 | |
about three out of five people who came believed they saw something happening. | 0:25:50 | 0:25:54 | |
-What did you think? -Well, I thought if I gazed at it long enough | 0:25:54 | 0:25:59 | |
I could see a wobble on the statue, but I never put it down to | 0:25:59 | 0:26:03 | |
more than sort of staring at an number of bulbs together for a long enough time, | 0:26:03 | 0:26:08 | |
and I wear glasses anyway. | 0:26:08 | 0:26:10 | |
Why do you think it happened at the time it happened? | 0:26:10 | 0:26:13 | |
It was a very bad time. | 0:26:13 | 0:26:14 | |
The economy was going nowhere. | 0:26:14 | 0:26:16 | |
It was a phenomenally bad summer. People were praying for fine weather. | 0:26:16 | 0:26:20 | |
At that time farmers made hay, and in order to make hay you needed | 0:26:20 | 0:26:23 | |
two or three sunny days together, and it just wasn't happening. | 0:26:23 | 0:26:27 | |
People were desperate for saving their crops and I think | 0:26:27 | 0:26:30 | |
it all came together into a reaching out for help from the supernatural. | 0:26:30 | 0:26:34 | |
..And dwelt amongst us. | 0:26:34 | 0:26:35 | |
Hail Mary, full of grace. The Lord is with thee. | 0:26:35 | 0:26:37 | |
Blessed art thou amongst women, and blessed is the fruit of thy womb, Jesus. | 0:26:37 | 0:26:41 | |
Holy Mary, mother of God, pray for us sinners, now... | 0:26:41 | 0:26:44 | |
The devotion | 0:26:44 | 0:26:45 | |
to the Catholic Church | 0:26:45 | 0:26:48 | |
I suppose goes back to the times of oppression and, indeed, the times | 0:26:48 | 0:26:53 | |
of starvation because when a people have nothing else, | 0:26:53 | 0:26:57 | |
when they've got very little to eat, | 0:26:57 | 0:27:00 | |
when they've got nothing else to believe in, | 0:27:00 | 0:27:04 | |
when they can't be educated and they can't own land... | 0:27:04 | 0:27:08 | |
..they're going to fall back on the only thing that gives them any succour whatsoever, | 0:27:10 | 0:27:17 | |
and that's a belief in God and, more specifically, a belief in the Catholic Church. | 0:27:17 | 0:27:25 | |
But with church attendance waning, I wonder whether the new generation | 0:27:26 | 0:27:30 | |
of Irish look more to their Celtic heritage, to music and language, to define themselves. | 0:27:30 | 0:27:38 | |
We're hurtling ever westwards and onwards and out towards the Atlantic. | 0:27:41 | 0:27:46 | |
We're heading to a little island off the southwestern corner of the country. | 0:27:46 | 0:27:50 | |
The western fringes of Ireland are known as the Gaeltacht. | 0:27:50 | 0:27:53 | |
This is where the Gaelic or Irish language is spoken. | 0:27:55 | 0:27:58 | |
Clear Island is a favourite place for the young to learn their mother tongue. | 0:27:58 | 0:28:03 | |
The greatest gift you can have in Ireland is to be a good listener | 0:28:10 | 0:28:13 | |
because everybody is talking ALL the time. | 0:28:13 | 0:28:17 | |
And it's partly the fault of Gaelic. | 0:28:17 | 0:28:19 | |
I'll give you an example. If you say something like, | 0:28:19 | 0:28:22 | |
"I'm going out". No, "I went out", past tense. | 0:28:22 | 0:28:27 | |
"I went out". Well, in Gaelic that's expressed as... | 0:28:27 | 0:28:30 | |
HE SPEAKS GAELIC | 0:28:30 | 0:28:32 | |
I'm AFTER going out. | 0:28:32 | 0:28:33 | |
So you'll hear that with Irish people speaking English. | 0:28:33 | 0:28:36 | |
They'll say, "Oh, I'm after doing something terrible here", you know? | 0:28:36 | 0:28:42 | |
There's no such thing as "hello" in Gaelic, it's... | 0:28:42 | 0:28:45 | |
HE SPEAKS GAELIC | 0:28:45 | 0:28:48 | |
..which is God and Mary be with you. | 0:28:48 | 0:28:50 | |
The answer to that is not, "Hello, yourself", it's... | 0:28:50 | 0:28:52 | |
HE SPEAKS GAELIC | 0:28:52 | 0:28:54 | |
..which is "God and Mary and St Patrick be with you". | 0:28:54 | 0:28:57 | |
So, you can see that conversations take just that little bit longer. | 0:28:57 | 0:29:02 | |
So, here we are, Clear Island. | 0:29:10 | 0:29:13 | |
I want to meet some of the young people who come here every summer | 0:29:13 | 0:29:16 | |
to learn the Gaelic among these glorious surroundings. | 0:29:16 | 0:29:20 | |
And the added advantage to the parents of course is that, | 0:29:24 | 0:29:27 | |
unless they're very good swimmers, they can't escape. | 0:29:27 | 0:29:32 | |
I'm on the local bus. | 0:29:32 | 0:29:34 | |
Thank goodness Jim, the driver, is a fellow Dubliner | 0:29:34 | 0:29:37 | |
and happy to speak English. | 0:29:37 | 0:29:38 | |
Obviously, you speak Gaelic, you speak Irish because you live here. | 0:29:42 | 0:29:46 | |
