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Britain is an island surrounded by a cold and unforgiving sea. | 0:00:02 | 0:00:08 | |
For centuries it protected us from attack. | 0:00:08 | 0:00:11 | |
But to prosper and thrive, we would need to do more | 0:00:11 | 0:00:14 | |
than just hide behind her saltwater shield. | 0:00:14 | 0:00:17 | |
Britain needed brave men, willing to venture out into the unknown | 0:00:17 | 0:00:22 | |
and she needed good boats to take them there. | 0:00:22 | 0:00:24 | |
I've spent my life at sea. | 0:00:27 | 0:00:29 | |
Now I'm going to take passage on six boats that together tell the story of modern Britain. | 0:00:29 | 0:00:34 | |
Built for exploration, war, fishing, | 0:00:34 | 0:00:39 | |
industry and our very survival - | 0:00:39 | 0:00:42 | |
these are the boats that built Britain | 0:00:42 | 0:00:44 | |
and changed the way we live for ever. | 0:00:44 | 0:00:47 | |
And this time I'm going to be aboard an LCVP landing craft, | 0:00:49 | 0:00:54 | |
the vessel that spearheaded the D-Day invasion | 0:00:54 | 0:00:57 | |
and played a vital part in the final victory of Britain and the Allies | 0:00:57 | 0:01:00 | |
in the Second World War. | 0:01:00 | 0:01:02 | |
This is an LCVP - a Landing Craft Vehicle and Personnel. | 0:01:21 | 0:01:26 | |
It was built to do a specific job - | 0:01:26 | 0:01:28 | |
to land troops on a hostile beach in the teeth of enemy fire. | 0:01:28 | 0:01:33 | |
Lord knows, she ain't pretty. | 0:01:33 | 0:01:35 | |
And those sharp corners make a seaman's heart bleed. | 0:01:35 | 0:01:38 | |
But she was the right boat at the right time. | 0:01:38 | 0:01:40 | |
In our hour of greatest need, this boat saved Britain! | 0:01:40 | 0:01:45 | |
And there are not many boats can claim that. | 0:01:45 | 0:01:48 | |
Developed from a Louisiana swamp boat, | 0:01:51 | 0:01:53 | |
the LCVP is one of the strangest craft ever to take to the water. | 0:01:53 | 0:01:58 | |
36 feet long and powered by a 250hp Detroit diesel, | 0:01:59 | 0:02:05 | |
she's capable of carrying a platoon of men and all their kit ashore | 0:02:05 | 0:02:10 | |
at 12 knots flat out. | 0:02:10 | 0:02:11 | |
By the end of World War Two, | 0:02:20 | 0:02:22 | |
over 20,000 of these extraordinary little craft had been built, | 0:02:22 | 0:02:26 | |
using production methods that revolutionised boat building. | 0:02:26 | 0:02:29 | |
Designing a boat like this called for radical thinking, | 0:02:33 | 0:02:36 | |
but cometh the hour, cometh the man, | 0:02:36 | 0:02:38 | |
and Andrew Higgins, | 0:02:38 | 0:02:39 | |
a hard-drinking, straight-talking American shipbuilder, | 0:02:39 | 0:02:43 | |
proved that this boat was the answer the Allies had been looking for. | 0:02:43 | 0:02:47 | |
But just how did this design come about? | 0:02:51 | 0:02:54 | |
And what was it about Higgins that made its creation possible? | 0:02:54 | 0:02:58 | |
Because make no mistake, this is an extraordinary boat | 0:02:59 | 0:03:03 | |
that goes against almost every rule of design. | 0:03:03 | 0:03:07 | |
Doing what no boat really wants to do, | 0:03:07 | 0:03:10 | |
leave the water and drive straight up the beach! | 0:03:10 | 0:03:14 | |
Ask any sailor where he does not want to be | 0:03:21 | 0:03:24 | |
and he will tell you on the beach, where the sea meets the land. | 0:03:24 | 0:03:28 | |
That's where the real danger is. | 0:03:28 | 0:03:30 | |
But at the end of World War Two, that's precisely where he had to be, | 0:03:30 | 0:03:35 | |
getting thousands and thousands of troops ashore | 0:03:35 | 0:03:39 | |
right here on this very beach. | 0:03:39 | 0:03:42 | |
So, how do you go about designing a boat that can sail for hours across the English Channel | 0:03:43 | 0:03:48 | |
and then deliver a platoon of almost 40 soldiers | 0:03:48 | 0:03:51 | |
straight into the teeth of enemy fire? | 0:03:51 | 0:03:54 | |
It's a huge challenge, | 0:03:54 | 0:03:56 | |
and one the Allies could ill afford to get wrong. | 0:03:56 | 0:03:59 | |
