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NEIL OLIVER: In early 2015, an ancient burial site was unearthed | 0:00:05 | 0:00:09 | |
in Gloucestershire that dated back to the Roman occupation of Britain. | 0:00:09 | 0:00:13 | |
Nearly 150 bodies, both male and female, were discovered. | 0:00:17 | 0:00:21 | |
But what caused excitement was a name carved on a gravestone... | 0:00:25 | 0:00:29 | |
..Bodicacia. | 0:00:32 | 0:00:33 | |
Could this be the first reference found in archaeology | 0:00:35 | 0:00:39 | |
of our great British heroine, Boudicca? | 0:00:39 | 0:00:42 | |
Queen of the Iceni... | 0:00:44 | 0:00:46 | |
a Briton... | 0:00:46 | 0:00:48 | |
and a Celt. | 0:00:48 | 0:00:50 | |
-ALICE ROBERTS: -In Britain, we're never far from our Celtic past. | 0:00:57 | 0:01:01 | |
The Celts seem to belong to a shadowy, wilder, more primal time | 0:01:01 | 0:01:06 | |
than anything in more recent history. | 0:01:06 | 0:01:09 | |
But much about their origins, beliefs and ultimate fate | 0:01:11 | 0:01:16 | |
remains a mystery. | 0:01:16 | 0:01:17 | |
But a story etched in vivid colour | 0:01:21 | 0:01:25 | |
is how these powerful tribal people battled for survival | 0:01:25 | 0:01:30 | |
against their arch-enemy, the Roman Empire. | 0:01:30 | 0:01:35 | |
From the first Celtic raiding parties | 0:01:35 | 0:01:37 | |
that rampaged through ancient Italy | 0:01:37 | 0:01:40 | |
to Julius Caesar's campaign in Gaul | 0:01:40 | 0:01:43 | |
and the Celts' last stand under Britain's warrior queen Boudicca. | 0:01:43 | 0:01:48 | |
One of the greatest cultural conflicts | 0:01:48 | 0:01:51 | |
that still defines our world today | 0:01:51 | 0:01:54 | |
and reveals Europe's most enigmatic ancient people. | 0:01:54 | 0:01:57 | |
After centuries of conflict in Europe, the Celts were being crushed | 0:02:23 | 0:02:27 | |
under the modern might of the Roman Empire. | 0:02:27 | 0:02:30 | |
SHOUTING, SWORDS CLASH | 0:02:33 | 0:02:35 | |
In 52 BC, Caesar and his legions finally defeated Vercingetorix - | 0:02:36 | 0:02:42 | |
leader of the rebellion in Gaul. | 0:02:42 | 0:02:44 | |
Classical Rome was now at its peak, | 0:02:47 | 0:02:51 | |
shaping the world around its own image of civilisation | 0:02:51 | 0:02:55 | |
and laying down a Roman legacy. | 0:02:55 | 0:02:58 | |
But one place that Rome had not conquered was Britain. | 0:03:05 | 0:03:09 | |
And, in 43 AD, they launched a full-scale military invasion | 0:03:09 | 0:03:16 | |
and much of the south and east of the island | 0:03:16 | 0:03:18 | |
became a province of Rome. | 0:03:18 | 0:03:20 | |
Just 17 years later, in 60 AD, | 0:03:23 | 0:03:28 | |
the Britons rose up against their imperial rulers | 0:03:28 | 0:03:33 | |
in a wave of terror. | 0:03:33 | 0:03:36 | |
This is a story of the last stand of the Celts. | 0:03:36 | 0:03:39 | |
It's a tale of righteous rebellion. | 0:03:39 | 0:03:41 | |
But most of all, it's the story of a formidable warrior queen - | 0:03:47 | 0:03:51 | |
the first great British hero - | 0:03:51 | 0:03:55 | |
Boudicca. | 0:03:55 | 0:03:56 | |
In 54 BC, Caesar had staged a short-lived invasion of Britain | 0:04:04 | 0:04:09 | |
and seized lands in the South East. | 0:04:09 | 0:04:11 | |
He found a culture of extraordinary riches | 0:04:13 | 0:04:16 | |
and sophisticated technological skills. | 0:04:16 | 0:04:19 | |
And some of the most amazing artefacts from that period | 0:04:22 | 0:04:25 | |
can be found in the collections of the British Museum. | 0:04:25 | 0:04:28 | |
This wonderful treasure is just part of the Snettisham Hoard, | 0:04:37 | 0:04:41 | |
which was discovered in a ploughed field in Norfolk in the late 1940s. | 0:04:41 | 0:04:46 | |
And Norfolk was part of the territory of the Iceni tribe, | 0:04:46 | 0:04:50 | |
which were led later by Queen Boudicca. | 0:04:50 | 0:04:54 | |
These are torcs - ornate golden neck rings. | 0:04:56 | 0:05:01 | |
One of the marks of elite Celtic leaders and warriors | 0:05:01 | 0:05:04 | |
found throughout Europe. | 0:05:04 | 0:05:06 | |
They are a sign of a shared artistic style and culture. | 0:05:08 | 0:05:12 | |
This is the great Torc of Snettisham and it really is beautiful. | 0:05:14 | 0:05:19 | |
It's an amazing amount of gold to look at, | 0:05:19 | 0:05:22 | |
but also the craftsmanship that's gone into it is mind-blowing. | 0:05:22 | 0:05:28 | |
The neck ring itself is made out of eight ropes of gold, | 0:05:28 | 0:05:32 | |
each of those ropes of gold is | 0:05:32 | 0:05:34 | |
made of eight golden wires twisted together. | 0:05:34 | 0:05:38 | |
But it's the ends of it, these terminals, that really blow me away. | 0:05:38 | 0:05:43 | |
They are exquisite pieces of craftsmanship. | 0:05:43 | 0:05:46 | |
Whoever owned this torc, whoever commissioned it, | 0:05:47 | 0:05:51 | |
must have been somebody incredibly rich and powerful. | 0:05:51 | 0:05:54 | |
This was surely worn by Celtic royalty. | 0:05:54 | 0:05:57 | |
Producing work as complex and as detailed as this | 0:05:59 | 0:06:03 | |
would be a formidable challenge, | 0:06:03 | 0:06:06 | |
even for a modern goldsmith. | 0:06:06 | 0:06:07 | |
Nigel Meeks, one of the museum's metallurgists, has been using | 0:06:12 | 0:06:16 | |
an electron microscope to reveal the Iceni craftsmen's secrets. | 0:06:16 | 0:06:20 | |
Oh, here we go. | 0:06:22 | 0:06:23 | |
That's just extraordinary, it's amazing detail. | 0:06:29 | 0:06:32 | |
I thought this was fascinating, | 0:06:32 | 0:06:33 | |
because I wondered how this had been made. | 0:06:33 | 0:06:36 | |
Cos I looked at that and thought it was stamped, | 0:06:36 | 0:06:38 | |
but it doesn't look like that here. | 0:06:38 | 0:06:40 | |
It's not. It's very, very subtle. | 0:06:40 | 0:06:43 | |
If you look at the individual components here - | 0:06:43 | 0:06:45 | |
for example, these two here, and those there - | 0:06:45 | 0:06:48 | |
well, we can zoom in a little bit more. | 0:06:48 | 0:06:51 | |
You can see little grooves of some sort. | 0:06:51 | 0:06:53 | |
You chase the metal with a little hammer - tap, tap - | 0:06:53 | 0:06:55 | |
and that would give you the little ridges you see. | 0:06:55 | 0:06:58 | |
Every time it moves a little bit, it makes a little groove there. | 0:06:58 | 0:07:01 | |
I'm amazed at that, because this is absolutely minute. | 0:07:01 | 0:07:03 | |
-When you think that this is 3mm across here... -Yes. | 0:07:03 | 0:07:07 | |
..each one of these little gouges is, what, half a millimetre? | 0:07:07 | 0:07:11 | |
-Less than half a millimetre. -Yes, that's right. | 0:07:11 | 0:07:13 | |
-And you know that each of those ridges is somebody... -Yes. | 0:07:13 | 0:07:17 | |
-..hammering that tiny little chisel. -Yes, absolutely. | 0:07:17 | 0:07:19 | |
This is the magic of metalwork. | 0:07:19 | 0:07:22 | |
The great torc reveals Celtic craftsmanship at its peak, | 0:07:24 | 0:07:29 | |
but an even more surprising result comes from studying | 0:07:29 | 0:07:32 | |
the broken fragments of torcs also discovered in the hoard. | 0:07:32 | 0:07:36 | |
