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London in 1886... | 0:00:02 | 0:00:03 | |
..then, the largest city in human history, | 0:00:05 | 0:00:07 | |
and the centre of the known world. | 0:00:07 | 0:00:10 | |
With its self-importance, its dirt, its wealth, | 0:00:10 | 0:00:14 | |
and awful poverty, it seems a mystery to us now. | 0:00:14 | 0:00:18 | |
It was a different world. An entirely different world. | 0:00:18 | 0:00:22 | |
But there is a guide to this human jungle - | 0:00:22 | 0:00:25 | |
Charles Booth, Victorian London's social explorer. | 0:00:25 | 0:00:29 | |
Booth produced a series of pioneering maps | 0:00:29 | 0:00:32 | |
that colour-coded the streets of his London, | 0:00:32 | 0:00:34 | |
according to the ever-shifting class of its residents. | 0:00:34 | 0:00:38 | |
Booth's maps are like scans, X-rays that reveal to us | 0:00:38 | 0:00:42 | |
the secret past beneath the skin of the present. | 0:00:42 | 0:00:46 | |
If people knew how many cattle was killed there, | 0:00:46 | 0:00:49 | |
I don't think they'd live there. | 0:00:49 | 0:00:50 | |
He wanted his maps to chart stories of momentous social change... | 0:00:52 | 0:00:56 | |
I was on the bottom, and those houses were the lowest of the low. | 0:00:56 | 0:01:00 | |
..the ebb and flow between enormous wealth and terrible poverty, | 0:01:00 | 0:01:05 | |
how easily desirable or well-to-do neighbourhoods | 0:01:05 | 0:01:08 | |
could descend into the haunts of the vicious | 0:01:08 | 0:01:11 | |
and semi-criminal, and back again. | 0:01:11 | 0:01:13 | |
Now the maps can help us reveal the changes | 0:01:15 | 0:01:18 | |
that have shaped all our lives, | 0:01:18 | 0:01:21 | |
and made the story of the streets the story of us all. | 0:01:21 | 0:01:25 | |
Oh, my goodness! | 0:01:25 | 0:01:26 | |
The old toilet's gone! | 0:01:26 | 0:01:28 | |
Now, we're going back to one of the 10,000 streets he mapped. | 0:01:29 | 0:01:33 | |
This is the story of how its prime location | 0:01:35 | 0:01:38 | |
made the Caledonian Road ripe for exploitation. | 0:01:38 | 0:01:41 | |
I will give you a little advice, as long as the cow has milk, milk it. | 0:01:41 | 0:01:47 | |
But the people of the road have found their own way | 0:01:47 | 0:01:51 | |
to survive in the big city... | 0:01:51 | 0:01:54 | |
Do you want business, love? | 0:01:54 | 0:01:56 | |
..always against the odds. | 0:01:56 | 0:01:58 | |
Fireworks, made in England. | 0:01:58 | 0:02:00 | |
-Fuck the pig. -What are you doing? What are you doing to my film? | 0:02:00 | 0:02:04 | |
What? | 0:02:04 | 0:02:06 | |
Twats! | 0:02:10 | 0:02:11 | |
On the edge of central London, | 0:02:21 | 0:02:23 | |
running through the Borough of Islington, | 0:02:23 | 0:02:26 | |
is a mile-and-half-long road. | 0:02:26 | 0:02:28 | |
It begins at King's Cross and connects the city with the north. | 0:02:28 | 0:02:32 | |
This is the story of how that prime location | 0:02:34 | 0:02:36 | |
left the Caledonian Road vulnerable to powerful outside forces. | 0:02:36 | 0:02:41 | |
And how it's working class community learned how to fight back. | 0:02:41 | 0:02:46 | |
Outsiders know the Caledonian Road only as a place you pass through - | 0:02:48 | 0:02:52 | |
urban, grimy, seemingly unloved. | 0:02:52 | 0:02:56 | |
Locals know it as the Cally, a place of rented flats, | 0:02:56 | 0:03:00 | |
letting agents, caffs, vegetable stands, and the odd pub. | 0:03:00 | 0:03:05 | |
# I gave a letter to the postman | 0:03:08 | 0:03:12 | |
# He put it his sack | 0:03:12 | 0:03:15 | |
# Bright and early next morning | 0:03:15 | 0:03:19 | |
# He brought my letter back | 0:03:19 | 0:03:21 | |
# She wrote upon it | 0:03:21 | 0:03:22 | |
# Return to sender | 0:03:22 | 0:03:26 | |
# Address unknown... # | 0:03:26 | 0:03:28 | |
Last year, Eileen Christie took over the tenancy | 0:03:28 | 0:03:32 | |
of the Prince of Wales. | 0:03:32 | 0:03:34 | |
She's lived on the road all her life. | 0:03:35 | 0:03:38 | |
People go, "Oh, my God! Caledonian Road. That's a shit-hole!" | 0:03:38 | 0:03:41 | |
Everyone says it. Don't matter where they're from. | 0:03:41 | 0:03:44 | |
Anyone who knows Cally, it's got such a bad reputation. | 0:03:44 | 0:03:48 | |
Cos we're bit rough around the edges and we're loud. | 0:03:49 | 0:03:51 | |
And we wave at each other like, you know, "Hi!" | 0:03:53 | 0:03:57 | |
People look at that and they just think that's pretty undesirable. | 0:03:57 | 0:04:00 | |
We don't see nothing wrong with it, but the reputation is that of, | 0:04:00 | 0:04:04 | |
"What a shit-hole!" | 0:04:04 | 0:04:05 | |
Eileen's pub is owned by Andrew Panayi, | 0:04:08 | 0:04:12 | |
a Cypriot immigrant. | 0:04:12 | 0:04:15 | |
From his headquarters at the back of a former second-hand furniture shop, | 0:04:16 | 0:04:20 | |
Andrew runs his property empire. | 0:04:20 | 0:04:23 | |
-How's it going? -Did you wash your hands? | 0:04:24 | 0:04:26 | |
Yeah. | 0:04:26 | 0:04:28 | |
We get tenants who call in sometimes and he calls them all in. | 0:04:28 | 0:04:33 | |
Come and have a drink. | 0:04:33 | 0:04:35 | |
Anyone who comes in the office. | 0:04:35 | 0:04:37 | |
Don't matter who comes - solicitors, bankers... | 0:04:37 | 0:04:39 | |
Sit down, have a drink... everybody. | 0:04:39 | 0:04:41 | |
ALL: Cheers. | 0:04:41 | 0:04:42 | |
-INTERVIEWER: -How many properties on the Cally do you own and where are they? | 0:04:42 | 0:04:46 | |
We don't even know how many are. | 0:04:46 | 0:04:49 | |
This is a serious part of Cally. | 0:04:49 | 0:04:52 | |
What do you mean - "serious"? | 0:04:52 | 0:04:54 | |
It's good for salvation. | 0:04:54 | 0:04:56 | |
That's mine. | 0:04:56 | 0:04:57 | |
Hello. | 0:04:58 | 0:04:59 | |
And that's mine. | 0:04:59 | 0:05:02 | |
That's mine. ..That's mine. | 0:05:02 | 0:05:05 | |
-You've more down here? -Oh, my God, yes! | 0:05:05 | 0:05:07 | |
We haven't even started. | 0:05:07 | 0:05:09 | |
You know, this one here, | 0:05:09 | 0:05:11 | |
I bought it in 1990. | 0:05:11 | 0:05:14 | |
It was just a collapsed building, | 0:05:14 | 0:05:16 | |
and then I rebuilt it a few years later, | 0:05:16 | 0:05:19 | |
and in the place of the garden, as you can see, | 0:05:19 | 0:05:22 | |
we've built those two floors. | 0:05:22 | 0:05:25 | |
This is one of the ones | 0:05:25 | 0:05:26 | |
the council's giving you a hard time about? | 0:05:26 | 0:05:28 | |
I did get planning permission | 0:05:28 | 0:05:30 | |
five years later. | 0:05:30 | 0:05:31 | |
Build first, | 0:05:36 | 0:05:37 | |
get the permission later. | 0:05:37 | 0:05:39 | |
-It always works. -What did you say? | 0:05:39 | 0:05:41 | |
Build first, ask for permission later. | 0:05:41 | 0:05:44 | |
Caledonian Road is a place where you feel free. | 0:05:45 | 0:05:48 | |
I wouldn't be able to do in the West End what I did here. | 0:05:48 | 0:05:51 | |
Here you could change the face of the street | 0:05:51 | 0:05:54 | |
without anybody noticing it. | 0:05:54 | 0:05:56 | |
By the late 1890s, | 0:06:03 | 0:06:05 | |
the Victorian social explorer, Charles Booth, | 0:06:05 | 0:06:08 | |
had arrived in Islington | 0:06:08 | 0:06:10 | |
as part of his epic quest to examine social conditions in the capital. | 0:06:10 | 0:06:14 | |
Then, as now, the Caledonian Road was a major route | 0:06:16 | 0:06:19 | |
into central London. | 0:06:19 | 0:06:21 | |
But when Booth arrived on the road for the first time, | 0:06:24 | 0:06:27 | |
he was not impressed by what he found. | 0:06:27 | 0:06:29 | |
"A depressing district," he called it. | 0:06:30 | 0:06:33 | |
There were shopkeepers without any sense of enterprise... | 0:06:37 | 0:06:41 | |
..and labourers without regular employment, | 0:06:45 | 0:06:48 | |
who survived living by their wits. | 0:06:48 | 0:06:51 | |
The Caledonian Road was a place of poverty, where, for Booth, | 0:06:51 | 0:06:56 | |
the strife and pain and sorrow of life with no hope, | 0:06:56 | 0:06:59 | |
must, at times, be unbearable. | 0:06:59 | 0:07:02 | |
This was not how it was supposed to be. | 0:07:06 | 0:07:09 | |
Edmund Thornhill is a property developer. | 0:07:15 | 0:07:17 | |
In 1776, | 0:07:17 | 0:07:19 | |
his great-grandfather, George, acquired 90 acres of land | 0:07:19 | 0:07:23 | |
on the edge of London, apparently because it was good hunting ground. | 0:07:23 | 0:07:27 | |
I did hear apocryphally, it was my mother who kindly told me, | 0:07:27 | 0:07:32 | |
that apparently George said the snipe shooting in Islington | 0:07:32 | 0:07:37 | |
was rather better than it was in Chelsea. | 0:07:37 | 0:07:40 | |
Sadly, he's not around to defend himself, er... | 0:07:40 | 0:07:44 | |
whether that remark is true. | 0:07:44 | 0:07:45 | |