Nowadays we're so used to the idea of amphibious landings | 0:04:06 | 0:04:10 | |
that we take it for granted that military craft can motor up a beach | 0:04:10 | 0:04:14 | |
and deliver troops at full speed. | 0:04:14 | 0:04:16 | |
But between the wars, when military chiefs first considered the problem, | 0:04:18 | 0:04:23 | |
they faced a serious hurdle. | 0:04:23 | 0:04:25 | |
Traditional boats just couldn't handle the job. | 0:04:28 | 0:04:31 | |
They were great at sea, | 0:04:31 | 0:04:32 | |
but when the time came to step off and fight your way ashore, | 0:04:32 | 0:04:36 | |
the high sides and V-shaped hulls of conventional craft | 0:04:36 | 0:04:40 | |
meant that the men ran into all sorts of difficulties. | 0:04:40 | 0:04:43 | |
Back in the early days of World War Two, | 0:04:50 | 0:04:52 | |
we took a serious drubbing. | 0:04:52 | 0:04:54 | |
We managed to get the British expeditionary force off the beaches at Dunkirk with a ragtag Navy | 0:04:54 | 0:04:59 | |
of little boats begged borrowed and stolen from goodness knows where. | 0:04:59 | 0:05:03 | |
But if we were going to win the war a few years later, | 0:05:03 | 0:05:06 | |
we had to get back onto those French beaches | 0:05:06 | 0:05:08 | |
and this time it was a different story. | 0:05:08 | 0:05:10 | |
Now the Germans would be waiting. | 0:05:14 | 0:05:17 | |
Dug in, their machine guns zeroed, their mines laid, | 0:05:17 | 0:05:21 | |
just looking for the chance to shoot up anything that came their way. | 0:05:21 | 0:05:25 | |
It was a daunting prospect. | 0:05:25 | 0:05:27 | |
But one that needed addressing and fast, | 0:05:27 | 0:05:30 | |
if launching the huge D-Day invasion was to be successful. | 0:05:30 | 0:05:34 | |
The problem facing shipbuilders goes to the very heart of boat design. | 0:05:39 | 0:05:43 | |
Most ships tended to have deep V shaped entries, | 0:05:44 | 0:05:47 | |
great for keeping you upright in the water and cutting through the waves, | 0:05:47 | 0:05:52 | |
but a disaster when running aground. | 0:05:52 | 0:05:53 | |
What was needed was a whole new type of boat. | 0:05:55 | 0:05:59 | |
I've come here to meet an old ship mate, Ian McGilvery. | 0:06:05 | 0:06:09 | |
Ian is every inch a sailor man, | 0:06:09 | 0:06:11 | |
but the difference between him and me, | 0:06:11 | 0:06:13 | |
is that he is also an expert boat builder. | 0:06:13 | 0:06:15 | |
Hello, mate. | 0:06:15 | 0:06:17 | |
And to help illustrate the problem, | 0:06:18 | 0:06:20 | |
Ian's going to build a couple of very basic models | 0:06:20 | 0:06:23 | |
that will show us the two extremes of hull design. | 0:06:23 | 0:06:25 | |
-Good bow, that, eh, Tom? -Beautiful. | 0:06:26 | 0:06:29 | |
The first is a flat bottomed boat, | 0:06:29 | 0:06:32 | |
a box really. | 0:06:32 | 0:06:34 | |
And the second, its more usual V-shaped opposite number. | 0:06:34 | 0:06:38 | |
Each offers advantages and disadvantages | 0:06:38 | 0:06:41 | |
compared with the other. | 0:06:41 | 0:06:43 | |
OK. | 0:06:43 | 0:06:44 | |
But to understand fully what these are, | 0:06:44 | 0:06:47 | |
we'll have to float these boats in the water, | 0:06:47 | 0:06:49 | |
starting with the traditional V-shaped hull. | 0:06:49 | 0:06:54 | |
-Do you want to give it a go? -OK, here we go. | 0:06:54 | 0:06:57 | |
-Oh, look at that! Useless! -Well, that's no good then, is it? | 0:06:57 | 0:07:01 | |
Its no good for a landing craft, or anything else. | 0:07:01 | 0:07:03 | |
Put some ballast in it. | 0:07:03 | 0:07:05 | |
A few old nuts... | 0:07:05 | 0:07:07 | |
But once we add a bit of ballast, as you'd get in a boat of this type, | 0:07:07 | 0:07:11 | |
things improve dramatically. | 0:07:11 | 0:07:13 | |
The boat settles in the water, suddenly she's remarkably stable. | 0:07:13 | 0:07:18 | |
And with all that boat in the water she'll also handle well - | 0:07:22 | 0:07:25 | |
her draught will stop her being blown off course | 0:07:25 | 0:07:28 | |
