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Nothing in our landscape is here by accident. | 0:00:02 | 0:00:05 | |
It's all part of the incredible story | 0:00:05 | 0:00:07 | |
of how people have shaped our country over thousands of years. | 0:00:07 | 0:00:11 | |
Every ridge, every bump, has a meaning. | 0:00:12 | 0:00:15 | |
I'm Ben Robinson. | 0:00:16 | 0:00:17 | |
And as an archaeologist, it's my job | 0:00:17 | 0:00:20 | |
to unpick the great story we've inherited. | 0:00:20 | 0:00:23 | |
From my perspective, the best way to do that is up here in the air. | 0:00:23 | 0:00:27 | |
Aerial photography is revealing a different view of the past. | 0:00:33 | 0:00:37 | |
I'm flying over the Norfolk Broads | 0:00:39 | 0:00:41 | |
to take a completely new look | 0:00:41 | 0:00:43 | |
at the history of one of our most iconic landscapes. | 0:00:43 | 0:00:46 | |
Could the aerial view force us to rethink | 0:00:47 | 0:00:49 | |
how long ago early humans first started farming here? | 0:00:49 | 0:00:53 | |
And challenge our understanding | 0:00:53 | 0:00:55 | |
of how people have shaped this place ever since? | 0:00:55 | 0:00:58 | |
The Norfolk Broads are a real challenge for archaeologists. | 0:01:19 | 0:01:23 | |
Much of the landscape is either flooded or intensively farmed. | 0:01:23 | 0:01:27 | |
So traces of settlement are lost underwater | 0:01:27 | 0:01:30 | |
or flattened by the plough. | 0:01:30 | 0:01:32 | |
But they don't disappear completely | 0:01:32 | 0:01:34 | |
because history leaves a footprint. | 0:01:34 | 0:01:37 | |
Crops will respond to any changes in the soil. | 0:01:37 | 0:01:40 | |
An ancient ditch or a pit that's been filled in long ago | 0:01:40 | 0:01:43 | |
will show up as different colours across the fields. | 0:01:43 | 0:01:46 | |
Crop marks. | 0:01:46 | 0:01:48 | |
If you keep banking like this, this'll be absolutely perfect. | 0:01:48 | 0:01:51 | |
-OK. -I can see something now. | 0:01:51 | 0:01:54 | |
Just level up ever so slightly. Thanks, Sean. | 0:01:54 | 0:01:57 | |
This area is covered in crop marks. | 0:02:00 | 0:02:02 | |
They don't all show at the same time, | 0:02:02 | 0:02:03 | |
but they pop up at various points and places | 0:02:03 | 0:02:06 | |
where the conditions are just right. | 0:02:06 | 0:02:08 | |
There's prehistory, there's settlements, ritual sites | 0:02:08 | 0:02:11 | |
and Roman remains covering this river valley landscape. | 0:02:11 | 0:02:14 | |
It's almost like time travel. | 0:02:16 | 0:02:18 | |
Over the last few years, | 0:02:21 | 0:02:22 | |
aerial observation of crop marks in the Broads | 0:02:22 | 0:02:25 | |
has revealed a staggering 945 new archaeological sites. | 0:02:25 | 0:02:30 | |
And it's made us look again at some we thought we knew. | 0:02:30 | 0:02:34 | |
And it's crop marks that's led us here to Ormesby St Michael. | 0:02:36 | 0:02:40 | |
Not far from the seaside town of Great Yarmouth | 0:02:42 | 0:02:45 | |
is a sugar beet field which has completely changed our understanding | 0:02:45 | 0:02:49 | |
of how the Broads would have looked 3,000-4,000 years ago. | 0:02:49 | 0:02:53 | |
Until now, we knew Bronze Age people must've been in the area, | 0:02:54 | 0:02:58 | |
but no settlements have ever been found. | 0:02:58 | 0:03:01 | |
When archaeologists first started | 0:03:02 | 0:03:04 | |
looking at aerial photographs of this area, | 0:03:04 | 0:03:06 | |
they discovered a series of crop marks. | 0:03:06 | 0:03:08 | |
And right here, where I'm standing, | 0:03:08 | 0:03:10 | |
was something that looked like field enclosures. | 0:03:10 | 0:03:12 | |
There's nothing particularly unusual about that | 0:03:12 | 0:03:15 | |
because this area is covered in those sort of crop marks. | 0:03:15 | 0:03:18 | |
But actually, when the archaeologists got to work, | 0:03:18 | 0:03:20 | |
they got something a bit unexpected. | 0:03:20 | 0:03:22 | |
Nick Gilmour is one of the team | 0:03:24 | 0:03:27 | |
that carried out the excavation at Ormesby. | 0:03:27 | 0:03:29 | |
Nick, this is the plot from the aerial photographs | 0:03:32 | 0:03:34 | |
that you're working from | 0:03:34 | 0:03:36 | |
and I can see why you thought this could be medieval or post-medieval. | 0:03:36 | 0:03:40 | |
Something relatively recent. | 0:03:40 | 0:03:42 | |
Because it just looks too well-defined. | 0:03:42 | 0:03:44 | |
Too large-scale to be anything prehistoric. | 0:03:44 | 0:03:46 | |
When did you first realise that you were getting something earlier? | 0:03:46 | 0:03:50 | |
I think it was almost as soon as the bucket went in the ground. | 0:03:50 | 0:03:53 | |
Because within the topsoil off the trenches, we were finding chips | 0:03:53 | 0:03:56 | |
and waste flakes from the manufacture of flint tools. | 0:03:56 | 0:03:59 | |
And also, a good collection of the tools themselves. | 0:03:59 | 0:04:01 | |
And you've got end scrapers, side scrapers | 0:04:01 | 0:04:04 | |