I speak a small amount of Irish. | 0:29:46 | 0:29:48 | |
Although you don't speak it in Dublin and that, | 0:29:48 | 0:29:50 | |
but from schooling we have it and it does come back to you. The office where I work now... | 0:29:50 | 0:29:55 | |
All businesses translate it through Gaelic and it's amazing the way it will come back to you. | 0:29:55 | 0:30:00 | |
How many people are living here at the moment? | 0:30:00 | 0:30:03 | |
130 people live here all year round, and it increases by maybe 300, 400, | 0:30:03 | 0:30:07 | |
500 in the summertime, depending on the weather, really, | 0:30:07 | 0:30:11 | |
but also the colleges bring a lot of people and certainly brings a boost to the economy of the island. | 0:30:11 | 0:30:16 | |
Now, tell me this now, is it dangerous driving here? | 0:30:16 | 0:30:19 | |
Not a bit, as long as you stay between the ditches! | 0:30:19 | 0:30:22 | |
THEY LAUGH | 0:30:22 | 0:30:23 | |
Is this island a tax haven by any chance? | 0:30:25 | 0:30:27 | |
Yes! | 0:30:27 | 0:30:29 | |
Could I save money if I came to live here? | 0:30:29 | 0:30:31 | |
You could, because there's nowhere to spend it, | 0:30:31 | 0:30:34 | |
and that's the only reason why. | 0:30:34 | 0:30:36 | |
When my mother in law came down here, she said, "It's a lovely place, but there's no shops!" | 0:30:36 | 0:30:40 | |
THEY SPEAK GAELIC | 0:30:44 | 0:30:47 | |
'So, I seem to have got away with it, or maybe they're just being polite.' | 0:31:19 | 0:31:24 | |
When I was at school here Irish was compulsory and if you didn't pass Irish you failed all your exams, | 0:31:24 | 0:31:31 | |
which was very, very tough and what it meant was we didn't love Irish, | 0:31:31 | 0:31:36 | |
we were forced to learn it. | 0:31:36 | 0:31:39 | |
Can any of you say why you're doing this course in Irish? Why? | 0:31:39 | 0:31:45 | |
So I can do better in my Junior Cert than everyone, but... | 0:31:45 | 0:31:48 | |
It's for exams, yeah, isn't it? | 0:31:48 | 0:31:50 | |
-And also because certain jobs are only available if you have Gaelic, isn't that true? -Yes. | 0:31:50 | 0:31:57 | |
Civil service, government jobs, etc. | 0:31:57 | 0:32:00 | |
So, do you have an affection for the language? | 0:32:00 | 0:32:04 | |
-Do you like speaking the language? -Yeah. | 0:32:04 | 0:32:06 | |
After coming here, I think I like it a lot more. | 0:32:06 | 0:32:09 | |
Yeah. And do you like being here? | 0:32:09 | 0:32:11 | |
-Yeah. -You're not lonely on the island? | 0:32:11 | 0:32:13 | |
No. | 0:32:13 | 0:32:14 | |
IRISH MUSIC PLAYS | 0:32:14 | 0:32:17 | |
'So, now learning Irish is about doing well, getting ahead in the world. | 0:32:21 | 0:32:26 | |
'Over 1.5 million people speak Gaelic now. | 0:32:32 | 0:32:35 | |
'That's three times the amount there was when I was born. | 0:32:35 | 0:32:38 | |
'Well, this is how you preserve your national identity, and it's working.' | 0:32:40 | 0:32:45 | |
I'd say he's a decent height. | 0:32:45 | 0:32:46 | |
What are you looking at? | 0:32:55 | 0:32:57 | |
Now, before I leave, I head up on the hill to take in the view from the top of Clear Island. | 0:32:57 | 0:33:02 | |
Out there in the distance is Fastnet Rock. | 0:33:06 | 0:33:08 | |
This is the southernmost point of the entire country. | 0:33:08 | 0:33:12 | |
I've never been there before. | 0:33:12 | 0:33:13 | |
Now is my chance. | 0:33:13 | 0:33:15 | |
With a height of over 50 metres above sea level, | 0:33:23 | 0:33:26 | |
Fastnet is the tallest lighthouse off the coast of the British Isles. | 0:33:26 | 0:33:30 | |
Even so, in 1985 a rogue wave as high as the lighthouse itself smacked into the building. | 0:33:30 | 0:33:37 | |
Every one of the 2,047 Cornish granite blocks | 0:33:39 | 0:33:43 | |
stayed firmly in place. | 0:33:43 | 0:33:45 | |
Fastnet is where Ireland ends and the Atlantic begins. | 0:33:48 | 0:33:52 | |
This thought was not lost on the many that have sailed past it over the centuries, | 0:33:52 | 0:33:58 | |
hence its nickname. | 0:33:58 | 0:34:01 | |
This is called Ireland's Teardrop because that was the last little bit of Ireland | 0:34:01 | 0:34:06 | |
that the emigrants saw as the ship sailed off | 0:34:06 | 0:34:11 | |
into the Atlantic and on to the New World. | 0:34:11 | 0:34:16 | |
Now it's time to head northwards. | 0:34:27 | 0:34:29 | |
I'm off to beautiful County Kerry. | 0:34:29 | 0:34:32 | |
This has always been one of my favourite parts of Ireland. | 0:34:32 | 0:34:35 | |
Of course, this is what the tourists come to this country for. | 0:34:35 | 0:34:39 | |
So, we're off to, I suppose, the gem in the diadem of Ireland's scenery. | 0:34:43 | 0:34:48 | |
