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Nothing in our landscape is here by accident. It's all part of the incredible story | 0:00:02 | 0:00:07 | |
of how people have shaped our country over thousands of years. | 0:00:07 | 0:00:11 | |
Every ridge, every bump has a meaning. | 0:00:11 | 0:00:15 | |
I'm Ben Robinson. As an archaeologist it's my job to unpick the great story we've inherited. | 0:00:15 | 0:00:23 | |
From my perspective, the best way to do that is up here in the air. | 0:00:23 | 0:00:28 | |
Aerial photography is challenging our views of some of our most iconic landscapes. | 0:00:32 | 0:00:39 | |
I'm flying along the Thames to find a part of our military history that was lost in just a few generations. | 0:00:39 | 0:00:45 | |
Is it possible that experimental research carried out here helped to change the course of WWI? | 0:00:45 | 0:00:51 | |
The history of the Thames and the history of the defence of Britain are intertwined, | 0:01:07 | 0:01:12 | |
yet there's one important part of that story that's been largely overlooked. It all took place | 0:01:12 | 0:01:18 | |
in an area many people have never even heard of. | 0:01:18 | 0:01:22 | |
We're flying over the Dartford Crossing. | 0:01:22 | 0:01:24 | |
We've got Essex on my left, Kent on my right, but we're heading | 0:01:24 | 0:01:29 | |
to the Hoo Peninsula. Down this way. | 0:01:29 | 0:01:32 | |
The Hoo sits on the Kent coast, flanked by the Thames to its north and the River Medway to its south. | 0:01:32 | 0:01:39 | |
Over the past 150 years, this place has played a major role in British military history. | 0:01:39 | 0:01:45 | |
It seems incredible, yet many stories of the breakthroughs that happened here have been forgotten. | 0:01:45 | 0:01:51 | |
Until now we've been missing a key chapter in the history of the First World War. | 0:01:51 | 0:01:58 | |
For while decisions of state were made miles upstream at Westminster, | 0:01:58 | 0:02:02 | |
it was here in what Dickens called "the wild, flat marshes" | 0:02:02 | 0:02:06 | |
that the dirty, gritty, industrial nature of modern warfare was being forged. | 0:02:06 | 0:02:12 | |
Much of the work done here was top secret. Very few records were kept. | 0:02:12 | 0:02:18 | |
Archaeologists at English Heritage have been carrying out the first survey of the whole peninsula, | 0:02:18 | 0:02:24 | |
recording every lump of concrete, every mound, from the air. | 0:02:24 | 0:02:28 | |
So now we can begin to piece together the untold story of exactly what went on here on the Hoo. | 0:02:28 | 0:02:34 | |
And I want to uncover those secrets, find out how people lived, worked, sometimes died here, | 0:02:36 | 0:02:42 | |
right here on the home front. | 0:02:42 | 0:02:44 | |
It doesn't take long to see this area has a rich military past. | 0:02:44 | 0:02:49 | |
The lower reaches of the Thames are punctuated by a defensive ring of coastal forts | 0:02:49 | 0:02:54 | |
going back centuries. They were built to repel any attacker heading up river to the capital. | 0:02:54 | 0:03:00 | |
Some were still in use during WWI. | 0:03:00 | 0:03:03 | |
Today many are abandoned and decaying so it's a race against time to research and record them. | 0:03:03 | 0:03:09 | |
The best way to see them in context is from the air. | 0:03:10 | 0:03:14 | |
From here you can see how the whole network of forts fits together. | 0:03:14 | 0:03:18 | |
They're really quite close. | 0:03:18 | 0:03:21 | |
It's difficult to imagine how a ship could get between them without being hit. | 0:03:21 | 0:03:26 | |
From the aerial survey, it was immediately clear that Cliffe Fort on the Thames shoreline of the Hoo | 0:03:26 | 0:03:32 | |
is at particular risk. It also has some unusual features. | 0:03:32 | 0:03:37 | |
Archaeologists are now investigating it fully for the first time. | 0:03:37 | 0:03:41 | |
'Peter Kendall from English Heritage is one of those carrying out the work.' | 0:03:41 | 0:03:46 | |