and these sort of small thumbnail scrapers. | 0:04:04 | 0:04:07 | |
If the site really was 400 or 500 years old, | 0:04:07 | 0:04:10 | |
why have we got flints that are 4,000 or 5,000 years old? | 0:04:10 | 0:04:13 | |
And when you actually start digging in the ditches, | 0:04:13 | 0:04:16 | |
this sort of pottery starts turning up. | 0:04:16 | 0:04:18 | |
All the things we can usually use | 0:04:18 | 0:04:20 | |
to help date a piece of pottery aren't there. | 0:04:20 | 0:04:23 | |
And in the end, that's really what dates it. | 0:04:23 | 0:04:26 | |
It's just so slab-like and flat, and essentially boring, | 0:04:26 | 0:04:31 | |
that that's what middle Bronze Age pottery looks like. | 0:04:31 | 0:04:34 | |
It doesn't look much, but it's so rare, it's so fragile, | 0:04:34 | 0:04:37 | |
it's so precious, isn't it? | 0:04:37 | 0:04:39 | |
Just to have pottery of this date still surviving. | 0:04:39 | 0:04:42 | |
You're looking at this and you're looking at the flints, | 0:04:42 | 0:04:44 | |
and suddenly now, you're getting into a prehistoric mindset. | 0:04:44 | 0:04:48 | |
-Yep. -It's not medieval, it's not post-mediaeval. | 0:04:48 | 0:04:51 | |
This is something much, much earlier. | 0:04:51 | 0:04:54 | |
Exactly that. So you suddenly start thinking to yourself, | 0:04:54 | 0:04:57 | |
you know, what's going on here? Have I got an unique site? | 0:04:57 | 0:05:00 | |
Is this the only middle Bronze Age enclosure in the Broads, | 0:05:00 | 0:05:03 | |
or is it that we just haven't found them yet? | 0:05:03 | 0:05:07 | |
And that's when you go back to the air photos | 0:05:07 | 0:05:10 | |
and, strangely, the more you look at it, | 0:05:10 | 0:05:12 | |
the more you then start seeing Bronze Age everywhere. | 0:05:12 | 0:05:15 | |
And you end up in this funny situation | 0:05:15 | 0:05:18 | |
of going from no Bronze Age to just it's coming out of your ears. | 0:05:18 | 0:05:22 | |
And, actually, it's over the whole of the Broads. | 0:05:22 | 0:05:24 | |
The Bronze Age buildings at Ormesby | 0:05:26 | 0:05:28 | |
would've looked something like this modern interpretation | 0:05:28 | 0:05:31 | |
at Flag Fen near Peterborough. | 0:05:31 | 0:05:33 | |
Now, obviously, Bronze Age houses | 0:05:35 | 0:05:37 | |
don't survive like this reconstructed one in this form, | 0:05:37 | 0:05:40 | |
but they do leave very distinctive traces of the post holes. | 0:05:40 | 0:05:45 | |
Of the pattern of posts, of the layout inside. | 0:05:45 | 0:05:48 | |
Did you get anything like that on your site? | 0:05:48 | 0:05:51 | |
Well, we did have two groups of post holes. | 0:05:51 | 0:05:53 | |
One of them was actually in a nice ring, similar to this. | 0:05:53 | 0:05:56 | |
This is really significant. | 0:05:56 | 0:05:59 | |
Wooden posts rot away. | 0:05:59 | 0:06:00 | |
But the holes they leave behind fill with rubbish from the floor, | 0:06:00 | 0:06:04 | |
such as charred grains and pottery fragments. | 0:06:04 | 0:06:06 | |
And all that material can be dated. | 0:06:06 | 0:06:09 | |
So we know the age of the structure. | 0:06:09 | 0:06:12 | |
Were your posts of about this size? | 0:06:12 | 0:06:15 | |
Pretty similar, in fact, yeah. | 0:06:15 | 0:06:16 | |
It doesn't look like the most substantial post, | 0:06:16 | 0:06:19 | |
but it can actually support quite a good structure. | 0:06:19 | 0:06:21 | |
Well, I'm told that this roof, when it's wet, weighs about eight tonnes. | 0:06:21 | 0:06:24 | |
Eight tonnes. Well, there you go. About a tonne on every post. | 0:06:24 | 0:06:28 | |
So it sounds to me like you've found | 0:06:29 | 0:06:31 | |
a very well-developed Bronze Age settlement at Ormesby. | 0:06:31 | 0:06:35 | |
Yes. Not only have we got evidence that people were living here, | 0:06:35 | 0:06:38 | |
but we've got evidence of what they were doing to support themselves. | 0:06:38 | 0:06:42 | |
So, as well as farming, they're also weaving. | 0:06:42 | 0:06:44 | |
And we've actually found fragments of loom weights, such as this one. | 0:06:44 | 0:06:48 | |
And if we look on this reconstruction, | 0:06:48 | 0:06:50 | |
you can see how it would fit in quite well | 0:06:50 | 0:06:52 | |
as being a fragment of one of these complete loom weights. | 0:06:52 | 0:06:54 | |
And one of the other big things that we found is | 0:06:54 | 0:06:57 | |
we managed to find a whetstone in another post hole. | 0:06:57 | 0:06:59 | |
If you've got a whetstone, you need something to sharpen on that. | 0:06:59 | 0:07:02 | |
Which means, in this case, bronze. | 0:07:02 | 0:07:04 | |
And in order to get bronze, you need copper and tin. | 0:07:04 | 0:07:07 | |
That must have come from somewhere. | 0:07:07 | 0:07:09 | |
You start putting in links to other settlements much further afield, | 0:07:09 | 0:07:12 | |
across, potentially, the whole of Britain. | 0:07:12 | 0:07:15 | |
So they're connected with the wider Bronze Age world | 0:07:15 | 0:07:18 | |