and the V-shaped hull will chop readily through the waves. | 0:07:28 | 0:07:33 | |
If it's a landing craft, it's got everything you want | 0:07:33 | 0:07:35 | |
except for the fact when you put it on the beach, | 0:07:35 | 0:07:39 | |
it falls over. | 0:07:39 | 0:07:40 | |
-No good. -No good at all, is it? | 0:07:40 | 0:07:42 | |
Let's have a look at this one. | 0:07:42 | 0:07:44 | |
We'll start with it on land, which is what it's for! | 0:07:46 | 0:07:50 | |
Can't beat it, can you? | 0:07:50 | 0:07:51 | |
No, not at all. | 0:07:51 | 0:07:53 | |
If we put it on the water, | 0:07:53 | 0:07:54 | |
it's pretty good on the water as well on the face of things. | 0:07:54 | 0:07:59 | |
What happens if we put some weight on the side, | 0:07:59 | 0:08:02 | |
its absolutely amazingly stable. | 0:08:02 | 0:08:04 | |
You put a lot of weight on and it stays stable | 0:08:04 | 0:08:07 | |
and it's got to go a long way, a long, long way before it tips over. | 0:08:07 | 0:08:12 | |
In fact, even then it comes right the way up. | 0:08:12 | 0:08:16 | |
So it's not got a stability problem. | 0:08:16 | 0:08:18 | |
Just as an idea, load carrying ability, that's a lot of nuts there. | 0:08:18 | 0:08:22 | |
Lot of weight. Look at that. | 0:08:22 | 0:08:24 | |
That's huge! It's doing that, | 0:08:24 | 0:08:26 | |
because its got so much displacement, isn't it? | 0:08:26 | 0:08:28 | |
So far, so good. | 0:08:28 | 0:08:30 | |
But you really wouldn't want to take this design to sea. | 0:08:30 | 0:08:34 | |
The problem it has got, I think, is that if there's a sea running... | 0:08:34 | 0:08:38 | |
..It's going to pound something awful... | 0:08:40 | 0:08:43 | |
Come up over a wave, the bottom is just going to bang. | 0:08:43 | 0:08:46 | |
It will be an awful thing to steer because there's no keel, | 0:08:46 | 0:08:49 | |
-there's nothing to stop it going sideways. -No. | 0:08:49 | 0:08:51 | |
I mean, that's the shape a landing craft has to be, | 0:08:51 | 0:08:54 | |
cos starting from the land there's no choice. | 0:08:54 | 0:08:57 | |
But its not going to work like that. | 0:08:57 | 0:08:58 | |
It's got to be more sophisticated than that. | 0:08:58 | 0:09:01 | |
The flat-bottomed boat has a lot going for it, | 0:09:01 | 0:09:03 | |
but Ian and I suspect | 0:09:03 | 0:09:05 | |
there are going to be some serious disadvantages out on the water. | 0:09:05 | 0:09:09 | |
To find out what these may be, we're going to have to test | 0:09:09 | 0:09:12 | |
our tiny wooden model on a human scale. | 0:09:12 | 0:09:15 | |
LAUGHTER | 0:09:15 | 0:09:17 | |
However, I wasn't quite expecting this. | 0:09:17 | 0:09:21 | |
I've sailed on hundreds of boats over the years, | 0:09:23 | 0:09:26 | |
but this is the first time I've ever set sail in a skip. | 0:09:26 | 0:09:30 | |
But Ian thinks she'll float. | 0:09:30 | 0:09:32 | |
So here goes. | 0:09:32 | 0:09:35 | |
It'll be very interesting to see what happens now. | 0:09:36 | 0:09:38 | |
I've got my life jacket on so I'm ready for anything. | 0:09:38 | 0:09:41 | |
Lot of ballast in the bow here and we're starting to float. | 0:09:41 | 0:09:45 | |
And how are we floating? | 0:09:45 | 0:09:47 | |
She's feeling my weight, | 0:09:47 | 0:09:49 | |
but she's pretty good fore and aft actually. | 0:09:49 | 0:09:52 | |
Just about right | 0:09:52 | 0:09:53 | |
and she's blowing about like a crisp packet as predicted. | 0:09:53 | 0:09:56 | |
Oh! | 0:09:56 | 0:09:58 | |
-LAUGHTER -What do you think? | 0:09:58 | 0:10:00 | |
I was hoping it wasn't going to start so we wouldn't have to go, but never mind. | 0:10:00 | 0:10:04 | |
It feels more or less OK so far. | 0:10:04 | 0:10:07 | |
But how's she going to handle under power? | 0:10:07 | 0:10:09 | |
-We'll give it some more.. -Ohhh! | 0:10:09 | 0:10:11 | |
We've got to be careful we don't duck the stone under. | 0:10:11 | 0:10:13 | |
We've got this fore and aft trimish. | 0:10:13 | 0:10:15 | |
But if I go here and you put some power on, | 0:10:15 | 0:10:17 | |