In those days, it was fields, it was farms, it was tenanted out, | 0:07:45 | 0:07:51 | |
but he really wanted, for want of a better expression, | 0:07:51 | 0:07:54 | |
for his asset at Islington to be sweated. | 0:07:54 | 0:07:56 | |
He realised he'd acquired a significant opportunity, | 0:07:56 | 0:08:00 | |
and wanted to make sure it was going to be worked. | 0:08:00 | 0:08:03 | |
The Caledonian Road was the result of a speculative moneymaking plan, | 0:08:05 | 0:08:09 | |
dreamt up at the country manor of George Thornhill. | 0:08:09 | 0:08:12 | |
In 1826, London's Victorian property boom was in full swing, | 0:08:12 | 0:08:17 | |
and Thornhill wanted his piece of the action. | 0:08:17 | 0:08:21 | |
He planned to build a brand-new road running along the edge | 0:08:21 | 0:08:24 | |
of his land, a road that would make it possible, | 0:08:24 | 0:08:27 | |
once some poor tenants were moved on, | 0:08:27 | 0:08:30 | |
to turn his hunting ground into a massive development | 0:08:30 | 0:08:34 | |
of hundreds of private houses - the Thornhill Estate. | 0:08:34 | 0:08:38 | |
This is a wonderful photograph in time, | 0:08:41 | 0:08:45 | |
because this is 1848 | 0:08:45 | 0:08:47 | |
and 30 years before this, none of the Thornhill Estate was built. | 0:08:47 | 0:08:52 | |
They clearly spent a lot of time in meeting rooms, | 0:08:52 | 0:08:55 | |
really considering what this estate was going to look like. | 0:08:55 | 0:09:00 | |
You know, looking at Thornhill Square, | 0:09:00 | 0:09:02 | |
it's been beautifully planned through. | 0:09:02 | 0:09:05 | |
He was making sure that | 0:09:05 | 0:09:07 | |
if he was going to put his name to something, it was going to be good. | 0:09:07 | 0:09:11 | |
Of course, they're taking a punt, | 0:09:11 | 0:09:12 | |
because they're expecting people to come and live there | 0:09:12 | 0:09:16 | |
and it was long before the idea of doing a pre-let or selling-off plan, | 0:09:16 | 0:09:21 | |
so it must have been a very, very, very exciting time. | 0:09:21 | 0:09:26 | |
There they were, yes, they had their ancestral home in the country, | 0:09:26 | 0:09:30 | |
but actually, they were part of what was some form of urban revolution, | 0:09:30 | 0:09:34 | |
and that must have made their dinner parties more interesting. | 0:09:34 | 0:09:38 | |
George Thornhill's gamble paid off. | 0:09:38 | 0:09:41 | |
A senior official at the Inland Revenue moved into number one, | 0:09:41 | 0:09:45 | |
a successful merchant into number 13, | 0:09:45 | 0:09:48 | |
a solicitor into number 26 - | 0:09:48 | 0:09:51 | |
each had two live-in servants. | 0:09:51 | 0:09:54 | |
170 years later, Thornhill Square still reflects its builder's vision | 0:09:54 | 0:09:59 | |
of first-class housing for London's professional classes. | 0:09:59 | 0:10:02 | |
Here, just behind the Caledonian Road, | 0:10:02 | 0:10:05 | |
houses cost upwards of £2 million. | 0:10:05 | 0:10:08 | |
This is how the whole area may have looked, | 0:10:08 | 0:10:11 | |
if George Thornhill had owned all the land off the road, | 0:10:11 | 0:10:15 | |
but he didn't. | 0:10:15 | 0:10:16 | |
While the Thornhill Estate followed meticulous masterplan, | 0:10:18 | 0:10:22 | |
along the rest of this brand-new road, | 0:10:22 | 0:10:24 | |
there were different landowners with their own visions for the area. | 0:10:24 | 0:10:28 | |
Just a few hundred yards from the upscale Thornhill Estate, | 0:10:28 | 0:10:32 | |
the government found the perfect place to build a brand-new prison. | 0:10:32 | 0:10:36 | |
Pentonville opened in 1842. | 0:10:37 | 0:10:40 | |
It held 500 convicts awaiting deportation to the colonies. | 0:10:40 | 0:10:45 | |
Behind its walls, | 0:10:45 | 0:10:46 | |
they were stripped of their identity | 0:10:46 | 0:10:48 | |
and forbidden to talk to one another. | 0:10:48 | 0:10:50 | |
When Charles Booth strolled past Pentonville 50 years later, | 0:10:52 | 0:10:55 | |
he noted with semi-scientific disdain, | 0:10:55 | 0:10:57 | |
that the prisoners | 0:10:57 | 0:10:59 | |
were flat-headed, bull-necked and undersized. | 0:10:59 | 0:11:03 | |
Today, the prison still looms over the Caledonian Road. | 0:11:06 | 0:11:10 | |
Everything about the prison has stayed exactly the same. | 0:11:13 | 0:11:15 | |
I just remember being a small child, walking along Caledonian Road | 0:11:15 | 0:11:19 | |
and walking up the wall | 0:11:19 | 0:11:20 | |
and the wall used to go higher and higher and higher | 0:11:20 | 0:11:22 | |
and you'd sort of walk up the prison wall | 0:11:22 | 0:11:24 | |
and I often look at it even now and I often think | 0:11:24 | 0:11:26 | |
"When I've got trainers on, I'm going to walk up the wall." | 0:11:26 | 0:11:29 | |
You go past it and go, | 0:11:32 | 0:11:34 | |
"Pentonville Hotel," you know. | 0:11:34 | 0:11:36 | |
I didn't really connect it. When you're walking past, you don't look up and go, | 0:11:36 | 0:11:40 | |
"Oh, God, this prison." Doesn't look like a prison. | 0:11:40 | 0:11:42 | |
You don't see prisoners out digging the roads. | 0:11:42 | 0:11:44 | |
It doesn't mean anything at all... | 0:11:44 | 0:11:46 | |
CAR HORN BEEPS ..unless someone has actually escaped, | 0:11:46 | 0:11:49 | |
and then you've got a few helicopters. | 0:11:49 | 0:11:52 | |
That's it. Apart from that, no-one takes no notice of the prison. | 0:11:52 | 0:11:55 | |
It's just part of, it's just part of... | 0:11:55 | 0:11:58 | |
Fuck the pig! | 0:11:59 | 0:12:01 | |
LAUGHTER | 0:12:01 | 0:12:02 | |
What are you doing? What are you doing to my film? | 0:12:02 | 0:12:06 | |
What? | 0:12:06 | 0:12:08 | |
Twats. | 0:12:11 | 0:12:13 | |
It wasn't just the government that saw the potential of the road. | 0:12:15 | 0:12:20 | |
The Great Northern Railway had intentions on an area near the bottom. | 0:12:20 | 0:12:24 | |
It saw this is the perfect location for a new station, King's Cross, | 0:12:24 | 0:12:29 | |
and as the rail company, had the power to get what it wanted. | 0:12:29 | 0:12:33 | |
Anyone in the way was evicted, even graveyards were dug up. | 0:12:33 | 0:12:36 | |
For two years, the road descended into chaos | 0:12:36 | 0:12:40 | |
as labourers toiled day and night | 0:12:40 | 0:12:43 | |
to build London's newest railway terminus. | 0:12:43 | 0:12:46 | |
Up and down the road, cheap housing was thrown up for the men now needed by the railway. | 0:12:46 | 0:12:52 | |
They included Roy Hagland's grandfather, | 0:12:53 | 0:12:55 | |
who lived just off the Caledonian Road in a three-bedroom cottage | 0:12:55 | 0:13:00 | |
with his wife and 22 children. | 0:13:00 | 0:13:03 | |
William Hagland started off on the railways as a van boy | 0:13:04 | 0:13:06 | |
and ended up a famous train driver | 0:13:06 | 0:13:08 | |
captured for posterity on his own cigarette card. | 0:13:08 | 0:13:13 | |
All the kids in them days, they wanted to be engine drivers. | 0:13:14 | 0:13:18 | |
Used to walk down Caledonian Road and the people, they sort of bowed to him. | 0:13:21 | 0:13:25 | |
He was a god! Honestly, he was. | 0:13:25 | 0:13:29 | |
He was an old sod to us, funny enough. | 0:13:29 | 0:13:32 | |
He loved kids, but he didn't like his own kids. | 0:13:32 | 0:13:36 | |
-He had 22 of them! -Yeah, 22, yes. | 0:13:36 | 0:13:40 | |
-Getting old now. Soon be 76. -76, yeah. You're still a young man. | 0:13:40 | 0:13:45 | |
-After your haircut, you will look 20 years younger. -I wish I was! Yeah. | 0:13:45 | 0:13:51 | |
The arrival of the station at the bottom of the road transformed the area. | 0:13:54 | 0:13:59 | |
The rapidly expanding capital had a huge appetite | 0:13:59 | 0:14:03 | |
and King's Cross became the destination for animals arriving from the north. | 0:14:03 | 0:14:07 | |
To reduce the number of cattle herded through the centre of town, | 0:14:07 | 0:14:11 | |
the authorities decided to make the Caledonian Road their final destination. | 0:14:11 | 0:14:16 | |
The biggest cattle market in the country was now located | 0:14:17 | 0:14:21 | |
on the 30 acres around the clock tower. | 0:14:21 | 0:14:23 | |
On market days, anyone who lived near the Caledonian Road | 0:14:26 | 0:14:30 | |
now had to contend with the smell, not only of the cattle, | 0:14:30 | 0:14:33 | |
but of 42,000 sheep and 15,000 pigs being herded through their streets. | 0:14:33 | 0:14:40 | |
That is where they used to run them out. | 0:14:40 | 0:14:43 | |
From York Way, into Market Road, down to the White Horse pub, | 0:14:43 | 0:14:48 | |
turn 'em left, in there. | 0:14:48 | 0:14:50 | |
MOOING | 0:14:50 | 0:14:52 | |
If it was a cold day, women used to bring their children up | 0:14:52 | 0:14:56 | |