and they're starting to alter the world around them. | 0:07:18 | 0:07:21 | |
Well, they're having to manage the world around them. | 0:07:21 | 0:07:23 | |
It's really the beginnings of mass altering of the landscape. | 0:07:23 | 0:07:26 | |
Because you cut down a lot of trees to build one house. | 0:07:26 | 0:07:30 | |
And then that needs to be renewed. | 0:07:30 | 0:07:31 | |
These things don't last for ever. | 0:07:31 | 0:07:33 | |
And each time, you cut down more trees. | 0:07:33 | 0:07:35 | |
And then, you need space for your sheep to graze, | 0:07:35 | 0:07:38 | |
for your cattle to graze. | 0:07:38 | 0:07:40 | |
It's a real impact, a real change in the landscape | 0:07:40 | 0:07:43 | |
for, potentially, the first time in our history. | 0:07:43 | 0:07:46 | |
So we started off with a few crop marks, | 0:07:46 | 0:07:48 | |
but now we know that Bronze Age families | 0:07:48 | 0:07:50 | |
were living in what we now call the Broads. | 0:07:50 | 0:07:53 | |
And not just living, | 0:07:53 | 0:07:54 | |
but creating the infrastructure necessary for life. | 0:07:54 | 0:07:57 | |
The droves, the field systems. | 0:07:57 | 0:08:00 | |
They were connected with the wider Bronze Age world. | 0:08:00 | 0:08:03 | |
This really makes us think. | 0:08:03 | 0:08:06 | |
We've got other crop-marked sites that look similar. | 0:08:06 | 0:08:09 | |
Maybe there's an extensive pattern. | 0:08:09 | 0:08:11 | |
A Bronze Age world out there | 0:08:11 | 0:08:13 | |
that we're only just beginning to understand. | 0:08:13 | 0:08:15 | |
Archaeologists are now questioning the dating of hundreds of sites | 0:08:16 | 0:08:20 | |
that were thought to be much more recent. | 0:08:20 | 0:08:23 | |
With the evidence from Ormesby, | 0:08:23 | 0:08:25 | |
they're now re-examining aerial photos | 0:08:25 | 0:08:27 | |
to find out if they, too, are in fact Bronze Age. | 0:08:27 | 0:08:31 | |
And therefore, thousands of years older. | 0:08:31 | 0:08:33 | |
More than 1,500 years later, | 0:08:37 | 0:08:39 | |
long after the Bronze Age farmers had gone, | 0:08:39 | 0:08:41 | |
it was the Romans who took control and dominated the area. | 0:08:41 | 0:08:46 | |
Much of what they built has vanished. | 0:08:46 | 0:08:48 | |
But the view from above has allowed us to rediscover entire towns. | 0:08:48 | 0:08:52 | |
In 1928, an RAF crew | 0:08:55 | 0:08:57 | |
were flying over the former Roman town of Venta Icenorum, | 0:08:57 | 0:09:02 | |
modern-day Caistor St Edmund, just south of Norwich. | 0:09:02 | 0:09:05 | |
The early aerial photographs of this place | 0:09:08 | 0:09:10 | |
were a real breakthrough in aerial archaeology. | 0:09:10 | 0:09:13 | |
They showed the street plan beautifully | 0:09:13 | 0:09:15 | |
and remains all around the Roman town | 0:09:15 | 0:09:17 | |
that you can't see from the ground. | 0:09:17 | 0:09:20 | |
Look at that! Isn't that beautiful! | 0:09:20 | 0:09:22 | |
How well you can see the crop marks depends on the weather. | 0:09:22 | 0:09:27 | |
The dry summer of 1928 was perfect | 0:09:27 | 0:09:30 | |
for showing the streets of the town in the parched barley fields. | 0:09:30 | 0:09:34 | |
Recently, we've had much wetter summers, | 0:09:34 | 0:09:36 | |
so it's a little more tricky to make out. | 0:09:36 | 0:09:39 | |
Well, you can see the street pattern. | 0:09:39 | 0:09:41 | |
It's no wonder this photograph caused such a stir. | 0:09:42 | 0:09:46 | |
This is the Roman streets. | 0:09:46 | 0:09:47 | |
The hardcore of the Roman streets stopping the crop growing so well. | 0:09:47 | 0:09:50 | |
The detail is astonishing. | 0:09:50 | 0:09:52 | |
Individual buildings are showing up here. | 0:09:52 | 0:09:55 | |
Now, this obviously fired up the archaeologists. | 0:09:55 | 0:09:58 | |
They had everything laid out for them. | 0:09:58 | 0:09:59 | |
And it's no surprise that the following year, | 0:09:59 | 0:10:01 | |
there was a major campaign of excavation. | 0:10:01 | 0:10:04 | |
It was one of the biggest digs of the last century. | 0:10:05 | 0:10:08 | |
But by the time it was finished, | 0:10:08 | 0:10:10 | |
it hadn't answered a key question which is still puzzling us today. | 0:10:10 | 0:10:14 | |
Something went wrong at Caistor St Edmund. | 0:10:14 | 0:10:17 | |
It's one of the few major Roman towns | 0:10:17 | 0:10:19 | |
that didn't go on to be successful | 0:10:19 | 0:10:22 | |
in medieval times and the modern period. | 0:10:22 | 0:10:24 | |
What happened here and why? | 0:10:24 | 0:10:27 | |
To try to answer that question, | 0:10:27 | 0:10:30 | |
archaeologists want to find out as much about the town as they can. | 0:10:30 | 0:10:34 | |
Once again, it's aerial photographs that are leading the way. | 0:10:34 | 0:10:38 | |
In the 1960s, a series of aerial photographs | 0:10:38 | 0:10:42 | |
of the surroundings of the site | 0:10:42 | 0:10:44 | |
showed a set of triple ditches | 0:10:44 | 0:10:47 | |