It was built in the middle of the 19th century after a Royal Commission called by Lord Palmerston. | 0:03:46 | 0:03:52 | |
There was a genuine belief that the French would possibly invade us. | 0:03:52 | 0:03:57 | |
How genuine was that, though? The French? We ruled the waves. | 0:03:57 | 0:04:02 | |
Well, we did, but the French navy had new iron warships, steam-powered, with better guns | 0:04:02 | 0:04:07 | |
and there was a genuine belief that the British navy might be beaten. | 0:04:07 | 0:04:11 | |
-So this was about a massive deterrent. Shock and awe. -It is. | 0:04:11 | 0:04:15 | |
It was built to resist the French, but also to deter an invader. "Come and have a go if you're hard enough." | 0:04:15 | 0:04:21 | |
'Cliffe was equivalent to our nuclear deterrent today, | 0:04:21 | 0:04:26 | |
'but deterrents can become obsolete incredibly quickly. Once state of the art, it's now being attacked, | 0:04:26 | 0:04:32 | |
'but the invader is not a foreign power. It's the sea, which is slowly engulfing it.' | 0:04:32 | 0:04:38 | |
-Where are we going now, Peter? -Inside through the only entrance. | 0:04:38 | 0:04:42 | |
-Right. Why do we need these? -You'll find out in a minute. Just mind your head. | 0:04:42 | 0:04:48 | |
Good grief! | 0:04:49 | 0:04:51 | |
I didn't expect a fortified swamp! | 0:04:53 | 0:04:56 | |
-I mean, it is like exploring some sort of jungle temple, isn't it? -Very much so. | 0:04:56 | 0:05:03 | |
'Only by wading across the flooded parade ground can we get a good look at the abandoned gun emplacements, | 0:05:03 | 0:05:09 | |
'which were once so vital to the nation's defence.' | 0:05:09 | 0:05:13 | |
-What sort of gun would we have had in here? -An enormous gun, filling this entire space. | 0:05:13 | 0:05:18 | |
It's known as a rifle muzzle loader, which means everything it fired | 0:05:18 | 0:05:23 | |
-had to be loaded down the muzzle end, not the breach end. -That's quite antiquated. | 0:05:23 | 0:05:28 | |
-Everything was getting industrialised. -We're on the eve of major changes in artillery. | 0:05:28 | 0:05:34 | |
By the time this fort is completely built and armed with its guns, | 0:05:34 | 0:05:38 | |
it's obsolete and so by the time you get to the First World War, | 0:05:38 | 0:05:42 | |
which isn't that many decades away, all its guns have actually been moved up to the top of the rampart | 0:05:42 | 0:05:49 | |
and these floors would have been empty. | 0:05:49 | 0:05:53 | |
'Photos clearly show where the circular gun emplacements would have been, | 0:05:53 | 0:05:58 | |
'but they also reveal what looks like a snip in the shoreline. | 0:05:58 | 0:06:02 | |
'Research has shown this is, in fact, the unique remains of a military experiment, a world first, | 0:06:02 | 0:06:07 | |
'that helped cement the Hoo's reputation for innovation.' | 0:06:07 | 0:06:11 | |
-It looks like some sort of slipway. -That's indeed what it is, but it's more exciting than that. | 0:06:11 | 0:06:17 | |
This is a Brennan torpedo launch rail. | 0:06:17 | 0:06:20 | |
You can see this iron railway track running down from the fort and down and into the river. | 0:06:20 | 0:06:27 | |
-And down this was launched a wire-guided torpedo. -Wire-guided? | 0:06:27 | 0:06:32 | |
This is cutting-edge technology, the world's first operational wire-guided torpedo. | 0:06:32 | 0:06:38 | |
-A guided weapons system right here on the Thames. -Yep. | 0:06:38 | 0:06:42 | |
So the idea is you're attacking shipping. There's some sighting mechanism? | 0:06:42 | 0:06:48 | |
That's right. An observation post inside the fort, when it observed the enemy was in the river, | 0:06:48 | 0:06:54 | |
it launched the torpedo down this rail, it slides down, hits the water | 0:06:54 | 0:06:59 | |
-and then its propulsion mechanism kicks in. -There were large targets. | 0:06:59 | 0:07:04 | |
-Presumably it was never used in anger. -Never in anger, but it has got the record of sinking a ship. | 0:07:04 | 0:07:11 | |