because if they were sweating cattle, it was good for whooping cough. | 0:14:56 | 0:15:01 | |
The sweat of the cattle, it was an old wives' tale, | 0:15:01 | 0:15:04 | |
but they used to believe it. | 0:15:04 | 0:15:06 | |
Yeah, a lot of women used to stand here and the cattle used to run past. | 0:15:06 | 0:15:10 | |
You always knew when the calves were coming. | 0:15:13 | 0:15:15 | |
-When the calves come, that is when the dirty old men used to go there. -To do what? | 0:15:15 | 0:15:20 | |
You know when a calf sucks the tit of a cow? | 0:15:20 | 0:15:25 | |
Leave that to your imagination. And I'm not joking, that is the truth. | 0:15:27 | 0:15:32 | |
The market went, but the giant slaughterhouses were still operating into the 1950s. | 0:15:34 | 0:15:39 | |
Up to 280,000 animals were killed every year. | 0:15:39 | 0:15:43 | |
It was in one of those slaughterhouses | 0:15:43 | 0:15:46 | |
that Roy got his first job. | 0:15:46 | 0:15:48 | |
That used to be the White Horse pub. I was drinking in there every day, | 0:15:51 | 0:15:55 | |
five o'clock in the morning - we used to go to start work at seven, | 0:15:55 | 0:16:00 | |
and we was always drunk, we was never sober. | 0:16:00 | 0:16:04 | |
One wall there, as high as the fence there now... | 0:16:04 | 0:16:07 | |
It never had nothing like this. It was just one complete slaughterhouse. | 0:16:07 | 0:16:12 | |
-How old were you when you first came here? -15, 15-and-a-half. | 0:16:12 | 0:16:17 | |
I mean, it was a smashing job, but it was my very first stressful job, really. | 0:16:17 | 0:16:21 | |
Do you know, I still dream about it? Honestly, even now. | 0:16:21 | 0:16:25 | |
I saw one chap, he was cutting one day, | 0:16:25 | 0:16:28 | |
and he said to me, "Look how sharp this knife is." | 0:16:28 | 0:16:31 | |
And he just... | 0:16:31 | 0:16:33 | |
his own throat. | 0:16:33 | 0:16:34 | |
Yeah. | 0:16:35 | 0:16:37 | |
Because they had veterinary surgeons in there | 0:16:37 | 0:16:40 | |
and the veterinary surgeons come, bound his neck up | 0:16:40 | 0:16:44 | |
and when the ambulance come, they just took it all off again - died. | 0:16:44 | 0:16:49 | |
Now it looks like quite posh housing. | 0:16:51 | 0:16:54 | |
If people knew how many cattle was killed there, | 0:16:54 | 0:16:59 | |
I don't think they'd live there! | 0:16:59 | 0:17:01 | |
I don't think they would! | 0:17:02 | 0:17:04 | |
The Caledonian Road had become the place to put the institutions | 0:17:07 | 0:17:11 | |
needed by the city, but not wanted in it. | 0:17:11 | 0:17:15 | |
It was helping to turn the neighbourhood, despite its central location, | 0:17:15 | 0:17:19 | |
into an undesirable address. | 0:17:19 | 0:17:21 | |
But it was the presence of King's Cross that made the road notorious. | 0:17:23 | 0:17:26 | |
As soon as it opened, prostitutes had begun to take advantage | 0:17:28 | 0:17:32 | |
of the train station to conveniently commute into work. | 0:17:32 | 0:17:36 | |
Unless you were interested in what they had to offer, | 0:17:37 | 0:17:41 | |
the bottom of the road became a no-go area. | 0:17:41 | 0:17:43 | |
But in the middle of this famous red light district, | 0:17:46 | 0:17:49 | |
there was a small working-class community trying to live a normal life. | 0:17:49 | 0:17:54 | |
Norma Steele was born here in 1938. | 0:17:58 | 0:18:02 | |
This little stretch of the Cally, | 0:18:04 | 0:18:06 | |
there wasn't anything, really, you couldn't get. | 0:18:06 | 0:18:08 | |
Now it seems to be cafes, estate agents, and a Tesco Express. | 0:18:08 | 0:18:16 | |
Unbelievable. This used to be our lovely bakers. | 0:18:16 | 0:18:22 | |
And I can remember when I was very, very young, six or seven, | 0:18:22 | 0:18:26 | |
coming around and getting hot bread at Bessie bakers... | 0:18:26 | 0:18:30 | |
..and if I was lucky, a doughnut, as you can see. | 0:18:31 | 0:18:35 | |
Ooh. This used to be a pub. | 0:18:36 | 0:18:39 | |
-The Star... -What's it now? -A mosque, would you believe? | 0:18:39 | 0:18:43 | |
The Star And Garter, this used to be called. | 0:18:43 | 0:18:46 | |
And my mother used to play the piano in here. | 0:18:48 | 0:18:50 | |
My mum played the piano in that one as well. | 0:18:57 | 0:19:01 | |
She played the piano in nearly all the pubs here. | 0:19:01 | 0:19:03 | |
Well, it certainly didn't look like this! | 0:19:04 | 0:19:08 | |
I mean, my mum would not have believed this pub if she... | 0:19:08 | 0:19:11 | |
my dad certainly wouldn't. | 0:19:11 | 0:19:12 | |
They had never seen anything like this. | 0:19:12 | 0:19:14 | |
For the Cally, it is unbelievable. | 0:19:14 | 0:19:16 | |
Saturdays used to be lovely. | 0:19:16 | 0:19:19 | |
We used to love Saturday night as kids, | 0:19:19 | 0:19:21 | |
because the word would go up, "There's a fight at the Queen's"! | 0:19:21 | 0:19:25 | |
And we would all fly around to see the fight. | 0:19:25 | 0:19:29 | |
Nearly every Saturday, somebody would come out of a pub having a fight in this area. | 0:19:29 | 0:19:34 | |
-That would be it. -Was it a very rough area? | 0:19:34 | 0:19:37 | |
It was, it was a rough area. It was a working-class area, it was a rough area. | 0:19:37 | 0:19:40 | |
Just behind the busy parade of pubs and shops | 0:19:46 | 0:19:49 | |
was a collection of small factories, lead workshops and brush-makers | 0:19:49 | 0:19:53 | |
that employed much of the neighbourhood. | 0:19:53 | 0:19:55 | |
Built in the time of Dickens, | 0:19:55 | 0:19:57 | |
they had barely changed in over half a century. | 0:19:57 | 0:20:01 | |
Crammed into a smelly, clattering world of urban industry, | 0:20:01 | 0:20:04 | |
these were the streets where the families worked and lived. | 0:20:04 | 0:20:08 | |
A mile from the nearest park, this is where Norma was filmed with her friends | 0:20:08 | 0:20:13 | |
in the family's home movies. | 0:20:13 | 0:20:14 | |
This is where we would all come and sit, on the steps. | 0:20:16 | 0:20:19 | |
And just tell each other dirty jokes, | 0:20:20 | 0:20:23 | |
or whatever we thought was a dirty joke, | 0:20:23 | 0:20:25 | |
or talk about Mrs So-and-so telling us off. | 0:20:25 | 0:20:29 | |
It was a lovely, lovely atmosphere when I was young, in this street. | 0:20:30 | 0:20:34 | |
It really was. | 0:20:34 | 0:20:35 | |
This is my house. This looks very smart. | 0:20:35 | 0:20:39 | |
It was a completely busy street. Every house had children in, | 0:20:39 | 0:20:44 | |
plus they were multi-lets. I mean, my gran always had lodgers, | 0:20:44 | 0:20:49 | |
so although we lived downstairs, | 0:20:49 | 0:20:50 | |
she would have a couple of rooms with lodgers in on the top floor, to help with the rent, | 0:20:50 | 0:20:55 | |
and these trees - we actually paid for them to be planted. | 0:20:55 | 0:21:00 | |
We wanted trees in the road, so we did a deal with the council. | 0:21:00 | 0:21:05 | |
So they planted these lovely tiny trees. My mum cried. | 0:21:05 | 0:21:11 | |
This used to be my mum's bedroom and when she saw the trees planted, she cried. | 0:21:11 | 0:21:15 | |
-Why? -She was so thrilled, | 0:21:15 | 0:21:18 | |
to see trees in King's Cross. | 0:21:18 | 0:21:20 | |
With small, quiet efforts, the community was beginning to learn | 0:21:21 | 0:21:25 | |
that they could take control of their lives, | 0:21:25 | 0:21:28 | |
but their road was changing. | 0:21:28 | 0:21:29 | |
A steady supply of houses for rent attracted waves of newcomers to the area. | 0:21:29 | 0:21:34 | |
They brought their history with them. | 0:21:34 | 0:21:36 | |
In 1955, 257 Caledonian Road made the news. | 0:21:36 | 0:21:43 | |
'Crowds gathered outside the derelict shop in the Caledonian Road | 0:21:43 | 0:21:46 | |
'where the police have discovered the guns and ammunition stolen | 0:21:46 | 0:21:49 | |
'from Arborfield camp. | 0:21:49 | 0:21:50 | |
'The IRA's complete haul | 0:21:50 | 0:21:51 | |
'had been recovered.' | 0:21:51 | 0:21:52 | |
In the 1950s, with their leaders being locked up in Pentonville, | 0:21:52 | 0:21:57 | |
the road had become the focus of tension between Irish republicans and the authorities. | 0:21:57 | 0:22:02 | |
It now had a reputation as a district for society's outsiders - | 0:22:02 | 0:22:06 | |
criminals, prostitutes, radicals and immigrants. | 0:22:06 | 0:22:11 | |
But for an innocent young Irish girl arriving in London in search of work, it was a welcoming place. | 0:22:11 | 0:22:17 | |
Eileen's mum Bridie still lives just off the Caledonian Road today. | 0:22:18 | 0:22:22 | |
-When did you first come here? -In 1959. -Mum, I was born in 1959! | 0:22:24 | 0:22:29 | |
Were you born up there? '58. About a year before you were born. Yeah, '58. | 0:22:29 | 0:22:36 | |