It was around about the Sixties that some clever people in Bord Failte, | 0:34:50 | 0:34:57 | |
which is the Irish Tourist Board, | 0:34:57 | 0:34:59 | |
thought, "Let's start selling this country as a place where tourists can come." | 0:34:59 | 0:35:05 | |
One of Bord Failte's greatest successes was branding the country The Emerald Isle. | 0:35:08 | 0:35:13 | |
They're not wrong about that. | 0:35:13 | 0:35:15 | |
There's one particular scenic route that's a must-see | 0:35:15 | 0:35:19 | |
for lovers of landscape. | 0:35:19 | 0:35:20 | |
It's called the Ring of Kerry. | 0:35:20 | 0:35:23 | |
Tomorrow Dave and I plan on driving it. | 0:35:25 | 0:35:28 | |
Starting in Killarney, the Ring of Kerry is a 180-kilometre circular | 0:35:30 | 0:35:34 | |
route around the spectacular coast of the county's peninsula. | 0:35:34 | 0:35:38 | |
Tourists usually do the entire trip in a day, | 0:35:38 | 0:35:41 | |
so we'd better start early. | 0:35:41 | 0:35:43 | |
THUNDERCLAP AND HIGH WINDS | 0:35:43 | 0:35:44 | |
Ah ha! This is the view that greets us the next morning. | 0:35:44 | 0:35:49 | |
It's what the Irish call a 'soft day'. | 0:35:49 | 0:35:51 | |
Breathtaking scenery is out there somewhere. | 0:35:51 | 0:35:54 | |
Will we ever see it? | 0:35:54 | 0:35:56 | |
From the look on his face, I don't think Dave is overjoyed at the prospect of a 180-kilometre drive. | 0:35:56 | 0:36:02 | |
Do you know, you do this drive | 0:36:02 | 0:36:04 | |
on a beautiful day and you think, | 0:36:04 | 0:36:08 | |
this is magnificent. | 0:36:08 | 0:36:10 | |
You do this drive on a day like today and you say... | 0:36:10 | 0:36:15 | |
How does anybody live here? | 0:36:15 | 0:36:16 | |
How does anybody want to be in this part of the world, isn't it horrible? | 0:36:16 | 0:36:20 | |
Is it difficult to drive? | 0:36:20 | 0:36:21 | |
I mean, the scenery is a bit distracting, isn't it? | 0:36:21 | 0:36:24 | |
'Or it might be, if we could see it.' | 0:36:24 | 0:36:27 | |
This section of road is quite good, but as we go up the road does get much narrower. | 0:36:27 | 0:36:32 | |
I suppose it's better if you're doing it the right their round, rather than the wrong way round. | 0:36:32 | 0:36:37 | |
'Because of the weight of traffic on this road, Kerry County Council | 0:36:37 | 0:36:40 | |
'advise people to travel the ring in one direction, anti-clockwise. | 0:36:40 | 0:36:45 | |
'Rebel at heart that he is, Dave has chosen to travel the opposite way around. | 0:36:45 | 0:36:50 | |
'I fear we'll all pay the consequences. | 0:36:50 | 0:36:52 | |
'This is the tenth bus that's tried to force us off the road.' | 0:36:52 | 0:36:56 | |
Is this dangerous going the wrong way? | 0:36:56 | 0:36:58 | |
Absolutely! Sure, if it wasn't dangerous it wouldn't be fun. BUS HORN BEEPS | 0:36:58 | 0:37:02 | |
That's all very well taking that attitude, I'd just like to be able to finish this documentary! | 0:37:02 | 0:37:06 | |
'It's comforting to see the visibility going down by the second.' | 0:37:06 | 0:37:10 | |
So, I suppose you're saying now your life is in my hands. | 0:37:10 | 0:37:14 | |
Well, I hope I'm up to the task. | 0:37:15 | 0:37:18 | |
And so do I! | 0:37:18 | 0:37:20 | |
If we go over the edge... | 0:37:20 | 0:37:22 | |
You look after my wife and family. | 0:37:22 | 0:37:24 | |
I will absolutely, yeah. As I'm sure you'll look after mine as we both say goodbye. | 0:37:24 | 0:37:28 | |
Absolutely no chance of that! | 0:37:28 | 0:37:30 | |
DAVE'S LAUGHS ECHO | 0:37:32 | 0:37:36 | |
'The rain seems to be having a strange effect on our Dave. | 0:37:36 | 0:37:39 | |
'Luckily, my mind is still on the job and I persuade him to pull over, let me take a look | 0:37:39 | 0:37:44 | |
'at what the guidebooks tell me is one of the very best views in the whole Ring of Kerry.' | 0:37:44 | 0:37:50 | |
This is what the view is supposed to look like. | 0:37:53 | 0:37:56 | |
This is the view to end them all. | 0:38:00 | 0:38:03 | |
You can hardly see your hand in front of your face! | 0:38:03 | 0:38:05 | |
This is Ireland, come on! | 0:38:07 | 0:38:09 | |
Nobody comes here for the weather! | 0:38:09 | 0:38:11 | |
They come here for the scenery, even if you can see nothing. | 0:38:11 | 0:38:17 | |
I'll leave you now because I want to drink in this wonderful view. | 0:38:17 | 0:38:20 | |
'So much for the views, I need a drink! | 0:38:26 | 0:38:29 | |
'And I think Dave's spirits need topping up a little, too, | 0:38:30 | 0:38:33 | |
'though luckily for us, Tuesday night is Irish music and dance night | 0:38:33 | 0:38:38 | |