that we hadn't previously been aware of. | 0:10:47 | 0:10:49 | |
You can see them here just running across the field as dark marks. | 0:10:49 | 0:10:54 | |
And more recently, other analysis of aerial photography | 0:10:54 | 0:11:00 | |
has shown that these ditches | 0:11:00 | 0:11:02 | |
are part of this massive circuit of defences | 0:11:02 | 0:11:05 | |
that seem to run around the site. | 0:11:05 | 0:11:08 | |
And we're fairly confident that the walls | 0:11:08 | 0:11:11 | |
are a later addition to the town. | 0:11:11 | 0:11:13 | |
You can see the streets extend outside the town on all sides. | 0:11:13 | 0:11:17 | |
And so, what we really want to know is what these ditches are about. | 0:11:17 | 0:11:21 | |
What they're doing, what they're for, what date they are | 0:11:21 | 0:11:24 | |
and how they relate to the town itself. | 0:11:24 | 0:11:27 | |
Heather, we're in one of these ditches of the triple-ditch system. | 0:11:29 | 0:11:33 | |
We're in the ditch nearest to the town. | 0:11:33 | 0:11:35 | |
We're just out of that plough zone, where it all gets mixed up. | 0:11:35 | 0:11:38 | |
This is exactly as the Romans would have left it in these first layers. | 0:11:38 | 0:11:42 | |
I can see quite a lot of animal bone. Yeah. | 0:11:44 | 0:11:47 | |
-There's some... -Bits of sheep and cow... -I've got a piece here. | 0:11:47 | 0:11:51 | |
..and goodness knows what. | 0:11:51 | 0:11:53 | |
And quite a lot of pottery, as well. | 0:11:53 | 0:11:55 | |
Yeah. I've just flicked this little piece out here. | 0:11:55 | 0:11:59 | |
-Oh, yeah. -We're in a bit of a town dump, a bit of a landfill site. | 0:11:59 | 0:12:03 | |
I mean, that's its final use, isn't it? It's interesting. | 0:12:03 | 0:12:06 | |
The ditches have gone out of use. | 0:12:06 | 0:12:07 | |
And presumably, they're just a hazard or in the way | 0:12:07 | 0:12:10 | |
and being filled with rubbish. | 0:12:10 | 0:12:11 | |
Yeah, when you want to level the landscape, | 0:12:11 | 0:12:14 | |
you'll get rid of your rubbish and fill up the hollow land. | 0:12:14 | 0:12:18 | |
Lucky for us. Oooh, look at this! | 0:12:18 | 0:12:21 | |
That's a very delicate little vessel, that one, isn't it? | 0:12:21 | 0:12:24 | |
There's not much of it, but that's a tiny fragment of a drinking cup. | 0:12:24 | 0:12:27 | |
Yeah, that's really fine, isn't it? | 0:12:27 | 0:12:29 | |
Really fine ware for the table. Lovely. | 0:12:29 | 0:12:33 | |
You can imagine someone having a sip of wine after a hard day's work. | 0:12:33 | 0:12:36 | |
So all life is here, basically, in this tray. | 0:12:36 | 0:12:40 | |
There's a chance that rubbish thrown into the ditches | 0:12:40 | 0:12:43 | |
might provide evidence as to why Caistor was abandoned. | 0:12:43 | 0:12:47 | |
But it's a second site further away from the Roman town | 0:12:47 | 0:12:50 | |
on the other side of the river, | 0:12:50 | 0:12:52 | |
where an answer is more likely to be found. | 0:12:52 | 0:12:55 | |
What we're really looking for there | 0:12:55 | 0:12:57 | |
is what happened after the Roman town ended. | 0:12:57 | 0:13:00 | |
We want to know why there isn't a town here now. | 0:13:00 | 0:13:03 | |
Why is it just green fields with sheep in? | 0:13:03 | 0:13:06 | |
This is all crop mark data. | 0:13:06 | 0:13:08 | |
And you can see this really dense archaeology going on here. | 0:13:08 | 0:13:12 | |
That's incredible. There's a whole sort of framework, | 0:13:12 | 0:13:15 | |
field systems, it looks like. | 0:13:15 | 0:13:16 | |
But you think there might be settlement in amongst that, as well? | 0:13:16 | 0:13:19 | |
That's right. This is where we might find post-Roman activity. | 0:13:19 | 0:13:23 | |
I can see that you've actually got features starting to emerge here. | 0:13:26 | 0:13:30 | |
Yeah, we've got a series of what could be post holes | 0:13:30 | 0:13:32 | |
cut into the gravel terrace here. | 0:13:32 | 0:13:35 | |
And in the centre of the trench, | 0:13:35 | 0:13:36 | |
pretty much where we're hoping to find it, | 0:13:36 | 0:13:38 | |
we have what looks like a very large pit right in the middle, | 0:13:38 | 0:13:41 | |
where we were hoping to find evidence for our building. | 0:13:41 | 0:13:44 | |
So, yeah, that's looking quite promising. | 0:13:44 | 0:13:47 | |
So if we can prove this is what we hope it is, | 0:13:47 | 0:13:50 | |
then we can extrapolate and say, | 0:13:50 | 0:13:51 | |
"Maybe we've got a cluster of buildings here." | 0:13:51 | 0:13:54 | |
And we can go on to talk about having an actual settlement. | 0:13:54 | 0:13:57 | |
What they're hoping they've discovered | 0:13:57 | 0:13:59 | |
is an Anglo-Saxon building | 0:13:59 | 0:14:01 | |
which would've had a suspended wooden floor | 0:14:01 | 0:14:04 | |
and possibly a cellar beneath. | 0:14:04 | 0:14:06 | |
But these are notoriously difficult to find | 0:14:06 | 0:14:08 | |
because they leave so few traces. | 0:14:08 | 0:14:11 | |