These exposed ends reveal that this torc is actually gold plated. | 0:07:39 | 0:07:44 | |
So it looks as though the darker areas are bronze - | 0:07:46 | 0:07:49 | |
the main metal this torc is made of - | 0:07:49 | 0:07:51 | |
-and then there's something light on the surface. -Right. | 0:07:51 | 0:07:54 | |
-So can we analyse that, then? -We can do that now. | 0:07:54 | 0:07:57 | |
-So if you'd like to scan an image on this computer, right. -Up it pops! | 0:07:57 | 0:08:02 | |
So we're getting peaks here, which correspond to different metals. | 0:08:02 | 0:08:06 | |
-And the really big peak is gold and mercury. -And mercury, you see? | 0:08:06 | 0:08:11 | |
The only way mercury and gold would be found together is | 0:08:12 | 0:08:16 | |
if they'd been deliberately mixed. | 0:08:16 | 0:08:18 | |
It's now believed this is an example | 0:08:20 | 0:08:22 | |
of a technique called mercury gilding. | 0:08:22 | 0:08:25 | |
Gold dissolves into liquid mercury, creating a paste | 0:08:27 | 0:08:30 | |
that can be spread over the surface of the bronze. | 0:08:30 | 0:08:33 | |
By applying heat, the mercury boils off, | 0:08:35 | 0:08:38 | |
leaving a thin veneer of gold coating the object. | 0:08:38 | 0:08:41 | |
But mercury ore is not found in Britain, | 0:08:47 | 0:08:50 | |
and it's believed to have come all the way from Spain. | 0:08:50 | 0:08:54 | |
As well as being extremely sophisticated craftsmen, | 0:08:54 | 0:08:57 | |
the Iceni, and many tribes like them, | 0:08:57 | 0:09:00 | |
had long enjoyed ancient trading links stretching along | 0:09:00 | 0:09:04 | |
the Atlantic coastlines of Europe and into the Mediterranean world. | 0:09:04 | 0:09:08 | |
So, when Rome invaded in 43 AD, | 0:09:10 | 0:09:14 | |
despite being challenged in the North and West | 0:09:14 | 0:09:17 | |
by the Brigantes, Ordivici and Siluri tribes, | 0:09:17 | 0:09:22 | |
in the South and East, | 0:09:22 | 0:09:23 | |
tribes like the Iceni and Trinovantes put up little defence. | 0:09:23 | 0:09:29 | |
Their leaders had long enjoyed luxuries of the Mediterranean world. | 0:09:29 | 0:09:33 | |
This is Colchester in Essex. | 0:09:37 | 0:09:39 | |
2,000 years ago, it was a Celtic stronghold - | 0:09:41 | 0:09:44 | |
the capital of the Trinovantes tribe - | 0:09:44 | 0:09:47 | |
who actually welcomed the Romans when they arrived. | 0:09:47 | 0:09:50 | |
In 43 AD, the Romans invaded and they marched through the South East | 0:09:53 | 0:09:56 | |
and then, just a few weeks after that initial invasion, | 0:09:56 | 0:10:00 | |
the Roman Emperor himself - Claudius - rode into Colchester | 0:10:00 | 0:10:04 | |
to receive the surrender of the local tribes, | 0:10:04 | 0:10:06 | |
on the back of an elephant, if you believe the folklore. | 0:10:06 | 0:10:09 | |
From now on, the Romans were in charge. | 0:10:09 | 0:10:11 | |
And they made this place their capital. | 0:10:11 | 0:10:14 | |
They called it Camulodunum - after Camulos, the God of War. | 0:10:14 | 0:10:18 | |
The Romans would turn Camulodunum into a showcase of imperial power. | 0:10:22 | 0:10:27 | |
Roman theatres and baths were built and, where the castle stands today, | 0:10:29 | 0:10:33 | |
there was a huge temple dedicated to the Emperor Claudius. | 0:10:33 | 0:10:36 | |
It was an advert for the exotic Mediterranean way of life | 0:10:39 | 0:10:43 | |
that would be on offer to local tribes, | 0:10:43 | 0:10:45 | |
if they submitted to Roman rule. | 0:10:45 | 0:10:48 | |
It showed the locals that, as long as they complied | 0:10:49 | 0:10:51 | |
with the Roman way of life, they would be allowed to prosper. | 0:10:51 | 0:10:54 | |
They would enjoy the privileges and luxuries of Roman citizens | 0:10:54 | 0:10:58 | |
as long as they submitted to certain economic demands from Rome - | 0:10:58 | 0:11:01 | |
taxes, duties, customs. | 0:11:01 | 0:11:04 | |
And, crucially, the Celtic tribal leaders | 0:11:04 | 0:11:07 | |
would become clients of Rome. | 0:11:07 | 0:11:09 | |
They would retain some control over their kingdoms as long as | 0:11:09 | 0:11:12 | |
they agreed to cede their territory to Rome when they died. | 0:11:12 | 0:11:16 | |
It was this sly land grab | 0:11:18 | 0:11:21 | |
that would trigger a sudden and unexpected uprising. | 0:11:21 | 0:11:25 | |
It's the story of Boudicca, a powerful woman | 0:11:27 | 0:11:30 | |
in a world dominated by emperors, kings and sword-wielding men. | 0:11:30 | 0:11:36 | |
Victory for Boudicca could have changed British history forever, | 0:11:42 | 0:11:47 | |
leading to a very different heritage of the land we inhabit today. | 0:11:47 | 0:11:52 | |
The red-headed, chariot-riding Celtic Queen - our image of Boudicca | 0:11:55 | 0:12:00 | |
is an indelible part of our cultural history. | 0:12:00 | 0:12:03 | |
But the story of Boudicca has grown much bigger | 0:12:05 | 0:12:08 | |
than the brief references to her in Roman histories. | 0:12:08 | 0:12:11 | |
Everything we know about Boudicca and her Celtic rebellion | 0:12:15 | 0:12:19 | |
comes from just a few pages of Roman writing. | 0:12:19 | 0:12:22 | |
This is the Annals of Tacitus, | 0:12:22 | 0:12:24 | |
which was written in the early part of the 2nd century AD. | 0:12:24 | 0:12:29 | |
And when Tacitus was writing, | 0:12:29 | 0:12:31 | |
this was about 50 years after the Celtic Rebellion. | 0:12:31 | 0:12:34 | |
He was writing about events that happened within his own lifetime | 0:12:34 | 0:12:39 | |
and the passages take us right to the heart of one | 0:12:39 | 0:12:41 | |
of the most dramatic showdowns in British and Roman history. | 0:12:41 | 0:12:46 | |
Boudicca herself strides on to the scene | 0:12:48 | 0:12:51 | |
following the death of her husband, the king of the Iceni, Prasutagus. | 0:12:51 | 0:12:56 | |
Deep within Tacitus's Annals, we read that, | 0:12:58 | 0:13:02 | |
"The King of the Iceni, Prasutagus, a man renowned for long opulence, | 0:13:02 | 0:13:07 | |
"had made Nero his heir with his two daughters." | 0:13:07 | 0:13:10 | |
According to Tacitus, Prasutagus was hedging his bets. | 0:13:14 | 0:13:18 | |
He had acknowledged his obligation to Rome | 0:13:19 | 0:13:22 | |
by leaving half his kingdom to the Emperor Nero. | 0:13:22 | 0:13:25 | |
But he was also keeping the rest of his lands | 0:13:25 | 0:13:28 | |
within the family that he bore with his wife, Queen Boudicca. | 0:13:28 | 0:13:31 | |
He was protecting the future of the Iceni. | 0:13:33 | 0:13:36 | |
But that's not how the Romans saw it. | 0:13:39 | 0:13:41 | |
As far as they were concerned, | 0:13:41 | 0:13:42 | |
their deal with Prasutagus as a client king of Rome | 0:13:42 | 0:13:46 | |
ended with his death. | 0:13:46 | 0:13:48 | |
His kingdom would not be inherited by his family. | 0:13:48 | 0:13:51 | |
But they hadn't reckoned on the power, influence | 0:13:53 | 0:13:56 | |
and vengefulness of a Celtic Queen. | 0:13:56 | 0:14:00 | |
The story of Boudicca is a compelling one, | 0:14:13 | 0:14:16 | |
and its partly because we just haven't heard about Celtic women | 0:14:16 | 0:14:19 | |