Just as you can see a large commercial ship coming up the Thames, | 0:07:11 | 0:07:16 | |
in 1901 a small coastal ketch was doing the same and this torpedo station was carrying out trials | 0:07:16 | 0:07:24 | |
and launched its torpedo and, horror of horrors, struck and sank the ship. A British ship. | 0:07:24 | 0:07:30 | |
-Oh! The form filling! Was anyone hurt? -No, thankfully they were able to abandon ship | 0:07:30 | 0:07:37 | |
and were rescued and, indeed, the boat was later refloated. | 0:07:37 | 0:07:41 | |
And at least it proved the principle worked. These things would have been effective. | 0:07:41 | 0:07:46 | |
It was a hell of a way to do so, but it showed this was a workable system. | 0:07:46 | 0:07:52 | |
'Developed in the 1890s, the Brennan torpedo is a great example of the Hoo's ground-breaking past, | 0:07:52 | 0:07:58 | |
'but like many of the historic remains here, it's vulnerable. | 0:07:58 | 0:08:02 | |
'The structure is already being washed away by the sea, so recording it is a priority, | 0:08:02 | 0:08:08 | |
'but the sea isn't the only threat to the Hoo. There are also proposals | 0:08:08 | 0:08:12 | |
'for a new London airport and major housing developments, one on this site, | 0:08:12 | 0:08:18 | |
'where Chattenden Barracks once stood. | 0:08:18 | 0:08:21 | |
'In the fields nearby, something very interesting was discovered.' | 0:08:21 | 0:08:25 | |
It might just look like a piece of green hillside today, | 0:08:25 | 0:08:30 | |
but this is a piece of landscape posing questions for archaeology. | 0:08:30 | 0:08:34 | |
Under the right conditions, there's a whole load of different shapes, twists and turns. | 0:08:34 | 0:08:39 | |
Something has been excavated in that field. | 0:08:39 | 0:08:43 | |
'Until the survey, no one knew there was anything in these fields. | 0:08:43 | 0:08:47 | |
'Now there's a theory they were used for experimenting with trench warfare during WWI. | 0:08:47 | 0:08:53 | |
'I'm going to try and confirm that.' | 0:08:53 | 0:08:55 | |
This hillside is a classic example of why aerial photography is so important | 0:08:58 | 0:09:03 | |
in finding traces of the past. | 0:09:03 | 0:09:06 | |
There are a few vague hints of something going on here, | 0:09:06 | 0:09:09 | |
but you can't make any sense of it on the ground. But the photographs tell a completely different story. | 0:09:09 | 0:09:16 | |
What these have shown is an extensive network of trenches covering more than 200 acres. | 0:09:16 | 0:09:23 | |
But what's surprising is the sheer variety of trench patterns. | 0:09:23 | 0:09:27 | |
There's a chance that this area was being used not just to practise trench digging, | 0:09:27 | 0:09:32 | |
but to explore different types of trench design. | 0:09:32 | 0:09:36 | |
World War One got bogged down in trench warfare because of technological advances, | 0:09:36 | 0:09:42 | |
such as the machine gun. Traditional tactics like cavalry charges were now suicidal. | 0:09:42 | 0:09:48 | |
Neither side could advance, so they dug in. It was a new type of warfare. | 0:09:48 | 0:09:54 | |
The general view today is that troops were thrown into battle with very little training, | 0:09:54 | 0:10:00 | |
but if we can prove the army was using these trenches to experiment with trench design | 0:10:00 | 0:10:06 | |
and trained soldiers, we will have to rethink that. | 0:10:06 | 0:10:10 | |
These reconstructed WWI trenches in Suffolk give an idea of what Chattenden might have looked like | 0:10:12 | 0:10:17 | |
during the war. | 0:10:17 | 0:10:20 | |
You wouldn't want to step up there cos your head's exposed. | 0:10:20 | 0:10:24 | |
'Martin Brown has studied trenches on the battlefront, but it's the first time he's seen photos | 0:10:24 | 0:10:30 | |
'of Chattenden. I also want him to look at a map of the area from 1915. | 0:10:30 | 0:10:36 | |
'The date is very significant.' | 0:10:36 | 0:10:38 | |
It says here, "New field works ground coloured pink". Well, that's this area here. | 0:10:38 | 0:10:45 | |
