Browse content similar to Manchester. Check below for episodes and series from the same categories and more!
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Pubs have been at the heart of Britain for hundreds of years. | 0:00:02 | 0:00:05 | |
Cheers! | 0:00:05 | 0:00:06 | |
-In city taverns... -..and village inns. | 0:00:06 | 0:00:08 | |
'Landlords have pulled pints for locals, travellers...' | 0:00:08 | 0:00:12 | |
and, well, the odd king or two. Meself included | 0:00:12 | 0:00:15 | |
Try and have a drink now. | 0:00:15 | 0:00:18 | |
Oh! | 0:00:18 | 0:00:20 | |
But with 30 pubs closing every week, our historic taverns need defending. | 0:00:20 | 0:00:25 | |
Step. Step. | 0:00:25 | 0:00:27 | |
We're heading out to discover amazing stories linked to the nation's watering holes. | 0:00:27 | 0:00:32 | |
-Not far to go. -How far? | 0:00:32 | 0:00:34 | |
-Oh, a couple of miles. -What?! | 0:00:34 | 0:00:36 | |
'From the Wars of the Roses...' | 0:00:36 | 0:00:38 | |
..to shipbuilding on the Clyde, | 0:00:38 | 0:00:40 | |
we've ditched our bikes so that we can sample an ale or two. | 0:00:40 | 0:00:44 | |
Get in! | 0:00:44 | 0:00:46 | |
-This is very good. -LAUGHTER | 0:00:46 | 0:00:48 | |
'So join us for...' | 0:00:48 | 0:00:50 | |
MUSIC: Step On by Happy Mondays | 0:00:55 | 0:00:58 | |
Manchester - | 0:01:01 | 0:01:02 | |
home of Liam Gallagher, Shaun Ryder | 0:01:02 | 0:01:05 | |
and a whole load of other mouthy Mancs. | 0:01:05 | 0:01:07 | |
# You're twisting my melon, man... # | 0:01:07 | 0:01:09 | |
But being gobby around here is a tradition dating back to | 0:01:09 | 0:01:13 | |
the city's harsh industrial past. | 0:01:13 | 0:01:15 | |
And today we're visiting the pubs where exploited cotton mill workers | 0:01:18 | 0:01:22 | |
in the 19th century put their miserable world to rights | 0:01:22 | 0:01:26 | |
and shouted for change. | 0:01:26 | 0:01:28 | |
# Call the cops... # | 0:01:28 | 0:01:31 | |
What do we want? We want change. When do we want it? | 0:01:31 | 0:01:34 | |
Now! What do we want? We want change. | 0:01:34 | 0:01:37 | |
When do want it? Now! | 0:01:37 | 0:01:39 | |
Whoa, easy, tiger. We're not in the 1800s now, you know. | 0:01:39 | 0:01:42 | |
No, mate, you're right, we're not, | 0:01:42 | 0:01:44 | |
because if we had've been in the 1800s, | 0:01:44 | 0:01:47 | |
we would have been arrested for protesting like this, you know. | 0:01:47 | 0:01:50 | |
Which is precisely why political plots were hatched in the boozer. | 0:01:50 | 0:01:54 | |
We're heading back to the early 1800s, | 0:01:57 | 0:02:00 | |
when across Britain the Industrial Revolution was in full swing. | 0:02:00 | 0:02:04 | |
The nation's cities were heaving with people who'd flocked there | 0:02:06 | 0:02:10 | |
to work in these new heavy industries. | 0:02:10 | 0:02:12 | |
And in Manchester cotton was king, | 0:02:12 | 0:02:14 | |
which explains the nickname Cottonopolis. | 0:02:14 | 0:02:17 | |
Here, pubs like the Olde Boar's Head were packed to the gunnels with factory workers. | 0:02:21 | 0:02:26 | |
But these folks weren't just after a quiet pint. | 0:02:28 | 0:02:31 | |
They were thirsty for political change. | 0:02:31 | 0:02:33 | |
Ah, The Olde Boar's Head! | 0:02:39 | 0:02:40 | |
I hear that this ancient inn has played host to the odd royal | 0:02:40 | 0:02:44 | |
-and even Dick Turpin. -Has it? | 0:02:44 | 0:02:46 | |
Well, we should fit right in there, then, mate, | 0:02:46 | 0:02:48 | |
I can see ourselves as highwaymen, robbing the rich to save the poor. | 0:02:48 | 0:02:52 | |
No, mate, no, no, no, that was Robin Hood. | 0:02:52 | 0:02:55 | |
Dick Turpin was in fact a mercenary who got hanged for horse theft. | 0:02:55 | 0:02:58 | |
-Really? -Aye. -Well, let's stick to the day jobs, then, eh? | 0:02:58 | 0:03:01 | |
-Pint? -I think. | 0:03:01 | 0:03:03 | |
The Olde Boar's Head is in Middleton on the northern edge of the city | 0:03:07 | 0:03:11 | |
and is one of Manchester's oldest boozers. | 0:03:11 | 0:03:14 | |
It was also the regular meeting place for a group of | 0:03:18 | 0:03:21 | |
political activists known as the Hampden Reform Club, | 0:03:21 | 0:03:24 | |
led by a man called Sam Bamford. | 0:03:24 | 0:03:27 | |
'Historian Jonathan Schofield has come to the pub to tell us more.' | 0:03:29 | 0:03:33 | |
-Just the man. -Hello. -Jonathan, hi. How are you? Very nice to meet you. | 0:03:33 | 0:03:37 | |
-Hello, Jonathan. -Nice to see you. | 0:03:37 | 0:03:39 | |
This is a fantastic pub. Can you tell us all about it? | 0:03:39 | 0:03:42 | |
Well, the front part of the building is the ancient part of | 0:03:42 | 0:03:44 | |
the building and these would have originally been cottages. | 0:03:44 | 0:03:47 | |
