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London in 1886, | 0:00:02 | 0:00:03 | |
then the largest city in human history | 0:00:03 | 0:00:07 | |
and the centre of the known world. | 0:00:07 | 0:00:10 | |
With its self-importance, its dirt, its wealth and awful poverty, | 0:00:10 | 0:00:15 | |
it seems a mystery to us now. | 0:00:15 | 0:00:18 | |
It was a different world, an entirely different world. | 0:00:18 | 0:00:21 | |
But there is a guide to this human jungle - | 0:00:21 | 0:00:24 | |
Charles Booth, Victorian London's social explorer. | 0:00:24 | 0:00:28 | |
Booth produced a series of pioneering maps | 0:00:28 | 0:00:31 | |
that colour-coded the streets of his London | 0:00:31 | 0:00:34 | |
according to the ever-shifting class of its residents. | 0:00:34 | 0:00:38 | |
Booth's maps are like scans, X-rays that reveal to us the secret past | 0:00:38 | 0:00:43 | |
beneath the skin of the present. | 0:00:43 | 0:00:46 | |
If people knew how many cattle was killed there, I don't think they'd live there. | 0:00:46 | 0:00:50 | |
He wanted his maps to chart stories of momentous social change... | 0:00:52 | 0:00:57 | |
Those houses were the lowest of the low. | 0:00:58 | 0:01:00 | |
..the ebb and flow between enormous wealth and terrible poverty, | 0:01:00 | 0:01:05 | |
how easily desirable or well-to-do neighbourhoods could descend | 0:01:05 | 0:01:09 | |
into the haunts of the vicious and semi-criminal and back again. | 0:01:09 | 0:01:13 | |
Now the maps can help us reveal the changes that have shaped all our lives | 0:01:14 | 0:01:19 | |
and made the story of the streets the story of us all. | 0:01:19 | 0:01:25 | |
Oh, my goodness! The old toilet's gone. | 0:01:25 | 0:01:28 | |
So we're going back to one of the tens of thousands of streets Booth mapped... | 0:01:30 | 0:01:36 | |
..to tell the story of how, sacrificed to new ideas of urban planning, | 0:01:38 | 0:01:42 | |
a 200-year-old community was bulldozed. | 0:01:42 | 0:01:46 | |
For some unknown reason, | 0:01:47 | 0:01:50 | |
they wanted to condemn Deptford. | 0:01:50 | 0:01:53 | |
Deptford High Street in the heart of London just four miles from the financial capital of the world. | 0:02:03 | 0:02:09 | |
A Victorian relic marooned amid 1970s sprawl. | 0:02:12 | 0:02:16 | |
When Charles Booth arrived in 1899, | 0:02:17 | 0:02:20 | |
it was booming, the Oxford Street of South London. | 0:02:20 | 0:02:24 | |
More than a hundred years on, | 0:02:24 | 0:02:26 | |
it's now one of the poorest high streets in the capital. | 0:02:26 | 0:02:30 | |
This used to be fantastic. It's gone, finished. | 0:02:30 | 0:02:33 | |
The story of Deptford High Street is of how it lost both its wealth | 0:02:35 | 0:02:39 | |
and the community which had given it life. | 0:02:39 | 0:02:42 | |
August 1899. | 0:02:46 | 0:02:48 | |
13 years into his epic survey of London, | 0:02:48 | 0:02:52 | |
Charles Booth visits Deptford High Street, | 0:02:52 | 0:02:55 | |
incorporating it into his vast social map of the city. | 0:02:55 | 0:02:59 | |
Booth's map is a breakthrough, | 0:02:59 | 0:03:01 | |
a new way to anatomise the complex lives of Londoners. | 0:03:01 | 0:03:05 | |
And in a district rarely visited by respectable people, | 0:03:05 | 0:03:10 | |
it throws up surprising results. | 0:03:10 | 0:03:13 | |
Booth marks Deptford High Street as red for "well-to-do", | 0:03:14 | 0:03:18 | |
the second highest social ranking in the middle of one of London's poorest districts. | 0:03:18 | 0:03:24 | |
It's a busy, thriving high street where traders live above their shops and prosper. | 0:03:28 | 0:03:34 | |
Despite their working-class origins, | 0:03:37 | 0:03:40 | |
one in three shopkeeping families keeps at least one domestic servant. | 0:03:40 | 0:03:44 | |
One family trading on the High Street when Booth arrived is still here today. | 0:03:45 | 0:03:51 | |
John Price owns the Bent Can discount shop | 0:03:51 | 0:03:55 | |
yards from where he was born and from where his people have always had market stalls. | 0:03:55 | 0:04:01 | |
I don't know what we'll do about the food prices, John. | 0:04:01 | 0:04:04 | |
Robert keeps telling me I'm too dear and I keep telling him he gets service. | 0:04:04 | 0:04:08 | |
-Service with a smile, John. -When he goes in Sainsbury's, they go "dip". | 0:04:08 | 0:04:12 | |
When he comes in here, I go, "Hello, Robert!" | 0:04:12 | 0:04:15 | |
-Who's the cheapest out there? -You don't go for the cheapest. You go for the best. -Are Sainsbury's cheaper? | 0:04:15 | 0:04:21 | |
At least you'll come to my funeral. | 0:04:21 | 0:04:23 | |
You're always going to Sainsbury's spending your money. I won't go to your funeral! | 0:04:23 | 0:04:29 | |
-Did your family used to live in nearby streets round here? -This one here. | 0:04:30 | 0:04:35 | |
Oi, Ange, I'm just going out a second. | 0:04:35 | 0:04:37 | |
My grandfather was a Price. My grandmother was really an Ovenell and they married together. | 0:04:38 | 0:04:44 | |
So the Prices have probably been here about 250 years. | 0:04:44 | 0:04:48 | |
The Ovenells, I think, have been here longer. | 0:04:48 | 0:04:51 | |
We're going down Hales Street. | 0:04:51 | 0:04:53 | |
Down here is where we used to have our house, just on this corner here. | 0:04:55 | 0:04:59 | |
This was my nan's house. | 0:05:00 | 0:05:02 | |
It's hard to imagine now, but this used to be a gate. | 0:05:04 | 0:05:09 | |
And that used to be our back yard. | 0:05:10 | 0:05:12 | |
-That's where all the stalls used to be. -Where's it gone? -It's gone. They made it a road. | 0:05:12 | 0:05:17 | |
They made it a road. The arch used to come here. | 0:05:20 | 0:05:23 | |
Down like that. A big arch coming through and you pulled the barrows all the way through. | 0:05:23 | 0:05:28 | |
This used to take a hundred barrows. | 0:05:28 | 0:05:30 | |
Me nan's family, their house used to be here right next to the pub. | 0:05:32 | 0:05:36 | |
There's the pub and the Ovenells' house used to be here. | 0:05:36 | 0:05:40 | |
You see how easy it was. You'd fall out of bed and go to work on the stall at the top of the High Street. | 0:05:40 | 0:05:45 | |
Round about here at Christmas time, my father would be sharpening, looking through the window. | 0:05:47 | 0:05:53 | |
We'd all be sitting round the table, waiting for Dad cos he's half-drunk cos he's been at the pub all day. | 0:05:53 | 0:05:58 | |
It's about four o'clock on Christmas Day and we're all waiting for him to come in to carve the turkey, | 0:05:58 | 0:06:04 | |
so we can all get in and eat some food, and there he is going like this with the knife. | 0:06:04 | 0:06:09 | |
We're all saying, "Is he going to fall over?" | 0:06:09 | 0:06:12 | |
LAUGHS LOUDLY | 0:06:12 | 0:06:14 | |
And you had all these beetroots - beautiful. | 0:06:14 | 0:06:17 | |
Fresh, cooked beetroots which then you took up on the stall and sold. | 0:06:17 | 0:06:21 | |
Then you'd light the gas. They'd be ready for Friday and Saturday. | 0:06:21 | 0:06:25 | |
And they'd be cooking all the winkles. | 0:06:25 | 0:06:28 | |
You could see all their faces round the table, going... | 0:06:28 | 0:06:31 | |