from the Roman historians before. | 0:14:19 | 0:14:21 | |
It's all been about the men, the warriors, fighting and drinking. | 0:14:21 | 0:14:26 | |
And then suddenly onto the stage | 0:14:26 | 0:14:28 | |
strides this incredible woman with flame red hair | 0:14:28 | 0:14:32 | |
prepared to take on the might of the Roman Empire. | 0:14:32 | 0:14:36 | |
Not just a Queen - but a true leader. | 0:14:36 | 0:14:39 | |
Archaeological discoveries have revealed that powerful women | 0:14:41 | 0:14:44 | |
have always played a part in Celtic society. | 0:14:44 | 0:14:47 | |
The evidence for that can be found over 600 miles south of Iceni lands, | 0:14:50 | 0:14:56 | |
near Stuttgart in Germany. | 0:14:56 | 0:14:57 | |
In 2005, archaeologists here started excavating the remains | 0:15:01 | 0:15:05 | |
of an Iron Age burial chamber. | 0:15:05 | 0:15:07 | |
To protect it from looters, the entire chamber | 0:15:09 | 0:15:12 | |
was later removed from the ground in a single 80-tonne block, | 0:15:12 | 0:15:16 | |
and driven to a specially-built laboratory, | 0:15:16 | 0:15:18 | |
where it could be excavated securely. | 0:15:18 | 0:15:20 | |
Within the mud, they discovered the remains of the grave's occupant. | 0:15:24 | 0:15:28 | |
Someone who lived 2,600 years ago. | 0:15:30 | 0:15:33 | |
-Hello, Nicole. -Hello Alice. | 0:15:38 | 0:15:39 | |
Dr Nicole Ebinger-Rist is the project director. | 0:15:39 | 0:15:44 | |
I can immediately spot some human remains anyway. | 0:15:44 | 0:15:48 | |
-So there's teeth and a skull there. -Yeah. | 0:15:48 | 0:15:51 | |
The teeth are better preserved than the bone, which is quite normal. | 0:15:51 | 0:15:55 | |
Although, even here, we can see that they've been worn down during life. | 0:15:55 | 0:15:59 | |
-That's right. -And you can see that the incisors there | 0:15:59 | 0:16:02 | |
have been worn at the tips and we've got the dentine exposed | 0:16:02 | 0:16:05 | |
in a line there and exposed on the surface of the molars, | 0:16:05 | 0:16:08 | |
so I would say that this is a young woman. | 0:16:08 | 0:16:10 | |
Does that fit with your assessment so far? | 0:16:10 | 0:16:13 | |
Yes, because we know she's around 30 years old so, so yeah. | 0:16:13 | 0:16:16 | |
-And we've got some bones of the arm just here. -Yeah, it's the right arm. | 0:16:17 | 0:16:21 | |
Pretty badly preserved, actually, isn't it? | 0:16:21 | 0:16:24 | |
The woman became known as the Bettelbuhl Princess. | 0:16:25 | 0:16:28 | |
Because, within the mud, | 0:16:31 | 0:16:32 | |
Nicole and the team found more than just human remains. | 0:16:32 | 0:16:36 | |
She was taken to her grave | 0:16:38 | 0:16:40 | |
with an extraordinary collection of Celtic jewellery. | 0:16:40 | 0:16:43 | |
-And it's gold 2,600 years old. -ALICE GASPS | 0:16:48 | 0:16:52 | |
Look at that! Beautiful! So she had a pair of these... | 0:16:52 | 0:16:56 | |
-Yeah. Here is the second one. -..beautiful brooches, these fibulae? | 0:16:56 | 0:16:59 | |
Laying on her shoulders, one on the right side, | 0:16:59 | 0:17:01 | |
and the other one on the left side. | 0:17:01 | 0:17:03 | |
Now these are my favourites. | 0:17:03 | 0:17:05 | |
Beads. | 0:17:05 | 0:17:07 | |
Gosh, it's incredibly fine work, isn't it? | 0:17:09 | 0:17:13 | |
Amazing to think they're doing this with no lenses either. | 0:17:13 | 0:17:16 | |
-They haven't got magnifying glasses or anything. -That's the point. | 0:17:16 | 0:17:19 | |
Presumably, this means she was an incredibly important person. | 0:17:19 | 0:17:22 | |
-Absolutely. -An extremely high status woman. | 0:17:22 | 0:17:24 | |
650 years before Boudicca, | 0:17:26 | 0:17:30 | |
this burial reveals not a Celtic warrior, | 0:17:30 | 0:17:33 | |
but a woman of power. | 0:17:33 | 0:17:34 | |
We just tend to think of Celtic chieftains or, you know, kings. | 0:17:39 | 0:17:43 | |
And here we're seeing there were very important Celtic women. | 0:17:43 | 0:17:46 | |
-Queens or princesses. -Yeah, yeah. -Whatever you want to call them. | 0:17:46 | 0:17:49 | |
According to Tacitus, Rome was dismissive of the will | 0:17:55 | 0:17:59 | |
of the dead king Prasutagus and the respect due a grieving Queen. | 0:17:59 | 0:18:03 | |
They ordered their soldiers | 0:18:07 | 0:18:08 | |
to take immediate control of the entire Iceni kingdom. | 0:18:08 | 0:18:11 | |
IT THUDS ON THE FLOOR | 0:18:23 | 0:18:25 | |
When Boudicca objected, | 0:18:28 | 0:18:30 | |
the Romans were quick to show THEY were in charge. | 0:18:30 | 0:18:33 | |
SHOUTING | 0:18:37 | 0:18:39 | |
Boudicca was publicly flogged. | 0:19:01 | 0:19:03 | |
And her daughters were raped. | 0:19:05 | 0:19:08 | |
A dispute over inheritance | 0:19:13 | 0:19:14 | |
had developed into a demonstration of imperial power, | 0:19:14 | 0:19:19 | |
through an act of brutal humiliation. | 0:19:19 | 0:19:22 | |
Boudicca became determined to extract revenge - | 0:19:28 | 0:19:32 | |
for her family, her tribe and the entire Celtic world. | 0:19:32 | 0:19:38 | |
For years, she'd enjoyed the trappings of a Roman lifestyle. | 0:19:40 | 0:19:43 | |
But she was a Briton... | 0:19:46 | 0:19:47 | |
..a Queen... | 0:19:49 | 0:19:50 | |
and a Celt. | 0:19:50 | 0:19:51 | |
To restore Iceni pride and reclaim its ancestral lands, | 0:19:58 | 0:20:02 | |
a Celtic rebel army would have to take on | 0:20:02 | 0:20:06 | |
the most powerful military force on the planet. | 0:20:06 | 0:20:09 | |
Our history rested on a knife-edge, as Britain faced the possibility | 0:20:13 | 0:20:18 | |
of a very different, very Celtic future. | 0:20:18 | 0:20:21 | |
Beneath a veneer of Romanisation, | 0:20:39 | 0:20:42 | |
the beating heart of England remained Celtic. | 0:20:42 | 0:20:44 | |
And the unique military skills and technology of the Britons | 0:20:46 | 0:20:49 | |
were even the envy of Rome's greatest general. | 0:20:49 | 0:20:52 | |
When Julius Caesar arrived on these shores in 55 BC, | 0:20:54 | 0:20:58 | |
he was confronted with a type of fighting that he hadn't encountered | 0:20:58 | 0:21:02 | |
in any of his battles on the Continent. | 0:21:02 | 0:21:04 | |
The British had devised a new form of mobile warfare. | 0:21:04 | 0:21:08 | |
What an amazing sight. This is wonderful. | 0:21:24 | 0:21:27 | |
I'd like to think that, just over 2,000 years ago, | 0:21:27 | 0:21:30 | |
there were Iron Age people doing the same thing, | 0:21:30 | 0:21:32 | |
practising with their chariots on this beach. | 0:21:32 | 0:21:34 | |
According to Caesar, the Britons had thousands of two wheeled-chariots, | 0:21:36 | 0:21:41 | |
each equipped with a driver and a heavily-armed warrior. | 0:21:41 | 0:21:45 | |
The speed and versatility of these machines was enough | 0:21:49 | 0:21:52 | |
to send fear and panic through the ranks of their enemy. | 0:21:52 | 0:21:55 | |
This replica has been faithfully built for us, | 0:21:58 | 0:22:00 | |
based on images of war chariots | 0:22:00 | 0:22:03 | |
and using materials we know could've been used at the time. | 0:22:03 | 0:22:06 | |
Riding in it is Mike Loades, an expert on ancient warfare. | 0:22:08 | 0:22:12 | |