But by the 1600s it becomes a boozer | 0:03:47 | 0:03:50 | |
and then later on it gets an extra string to its bow | 0:03:50 | 0:03:52 | |
when it becomes a court, which is a sessions court, | 0:03:52 | 0:03:55 | |
which is very appropriate for a pub, I think, | 0:03:55 | 0:03:57 | |
-cos it's nice to have a nice session in a pub. -Hey-hey! | 0:03:57 | 0:04:00 | |
The irony of this is that, of course, | 0:04:00 | 0:04:02 | |
it was held as a place of justice, | 0:04:02 | 0:04:04 | |
but also that it should later on then become a centre of | 0:04:04 | 0:04:08 | |
dissent and radicalism, when a man called Sam Bamford | 0:04:08 | 0:04:11 | |
used to come and drink in here and talk about libertarian values. | 0:04:11 | 0:04:16 | |
Yes, because at that time political protest was being, | 0:04:16 | 0:04:19 | |
was being quashed, wasn't it? So what was he fighting for? | 0:04:19 | 0:04:22 | |
What they wanted, from | 0:04:22 | 0:04:24 | |
all the way in the early part of the 19th century | 0:04:24 | 0:04:27 | |
and a little bit at the end of the 18th century, | 0:04:27 | 0:04:29 | |
was simply representation, because | 0:04:29 | 0:04:31 | |
during times of distress there was nobody to talk to around here, | 0:04:31 | 0:04:34 | |
cos you didn't have a member of Parliament, you couldn't go to London with any distress, | 0:04:34 | 0:04:38 | |
-so you wanted universal suffrage, a vote for everybody. -Yes. | 0:04:38 | 0:04:40 | |
And you wanted a member of Parliament, to represent you, | 0:04:40 | 0:04:43 | |
so they would meet in here and talk about these ideas. | 0:04:43 | 0:04:46 | |
Pubs like The Olde Boar's Head became a magnet for | 0:04:48 | 0:04:51 | |
the workers of over 100 mills when Manchester was at its peak. | 0:04:51 | 0:04:55 | |
Manchester by the 1830s was probably responsible for 50% of all British exports. | 0:04:58 | 0:05:02 | |
-Wow! -And that's why the whole city became known as Cottonopolis. | 0:05:02 | 0:05:06 | |
Wow. So Cottonopolis in essence, then, changed the whole fabric of Manchester society. | 0:05:06 | 0:05:10 | |
That's the best joke I've ever heard about cotton, well done. | 0:05:10 | 0:05:13 | |
-Nice pun, Kingy. Slipped out. -That's wonderful, that is. | 0:05:13 | 0:05:15 | |
Yeah, yeah, I think they used cotton as a material for reform. | 0:05:15 | 0:05:19 | |
-But the... -Oooh! -We're getting there! -Good, this, innit? | 0:05:19 | 0:05:23 | |
-He doesn't lose his thread, does he, that one? -Hey-hey! | 0:05:23 | 0:05:26 | |
Joking aside, conditions in the mills were appalling. | 0:05:27 | 0:05:30 | |
Working hours were unregulated, | 0:05:30 | 0:05:32 | |
serious accidents were commonplace | 0:05:32 | 0:05:34 | |
and wages were as low as three shillings a week. | 0:05:34 | 0:05:38 | |
But it's obvious from this that change was necessary. | 0:05:40 | 0:05:43 | |
Oh, absolutely. Samuel Bamford knew that, | 0:05:43 | 0:05:45 | |
so he would meet in this pub, with his radicals. | 0:05:45 | 0:05:47 | |
This was happening all across, and not just in Lancashire but across the country. | 0:05:47 | 0:05:51 | |
It was just focused in Lancashire because there was this quite | 0:05:51 | 0:05:53 | |
intellectual group of working people | 0:05:53 | 0:05:55 | |
who would meet and think these things. | 0:05:55 | 0:05:57 | |
It was no easy job, though. | 0:05:58 | 0:06:00 | |
The ruling classes were determined to stamp out these pub politics. | 0:06:00 | 0:06:03 | |
Bamford's band was becoming a real threat to the establishment. | 0:06:05 | 0:06:08 | |
But as common workers became more politically aware, | 0:06:10 | 0:06:12 | |
change was on the horizon. | 0:06:12 | 0:06:14 | |
What's fascinating about it is they were fighting for fundamental rights | 0:06:16 | 0:06:20 | |
-like, you know, a ten-hour working day. -Yeah. | 0:06:20 | 0:06:22 | |
So if they're fighting for a ten-hour working day, how long did they work? | 0:06:22 | 0:06:26 | |
-12, 14, 16, 18 hours sometimes in the -mills. Exactly. | 0:06:26 | 0:06:29 | |
So they were absolute just basic humanitarian rights | 0:06:29 | 0:06:32 | |
that working class people were asking for | 0:06:32 | 0:06:34 | |
-and the landowners... -In fact, it goes deeper than that. | 0:06:34 | 0:06:37 | |
They're actually fighting for something more basic. Respect, | 0:06:37 | 0:06:40 | |
dignity, all those things. And those come from | 0:06:40 | 0:06:43 | |
-if you feel you've got some power through democratic vote. -Yes. | 0:06:43 | 0:06:45 | |
But they weren't there to do anything | 0:06:45 | 0:06:48 | |
but protest the injustice of the system at the time. | 0:06:48 | 0:06:51 | |
On the 16th of August 1819, | 0:06:54 | 0:06:57 | |