And they'd be hard at it, trying to nick a tater or somethin'. | 0:06:32 | 0:06:36 | |
You'd hear all the winkles screaming on a Saturday night. "Eeeh!" | 0:06:39 | 0:06:44 | |
When we cooked the crabs, there used to be crabs like that. Now you get crabs like this. | 0:06:44 | 0:06:49 | |
What happened to all the crabs like that? They've ripped the seas. They've ripped all the food out. | 0:06:49 | 0:06:55 | |
Everything's ripped out. | 0:06:55 | 0:06:57 | |
One stall used to keep three families. | 0:06:57 | 0:07:00 | |
It used to keep my father's family, my Uncle John and my Uncle Jack's family. | 0:07:00 | 0:07:05 | |
The other half of John's family had come from the Low Countries, | 0:07:10 | 0:07:14 | |
as Huguenot refugees. | 0:07:14 | 0:07:16 | |
But by the beginning of the 19th century, they had set down roots in Deptford. | 0:07:18 | 0:07:22 | |
Both sides of the family had made their money in fish and greengrocery. | 0:07:22 | 0:07:27 | |
They set up home in Reginald Road which Booth's map marks as pink for "comfortable". | 0:07:28 | 0:07:35 | |
It was the most respectable of the side turnings running off the High Street. | 0:07:35 | 0:07:40 | |
There was quite a few wealthy people in the turning, including my father and my aunt. | 0:07:40 | 0:07:45 | |
If you try and find somebody who was poor down Reginald Road, | 0:07:45 | 0:07:49 | |
no, there was no-one poor down Reginald Road. | 0:07:49 | 0:07:52 | |
A goods yard connects Reginald Road to Hales Street | 0:07:52 | 0:07:56 | |
where more of the Price and Ovenell families lived. | 0:07:56 | 0:07:59 | |
But just a few yards from Reginald, | 0:07:59 | 0:08:01 | |
Hales Street dropped way down the social scale. | 0:08:01 | 0:08:05 | |
Booth mapped it as a mix of the very poor and the vicious and semi-criminal. | 0:08:05 | 0:08:10 | |
It's a reputation that stayed with the street long into the next century. | 0:08:11 | 0:08:17 | |
If you go back in time, Hales Street was very much uncontrollable. | 0:08:17 | 0:08:21 | |
But Hales Street was a complete, utter slum | 0:08:21 | 0:08:25 | |
with every crook you could possibly imagine who used to live in Hales Street. | 0:08:25 | 0:08:30 | |
But the council really wanted Hales Street pulled down because it was a den of thieves. | 0:08:30 | 0:08:36 | |
When Charles Booth arrives on Hales Street and Reginald Road, | 0:08:37 | 0:08:41 | |
he finds people occupying the houses in tenement conditions, | 0:08:41 | 0:08:44 | |
renting from a landlord, entire families in a single room. | 0:08:44 | 0:08:49 | |
People eat, sleep and wash in the same room. | 0:08:49 | 0:08:53 | |
The nicest place anyone has to escape to is the pub. | 0:08:53 | 0:08:56 | |
Aware of the rapid spread of the drink culture amongst the working class, | 0:08:58 | 0:09:02 | |
Booth produces a map of London's several thousand pubs. | 0:09:02 | 0:09:06 | |
It shows Deptford High Street with 12. | 0:09:06 | 0:09:10 | |
It's a disconcerting discovery for Booth | 0:09:10 | 0:09:12 | |
who is convinced that drink dependency is wrecking Deptford's neighbourhoods. | 0:09:12 | 0:09:17 | |
# That I love London town | 0:09:20 | 0:09:23 | |
# Maybe it's because I'm a Londoner... # | 0:09:24 | 0:09:28 | |
That used to be The 45. | 0:09:28 | 0:09:30 | |
It was The Red Lion & Wheatsheaf, but because it was number 45, we always called it The 45. | 0:09:30 | 0:09:36 | |
-Lively pub, was it? -Yeah, one long bar, that was all. One long bar. | 0:09:36 | 0:09:40 | |
He'd drink Guinness all day long with my Uncle John. | 0:09:40 | 0:09:44 | |
Never, ever got drunk. As soon as the off-licence was open, | 0:09:44 | 0:09:48 | |
my job was to go and get six bottles of Guinness. | 0:09:48 | 0:09:50 | |
Then as I come out of school, I used to go up there and get another six bottles of Guinness. | 0:09:50 | 0:09:56 | |
By night-time, it was another six bottles of Guinness. | 0:09:56 | 0:09:59 | |
As soon as he was down here, washed and shaved, he'd go in The Deptford Arms for another load of Guinness. | 0:09:59 | 0:10:05 | |
He was never, ever drunk. | 0:10:05 | 0:10:08 | |
In the aftermath of the Second World War, | 0:10:08 | 0:10:11 | |
the London County Council sets out to assess the devastation | 0:10:11 | 0:10:15 | |
by drafting a series of bomb damage maps. | 0:10:15 | 0:10:18 | |
Again black marks the most devastated streets, the ones that have been totally destroyed. | 0:10:18 | 0:10:24 | |
But by sheer chance, the High Street escapes unscathed. | 0:10:24 | 0:10:28 | |
Post-war prosperity rejuvenates Deptford. | 0:10:29 | 0:10:32 | |
Deptford has never had it so good. | 0:10:35 | 0:10:38 | |
Money is being made and people are spending it on the High Street. | 0:10:38 | 0:10:42 | |
This stall, there'd be 100 people round it. | 0:10:42 | 0:10:45 | |
All screaming and hollering and fighting | 0:10:45 | 0:10:49 | |
and "I'm next" and "this is mine!" | 0:10:49 | 0:10:51 | |
In its heyday, there were very, very good shops in Deptford High Street. | 0:10:53 | 0:10:58 | |
It was very, very easy to earn a living. | 0:10:58 | 0:11:02 | |
If you was a fit person able to work, | 0:11:02 | 0:11:05 | |
then you had money because there was plenty of work in Deptford. | 0:11:05 | 0:11:09 | |
You just walked out of your house and went into work. | 0:11:09 | 0:11:12 | |
You went home, got changed and went out to the pub. That's why there are so many pubs. People had money. | 0:11:12 | 0:11:18 | |
The side streets are changing too. | 0:11:19 | 0:11:21 | |
Deptford people have started to buy the houses they once rented | 0:11:21 | 0:11:25 | |
and families have a whole house to themselves. | 0:11:25 | 0:11:28 | |
The tenement dwellers are becoming owner-occupiers. | 0:11:28 | 0:11:32 | |
You had a house years ago. | 0:11:32 | 0:11:34 | |
Your grandmother lived in it | 0:11:34 | 0:11:36 | |
and normally, the eldest daughter or the eldest son, he stayed in the house with the mother. | 0:11:36 | 0:11:43 | |
But the eldest daughter or whoever it was then took over and looked after Mummy and Daddy. | 0:11:43 | 0:11:50 | |
It all stayed in the family and the place just got handed down all the way through. | 0:11:50 | 0:11:55 | |
We never had a toilet in the house. There was no toilets in the house. They was all in the yard. | 0:11:55 | 0:12:00 | |
"A toilet in the house? Oh, terrible! You've got to have it in the yard." | 0:12:00 | 0:12:04 | |
What they did then is downstairs, they done away with the old wash-house | 0:12:04 | 0:12:10 | |
and put a bathroom and a toilet in there. | 0:12:10 | 0:12:13 | |
-So people were improving their houses for themselves? -Oh, yeah. | 0:12:13 | 0:12:18 | |
The places were spotless. | 0:12:18 | 0:12:20 | |
The streets were spotless. | 0:12:20 | 0:12:22 | |
Outside the houses, all the knockers and letter-boxes used to be cleaned. | 0:12:22 | 0:12:26 | |
They couldn't help it. They'd do it every morning. | 0:12:26 | 0:12:29 | |
They couldn't help it. It was a ritual. | 0:12:29 | 0:12:32 | |
"Oh, I've got to do my step. I don't want her to see my step next door." | 0:12:32 | 0:12:37 | |
They was like that, proud. | 0:12:37 | 0:12:39 | |