Caesar tells us that the first thing that happened is the warriors | 0:22:14 | 0:22:17 | |
would bring their chariots across the Roman front line | 0:22:17 | 0:22:21 | |
and hurl their javelins at them. | 0:22:21 | 0:22:24 | |
And you see, if we were galloping along, | 0:22:24 | 0:22:26 | |
I'd really need to brace myself, because I'm hands free. | 0:22:26 | 0:22:29 | |
These look like a random shape. | 0:22:29 | 0:22:31 | |
But my knee fits in here and, on the opposite side of the chariot, | 0:22:32 | 0:22:36 | |
my foot is against that strut, | 0:22:36 | 0:22:38 | |
so I'm really wedged in here in quite a stable way. | 0:22:38 | 0:22:42 | |
This is the great thing about experimental archaeology | 0:22:42 | 0:22:44 | |
is that, as soon as you put it together and you jump on it... | 0:22:44 | 0:22:47 | |
-It informs you of how it was used. -..and use it. -Absolutely. -Yeah. | 0:22:47 | 0:22:50 | |
So was this the main function of the chariot? They're throwing spears | 0:22:50 | 0:22:53 | |
-from the chariot - that's their base? -That's their first stage. | 0:22:53 | 0:22:56 | |
That is their gesture, that's their war dance. | 0:22:56 | 0:23:00 | |
Then what happens is the chariots come back, | 0:23:00 | 0:23:03 | |
and then they take the warrior in | 0:23:03 | 0:23:06 | |
-and the warrior dismounts for hand-to-hand fighting... -Yeah. | 0:23:06 | 0:23:10 | |
..and that is draining. | 0:23:10 | 0:23:12 | |
You can't do that for more than a few minutes. | 0:23:12 | 0:23:15 | |
Then the charioteers would come in | 0:23:15 | 0:23:17 | |
and you'd hop in like a number 37 bus and away you go | 0:23:17 | 0:23:21 | |
to get a breather and somebody else comes in and takes over the work. | 0:23:21 | 0:23:24 | |
It shows us that the Celts really understood troop rotation. | 0:23:24 | 0:23:28 | |
It shows us how sophisticated they were as a military organisation. | 0:23:28 | 0:23:33 | |
I really want a go. Can I have a go? | 0:23:34 | 0:23:37 | |
-THEY LAUGH -You can. You can. | 0:23:37 | 0:23:39 | |
I think you'd better put that on. | 0:23:39 | 0:23:41 | |
Oh, you can't help but think of Boudicca | 0:23:57 | 0:23:59 | |
when you're on a chariot like this. It's fantastic! | 0:23:59 | 0:24:02 | |
Riding into battle against the Romans! | 0:24:03 | 0:24:06 | |
The creak of the harness, the ringing of the bronze. | 0:24:07 | 0:24:12 | |
This was the sound of the Celts going to war. | 0:24:12 | 0:24:15 | |
CHEERING | 0:24:20 | 0:24:22 | |
Caesar's account of his early invasion into Britannia | 0:24:30 | 0:24:34 | |
makes specific note of the use of chariots. | 0:24:34 | 0:24:36 | |
But the Britons were also famed for another deadly battle tool. | 0:24:37 | 0:24:42 | |
Celtic long swords and their scabbards, | 0:24:44 | 0:24:47 | |
patterned with intricate symbolic designs, | 0:24:47 | 0:24:49 | |
were the prized possessions of elite warriors. | 0:24:49 | 0:24:52 | |
And in the hands of an expert, this is a fearsome weapon. | 0:24:54 | 0:24:59 | |
Andy Deane from the Royal Armouries has been practising for decades. | 0:25:07 | 0:25:12 | |
That does look like a great deal of hard work. | 0:25:19 | 0:25:22 | |
It is, yeah. It takes a lot of practice and it strains on the arm | 0:25:22 | 0:25:26 | |
a little bit with all the weight in the blade there. | 0:25:26 | 0:25:29 | |
-It's always trying to escape your grip. -Is it heavy anyway? -Yeah. | 0:25:29 | 0:25:32 | |
Have a hold. I mean, three, three and a bit pounds, | 0:25:32 | 0:25:34 | |
but a lot of that weight is at this end. | 0:25:34 | 0:25:36 | |
-There's no counterbalance with these early swords. -Right. | 0:25:36 | 0:25:39 | |
So that's why it's wonderful to have these small grips. | 0:25:39 | 0:25:42 | |
I think we've both got Celtic marvellous small hands... | 0:25:42 | 0:25:44 | |
-NEIL LAUGHS -..and so it sits in there nicely. | 0:25:44 | 0:25:47 | |
In practised hands, then, what kind of damage does this do? | 0:25:47 | 0:25:51 | |
-I mean... -And I will hand it to you! LAUGHTER | 0:25:51 | 0:25:54 | |
Well, I mean, this is a good facsimile - | 0:25:54 | 0:25:56 | |
a pig carcass is very similar to an adult human being. | 0:25:56 | 0:25:59 | |
Now, this sword may well be able to slice through the whole carcass, | 0:25:59 | 0:26:04 | |
if you start with the spine and come through. | 0:26:04 | 0:26:06 | |
But you've still got that thrust | 0:26:06 | 0:26:07 | |
that would come through and out the other side fairly, fairly easily. | 0:26:07 | 0:26:11 | |
-And that's all she wrote. -I mean, that wasn't any effort at all. | 0:26:11 | 0:26:14 | |
And, of course if, with the cut, I come down at an angle, | 0:26:14 | 0:26:17 | |
the sword drawing through as it leaves. So it's not like a.... | 0:26:17 | 0:26:22 | |
-It's not an axe chopping. -No, not at all. -It's slicing. -Yeah. | 0:26:22 | 0:26:25 | |
You don't use it like a rounder's bat. | 0:26:25 | 0:26:27 | |
You use it in a sort of drawing motion. | 0:26:27 | 0:26:30 | |
Goodnight, Vienna. | 0:26:43 | 0:26:45 | |
The end. | 0:26:45 | 0:26:46 | |
-Wow. -It is horrific. -That is awful. Minus the blood as well! | 0:26:46 | 0:26:49 | |
-You've got to keep telling yourself that's minus the blood. -Yeah, yeah! | 0:26:49 | 0:26:52 | |
You think of the impact on friends and colleagues of someone who's been | 0:26:52 | 0:26:56 | |
-wounded in that way and would be... -And agonising as well. -Yeah. | 0:26:56 | 0:27:00 | |
-And you've known him all your life and he's just been cut down. -Yes. | 0:27:00 | 0:27:04 | |
So yeah, the psychological effect of a sword slice through meat | 0:27:04 | 0:27:08 | |
-and bone like that, as well as the physical pain and upset. -Yeah. | 0:27:08 | 0:27:12 | |
-For the one man you knock down, you terrify ten either side. -Yeah. | 0:27:12 | 0:27:16 | |
We learn from Tacitus that in 60 AD | 0:27:20 | 0:27:23 | |
the Iceni uprising was quickly gaining momentum. | 0:27:23 | 0:27:28 | |
Mustering 100,000 warriors, | 0:27:28 | 0:27:30 | |
Boudicca headed south to Camulodunum, | 0:27:30 | 0:27:34 | |
the peaceful and prosperous capital of Roman Britain. | 0:27:34 | 0:27:38 | |
A potent symbol of enemy occupation. | 0:27:38 | 0:27:41 | |
The rebel numbers were swelled by members of the Trinovantes tribe, | 0:27:44 | 0:27:48 | |
Rome's old allies, who were inspired by the resistance movement | 0:27:48 | 0:27:53 | |
to retake their Celtic city. | 0:27:53 | 0:27:56 | |
Boudicca waited until nightfall before attacking. | 0:28:02 | 0:28:06 | |
THUNDER RUMBLES, RAIN PATTERS | 0:28:06 | 0:28:09 | |
Showing no mercy, | 0:28:14 | 0:28:15 | |
the Celts slaughtered the Roman inhabitants and laid it to waste. | 0:28:15 | 0:28:19 | |
Now, 2,000 years later, | 0:28:53 | 0:28:56 | |
archaeology is revealing the true extent of that attack, | 0:28:56 | 0:29:01 | |
and the widespread destruction as Camulodunum was razed to the ground. | 0:29:01 | 0:29:06 | |
One set of recent finds is being conserved by Emma Hogarth. | 0:29:08 | 0:29:12 | |