a terrible event would transform the political landscape. | 0:06:57 | 0:07:01 | |
Sam Bamford and his followers from the Olde Boar's Head | 0:07:02 | 0:07:05 | |
joined a peaceful protest at St Peter's Fields. | 0:07:05 | 0:07:09 | |
Around 80,000 demonstrators illegally gathered, | 0:07:11 | 0:07:15 | |
but things soon spiralled out of control. | 0:07:15 | 0:07:18 | |
The authorities sent in sword-wielding cavalry | 0:07:18 | 0:07:22 | |
in what became known as the Peterloo Massacre. | 0:07:22 | 0:07:25 | |
Around 600 were injured and 15 killed. | 0:07:27 | 0:07:31 | |
Bamford was arrested for, "Assembling with unlawful banners | 0:07:33 | 0:07:37 | |
"at an unlawful meeting for the purpose of inciting discontent." | 0:07:37 | 0:07:41 | |
Phew! | 0:07:41 | 0:07:43 | |
Easy for you to say, mucker! | 0:07:43 | 0:07:44 | |
After a year in jail, | 0:07:44 | 0:07:46 | |
he turned his attention to writing political songs. | 0:07:46 | 0:07:49 | |
And Jennifer Reid is keeping these broadside ballads alive. | 0:07:50 | 0:07:54 | |
-Jennifer. Hello, I'm Si. -Nice to meet you. | 0:07:55 | 0:07:57 | |
-Nice to meet you. How are you? -Lovely to meet you. How are you? | 0:07:57 | 0:08:00 | |
Now, Jennifer, you're a musician. | 0:08:00 | 0:08:03 | |
-Mm-hmm. -Can you tell us the sort of music | 0:08:03 | 0:08:07 | |
and what would have gone on in Bamford's time in this pub? | 0:08:07 | 0:08:10 | |
In, like, the 1800s there was | 0:08:10 | 0:08:12 | |
a strong tradition of broadside ballads, so this is a tract, | 0:08:12 | 0:08:16 | |
printed on a cheap piece of paper, usually from pushed ends of cotton, | 0:08:16 | 0:08:20 | |
-because paper wasn't readily available. -Right. | 0:08:20 | 0:08:22 | |
So they'd have to make their own paper, | 0:08:22 | 0:08:24 | |
and then these were written without tunes on the paper | 0:08:24 | 0:08:26 | |
and then you could buy a separate book of tunes, but that was | 0:08:26 | 0:08:29 | |
generated later on, so usually people would just make them up. | 0:08:29 | 0:08:32 | |
So, in the pubs specifically, they would paste up these ballads, | 0:08:32 | 0:08:34 | |
these broadsheets, paste them up on the wall so that the whole | 0:08:34 | 0:08:37 | |
community could learn the words to the ballad, and then the next time | 0:08:37 | 0:08:41 | |
it was sung, when everyone was quite merry, then everyone could join in. | 0:08:41 | 0:08:44 | |
So how important were the broadside ballads | 0:08:44 | 0:08:47 | |
in spreading the political message? | 0:08:47 | 0:08:48 | |
They were the main transfer of information between the 16th and 19th centuries, | 0:08:48 | 0:08:52 | |
but their heyday was in the 17th when news as an item | 0:08:52 | 0:08:55 | |
became more prevalent in people's lives. | 0:08:55 | 0:08:57 | |
People really started to understand that they could shape politics | 0:08:57 | 0:09:01 | |
and they were involved. | 0:09:01 | 0:09:02 | |
All Sam Bamford's poems were really rooted politically | 0:09:02 | 0:09:05 | |
and I think that's very interesting about his character. | 0:09:05 | 0:09:08 | |
The brutality and injustice of Peterloo | 0:09:10 | 0:09:12 | |
inspired broadside ballads by Bamford and other activists. | 0:09:12 | 0:09:16 | |
They were sung in pubs the length and breadth of England, | 0:09:18 | 0:09:21 | |
and Jennifer's still singing them to this day. | 0:09:21 | 0:09:24 | |
Here, Kingy, I think there's a chance we can travel back in time now. | 0:09:25 | 0:09:28 | |
I think so. Jennifer will you sing us a song? | 0:09:28 | 0:09:30 | |
Yes, I'll sing you Peterloo by Harvey Kershaw, | 0:09:30 | 0:09:32 | |
a famous dialect poet from Rochdale. | 0:09:32 | 0:09:34 | |
-Fantastic, thank you. -I think we should take our seats, mate. Lovely. | 0:09:34 | 0:09:37 | |
# In Peter's Field in Manchester | 0:09:38 | 0:09:42 | |
# In year 1-8-1-9 | 0:09:42 | 0:09:46 | |
# When cotton folk of Lancashire | 0:09:46 | 0:09:50 | |
# In protest did combine | 0:09:50 | 0:09:54 | |
# Corn laws had brought their crippling tax | 0:09:54 | 0:09:58 | |
# And price of food near broke folks' backs | 0:09:58 | 0:10:02 | |
# And set alight the smouldering flax | 0:10:04 | 0:10:08 | |
# And bristled many a spine | 0:10:08 | 0:10:12 | |
# Salute once more these men of yore | 0:10:12 | 0:10:16 | |
# Who were to conscience true | 0:10:16 | 0:10:19 | |
# And give their blood for common good | 0:10:19 | 0:10:23 | |
# On field of Peterloo. # | 0:10:23 | 0:10:27 | |
-Fantastic. -Brilliant. | 0:10:27 | 0:10:29 | |
That was fantastic. | 0:10:29 | 0:10:31 | |
By goodness me, that's a rousing song. | 0:10:31 | 0:10:34 | |
-It sends a tingle up your spine, doesn't it? -It does, it does. | 0:10:34 | 0:10:37 | |