I remember somebody, the year I came here, somebody got hung. | 0:22:36 | 0:22:39 | |
The last person to be hung at Pentonville, over the road. | 0:22:39 | 0:22:43 | |
'It was nearly nine o'clock in the morning outside Pentonville prison. | 0:22:43 | 0:22:46 | |
'A large crowd, probably the biggest ever seen there on the morning | 0:22:46 | 0:22:50 | |
'of an execution, protested against the hanging of Ronald Marwood.' | 0:22:50 | 0:22:54 | |
He killed a policeman at the Nag's Head. | 0:22:54 | 0:22:56 | |
I remember there were a big demonstration there and everything, | 0:22:56 | 0:22:59 | |
but they hung him anyway. | 0:22:59 | 0:23:01 | |
-Where is the first place you lived in the Cally? -Lesly Street. | 0:23:05 | 0:23:08 | |
Basically, my dad was a landlord | 0:23:08 | 0:23:11 | |
and my dad had a few properties at that time. | 0:23:11 | 0:23:13 | |
And my mum and her friends rented one. That is how she met my dad. | 0:23:13 | 0:23:19 | |
-Yes, exactly. -He was her landlord? -Yeah. | 0:23:19 | 0:23:21 | |
Backing onto the walls of Pentonville prison | 0:23:21 | 0:23:25 | |
was the small working-class enclave where Eileen's mum rented a room from her dad. | 0:23:25 | 0:23:29 | |
When Charles Booth visited the area, number six Lesly Street was shared | 0:23:30 | 0:23:35 | |
by the families of a slaughterman, | 0:23:35 | 0:23:37 | |
a police sergeant and a brewery cellarman. | 0:23:37 | 0:23:40 | |
The street is no longer there. | 0:23:40 | 0:23:43 | |
This was Lesly Street. | 0:23:43 | 0:23:46 | |
And there were shops, and there was stables along here with shops. | 0:23:46 | 0:23:50 | |
It's mad. We lived at number six. Probably about here. | 0:23:51 | 0:23:56 | |
I was actually born here, somewhere along here. | 0:23:56 | 0:23:58 | |
Down there in the basement somewhere. | 0:23:58 | 0:24:00 | |
Born at home, 52 years ago. | 0:24:00 | 0:24:02 | |
Back then, a small road backing onto a prison | 0:24:03 | 0:24:06 | |
just off the Caledonian Road was one of the only places that Eileen's father, a Jamaican immigrant, | 0:24:06 | 0:24:12 | |
could afford to become a property owner. | 0:24:12 | 0:24:14 | |
He came in 1947 with £10. | 0:24:14 | 0:24:18 | |
Old black-and-white picture. | 0:24:19 | 0:24:22 | |
He started working in Caledonian market. | 0:24:22 | 0:24:25 | |
He saved his money and he bought his first house. | 0:24:25 | 0:24:29 | |
And in them days, it was easy to rent | 0:24:29 | 0:24:32 | |
because nobody wanted blacks, Irish, dogs, cats, dogs... | 0:24:32 | 0:24:37 | |
You know, it was easy. | 0:24:37 | 0:24:39 | |
This is you and Dad. All this has gone. | 0:24:39 | 0:24:42 | |
All these houses have been demolished. | 0:24:42 | 0:24:43 | |
He seduced her and she ended up having us four with him. | 0:24:43 | 0:24:46 | |
And that is the end of that story! | 0:24:46 | 0:24:49 | |
Our childhoods were fabulous. All the kids played together. | 0:24:50 | 0:24:54 | |
Children are children and it wasn't until the '70s, | 0:24:54 | 0:24:57 | |
once I was a teenager, | 0:24:57 | 0:24:58 | |
that I realised there was a major problem with racism and colour. | 0:24:58 | 0:25:04 | |
Before then, no. Childhood was great. | 0:25:04 | 0:25:07 | |
Wave after wave of outside influences had left their mark on the road. | 0:25:07 | 0:25:13 | |
But by the 1950s, its residents had learned how to adapt | 0:25:13 | 0:25:16 | |
to what they could not control. | 0:25:16 | 0:25:18 | |
For the people of the Cally, it felt like their road was in its heyday. | 0:25:18 | 0:25:23 | |
The people there were so different then. | 0:25:23 | 0:25:25 | |
You could leave your front door open and no-one would rob you, | 0:25:25 | 0:25:29 | |
if you know what I mean. | 0:25:29 | 0:25:31 | |
But now, you just go out after dark, you are scared of getting mugged! | 0:25:31 | 0:25:34 | |
You knew who the villains were. Well, I think we was all villains then. | 0:25:36 | 0:25:42 | |
Well, not... Sort of petty. | 0:25:42 | 0:25:44 | |
Fireworks, made in England. | 0:25:44 | 0:25:46 | |
One only. Shilling, tenpence, ninepence... | 0:25:46 | 0:25:49 | |
The road had always had a reputation as a place for a bit of dodgy dealing. | 0:25:49 | 0:25:55 | |
Between the 1920s and the 1960s, | 0:25:55 | 0:25:58 | |
the Cally was renowned for housing | 0:25:58 | 0:25:59 | |
the biggest second-hand goods market | 0:25:59 | 0:26:01 | |
in the capital. | 0:26:01 | 0:26:02 | |
Do you care for those, madam? The pair of them. Weighs 96 ounces. | 0:26:02 | 0:26:07 | |
But if you were in the know, it was probably the best place | 0:26:07 | 0:26:10 | |
in all of Britain to fence stolen property. | 0:26:10 | 0:26:14 | |
Not one-and-six each, the same as they charge in the shops, nor a shilling... | 0:26:14 | 0:26:18 | |
Living on the road taught its residents to appreciate a clever scam. | 0:26:18 | 0:26:21 | |
Our trick was you wore the first pair of trousers, | 0:26:22 | 0:26:28 | |
that's where you put your loot. | 0:26:28 | 0:26:29 | |
Then you put your second pair of trousers on so the police couldn't see your loot. | 0:26:32 | 0:26:39 | |
HE LAUGHS | 0:26:39 | 0:26:40 | |
Honestly, it was that bad. | 0:26:40 | 0:26:42 | |
Honestly, it was really bad for thieving. | 0:26:42 | 0:26:46 | |
What for some would be a cause for shame | 0:26:46 | 0:26:49 | |
was for others just a way to help your neighbours get on in life. | 0:26:49 | 0:26:53 | |
Back then, you really could. You worked in Tesco... | 0:26:56 | 0:26:59 | |
You worked in Tesco's. Or you worked in the chemist or you worked wherever, | 0:26:59 | 0:27:03 | |
and, I don't know, someone would come in and go, | 0:27:03 | 0:27:06 | |
"Oh, put that bit of chicken through." | 0:27:06 | 0:27:08 | |
So you put it through. You wouldn't charge them. It didn't mean anything. | 0:27:08 | 0:27:11 | |
And some of the mums would have a trolley and you'd put it through. | 0:27:11 | 0:27:14 | |
You'd go, "Stick it through." | 0:27:14 | 0:27:16 | |
It's just how it was. | 0:27:16 | 0:27:18 | |
But everybody did it for everyone. It was like... It was how it was. | 0:27:18 | 0:27:22 | |
Not no more. Too many cameras about, I suppose. | 0:27:23 | 0:27:26 | |
The Caledonian market was closed down for good in 1963. | 0:27:29 | 0:27:34 | |
It was the end of an era. | 0:27:34 | 0:27:36 | |
That's what you got to look for now. Look. | 0:27:40 | 0:27:43 | |
Disgusting, isn't it? | 0:27:43 | 0:27:45 | |
The council decided the whole area needed modernising. | 0:27:46 | 0:27:51 | |
Ever since the 1930s, they had been aware of the problem of overcrowding around the road. | 0:27:52 | 0:27:57 | |
40 years later, the problem was acute. | 0:27:58 | 0:28:01 | |
In 1970, the Caledonian Road police station was besieged by more than 100 black youths. | 0:28:03 | 0:28:09 | |
'Police concern in this part of London at the moment | 0:28:09 | 0:28:11 | |
'is whether life for them will stay quiet in future | 0:28:11 | 0:28:14 | |
'with tension sometimes running very high indeed' | 0:28:14 | 0:28:17 | |
among the local immigrant population over poor houses and crowded conditions. | 0:28:17 | 0:28:21 | |
It is thought that it is these environmental and social difficulties | 0:28:21 | 0:28:25 | |
that are most likely | 0:28:25 | 0:28:26 | |
behind a recent pattern of problems | 0:28:26 | 0:28:28 | |
with the immigrant community... | 0:28:28 | 0:28:29 | |
Islington Council's solution to the problem | 0:28:29 | 0:28:32 | |
was to demolish street after street of Victorian terraces | 0:28:32 | 0:28:36 | |
and replace them with state-of-the-art council estates. | 0:28:36 | 0:28:41 | |
Once again, the people of the Caledonian Road were given no choice but to adapt to a new way of living. | 0:28:41 | 0:28:48 | |
-Your dad was a landlord. -Mm-hm. -He had three or four houses? -Yeah. | 0:28:48 | 0:28:52 | |
-Compulsory purchase. -He could have been quite a wealthy man. -Yeah. | 0:28:52 | 0:28:56 | |
-So what happened to him instead? -Um, he died! No, no, not really. | 0:28:56 | 0:29:02 | |
What happened was compulsory purchase. The houses were sold. | 0:29:02 | 0:29:06 | |
They would give you a little. | 0:29:06 | 0:29:09 | |
Back in them days, the houses were 2,000, 3,000. | 0:29:09 | 0:29:12 | |
And he had one more house... He bought a house... | 0:29:12 | 0:29:14 | |
Was he ruined by this, I mean, financially? | 0:29:14 | 0:29:16 | |
It... He hated Labour. | 0:29:16 | 0:29:19 | |
He hated the Labour Government. | 0:29:19 | 0:29:21 | |
He absolutely hated the Labour Government. | 0:29:21 | 0:29:23 | |
Because they took his houses. "They took my bloody houses of me." | 0:29:23 | 0:29:27 | |