What exactly are we dealing with here? | 0:29:14 | 0:29:17 | |
What we've got here is an assemblage of jewellery and coins. | 0:29:17 | 0:29:21 | |
First of all, and most obviously, we have a pair of matching armlets. | 0:29:21 | 0:29:27 | |
-Fantastic. -Stylistically, they are Roman. | 0:29:27 | 0:29:31 | |
We're very lucky to actually have this small surviving earring. | 0:29:31 | 0:29:36 | |
One of a pair with pearls on. | 0:29:36 | 0:29:38 | |
You say jewellery. Is it all for a woman? | 0:29:38 | 0:29:41 | |
No. We have gold jewellery and then there is the silver jewellery. | 0:29:41 | 0:29:44 | |
And the silver jewellery, which consists of two matching armlets | 0:29:44 | 0:29:47 | |
and this larger armlet and medallion, | 0:29:47 | 0:29:50 | |
are the sort associated with the Roman military. | 0:29:50 | 0:29:53 | |
This one has got a sort of hunt scene of panthers and a chase. | 0:29:53 | 0:29:57 | |
And then with a central medallion, showing Roman gods. | 0:29:57 | 0:30:00 | |
The panther motif on it sort of suggests an award for valour. | 0:30:00 | 0:30:05 | |
So are we talking about a soldier, or a fighting man? | 0:30:05 | 0:30:07 | |
At the time of the Boudiccan revolt, | 0:30:07 | 0:30:10 | |
Colchester had become a town where Roman legionaries retired to, | 0:30:10 | 0:30:15 | |
so the population was Roman legionaries and their wives | 0:30:15 | 0:30:19 | |
who were hopefully wanting to enjoy a slightly quieter retirement | 0:30:19 | 0:30:22 | |
after their military service. | 0:30:22 | 0:30:24 | |
So it's veterans rather than active fighting men? | 0:30:24 | 0:30:27 | |
That's what we assume, yes. | 0:30:27 | 0:30:29 | |
So potentially this is a legionary and his wife. | 0:30:29 | 0:30:32 | |
This jewellery takes us back to a frightening reality. | 0:30:34 | 0:30:37 | |
It's a unique window into what happened in one house | 0:30:40 | 0:30:43 | |
to one Roman family almost 2,000 years ago. | 0:30:43 | 0:30:47 | |
It seems that the jewellery had been hidden | 0:30:51 | 0:30:53 | |
in a hastily dug hole in the kitchen. | 0:30:53 | 0:30:55 | |
From charred pottery and carbonised figs and dates, | 0:30:57 | 0:31:01 | |
we also know that the kitchen was set ablaze. | 0:31:01 | 0:31:03 | |
What we're witnessing is a moment of sheer terror. | 0:31:07 | 0:31:10 | |
It's such a vivid image. | 0:31:12 | 0:31:14 | |
That idea of a couple, or a family, | 0:31:14 | 0:31:17 | |
trying to find somewhere to hide valuables, | 0:31:17 | 0:31:20 | |
perhaps while their home was already on fire around them. | 0:31:20 | 0:31:24 | |
Yes, and it was done obviously in the expectation that | 0:31:24 | 0:31:27 | |
they would be able to retrieve them later. | 0:31:27 | 0:31:29 | |
But unfortunately we know clearly they didn't. | 0:31:29 | 0:31:32 | |
This assemblage of material, the hidden jewellery and coins, | 0:31:47 | 0:31:52 | |
it tells such a vivid human story of a traumatic and violent event. | 0:31:52 | 0:31:59 | |
It's physical evidence, | 0:32:00 | 0:32:02 | |
real forensic evidence of Boudicca's attack on Camulodunum. | 0:32:02 | 0:32:07 | |
And as well as bringing history to life, | 0:32:07 | 0:32:11 | |
it also verifies the account of the attack that was recorded by Tacitus. | 0:32:11 | 0:32:17 | |
The reason Boudicca had faced so little resistance in Colchester | 0:32:31 | 0:32:35 | |
was because the bulk of the Roman army was busy extending its empire | 0:32:35 | 0:32:40 | |
in the remote and hostile lands of the north and west Britannia. | 0:32:40 | 0:32:44 | |
According to Tacitus, | 0:32:54 | 0:32:56 | |
the Roman Governor of Britain Gaius Suetonius Paulinus | 0:32:56 | 0:33:00 | |
had led his own legions on a special mission to | 0:33:00 | 0:33:04 | |
the remote island of Mona - modern day Anglesey. | 0:33:04 | 0:33:07 | |
He was there to destroy the stronghold of the priests | 0:33:11 | 0:33:15 | |
and power brokers of Celtic society - the Druids. | 0:33:15 | 0:33:19 | |
The Romans saw the Druids as a dangerous element in Celtic society. | 0:33:23 | 0:33:28 | |
They were extremely powerful priests, | 0:33:31 | 0:33:34 | |
the keepers of sacred knowledge, wisdom and history, | 0:33:34 | 0:33:38 | |
and they were king makers. | 0:33:38 | 0:33:40 | |
The Druids were the spiritual glue that bound Celtic tribes together | 0:33:46 | 0:33:50 | |
in shared belief. | 0:33:50 | 0:33:52 | |
The Druids are perhaps the single most evocative | 0:34:03 | 0:34:06 | |
and mysterious element of Celtic society. | 0:34:06 | 0:34:09 | |
Everybody has heard of them, but they remain remarkably elusive. | 0:34:09 | 0:34:14 | |
The fact is, we know next to nothing about Celtic religion or belief. | 0:34:14 | 0:34:19 | |
But if you know where to look, there are tantalising glimpses to be had | 0:34:19 | 0:34:23 | |
of how the Celts understood the cosmos and their place within it. | 0:34:23 | 0:34:27 | |
One thing we know was important was the annual cycle of Celtic feasts. | 0:34:30 | 0:34:35 | |
This one is a modern version, | 0:34:36 | 0:34:38 | |
a revival of the ancient May Day custom. | 0:34:38 | 0:34:41 | |
The Festival of Fire is held in Edinburgh every year, | 0:34:41 | 0:34:44 | |
starting on the last day of April. | 0:34:44 | 0:34:46 | |
This is Beltane. | 0:34:47 | 0:34:49 | |
It's a Celtic word. | 0:34:49 | 0:34:51 | |
I've always understood it to mean something like "bright fire". | 0:34:51 | 0:34:54 | |
Something like this has been happening at this time of year | 0:34:54 | 0:34:57 | |
for a very, very long time. | 0:34:57 | 0:35:00 | |
There are mentions of it in the Irish records | 0:35:00 | 0:35:02 | |
and chronicles, about 10th century, but the chances are | 0:35:02 | 0:35:06 | |
people were coming together to do something like this hundreds, | 0:35:06 | 0:35:09 | |
if not thousands of years before that. | 0:35:09 | 0:35:12 | |
In this dance of the passage of the seasons, | 0:35:18 | 0:35:21 | |
the May Queen, representing summer, | 0:35:21 | 0:35:24 | |
confronts and defeats the Green Man of winter, | 0:35:24 | 0:35:27 | |
using the power of fire to reinvigorate the year. | 0:35:27 | 0:35:31 | |
Beltane was just one of a number of festivals | 0:35:40 | 0:35:43 | |
spread throughout the year. | 0:35:43 | 0:35:45 | |
In order to plan these the Celts needed an intimate knowledge of | 0:35:47 | 0:35:50 | |
the seasons and astronomy. | 0:35:50 | 0:35:53 | |
Thanks to a unique discovery made in France a century ago, | 0:36:00 | 0:36:04 | |
we now know far more about how the Celts understood | 0:36:04 | 0:36:08 | |
and marked the passing of the year. | 0:36:08 | 0:36:10 | |
These are fragments of a tablet that some experts believe | 0:36:15 | 0:36:19 | |
was created in Roman Gaul in the 2nd century AD, | 0:36:19 | 0:36:23 | |
to record ancient Druidic traditions banned by Rome. | 0:36:23 | 0:36:28 | |
And this is a reproduction, a photograph, of all that remains. | 0:36:28 | 0:36:34 | |
The original was 1.5 metres across and a metre high. | 0:36:34 | 0:36:37 | |
It was carved into a single panel of bronze, | 0:36:37 | 0:36:40 | |