Just a few post holes and a pit. | 0:14:11 | 0:14:13 | |
If you're lucky, the crop marks will give you a clue where to look. | 0:14:13 | 0:14:17 | |
So the aerial photography is absolutely crucial. | 0:14:17 | 0:14:20 | |
Come on, this looks really promising. | 0:14:20 | 0:14:22 | |
-Yeah. You're pushing me, aren't you? -Yeah. -It does, it does. | 0:14:22 | 0:14:25 | |
It's too much of a coincidence. | 0:14:25 | 0:14:27 | |
There's too many factors coming together. It's got to be. | 0:14:27 | 0:14:29 | |
Well, we're going to dig this down. | 0:14:29 | 0:14:32 | |
We'll take out the rest of these two quadrats. | 0:14:32 | 0:14:34 | |
Once we've found our level, we'll go down very carefully. | 0:14:34 | 0:14:37 | |
We'll be sieving all the way down so we don't miss those small finds. | 0:14:37 | 0:14:40 | |
Hopefully, there'll be some glass beads or something exciting in there. | 0:14:40 | 0:14:43 | |
This is looking quite promising. | 0:14:43 | 0:14:45 | |
I'm trying not to get carried away, | 0:14:45 | 0:14:47 | |
but it does look as though we could have an Anglo-Saxon building here. | 0:14:47 | 0:14:51 | |
If we have got one, this will be a very important discovery. | 0:14:51 | 0:14:54 | |
The Romans left their mark. | 0:14:59 | 0:15:01 | |
But it was nothing compared to | 0:15:01 | 0:15:03 | |
what happened 500 years or so later in medieval times | 0:15:03 | 0:15:06 | |
when millions of tonnes of peat were dug out of the marsh | 0:15:06 | 0:15:10 | |
to provide fuel for people's homes. | 0:15:10 | 0:15:12 | |
We're on our way to St Benet's. It's a monastic foundation. | 0:15:14 | 0:15:18 | |
The monks came here to build a better world for themselves. | 0:15:18 | 0:15:21 | |
St Benet's is an important part of the story | 0:15:23 | 0:15:26 | |
because this area was one of the earliest places | 0:15:26 | 0:15:29 | |
where peat was dug in vast quantities. | 0:15:29 | 0:15:32 | |
It was these diggings that later flooded | 0:15:33 | 0:15:35 | |
to form the open water we call Broads. | 0:15:35 | 0:15:39 | |
Very little of the monastery survives. | 0:15:39 | 0:15:41 | |
From the air, you get a great view of how the site would have looked | 0:15:41 | 0:15:45 | |
as the surviving earthwork show up so well. | 0:15:45 | 0:15:47 | |
This gatehouse is a remarkable survivor from medieval times. | 0:15:51 | 0:15:55 | |
And the windmill built into it is just extraordinary. | 0:15:55 | 0:15:58 | |
What I'm especially interested in | 0:15:58 | 0:16:00 | |
is the earthworks I saw from the air. | 0:16:00 | 0:16:03 | |
These banks and troughs aren't the remains of buildings, | 0:16:10 | 0:16:13 | |
they're actually fishponds. | 0:16:13 | 0:16:16 | |
Now, fish was tremendously important to the medieval diet. | 0:16:16 | 0:16:19 | |
And even more so to monastic communities. | 0:16:19 | 0:16:22 | |
But these are among the best examples I've ever seen. | 0:16:22 | 0:16:25 | |
But I think there's an element of display going on here, as well. | 0:16:25 | 0:16:28 | |
I can picture the abbot coming down here with visitors and saying, | 0:16:28 | 0:16:32 | |
"Look what we've constructed! Look what we can do! | 0:16:32 | 0:16:34 | |
"See how well we look after our people." | 0:16:34 | 0:16:37 | |
The fishponds are impressive, | 0:16:37 | 0:16:39 | |
but the first thing people would have seen was the abbey church, | 0:16:39 | 0:16:42 | |
of which only the ruins are visible today. | 0:16:42 | 0:16:45 | |
This would have been quite an impressive church. | 0:16:45 | 0:16:48 | |
It would have stood out in the local landscape, like a beacon. | 0:16:48 | 0:16:51 | |
While it's very isolated today, | 0:16:51 | 0:16:54 | |
in the Anglo-Saxon period, in the medieval period, | 0:16:54 | 0:16:57 | |
the river is going to be a key way | 0:16:57 | 0:16:59 | |
for transporting people and goods around. | 0:16:59 | 0:17:02 | |
So this is actually likely to have been a highway, | 0:17:02 | 0:17:04 | |
right next to a highway. | 0:17:04 | 0:17:06 | |
And an awful lot busier than we see it today. | 0:17:06 | 0:17:08 | |
The latest aerial photos of St Benet's have revealed evidence | 0:17:08 | 0:17:12 | |
of a couple of additional buildings not seen before. | 0:17:12 | 0:17:15 | |
This is a protected site, so we can't dig. | 0:17:15 | 0:17:18 | |
But today, we're trying out something new. | 0:17:18 | 0:17:21 | |
A remote-controlled flying camera. | 0:17:21 | 0:17:23 | |
It's cheaper than a plane and can fly much lower, | 0:17:23 | 0:17:26 | |
enabling us to get a completely new view of the site. | 0:17:26 | 0:17:29 | |
And maybe also the buildings. | 0:17:29 | 0:17:32 | |
There's a hint of something going on. | 0:17:32 | 0:17:34 | |
What we're looking for are areas | 0:17:34 | 0:17:37 | |
where the grass is just showing a slightly different shade of colour, | 0:17:37 | 0:17:40 | |
responding to the archaeology below. | 0:17:40 | 0:17:42 | |