Yeah. "I don't want her to talk about me." You know? That's how they was. | 0:12:40 | 0:12:45 | |
But the planners fail to notice how people are improving their homes. | 0:12:45 | 0:12:49 | |
They make a propaganda film, | 0:12:49 | 0:12:52 | |
arguing for the destruction of 19th century London. | 0:12:52 | 0:12:56 | |
And they come to Deptford to shoot it. | 0:12:56 | 0:12:59 | |
'Pubs, schools and churches | 0:12:59 | 0:13:02 | |
'are all jumbled up together in a hopeless confusion. | 0:13:02 | 0:13:06 | |
'And you will see mean, hideous slums of which any city ought to be ashamed, | 0:13:08 | 0:13:14 | |
'row upon row of dirty, dismal houses that should have been pulled down and done away with long ago. | 0:13:14 | 0:13:20 | |
'All these bad things must go and the sooner, the better.' | 0:13:22 | 0:13:28 | |
You see, the trouble is that London grew up without any plan or order. | 0:13:28 | 0:13:32 | |
That's why there are all those bad and ugly things that we hope to do away with | 0:13:32 | 0:13:37 | |
if this plan of ours is carried out. | 0:13:37 | 0:13:39 | |
The driving forces behind this film | 0:13:39 | 0:13:42 | |
are the town planning guru Sir Patrick Abercrombie | 0:13:42 | 0:13:46 | |
and John Forshaw, chief architect for the London County Council. | 0:13:46 | 0:13:51 | |
Abercrombie and Forshaw have been influenced by the European Modernists | 0:13:51 | 0:13:56 | |
with their theory of the city as a machine. | 0:13:56 | 0:13:58 | |
Working for the London County Council, they publish The County Of London Plan, | 0:13:58 | 0:14:03 | |
a plan for a futuristic, re-imagined London. | 0:14:03 | 0:14:07 | |
That brings us to another aspect of London, London as a machine, | 0:14:07 | 0:14:11 | |
a vast machine. | 0:14:11 | 0:14:13 | |
Booth's chaotic, random city is to be removed, | 0:14:13 | 0:14:16 | |
replaced by a rationalised, machine-like metropolis. | 0:14:16 | 0:14:20 | |
The plan is for London to be destroyed | 0:14:20 | 0:14:23 | |
and re-engineered, each neighbourhood given a single, defined purpose | 0:14:23 | 0:14:28 | |
within the vast mechanism. | 0:14:28 | 0:14:30 | |
Deptford, along with most of East and South London, | 0:14:32 | 0:14:37 | |
is identified as a community with a high proportion of obsolescent property. | 0:14:37 | 0:14:42 | |
It's earmarked for widespread demolition | 0:14:42 | 0:14:45 | |
and the creation of efficient, new tower blocks. | 0:14:45 | 0:14:48 | |
Chelsea and Kensington, along with the rest of West and North London, are to be left untouched. | 0:14:50 | 0:14:56 | |
No need for wholesale demolition in these areas. | 0:14:56 | 0:14:59 | |
A vast, modernist social experiment is to be carried out in the working-class east and south. | 0:15:00 | 0:15:07 | |
It's a pretty gigantic scheme, affecting the future of the whole of London. | 0:15:09 | 0:15:15 | |
Behind it all was the rhetoric of modern architecture. | 0:15:16 | 0:15:22 | |
There was this huge rhetoric which architects had absorbed | 0:15:23 | 0:15:27 | |
in their training at schools of architecture. | 0:15:27 | 0:15:31 | |
The people who lectured, who were not practising architects, but were sort of rhetorical gurus... | 0:15:31 | 0:15:37 | |
And these rhetorical gurus preached... | 0:15:39 | 0:15:43 | |
You can imagine an 18-year-old student getting very excited by all this. | 0:15:43 | 0:15:48 | |
People did get very excited. This was the future. | 0:15:48 | 0:15:51 | |
They didn't talk to anybody in Deptford about it. | 0:15:51 | 0:15:53 | |
Well, let's deal with the worst places first. | 0:15:53 | 0:15:56 | |
Some of the areas in most urgent need of attention | 0:15:56 | 0:16:00 | |
are the industrial boroughs in the east and south of London. | 0:16:00 | 0:16:04 | |
Let's look at the roads as they are now. | 0:16:04 | 0:16:07 | |
The streets are narrow and winding. | 0:16:07 | 0:16:10 | |
Our chief aim must be to separate fast, long-distance traffic from local traffic. | 0:16:10 | 0:16:17 | |
Prompted by the planners who want to open up more of London's roads to the motor car, | 0:16:17 | 0:16:22 | |
Deptford Council comes up with a plan to close down its market. | 0:16:22 | 0:16:26 | |
-How long have you been here? -65 year. | 0:16:29 | 0:16:32 | |
What will you do if the market closes? | 0:16:35 | 0:16:37 | |
What will you do if it is closed? | 0:16:40 | 0:16:42 | |
We've lived here all our life and these stalls have been here as long as I've known. | 0:16:47 | 0:16:52 | |
-Does it block traffic? -I don't think so. | 0:16:52 | 0:16:54 | |
-It's got nothing to do with traffic. -We'll fight our case against Deptford Borough Council. | 0:16:54 | 0:16:59 | |
Whoever this person is has set himself up as a dictator of Deptford | 0:16:59 | 0:17:03 | |
and we're definitely not going to stand for it! | 0:17:03 | 0:17:05 | |
The council's plans are defeated and the market is saved. | 0:17:07 | 0:17:12 | |
It's a little victory for the High Street and its people. | 0:17:12 | 0:17:16 | |
But even as this battle is won, plans for a reordered Deptford are taking shape behind closed doors. | 0:17:16 | 0:17:23 | |
A series of maps of the High Street and its turnings are drawn up | 0:17:24 | 0:17:28 | |
by both Deptford and the London County Council. | 0:17:28 | 0:17:31 | |
Lost to the archives for 60 years, they've just been rediscovered. | 0:17:32 | 0:17:37 | |
The maps show the side streets designated for slum clearance, | 0:17:39 | 0:17:43 | |
marking in black and red the houses to be demolished. | 0:17:43 | 0:17:47 | |
The residents weren't shown these maps | 0:17:48 | 0:17:51 | |
and they were never consulted about the plans to pull down their streets. | 0:17:51 | 0:17:56 | |
The clearance maps expose a plan to erase Charles Booth's Deptford. | 0:17:57 | 0:18:02 | |
It's the single most revolutionary change in Deptford's history, | 0:18:04 | 0:18:08 | |
the near total destruction of its past. | 0:18:08 | 0:18:12 | |
I got involved as an architectural historian. I was elected to the council. | 0:18:17 | 0:18:21 | |
I was the architectural and planning correspondent of The Sunday Times. | 0:18:21 | 0:18:25 | |
My friends saw me disappearing into some obscure byway of squalid municipal socialism. | 0:18:25 | 0:18:33 | |
I had them saying to me, | 0:18:33 | 0:18:35 | |
"How do you find it getting on with working-class people?" | 0:18:35 | 0:18:39 | |
I have a letter from the Architects' Department about a possible housing site in Forest Hill. | 0:18:39 | 0:18:43 | |
It's the site of an existing church. The question is whether adjoining houses will be pulled down. | 0:18:43 | 0:18:48 | |
There was an overwhelming desire in the 1960s to sweep everything away. | 0:18:48 | 0:18:53 | |
People kept on saying, "This is the 20th century. | 0:18:53 | 0:18:56 | |
"Instead of grotty old buildings, what you must have is stainless steel kitchens with Formica tops | 0:18:56 | 0:19:03 | |
"and those are the things which show you're being modern, up-to-date and progressive." | 0:19:03 | 0:19:08 | |