will she squat and work? | 0:10:17 | 0:10:19 | |
There she goes. That's it. | 0:10:19 | 0:10:21 | |
So we're off. | 0:10:21 | 0:10:22 | |
Well, the good news is the skip floats. | 0:10:29 | 0:10:32 | |
The bad news is it handles like a dog! | 0:10:32 | 0:10:36 | |
Back in World War Two those guys really had their work cut out. | 0:10:36 | 0:10:40 | |
The first problem is direction. There's nothing gripping the water. | 0:10:41 | 0:10:46 | |
We're just about getting away with it here on the river, | 0:10:46 | 0:10:49 | |
but thrown in a few waves | 0:10:49 | 0:10:50 | |
and our square metal box will be all over the place. | 0:10:50 | 0:10:53 | |
But there's another problem - even worse. | 0:10:56 | 0:10:58 | |
It's called cavitation. | 0:10:58 | 0:11:00 | |
Every time we try to open up the engine we lose power, | 0:11:02 | 0:11:05 | |
because the flat bottom lifts | 0:11:05 | 0:11:07 | |
and channels air, not water, down onto the propeller. | 0:11:07 | 0:11:10 | |
On a V-shaped boat the propellers would be deep down in the water | 0:11:11 | 0:11:15 | |
and you wouldn't get this problem. | 0:11:15 | 0:11:17 | |
But you can't have them there on a landing craft, | 0:11:17 | 0:11:19 | |
they'll snag on the beach. | 0:11:19 | 0:11:21 | |
It's a catch 22 and it's one the boat designers | 0:11:22 | 0:11:25 | |
of World War Two were going to have to solve fast, | 0:11:25 | 0:11:28 | |
to have any chance of coming up with a successful landing craft. | 0:11:28 | 0:11:32 | |
Somehow those guys had to find a way of feeding water onto that propeller | 0:11:33 | 0:11:36 | |
without putting the propeller so low down | 0:11:36 | 0:11:39 | |
that it was going to graunch itself onto the beach | 0:11:39 | 0:11:41 | |
as they were driving in. | 0:11:41 | 0:11:43 | |
It's clear to me now that what they needed | 0:11:47 | 0:11:49 | |
was to combine the best of the stability and load-carrying box design | 0:11:49 | 0:11:53 | |
with the sea-keeping qualities of the V-shaped hull. | 0:11:53 | 0:11:56 | |
MUSIC: THEME FROM THE GREAT ESCAPE | 0:11:56 | 0:11:59 | |
By 1939, Britain's designers had already been developing a boat | 0:12:17 | 0:12:21 | |
called the LCA that combined these features. | 0:12:21 | 0:12:24 | |
It did the job, but it had some serious drawbacks. | 0:12:25 | 0:12:29 | |
With only 130hp under the bonnet, it wasn't notably fast or powerful. | 0:12:29 | 0:12:34 | |
And with a narrow door at the front | 0:12:34 | 0:12:37 | |
she could only carry men, not machines. | 0:12:37 | 0:12:40 | |
And with our shipyards under constant German aerial attack, | 0:12:40 | 0:12:44 | |
Britain would never be able to build enough of them | 0:12:44 | 0:12:47 | |
to equip a massive invasion force either. | 0:12:47 | 0:12:49 | |
Luckily our biggest ally, America, faced no such problems | 0:12:51 | 0:12:55 | |
when it came to building their own design of landing craft - the LCVP. | 0:12:55 | 0:13:00 | |
Jerry Stratham has written | 0:13:02 | 0:13:03 | |
the definitive history of the American landing craft | 0:13:03 | 0:13:06 | |
and its maverick designer, Andrew Jackson Higgins. | 0:13:06 | 0:13:10 | |
Higgins was not your normal industrialist. | 0:13:10 | 0:13:13 | |
He was hot tempered, | 0:13:13 | 0:13:15 | |
he was brilliant. | 0:13:15 | 0:13:17 | |
He had the ability to take wild ideas and turn them into reality. | 0:13:17 | 0:13:21 | |
He worked hard, he drank hard, he swore hard, | 0:13:21 | 0:13:24 | |
he grew up on the docks in the timber industry. | 0:13:24 | 0:13:28 | |
So he was like the kind of guys | 0:13:28 | 0:13:29 | |
that he had working for him in the shipyard. | 0:13:29 | 0:13:32 | |
But he was also educated and articulate enough | 0:13:32 | 0:13:34 | |
so he could go to Washington | 0:13:34 | 0:13:36 | |
and have conversations with President Roosevelt | 0:13:36 | 0:13:38 | |
or with generals and admirals. | 0:13:38 | 0:13:40 | |
Higgins was the right man for the job, | 0:13:41 | 0:13:43 | |