And that's precisely the area where these vague crop marks are showing up. | 0:10:45 | 0:10:51 | |
-"New field works", that suggests to me field works, entrenchments, excavations. -Yeah. | 0:10:51 | 0:10:57 | |
The Manual of Field Works it's called. It's interesting, the date. | 0:10:57 | 0:11:02 | |
You know, September '15, just a year after the war started. | 0:11:02 | 0:11:06 | |
And it's the new field works ground. What have they had to do? | 0:11:06 | 0:11:10 | |
Expand training, so they need more space, | 0:11:10 | 0:11:14 | |
but the other thing that's really important is it's gone from a war where they'd do bits of trenching, | 0:11:14 | 0:11:20 | |
for temporary position and cover, | 0:11:20 | 0:11:22 | |
to, by that period, by September, 1915, | 0:11:22 | 0:11:27 | |
you are into full-on trench warfare with that front that stretches all the way from Belgium to Switzerland | 0:11:27 | 0:11:33 | |
and is defended every inch of the way. | 0:11:33 | 0:11:36 | |
'We know that the army soon discovered that long, straight trenches were vulnerable to attack | 0:11:36 | 0:11:42 | |
'and could be quickly overcome. By developing different designs, | 0:11:42 | 0:11:46 | |
'such as a Greek key-like pattern of fire bays and traverses, trenches were much easier to hold. | 0:11:46 | 0:11:52 | |
'Any enemy had to work its way through the zig-zag. Every twist and turn could be defended.' | 0:11:52 | 0:11:58 | |
Is this more than just practice? Is this about experimentation, working out what works best? | 0:11:58 | 0:12:04 | |
Yes, if you're going to see evidence of that anywhere it'll be here, on the engineers' training ground. | 0:12:04 | 0:12:10 | |
They're the ones who are developing best practice. They're taking intelligence reports | 0:12:10 | 0:12:16 | |
and letters coming back from the front, particularly in that first few months, | 0:12:16 | 0:12:21 | |
and distilling it down into things that work, things that don't work, where you want to put your trenches. | 0:12:21 | 0:12:27 | |
'And from aerial photos, Martin can link trenches he's seen on the Western Front | 0:12:27 | 0:12:33 | |
'with our trenches at Chattenden. | 0:12:33 | 0:12:36 | |
'So we've now got proof this really was a place where trench design was drawn up.' | 0:12:36 | 0:12:41 | |
Yeah, and that's exactly what we saw at Plug Street in Belgium. | 0:12:41 | 0:12:45 | |
There there's a sunken lane and Christmas '14, British troops are in there, but then what they do | 0:12:45 | 0:12:51 | |
is they push forward into the field with some saps and join them up with a traversed firing line, | 0:12:51 | 0:12:57 | |
exactly as you can see here. | 0:12:57 | 0:13:00 | |
This is really interesting. We didn't know about this area before and the trenches they were building. | 0:13:00 | 0:13:07 | |
It was just that area shaded pink on the map, very little documentary evidence, but now we have this link | 0:13:07 | 0:13:13 | |
to the Western Front. | 0:13:13 | 0:13:15 | |
There is a strand of history about WWI that tells you | 0:13:15 | 0:13:19 | |
that men were thrown away, thrown into action untrained, | 0:13:19 | 0:13:24 | |
and actually you've got solid archaeological evidence here, on the ground, in Britain, | 0:13:24 | 0:13:30 | |
and on the battlefields that actually we took it really seriously and training was paramount. | 0:13:30 | 0:13:36 | |
What's fascinating is that the aerial photographs have illuminated part of our history | 0:13:40 | 0:13:46 | |
which was almost forgotten. | 0:13:46 | 0:13:48 | |
They weren't just practising trench building at Chattenden, they were experimenting. | 0:13:48 | 0:13:53 | |
They were trying to create new ways to keep the soldiers as safe as possible, | 0:13:53 | 0:13:58 | |
as effective as possible. | 0:13:58 | 0:14:00 | |
It was a whole new way of doing warfare and it was invented there on those fields at Chattenden. | 0:14:00 | 0:14:06 | |