You don't want to get too close to the river. | 0:17:42 | 0:17:44 | |
Well, there's something in there, isn't there? | 0:17:48 | 0:17:50 | |
But they look like the sort of crop response you get on ditches, | 0:17:50 | 0:17:54 | |
rather than buried walls, to me. | 0:17:54 | 0:17:57 | |
What it would be nice to do is to turn him around | 0:17:57 | 0:17:59 | |
and come back the other way and just see if the light... | 0:17:59 | 0:18:02 | |
'Soon, we're seeing signs of the new buildings. | 0:18:02 | 0:18:05 | |
'This is obviously a good year for that part of the site.' | 0:18:05 | 0:18:08 | |
-Yeah, so this is... -There we go. Perfect. | 0:18:08 | 0:18:11 | |
If you can keep him there, that's perfect. | 0:18:11 | 0:18:14 | |
This is the bit that then turned into the Chequers pub, | 0:18:14 | 0:18:17 | |
which is possibly the abbot's lodging. | 0:18:17 | 0:18:20 | |
That's definitely it! | 0:18:21 | 0:18:22 | |
-That's as clear as day, isn't it? -Mm. | 0:18:22 | 0:18:25 | |
That's lovely. | 0:18:25 | 0:18:26 | |
So, has Tim any idea of what they might be? | 0:18:26 | 0:18:31 | |
Well, given their location, | 0:18:31 | 0:18:32 | |
which is very close to the south side of the monastic church, | 0:18:32 | 0:18:36 | |
where you've got the cloister and, | 0:18:36 | 0:18:38 | |
obviously, the refectory and dormitory, | 0:18:38 | 0:18:41 | |
it could be something related to cooking. | 0:18:41 | 0:18:43 | |
So you could have a cookhouse, a bake house, | 0:18:43 | 0:18:45 | |
brew house, something like that, | 0:18:45 | 0:18:48 | |
that's associated with the living quarters of the monks, I suppose. | 0:18:48 | 0:18:52 | |
Now, they tend to be a bit detached because of the fire risk, of course. | 0:18:52 | 0:18:55 | |
Absolutely. Which would fit with this. | 0:18:55 | 0:18:58 | |
We've got a two-celled building. | 0:18:58 | 0:18:59 | |
You can see two little buildings | 0:18:59 | 0:19:01 | |
that are part of one rectangular structure. | 0:19:01 | 0:19:03 | |
It's intriguing, though, isn't it? | 0:19:03 | 0:19:05 | |
It's intriguing and frustrating, I think. | 0:19:05 | 0:19:07 | |
It would be nice to know a little bit more. | 0:19:07 | 0:19:10 | |
We got closer to the site than you can get with an aircraft | 0:19:10 | 0:19:13 | |
and there's definitely tantalising hints of features out there | 0:19:13 | 0:19:16 | |
that require investigation. No firm conclusions. | 0:19:16 | 0:19:20 | |
But no-one has ever seen the site in quite this way before. | 0:19:20 | 0:19:23 | |
Oh, there's the edge of the fishponds there. That's nice. | 0:19:26 | 0:19:29 | |
-They're fantastic. -Yeah. They're showing up well. | 0:19:29 | 0:19:32 | |
Oh, look at that! | 0:19:32 | 0:19:33 | |
No landscape ever stays the same | 0:19:35 | 0:19:37 | |
and the Broads are still changing. | 0:19:37 | 0:19:40 | |
From their industrial origins providing fuel, | 0:19:40 | 0:19:42 | |
the business of the waterways today is leisure. | 0:19:42 | 0:19:46 | |
But what many of those exploring the rivers and creeks won't know | 0:19:46 | 0:19:50 | |
is there used to be many more Broads than there are today. | 0:19:50 | 0:19:53 | |
Aerial photos are helping track down those that have been lost. | 0:19:54 | 0:19:58 | |
Hickling is a great place to try and look for lost Broads. | 0:19:58 | 0:20:03 | |
Because it was a much, much bigger Broad. | 0:20:03 | 0:20:06 | |
And the traces of that, if you look hard enough, can be seen all around. | 0:20:06 | 0:20:09 | |
There's bits of partially-reclaimed Broad, | 0:20:09 | 0:20:12 | |
bits that have been fully reclaimed. | 0:20:12 | 0:20:13 | |
But there are soil marks and little clues of its former extent. | 0:20:13 | 0:20:17 | |
Just circling round now. | 0:20:18 | 0:20:21 | |
Starting off from the known quantity of the Broad as it is today | 0:20:21 | 0:20:24 | |
and trying to work back through time. | 0:20:24 | 0:20:27 | |
There were two other Broads up here. | 0:20:28 | 0:20:30 | |
Gage's Broad and Wiggs Broad. And they've entirely disappeared. | 0:20:30 | 0:20:34 | |
There's nothing at all now in terms of open water. | 0:20:34 | 0:20:37 | |
Finding lost Broads is notoriously difficult. | 0:20:38 | 0:20:42 | |
Below me now is Horsey Windpump. | 0:20:42 | 0:20:44 | |
This area has some of the biggest expanses of Broads | 0:20:44 | 0:20:47 | |
anywhere in Norfolk. | 0:20:47 | 0:20:48 | |
Historian Tom Williamson has been using historic photos and maps | 0:20:48 | 0:20:52 | |
to look for the lost Broads. | 0:20:52 | 0:20:55 | |
Tom, this map is really interesting. | 0:20:55 | 0:20:57 | |
It's a transcript from a map. | 0:20:57 | 0:21:00 | |
And the thing that interests me most is that there's lots of water here. | 0:21:00 | 0:21:04 | |
Lots of things called Broads | 0:21:04 | 0:21:06 | |
that don't appear on a modern Ordnance Survey map. | 0:21:06 | 0:21:09 | |
Absolutely. And this surveyed 1794-1795, published 1797. | 0:21:09 | 0:21:13 | |