but he also happened to have the right boat, | 0:13:43 | 0:13:45 | |
which he'd designed himself to haul timber | 0:13:45 | 0:13:48 | |
in the shallow swamps around New Orleans. | 0:13:48 | 0:13:51 | |
In order to get the timber out, | 0:13:51 | 0:13:53 | |
Higgins built a boat he called the Eureka, | 0:13:53 | 0:13:55 | |
which was a shallow draft boat. | 0:13:55 | 0:13:57 | |
This was one of the original Higgins Eureka work boats. | 0:13:57 | 0:14:00 | |
And it could go over sand bars, | 0:14:00 | 0:14:01 | |
it could pull up on the side of a bayou, | 0:14:01 | 0:14:04 | |
it could pull in, turn around, pull back out again over the sandbars | 0:14:04 | 0:14:07 | |
and leave the same position. | 0:14:07 | 0:14:08 | |
The same qualities that later would be needed in a landing craft. | 0:14:08 | 0:14:11 | |
As its name suggests, the Eureka boat was a huge breakthrough. | 0:14:13 | 0:14:17 | |
By shaping a shallow, but immensely strong keel | 0:14:17 | 0:14:20 | |
to the boat's flat bottom, | 0:14:20 | 0:14:21 | |
the Eureka managed to combine | 0:14:21 | 0:14:23 | |
the seakeeping qualities of a traditional boat, | 0:14:23 | 0:14:26 | |
while still being able to take the ground like a flat-bottomed craft. | 0:14:26 | 0:14:31 | |
And by placing the boat's propeller into a tube inside the keel, | 0:14:31 | 0:14:35 | |
Higgins also managed to crack the tricky problem of cavitation. | 0:14:35 | 0:14:40 | |
The Eureka could operate at full power in only a few inches of water. | 0:14:40 | 0:14:44 | |
Higgins knew his design was the answer. | 0:14:47 | 0:14:49 | |
There was only one issue - | 0:14:49 | 0:14:51 | |
the age-old problem of getting the men off the boat and onto the beach. | 0:14:51 | 0:14:56 | |
Undeterred, Higgins set about redesigning his whole structure | 0:14:56 | 0:15:00 | |
to turn the entire bow section into a ramp. | 0:15:00 | 0:15:03 | |
Now the boat could unload its troops in seconds | 0:15:03 | 0:15:07 | |
and carry jeeps and guns too. | 0:15:07 | 0:15:09 | |
With this problem solved, the LCVP was born | 0:15:09 | 0:15:13 | |
and the orders started flooding in. | 0:15:13 | 0:15:16 | |
All Higgins had to do was work out how to build the LCVPs fast enough. | 0:15:17 | 0:15:21 | |
Up till now boat building had always been done one vessel at a time. | 0:15:23 | 0:15:27 | |
But Higgins had a better idea. | 0:15:27 | 0:15:30 | |
Taking his cue from Henry Ford, | 0:15:30 | 0:15:32 | |
he decided to build on four construction lines. | 0:15:32 | 0:15:36 | |
This meant his factory could turn out over 100 boats a week! | 0:15:36 | 0:15:40 | |
Higgins went from 50 employees in 1937 to 20,000 by 1943. | 0:15:43 | 0:15:48 | |
He was the design and production genius. | 0:15:48 | 0:15:51 | |
War, you didn't worry about the cost and he didn't, | 0:15:51 | 0:15:54 | |
he was worrying about the product. | 0:15:54 | 0:15:56 | |
He wanted to make sure that the soldiers hitting the beaches | 0:15:56 | 0:15:58 | |
had the best available boat that they could possibly have. | 0:15:58 | 0:16:02 | |
This is from the inside of one of his plants | 0:16:02 | 0:16:04 | |
showing the landing craft being produced. | 0:16:04 | 0:16:06 | |
I don't believe this! | 0:16:06 | 0:16:07 | |
This is four across. | 0:16:07 | 0:16:09 | |
It's called a bay, a production bay. | 0:16:09 | 0:16:11 | |
And they would move on a moveable assembly line. | 0:16:11 | 0:16:14 | |
It's like a car. | 0:16:14 | 0:16:16 | |
-Like a little tiny motor car. -Absolutely. | 0:16:16 | 0:16:19 | |
And once they got to the end of the bay, at the end of the plant, | 0:16:19 | 0:16:22 | |
they would be loaded on railroad cars and taken away. | 0:16:22 | 0:16:24 | |
-He was mass producing them just like you'd produce an automobile. -Wow! | 0:16:24 | 0:16:28 | |
Actually I rather like this picture because you can see | 0:16:28 | 0:16:31 | |
exactly the shape of the hull here and how it is working. | 0:16:31 | 0:16:33 | |
You can see it's almost a three-point landing, isn't it? | 0:16:33 | 0:16:36 | |