# There must be some kind of way out of here | 0:19:26 | 0:19:30 | |
# Said the joker to the thief | 0:19:31 | 0:19:34 | |
# There's too much confusion | 0:19:35 | 0:19:38 | |
# I can't get no relief | 0:19:39 | 0:19:42 | |
# Businessmen, they drink my wine | 0:19:42 | 0:19:47 | |
# Ploughmen dig my earth | 0:19:48 | 0:19:51 | |
# None will level on the line | 0:19:52 | 0:19:56 | |
# Nobody offered his word, hey! # | 0:19:56 | 0:20:01 | |
Although they knew they would want to pull everything down, | 0:20:06 | 0:20:09 | |
nevertheless, they knew that they could only do it in bitesize chunks, | 0:20:09 | 0:20:14 | |
even though it was rather a big bite. | 0:20:14 | 0:20:17 | |
1960. | 0:20:20 | 0:20:22 | |
Many of the side streets running into the High Street | 0:20:22 | 0:20:25 | |
are much the same as when they were built 100 years earlier. | 0:20:25 | 0:20:29 | |
John Price's family still live right next to their yard on Reginald Road. | 0:20:30 | 0:20:35 | |
The Price-Ovenells have continued to prosper. | 0:20:35 | 0:20:39 | |
By now, they own most of the houses in the street. | 0:20:39 | 0:20:43 | |
And 70 years on from Charles Booth's original survey, | 0:20:44 | 0:20:48 | |
Reginald has moved up his social scale | 0:20:48 | 0:20:50 | |
from purple for "mixed" to pink for "comfortable", | 0:20:50 | 0:20:54 | |
respectable working-class homes. | 0:20:54 | 0:20:56 | |
Let's go down. Let's go. Let's go down. | 0:20:57 | 0:21:00 | |
So this was Reginald... | 0:21:00 | 0:21:02 | |
The road used to go down either side, houses running down. | 0:21:03 | 0:21:07 | |
And my house used to be down there, but it's never been built on since. | 0:21:07 | 0:21:11 | |
It's just left empty. | 0:21:11 | 0:21:13 | |
It's been empty all them years, yes. | 0:21:14 | 0:21:16 | |
But my aunt had a little shop over here, a little corner shop. | 0:21:16 | 0:21:20 | |
That's all gone now. | 0:21:20 | 0:21:23 | |
That's my mum. | 0:21:24 | 0:21:26 | |
It's a shop in the front | 0:21:26 | 0:21:29 | |
and it's a back door that I'm coming out of now. | 0:21:29 | 0:21:32 | |
From the side of the shop, you could see an archway. That archway was where one of my uncles lived. | 0:21:32 | 0:21:38 | |
That was my mum's brothers and sisters. | 0:21:38 | 0:21:41 | |
My dad came from Gosterwood Street in Deptford. | 0:21:43 | 0:21:47 | |
My mum came from Hales Street and they met and they married and they moved to Reginald Road. | 0:21:47 | 0:21:53 | |
And that's Reginald Road. | 0:21:53 | 0:21:55 | |
-This is going down the High Street now, isn't it? -Yeah. | 0:21:55 | 0:21:58 | |
Three o'clock, Harris's clock up there. | 0:21:58 | 0:22:01 | |
But just because the houses were, say, I don't know, | 0:22:01 | 0:22:04 | |
maybe coming up for 100 years old, some of them, | 0:22:04 | 0:22:07 | |
it doesn't mean to say the people inside them were dirty. | 0:22:07 | 0:22:11 | |
-They had nice, clean curtains. -Lovely. -Nice, clean front doors. | 0:22:11 | 0:22:16 | |
Nothing could ever happen to you, me and my cousin Pauline and all that, | 0:22:16 | 0:22:20 | |
because your family all lived round you. | 0:22:20 | 0:22:23 | |
And because your family lived round you, if there was any trouble, | 0:22:23 | 0:22:27 | |
they all ganged up together as a family. | 0:22:27 | 0:22:30 | |
So if Dad had trouble, Uncle John would come across, Uncle Jack would come across. | 0:22:30 | 0:22:35 | |
And of course, they'd risk their lives because you were in trouble. | 0:22:35 | 0:22:39 | |
The power lay in the hands of the environmental health officers | 0:22:40 | 0:22:45 | |
because the environmental health officers went round determining whether things were slums. | 0:22:45 | 0:22:50 | |
It was very difficult to challenge them. They were the word of God. | 0:22:50 | 0:22:54 | |
If the environmental health officer was saying they were slums, they were slums. | 0:22:54 | 0:22:59 | |
That's what everyone went along with. That was being modern and 20th century. | 0:22:59 | 0:23:03 | |
Will this mean that some of us have got to move then? | 0:23:03 | 0:23:07 | |
Yes, I'm afraid some of you will have to move. | 0:23:07 | 0:23:10 | |
'And the point of the inspectors' look round is to see how clean they are. | 0:23:10 | 0:23:15 | |
'It all goes down on the form.' | 0:23:15 | 0:23:18 | |
They had a form they filled in | 0:23:18 | 0:23:20 | |
in which they made what you might call social and moral remarks about the family. | 0:23:20 | 0:23:25 | |
They talked about the family's lifestyle. | 0:23:25 | 0:23:27 | |
They made an appointment to say somebody would come round. | 0:23:27 | 0:23:31 | |
A lot of people said, "Well, I won't be in for a start." | 0:23:31 | 0:23:34 | |
"If they think they're getting me out..." That's how it would be. | 0:23:34 | 0:23:38 | |
But eventually, the council did come round to see what property you had, looking all over it. | 0:23:38 | 0:23:44 | |
I remember the man coming to my mum's and saying, "What were you thinking of doing here?" | 0:23:44 | 0:23:49 | |
She said, "I'm going to try and put a bathroom in. | 0:23:49 | 0:23:52 | |
"If you think we can stay longer because we've got a bathroom, we'll do it." | 0:23:52 | 0:23:56 | |
These houses never had bathrooms in. That's all they never had. | 0:23:56 | 0:24:00 | |
There was three bedrooms, four bedrooms, two living rooms downstairs. | 0:24:00 | 0:24:04 | |
There was plenty of room for a bathroom, but they never had bathrooms. | 0:24:04 | 0:24:08 | |
As they never had bathrooms, they called them slums. | 0:24:08 | 0:24:11 | |
I have to be clear with you that a lot of the houses that were cleared really had to be cleared. | 0:24:11 | 0:24:18 | |
They were too far gone. They had terrible rising damp. | 0:24:18 | 0:24:21 | |
There were problems in the structure of the houses. | 0:24:21 | 0:24:25 | |
Deep, damp basements of which we had a whole lot in Deptford, including on the north side of Reginald Road. | 0:24:26 | 0:24:32 | |
I mean, whichever way you looked at them, they were little damp houses. | 0:24:32 | 0:24:37 | |
They had some really, really nice people living in some of them, but they were little damp houses. | 0:24:37 | 0:24:43 | |
Well, if he was on the council at the time... I know how old I am now and how old I was then. | 0:24:43 | 0:24:48 | |
He was either very young to be on the council or he's very old now and perhaps his memory's going a bit. | 0:24:48 | 0:24:54 | |
I can't remember the conditions that he's talking about. | 0:24:54 | 0:24:57 | |
He must have been talking about an entirely different area to where I lived. They wasn't slums. | 0:24:57 | 0:25:03 | |
There's places over at Fulham, similar type of houses and just as old. | 0:25:03 | 0:25:08 | |
They didn't pull them down. | 0:25:08 | 0:25:10 | |
In Battersea and some parts of Chelsea, the houses are older, | 0:25:10 | 0:25:14 | |
but because of where it is and they had got an indoor toilet now, | 0:25:14 | 0:25:18 | |
although some of them, it was only a third or fourth bedroom being converted. | 0:25:18 | 0:25:23 | |
They just wanted doing up. They're old houses. | 0:25:23 | 0:25:26 | |
It wasn't a problem. The ones they left are making half a million pounds, a million pounds now. | 0:25:26 | 0:25:32 | |
You know? It's ridiculous. They're going to be there for another 100 years. | 0:25:32 | 0:25:37 | |