Pub singsongs spreading the political message? | 0:10:40 | 0:10:42 | |
I think that's fantastic. | 0:10:42 | 0:10:45 | |
Now, don't go getting any ideas, Kingy. | 0:10:45 | 0:10:48 | |
I've heard you singing after a few pints and it's not pretty! | 0:10:48 | 0:10:51 | |
That's fascinating stuff, Kingy. I mean, riots, rights and pubs. | 0:10:56 | 0:11:01 | |
And, by the way, do you know where the phrase "to read the Riot Act" comes from? | 0:11:01 | 0:11:04 | |
I do not, mate, no. | 0:11:04 | 0:11:06 | |
In 1718, the Riot Act was passed, | 0:11:06 | 0:11:08 | |
which forbid meetings of more than 12 people from taking place. | 0:11:08 | 0:11:11 | |
But where does the reading bit come from, though, mate? | 0:11:11 | 0:11:14 | |
Ah, you see, the magistrate would turn up at the meeting, | 0:11:14 | 0:11:16 | |
read them the Riot Act, | 0:11:16 | 0:11:18 | |
and if you didn't budge, you got three years in jail. | 0:11:18 | 0:11:21 | |
-That's a bit harsh, isn't it? -Aye. | 0:11:21 | 0:11:22 | |
And that's not the only bit | 0:11:26 | 0:11:27 | |
of pub trivia up our sleeves. | 0:11:27 | 0:11:29 | |
Pub signs are full of fascinating facts, too, | 0:11:29 | 0:11:32 | |
and here are three of our Manchester faves. | 0:11:32 | 0:11:35 | |
The Sir Ralph Abercromby stands on the site of St Peter's Fields, | 0:11:38 | 0:11:42 | |
and is one of the few surviving buildings from the time of the massacre. | 0:11:42 | 0:11:46 | |
Unlike its namesake, a famous British Army general | 0:11:48 | 0:11:52 | |
who died in 1801 in battle against the French. | 0:11:52 | 0:11:54 | |
Oops. Better not order a glass of Bordeaux here, then. | 0:11:55 | 0:11:58 | |
In a previous life, The Britons Protection was a recruitment centre for military service. | 0:12:00 | 0:12:05 | |
Oh, a few too many pints and you'd be fighting for King and Country. | 0:12:07 | 0:12:11 | |
And did you know The Peveril Of The Peak shares its name with a Sir Walter Scott novel? | 0:12:14 | 0:12:19 | |
This Grade II-listed boozer's also a star of stage and screen. | 0:12:20 | 0:12:24 | |
It's appeared in Corrie, Cracker and The X Factor. | 0:12:25 | 0:12:28 | |
More famous than us, then! | 0:12:29 | 0:12:31 | |
We're back on Manchester's mean streets | 0:12:35 | 0:12:38 | |
to discover just how tough life was in 19th-century Cottonopolis. | 0:12:38 | 0:12:43 | |
And how the local pubs were keen to keep up. | 0:12:43 | 0:12:46 | |
Well, there may not have been a limit to the amount of hours that you could work, | 0:12:47 | 0:12:51 | |
but did you realise that pubs could be open up to 18 hours a day? | 0:12:51 | 0:12:54 | |
I didn't actually, Dave, but that's no surprise given the booming population, | 0:12:54 | 0:12:57 | |
and a load of thirsty punters. You know what I think I might do? | 0:12:57 | 0:13:01 | |
Go and find out what they were actually drinking. | 0:13:01 | 0:13:03 | |
-MANCHESTER ACCENT: -Nice job. | 0:13:03 | 0:13:05 | |
Well, I'm going to go back in time, to find out what was happening | 0:13:05 | 0:13:08 | |
on the streets. I'm mad for it, me. Banging. | 0:13:08 | 0:13:10 | |
Is that the best Mancunian accent you can do? | 0:13:10 | 0:13:13 | |
It's not bad. | 0:13:13 | 0:13:14 | |
MUSIC: Fools Gold by The Stone Roses | 0:13:14 | 0:13:17 | |
Keep it real, mucker. | 0:13:18 | 0:13:19 | |
I'm off to visit a brewery to find out more about the beer | 0:13:19 | 0:13:23 | |
the working man would've been supping in the 1800s. | 0:13:23 | 0:13:26 | |
And I'm hitting the streets of old Cottonopolis, | 0:13:28 | 0:13:31 | |
where I'm hoping historian Suzanne Hindle | 0:13:31 | 0:13:34 | |
can weave me a picture of life back then. | 0:13:34 | 0:13:37 | |
-Hello, Suzanne. -Hi, Dave. -It's Dave, hello. | 0:13:37 | 0:13:40 | |
-How are you? -I'm very well. Where are we? | 0:13:40 | 0:13:42 | |
This is Ancoats. | 0:13:42 | 0:13:44 | |
This is where the heartland of industrial Manchester, it was, | 0:13:44 | 0:13:48 | |
so this was the mill district of the city. | 0:13:48 | 0:13:50 | |
And what was life like in those days for the workers? | 0:13:50 | 0:13:53 | |
It was difficult. I mean, Manchester in about 1801, | 0:13:53 | 0:13:55 | |
the population of the city was something like 70,000. | 0:13:55 | 0:13:58 | |
By about 1851 that would double to something like 300,000, | 0:13:58 | 0:14:02 | |
so lots of people moving into the city. | 0:14:02 | 0:14:05 | |
So you had people who were looking for work, | 0:14:05 | 0:14:07 | |
so coming out from the countryside, wanting to get that, | 0:14:07 | 0:14:10 | |
the sort of bright eyes and the big city, and work in those mills. | 0:14:10 | 0:14:13 | |
Yes, yes. Did the working-class people have any leisure time and what did they do with it? | 0:14:13 | 0:14:18 | |