'at the Bridge Inn in Portmagee.' | 0:38:38 | 0:38:40 | |
Tell me this, I'm an urban Irishman myself, | 0:38:44 | 0:38:47 | |
do you like singing in pubs? | 0:38:47 | 0:38:49 | |
Do I like singing in pubs? | 0:38:49 | 0:38:51 | |
Do you like when you go into a pub people bursting into song? | 0:38:51 | 0:38:55 | |
That's a good question. | 0:38:59 | 0:39:01 | |
'Somehow, I don't think Dave is going to be joining me.' | 0:39:01 | 0:39:04 | |
IRISH MUSIC PLAYS | 0:39:06 | 0:39:08 | |
This is the craic. When you see advertisements for | 0:39:17 | 0:39:19 | |
Ireland, cead mile failte, 100,000 welcomes, come for the craic. | 0:39:19 | 0:39:24 | |
They don't mean, fall through something in the floor. | 0:39:24 | 0:39:28 | |
They mean craic, which is Gaelic for fun. | 0:39:28 | 0:39:34 | |
And you won't have more fun then you have in an Irish bar with the singing and the music. | 0:39:34 | 0:39:40 | |
Just listen to the hum of the atmosphere. | 0:39:40 | 0:39:42 | |
I mean, these are people having a good time. | 0:39:42 | 0:39:45 | |
IRISH MUSIC PLAYS | 0:39:45 | 0:39:47 | |
There are Irish pubs all over the world, of course. | 0:39:49 | 0:39:52 | |
Wherever you go now - Kiev, Riga, Moscow, | 0:39:52 | 0:39:55 | |
but they're not Irish pubs and you won't find anybody Irish in them. | 0:39:55 | 0:39:58 | |
This is an Irish pub. | 0:39:58 | 0:40:00 | |
Of course, you wouldn't feel like this kind of thing every night. | 0:40:05 | 0:40:09 | |
Particularly when it starts getting a little maudlin, as it always does. | 0:40:09 | 0:40:14 | |
# Come fill up your glasses | 0:40:14 | 0:40:19 | |
# And we'll drink hand in hand | 0:40:19 | 0:40:24 | |
# For tomorrow I'm leaving | 0:40:24 | 0:40:31 | |
# The shores of Lough Bran... # | 0:40:31 | 0:40:36 | |
The thing about most Irish songs is there's not many laughs in them. | 0:40:36 | 0:40:41 | |
It's usually a bit like country music, which is mostly about people's dogs or horses dying. | 0:40:42 | 0:40:50 | |
Irish music is usually about people going, | 0:40:50 | 0:40:52 | |
passing on, | 0:40:54 | 0:40:57 | |
or being shot by the Redcoats. | 0:40:58 | 0:41:00 | |
# And we'll all go together | 0:41:03 | 0:41:08 | |
# To pull wild mountain thyme... # | 0:41:08 | 0:41:15 | |
And before someone shoots me, I'm going to turn in for the night. | 0:41:16 | 0:41:21 | |
# Go, lassie, go... # | 0:41:21 | 0:41:27 | |
The next day, we head for Tralee. | 0:41:37 | 0:41:39 | |
Although it's the capital of County Kerry, | 0:41:39 | 0:41:42 | |
it can hardly be described as the jewel in the crown | 0:41:42 | 0:41:45 | |
of this otherwise beautiful county. | 0:41:45 | 0:41:47 | |
For that reason, Tralee has had to draw hard on the reserves of Irish ingenuity to get itself on the map. | 0:41:49 | 0:41:57 | |
I'm rather proud to say, I've played a part in all of this. | 0:41:57 | 0:42:01 | |
Back in the 1950s, Tralee had come up with the idea | 0:42:01 | 0:42:04 | |
of hosting an annual competition to find the country's loveliest lady. | 0:42:04 | 0:42:09 | |
Like all beauty contests, it wasn't all about beauty. | 0:42:09 | 0:42:12 | |
It was called the Rose of Tralee. | 0:42:12 | 0:42:14 | |
It was to become a national event. | 0:42:14 | 0:42:17 | |
The woman who helped create it and who became its first Lady President, | 0:42:17 | 0:42:21 | |
Irish-American, Margaret Dwyer. | 0:42:21 | 0:42:23 | |
-Well, hello. -Margaret Dwyer? | 0:42:23 | 0:42:26 | |
Now in her 90s, Margaret recalls how it all started. | 0:42:26 | 0:42:30 | |
We had the bright idea, we were trying to figure out what we could have some kind of festival on. | 0:42:30 | 0:42:37 | |
The only kind of thing they could think of | 0:42:37 | 0:42:40 | |
was the song the Rose of Tralee, that John McCormack made famous over the world. | 0:42:40 | 0:42:46 | |
So it would be to choose a Rose each year. | 0:42:46 | 0:42:51 | |
There was no such thing as bathing suits, or anything like that. | 0:42:51 | 0:42:54 | |
What a shame! | 0:42:54 | 0:42:56 | |
No, no. I'm not that kind, | 0:42:56 | 0:42:59 | |
I was never that kind of a woman! | 0:42:59 | 0:43:02 | |
But how did you manage to spread the word? | 0:43:02 | 0:43:05 | |
Well, we worked at it. | 0:43:06 | 0:43:08 | |
We went out. We sold ourselves. | 0:43:08 | 0:43:10 | |
And it grew. It was successful, and people liked it. | 0:43:10 | 0:43:15 | |
Tralee got on the tourist map for the first time, ever. | 0:43:15 | 0:43:19 | |
So, you decided, OK, we're going to bring Ireland to Tralee, | 0:43:19 | 0:43:24 | |
so we're going to have this festival, the Rose of Tralee. | 0:43:24 | 0:43:28 | |