They just won't fall down, will they? | 0:25:37 | 0:25:39 | |
The environmental health officers were not surveyors or architects. | 0:25:39 | 0:25:43 | |
They were looking at the conditions in which people were living | 0:25:43 | 0:25:47 | |
and they very often made sweeping judgments about the buildings | 0:25:47 | 0:25:51 | |
when they didn't know a lot about buildings. | 0:25:51 | 0:25:53 | |
They knew much more about the conditions in which people were living. | 0:25:53 | 0:25:58 | |
'And seen from the social heights of professional people | 0:26:03 | 0:26:06 | |
'who plan slum clearance and design new buildings, one working-class street looks much like another. | 0:26:06 | 0:26:13 | |
'In fact, the style of life lived in them varies from extremes of respectability | 0:26:13 | 0:26:18 | |
'to shiftlessness and downright criminality.' | 0:26:18 | 0:26:21 | |
November 1964. | 0:26:27 | 0:26:29 | |
Environmental health officers condemn Reginald Road as "unfit for human habitation". | 0:26:30 | 0:26:36 | |
The Price and Ovenell families are issued with compulsory purchase orders | 0:26:38 | 0:26:43 | |
and offered around £1,600 for their homes. | 0:26:43 | 0:26:46 | |
Along with many others, they refuse to leave. | 0:26:46 | 0:26:50 | |
It happened to Aunt Violet first. | 0:26:57 | 0:27:00 | |
She lived down Hales Street and they pulled all down round her. | 0:27:00 | 0:27:05 | |
She lived in this house in Hales Street on her own. | 0:27:05 | 0:27:08 | |
Just rubble all around, wasteland, | 0:27:08 | 0:27:11 | |
and the house was sitting in the middle. | 0:27:11 | 0:27:13 | |
And of course, you know, you had... | 0:27:13 | 0:27:16 | |
Where they had pulled down, you've suddenly got vermin everywhere. | 0:27:16 | 0:27:20 | |
Nobody wants to go down there at night cos all the lights are out. | 0:27:20 | 0:27:24 | |
Next week, we're pulling down next door. | 0:27:24 | 0:27:27 | |
And now they've pulled down next door and someone cuts the pipe. | 0:27:27 | 0:27:31 | |
Now what happens? | 0:27:31 | 0:27:33 | |
Now you've got no water. | 0:27:33 | 0:27:35 | |
Now she becomes slums. | 0:27:37 | 0:27:39 | |
They then create the slums. | 0:27:40 | 0:27:42 | |
Now they've knocked down next door, half of your roof is open to the elements. | 0:27:44 | 0:27:49 | |
Now the rain comes in and your ceiling falls down. | 0:27:49 | 0:27:52 | |
Now the bloke comes round to value your house | 0:27:52 | 0:27:55 | |
and he says, "The ceiling's fallen down and the walls are all damp and we ain't gonna give you no money." | 0:27:55 | 0:28:00 | |
Now how do you feel? | 0:28:00 | 0:28:02 | |
How do you feel with that man who's told you your house is now falling to bits | 0:28:02 | 0:28:08 | |
because of what they've done either side of you? | 0:28:08 | 0:28:11 | |
We was in our house for about two years with everything knocked down round us | 0:28:11 | 0:28:16 | |
because we didn't want to move. | 0:28:16 | 0:28:18 | |
Any idea of staying by then was absolutely hopeless. | 0:28:18 | 0:28:21 | |
It was a sort of long, drawn-out war of attrition, the clearance of these areas. | 0:28:21 | 0:28:26 | |
It didn't happen overnight. It took years and years and years. | 0:28:26 | 0:28:30 | |
-Because some people refused to leave? -Yes, and the bureaucratic processes took so long. | 0:28:30 | 0:28:34 | |
But I do have to say that most people wanted to get out. | 0:28:34 | 0:28:39 | |
-By that stage, if your street's being boarded up and covered with corrugated iron... -It's dreadful. | 0:28:39 | 0:28:45 | |
-Of course you don't want to stay in the street. -That's right, of course. That's what I'm saying to you. | 0:28:45 | 0:28:50 | |
I understood all these things and my heart was bleeding daily. | 0:28:50 | 0:28:55 | |
I can't think of anybody that really wanted to move, that was really pleased about it. | 0:28:55 | 0:29:00 | |
I can't remember anybody saying, "Isn't it good? We're moving." | 0:29:00 | 0:29:05 | |
It's upsetting for a lot of people. | 0:29:05 | 0:29:07 | |
Like Nellie Pearson, she's kept it all nice and once she's moved out, you see her window gets broken | 0:29:07 | 0:29:13 | |
or the curtains flapping out the window. | 0:29:13 | 0:29:16 | |
Straight away, the turning does start to go down very quickly. | 0:29:16 | 0:29:20 | |
Then a lot of people start moving quickly because they don't want to be the last half a dozen or so. | 0:29:20 | 0:29:26 | |
Once they started pulling down, they got hold of street by street by street. | 0:29:27 | 0:29:33 | |
And then by around about nineteen-sixty... | 0:29:33 | 0:29:37 | |
sixty-five, sixty-six, sixty-seven, the whole area was flat. | 0:29:37 | 0:29:42 | |
And our stall, from taking good money, was taking no money! | 0:29:42 | 0:29:48 | |
We'd stand up there all day and take a pound or something. | 0:29:48 | 0:29:52 | |
Over the next 20 years, 1,000 people a week will have to load up the moving vans and head for new towns, | 0:29:52 | 0:29:59 | |
clean, neat and antiseptic. | 0:29:59 | 0:30:02 | |
What they have real grounds to complain about is the feeling that they've given up something, | 0:30:02 | 0:30:08 | |
something important, something that meant home. | 0:30:08 | 0:30:11 | |
I'm not the type to be on my own all the time, you know? | 0:30:11 | 0:30:15 | |
I mean I've got no friends come up here or anything like that, | 0:30:15 | 0:30:19 | |
you know, to see me or call in for a cup of tea. | 0:30:19 | 0:30:23 | |
I'm just on my own all day. I used to cry every day | 0:30:24 | 0:30:29 | |
until my husband sent me over the doctor's | 0:30:29 | 0:30:33 | |
and he gave me pills and all that. | 0:30:33 | 0:30:35 | |
Me mum just lived across the road. | 0:30:35 | 0:30:38 | |
And even my old gran lives in the same house where I was born. | 0:30:39 | 0:30:44 | |
-Your mother lived very near? -Oh, I seen my mother every day. | 0:30:45 | 0:30:49 | |
There wasn't a day went past when I didn't see my mother. She came to me or I went to her. | 0:30:49 | 0:30:56 | |
-I very often get bored. -Why's that? -I go and smash things in temper. | 0:30:56 | 0:31:00 | |
When I have rows with my husband, | 0:31:00 | 0:31:03 | |
which I have done in the past. | 0:31:03 | 0:31:06 | |
Has it made it difficult between you and your husband because you've been upset? | 0:31:06 | 0:31:11 | |
I try not to for his sake. He has to work long hours | 0:31:11 | 0:31:15 | |
and I try to be happy, but very often he's come home and found me crying. | 0:31:15 | 0:31:20 | |
And I can't explain why. It's just a fit of depression you get into. | 0:31:20 | 0:31:26 | |
We ended up in Charlton. | 0:31:27 | 0:31:29 | |
And Aunt Harriet ended up at Brockley. | 0:31:29 | 0:31:33 | |
And Aunt Violet ended up at Greenwich. | 0:31:33 | 0:31:36 | |
And Aunt Grace ended up at Woolwich. | 0:31:36 | 0:31:38 | |
And Uncle John ended up at Brockley. | 0:31:38 | 0:31:41 | |
So from everybody living here | 0:31:41 | 0:31:44 | |
we had to move out. That's it. You had to go. There was nowhere to live round here, was there? | 0:31:45 | 0:31:51 | |
There was nowhere to live. | 0:31:51 | 0:31:53 | |