And you can see how each individual has a specific task | 0:16:36 | 0:16:39 | |
that they have to do as the boat moves along. | 0:16:39 | 0:16:41 | |
Higgins also covered the factory with slogans | 0:16:43 | 0:16:46 | |
to encourage the workers. | 0:16:46 | 0:16:48 | |
The message - "The guy who relaxes is helping the Axis" | 0:16:48 | 0:16:51 | |
hanging in the main production hall. | 0:16:51 | 0:16:54 | |
With the boss's production genius and forceful personality, | 0:16:56 | 0:16:59 | |
Higgins Industries turned out over 20,000 LCVPs. | 0:16:59 | 0:17:04 | |
But today there are less than five still functioning | 0:17:04 | 0:17:07 | |
and only one in the UK. | 0:17:07 | 0:17:09 | |
She's here, 100 miles from the sea in Nottingham. | 0:17:12 | 0:17:16 | |
Boat builder Nick Gates is one of the few men | 0:17:18 | 0:17:21 | |
who actually knows how to handle an original LCVP | 0:17:21 | 0:17:25 | |
and I'm keen to hear his thoughts on this strangest of craft. | 0:17:25 | 0:17:28 | |
Well, here it is. | 0:17:31 | 0:17:32 | |
Yep, here it is, an LCVP. | 0:17:32 | 0:17:35 | |
Yeah, it's a funny thing, you know. | 0:17:35 | 0:17:38 | |
I know it does the job, but it just, it does offend my eye as a seamen. | 0:17:38 | 0:17:43 | |
Well, you're right. It's not pretty. | 0:17:43 | 0:17:44 | |
It's not pretty, but it's a fantastic piece of kit. | 0:17:44 | 0:17:47 | |
My first impressions are of the box-like nature of the craft. | 0:17:47 | 0:17:52 | |
But that was how it had to be. | 0:17:52 | 0:17:54 | |
It was designed to carry 36 troops or small fighting vehicles | 0:17:54 | 0:17:58 | |
and for the D-Day landings these boats were packed to the gills. | 0:17:58 | 0:18:02 | |
It still looks very square in the water, just like the skip we tested, | 0:18:03 | 0:18:07 | |
but Nick assures me there's a lot more subtlety to the design. | 0:18:07 | 0:18:11 | |
Although you think it's just a basic box, | 0:18:12 | 0:18:14 | |
a basic box is actually a very hard shape to keep strong. | 0:18:14 | 0:18:17 | |
If you imagine an empty shoe box, you take the lid off, it's quite floppy. | 0:18:17 | 0:18:21 | |
If you cut the end out, it's even worse. | 0:18:21 | 0:18:23 | |
So this is actually very clever. | 0:18:23 | 0:18:24 | |
There's a lot of reinforcing in the corners, | 0:18:24 | 0:18:27 | |
on the deck and below the hull. | 0:18:27 | 0:18:29 | |
It's actually a very hard shape to keep stiff. | 0:18:29 | 0:18:32 | |
It does look like an ugly box, | 0:18:32 | 0:18:33 | |
-but actually it's a very, very fine piece of marine design. -Yeah. | 0:18:33 | 0:18:37 | |
Nick's clearly a fan. | 0:18:38 | 0:18:40 | |
But what about the men who actually had to drive these boats back on D-Day? | 0:18:40 | 0:18:45 | |
Roy Nelson was 19 when he skippered an LCVP during the Normandy landings | 0:18:45 | 0:18:50 | |
and I've invited him back to drive this LCVP today. | 0:18:50 | 0:18:54 | |
This must bring back some memories for you, Roy? | 0:18:56 | 0:18:58 | |
Oh, you can say that again. It's... | 0:18:58 | 0:19:01 | |
I've got mixed emotions. | 0:19:04 | 0:19:06 | |
-I'm excited, apprehensive... -Yeah. | 0:19:06 | 0:19:10 | |
And of course - nostalgia. | 0:19:10 | 0:19:13 | |
How long's it been since you were on one of these boats? | 0:19:13 | 0:19:16 | |
I've not actually been on one of these LCVPs for 65 years. | 0:19:16 | 0:19:22 | |
The end of 1944. | 0:19:22 | 0:19:25 | |
So it's a long time. | 0:19:25 | 0:19:27 | |
-And I think of the chaps who aren't around any more. -Yeah. | 0:19:27 | 0:19:33 | |
On June 6th 1944, | 0:19:38 | 0:19:41 | |
175,000 troops set out across the Channel to recapture Europe, | 0:19:41 | 0:19:46 | |
with 1,500 of Higgins' boats in the front line. | 0:19:46 | 0:19:49 | |
Obviously, we knew we were training to land on some beaches somewhere. | 0:19:53 | 0:19:57 | |
Presumably France. | 0:19:57 | 0:20:00 | |
But we didn't know where. | 0:20:00 | 0:20:02 | |