The Rose of Tralee, and it was not her beauty alone that won me. | 0:43:28 | 0:43:32 | |
# She was lovely and fair | 0:43:32 | 0:43:36 | |
# As the rose of the summer | 0:43:36 | 0:43:41 | |
# Yes, twas not her beauty alone that won me... # | 0:43:41 | 0:43:51 | |
There is a line in there that says, "'Twas not her beauty alone at that won me". | 0:43:52 | 0:43:58 | |
So, it wasn't just beauty, then. | 0:43:58 | 0:44:01 | |
It had to be intelligence, you had to have general knowledge, | 0:44:01 | 0:44:05 | |
and perhaps play the bodhran or indeed the banjo. | 0:44:05 | 0:44:11 | |
The girl had to be an all-rounder. | 0:44:11 | 0:44:13 | |
By the late 60s, the Rose of Tralee had become a major international event. | 0:44:18 | 0:44:22 | |
Any lady who could claim Irish descent, | 0:44:22 | 0:44:25 | |
no matter where she lived in the world, could enter the competition. | 0:44:25 | 0:44:28 | |
With the more ambitious show, | 0:44:28 | 0:44:31 | |
the organisers were on the lookout for a new compere. | 0:44:31 | 0:44:35 | |
Yours truly had started appearing on a television game show for RTE's new TV channel | 0:44:35 | 0:44:40 | |
and somehow, I became a contender. | 0:44:40 | 0:44:43 | |
The committee decided that I would be the man to present it. | 0:44:43 | 0:44:48 | |
At that time, I wasn't going to argue with that. | 0:44:48 | 0:44:50 | |
I was a veteran of Irish beauty contests. | 0:44:50 | 0:44:54 | |
I presented the competition from 1968 until 1970. | 0:44:54 | 0:44:58 | |
So, that's how I ended up playing my part in Tralee's success story. | 0:44:58 | 0:45:05 | |
Nowadays, the competition is one of the most popular events in the country. | 0:45:05 | 0:45:09 | |
This year's final was the most watched programme on Irish television. | 0:45:09 | 0:45:13 | |
The Rose of Tralee transformed the fortunes of the town, | 0:45:13 | 0:45:16 | |
but I wonder what effect it had on the 51 ladies who've won over the years? | 0:45:16 | 0:45:21 | |
I called in on the winner of 1969's Rose. | 0:45:21 | 0:45:27 | |
Cathy Quinn, the green-eyed student nurse, born in County Longford, | 0:45:27 | 0:45:31 | |
proudly wears the Dublin sash. | 0:45:31 | 0:45:33 | |
She says, her selection at Dublin's Gresham Hotel, | 0:45:33 | 0:45:36 | |
the most amazing, surprising and fabulous night of her life. | 0:45:36 | 0:45:39 | |
-Which of course, with immediately topped... -By winning it! | 0:45:39 | 0:45:43 | |
But there's an even better one, Terry, wait till I show you. This one. | 0:45:43 | 0:45:46 | |
-Look at this. -Look at that! | 0:45:46 | 0:45:49 | |
-Isn't that wonderful? -Isn't that frightening? | 0:45:49 | 0:45:51 | |
My boys say, I want sideburns like that. | 0:45:51 | 0:45:55 | |
Well, actually, that was '69. | 0:45:55 | 0:45:58 | |
-Sideburns got even longer. -They did! | 0:45:58 | 0:46:01 | |
You were, in fact, tripping over your sideburns. | 0:46:01 | 0:46:03 | |
Looked at the faces of the girls behind you. | 0:46:03 | 0:46:07 | |
Raging! | 0:46:07 | 0:46:09 | |
They were not! | 0:46:09 | 0:46:11 | |
Raging. Look at them! | 0:46:11 | 0:46:14 | |
If any of them had a knife, | 0:46:14 | 0:46:17 | |
they'd be stabbing you! | 0:46:17 | 0:46:19 | |
So, there you were, Rose of Tralee, and the next thing, you're back, | 0:46:19 | 0:46:23 | |
-being kicked around as a student nurse. -That's right. | 0:46:23 | 0:46:27 | |
And look at the headline, here. | 0:46:27 | 0:46:29 | |
You're trying to choke a patient there. | 0:46:31 | 0:46:34 | |
Oh no, you're taking his temperature. | 0:46:34 | 0:46:36 | |
Life's no bed of roses for Cath... | 0:46:38 | 0:46:41 | |
When you went back to the hospital, | 0:46:41 | 0:46:43 | |
did you find the matron bullying you? | 0:46:43 | 0:46:45 | |
Did you find a lot of what can only be described as jealousy from the other nurses? | 0:46:45 | 0:46:49 | |
When I went back, all the nurses came into the refectory, | 0:46:49 | 0:46:53 | |
and sang the Rose of Tralee with a big cake and all the candles, and Matron led them. | 0:46:53 | 0:46:59 | |
She was wonderful. | 0:46:59 | 0:47:01 | |
Oh, that's terrific. | 0:47:01 | 0:47:03 | |
-Now, that's Irish. -It was Irish! | 0:47:03 | 0:47:06 | |
And now, after more than 700 kilometres on the road, | 0:47:12 | 0:47:16 | |
we're about to arrive in Limerick. | 0:47:16 | 0:47:18 | |
This is where I was born, where I lived until I was 15. | 0:47:18 | 0:47:23 | |
I'm coming home. | 0:47:23 | 0:47:24 | |
Apart from being my birthplace, | 0:47:24 | 0:47:26 | |
Limerick's other claim to fame is that it lies on the mighty Shannon, | 0:47:26 | 0:47:31 | |