The family still stayed very, very strong together, | 0:31:53 | 0:31:56 | |
but eventually it just breaks up and breaks up, doesn't it? More and more and more. | 0:31:56 | 0:32:03 | |
There was a misty-eyed view of the past. There was a golden age, do you know? | 0:32:16 | 0:32:21 | |
There wasn't. | 0:32:21 | 0:32:23 | |
I've never... I've certainly never been in any golden age. | 0:32:23 | 0:32:28 | |
Although people actually settle down remarkably quickly somewhere new, | 0:32:30 | 0:32:35 | |
sometimes people feel guilty simply because they have settled down so happily | 0:32:35 | 0:32:40 | |
in Brockley or Grove Park or Bexleyheath. They've settled down so happily and feel a sense of guilt, | 0:32:40 | 0:32:46 | |
they feel that they really should be with the folks back home, | 0:32:46 | 0:32:50 | |
regardless of the fact that the folks back home are also living in Bexleyheath and so on! | 0:32:50 | 0:32:55 | |
'They started pulling opposite us down | 0:32:57 | 0:33:00 | |
'and my mum stayed as long as she could. | 0:33:00 | 0:33:04 | |
'She loved Deptford and wanted to just be left alone. | 0:33:04 | 0:33:09 | |
'We was the last to come down and I hated moving from there. | 0:33:09 | 0:33:12 | |
'I've been here years and I'm just adjusting.' | 0:33:12 | 0:33:16 | |
The council replaces Reginald's Victorian terraces with a low-rise block. | 0:33:32 | 0:33:38 | |
Deptford's streets of rubble start to disappear as the GLC and Lewisham Council build estates | 0:33:38 | 0:33:44 | |
to replace the terraced houses they've torn down. | 0:33:44 | 0:33:49 | |
Those who have refused to move out to the suburbs are being rehoused here. | 0:33:54 | 0:34:00 | |
In Deptford, even the new homes that have been built are under attack. | 0:34:02 | 0:34:06 | |
-Now that's where you live, right at the top there? -Yes. -What do you think of it? | 0:34:06 | 0:34:12 | |
Since I've lived up there, my husband's had a nervous breakdown | 0:34:12 | 0:34:16 | |
and my children have got nowhere to play. If I want to come down, I can't leave them with my husband. | 0:34:16 | 0:34:22 | |
A lot of my older council colleagues couldn't understand why people were so ungrateful. | 0:34:22 | 0:34:28 | |
I remember one of them saying to me, "But they've got wonderful kitchens, lovely bathrooms. | 0:34:28 | 0:34:34 | |
"What are they complaining about? | 0:34:34 | 0:34:36 | |
"Why are these people so ungrateful when we've given them these wonderful places to live in?" | 0:34:36 | 0:34:43 | |
Even though he was living in a great big Victorian house up the hill. | 0:34:43 | 0:34:47 | |
The first big high-rise estate in Deptford, the Evelyn Estate, everybody moved into quite happily | 0:34:47 | 0:34:53 | |
and that was finished in 1970, the year before I was elected, | 0:34:53 | 0:34:58 | |
but people were unhappy and so the other big high-rise estate, the Milton Court Estate, | 0:34:58 | 0:35:04 | |
when that was finished... in 1973, | 0:35:04 | 0:35:07 | |
a lot of people didn't want to move there, particularly the high-rise blocks. | 0:35:07 | 0:35:13 | |
The flats became hard to let. It was extraordinary. | 0:35:13 | 0:35:17 | |
Here were brand-new flats in brand-new blocks that people didn't want to have. | 0:35:17 | 0:35:22 | |
We had to go way, way, way down the housing list in order to find people who'd take them. | 0:35:22 | 0:35:28 | |
The council can't find enough Deptford-born people who want to live in the new estates | 0:35:28 | 0:35:34 | |
so they start to look further afield for tenants willing to settle in the new blocks. | 0:35:34 | 0:35:39 | |
And so a new wave of Deptford people begins to fill the side turnings. | 0:35:39 | 0:35:43 | |
1976, did you? | 0:35:49 | 0:35:51 | |
All right, Archie? Now listen... | 0:36:19 | 0:36:21 | |
What do you mean you lost your money? You can't have. | 0:36:23 | 0:36:28 | |
Last week, he came in he had no money, so I lent him the money. He promised to pay me back Monday. | 0:36:28 | 0:36:33 | |
He kept borrowing 30 quid and 20 quid. "I've got the money coming." | 0:36:33 | 0:36:38 | |
He's been doing it for years. | 0:36:42 | 0:36:45 | |
It's funny that it's got to big money | 0:36:45 | 0:36:48 | |
and suddenly he goes and gets mugged. This man Archie got mugged. | 0:36:48 | 0:36:53 | |
How can he go and get mugged? Everybody in London knows Archie! | 0:36:53 | 0:36:57 | |
He's got a steel plate in his head where he got bombed in the war. | 0:37:09 | 0:37:14 | |
I've got to move the plate to get the money out of him! | 0:37:17 | 0:37:21 | |
Were you in the Army? | 0:37:26 | 0:37:30 | |
-So you was here in 1960 when I was growing up. -Yes! -That's right. | 0:38:00 | 0:38:05 | |
-That's right. When I had a Jag. -Yes! | 0:38:07 | 0:38:09 | |
No, not that pub over there. | 0:38:13 | 0:38:16 | |
Three years for shooting the pub up. | 0:38:21 | 0:38:23 | |
It used to be called the Duke of Cambridge. I used to use it when I was a boy. | 0:38:23 | 0:38:28 | |
-All right, mum? -Yeah. -Have a look round, darling. | 0:39:01 | 0:39:05 | |
-How long have you been working on the High Street here? -All my life. | 0:39:05 | 0:39:09 | |
How long's that? | 0:39:09 | 0:39:11 | |
Oh... | 0:39:11 | 0:39:12 | |
60 years, I suppose. | 0:39:15 | 0:39:17 | |
The original people who lived here, there's none of them here any more. | 0:39:17 | 0:39:21 | |
You don't see any of them now. About 5%. Like the old timers, the old people, old British people. | 0:39:21 | 0:39:28 | |
The fish we used to sell like cod fillet and all that, we don't sell hardly any now. | 0:39:28 | 0:39:33 | |
We used to sell... | 0:39:33 | 0:39:36 | |
I don't know. 200 or 300 stone of cod fillet a week. | 0:39:36 | 0:39:40 | |
We sell about four now. | 0:39:40 | 0:39:42 | |
-And why is that? -Because it's different people. They don't eat it. | 0:39:42 | 0:39:48 | |
The ethnics, they love fish, and they love fish whole, with the heads on. | 0:39:48 | 0:39:54 | |
I mean, years ago we wouldn't dream of having fish with the heads on. It was cut off and thrown away. | 0:39:54 | 0:40:00 | |
But they love eating the heads. | 0:40:00 | 0:40:02 | |
-But where have they all gone, all the original south Londoners? -Moved out. | 0:40:02 | 0:40:08 | |
Oh, that hurts, don't it? It's got her. Dave, it's got her. | 0:40:08 | 0:40:12 | |
She won't do it again. Take a photo of that, mate. Look. | 0:40:12 | 0:40:16 | |
Take a photo of that. Zoom in on that. | 0:40:16 | 0:40:20 | |
OK, OK... | 0:40:20 | 0:40:22 | |
Ow! | 0:40:23 | 0:40:25 | |
It won't let go, Dave. It just won't let go. | 0:40:25 | 0:40:29 | |
You shouldn't pick them up! | 0:40:31 | 0:40:34 | |
-Lobsters? -The crab got her! | 0:40:34 | 0:40:37 | |
It did get her, didn't it, eh? | 0:40:37 | 0:40:40 | |
-I tell you, he wouldn't let go. -No, they won't. The little ones are just really fierce. | 0:40:40 | 0:40:46 | |
-She's crying now. -Are you all right? -She's crying. | 0:40:46 | 0:40:51 | |
Broken, yeah? You want bandage? Want a bandage? | 0:40:51 | 0:40:55 | |
It crushes them to bits. It won't let go. You all right, boss? | 0:40:57 | 0:41:02 | |
Oh, here it goes. | 0:41:02 | 0:41:04 | |