So actually, it's not that long ago. | 0:21:13 | 0:21:16 | |
In the great scheme of things, it's not that long ago. | 0:21:16 | 0:21:18 | |
-A couple of centuries. -Where did they go? | 0:21:18 | 0:21:20 | |
Partly, they go through deliberate drainage. | 0:21:20 | 0:21:24 | |
But a lot of them, particularly sort of more inland, | 0:21:24 | 0:21:27 | |
they disappear through natural processes. | 0:21:27 | 0:21:29 | |
The Broads are artificial and they gradually silt up | 0:21:29 | 0:21:34 | |
and they get encroached on by marginal vegetation. | 0:21:34 | 0:21:37 | |
I mean, it's an ongoing process. | 0:21:37 | 0:21:39 | |
Now, I've been flying over this area | 0:21:39 | 0:21:40 | |
and you would think it would be quite easy | 0:21:40 | 0:21:43 | |
to spot these former great bodies of water. | 0:21:43 | 0:21:45 | |
Actually, not so easy. | 0:21:45 | 0:21:47 | |
A lot's happened over the years. | 0:21:47 | 0:21:49 | |
These earlier photographs, taken in the '40s, | 0:21:49 | 0:21:51 | |
it's these dark patches we're looking for. | 0:21:51 | 0:21:54 | |
I mean, these are dead giveaways, aren't they? | 0:21:54 | 0:21:56 | |
Yeah. That's Gage's Broad. | 0:21:56 | 0:21:57 | |
which is certainly still there in the early 19th-century. | 0:21:57 | 0:22:00 | |
It's shown on the enclosure maps for Hickling. | 0:22:00 | 0:22:02 | |
It goes rapidly after that, as far as we can tell. | 0:22:02 | 0:22:06 | |
What I like about the photographs is they don't lie. | 0:22:06 | 0:22:10 | |
The photograph is absolutely definitive. | 0:22:10 | 0:22:13 | |
There was a Broad here, there's no question about it. | 0:22:13 | 0:22:16 | |
-And this was its extent. -Yeah, yeah. | 0:22:16 | 0:22:17 | |
And by studying aerial photos, many taken by the RAF in the 1940s, | 0:22:17 | 0:22:23 | |
an incredible 39 areas of lost Broads | 0:22:23 | 0:22:26 | |
have been rediscovered, including Gage's Broad. | 0:22:26 | 0:22:29 | |
The landscape has changed so much, | 0:22:29 | 0:22:31 | |
I couldn't see anything of the Broad from the air. | 0:22:31 | 0:22:33 | |
Everything just appears dark green or wooded. | 0:22:33 | 0:22:36 | |
But on the ground, it's obvious | 0:22:36 | 0:22:38 | |
this area is very different to the farmland around it. | 0:22:38 | 0:22:42 | |
We're right in the middle of Gage's Broad, or what was Gage's Broad. | 0:22:42 | 0:22:46 | |
I mean, there's water and it's sponge-like now. | 0:22:46 | 0:22:49 | |
So you can see it's had a watery ancestry, | 0:22:49 | 0:22:52 | |
there's no doubt about that. | 0:22:52 | 0:22:54 | |
So right across here, you would have had water. | 0:22:54 | 0:22:58 | |
Um...a couple of metres deep or so, | 0:22:58 | 0:23:01 | |
at the time that map was made. | 0:23:01 | 0:23:02 | |
And in this case, we know why the Broad disappeared. | 0:23:02 | 0:23:06 | |
It gets enclosed by a parliamentary act in, I think, 1808. | 0:23:06 | 0:23:11 | |
At a time when food prices are rising fast. | 0:23:11 | 0:23:14 | |
It's the Napoleonic Wars, the French Wars. | 0:23:14 | 0:23:16 | |
And they put in the commissioner's drain. | 0:23:16 | 0:23:21 | |
They dig it right through, it just takes the water out. | 0:23:21 | 0:23:24 | |
-This is not gradual encroachment, not gradual loss. -No, no. | 0:23:24 | 0:23:26 | |
This is a deliberate concerted attempt to very quickly | 0:23:26 | 0:23:29 | |
get this area into productive agricultural use. | 0:23:29 | 0:23:32 | |
Yeah. It's a classic example of that late 18th-19th century improvement. | 0:23:32 | 0:23:36 | |
You improve the environment to produce more food. | 0:23:36 | 0:23:40 | |
So we've seen how the transformation of the landscape | 0:23:43 | 0:23:46 | |
began in the Bronze Age, | 0:23:46 | 0:23:47 | |
was stripped for fuel during medieval times | 0:23:47 | 0:23:49 | |
and how we're continuing to shape it today. | 0:23:49 | 0:23:52 | |
There's one last question I'd still like to answer. | 0:23:52 | 0:23:56 | |
What happened to the Roman town of Caistor St Edmund? | 0:23:56 | 0:23:59 | |
And was it used by our Anglo-Saxon ancestors? | 0:23:59 | 0:24:02 | |
It's the final day of the dig there | 0:24:02 | 0:24:04 | |
and the last chance to retrieve evidence from the ground. | 0:24:04 | 0:24:07 | |
One of the nicest little things that have come out has been this tile, | 0:24:09 | 0:24:13 | |
-which you can see has got some paw prints in it. -Ah, yeah. | 0:24:13 | 0:24:18 | |
Which we think are the paw prints of a puppy | 0:24:18 | 0:24:20 | |
that was clearly misbehaving as they were drying. | 0:24:20 | 0:24:24 | |
We also have this, which is... | 0:24:24 | 0:24:27 | |
a rather lovely spout on a mortarium, a mixing bowl, really. | 0:24:27 | 0:24:33 | |
And it's supposed to be a lion. | 0:24:33 | 0:24:34 | |
And the later they get, the potters start getting a bit mischievous | 0:24:34 | 0:24:39 | |
and putting thumb marks above them. | 0:24:39 | 0:24:41 | |