But being in this trench is really sobering because you realise this isn't about crop marks | 0:14:06 | 0:14:13 | |
or marks in the field. These represent people's lives, their work and their deaths. | 0:14:13 | 0:14:19 | |
'And it wasn't only on the Western Front people were dying. | 0:14:23 | 0:14:27 | |
'Throughout WWI, people also sacrificed their lives here on the peninsula | 0:14:27 | 0:14:33 | |
'as the industrial nature of modern warfare made its impact.' | 0:14:33 | 0:14:37 | |
That's one of the most extraordinary pieces of landscape I've ever seen. It looks like a film set. | 0:14:37 | 0:14:43 | |
There are fragments of buildings, regular lines, earthworks. There's a very definite plan to it all. | 0:14:43 | 0:14:49 | |
It's an intriguing site. | 0:14:49 | 0:14:52 | |
Because much of the work undertaken on the Hoo during WWI was top secret, | 0:14:52 | 0:14:57 | |
very few photographs were taken. So the aerial survey shows how these buildings relate to each other. | 0:14:57 | 0:15:04 | |
There's rows of roofless buildings and then there's earthwork revetments in regular pattern, | 0:15:08 | 0:15:14 | |
but the earthworks have a very, very regular appearance. There's a grand design behind this. | 0:15:14 | 0:15:20 | |
What an amazing place. We've got the shells of ruined buildings, | 0:15:23 | 0:15:28 | |
great earthwork mounds and these enigmatic lumps of concrete sprouting out of the ground. | 0:15:28 | 0:15:34 | |
This place was obviously so important once, but now it's entirely abandoned. | 0:15:34 | 0:15:39 | |
'This whole area is, in fact, the remains of a massive explosives factory. | 0:15:39 | 0:15:45 | |
'Research by English Heritage is revealing exactly what and how things were manufactured here.' | 0:15:45 | 0:15:51 | |
What an extraordinary landscape this is. You really feel it is secretive and out of the way. | 0:15:51 | 0:15:58 | |
And there's a reason why it's such a remote location. | 0:15:58 | 0:16:01 | |
This site was used to manufacture and store incredibly dangerous and incredibly explosive materials. | 0:16:01 | 0:16:07 | |
You needed somewhere that was far away from where people lived, | 0:16:07 | 0:16:12 | |
but also as well it's close to the river, so they could take things in and out. | 0:16:12 | 0:16:18 | |
The Cliffe explosives works began life back in the 1890s | 0:16:18 | 0:16:22 | |
when it was used for storing gunpowder. With the coming of WWI, | 0:16:22 | 0:16:27 | |
the site underwent a huge expansion. | 0:16:27 | 0:16:30 | |
What we're looking at here are layers of different buildings built at different times. | 0:16:30 | 0:16:35 | |
There were explosions, parts of the site were destroyed and rebuilt. | 0:16:35 | 0:16:40 | |
We're looking at a very complex layout of material here. Whereas further over, in WWI, | 0:16:40 | 0:16:47 | |
there's a very different layout. | 0:16:47 | 0:16:49 | |
You see how it's very regular and that was all laid out in virtually one phase | 0:16:49 | 0:16:56 | |
as part of that First World War expansion. | 0:16:56 | 0:17:00 | |
All these mounds are again protecting the rest of the site | 0:17:00 | 0:17:05 | |
from the possible blasts that could have happened, | 0:17:05 | 0:17:09 | |
from the very dangerous processes that were going on within them. | 0:17:09 | 0:17:14 | |
And it's such a vast complex. It's really difficult to get a handle on it on the ground. | 0:17:16 | 0:17:21 | |
-The aerial view gave you that overview of the whole site. -It does. | 0:17:21 | 0:17:25 | |
On the aerial view you can really see the difference in the layout. | 0:17:25 | 0:17:29 | |
We've got historic aerial photographs so we can see what happened here. | 0:17:29 | 0:17:34 | |
-This piece of land was used for demolitions disposals, for example. -That's so important. | 0:17:34 | 0:17:39 | |
It's not just the aerial view today. It's those historic aerial views that help reveal the layers. | 0:17:39 | 0:17:46 | |