We didn't know up until nearly the time. | 0:20:02 | 0:20:05 | |
When we finally did set sail, | 0:20:09 | 0:20:12 | |
it was amazing. | 0:20:12 | 0:20:16 | |
I'd never seen anything like it before or since. | 0:20:16 | 0:20:19 | |
The vast armada of all types of shipping. | 0:20:19 | 0:20:25 | |
All shapes and sizes. | 0:20:25 | 0:20:27 | |
All going across the Channel. | 0:20:27 | 0:20:29 | |
Ships as far as the eye could see. | 0:20:32 | 0:20:35 | |
-You'd think, "Well, this is big. This is it". -My word! | 0:20:35 | 0:20:40 | |
You are finally... | 0:20:40 | 0:20:41 | |
When you're actually on the way, you realise this is it. | 0:20:41 | 0:20:44 | |
-It was a mixture of excitement and apprehension. -Of course. | 0:20:48 | 0:20:53 | |
"What's going to happen?" etc. | 0:20:53 | 0:20:56 | |
But generally, it was accepted. | 0:20:56 | 0:21:00 | |
You knew you were trained for a job | 0:21:00 | 0:21:02 | |
and this was the job and you were going to do it. | 0:21:02 | 0:21:05 | |
Now, after all those years of development, | 0:21:13 | 0:21:16 | |
the LCVP was facing the ultimate test of its ability. | 0:21:16 | 0:21:20 | |
And today we're going to discover for ourselves | 0:21:31 | 0:21:34 | |
how this boat really handles. | 0:21:34 | 0:21:37 | |
As soon as we pull away | 0:21:46 | 0:21:47 | |
and the throaty Detroit two-stroke diesel starts to roar, | 0:21:47 | 0:21:50 | |
all of my preconceptions about this vessel are blown away. | 0:21:50 | 0:21:54 | |
She's got effortless power from her 250hp engine | 0:21:56 | 0:21:59 | |
and in a unique way, she's graceful too. | 0:21:59 | 0:22:02 | |
A testimony to Mr Higgins and his revolutionary hull. | 0:22:02 | 0:22:06 | |
And so simple to drive with a steering wheel | 0:22:09 | 0:22:11 | |
that can be operated with one hand | 0:22:11 | 0:22:13 | |
while you control the gearshift and throttle with the other. | 0:22:13 | 0:22:17 | |
The driver can perform complex manoeuvres | 0:22:17 | 0:22:19 | |
with speed and confidence. | 0:22:19 | 0:22:22 | |
This boat really is a truly wonderful vessel. | 0:22:27 | 0:22:31 | |
There is so much racket from that diesel back there | 0:22:44 | 0:22:47 | |
that I've had to come forward to talk. | 0:22:47 | 0:22:49 | |
But the amazing thing about this boat | 0:22:49 | 0:22:51 | |
is that she really does manoeuvre | 0:22:51 | 0:22:53 | |
and I'm astonished at the acceleration. | 0:22:53 | 0:22:55 | |
There's a lot of power there. | 0:22:55 | 0:22:56 | |
You could take a lot of men in here, vehicles, push them up the beach. | 0:22:56 | 0:23:01 | |
I can see how it's going to happen now and what really does impress me, | 0:23:01 | 0:23:05 | |
is the way Nick was able to spin the boat round, in the river. | 0:23:05 | 0:23:09 | |
Higgins had taken his Eureka boat | 0:23:18 | 0:23:21 | |
and transformed it into a perfect amphibious landing craft. | 0:23:21 | 0:23:24 | |
From humble beginnings, | 0:23:28 | 0:23:29 | |
the Allies now had a boat they could absolutely trust | 0:23:29 | 0:23:32 | |
to do the job it was specifically designed to do. | 0:23:32 | 0:23:35 | |
Now I'm keen to see for myself | 0:23:38 | 0:23:41 | |
just how this boat delivers in the ultimate test. | 0:23:41 | 0:23:44 | |
Leaving the safety of deep water and running up the shore. | 0:23:45 | 0:23:49 | |
Well, the boat's impeccable. | 0:23:57 | 0:24:00 | |
A masterpiece of design. | 0:24:00 | 0:24:03 | |
But this isn't the sort of shore she was built to come up. | 0:24:03 | 0:24:06 | |
She was designed for sterner stuff, | 0:24:06 | 0:24:09 | |
the beaches of Normandy under heavy fire, driven by men like Roy. | 0:24:09 | 0:24:15 | |
65 years on, Roy is clearly enjoying being back on an LCVP. | 0:24:16 | 0:24:21 | |
But on the eve of D-Day, | 0:24:21 | 0:24:23 | |
the emotions he and the other soldiers were feeling | 0:24:23 | 0:24:26 | |
would have been very different. | 0:24:26 | 0:24:28 | |
Now the landing craft were on their way. | 0:24:30 | 0:24:33 | |