My dad wasn't one to ponder. It was like, "What can I do?" | 0:29:29 | 0:29:33 | |
But if they still owned these houses today, | 0:29:33 | 0:29:36 | |
the Victorian houses that was here, then them houses today would be the same | 0:29:36 | 0:29:40 | |
as the ones in the Fawn Hill area, because they were the same area, the same type of houses, | 0:29:40 | 0:29:44 | |
they would probably be worth £2 million, each house today, so... | 0:29:44 | 0:29:48 | |
The Bemerton Estate opened in 1970. | 0:29:51 | 0:29:55 | |
The people of the Cally area couldn't wait to move in. | 0:29:56 | 0:29:59 | |
It had all the modern amenities - | 0:30:02 | 0:30:04 | |
indoor plumbing, communal play areas, and off-street parking. | 0:30:04 | 0:30:09 | |
We moved from that, in a street like that, | 0:30:13 | 0:30:16 | |
and this is my mum there, in a block of flats. | 0:30:16 | 0:30:20 | |
-That's not me, is it? -Yeah, it is you. -It's windy. -That's you. | 0:30:20 | 0:30:23 | |
-We had a good laugh. -Listen, there was nothing wrong with living here. | 0:30:23 | 0:30:27 | |
We had good neighbours, everyone used to walk in and out of each other's houses. | 0:30:27 | 0:30:31 | |
-"All right, Bridie, it's only me." -"Put the kettle on!" | 0:30:31 | 0:30:34 | |
It was very much like that. | 0:30:34 | 0:30:36 | |
At the time, I'm a teenager and the houses are torn down. | 0:30:41 | 0:30:45 | |
The houses were cold and damp. They had no heating. | 0:30:45 | 0:30:49 | |
The council had great ideas of building these flats | 0:30:49 | 0:30:51 | |
and giving everyone bathrooms and toilets and bedrooms for their children. | 0:30:51 | 0:30:56 | |
It wasn't horrible. It wasn't awful. | 0:30:56 | 0:31:00 | |
It was nice. Other people would look and go, "Bloody hell, it is mental! | 0:31:00 | 0:31:03 | |
"I want a big house and that." But it was my dream. | 0:31:03 | 0:31:07 | |
When I left school, I just wanted to get married | 0:31:07 | 0:31:09 | |
and get a council flat and have a baby. | 0:31:09 | 0:31:12 | |
That was my dream. | 0:31:12 | 0:31:13 | |
I promise you, this was my dream... | 0:31:13 | 0:31:16 | |
when I started out. | 0:31:16 | 0:31:17 | |
The house over in the corner, that was my flat that I got first of all. | 0:31:17 | 0:31:22 | |
I was so proud of it. It was a two-bedroom. | 0:31:22 | 0:31:24 | |
It had a little garden, like these here, a little garden, and to bring my children up there, | 0:31:24 | 0:31:29 | |
I thought was wonderful at the time. | 0:31:29 | 0:31:31 | |
I thought, you know, I thought I had won the lottery! | 0:31:31 | 0:31:34 | |
The dream of modern living didn't stand up to reality. | 0:31:38 | 0:31:42 | |
The recession of the 1980s hit the road hard. | 0:31:42 | 0:31:46 | |
Boarded-up shop fronts and second-hand stores replaced the big chain shops on the road. | 0:31:46 | 0:31:52 | |
Even the last bank closed. | 0:31:52 | 0:31:54 | |
And at the bottom of the road, | 0:31:58 | 0:32:01 | |
the prostitutes became bolder than ever. | 0:32:01 | 0:32:04 | |
Looking for business? Do you want business, love? | 0:32:04 | 0:32:09 | |
-Sorry? -No. -All right, love. -How much do you charge? -20. -No. | 0:32:09 | 0:32:14 | |
SHE SNEEZES | 0:32:14 | 0:32:16 | |
'I remember walking home. I was, like, 17,' | 0:32:18 | 0:32:21 | |
and cars used to pull up at the side of you. | 0:32:21 | 0:32:23 | |
It was pretty rough down there. | 0:32:23 | 0:32:25 | |
-Would you like business? -Yeah, how much? -20. | 0:32:25 | 0:32:29 | |
-One old woman once, she was 80, 80! -It was pretty rough. | 0:32:29 | 0:32:32 | |
And she was waiting at the bus stop. | 0:32:32 | 0:32:34 | |
-Someone pulled up. -She lived over here. | 0:32:34 | 0:32:36 | |
-"How much, darling?" -"How much, darling?" | 0:32:36 | 0:32:38 | |
-She was 80 years old, honest to God, 80. -Do you know what she did? | 0:32:38 | 0:32:42 | |
-She got in! -No, she never. | 0:32:42 | 0:32:45 | |
-She said, "You're joking, aren't you?" -She did, didn't she? | 0:32:45 | 0:32:48 | |
-"I'm 80 years old," she said. -Yeah, she did, didn't she? | 0:32:48 | 0:32:50 | |
-She was getting the bus. -She went, "Oh, fourpence ha'penny, love"! | 0:32:50 | 0:32:54 | |
Vice might have been on the rise around the Caledonian Road | 0:32:59 | 0:33:02 | |
but the community still battled to carry on a normal life. | 0:33:02 | 0:33:06 | |
Norma Steele was now married | 0:33:09 | 0:33:10 | |
and renting a house just one road away from where she was born. | 0:33:10 | 0:33:14 | |
We moved in here in November 1979 with a rent of £17.41. | 0:33:15 | 0:33:22 | |
Found the papers the other day. | 0:33:23 | 0:33:25 | |
Norma's mother's generation had planted trees. | 0:33:27 | 0:33:30 | |
Now the next generation began to make their own mark. | 0:33:30 | 0:33:34 | |
The transformation of the derelict land behind their houses. | 0:33:34 | 0:33:37 | |
This was a National car park. The gates were there. | 0:33:40 | 0:33:44 | |
-They were right next to my house. -Yes. | 0:33:44 | 0:33:46 | |
But then we put pressure on the council | 0:33:46 | 0:33:50 | |
to take the car park over and make it into a communal garden. | 0:33:50 | 0:33:54 | |
I mean, to live in King's Cross | 0:33:58 | 0:33:59 | |
-and to have this at the back of you is absolutely brilliant. -Right next to the Cally. | 0:33:59 | 0:34:05 | |
Norma and her neighbours built an oasis | 0:34:05 | 0:34:07 | |
in the middle of a red light district. | 0:34:07 | 0:34:10 | |
I used to patrol it. | 0:34:10 | 0:34:13 | |
And if anyone dropped litter I'd say, "There." | 0:34:13 | 0:34:15 | |
I mean, this is a new... | 0:34:17 | 0:34:20 | |
I'm amazed they got planning permission for that, to be honest. | 0:34:20 | 0:34:22 | |
Then, in March 1991, | 0:34:26 | 0:34:28 | |
the existence of the area was suddenly under threat. | 0:34:28 | 0:34:31 | |
NEWSREADER: 'At the turn of the century, | 0:34:34 | 0:34:36 | |
'an entirely new high-speed railway, | 0:34:36 | 0:34:38 | |
'the Union Railway, will be brought into service. | 0:34:38 | 0:34:42 | |
'This new line will link the Channel Tunnel with central London.' | 0:34:42 | 0:34:46 | |
REPORTER: 'The new station will be built just a few feet | 0:34:47 | 0:34:50 | |
'below the existing rail tracks. | 0:34:50 | 0:34:52 | |
'It will mean the demolition of 17 acres of land including 84 homes | 0:34:52 | 0:34:56 | |
'with a loss of just under 2,000 jobs from local businesses.' | 0:34:56 | 0:35:00 | |
British Rail had plans to bring the Channel Tunnel to King's Cross. | 0:35:02 | 0:35:06 | |
It involved grabbing land around the road | 0:35:06 | 0:35:08 | |
and forcing out the people who lived there, | 0:35:08 | 0:35:11 | |
just as when the station was first built. | 0:35:11 | 0:35:13 | |
One of the streets under threat was a small crescent | 0:35:15 | 0:35:18 | |
just off the bottom of the Caledonian Road. | 0:35:18 | 0:35:21 | |
It was home to civil servant Randal Keynes. | 0:35:21 | 0:35:24 | |
The plan was to knock down the whole of this part of the crescent | 0:35:25 | 0:35:30 | |
because that was immediately over this huge, underground station | 0:35:30 | 0:35:34 | |
that they were planning to build. | 0:35:34 | 0:35:36 | |
They would have, um...been able to keep this side, | 0:35:36 | 0:35:40 | |
it would have been on the edge of the hole | 0:35:40 | 0:35:43 | |
up to 40 or 50 feet deep, just there. | 0:35:43 | 0:35:47 | |
The whole work will centre around the site | 0:35:47 | 0:35:52 | |
so that will be the main worksite for at least six, seven, eight | 0:35:52 | 0:35:57 | |
and, in reality, probably 10 years. | 0:35:57 | 0:36:00 | |
Now, in that time, these people are expected to live | 0:36:00 | 0:36:06 | |
on top of what is known as the biggest building site in Europe. | 0:36:06 | 0:36:10 | |
I was... Well, how can I describe it? | 0:36:12 | 0:36:15 | |
I was just completely...devastated. | 0:36:15 | 0:36:17 | |
You just felt that all the years that you spent getting the area nice | 0:36:17 | 0:36:22 | |
and then suddenly it was going. | 0:36:22 | 0:36:24 | |
I mean, it was just such a devastating blow. | 0:36:24 | 0:36:27 | |
The community hadn't been given a thought. | 0:36:27 | 0:36:29 | |
Once again, "King's Cross, there's no community. | 0:36:29 | 0:36:32 | |
"There's only drug addicts and prostitutes," | 0:36:32 | 0:36:35 | |
which, to me, was so untrue. | 0:36:35 | 0:36:38 | |
My first reaction was anger, | 0:36:39 | 0:36:42 | |
not simply at their claim for our land, | 0:36:42 | 0:36:48 | |
that they wanted to do take it to knock it down, | 0:36:48 | 0:36:51 | |
but because they had simply missed the point that we were there. | 0:36:51 | 0:36:56 | |