He won't have that. He won't have that. He won't have that. | 0:41:04 | 0:41:09 | |
He won't have it, will he? | 0:41:09 | 0:41:11 | |
Oh, here we go. It's off. | 0:41:11 | 0:41:13 | |
It's an angry High Street, mate. | 0:41:13 | 0:41:15 | |
No one likes anyone down here. | 0:41:15 | 0:41:18 | |
As the spread of the housing blocks ushers in a new Deptford, | 0:41:22 | 0:41:25 | |
those who can afford it join the exodus to the suburbs. | 0:41:25 | 0:41:30 | |
Old iron. | 0:41:30 | 0:41:32 | |
The High Street is left marooned amongst low-quality council blocks | 0:41:32 | 0:41:37 | |
lived in by people on low incomes. | 0:41:37 | 0:41:40 | |
These flats can't be gentrified, so those who do well tend to move away | 0:41:44 | 0:41:50 | |
leaving behind the people that Booth would have ranked at the bottom of the social scale. | 0:41:50 | 0:41:55 | |
With its once-prosperous community displaced, | 0:41:59 | 0:42:03 | |
the High Street has slid back | 0:42:03 | 0:42:06 | |
from well-to-do red to poor and very poor. | 0:42:06 | 0:42:10 | |
Just across the Thames from the high-rise new money of Docklands lies Deptford. | 0:42:18 | 0:42:24 | |
It's one of London's most deprived areas with nearly as many closed or derelict shops as there are | 0:42:24 | 0:42:30 | |
places open for business. | 0:42:30 | 0:42:33 | |
The sons and the daughters moved out. The old ones all stayed here and died. All dead now, ain't they? | 0:42:33 | 0:42:39 | |
I think there's... about a handful left. | 0:42:39 | 0:42:43 | |
If that. | 0:42:43 | 0:42:45 | |
Once they started pulling everything down, it went down. | 0:42:45 | 0:42:50 | |
As we're sitting here, the clock is ticking and nothing's going in the till. | 0:42:50 | 0:42:56 | |
Nothing at all is going in the till. | 0:42:56 | 0:42:59 | |
This is very scary. | 0:42:59 | 0:43:01 | |
Since Charles Booth's visit here, the High Street's other great business has declined dramatically. | 0:43:29 | 0:43:35 | |
Today the number of pubs is down from 12 to 2. | 0:43:35 | 0:43:40 | |
The Deptford Arms, once the meeting place of a revolutionary group run by the man who wrote The Red Flag, | 0:43:40 | 0:43:48 | |
is now a bookies. | 0:43:48 | 0:43:50 | |
The Mechanic's Arms and the Royal Oak are African restaurants. | 0:43:50 | 0:43:55 | |
The Pilot is a nail shop. | 0:43:55 | 0:43:57 | |
The Windsor Castle is a centre for teenagers with problems | 0:43:57 | 0:44:01 | |
and the Red Cow, which once doubled as the coroner's court, is now a Costcutter. | 0:44:01 | 0:44:07 | |
But despite the draining away of traditional pub culture, | 0:44:07 | 0:44:11 | |
the people of Deptford are still coming to the High Street to drink, | 0:44:11 | 0:44:15 | |
only now it's mostly on the street, keeping up an ancient tradition of hard drinking | 0:44:15 | 0:44:21 | |
that reaches deep into Deptford's past. | 0:44:21 | 0:44:24 | |
PREACHES IN THE STREET | 0:45:15 | 0:45:18 | |
SPEAKING IN TONGUES | 0:45:25 | 0:45:27 | |
In the name of Jesus, we speak peace in this place. | 0:45:37 | 0:45:41 | |
In the name of Jesus, ever altar here, every altar that is not of God... | 0:45:41 | 0:45:45 | |
In the name of Jesus, Holy Spirit of God, | 0:45:45 | 0:45:49 | |
let there be change in Jesus' name! | 0:45:49 | 0:45:52 | |
The kingdom of Jesus has come into this place. Let the kingdom rule. | 0:45:52 | 0:45:57 | |
Cover these buildings right now. Have your way over these buildings. | 0:46:11 | 0:46:15 | |
SPEAKS IN AFRICAN DIALECT | 0:46:16 | 0:46:18 | |
We'll break every power, the ruling power. | 0:46:31 | 0:46:36 | |
This is Reginald Road | 0:46:50 | 0:46:53 | |
and the Victorian terrace on the other side had already gone by the time I became a councillor. | 0:46:53 | 0:46:59 | |
There was a terrace of houses here, you're quite right, which were in an advanced state of decay. | 0:46:59 | 0:47:05 | |
-We've spoken to people who lived on this street. -Yes. -They don't agree they were in a state of disrepair. | 0:47:05 | 0:47:11 | |
Well... Even the picture you showed me of them showed what a state of disrepair they were in. | 0:47:13 | 0:47:20 | |
They were, well... | 0:47:20 | 0:47:22 | |
That's all... That all went through a process of public inquiry and all the rest of it. | 0:47:22 | 0:47:28 | |
It was, um, agreed | 0:47:28 | 0:47:31 | |
that they should come down. | 0:47:31 | 0:47:33 | |
-No, but the houses were not in a state of disrepair. -In your opinion. | 0:47:33 | 0:47:38 | |
-No, actually in the opinion of... -Yes. -..the council officers that came and inspected the street here. | 0:47:38 | 0:47:44 | |
2012. The documents lost in the council archives are discovered. | 0:47:48 | 0:47:53 | |
Notes written by council officers as they inspect Reginald Road, | 0:47:53 | 0:47:58 | |
anxious to please their bosses by declaring it a slum. | 0:47:58 | 0:48:02 | |
But the council officers can't find a genuine reason | 0:48:03 | 0:48:07 | |
to declare Reginald Road as unfit for human habitation. | 0:48:07 | 0:48:11 | |
At number 42, home of the Price family, the officer says, "Damp: there is no damp. | 0:48:12 | 0:48:19 | |
"Repair: there is no disrepair. | 0:48:19 | 0:48:21 | |
"All defects remediable at not too great a cost. | 0:48:21 | 0:48:26 | |
"There is no doubt in my mind that this whole street can be dealt with by means other than slum clearance | 0:48:27 | 0:48:32 | |
"if the council want to." The Health Inspector's verdicts are kept private. | 0:48:32 | 0:48:38 | |
Three years on, Reginald is declared a slum | 0:48:38 | 0:48:42 | |
and residents are instructed to leave. | 0:48:42 | 0:48:46 | |
Gracious. | 0:48:48 | 0:48:50 | |
Dear, dear, dear. I just feel amazed, really... that it's come to light now | 0:48:54 | 0:49:01 | |
after all these years. | 0:49:01 | 0:49:03 | |
And you wonder who are these people when they've been told structurally | 0:49:03 | 0:49:07 | |
that the house is OK to live in. | 0:49:07 | 0:49:10 | |
And then, all of a sudden, they go against what they've said, but nobody knows what they've said | 0:49:10 | 0:49:16 | |
-because it doesn't come out. -Just the letters. -Just a letter saying... | 0:49:16 | 0:49:20 | |
-"Your house is a slum." -Mm. | 0:49:20 | 0:49:23 | |
My mum had lovely curtains. | 0:49:24 | 0:49:26 | |
As I'm growing up, I wanted to fight the council, but you couldn't fight them. Understand? | 0:49:28 | 0:49:34 | |
My uncle John, he didn't want to move. | 0:49:35 | 0:49:38 | |
Big, strong man. Some little creep comes along and tells him he's got to get out? | 0:49:38 | 0:49:44 | |
And then the creep hides behind the bloody door and sends bloody bulldozers in? | 0:49:44 | 0:49:49 | |
We had it. Bulldozers knocking the top off and then saying, "Oh, that was an accident." | 0:49:49 | 0:49:55 | |
Then you try and fight them. Who are you going to fight? You can't fight no one. | 0:49:56 | 0:50:02 | |
Go up the Town Hall, you get some bird on the office desk banging your head? She don't take any notice. | 0:50:02 | 0:50:08 | |
You can't even get to them. If you go to Greenwich now, | 0:50:08 | 0:50:13 | |
all them houses are exactly the same as the ones that stood in Deptford. | 0:50:13 | 0:50:17 | |