the longest river in the British Isles, | 0:47:31 | 0:47:33 | |
running as it does, all the way up to the border with Northern Ireland. | 0:47:33 | 0:47:37 | |
At Sarsfield Bridge, I cycled back and forth over that bridge | 0:47:43 | 0:47:46 | |
every day, travelling from home to school and back again. | 0:47:46 | 0:47:50 | |
And now, as a Freeman of the city, I can drive a herd of sheep over the self-same bridge. | 0:47:50 | 0:47:54 | |
And this was the school, Crescent College, run by the Jesuit Fathers. | 0:47:57 | 0:48:01 | |
The building's still standing. | 0:48:01 | 0:48:04 | |
I hope the same can they said of my old school friends. | 0:48:04 | 0:48:08 | |
-Look, look at the boys. Look! -I thought you'd be running to us, Terry, with open arms! | 0:48:08 | 0:48:12 | |
-I've just had my knee replaced. -And be saying, Sebastian, I haven't seen you for years! | 0:48:12 | 0:48:16 | |
'They're Jim Sexton, | 0:48:16 | 0:48:18 | |
'Bobby Mulrooney, and Mick Leehy.' | 0:48:18 | 0:48:20 | |
-Good to see you. -How are you getting on? -Oh, carrying on. | 0:48:20 | 0:48:23 | |
'The building is still used as a school, so I hope it hasn't changed too much. | 0:48:23 | 0:48:26 | |
'I haven't been through these doors in 60 years. | 0:48:26 | 0:48:29 | |
'Crescent College was run on a diet of study, rugby, prayer and punishment. | 0:48:31 | 0:48:35 | |
'This old staircase here takes me straight back to the person that dished out the punishment...' | 0:48:35 | 0:48:41 | |
Am I right in thinking that Snitch McLoughlin used to stand up at the very top there? | 0:48:41 | 0:48:46 | |
He was what, Jim, what did we call him? | 0:48:46 | 0:48:49 | |
The prefect of studies. | 0:48:49 | 0:48:50 | |
-He'd stand here. -His real name was Gerry McLoughlin. | 0:48:50 | 0:48:54 | |
He was a northerner. | 0:48:54 | 0:48:56 | |
And he was a man of severe aspect. | 0:48:56 | 0:48:58 | |
He was. He was very strict. | 0:48:58 | 0:49:01 | |
And as you quite rightly say, we were all in a certain terror of him. | 0:49:01 | 0:49:06 | |
Remember you got a docket. | 0:49:06 | 0:49:07 | |
When you were punished for not knowing something, your teacher wrote out a little docket. | 0:49:07 | 0:49:11 | |
Six of the best. | 0:49:11 | 0:49:12 | |
Had the whole morning or afternoon to think about it. | 0:49:12 | 0:49:15 | |
-And he was the executioner. -This is where you used to go to get your hands knocked off. | 0:49:15 | 0:49:19 | |
My screams could be heard at all the way down O'Connell Street. | 0:49:19 | 0:49:24 | |
'Just looking at that door brings back painful memories. | 0:49:24 | 0:49:27 | |
'I was larruped, twice a day sometimes.' | 0:49:27 | 0:49:30 | |
CANE WHIPPING | 0:49:30 | 0:49:31 | |
I wasn't brave. | 0:49:31 | 0:49:33 | |
'The Jesuit Fathers, or Jays as we called them, were hard taskmasters, but they were good teachers. | 0:49:33 | 0:49:40 | |
'Every so often, we even had some fun.' | 0:49:40 | 0:49:44 | |
-Do you mind if we go in and see the hall? -OK, let's go. | 0:49:44 | 0:49:46 | |
Do you remember the dances that we used to have, | 0:49:46 | 0:49:49 | |
where they brought the girls from Laurel Hill in, and we could all dance? | 0:49:49 | 0:49:54 | |
But the priests and the nuns were still walking amongst us to make sure that nothing was going on? | 0:49:54 | 0:49:58 | |
The guys would all be lined up on one wall and the girls would be on the other. | 0:49:58 | 0:50:03 | |
And the gap in between was... I was very shy, I just couldn't manage it. | 0:50:03 | 0:50:09 | |
I found it hugely difficult to walk across the floor. | 0:50:09 | 0:50:12 | |
You see, it was Irish dancing. There wasn't waltzing or foxtrots. | 0:50:12 | 0:50:15 | |
There used to be a waltz or two during the course of it. | 0:50:15 | 0:50:19 | |
Did you know how to waltz? | 0:50:19 | 0:50:21 | |
Anybody know how to waltz? | 0:50:21 | 0:50:24 | |
You're the dancer, you're the dancer. What a boy. | 0:50:24 | 0:50:28 | |
What a boy. | 0:50:28 | 0:50:29 | |
I remember I learned to dance in the Hydro Hotel, Kilkeel. | 0:50:29 | 0:50:31 | |
One-two-three, one-two-three. | 0:50:31 | 0:50:35 | |
Whereas the foxtrot was one-two, one-two. | 0:50:35 | 0:50:38 | |
My gosh, you learned well! | 0:50:38 | 0:50:40 | |
Only up as far as three! | 0:50:40 | 0:50:42 | |
In the end, even though I had a strict religious upbringing, | 0:50:48 | 0:50:51 | |
rather than strengthen my faith, it left me with no great love of religion or the Church. | 0:50:51 | 0:50:58 | |
Limerick station, the gateway to the East, as it was when my mother and I | 0:51:08 | 0:51:12 | |