They just had this idea that | 0:36:56 | 0:37:00 | |
they didn't need to consider anyone living or working | 0:37:00 | 0:37:05 | |
on premises in their way because they were the rail company | 0:37:05 | 0:37:11 | |
and rail companies were allowed to rule. | 0:37:11 | 0:37:16 | |
The Caledonian Road found itself mixed up | 0:37:16 | 0:37:19 | |
in a massive moneymaking scheme. | 0:37:19 | 0:37:21 | |
In the property boom of the late 1980s, | 0:37:21 | 0:37:23 | |
British Rail had joined together with private developers to build | 0:37:23 | 0:37:26 | |
the Broadgate office complex over Liverpool Street Station | 0:37:26 | 0:37:30 | |
and now the rail company wanted to repeat that success | 0:37:30 | 0:37:33 | |
on an even bigger scale by completely transforming | 0:37:33 | 0:37:37 | |
30 acres of prime London real estate around the Caledonian Road. | 0:37:37 | 0:37:42 | |
They didn't really think about how much | 0:37:42 | 0:37:46 | |
our properties were worth to us. | 0:37:46 | 0:37:49 | |
They were only aware that the property as a whole, | 0:37:49 | 0:37:54 | |
if they could acquire it, would be worth so much more to them. | 0:37:54 | 0:37:59 | |
I remember at one meeting when British Rail were trying to sell us | 0:38:00 | 0:38:03 | |
how good it would be, their legal man was sitting at the table | 0:38:03 | 0:38:08 | |
with this big grin on his face all the way through and I freaked out. | 0:38:08 | 0:38:12 | |
I just stood up and ranted, "How can you grin? | 0:38:12 | 0:38:14 | |
"This is our lives you're talking about. | 0:38:14 | 0:38:17 | |
"Don't sit there grinning, you're laughing at us." | 0:38:17 | 0:38:19 | |
Some residents were determined to stay put, come what may, | 0:38:21 | 0:38:25 | |
but others, uncertain about the area's future, began to sell up. | 0:38:25 | 0:38:29 | |
The southern end of the road, always poor, hit rock bottom. | 0:38:29 | 0:38:33 | |
Council IT worker Harry Donnison documented | 0:38:35 | 0:38:39 | |
the descent of his road into blight | 0:38:39 | 0:38:41 | |
and despair. | 0:38:41 | 0:38:43 | |
-These are pictures out my window. -Which window? -This window here. | 0:38:43 | 0:38:47 | |
There you can see that's a working girl | 0:38:49 | 0:38:53 | |
and this bloke was a sort of drug dealer-cum-customer. | 0:38:53 | 0:38:58 | |
I saw them and I thought, | 0:38:58 | 0:38:59 | |
"Yeah, I need that picture | 0:38:59 | 0:39:00 | |
"for part of the collection," | 0:39:00 | 0:39:02 | |
and I pointed out the window | 0:39:02 | 0:39:03 | |
and caught them just in time. | 0:39:03 | 0:39:06 | |
But I could have taken the same picture the next day. | 0:39:06 | 0:39:09 | |
It wasn't as if it was a difficult shot to get, really. | 0:39:09 | 0:39:13 | |
It has to be said that British Rail were talking about | 0:39:13 | 0:39:17 | |
the neighbourhood as run-down and needing to be redeveloped. | 0:39:17 | 0:39:22 | |
It was obviously in their interests to allow | 0:39:22 | 0:39:27 | |
this whole atmosphere to get stronger and stronger. | 0:39:27 | 0:39:31 | |
They had no interest | 0:39:31 | 0:39:33 | |
in saving the neighbourhood from prostitution or drug dealing, | 0:39:33 | 0:39:37 | |
or winos collapsed on the pavement. | 0:39:37 | 0:39:39 | |
This is my front door, this would be not so unusual. | 0:39:40 | 0:39:44 | |
You open your front door and there'll be someone there just sprawled across the threshold | 0:39:44 | 0:39:49 | |
protesting as you try and step over them politely. | 0:39:49 | 0:39:53 | |
There's some more tramps. | 0:39:53 | 0:39:55 | |
Obviously street drinkers, they would have a very difficult time | 0:39:55 | 0:39:59 | |
and they would... they would die at times. | 0:39:59 | 0:40:03 | |
They wouldn't last that long. | 0:40:03 | 0:40:05 | |
This is quite a common sight. | 0:40:05 | 0:40:07 | |
You've got a syringe and a spoon there. | 0:40:07 | 0:40:10 | |
That was part of the heroin trade that was everywhere. | 0:40:10 | 0:40:14 | |
But with the prostitution and the street dealers, there would be violence. | 0:40:14 | 0:40:19 | |
Punters would come back to complain if they'd been sold something that wasn't any good | 0:40:19 | 0:40:23 | |
and that's when a lot of the violence would kick off. | 0:40:23 | 0:40:26 | |
Here you get examples of people who had been murdered | 0:40:26 | 0:40:29 | |
in the streets round about King's Cross and the Caledonian Road. | 0:40:29 | 0:40:33 | |
These are all police signs, | 0:40:33 | 0:40:35 | |
appeals for witnesses for various murders that took place in the area. | 0:40:35 | 0:40:39 | |
Guardian Angels was a temporary fashion in the '80s | 0:40:39 | 0:40:43 | |
and they did start coming around King's Cross | 0:40:43 | 0:40:46 | |
patrolling the streets, but they never really took off. | 0:40:46 | 0:40:51 | |
I think they were out of their depth, quite frankly. | 0:40:51 | 0:40:54 | |
There was very little standing in the way of British Rail's plan | 0:40:54 | 0:40:59 | |
to transform the area, | 0:40:59 | 0:41:01 | |
except the determination of a small community | 0:41:01 | 0:41:04 | |
not to abandon its home on the Caledonian Road. | 0:41:04 | 0:41:08 | |
We petitioned and we petitioned and we petitioned, | 0:41:08 | 0:41:12 | |
and we put in hundreds of petitions. | 0:41:12 | 0:41:14 | |
Did you think you had any chance of pushing British Rail back? | 0:41:14 | 0:41:18 | |
Not really, not to start with, | 0:41:18 | 0:41:21 | |
but that was the very first time I thought, "Well, this is it. | 0:41:21 | 0:41:24 | |
"We're not going to be looked down on and treated like idiots." | 0:41:24 | 0:41:29 | |
I mean, when you think we had to go to the House of Commons | 0:41:29 | 0:41:34 | |
to petition and I got cross-examined in the House of Commons. | 0:41:34 | 0:41:37 | |
I mean, how intimidating was that for me? | 0:41:37 | 0:41:41 | |
The legal battle lasted over five years, | 0:41:41 | 0:41:44 | |
long enough that the property boom turned to bust. | 0:41:44 | 0:41:48 | |
Already on the back foot, thanks to the changed economic situation, | 0:41:48 | 0:41:52 | |
British Rail was about to discover | 0:41:52 | 0:41:54 | |
that the Caledonian Road had a secret weapon. | 0:41:54 | 0:41:57 | |
Randal Keynes was the great-grandson of Charles Darwin | 0:41:57 | 0:42:00 | |
and the grandson of economist John Maynard Keynes. | 0:42:00 | 0:42:03 | |
These illustrious family connections would be used by Randal | 0:42:03 | 0:42:06 | |
to try to bring down the whole multi-million pound scheme. | 0:42:06 | 0:42:11 | |
When it came to the debates in the House of Lords, | 0:42:11 | 0:42:16 | |
I was able to approach two Peers of the Realm | 0:42:16 | 0:42:21 | |
who would ask a question and this was simply | 0:42:21 | 0:42:25 | |
could the Minister for Transport assure the House - | 0:42:25 | 0:42:28 | |
that was the language - | 0:42:28 | 0:42:30 | |
that the Government will pay for this Bill? | 0:42:30 | 0:42:33 | |
And he knew and he was able to tell the Peer presenting the Bill | 0:42:33 | 0:42:37 | |
that the answer would have to be no. | 0:42:37 | 0:42:40 | |
At that point, the whole thing unravelled | 0:42:40 | 0:42:43 | |
and the government told British Rail | 0:42:43 | 0:42:46 | |
that they must withdraw the Bill. | 0:42:46 | 0:42:48 | |
-NEWS: -'British Rail's preferred option will not now go ahead. | 0:42:48 | 0:42:51 | |
'That news brought jubilation for the campaigners | 0:42:51 | 0:42:54 | |
'who tonight are claiming a famous victory over British Rail in defence of their homes.' | 0:42:54 | 0:42:58 | |
It all sounds as though it was such a fight, but it was, I suppose, | 0:42:58 | 0:43:02 | |
and it did take an awful lot of my time, | 0:43:02 | 0:43:05 | |
but, you know, I just wanted a normal life. | 0:43:05 | 0:43:08 | |
I came to King's Cross from a life of privilege with a very good job | 0:43:08 | 0:43:13 | |
and learnt one big lesson while I was here | 0:43:13 | 0:43:17 | |
and that is that my assumptions | 0:43:17 | 0:43:20 | |
about how everyone in our country | 0:43:20 | 0:43:23 | |
has their home, their livelihoods, well protected, | 0:43:23 | 0:43:28 | |
that idea is just completely false if you are poor | 0:43:28 | 0:43:32 | |
and if you live in a place like this in the inner-city | 0:43:32 | 0:43:35 | |
and it needed so much trickery | 0:43:35 | 0:43:38 | |
and campaigning and fast thinking | 0:43:38 | 0:43:41 | |
to persuade the government | 0:43:41 | 0:43:44 | |
the British Rail scheme was wrong | 0:43:44 | 0:43:47 | |
and should be abandoned. | 0:43:47 | 0:43:50 | |
And I think we should all be ashamed about that. | 0:43:50 | 0:43:54 | |