I can't imagine arriving on this site on the ground. How would you survey it without the overview? | 0:17:46 | 0:17:52 | |
'It's early days, but we're beginning to get an idea of how the site developed | 0:17:52 | 0:17:59 | |
'from simple storage into an extensive armaments factory during the First World War.' | 0:17:59 | 0:18:04 | |
This represents the massive expansion in production of cordite, which was a propellant in firearms. | 0:18:04 | 0:18:10 | |
Everything from rifles right the way up to the big guns that they had on the battleships in WWI. | 0:18:10 | 0:18:17 | |
-So all those shells being fired off in the great naval battles were made here. -Well, it's the cordite, | 0:18:17 | 0:18:23 | |
the propellant that makes the shells go, that's manufactured here. | 0:18:23 | 0:18:27 | |
'The research at the site is also revealing stories about the people who worked here. | 0:18:29 | 0:18:35 | |
'Among them was Amanda Thomas' grandmother, Minnie Rogers.' | 0:18:35 | 0:18:39 | |
-What did she do here? -Well, it's unclear exactly. | 0:18:39 | 0:18:44 | |
She didn't talk about it that much and sadly she died before I was born, | 0:18:44 | 0:18:48 | |
but I think it was probably something to do with the cordite. | 0:18:48 | 0:18:53 | |
From reports that I've read of what other young women did, perhaps packing it. | 0:18:53 | 0:18:58 | |
So a job, perhaps for the first time earning money, a bit of independence, but at what a price. | 0:18:58 | 0:19:04 | |
-They must have known it was dangerous work. -Absolutely. | 0:19:04 | 0:19:09 | |
'In fact, the work was so dangerous that 21 people died at Cliffe, | 0:19:09 | 0:19:15 | |
-'including a workman known to Amanda's grandmother.' -It really was quite awful. | 0:19:15 | 0:19:21 | |
He was scraping the corrugated iron wall of one of the workshops. | 0:19:21 | 0:19:25 | |
And he was scraping with a metal chisel and it caught on the corrugated iron, caused a spark | 0:19:25 | 0:19:31 | |
and caused an explosion with the nitro-glycerine that was nearby to where he was scraping. | 0:19:31 | 0:19:38 | |
And he was blown out of the building | 0:19:38 | 0:19:42 | |
and ended up flayed in a tree. | 0:19:42 | 0:19:45 | |
That's how powerful and how dangerous the explosives were that they were dealing with on a day-to-day basis. | 0:19:45 | 0:19:52 | |
Actually, the Hoo Peninsula demonstrates the power of aerial archaeology. | 0:19:55 | 0:20:00 | |
It's difficult to make sense of these odd lumps of concrete, but from the air patterns emerge, | 0:20:00 | 0:20:06 | |
like the explosives factory. All of this is telling a story, | 0:20:06 | 0:20:10 | |
a story of great scientific endeavour, but also great tragedy. | 0:20:10 | 0:20:14 | |
'We've seen how innovation on the Hoo began with the forts and progressed rapidly | 0:20:14 | 0:20:20 | |
'from developing trench warfare to creating explosives for warships. | 0:20:20 | 0:20:24 | |
'And we're still making new discoveries.' | 0:20:24 | 0:20:28 | |
The Hoo coastline is fascinating. | 0:20:28 | 0:20:31 | |
It's littered with wrecks and old jetties. And down there it looks like there's an old submarine. | 0:20:31 | 0:20:37 | |
But there's one particular site that's causing a lot of excitement | 0:20:39 | 0:20:42 | |
and that's where I'm off to now. | 0:20:42 | 0:20:45 | |
This is Kingsnorth power station. | 0:20:50 | 0:20:53 | |
Back in WWI, this landscape looked totally different. It's only the historic aerial photographs | 0:20:53 | 0:20:59 | |
that have captured what was going on here in those days. | 0:20:59 | 0:21:03 | |
This photo was taken years before the power stations were built. | 0:21:06 | 0:21:10 | |
On it is the unmistakable shape of two colossal hangars | 0:21:10 | 0:21:15 | |
because this is where, in WWI, the Royal Navy designed, tested and built their airships. | 0:21:15 | 0:21:22 | |
Zeppelins were already demonstrating how effectively airships could be used for bombing. | 0:21:22 | 0:21:28 | |