would escape to Dublin during the school holidays. | 0:51:12 | 0:51:16 | |
And today, the brother is coming the opposite way, to give me a bit of moral support. | 0:51:16 | 0:51:21 | |
Don't panic, no sign of the train. | 0:51:24 | 0:51:26 | |
I'm a bit worried about if the brother's going to turn up or not. | 0:51:26 | 0:51:28 | |
But I'm looking forward to seeing him. | 0:51:28 | 0:51:31 | |
We can reminisce a little bit about Father's store, | 0:51:31 | 0:51:35 | |
and what Limerick was like in those days. | 0:51:35 | 0:51:38 | |
Although he was very young. | 0:51:38 | 0:51:39 | |
He would have been very young when he left Limerick. | 0:51:39 | 0:51:42 | |
Brian's about, oh, six-and-a-half years younger than me. | 0:51:42 | 0:51:45 | |
I left I was 15, so he would only have been about eight. | 0:51:45 | 0:51:48 | |
So, his memory is probably fresher than mine, since he's a great deal younger. | 0:51:48 | 0:51:52 | |
You'll find him a small, red-headed person, with a wooden leg. | 0:51:54 | 0:51:58 | |
Hiya, Brian. | 0:51:59 | 0:52:01 | |
Welcome. You're looking very brown. | 0:52:01 | 0:52:04 | |
-And yourself. Good to see you. -Good boy. -That wasn't bad. | 0:52:04 | 0:52:07 | |
-No, no. Good journey? -You should try the train sometimes. | 0:52:07 | 0:52:10 | |
-Good journey? -57 years later after the last one. | 0:52:10 | 0:52:12 | |
You're looking brown. Is the sun shining on you? | 0:52:12 | 0:52:15 | |
It crossed my mind, you know, how would they recognise me when I got off the train at Limerick. | 0:52:15 | 0:52:19 | |
But then of course, I realised, | 0:52:19 | 0:52:21 | |
you're just going to stand out in the crowd with that handsome figure walking down. | 0:52:21 | 0:52:25 | |
And the six-pack stomach. | 0:52:25 | 0:52:27 | |
-I hope I didn't show you up in a bad way. -No, not at all. | 0:52:27 | 0:52:31 | |
Well, I'm a bit like yourself. | 0:52:31 | 0:52:32 | |
My body is a temple. | 0:52:32 | 0:52:34 | |
Our first stop is to see the site of the Da's old grocery shop. | 0:52:34 | 0:52:39 | |
-Do you remember the Dad was more of a Fortnum & Mason than a Marks & Spencers. -It was, yeah. | 0:52:39 | 0:52:45 | |
He used to keep all the stuff that the remittance men and the relics of "oul dacency" | 0:52:45 | 0:52:49 | |
-who lived in Tipperary came for... -Oh, they all came round. | 0:52:49 | 0:52:53 | |
-The horse people. They used to come for exotic stuff, dried fish from India. -That's right. | 0:52:53 | 0:52:58 | |
They even had, I think, caviar. | 0:52:58 | 0:53:01 | |
Yeah, and he had foie gras. | 0:53:01 | 0:53:03 | |
And he also had what he used to call "lichies". | 0:53:03 | 0:53:07 | |
The "lichies"! | 0:53:07 | 0:53:09 | |
Were coming down on to O'Connell Street now. | 0:53:12 | 0:53:15 | |
You see that thing on the corner? | 0:53:15 | 0:53:18 | |
-That's the father's old shop. -That's the Da's old grocery store there. -It is, yes. | 0:53:20 | 0:53:26 | |
It's now a clothing store, but if you look very carefully | 0:53:26 | 0:53:29 | |
at this rare old photograph, you'll see Leverett & Fry on the far right. | 0:53:29 | 0:53:34 | |
So, this is where it was. | 0:53:34 | 0:53:37 | |
-Do you remember, the Da used to carve the ham around about here? -That's right. | 0:53:37 | 0:53:42 | |
Which when you think about it, he was handling all this exotic foodstuffs, | 0:53:42 | 0:53:46 | |
and he was actually an expert in meat and the cooking of meats and hams, and stuff like that. | 0:53:46 | 0:53:51 | |
My dear mother, God rest her soul, with the great destroyer of meat. | 0:53:51 | 0:53:55 | |
-She was. -She did the incineration technique of cooking. | 0:53:55 | 0:53:59 | |
Auntie May used to say, | 0:53:59 | 0:54:01 | |
Rose couldn't boil water. | 0:54:01 | 0:54:04 | |
-That's right! -That's my mother, Rose. | 0:54:04 | 0:54:06 | |
If he'd been any good he would have left the shop to us. | 0:54:06 | 0:54:09 | |
I think it was more a case, we certainly didn't want to be working for my Dad! | 0:54:09 | 0:54:13 | |
A hard taskmaster. | 0:54:13 | 0:54:15 | |
Yeah. It was really hard work. | 0:54:15 | 0:54:17 | |
He'd never have cut corners. We'd never have been able to get away with the new techniques. | 0:54:17 | 0:54:22 | |
Because you and I were intrinsically lazy people. | 0:54:22 | 0:54:25 | |
-Absolutely. -Absolutely. -Absolutely. | 0:54:25 | 0:54:28 | |
'At least we haven't any delusions about ourselves. | 0:54:28 | 0:54:31 | |
'Now, the moment I've been waiting for - Elm Park is were Brian and I were born, | 0:54:31 | 0:54:35 | |
'where we spent our childhood, and for the first time, | 0:54:35 | 0:54:39 | |