At last, the people of the Cally managed to defeat outside forces, | 0:43:55 | 0:43:59 | |
determined to use the road to their own ends. | 0:43:59 | 0:44:02 | |
British Rail moved its grand scheme to nearby St Pancras Station. | 0:44:02 | 0:44:07 | |
The imminent arrival of hordes of European business people | 0:44:07 | 0:44:11 | |
finally encouraged the police to clear out the drunks, | 0:44:11 | 0:44:15 | |
drug addicts and prostitutes. | 0:44:15 | 0:44:17 | |
The Lower Caledonian Road began to move distinctly upmarket. | 0:44:17 | 0:44:21 | |
At the time, this was a hostel, | 0:44:23 | 0:44:26 | |
now it's Regents Quarter, | 0:44:26 | 0:44:29 | |
so now, as you can see, | 0:44:29 | 0:44:31 | |
just looking out the window, you've got an estate agent's there. | 0:44:31 | 0:44:34 | |
The place has changed. | 0:44:34 | 0:44:36 | |
You don't have the crack houses, | 0:44:36 | 0:44:39 | |
they're now estate agents, physiotherapist shops. | 0:44:39 | 0:44:41 | |
It's a terrible thing to say after all the appalling things I've said - | 0:44:41 | 0:44:46 | |
in some ways I find the place less interesting now. | 0:44:46 | 0:44:51 | |
The residents at the bottom of the Cally had saved the road | 0:44:51 | 0:44:54 | |
only to see it turned into a street indistinguishable from any other. | 0:44:54 | 0:45:00 | |
The prime location of the Caledonian Road | 0:45:00 | 0:45:02 | |
means that it will always attract those with their own ideas of how to use it. | 0:45:02 | 0:45:06 | |
If the development of King's Cross is leading the bottom of the road | 0:45:06 | 0:45:10 | |
inevitably upmarket, Cypriot landlord Andrew Panayi has taken the middle of the road | 0:45:10 | 0:45:16 | |
in a completely different direction. | 0:45:16 | 0:45:18 | |
Like many before him, | 0:45:18 | 0:45:20 | |
Andrew has taken advantage of a road without the usual rules | 0:45:20 | 0:45:23 | |
ever since he arrived there in 1985. | 0:45:23 | 0:45:26 | |
What did you think of England before you came here? | 0:45:28 | 0:45:32 | |
I saw the photographs of the River Thames, the tulips, | 0:45:32 | 0:45:35 | |
and I wanted to see it. | 0:45:35 | 0:45:37 | |
So how much money did you have in your pocket when you arrived in England? | 0:45:37 | 0:45:40 | |
I had a lot of money. I was rich. | 0:45:40 | 0:45:43 | |
£60 which I put in a bank, in Barclays bank. | 0:45:43 | 0:45:48 | |
-So everything you have now started with £60? -£60. | 0:45:48 | 0:45:51 | |
Andrew arrived as a qualified insolvency accountant. | 0:45:54 | 0:45:57 | |
After the property bubble of the late 1980s, | 0:45:57 | 0:46:00 | |
he was able to make his move and buy up property after property. | 0:46:00 | 0:46:05 | |
Andrew was an opportunist. | 0:46:05 | 0:46:07 | |
He had the money behind him, | 0:46:07 | 0:46:09 | |
so everything that became available, Andrew stepped in and went, | 0:46:09 | 0:46:12 | |
"Right, I'll buy that one," | 0:46:12 | 0:46:14 | |
just like a Monopoly game. | 0:46:14 | 0:46:15 | |
People, though, at those days, they didn't recognise | 0:46:15 | 0:46:19 | |
the benefit of the residential above the shops. | 0:46:19 | 0:46:21 | |
But the rental income from the shop to me was only incidental. | 0:46:21 | 0:46:25 | |
So by developing the residential above, I could get more than enough | 0:46:25 | 0:46:29 | |
to compensate for even no income on the commercial. | 0:46:29 | 0:46:32 | |
Oh, this one was, until recently, a Chinese restaurant | 0:46:32 | 0:46:36 | |
but due to the recession it closed down, | 0:46:36 | 0:46:41 | |
and there are above it four residential units. | 0:46:41 | 0:46:45 | |
Andrew has worked out the best way | 0:46:45 | 0:46:48 | |
to take advantage of his property portfolio. | 0:46:48 | 0:46:51 | |
Above the supermarket, he's managed to fit in 20 flats. | 0:46:51 | 0:46:56 | |
As so often over the history of the Caledonian Road, | 0:46:56 | 0:46:58 | |
the best way is not always the strictly legal way. | 0:46:58 | 0:47:03 | |
I was not asking for planning permission. I was building. | 0:47:04 | 0:47:08 | |
Andrew has a reputation with Islington planners. | 0:47:08 | 0:47:12 | |
If you mention Andrew's name to the planners, the crucifixes come out. | 0:47:12 | 0:47:17 | |
It's... He does whatever he wants to do. | 0:47:17 | 0:47:21 | |
He gets enforcement action against him. | 0:47:21 | 0:47:24 | |
He totally disregards it and nothing happens. | 0:47:24 | 0:47:26 | |
If you go from the corner to my office, | 0:47:26 | 0:47:28 | |
you will see that there is an extra floor, the fifth floor built. | 0:47:28 | 0:47:32 | |
No planning permission. | 0:47:32 | 0:47:34 | |
They'll take enforcement action. | 0:47:34 | 0:47:36 | |
They will try to get him to pull it down and all the rest of it. | 0:47:36 | 0:47:39 | |
And inevitably they will back down. | 0:47:39 | 0:47:41 | |
And that's been, you know, for all the streets, | 0:47:41 | 0:47:43 | |
for all the properties he owns, he's always done something | 0:47:43 | 0:47:46 | |
that's not quite right, not quite legal, but he's managed to get away. | 0:47:46 | 0:47:49 | |
-Maybe it's his charisma, I don't know. -And George was introduced to me to put me right. | 0:47:49 | 0:47:53 | |
I try to help him. I mean, when Andrew does developments, | 0:47:53 | 0:47:57 | |
he doesn't quite understand how things should be put together, | 0:47:57 | 0:48:01 | |
building regulations, how to stop things leaking. | 0:48:01 | 0:48:04 | |
So I try to guide him, because he takes advice from the people he hires. | 0:48:04 | 0:48:08 | |
Some might know what they're talking about, but most of the time they don't. | 0:48:08 | 0:48:11 | |
Do you feel misunderstood by the council? | 0:48:11 | 0:48:14 | |
Well, wouldn't you misunderstand a person like me | 0:48:14 | 0:48:17 | |
if you were in the council? | 0:48:17 | 0:48:20 | |
-What do you mean? -With my unorthodox ways - | 0:48:20 | 0:48:22 | |
carry out the work first and ask them later. | 0:48:22 | 0:48:25 | |
Do you blame them? | 0:48:25 | 0:48:27 | |
But I think they shall basically realise | 0:48:27 | 0:48:31 | |
that over the last four years, I do abide the law. | 0:48:31 | 0:48:36 | |
And it's about time. | 0:48:36 | 0:48:38 | |
Not content with surreptitiously adding a whole new storey to the road, | 0:48:40 | 0:48:44 | |
Andrew has come up with a new innovation, | 0:48:44 | 0:48:46 | |
creating a whole new world underground. | 0:48:46 | 0:48:49 | |
We have here One Pound Shop, | 0:48:52 | 0:48:55 | |
and down there, this large area of 3,500 square feet is shelves. | 0:48:55 | 0:49:01 | |
What do you do? Commercial? | 0:49:01 | 0:49:04 | |
Or do you do something different? | 0:49:07 | 0:49:10 | |
And the quality is breathtaking. | 0:49:11 | 0:49:15 | |
Hello? OK. | 0:49:19 | 0:49:21 | |
This room here can only be used as a kitchen, | 0:49:23 | 0:49:28 | |
because the kitchen does not require daylight. | 0:49:28 | 0:49:32 | |
It's one of the rooms which they will not insist on daylight. | 0:49:32 | 0:49:36 | |
Now the bedrooms must have light. | 0:49:36 | 0:49:38 | |
With the curtains shut, as you can see, | 0:49:38 | 0:49:41 | |
look at the light that comes in. It is all about light. | 0:49:41 | 0:49:45 | |
The council's guideline is if you can read the paper in the room, | 0:49:45 | 0:49:50 | |
say at two or three o'clock in the afternoon, then it is acceptable. | 0:49:50 | 0:49:54 | |
Even with the curtains shut, there is sufficient light coming | 0:49:54 | 0:49:58 | |
to provide the facility. | 0:49:58 | 0:50:00 | |
And this is something which nobody thought before. | 0:50:00 | 0:50:04 | |
Who would rent a place like this? It looks like a student, no? | 0:50:06 | 0:50:12 | |
No. They are people who work in restaurants. | 0:50:12 | 0:50:14 | |
So during the day, and in the evening, | 0:50:14 | 0:50:17 | |
they will work in the restaurants, | 0:50:17 | 0:50:19 | |
and, of course, they need 12 hours rest. | 0:50:19 | 0:50:21 | |
They will come and sleep, because in the evening, this is very warm | 0:50:21 | 0:50:26 | |
and very cosy, especially for the winter. | 0:50:26 | 0:50:29 | |
They are habitable, yes? | 0:50:31 | 0:50:34 | |
-How many units are there? -Well, there are 11 units. | 0:50:35 | 0:50:40 | |
It is now possible for perhaps 30 people to live | 0:50:42 | 0:50:45 | |
beneath a single shop on the Caledonian Road. | 0:50:45 | 0:50:48 | |
According to Andrew, it's all part of his efforts to rejuvenate the area. | 0:50:48 | 0:50:53 | |
I vet his tenants for him and supply him tenants. | 0:50:55 | 0:50:58 | |
He's my main agent. | 0:50:58 | 0:51:00 | |
And I exactly know the kind of tenants he's looking for. | 0:51:00 | 0:51:04 | |