We know that on the peninsula they were developed for anti-submarine warfare and reconnaissance. | 0:21:28 | 0:21:35 | |
It was at Kingsnorth they were put through their paces, | 0:21:35 | 0:21:38 | |
but the airship hangars were dismantled decades ago. | 0:21:38 | 0:21:42 | |
'What we don't know is if any other buildings from the airship days survive. | 0:21:42 | 0:21:46 | |
'I'm going to see if the early photos can help me find any.' | 0:21:46 | 0:21:51 | |
This is astounding. I've just come onto the industrial estate looking for fragments | 0:21:51 | 0:21:56 | |
of the Royal Naval Air Service station that was here | 0:21:56 | 0:22:00 | |
and there are these gigantic buildings. And they do look like the buildings they are - | 0:22:00 | 0:22:06 | |
definitely the buildings on these photographs. | 0:22:06 | 0:22:10 | |
These are early photographs. One hangar is still in place here | 0:22:10 | 0:22:14 | |
and that would be just over in that direction, where the power station is now. Massive hangars. | 0:22:14 | 0:22:21 | |
Well, this is extraordinary. They are the type of buildings I would expect to be constructed | 0:22:21 | 0:22:29 | |
in sort of 1915, 1916, 1917. I think they're here to service the airships. | 0:22:29 | 0:22:34 | |
They're not hangars, but engineering activities that went alongside them. | 0:22:34 | 0:22:40 | |
This is fascinating. They don't survive in many places. | 0:22:40 | 0:22:44 | |
They're usually swept away. | 0:22:44 | 0:22:46 | |
'The trouble I've got is that the only photos I have were taken in the 1920s and '30s, | 0:22:46 | 0:22:53 | |
'so I can't prove these are First World War buildings, even though my hunch is that they are.' | 0:22:53 | 0:22:58 | |
They do look like airship buildings. They're magnificent, actually. | 0:22:58 | 0:23:03 | |
And what a surprise! Unbelievable! | 0:23:03 | 0:23:06 | |
'But one surviving building has definite links to what was once a top secret base. | 0:23:06 | 0:23:12 | |
'Just a few miles from Kingsnorth, a strangely-shaped barn can be seen from the air. | 0:23:12 | 0:23:18 | |
'It turns out a local farmer salvaged the timber frame roof from one of the hangars. | 0:23:18 | 0:23:24 | |
'We know it's originally from Kingsnorth because distinctive Admiralty marks are on the trusses. | 0:23:24 | 0:23:31 | |
'It's so rare that the 215-foot-long building is now protected.' | 0:23:31 | 0:23:36 | |
-This is not your normal farm barn, is it? -No! | 0:23:37 | 0:23:41 | |
It's just splendid. Those cartwheel-like roof trusses there. | 0:23:41 | 0:23:46 | |
'Tina Bilbay has a particular interest in the barn. | 0:23:47 | 0:23:51 | |
'Her grandfather used to work at the airship station.' | 0:23:51 | 0:23:55 | |
-This building would have been familiar to your grandfather. -Yes. | 0:23:55 | 0:23:59 | |
This would have been where he was working, one of the buildings. | 0:23:59 | 0:24:03 | |
-He was producing hydrogen and filling the airships. -And that was a dangerous thing to do. -Very. | 0:24:03 | 0:24:11 | |
Very. His wages, actually, reflect that. | 0:24:11 | 0:24:15 | |
When he was put in as a hydrogen worker, | 0:24:15 | 0:24:21 | |
his wages were much more than just an ordinary air mechanic. | 0:24:21 | 0:24:26 | |
-So he got danger money. -Danger money, yes, indeed. | 0:24:26 | 0:24:30 | |
Well, it'd flammable, it's explosive, and there were fatalities. | 0:24:30 | 0:24:35 | |
People were obviously dying in their thousands at the front, | 0:24:35 | 0:24:39 | |
but we sometimes forget the human cost of work here on the home front, people working with munitions, | 0:24:39 | 0:24:45 | |
-experimental materials, dangerous gases. They were exposed to quite a lot of danger, too. -Well, yes. | 0:24:45 | 0:24:51 | |
My grandfather died in his mid-40s | 0:24:51 | 0:24:55 | |
from lung troubles. And, presumably, it was the hydrogen gas that he'd got a lungful of. | 0:24:55 | 0:25:01 | |