Remember you're in those mills for many, many hours. | 0:14:18 | 0:14:20 | |
However, there was the demon drink, of course, | 0:14:20 | 0:14:23 | |
and pubs were open long hours. | 0:14:23 | 0:14:25 | |
There was a pub on every corner of these working-class districts. | 0:14:25 | 0:14:28 | |
That lure of drink was everywhere around us to spend your money. | 0:14:28 | 0:14:33 | |
'The pubs split opinion. | 0:14:35 | 0:14:37 | |
'Some viewed them as a perfectly acceptable escape for workers, | 0:14:37 | 0:14:41 | |
'others saw them as a scourge. | 0:14:41 | 0:14:43 | |
'What can't be disputed is the poverty in the area. | 0:14:43 | 0:14:47 | |
'This building, ironically now a pub,' | 0:14:49 | 0:14:51 | |
was a mission, providing refuge for the needy. | 0:14:51 | 0:14:55 | |
So why was there a mission here? | 0:15:11 | 0:15:13 | |
There was a mission because this was a really, really poor area. | 0:15:13 | 0:15:17 | |
-Ragamuffins. -Ragamuffins! -Aw! | 0:15:17 | 0:15:19 | |
Look at them with their clogs on. Poor children, with nothing. | 0:15:19 | 0:15:23 | |
In here, this is where they prepared the food, | 0:15:23 | 0:15:25 | |
and you would have gone through here, through a corridor, | 0:15:25 | 0:15:28 | |
and it would have led you into a night shelter and they would | 0:15:28 | 0:15:31 | |
have slept on the floor, and they would've been given meals as well. | 0:15:31 | 0:15:35 | |
-Right. -And clothes and clogs. | 0:15:35 | 0:15:36 | |
We've got some books that I can tell you a little bit about | 0:15:36 | 0:15:39 | |
why it was needed and what the area was like at the time, | 0:15:39 | 0:15:42 | |
so this is a book called Ten Years In The Slums by Alfred Alsop, | 0:15:42 | 0:15:46 | |
our philanthropist, and he describes that the three curses of the city | 0:15:46 | 0:15:50 | |
are gin shops, pawn shops and brothels. | 0:15:50 | 0:15:52 | |
So he describes particularly the pubs in the area, | 0:15:52 | 0:15:55 | |
which he describes as "flaring gilded palaces of Bacchus". | 0:15:55 | 0:15:59 | |
Those would be the gin palaces, obviously. | 0:15:59 | 0:16:02 | |
They're found on every corner with this crowd of "ragged worshipers", | 0:16:02 | 0:16:06 | |
he describes people who come into the pubs, | 0:16:06 | 0:16:08 | |
and he describes the landlord as "the chief priest". | 0:16:08 | 0:16:11 | |
So what did the government do to sort out the gin problem? | 0:16:13 | 0:16:16 | |
Well, they hiked up taxes on the spirit and made it easier | 0:16:16 | 0:16:19 | |
to brew ale and, hey, presto, we became a beer-drinking nation... | 0:16:19 | 0:16:24 | |
..which is why I've come to Robinsons. | 0:16:30 | 0:16:32 | |
They've been making beer and running pubs in Manchester for over 175 years. | 0:16:32 | 0:16:38 | |
-Watch your head. -Thanks. Thank you. | 0:16:44 | 0:16:47 | |
Wow, Oliver. What a great building. | 0:16:47 | 0:16:49 | |
So, look, tell me about Robinsons Brewery and the family history. | 0:16:49 | 0:16:53 | |
Well, I'm sixth generation of the Robinson family and, | 0:16:53 | 0:16:55 | |
it was actually my great-great-great grandfather | 0:16:55 | 0:16:58 | |
who decided to start running a pub in 1826. | 0:16:58 | 0:17:02 | |
He actually ran that until 1850, | 0:17:02 | 0:17:05 | |
and really that's where it started. I think in those days | 0:17:05 | 0:17:07 | |
most pubs brewed their own beer, and, you know, it grew from there, | 0:17:07 | 0:17:11 | |
that's where it all started, going back to 1826. | 0:17:11 | 0:17:14 | |
So, what was the drinking culture at the time | 0:17:14 | 0:17:17 | |
when William, your ancestor, decided, | 0:17:17 | 0:17:19 | |
"Right, I'm going to buy a pub and I'm going to brew some beer"? | 0:17:19 | 0:17:23 | |
A lot of people drank gin, | 0:17:23 | 0:17:25 | |
and certainly a lot of the poor people drank gin as well, | 0:17:25 | 0:17:28 | |
and going out to the factories, they were going in drunk, | 0:17:28 | 0:17:32 | |
when in actual fact the employers wanted people who were sober. | 0:17:32 | 0:17:34 | |
And, it was going back really into the 1850s, if you have | 0:17:34 | 0:17:38 | |
and can produce something like beer at a lower strength, | 0:17:38 | 0:17:41 | |
people could still drink and have an enjoyable time, | 0:17:41 | 0:17:44 | |
but perhaps they were a bit more sober to work the following day. | 0:17:44 | 0:17:47 | |
These days Robinsons Brewery owns over 300 pubs | 0:17:48 | 0:17:52 | |
and brews over 13 million pints a year. | 0:17:52 | 0:17:55 | |
To think it all started with one little public house | 0:17:55 | 0:17:59 | |
in the town of Stockport, just outside Manchester. | 0:17:59 | 0:18:03 | |
Can we make a comparison, then, between | 0:18:03 | 0:18:06 | |