The weather forecast for the day was good, a force three westerly, | 0:24:34 | 0:24:39 | |
but of course as so often happens | 0:24:39 | 0:24:42 | |
that wasn't what was served up. | 0:24:42 | 0:24:44 | |
Instead, it blew a lot harder | 0:24:44 | 0:24:47 | |
and as the LCVPs came into shore | 0:24:47 | 0:24:49 | |
they had 5ft slammers coming in right under their bows. | 0:24:49 | 0:24:54 | |
Horrible conditions that would test any boat, | 0:24:54 | 0:24:57 | |
let alone one charged with putting men ashore | 0:24:57 | 0:25:00 | |
onto a beach under a hail of lead. | 0:25:00 | 0:25:02 | |
Right here on this beach | 0:25:12 | 0:25:14 | |
is where the Allies were finally going to find out the truth | 0:25:14 | 0:25:17 | |
about the Higgins landing craft. | 0:25:17 | 0:25:19 | |
Was it going to work under fire? | 0:25:19 | 0:25:21 | |
The official record of that day states - | 0:25:23 | 0:25:26 | |
"Within ten minutes of the ramps being lowered, | 0:25:26 | 0:25:29 | |
"the leading companies had become almost incapable of action". | 0:25:29 | 0:25:33 | |
"Every officer and sergeant killed or wounded". | 0:25:33 | 0:25:36 | |
But in the face of such desperate adversity, | 0:25:40 | 0:25:43 | |
the LCVPs kept on pushing up the beaches | 0:25:43 | 0:25:47 | |
and gradually the men they brought ashore | 0:25:47 | 0:25:50 | |
overcame the German positions. | 0:25:50 | 0:25:52 | |
Looking out at this peaceful beach today, | 0:26:03 | 0:26:06 | |
it's hard to imagine thousands upon thousands | 0:26:06 | 0:26:09 | |
of these brave little landing craft | 0:26:09 | 0:26:12 | |
coming in from England over the horizon in the morning, | 0:26:12 | 0:26:16 | |
loaded up with what to the defenders | 0:26:16 | 0:26:18 | |
must have looked like a whole population of soldiers on board. | 0:26:18 | 0:26:21 | |
The boats did their job, my word they did. | 0:26:21 | 0:26:25 | |
And now it was up to the guys. | 0:26:25 | 0:26:28 | |
Almost 5,000 British, American and Canadian troops | 0:26:34 | 0:26:38 | |
lost their lives that day. | 0:26:38 | 0:26:40 | |
And the cemeteries of Normandy still bear witness | 0:26:40 | 0:26:44 | |
to the sacrifice they made on the windswept beaches below. | 0:26:44 | 0:26:48 | |
No war is without its losses. | 0:26:51 | 0:26:53 | |
But these brave men and the LCVPs that carried them | 0:26:53 | 0:26:57 | |
had launched the attack that would ultimately bring about | 0:26:57 | 0:27:00 | |
the defeat of Germany and the liberation of Europe. | 0:27:00 | 0:27:03 | |
And today, the LCVP is still going strong. | 0:27:10 | 0:27:14 | |
It's faster and better equipped with a 21st century design, | 0:27:14 | 0:27:18 | |
but it's still recognisably based on the boat | 0:27:18 | 0:27:21 | |
produced by Andrew Higgins all those years ago. | 0:27:21 | 0:27:24 | |
In fact, the LCVP is such an essential part of Britain's modern armed forces | 0:27:25 | 0:27:31 | |
that huge ships are now built | 0:27:31 | 0:27:33 | |
to launch them from anywhere in the world. | 0:27:33 | 0:27:35 | |
This is HMS Bulwark, | 0:27:37 | 0:27:38 | |
one of the Royal Navy's biggest and best equipped ships. | 0:27:38 | 0:27:43 | |
She's almost 600ft long and displaces over 20,000 tonnes. | 0:27:43 | 0:27:48 | |
But the real reason for her existence | 0:27:50 | 0:27:52 | |
is hidden deep inside her hull. | 0:27:52 | 0:27:54 | |
A huge dry dock that can be flooded at the touch of a button, | 0:27:56 | 0:27:59 | |
ready to launch an armada of LCVPs towards the shore. | 0:27:59 | 0:28:04 | |
65 years old and still going strong, | 0:28:12 | 0:28:14 | |
the basic LCVP design has never been bettered. | 0:28:14 | 0:28:18 | |
A boat perfectly designed for the job in hand. | 0:28:18 | 0:28:23 | |
A little ship that saved Britain in our hour of greatest need. | 0:28:23 | 0:28:27 | |
And you can't ask more of a boat than that! | 0:28:27 | 0:28:31 | |
Subtitles by Red Bee Media Ltd | 0:28:48 | 0:28:52 | |
E-mail [email protected] | 0:28:52 | 0:28:57 |