Basically, I mean, we're looking for tenants, right, | 0:51:04 | 0:51:08 | |
who pay the rent first of all. | 0:51:08 | 0:51:10 | |
It's as simple as that! | 0:51:10 | 0:51:12 | |
Tenants that pay the rent, not only tenants that pay the rent | 0:51:12 | 0:51:16 | |
but the most important thing I've gathered, a tenant that can smile. | 0:51:16 | 0:51:19 | |
-You've got to be happy. -You've got to be happy. | 0:51:19 | 0:51:22 | |
We don't want tenants who go into a place that is grumpy | 0:51:22 | 0:51:24 | |
because you know after two weeks, you've got problems for the rest of the six months. | 0:51:24 | 0:51:29 | |
We want happy tenants, we get along with them. If there's a problem, they're willing to wait. | 0:51:29 | 0:51:33 | |
It's like Earls Court, bedsit land, | 0:51:33 | 0:51:36 | |
Caledonian Road is becoming just like that. | 0:51:36 | 0:51:39 | |
Bedsits, bedsit land. | 0:51:39 | 0:51:41 | |
All the houses down here, rooms to let, just like that, years ago. | 0:51:41 | 0:51:45 | |
Exactly like this. | 0:51:45 | 0:51:47 | |
Sooner or later, we'll have thousands of Australians. | 0:51:47 | 0:51:50 | |
Flat nine in Andrew's underground world | 0:51:51 | 0:51:55 | |
is actually rented by an Australian. | 0:51:55 | 0:51:58 | |
Although he shares the £300-a-week rent with three French people. | 0:51:58 | 0:52:02 | |
-How did you end up finding this flat? -Just off a real estate agent. | 0:52:06 | 0:52:11 | |
They said, "You'd better make up your mind pretty quick | 0:52:11 | 0:52:14 | |
-"or else this place will go." -What did you think? | 0:52:14 | 0:52:17 | |
I thought it was a shit-hole. But of course, travelling and stuff, | 0:52:17 | 0:52:21 | |
this is how you got to live. This is my room. | 0:52:21 | 0:52:23 | |
This is where all the magic happens. | 0:52:23 | 0:52:29 | |
As you can see, it's only small but it gives me a room over my head. | 0:52:29 | 0:52:32 | |
This is the second bedroom. Three people live in here. | 0:52:32 | 0:52:38 | |
And this is our bathroom. | 0:52:38 | 0:52:42 | |
-So not a lot of windows? -No, not a lot of ventilation at all. | 0:52:42 | 0:52:48 | |
-How's that? -Um, you get used to it. | 0:52:48 | 0:52:52 | |
You have to go on the internet to realise what the weather is outside. | 0:52:52 | 0:52:56 | |
-You're not joking, are you? -No. | 0:52:56 | 0:52:59 | |
So you can't really see what's going on, but, yeah, it's actually... | 0:52:59 | 0:53:04 | |
-Are there advantages to that? -Yeah, it's cheap. | 0:53:04 | 0:53:07 | |
LAUGHING | 0:53:07 | 0:53:09 | |
How long do you think you'll stay on the Cally? | 0:53:09 | 0:53:11 | |
Until I have to leave for Australia. | 0:53:11 | 0:53:14 | |
Do you have any sense of what the Cally people who come from here are like? | 0:53:14 | 0:53:19 | |
No, not really. I just feel like it's London, | 0:53:19 | 0:53:22 | |
you sort of keep your head down and you just keep going for it. | 0:53:22 | 0:53:26 | |
I don't know, I really haven't met anybody in this building. | 0:53:26 | 0:53:30 | |
There's been a few people, but they've complained, | 0:53:30 | 0:53:34 | |
the music being too loud and stuff like that. | 0:53:34 | 0:53:38 | |
Andrew's tenants may be just passing through the Cally. | 0:53:38 | 0:53:42 | |
He, however, has no intention of leaving. | 0:53:42 | 0:53:45 | |
With all the money you have, you don't have to work any more, do you? | 0:53:45 | 0:53:49 | |
-Correct. -So why do you stay on the Cally? | 0:53:49 | 0:53:52 | |
OK, it takes such a long time, | 0:53:52 | 0:53:57 | |
a lifetime to create a business, successful business. | 0:53:57 | 0:54:02 | |
Doesn't it seem odd to you that as soon as you create | 0:54:02 | 0:54:07 | |
a successful business, you kill it? | 0:54:07 | 0:54:10 | |
Many years ago I went to Cyprus. | 0:54:10 | 0:54:13 | |
At the time my mother was about 77 and she said to me, | 0:54:13 | 0:54:17 | |
"I will give you a little advice. | 0:54:17 | 0:54:20 | |
"As long as the cow has milk, milk it." | 0:54:20 | 0:54:25 | |
Today, the fate of a decent chunk of the Caledonian Road lies under Andrew's control. | 0:54:26 | 0:54:31 | |
And as the working class of the old Cally is replaced | 0:54:31 | 0:54:34 | |
by a new breed of resident, soon there may be few left | 0:54:34 | 0:54:38 | |
to defend this most misunderstood of roads. | 0:54:38 | 0:54:42 | |
But for now, thanks to Andrew, | 0:54:42 | 0:54:44 | |
who just happened to have a pub to rent out, | 0:54:44 | 0:54:46 | |
Eileen is making sure there's still a heart at the centre of the Caledonian Road. | 0:54:46 | 0:54:51 | |
How many pints had you pulled before you took over this pub? | 0:54:55 | 0:54:58 | |
I'd never pulled a pint in my life. I'd never even been behind a bar, let alone a lot pint. | 0:54:58 | 0:55:02 | |
I'd never been on that side of the bar in my life. | 0:55:02 | 0:55:04 | |
So I remember when I got the keys, I went behind there | 0:55:04 | 0:55:08 | |
and I was like, "Oh-h! Oh, my God, what do I do?" | 0:55:08 | 0:55:11 | |
And the customers, I've got some great customers, | 0:55:12 | 0:55:14 | |
the old boys that come in. Percy sitting there, | 0:55:14 | 0:55:17 | |
I'm pulling a pint. "No, no, now leave it, put it down." | 0:55:17 | 0:55:20 | |
And they've told me, they've actually taught me everything I know. | 0:55:20 | 0:55:24 | |
The guy who owned this pub, Andrew, | 0:55:24 | 0:55:27 | |
he said "Do you know how to run a pub?" "No, I don't, | 0:55:27 | 0:55:31 | |
"but I think I'll be all right, I know the area." | 0:55:31 | 0:55:35 | |
And it took off, right from day one. | 0:55:35 | 0:55:37 | |
# That's life | 0:55:37 | 0:55:40 | |
# That's what all the people say... # | 0:55:40 | 0:55:43 | |
Do you ever want to leave the Cally and not come back? | 0:55:44 | 0:55:47 | |
I have left the Cally but I've had to come back. | 0:55:47 | 0:55:51 | |
I've had to come back. | 0:55:51 | 0:55:53 | |
I went to a little village called Much Hadham, | 0:55:53 | 0:55:56 | |
but it was too quiet. I mean, even of a night, when I go to bed, | 0:55:56 | 0:56:02 | |
you can hear the ambulances, the fire engines. | 0:56:02 | 0:56:04 | |
It's good, I like it. I've been out, I've come back, and I'm settled now. | 0:56:04 | 0:56:09 | |
# I've been a puppet, a pauper | 0:56:09 | 0:56:12 | |
# A pirate, a poet | 0:56:12 | 0:56:14 | |
# A pawn and a king | 0:56:14 | 0:56:17 | |
# I've been up and down and over and out | 0:56:17 | 0:56:20 | |
# And I know one thing Each time... # | 0:56:20 | 0:56:24 | |
When my husband died, I just felt it was time to move on. | 0:56:24 | 0:56:28 | |
Nobody could really believe that I was talking about it. | 0:56:28 | 0:56:31 | |
They just couldn't believe that I was going to leave the Cally. | 0:56:31 | 0:56:35 | |
But I did, and I haven't really looked back. Life moves on. | 0:56:35 | 0:56:39 | |
I'm not bitter about my life because, you know, like I said, | 0:56:43 | 0:56:46 | |
my dream was to get that flat over there and I got that. | 0:56:46 | 0:56:51 | |
And I had two children and my children are grown up and gone | 0:56:51 | 0:56:54 | |
and I'm here, I've got a little pub over the road that I run. | 0:56:54 | 0:56:58 | |
I don't own it. I rent it for a few years, that's it. | 0:56:58 | 0:57:02 | |
Unless we win the lottery, this is it. | 0:57:02 | 0:57:05 | |
I'll be in that old people's home in a couple of years' time and that's it. | 0:57:05 | 0:57:09 | |
And I know I'll be an old lady in a council flat | 0:57:09 | 0:57:11 | |
getting my state pension, that's it. That's it, that's how it is. | 0:57:11 | 0:57:16 | |
That's exactly how it is and that's how it will stay. | 0:57:16 | 0:57:20 | |
Next week we go to Portland Road, Notting Hill. | 0:57:32 | 0:57:35 | |
Full of multi-million-pound houses, | 0:57:35 | 0:57:38 | |
it's the ultimate London banker street. | 0:57:38 | 0:57:40 | |
But it was once the worst slum in London. | 0:57:40 | 0:57:44 | |
Portland Road was a slum as far as other people was concerned. | 0:57:44 | 0:57:48 | |
As far as we were concerned, it's where we lived. | 0:57:48 | 0:57:50 | |
And today, living on the same street, | 0:57:50 | 0:57:53 | |
some of the richest people in Britain, and some of the poorest. | 0:57:53 | 0:57:57 | |
My village is that way. Their village is that way. | 0:57:57 | 0:58:01 | |
To discover more about Britain's secret streets, | 0:58:01 | 0:58:04 | |
the Open University has produced a free guide book. Go to... | 0:58:04 | 0:58:07 | |
..and follow the links to the Open University, or call... | 0:58:10 | 0:58:16 | |
Subtitles by Red Bee Media Ltd | 0:58:39 | 0:58:40 |