the beers that we drink now and the beers that they drank then? | 0:18:06 | 0:18:10 | |
Is there a massive difference or are they pretty similar? | 0:18:10 | 0:18:14 | |
From a brewing process, not at all. You know, there are four core ingredients in beer. | 0:18:14 | 0:18:18 | |
You've got your water, you've got your malt, you've got your hops and you've got your yeast. | 0:18:18 | 0:18:22 | |
That's not changed over hundreds of years. | 0:18:22 | 0:18:23 | |
Now, all this talk about pubs and brewing is all well and good... | 0:18:23 | 0:18:28 | |
-Made you thirsty. -I am. I would slightly like to wet me whistle. | 0:18:28 | 0:18:31 | |
-Let's go to the fermenting room and try some wort. -I'll follow you. | 0:18:31 | 0:18:35 | |
This batch of lovely liquid is called the wort. | 0:18:37 | 0:18:40 | |
'And, no, I'm not going fishing, I'm sampling a batch. | 0:18:41 | 0:18:45 | |
'It hasn't finished fermenting yet | 0:18:45 | 0:18:47 | |
'and still contains the sugar that will eventually turn to alcohol.' | 0:18:47 | 0:18:52 | |
It's only been fermenting for about sort of three days. | 0:18:52 | 0:18:55 | |
It's going to be in here for about another three days, | 0:18:55 | 0:18:58 | |
so it's going to be quite... Throw that back in. | 0:18:58 | 0:19:00 | |
It smells fantastic, to be fair. | 0:19:05 | 0:19:07 | |
So there's still a nice sweetness on there. | 0:19:07 | 0:19:10 | |
You can feel this wortiness on the back of the palate. | 0:19:13 | 0:19:16 | |
Throw that back in. | 0:19:17 | 0:19:19 | |
Pop the glass there, I don't want that falling in. | 0:19:19 | 0:19:21 | |
' "Wortiness." I've never heard that one before, but I like it.' | 0:19:21 | 0:19:26 | |
Oliver, this is fascinating. | 0:19:26 | 0:19:28 | |
So, another three days, and that'll be close to the final product, then. | 0:19:28 | 0:19:31 | |
Be ready, yeah. | 0:19:31 | 0:19:33 | |
'And here's some Oliver prepared earlier. | 0:19:33 | 0:19:36 | |
'Three days earlier, to be precise.' | 0:19:36 | 0:19:38 | |
-Oh, fantastic. -There you are. | 0:19:41 | 0:19:43 | |
Thank you so very, very much. | 0:19:43 | 0:19:46 | |
-Look at that. -Cheers. -Cheers. Your very good health. | 0:19:46 | 0:19:48 | |
It was a great pleasure to show you round the brewery. | 0:19:48 | 0:19:51 | |
Well, it's been a great pleasure to be in receipt of it. Thank you. | 0:19:51 | 0:19:54 | |
'And you know what great beers go hand-in-hand with? | 0:19:54 | 0:19:57 | |
'Great boozers!' | 0:19:57 | 0:19:59 | |
But pubs would be nothing without their passionate punters, | 0:20:00 | 0:20:03 | |
so let's meet some locals who love their local, | 0:20:03 | 0:20:07 | |
so much so that they bought the place! | 0:20:07 | 0:20:10 | |
The Star Inn is a traditional backstreet boozer. | 0:20:13 | 0:20:16 | |
It's been serving the people of Salford since 1856. | 0:20:16 | 0:20:21 | |
In 2009 this band of loyal locals saved it from certain closure | 0:20:22 | 0:20:27 | |
by clubbing together to buy the freehold and form a cooperative. | 0:20:27 | 0:20:31 | |
A bold and brilliant venture Jim, here, was part of. | 0:20:33 | 0:20:37 | |
Since about 1975 I've been coming here, | 0:20:39 | 0:20:42 | |
since I was a student. | 0:20:42 | 0:20:44 | |
It's got a very strong sense of community, | 0:20:44 | 0:20:47 | |
probably even more so now that we've all bought it. | 0:20:47 | 0:20:50 | |
When we heard it was up for sale three or four people decided to | 0:20:50 | 0:20:55 | |
call a meeting to see whether there was any enthusiasm to save the pub. | 0:20:55 | 0:21:00 | |
The place was packed out. | 0:21:00 | 0:21:01 | |
People pledged money to bid at the auction. | 0:21:01 | 0:21:04 | |
'And what a nerve-racking experience that was. | 0:21:08 | 0:21:11 | |
'None of them had been to a property auction before.' | 0:21:11 | 0:21:14 | |
'But guess what? | 0:21:14 | 0:21:15 | |
'One tip of the hat and it was theirs for 80 grand. | 0:21:15 | 0:21:18 | |
'Genius!' | 0:21:18 | 0:21:20 | |
'Once theirs, the lasses, including Lorraine, were keen to fix | 0:21:21 | 0:21:25 | |
'a long-standing issue of gender inequality as a matter of urgency.' | 0:21:25 | 0:21:30 | |
The ladies' toilets are outside. | 0:21:30 | 0:21:32 | |
It was the top priority to bring the ladies' toilets indoors, | 0:21:32 | 0:21:36 | |
so we didn't have to trek out across the yard in winter, and | 0:21:36 | 0:21:40 | |
we raised enough money to be able to bring the ladies' toilets inside. | 0:21:40 | 0:21:44 | |
Ah, relief! The ladies loos are re-LOO-cated! | 0:21:44 | 0:21:49 | |
Aye, and The Star Inn is, well, shooting for the stars. | 0:21:50 | 0:21:53 | |
Hopefully it's got a bright future. | 0:21:53 | 0:21:56 | |