but all that survives are these fragments. | 0:36:40 | 0:36:43 | |
It's a calendar, but it's not just any calendar. | 0:36:45 | 0:36:48 | |
Each of the large words is the name of a lunar month | 0:36:50 | 0:36:53 | |
in the Gaulish language, but spelt out in Latin letters. | 0:36:53 | 0:36:56 | |
It represents a cycle of five years, broken into 16 columns. | 0:36:58 | 0:37:03 | |
What we're seeing is the way in which the Celts | 0:37:05 | 0:37:08 | |
made sense of their year and punctuated it with feasts, | 0:37:08 | 0:37:11 | |
because close by the names of the months is the little word - ivos, | 0:37:11 | 0:37:16 | |
which means feast. | 0:37:16 | 0:37:18 | |
We think that this calendar starts its year around here | 0:37:18 | 0:37:21 | |
where you see the word - Mid Sam. | 0:37:21 | 0:37:23 | |
It's probably around the month of November. | 0:37:23 | 0:37:26 | |
Soon after you've got ivos, | 0:37:26 | 0:37:28 | |
which means the feast at the end of summer. | 0:37:28 | 0:37:31 | |
It's called Samhain in the Celtic world, | 0:37:31 | 0:37:33 | |
we still celebrate it today, but we call it Halloween. | 0:37:33 | 0:37:36 | |
Halloween has become a modern Day of the Dead festival, | 0:37:37 | 0:37:41 | |
and the association with the macabre may go back deep into prehistory. | 0:37:41 | 0:37:45 | |
2,000 years ago, the Romans wrote about Celtic death rituals, | 0:37:47 | 0:37:53 | |
including headhunting and human sacrifices performed by the Druids. | 0:37:53 | 0:37:58 | |
One place where evidence for such gruesome practices has emerged | 0:38:03 | 0:38:08 | |
is a Celtic land that Rome never subdued - Hibernia, Ireland. | 0:38:08 | 0:38:14 | |
Wetlands like these were once sacred. | 0:38:18 | 0:38:20 | |
And it's here that we still find | 0:38:21 | 0:38:23 | |
the remains of ancient Iron Age beliefs and human sacrifice. | 0:38:23 | 0:38:27 | |
It's quite astonishing to look at his face. | 0:38:35 | 0:38:38 | |
This is the face of an Irish Celt. | 0:38:38 | 0:38:41 | |
This is the face of somebody from the Iron Age. | 0:38:41 | 0:38:43 | |
It seems that he was hit in the face with a blunt instrument, | 0:38:51 | 0:38:55 | |
an injury which could have knocked him out, could even have killed him, | 0:38:55 | 0:38:59 | |
but there are more injuries to the back of his head, | 0:38:59 | 0:39:03 | |
injuries that look as though they've been created by an axe. | 0:39:03 | 0:39:07 | |
Iron Age bodies discovered in the bogs reveal ritualistic activity. | 0:39:09 | 0:39:14 | |
Not wanton violence, but something calculated and symbolic. | 0:39:14 | 0:39:19 | |
Holes cut in arms, containing twigs of hazel. | 0:39:21 | 0:39:25 | |
Nipples that have been almost completely sliced off. | 0:39:27 | 0:39:30 | |
And there are clues which suggest that these victims | 0:39:32 | 0:39:35 | |
weren't ordinary Celts... | 0:39:35 | 0:39:37 | |
they were special. | 0:39:37 | 0:39:39 | |
We can tell that he was probably somebody of high social standing, | 0:39:40 | 0:39:44 | |
and the reason that the archaeologists believe this | 0:39:44 | 0:39:47 | |
is that when we look at his hands, | 0:39:47 | 0:39:49 | |
they are very smooth, there's no callous or roughness here. | 0:39:49 | 0:39:53 | |
He didn't use his hands to make a living. | 0:39:53 | 0:39:56 | |
His fingernails are beautifully trimmed. | 0:39:56 | 0:39:59 | |
Archaeologist Ned Kelly has been studying bog bodies for 12 years, | 0:40:05 | 0:40:10 | |
seeking out clues to Celtic ritual and beliefs. | 0:40:10 | 0:40:13 | |
So this is the remains of Cashel Man? | 0:40:16 | 0:40:19 | |
Cashel Man form County Laois. | 0:40:19 | 0:40:21 | |
We think it's in fact the earliest fleshed bog body | 0:40:21 | 0:40:25 | |
from anywhere in Europe. | 0:40:25 | 0:40:27 | |
Why are they not just the bodies of murder victims | 0:40:27 | 0:40:30 | |
who have been disposed of in the bog? | 0:40:30 | 0:40:33 | |
Well, first of all, in ancient Ireland, bogs were sacred places. | 0:40:33 | 0:40:36 | |
They were places where ritual practices took place. | 0:40:36 | 0:40:40 | |
And we know that there was a form of ritual killing, | 0:40:40 | 0:40:45 | |
which was appropriate to the killing of a king. | 0:40:45 | 0:40:49 | |
And I think the type of multiple injuries which occur on these bodies | 0:40:49 | 0:40:53 | |
reflect that tradition. | 0:40:53 | 0:40:56 | |
Decapitated, then sliced right through. | 0:41:01 | 0:41:04 | |
Killed and then symbolically killed again. | 0:41:04 | 0:41:08 | |
This was a Celtic sacrifice of a chief or a king. | 0:41:08 | 0:41:11 | |
And forensic archaeology is suggesting that | 0:41:16 | 0:41:18 | |
such ancient rites were seasonal. | 0:41:18 | 0:41:21 | |
Rolly Read, Head of Conservation at the National Museum of Ireland, | 0:41:26 | 0:41:30 | |
has been investigating Moydrum Man - a newly discovered bog body. | 0:41:30 | 0:41:34 | |
So, Rolly, what is this object that you have so carefully extracted from | 0:41:42 | 0:41:46 | |
the innards of this bog body? | 0:41:46 | 0:41:48 | |
We think that it's probably a sloe stone. | 0:41:48 | 0:41:52 | |
And it has just come from this area here of the bog body. | 0:41:52 | 0:41:56 | |
You can see there's a line of them. | 0:41:56 | 0:41:58 | |
-So all those little ovals are little sloe stones? -Yes, that right. | 0:41:58 | 0:42:02 | |
And they seem to be following roughly | 0:42:02 | 0:42:04 | |
the line of the large intestine. | 0:42:04 | 0:42:07 | |
-That's hundreds of sloes. -Hundreds and hundreds. | 0:42:07 | 0:42:09 | |
I've actually done a count of the X-ray. There's at least 300 there. | 0:42:09 | 0:42:14 | |
This is a bit peculiar, isn't it, | 0:42:14 | 0:42:16 | |
because I've tasted a sloe and it wasn't very nice. | 0:42:16 | 0:42:19 | |
-I mean, they're bitter, sour, little plums, aren't they? -They are, yeah. | 0:42:19 | 0:42:23 | |
So what is happening here? | 0:42:23 | 0:42:25 | |
Why is somebody eating a meal of hundreds of sloes? | 0:42:25 | 0:42:27 | |
Nobody is going to ingest 300 sloes, no matter how hungry they are. | 0:42:27 | 0:42:33 | |
I think we can say this is a ritual meal. First of all, | 0:42:33 | 0:42:36 | |
the sloe ripens at the end of October, the beginning of November, | 0:42:36 | 0:42:41 | |
-that is the festival of Samhain. -Halloween. -Modern Halloween. | 0:42:41 | 0:42:45 | |
And that is the time of year, | 0:42:45 | 0:42:48 | |
which according to the early Irish written material, kings were killed. | 0:42:48 | 0:42:52 | |
-Really? -Almost every reference to the ritual killing of a king, | 0:42:52 | 0:42:55 | |
it takes place at Samhain. | 0:42:55 | 0:42:57 | |
Scientific evidence from Irish bog bodies suggests that | 0:43:04 | 0:43:08 | |
the Romans were right to be wary of the untamed lands to the West. | 0:43:08 | 0:43:12 | |
Roman histories are full of lurid stories of bloodthirsty Celtic rites | 0:43:14 | 0:43:18 | |
and human sacrifice, overseen by Druids. | 0:43:18 | 0:43:22 | |
The Druids, they believed, were the embodiment of a brutal culture - | 0:43:25 | 0:43:29 | |