-Probably more than one lungful. -Over a long period of time. -Over the two years he worked here. | 0:25:01 | 0:25:08 | |
'Tina has a photo of her grandfather and the Kingsnorth workers taken at the end of the war. | 0:25:08 | 0:25:14 | |
'This might give me the proof I've been looking for that the buildings I saw earlier are from WWI.' | 0:25:14 | 0:25:21 | |
So they're all standing here. The photograph was taken at that point. | 0:25:21 | 0:25:26 | |
I can see the end of the hangar. They're definitely between the two. It's that one I'm interested in. | 0:25:26 | 0:25:32 | |
That's the roof of it right there. Yeah, the gable end. | 0:25:32 | 0:25:36 | |
I can see the building behind it. And there's the water tower behind. | 0:25:36 | 0:25:40 | |
That's incredible. So it's definitely a building of that era. | 0:25:40 | 0:25:45 | |
'What's clear from all the locations I've flown over on the Hoo | 0:25:45 | 0:25:50 | |
'is how dramatic the pace of change has been. A few short decades | 0:25:50 | 0:25:55 | |
'and the experimental and revolutionary becomes old hat. | 0:25:55 | 0:25:59 | |
'And nowhere demonstrates how military technology advanced more than my final destination.' | 0:25:59 | 0:26:05 | |
We began this story at Cliffe Fort | 0:26:07 | 0:26:09 | |
and when it was built at the end of the 19th century, it was state-of-the-art - | 0:26:09 | 0:26:14 | |
Brennan torpedoes, big guns. It was designed to protect us from attack from the sea. | 0:26:14 | 0:26:20 | |
Just a few decades later, Cliffe was redundant. | 0:26:20 | 0:26:23 | |
The threat now came from the air and this was the answer. | 0:26:23 | 0:26:28 | |
'Because it lies in the middle of an army training ground, these buildings had lain in obscurity | 0:26:28 | 0:26:35 | |
'until the aerial survey.' This is a very well laid-out site. | 0:26:35 | 0:26:39 | |
Over here we've got the barracks. And this is the munitions store and officers' quarters. | 0:26:39 | 0:26:44 | |
Over there is the war shelter. They went there if under attack. | 0:26:44 | 0:26:49 | |
'It was thought it could be a WWII anti-aircraft battery, | 0:26:49 | 0:26:53 | |
'but further investigation has revealed it's far earlier than that and dates from the First World War. | 0:26:53 | 0:26:59 | |
'Its role - to defend against German bombers and zeppelins. | 0:26:59 | 0:27:03 | |
'And it has a unique place in military history.' | 0:27:03 | 0:27:07 | |
This is Britain's first purpose-built anti-aircraft gun emplacement. | 0:27:07 | 0:27:12 | |
There's a thick concrete wall around the outside and where the gun was sited is right here. | 0:27:12 | 0:27:18 | |
We've got the Thames Estuary, Cliffe over there, the munitions factory, | 0:27:18 | 0:27:23 | |
Kingsnorth, the power station, the airship station just over there. | 0:27:23 | 0:27:27 | |
We've got a big naval ordnance depot just over the hill. All these places had to be protected | 0:27:27 | 0:27:33 | |
and this was the spot to do it from. | 0:27:33 | 0:27:35 | |
'Discoveries being made on the Hoo are changing our perceptions of the First World War. | 0:27:35 | 0:27:41 | |
'We're realising that research and innovation at home was every bit as vital to the success of the war | 0:27:41 | 0:27:49 | |
'as the battles on the Western Front.' | 0:27:49 | 0:27:52 | |
There was a time when people thought of the Hoo Peninsula as a forgotten backwater, but we've discovered | 0:27:52 | 0:27:58 | |
that this place was at the centre of military technology. Trench design, airship construction, | 0:27:58 | 0:28:05 | |
innovation in explosives all took place here | 0:28:05 | 0:28:09 | |
and they had a profound effect on the course of World War One. | 0:28:09 | 0:28:14 | |
This is a place that's embraced change and is facing change again, | 0:28:14 | 0:28:19 | |
but let's hope that this change doesn't erase the traces of its heritage. | 0:28:19 | 0:28:24 | |
The Hoo really is a very, very special place. | 0:28:24 | 0:28:28 | |
Subtitles by Red Bee Media Ltd | 0:28:50 | 0:28:52 |