Pubs are generally the centre of the community. | 0:21:56 | 0:22:00 | |
It is where people from different walks of life come and meet and | 0:22:00 | 0:22:04 | |
they wouldn't...their paths wouldn't cross unless they came to the pub. | 0:22:04 | 0:22:08 | |
Manchester's locals have a long tradition of supporting the punters they serve. | 0:22:14 | 0:22:20 | |
And this was especially true in the 1800s when there was | 0:22:20 | 0:22:23 | |
little government help for people who fell on hard times. | 0:22:23 | 0:22:27 | |
So once again Mancunians got it together... | 0:22:28 | 0:22:31 | |
..down the boozer! | 0:22:31 | 0:22:33 | |
The Kings Arms. | 0:22:34 | 0:22:35 | |
You know, there are over 200 pubs in Britain that bear that name. | 0:22:35 | 0:22:39 | |
But this Kings Arms is all about the common man. | 0:22:39 | 0:22:42 | |
Yes, and I do hear, it's very... | 0:22:42 | 0:22:44 | |
BOTH: Friendly. | 0:22:44 | 0:22:46 | |
'The Kings Arms in Salford has been a pillar of the community | 0:22:49 | 0:22:53 | |
'and a haunt for local groups since 1807.' | 0:22:53 | 0:22:56 | |
'Aye, and one group, The Salford Friendly Anglers Society, | 0:22:56 | 0:23:00 | |
'has been meeting here for over a century. | 0:23:00 | 0:23:04 | |
'We're here to meet Adam, to find out what on earth | 0:23:04 | 0:23:07 | |
'a Friendly Society is when it's at home. | 0:23:07 | 0:23:09 | |
'Or, indeed, when it's down the pub.' | 0:23:09 | 0:23:12 | |
-Hiya, how are you? -Good to meet you, thank you very much. | 0:23:12 | 0:23:15 | |
-Good to meet you, lad. -Good to meet you, Dave. | 0:23:15 | 0:23:17 | |
Thanks for coming to see us, that's brilliant. | 0:23:17 | 0:23:19 | |
So this pub is the meeting place of the Salford Friendly Anglers Society. | 0:23:19 | 0:23:22 | |
That's right, it has been since the 1890s. | 0:23:22 | 0:23:25 | |
Can I ask you a question? What is a Friendly Society? | 0:23:25 | 0:23:29 | |
It's about people coming together | 0:23:29 | 0:23:30 | |
and providing a bit of financial security, in case of problems, | 0:23:30 | 0:23:35 | |
and also sharing a common passion, a common interest, | 0:23:35 | 0:23:39 | |
and having a focus point for that. | 0:23:39 | 0:23:42 | |
So in a practical way, how does the Friendly Society help people? | 0:23:42 | 0:23:46 | |
Well, back in the 19th century, you know, | 0:23:46 | 0:23:48 | |
we didn't have a welfare state, | 0:23:48 | 0:23:50 | |
so, one of the key roles of the Friendly Societies | 0:23:50 | 0:23:54 | |
was to be like this financial security net for people. | 0:23:54 | 0:23:57 | |
There was two parts, there was an angling club | 0:23:57 | 0:24:00 | |
and then there was a sick club. | 0:24:00 | 0:24:02 | |
Been a member of the angling club for 12 months, | 0:24:02 | 0:24:04 | |
you're part of that community, you can then join the sick club. | 0:24:04 | 0:24:07 | |
In the event of your death - | 0:24:07 | 0:24:09 | |
which in those days, Salford, life expectancy round here was 37. | 0:24:09 | 0:24:14 | |
-Gosh! -Wow! -So if you died, | 0:24:14 | 0:24:15 | |
then there was a levy of one shilling on all the other members, | 0:24:15 | 0:24:19 | |
which would then go to your widow, your children, your next of kin, | 0:24:19 | 0:24:22 | |
so they had that safety net. | 0:24:22 | 0:24:24 | |
So what did the pub have to do with it, then, Adam? | 0:24:24 | 0:24:27 | |
One, as a meeting place. | 0:24:27 | 0:24:28 | |
-Secondly, landlords, they were pillars of the community. -Yes. | 0:24:28 | 0:24:33 | |
-Think back in those days, Victorian times... -Yes. -Yes. | 0:24:33 | 0:24:36 | |
..you needed someone you could trust so you've got people chipping in the | 0:24:36 | 0:24:39 | |
money, the landlord would look after that, and you had a safe centre of | 0:24:39 | 0:24:43 | |
the community where they would look after the money, they would bank it | 0:24:43 | 0:24:47 | |
and then when money needed paying out, they'd pay it out for you. | 0:24:47 | 0:24:50 | |
It's amazing, isn't it, that from pubs, when there was a social need, | 0:24:50 | 0:24:53 | |
from pubs, people met, realised that there was that need, | 0:24:53 | 0:24:58 | |
and then kind of reacted to it and that's just fabulous. | 0:24:58 | 0:25:01 | |
So the Anglers, still going, it's still going strong, | 0:25:01 | 0:25:04 | |
so, how do you benefit your members now? | 0:25:04 | 0:25:07 | |
What we do is we work with | 0:25:07 | 0:25:09 | |
a whole range of stakeholders, community groups. | 0:25:09 | 0:25:12 | |
It's about getting people involved. | 0:25:12 | 0:25:13 | |
Cross-generational from old people right down to kids. | 0:25:13 | 0:25:16 | |
We're working on some National Lottery funding at the moment, | 0:25:16 | 0:25:19 | |