For some unknown reason | 0:50:17 | 0:50:20 | |
that no one will probably ever get the truth to, they wanted to condemn Deptford. | 0:50:20 | 0:50:25 | |
Councillor Taylor isn't responsible for pulling down Reginald Road. | 0:50:33 | 0:50:37 | |
He joined the council some time after the compulsory purchase orders had already been issued. | 0:50:37 | 0:50:43 | |
But he is convinced that the houses on Reginald had to come down | 0:50:43 | 0:50:47 | |
and that the council made the right decision. | 0:50:47 | 0:50:51 | |
Cos we found some documents | 0:50:54 | 0:50:56 | |
and these are the council's own medical officers going up and down, | 0:50:56 | 0:51:01 | |
-looking for reasons to declare them unfit for human habitation. -That's right. Slums. | 0:51:01 | 0:51:06 | |
-They can't find any reasons. -No. -It says here, "Number 42..." The Price family lived at number 42. | 0:51:06 | 0:51:12 | |
-"Repair: there is no disrepair." -Yeah. -"Dampness: no dampness." -Yes. | 0:51:12 | 0:51:17 | |
"Any defects: remediable at not too great a cost." | 0:51:17 | 0:51:20 | |
-You're talking about one row of houses. -The council's own officer says maintenance is good... | 0:51:20 | 0:51:27 | |
-I'm not denying that. -"Some are very well kept and may be difficult to declare a slum." | 0:51:27 | 0:51:33 | |
I'm not denying that. I'm not defending that. Maybe those ones should have been kept. | 0:51:33 | 0:51:38 | |
I, of course, set out... It was very difficult to stop the bulldozer. | 0:51:38 | 0:51:43 | |
When I was elected, I couldn't stop the bulldozer. Most of my colleagues wanted to continue bulldozing. | 0:51:43 | 0:51:50 | |
In order to persuade them to stop bulldozing, you had to select where you were going to make your stand. | 0:51:50 | 0:51:56 | |
It was a very difficult area to redevelop, this. Very, very difficult to redevelop. | 0:51:56 | 0:52:01 | |
But there is one side street visited by Charles Booth that had a different fate. | 0:52:08 | 0:52:14 | |
Albury Street, running off the High Street to the north of Reginald, | 0:52:16 | 0:52:20 | |
and classed by Booth as mixed, with ordinary working people and some artisans. | 0:52:20 | 0:52:26 | |
Albury was originally built in 1700 | 0:52:27 | 0:52:30 | |
for sea captains and the well-to-do. | 0:52:30 | 0:52:33 | |
But by the time of Booth's survey, it was no longer what it had once been | 0:52:35 | 0:52:41 | |
and over the next 70 years, it continued to drop down the social scale. | 0:52:41 | 0:52:47 | |
By 1960, Albury was a genuine slum, | 0:52:47 | 0:52:51 | |
in a worse state than Reginald. | 0:52:51 | 0:52:54 | |
Its residents were evicted and Albury, too, was scheduled for slum clearance. | 0:52:54 | 0:53:00 | |
But a quirk of the planning process left Albury escaping the bulldozer and it didn't get pulled down. | 0:53:01 | 0:53:09 | |
It's still here today, running off the High Street, | 0:53:11 | 0:53:15 | |
the last vestige of old Deptford. | 0:53:15 | 0:53:18 | |
Ha! There we go. | 0:53:19 | 0:53:21 | |
It's a bit like a sort of country house in miniature here. | 0:53:22 | 0:53:26 | |
You've got this lovely hall going right through the house | 0:53:26 | 0:53:30 | |
and then this is the main downstairs reception room. | 0:53:30 | 0:53:34 | |
-What do you think? -Nicely done. And I know which picture I'd ask my dad for to put above the fireplace. | 0:53:34 | 0:53:40 | |
Yes. | 0:53:40 | 0:53:42 | |
-It's quite stylish, isn't it? -Mm, very. | 0:53:42 | 0:53:46 | |
-A lot of the staircase is original. You've got these lovely barley-twist banisters here. -I love that turning. | 0:53:46 | 0:53:53 | |
-Isn't it lovely? And this, to me... -Awesome. -I think this is the loveliest room in the house. | 0:53:53 | 0:54:00 | |
-It really feels like a piano nobile. -Piano nobile, exactly. | 0:54:00 | 0:54:05 | |
It could even be another big reception room up here. | 0:54:05 | 0:54:08 | |
-And that could make the downstairs living room more of a casual dining/living room. -Exactly that. | 0:54:08 | 0:54:14 | |
-This could be more of a state dining room. -Mm. -For important occasions. | 0:54:14 | 0:54:18 | |
-When I grew up, we did have the family dining room and the formal dining room. -Quite rightly. | 0:54:18 | 0:54:25 | |
-London evolves, doesn't it? -Absolutely. -And somehow this little street is still here. | 0:54:25 | 0:54:31 | |
A precious little survival amongst it all. | 0:54:31 | 0:54:35 | |
Well, the price for this house at the moment, I think it's on the market for about £750,000. | 0:54:35 | 0:54:41 | |
-It's great value for what it is. -Do you think so? -I do, for the quality of the restoration. | 0:54:44 | 0:54:49 | |
And the neighbourhood isn't likely to change dramatically in the next few years... | 0:54:49 | 0:54:55 | |
Is this Pauline's wedding? | 0:55:23 | 0:55:26 | |
I think it was Pauline's wedding, isn't it? | 0:55:26 | 0:55:29 | |
Eh? | 0:55:29 | 0:55:31 | |
Yeah, there's Uncle Jack there. | 0:55:31 | 0:55:33 | |
Dear, oh, dear, oh, dear. | 0:55:33 | 0:55:35 | |
God... | 0:55:35 | 0:55:36 | |
Oh, there's Aunt Harriet, look. | 0:55:41 | 0:55:44 | |
I was loading up the lorry there. | 0:55:44 | 0:55:48 | |
Yeah. Hey, that was me. | 0:55:48 | 0:55:51 | |
It is me! Yeah. | 0:55:51 | 0:55:53 | |
In the baskets would have been Jersey potatoes. | 0:55:53 | 0:55:58 | |
Ah... Dear, oh, dear. | 0:56:03 | 0:56:05 | |
It's another time, innit? It's another era. | 0:56:08 | 0:56:12 | |
You can't turn back the clock no more, can you? Tick tock, tick tock, tick tock. | 0:56:12 | 0:56:18 | |
I think I'd like to finish now, son. | 0:56:24 | 0:56:27 | |
Yeah? Can we finish now? | 0:56:27 | 0:56:29 | |
# Will the circle | 0:56:38 | 0:56:42 | |
# Be unbroken | 0:56:42 | 0:56:46 | |
# By and by, Lord | 0:56:46 | 0:56:49 | |
# By and by | 0:56:49 | 0:56:54 | |
# There's a better | 0:56:54 | 0:56:57 | |
# Home awaiting | 0:56:57 | 0:57:01 | |
# In the sky, Lord | 0:57:01 | 0:57:04 | |
# In the sky | 0:57:04 | 0:57:09 | |
# Will the circle | 0:57:09 | 0:57:13 | |
# Be unbroken | 0:57:13 | 0:57:17 | |
# By and by, Lord | 0:57:17 | 0:57:20 | |
# By and by | 0:57:20 | 0:57:24 | |
# There's a better | 0:57:24 | 0:57:29 | |
# Home awaiting | 0:57:29 | 0:57:33 | |
# In the sky, Lord | 0:57:33 | 0:57:36 | |
# In the sky... # | 0:57:36 | 0:57:40 | |
Next week, we tell the story of Camberwell Grove, | 0:57:42 | 0:57:46 | |
how the street was built for the middle classes in Georgian times. | 0:57:46 | 0:57:51 | |
When it was built, it was like an object landed from space in the farmland itself. | 0:57:51 | 0:57:57 | |
How it was engulfed by the Victorian city of London. | 0:57:57 | 0:58:01 | |
And how, as period houses were being demolished all over the city, | 0:58:01 | 0:58:05 | |
the fight began to protect the Grove. | 0:58:05 | 0:58:09 | |
To discover more about Britain's Secret Streets, the Open University has produced a free guide book. | 0:58:09 | 0:58:15 | |
Go to bbc.co.uk/ourstreets and follow the links to the Open University | 0:58:15 | 0:58:20 | |
or call: | 0:58:20 | 0:58:23 | |
Subtitles by Red Bee Media Ltd | 0:58:46 | 0:58:48 |