people who encouraged insurrection and desired Celtic independence. | 0:43:29 | 0:43:34 | |
No wonder Paulinus felt compelled to march to Mona, | 0:43:36 | 0:43:40 | |
the island of Anglesey, to put an end to them. | 0:43:40 | 0:43:43 | |
And he did, with ruthless efficiency. | 0:43:46 | 0:43:49 | |
The destruction of the Druid stronghold of Mona was part of | 0:43:56 | 0:43:59 | |
an endgame in the Roman's quest to annihilate an ancient culture. | 0:43:59 | 0:44:03 | |
They wanted no-one to be in doubt as to who was in charge, | 0:44:05 | 0:44:09 | |
or that the Roman view of civilisation had triumphed over | 0:44:09 | 0:44:13 | |
the barbarian Celt. | 0:44:13 | 0:44:15 | |
It had been less than 20 years since the Roman invasion of Britain. | 0:44:16 | 0:44:21 | |
In that time they had built cities, | 0:44:21 | 0:44:24 | |
proclaiming their imperial might - cities that still exist today. | 0:44:24 | 0:44:29 | |
But in leading his armies north to destroy the Druids, | 0:44:32 | 0:44:36 | |
Paulinus had left these cities largely undefended. | 0:44:36 | 0:44:40 | |
After Camulodunum had been razed to the ground, | 0:44:42 | 0:44:46 | |
Boudicca's army continued its rampage in the Roman port | 0:44:46 | 0:44:50 | |
and commercial centre of Londinium. | 0:44:50 | 0:44:53 | |
After London, it was the turn of the municipal town of Verulamium - | 0:44:56 | 0:45:00 | |
now St Albans. | 0:45:00 | 0:45:02 | |
Throughout the south and east, Romans were terrorised, | 0:45:03 | 0:45:07 | |
ritually mutilated and their cities burned. | 0:45:07 | 0:45:11 | |
Tacitus estimates that 70,000 people lay dead. | 0:45:11 | 0:45:14 | |
According to the traditional history, all this was triggered by | 0:45:16 | 0:45:20 | |
the Romans' brutal treatment of the Iceni Queen and her daughters. | 0:45:20 | 0:45:24 | |
But there may be much more to this Celtic rebellion | 0:45:25 | 0:45:29 | |
than this popular story of personal vengeance. | 0:45:29 | 0:45:31 | |
It seems too much of a coincidence | 0:45:35 | 0:45:37 | |
that these two events in British history - | 0:45:37 | 0:45:40 | |
Boudicca's revolt and the slaughter of the Druids by Paulinus - | 0:45:40 | 0:45:44 | |
should happen at exactly the same time. | 0:45:44 | 0:45:47 | |
The Boudiccan revolt involved an alliance of tribes, | 0:45:49 | 0:45:52 | |
but it might not just have been about the treatment of the Iceni | 0:45:52 | 0:45:56 | |
and their queen, | 0:45:56 | 0:45:58 | |
it may have been something much more important. | 0:45:58 | 0:46:01 | |
Paulinus's assault on the Druids | 0:46:01 | 0:46:03 | |
was an attack on everything the Celts believed, | 0:46:03 | 0:46:06 | |
everything they understood. | 0:46:06 | 0:46:08 | |
So when Boudicca stood up to the Romans and said, "No," | 0:46:08 | 0:46:11 | |
the other British tribes stood up alongside her | 0:46:11 | 0:46:14 | |
to defend their entire way of life. | 0:46:14 | 0:46:16 | |
It wasn't until the Celtic insurrection was well underway | 0:46:22 | 0:46:26 | |
that news reached Anglesey. | 0:46:26 | 0:46:28 | |
Paulinus understood he had to act and fast. | 0:46:34 | 0:46:37 | |
From Anglesey, it was a long march south. | 0:46:41 | 0:46:46 | |
The two armies advanced towards one another | 0:46:46 | 0:46:48 | |
from opposite ends of Watling Street. | 0:46:48 | 0:46:51 | |
Paulinus was at the head of two legions - | 0:46:51 | 0:46:53 | |
10,000 highly-trained, battle-hardened troops. | 0:46:53 | 0:46:57 | |
But according to the ancient sources, Boudicca's force | 0:46:57 | 0:47:00 | |
might have outnumbered his force by as much as 20 to one. | 0:47:00 | 0:47:04 | |
The scene was set for one of the most important battles in | 0:47:15 | 0:47:19 | |
the history of our islands. | 0:47:19 | 0:47:22 | |
At stake was the fate of Britain and the future of Roman rule | 0:47:22 | 0:47:27 | |
in this outpost of their empire. | 0:47:27 | 0:47:28 | |
The two powers met for a final showdown that today is known as | 0:47:30 | 0:47:35 | |
the Battle of Watling Street. | 0:47:35 | 0:47:37 | |
No-one knows the precise location of the Battle of Watling Street, | 0:47:40 | 0:47:43 | |
but one favoured location is here, | 0:47:43 | 0:47:45 | |
on the slopes above Mancetter, northeast of Birmingham. | 0:47:45 | 0:47:48 | |
Ancient military expert Mike Loades has been studying | 0:47:51 | 0:47:54 | |
the tactics of the battle. | 0:47:54 | 0:47:56 | |
The only way Paulinus could stand a chance of facing a big army | 0:47:57 | 0:48:03 | |
is in terrain like this. | 0:48:03 | 0:48:05 | |
If he's got the smaller army then his big fear is being outflanked | 0:48:05 | 0:48:10 | |
and attacked in the rear. | 0:48:10 | 0:48:12 | |
Here he's surrounded by trees, woodland with thick bramble, | 0:48:12 | 0:48:18 | |
men cannot move quickly through there. | 0:48:18 | 0:48:20 | |
Horses cannot move quickly through there. | 0:48:20 | 0:48:23 | |
And we're told he was at the top of a slope, | 0:48:23 | 0:48:25 | |
so he's got the advantage of height. | 0:48:25 | 0:48:28 | |
The attacking army has got to work to come up the slope, | 0:48:28 | 0:48:30 | |
it's much easier to repel them down the slopes. | 0:48:30 | 0:48:34 | |
Tacitus tells us the Britons entered the battleground full of confidence. | 0:48:35 | 0:48:40 | |
They massively outnumbered their enemy, and knew that this was | 0:48:41 | 0:48:45 | |
their chance to finally defeat the Romans for good. | 0:48:45 | 0:48:48 | |
If beaten, the Romans knew they had little chance of escape. | 0:48:52 | 0:48:56 | |
If they had lost, none of them could have expected to live | 0:49:02 | 0:49:06 | |
and they could have expected to die horribly and gruesomely, | 0:49:06 | 0:49:09 | |
as they would have heard had happened in Colchester | 0:49:09 | 0:49:12 | |
and London and St Albans. | 0:49:12 | 0:49:14 | |
So they would have known what was at stake, | 0:49:14 | 0:49:16 | |
and they'd never faced the Celts in pitched battle like this. | 0:49:16 | 0:49:22 | |
400 years of conflict between the Celts and Romans | 0:49:22 | 0:49:25 | |
were about to come to a head. | 0:49:25 | 0:49:27 | |
Paulinus knew that if the Romans were to survive the onslaught | 0:49:28 | 0:49:32 | |
they had to hold their lines, or every last man would be slaughtered. | 0:49:32 | 0:49:37 | |
There's a wave of angry men. | 0:49:53 | 0:49:56 | |
Angry, big men. And that shield is a Celtic warrior | 0:49:56 | 0:49:59 | |
and that will have a similar momentum of a Celtic warrior | 0:49:59 | 0:50:02 | |
rushing at you, and you get to kill him. | 0:50:02 | 0:50:05 | |
I'm promising nothing. | 0:50:05 | 0:50:07 | |
OK, Andy, bring it on. | 0:50:07 | 0:50:09 | |
Look at that! | 0:50:18 | 0:50:20 | |
-He's down! The man's down! -He is. And look what's happened. | 0:50:20 | 0:50:23 | |
Now this is the interesting bit. | 0:50:23 | 0:50:24 | |
It won't come out because of that head design. | 0:50:24 | 0:50:27 | |
-It's got kind of a barb. -It's got a barb. | 0:50:27 | 0:50:30 | |