so that we can get kids into their wellies, into the river with a net, | 0:25:19 | 0:25:24 | |
and find out actually what's in there and start to take ownership | 0:25:24 | 0:25:27 | |
of their river and enjoy it, so it's not just seen as a dumping ground, | 0:25:27 | 0:25:31 | |
but something that we can be proud of here in Manchester. | 0:25:31 | 0:25:34 | |
It's wonderful, I think, that the pubs still play a big part in this. | 0:25:34 | 0:25:37 | |
You know, the pubs promote camaraderie, talk, | 0:25:37 | 0:25:40 | |
friendship, caring for one another. | 0:25:40 | 0:25:42 | |
I'll drink to that! | 0:25:44 | 0:25:46 | |
But it's not just anglers, | 0:25:47 | 0:25:49 | |
this pub's been a meeting place for all sorts. | 0:25:49 | 0:25:52 | |
From the North Of England Irish Terrier Club, | 0:25:52 | 0:25:55 | |
to a sword dancing group! | 0:25:55 | 0:25:57 | |
The Kings Arms knitters get together here every Monday night. | 0:26:00 | 0:26:04 | |
Knitting down the boozer? That sounds like a laugh. | 0:26:06 | 0:26:09 | |
Yeah, Kingy, it'll have you in stitches, all right! | 0:26:09 | 0:26:13 | |
Lindsey Boothman and her band of merry knitters love it down here. | 0:26:13 | 0:26:17 | |
-ALL: -Hello. | 0:26:19 | 0:26:20 | |
-Hello. How are you all? -Good. | 0:26:20 | 0:26:22 | |
Oh, look, it's knitting. | 0:26:22 | 0:26:24 | |
I love knitting. | 0:26:24 | 0:26:25 | |
-And we've got some for you to do. -Have you? -Oh, champion. | 0:26:25 | 0:26:28 | |
So what is it you like about this pub? | 0:26:28 | 0:26:31 | |
What is it that you like about knitting, more to the point?! | 0:26:31 | 0:26:33 | |
Oh, knitting's brilliant. | 0:26:33 | 0:26:35 | |
I mean, you have good company, you have a pastime, a hobby | 0:26:35 | 0:26:38 | |
and then you can wear it. | 0:26:38 | 0:26:40 | |
It's amazing, though, that you guys come to the local pub | 0:26:40 | 0:26:42 | |
and is this your way of kind of supporting the local community? | 0:26:42 | 0:26:45 | |
I mean, it's a bit of a solitary pastime, knitting. | 0:26:45 | 0:26:48 | |
-Of course! -You sit at home, you do your knitting | 0:26:48 | 0:26:51 | |
and you're on your own, but if you come out, | 0:26:51 | 0:26:53 | |
you get to meet other knitters. | 0:26:53 | 0:26:55 | |
Whether you're an expert knitter like me, | 0:26:55 | 0:26:58 | |
or a novice like Kingy, everybody's welcome. | 0:26:58 | 0:27:02 | |
What is it you love about this pub? | 0:27:02 | 0:27:05 | |
It's a fantastic pub. There are so many, so many groups meet here. | 0:27:05 | 0:27:08 | |
We meet on a Monday night, you've got a wine club meeting tonight, | 0:27:08 | 0:27:11 | |
there are theatre spaces upstairs, | 0:27:11 | 0:27:13 | |
it's just a really good community space. | 0:27:13 | 0:27:15 | |
But I think it's nice, isn't it, because we begin to live, | 0:27:15 | 0:27:18 | |
in the modern world, insular lives, don't we? | 0:27:18 | 0:27:21 | |
And it's great to be able to get out, do what you do, | 0:27:21 | 0:27:23 | |
and just sit and just have a craic. | 0:27:23 | 0:27:25 | |
It's about having a chat with each other and meeting folk, isn't it? | 0:27:25 | 0:27:28 | |
And that's what the pub's good at. | 0:27:28 | 0:27:30 | |
Do you know, I think this pub sums up a lot of things I love about pubs. | 0:27:30 | 0:27:34 | |
It's a completely level, egalitarian pub, isn't it? | 0:27:34 | 0:27:36 | |
Doesn't matter who you are, there's something for you. | 0:27:36 | 0:27:39 | |
And once you're here, you're part of a family, you never need to | 0:27:39 | 0:27:43 | |
be alone when you've got a pub like this round the corner. | 0:27:43 | 0:27:45 | |
And I think that's a service the pub has been providing | 0:27:45 | 0:27:48 | |
for a thousand years in this country. And I'm very proud of that. | 0:27:48 | 0:27:52 | |
MUSIC: Roll With It by Oasis | 0:27:52 | 0:27:55 | |
Well said, mucker, | 0:27:59 | 0:28:01 | |
and it certainly tightly knits the loose ends of our pub crawl. | 0:28:01 | 0:28:05 | |
From politics and protests to pulling together, | 0:28:05 | 0:28:09 | |
Manchester's boozers are all about the people. | 0:28:09 | 0:28:13 | |
-Interesting pub fact. -What? | 0:28:16 | 0:28:19 | |
The longest scarf ever made was knitted in Oslo | 0:28:19 | 0:28:22 | |
and it came in at a whopping, 4,565.46 metres. | 0:28:22 | 0:28:29 | |
-Really? -Yes. -How long did it take? | 0:28:29 | 0:28:33 | |
Well, as long as it took. | 0:28:34 | 0:28:36 | |
Dropped a stitch here. | 0:28:37 | 0:28:38 | |
# I think I've got a feeling I'm lost inside | 0:28:38 | 0:28:43 | |
# I think I've got a feeling I'm lost inside | 0:28:43 | 0:28:46 | |
# I think I've got a feeling I'm lost inside. # | 0:28:46 | 0:28:50 |