So they start looking like bats or... | 0:24:41 | 0:24:43 | |
It gives the impression of Mickey Mouse, really. | 0:24:43 | 0:24:47 | |
They just get bored with doing these artistic lions, you think, | 0:24:48 | 0:24:52 | |
and start creating havoc with them. | 0:24:52 | 0:24:54 | |
The finds are fascinating and have helped to prove | 0:24:54 | 0:24:58 | |
that the ditches were being filled in during the second century. | 0:24:58 | 0:25:01 | |
But they don't help explain | 0:25:01 | 0:25:03 | |
where people went to live after Caistor was abandoned. | 0:25:03 | 0:25:07 | |
For that, we need to head over to the other side of the river. | 0:25:07 | 0:25:10 | |
Last time I was here, there were just hints | 0:25:10 | 0:25:13 | |
that this might be an Anglo-Saxon feature. What is it? | 0:25:13 | 0:25:17 | |
Luckily for us, it has turned out to be | 0:25:17 | 0:25:19 | |
-an Anglo-Saxon sunken-featured building. -Great! | 0:25:19 | 0:25:21 | |
Which is wonderful. | 0:25:21 | 0:25:23 | |
It's a biggie as well, isn't it? | 0:25:23 | 0:25:27 | |
It is. It's quite substantial. Um... | 0:25:27 | 0:25:31 | |
we've got a lovely post at one end. | 0:25:31 | 0:25:34 | |
It's a big, er...sub-rectangular cut into the gravel. | 0:25:34 | 0:25:40 | |
From the middle of it, we've had this material. | 0:25:40 | 0:25:43 | |
Oh, yes! Wonderful. Well, there's no doubting that. | 0:25:43 | 0:25:45 | |
That's not Roman, that's brilliant Anglo-Saxon pottery. | 0:25:45 | 0:25:48 | |
What other finds have come out? | 0:25:48 | 0:25:50 | |
Um...well, we were always drawn to this field | 0:25:50 | 0:25:54 | |
-because of the occurrence of these. -Oh, yes! | 0:25:54 | 0:25:58 | |
Wonderful Anglo-Saxon coins. | 0:25:59 | 0:26:02 | |
Relatively few of them have turned up, | 0:26:02 | 0:26:04 | |
but enough to demonstrate quite a significant presence here. | 0:26:04 | 0:26:10 | |
These things are so rare, aren't they? | 0:26:10 | 0:26:13 | |
I mean, they didn't throw coins around like the Romans, did they? | 0:26:13 | 0:26:16 | |
I mean, you know, it's just truly incredible | 0:26:16 | 0:26:19 | |
to find something like this. | 0:26:19 | 0:26:21 | |
Again, it was the aerial photography that just gave that first hint | 0:26:21 | 0:26:24 | |
that there might be something different going on here. | 0:26:24 | 0:26:27 | |
This find takes the story of this site | 0:26:27 | 0:26:30 | |
forward in time, beyond the Romans. | 0:26:30 | 0:26:32 | |
And there's an interesting relationship here, isn't there? | 0:26:32 | 0:26:35 | |
Between the Roman town and what came after it. | 0:26:35 | 0:26:38 | |
I think we're looking at multiple little centres | 0:26:38 | 0:26:42 | |
of Anglo-Saxon occupation around the area of the town. | 0:26:42 | 0:26:47 | |
As far as we know, not within the walled area, but scattered around. | 0:26:47 | 0:26:51 | |
But...Caistor's an extraordinary and unusual site | 0:26:51 | 0:26:56 | |
because it has no modern occupation on top of it. | 0:26:56 | 0:27:00 | |
The only parallel sites in England are Wroxeter and Silchester. | 0:27:00 | 0:27:04 | |
And neither of those have really had | 0:27:04 | 0:27:07 | |
this scale of Anglo-Saxon occupation on them. | 0:27:07 | 0:27:11 | |
So really, having this here | 0:27:11 | 0:27:13 | |
significantly increases the importance of it as a site. | 0:27:13 | 0:27:17 | |
At West Stow in Suffolk, | 0:27:19 | 0:27:20 | |
there's a reconstruction of an Anglo-Saxon village. | 0:27:20 | 0:27:24 | |
This gives us a pretty fair impression | 0:27:26 | 0:27:28 | |
of how the Saxon settlement at Caistor St Edmund would have looked. | 0:27:28 | 0:27:32 | |
It was actually a great achievement from the archaeological team | 0:27:32 | 0:27:35 | |
to find buildings like this. | 0:27:35 | 0:27:36 | |
They're notoriously difficult to find. | 0:27:36 | 0:27:39 | |
What they've proved is that the Roman town was abandoned completely | 0:27:39 | 0:27:43 | |
and people returned to a simpler way of life, back to the villages. | 0:27:43 | 0:27:48 | |
My journey through the Broads | 0:27:58 | 0:27:59 | |
has revealed far more than I ever thought possible. | 0:27:59 | 0:28:02 | |
For the first time, we've found traces of Bronze Age settlement. | 0:28:02 | 0:28:07 | |
We've revealed lost Broads that only now exist | 0:28:07 | 0:28:10 | |
as faint traces on aerial photographs. | 0:28:10 | 0:28:13 | |
And we've discovered Saxon settlement. | 0:28:13 | 0:28:15 | |
And this is giving us a great insight | 0:28:15 | 0:28:18 | |
into the end of that Roman town at Caistor St Edmund. | 0:28:18 | 0:28:21 | |
There's a lot more out there to be discovered | 0:28:21 | 0:28:23 | |
and I can't wait for my next flight. | 0:28:23 | 0:28:26 | |
What I do know is that I'll be looking at the Broads | 0:28:26 | 0:28:29 | |
in a totally different way. | 0:28:29 | 0:28:31 | |
Subtitles by Red Bee Media Ltd | 0:28:35 | 0:28:37 |