Now, if I'm holding this shield, | 0:50:30 | 0:50:32 | |
it could have gone through enough to kill me, if you were strong, | 0:50:32 | 0:50:36 | |
but if not, I've got this, I can't get it out, | 0:50:36 | 0:50:39 | |
that's stuck in the ground. What am I going to do? | 0:50:39 | 0:50:42 | |
You throw away the shield, so you're now half the man you used to be. | 0:50:42 | 0:50:46 | |
I am now half the man I used to be. | 0:50:46 | 0:50:48 | |
The speed of Boudicca's chariots might have been highly effective | 0:50:49 | 0:50:53 | |
on open ground, but here they were useless. | 0:50:53 | 0:50:56 | |
And the Celtic swordsmen faced a solid wall of Roman shields. | 0:50:58 | 0:51:02 | |
You must not step out of line. | 0:51:04 | 0:51:07 | |
So in unison, to a rhythmic beat, | 0:51:07 | 0:51:10 | |
they use the shield to barge the person opposite them, | 0:51:10 | 0:51:14 | |
but they'd stab at the person diagonally. | 0:51:14 | 0:51:17 | |
And it doesn't matter if you don't kill them. | 0:51:17 | 0:51:19 | |
Your job is simply to create a wound | 0:51:19 | 0:51:22 | |
because you've got ten men behind you who can mop up and dispatch them | 0:51:22 | 0:51:26 | |
as your hobnail boots grind over their faces | 0:51:26 | 0:51:30 | |
-as you move forwards. -OK. | 0:51:30 | 0:51:32 | |
That's great. Stepping in with your shoulder. | 0:51:32 | 0:51:34 | |
-Now, do not make another step or you'll break line. -OK. | 0:51:34 | 0:51:37 | |
-All of you have stepped that one step. -OK. | 0:51:37 | 0:51:41 | |
Good. Let's now see if you can drive us back down the field. | 0:51:41 | 0:51:45 | |
Boom. Stab. Crash. | 0:51:45 | 0:51:47 | |
Stab. Smash. Stab. | 0:51:47 | 0:51:51 | |
Barge. Stab. Crash. Stab. | 0:51:51 | 0:51:53 | |
Come on, man! | 0:51:53 | 0:51:55 | |
-Relentless. -Yeah. -Relentless. | 0:51:56 | 0:51:59 | |
Tacitus tells us what happened next. | 0:52:08 | 0:52:11 | |
"The rest of the Britons turned tail, | 0:52:11 | 0:52:13 | |
"but their escape was blocked by their own wagons | 0:52:13 | 0:52:16 | |
"and the Roman troops didn't refrain even from the slaughter of women | 0:52:16 | 0:52:20 | |
"while pack animals which had been run through with spears | 0:52:20 | 0:52:23 | |
"increased the pile of corpses." | 0:52:23 | 0:52:25 | |
It's the triumph of mechanised discipline over individual warriors, | 0:52:35 | 0:52:41 | |
who, in those circumstances, had no opportunity and no prospect | 0:52:41 | 0:52:45 | |
of doing what they had spent their lives training to do, | 0:52:45 | 0:52:47 | |
which was be individual fighters. | 0:52:47 | 0:52:49 | |
The defeat was total. | 0:52:51 | 0:52:53 | |
Boudicca's entire army was wiped out. | 0:52:55 | 0:52:58 | |
According to Tacitus, only 400 Romans were killed that day | 0:53:00 | 0:53:05 | |
compared with 80,000 Celts. | 0:53:05 | 0:53:08 | |
The last great Celtic rebellion was over. | 0:53:10 | 0:53:15 | |
We're told Boudicca survived the battle, | 0:53:17 | 0:53:20 | |
but poisoned herself shortly after. | 0:53:20 | 0:53:23 | |
And with her died any hope of another Celtic uprising | 0:53:24 | 0:53:28 | |
and an end to Roman rule in Britannia. | 0:53:28 | 0:53:30 | |
Boudicca disappeared from history and entered into national mythology | 0:53:32 | 0:53:37 | |
a martyr to the idea of a free Britain. | 0:53:37 | 0:53:40 | |
But while the Celtic rebellion was certainly real, | 0:53:42 | 0:53:45 | |
can we be absolutely sure that Boudicca played a part in it | 0:53:45 | 0:53:49 | |
or even existed? | 0:53:49 | 0:53:51 | |
No archaeological evidence for Boudicca herself has been found. | 0:53:51 | 0:53:56 | |
Then in the spring of 2015, in Gloucestershire, | 0:53:58 | 0:54:02 | |
an ancient gravesite was discovered | 0:54:02 | 0:54:04 | |
dating to the Roman occupation of Britain. | 0:54:04 | 0:54:07 | |
In amongst the human remains was a gravestone.... | 0:54:09 | 0:54:13 | |
and on it was carved the name Bodicacia. | 0:54:13 | 0:54:17 | |
Underneath the stone lay a skeleton. | 0:54:21 | 0:54:24 | |
Could this finally be evidence of Britain's great warrior queen? | 0:54:25 | 0:54:29 | |
But the bones belonged to a man... | 0:54:33 | 0:54:35 | |
..and the myth of Boudicca continues to this day. | 0:54:37 | 0:54:40 | |
After centuries of conflict, the military might of Rome prevailed | 0:54:44 | 0:54:48 | |
and almost all of the Celtic lands of Europe were swept up | 0:54:48 | 0:54:51 | |
into the vast empire, crushed under the iron rule of the conquerors. | 0:54:51 | 0:54:57 | |
But Rome didn't conquer all of Europe | 0:55:01 | 0:55:04 | |
and Celtic society wasn't completely obliterated. | 0:55:04 | 0:55:07 | |
THEY SPEAK GAELIC | 0:55:25 | 0:55:33 | |
This is Spiddal on the west coast of Ireland. | 0:55:37 | 0:55:39 | |
It's part of the Gaeltacht, where, 2,000 years after Boudicca, | 0:55:39 | 0:55:43 | |
the first language is still a Celtic language - it's Gaelic. | 0:55:43 | 0:55:47 | |
Here, you can hear the past, you can feel it! | 0:55:47 | 0:55:50 | |
Across the fringes of Europe, | 0:56:00 | 0:56:03 | |
in Ireland, Scotland, Wales, Brittany and Cornwall, | 0:56:03 | 0:56:07 | |
the language of the Celts - their most important legacy - lives on. | 0:56:07 | 0:56:12 | |
CHATTERING IN GAELIC | 0:56:16 | 0:56:22 | |
'We've travelled thousands of miles from Turkey to Portugal | 0:56:26 | 0:56:30 | |
'in search of the roots of an incredible ancient culture.' | 0:56:30 | 0:56:34 | |
-They were subterranean? -Yeah. Oh, yeah. | 0:56:34 | 0:56:36 | |
'Going back 3,000 years, | 0:56:36 | 0:56:38 | |
'we've uncovered the story of these Iron Age tribes...' | 0:56:38 | 0:56:41 | |
I'm looking right into his face. | 0:56:41 | 0:56:44 | |
Look there! He's holding a spear, | 0:56:44 | 0:56:46 | |
and then could be a man's severed head. | 0:56:46 | 0:56:49 | |
'..who built the first great city north of the Alps | 0:56:49 | 0:56:52 | |
'and created astonishing wonders | 0:56:52 | 0:56:55 | |
'fabricated in the most intricate artwork...' | 0:56:55 | 0:56:58 | |
It's incredibly fine work, isn't it? | 0:56:58 | 0:57:01 | |
'..who were at the forefront of military innovation...' | 0:57:01 | 0:57:04 | |
It's a cutting weapon. | 0:57:04 | 0:57:06 | |
It's a thrusting weapon. | 0:57:06 | 0:57:08 | |
'..from swords to battle chariots.' | 0:57:08 | 0:57:11 | |
This was the sound of the Celts going to war. | 0:57:11 | 0:57:14 | |
'But if it wasn't for the classical historians | 0:57:14 | 0:57:17 | |
'we might never have known who the Celtic people were | 0:57:17 | 0:57:21 | |
'and what their leaders achieved.' | 0:57:21 | 0:57:24 | |
'How Brennus defeated Rome... | 0:57:24 | 0:57:26 | |
'..how Vercingetorix defied Julius Caesar... | 0:57:27 | 0:57:31 | |
'..and how Boudicca reignited the spirit of Celtic rebellion.' | 0:57:33 | 0:57:37 | |
'Together we've discovered a remarkable story of our Celtic past. | 0:57:39 | 0:57:43 | |
'A culture that remains very much alive to this day. | 0:57:45 | 0:57:48 | |
'A Celtic spirit that burns deep within us as part of our world.' | 0:57:50 | 0:57:56 |