'since we left Limerick over half a century ago, we're going home.' | 0:54:39 | 0:54:43 | |
-18 Elm Park, Limerick. -That's it. | 0:54:46 | 0:54:48 | |
-It's got a new name. -St Judes! | 0:54:50 | 0:54:53 | |
-It was never called that. -No. | 0:54:53 | 0:54:54 | |
I'm going to tear that down. | 0:54:54 | 0:54:56 | |
Number 18, this is. | 0:54:56 | 0:54:59 | |
Can we go in? | 0:54:59 | 0:55:00 | |
Yes, why not. | 0:55:00 | 0:55:02 | |
You go first. | 0:55:02 | 0:55:04 | |
OK, OK. I'll knock. | 0:55:04 | 0:55:06 | |
Just in case they set the dog on him, you know. | 0:55:06 | 0:55:09 | |
-Hello. -Oh, my God. | 0:55:09 | 0:55:11 | |
How do you do? | 0:55:11 | 0:55:13 | |
-How are you? -May we come in? This is my brother, Brian. | 0:55:13 | 0:55:16 | |
-Nice to meet you. How are you? -Who have I got here? | 0:55:16 | 0:55:19 | |
-Tim. -Tim. | 0:55:19 | 0:55:20 | |
-Thank you, very much. -Come in. | 0:55:20 | 0:55:23 | |
Thank you very much indeed. | 0:55:23 | 0:55:24 | |
I remember that staircase. | 0:55:24 | 0:55:26 | |
And look, the good room. | 0:55:26 | 0:55:29 | |
It's a television room now. | 0:55:29 | 0:55:31 | |
-Excellent. -That's wonderful. | 0:55:31 | 0:55:34 | |
This is grand, this is a huge, big room. | 0:55:34 | 0:55:36 | |
-Great room. -Isn't that great? | 0:55:36 | 0:55:38 | |
Like what they've done with this, huh? | 0:55:38 | 0:55:41 | |
My mother was never a great cook. | 0:55:41 | 0:55:43 | |
But, she would have been impressed with the kitchen, wouldn't she? | 0:55:43 | 0:55:47 | |
Do you mind if we go upstairs? | 0:55:47 | 0:55:48 | |
-Do you mind? -Work away. | 0:55:48 | 0:55:50 | |
-Look at this. -The old narrow staircase. | 0:55:52 | 0:55:55 | |
Now do you remember were the bathroom was? | 0:55:57 | 0:56:00 | |
Oh, the bathroom was much classier. | 0:56:00 | 0:56:02 | |
In this very bathroom, Michael Wogan used to sing every evening as he shaved. | 0:56:02 | 0:56:09 | |
He used to sing songs like Dead For Bread and Valentines Goodbye to Faust, | 0:56:09 | 0:56:15 | |
and he used to deafen everybody within a radius of 100 metres. | 0:56:15 | 0:56:20 | |
But he always shaved the night before. | 0:56:20 | 0:56:23 | |
Meticulous man. | 0:56:23 | 0:56:24 | |
I learned the Floral Dance because in this very bathroom, he used to sing it here. | 0:56:24 | 0:56:28 | |
-That's right. -Michael Wogan. -You can hear it echoing. | 0:56:28 | 0:56:32 | |
Baritone extraordinaire. | 0:56:32 | 0:56:34 | |
MUSIC: "Floral Dance" by Terry Wogan | 0:56:34 | 0:56:37 | |
# All together in the floral dance... # | 0:56:37 | 0:56:40 | |
'The more cultured members of the audience might remember I recorded | 0:56:40 | 0:56:43 | |
'a version of the Floral Dance myself back in 1978. | 0:56:43 | 0:56:46 | |
'It got to number 21 in the charts, but many believe it went much higher than that!' | 0:56:46 | 0:56:52 | |
# Hurrah for the Cornish Floral Dance. # | 0:56:54 | 0:56:58 | |
'That's where it all began. | 0:57:01 | 0:57:04 | |
'Limerick marks the halfway point on my journey. | 0:57:08 | 0:57:11 | |
'My home town has certainly changed. | 0:57:11 | 0:57:14 | |
'It's more prosperous, bigger, more confident. | 0:57:14 | 0:57:16 | |
'Though much of what I've seen has been changed by the passage of time, | 0:57:16 | 0:57:20 | |
'many of the people I met have reminded me how Irish I still am. | 0:57:20 | 0:57:23 | |
'To paraphrase the old expression, once an Irishman, always an Irishman. | 0:57:23 | 0:57:30 | |
'Next, I'm headed to a land I'm less familiar with - | 0:57:33 | 0:57:37 | |
'the North.' | 0:57:38 | 0:57:40 | |
Now you see how idyllic this place is. | 0:57:41 | 0:57:44 | |
'I have some old friends here to catch up with.' | 0:57:44 | 0:57:48 | |
The people were innocent. | 0:57:48 | 0:57:49 | |
Everybody just went, thank you! | 0:57:49 | 0:57:51 | |
'And there'll be lots of things, I'm sure, that will surprise me about Northern Ireland.' | 0:57:53 | 0:57:58 | |
Three, two, one... Go! | 0:57:58 | 0:58:02 | |
'By the time I get back to Dublin and catch up with the gossip...' | 0:58:03 | 0:58:07 | |
People walked out in disgust. | 0:58:07 | 0:58:08 | |
'..I hope I'll be able to make sense of what has become of this great island in my absence.' | 0:58:08 | 0:58:13 | |
There are more of us in England than there are in Ireland. | 0:58:13 | 0:58:18 | |
'After all, you have to remember, I spent quite a lot of the last 40 years cooped up in a darkened room.' | 0:58:18 | 0:58:25 | |
Subtitles by Red Bee Media Ltd | 0:58:43 | 0:58:45 | |
E-mail [email protected] | 0:58:45 | 0:58:47 |