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|---|---|---|---|
The Welsh, in the early 18th century, are living off the land. | 0:00:04 | 0:00:09 | |
But it's the treasures that lie beneath them | 0:00:12 | 0:00:15 | |
that will take Wales to the dawn of a new age. | 0:00:15 | 0:00:19 | |
One of new discoveries, new inventions and political awakening. | 0:00:19 | 0:00:23 | |
Wales is entering a modern era. | 0:00:25 | 0:00:28 | |
It takes just 100 years for Wales to be profoundly changed, | 0:00:32 | 0:00:35 | |
with vast supplies of natural resources | 0:00:35 | 0:00:39 | |
fuelling an industrial revolution, and the Wales that's about to emerge | 0:00:39 | 0:00:43 | |
is volatile, is explosive and exciting. | 0:00:43 | 0:00:47 | |
We begin in 1750, as the Industrial Revolution turns Wales | 0:01:16 | 0:01:21 | |
into a global economy. | 0:01:21 | 0:01:24 | |
The next century brings great wealth, | 0:01:24 | 0:01:28 | |
it brings terrible poverty | 0:01:28 | 0:01:31 | |
and it brings connections to the slave trade. | 0:01:31 | 0:01:36 | |
We'll see how forgeries help create an extraordinary cultural revival. | 0:01:36 | 0:01:41 | |
This brave new world fuels uprisings and social turmoil. | 0:01:41 | 0:01:48 | |
And ultimately provokes our very first cries for democracy. | 0:01:48 | 0:01:53 | |
It's the early 18th century. | 0:02:03 | 0:02:06 | |
500,000 people live in Wales, | 0:02:06 | 0:02:08 | |
still an overwhelmingly rural country. | 0:02:08 | 0:02:13 | |
The largest towns are Carmarthen in the south and Wrexham in the north. | 0:02:13 | 0:02:18 | |
Each has fewer than 5,000 inhabitants. | 0:02:18 | 0:02:22 | |
Almost all the population speak Welsh. | 0:02:22 | 0:02:25 | |
But all this is about to change for ever | 0:02:25 | 0:02:28 | |
because of the very stuff beneath our feet. | 0:02:28 | 0:02:30 | |
On Anglesey, Parys Mountain, or Mynydd Parys, | 0:02:36 | 0:02:40 | |
is renowned among the locals in the 18th century. | 0:02:40 | 0:02:44 | |
It's a world of strangely coloured rocks | 0:02:44 | 0:02:47 | |
and earth that smells of sulphur. | 0:02:47 | 0:02:49 | |
Parys Mountain is a place of magic and alchemy. | 0:02:53 | 0:02:58 | |
But there's about to be another explanation for its character. | 0:02:58 | 0:03:03 | |
There is a story that a local miner called Rowland Puw | 0:03:03 | 0:03:06 | |
on the 2nd of March 1768 stumbles upon some ancient treasure. | 0:03:06 | 0:03:13 | |
He discovers the remains of a rich vein of copper ore, | 0:03:13 | 0:03:17 | |
an ancient vein that was once worked some 4,000 years ago. | 0:03:17 | 0:03:21 | |
And this is the point. | 0:03:21 | 0:03:23 | |
There's plenty more valuable stuff in the ground | 0:03:23 | 0:03:28 | |
so Myndd Parys and the surrounding area | 0:03:28 | 0:03:30 | |
are being propelled into a new age, an age of industrial revolution | 0:03:30 | 0:03:34 | |
at a speed and on a scale that is unimaginable. | 0:03:34 | 0:03:38 | |
This is what remains of the copper mines of Parys Mountain today. | 0:03:50 | 0:03:54 | |
A scarred, lunar landscape | 0:03:54 | 0:03:57 | |
and testament to the start of a whole new era in the story of Wales. | 0:03:57 | 0:04:01 | |
Now, you might think that the man whose discovery triggers all this, | 0:04:03 | 0:04:07 | |
the miner Rowland Puw, is amply rewarded. | 0:04:07 | 0:04:11 | |
He does get a bottle of whisky | 0:04:11 | 0:04:13 | |
and he gets a cottage rent-free for the rest of his days, | 0:04:13 | 0:04:17 | |
which for him really is a big deal. | 0:04:17 | 0:04:19 | |
But before we get carried away, what about the man who sets up | 0:04:19 | 0:04:23 | |
the Parys Mine Company in 1774, the local lawyer Thomas Williams. | 0:04:23 | 0:04:29 | |
His reward is rather more impressive. | 0:04:29 | 0:04:32 | |
He becomes the Copper King. | 0:04:32 | 0:04:34 | |
Williams is one of Wales' greatest entrepreneurs. | 0:04:37 | 0:04:42 | |
He makes his fortune by selling Parys copper to the British Navy. | 0:04:42 | 0:04:46 | |
They want it to clad their wooden ships | 0:04:46 | 0:04:49 | |
to protect them from damage from timber worms. | 0:04:49 | 0:04:51 | |
Even today we describe anything that's secure and reliable, | 0:04:51 | 0:04:55 | |
as copper-bottomed. | 0:04:55 | 0:04:56 | |
In just 12 years, Williams creates the largest copper mine in Europe, | 0:04:58 | 0:05:03 | |
employing 1,500 men and women. | 0:05:03 | 0:05:07 | |
It's only by coming down to this level that you can | 0:05:08 | 0:05:11 | |
really appreciate the graphic reality of this place, | 0:05:11 | 0:05:14 | |
the sheer size of it, this barren landscape, | 0:05:14 | 0:05:18 | |
and the thing that makes an impact straight away, | 0:05:18 | 0:05:21 | |
the strange vivid colours of these rocks. | 0:05:21 | 0:05:25 | |
Just imagine, an 18th-century farm labourer seeing this place | 0:05:25 | 0:05:29 | |
for the first time. | 0:05:29 | 0:05:31 | |
Wales' new industry becomes a Mecca for artists and travellers | 0:05:34 | 0:05:38 | |
awed by this futuristic vision of toil and labour. | 0:05:38 | 0:05:43 | |
Some record in graphic detail what they see. | 0:05:43 | 0:05:47 | |
Picking the ore from the rock, | 0:05:47 | 0:05:50 | |
hammering the wadding, the roar of the blast. | 0:05:50 | 0:05:54 | |
It's all the more remarkable when you stop and think | 0:05:55 | 0:05:58 | |
that this immense crater was made with nothing more | 0:05:58 | 0:06:03 | |
than picks and shovels and a bit of gunpowder. | 0:06:03 | 0:06:06 | |
I suppose it redefines the concept of hard work. | 0:06:06 | 0:06:09 | |
And Parys Mountain points the way ahead in its brutalised environment | 0:06:09 | 0:06:13 | |
to the future of industrial Wales. | 0:06:13 | 0:06:16 | |
Roland Puw rediscovers Wales' valuable minerals. | 0:06:21 | 0:06:25 | |
And the transformation this starts is the first of many | 0:06:25 | 0:06:29 | |
that will define the next century in the story of Wales. | 0:06:29 | 0:06:33 | |
What's happening here at Parys Mountain | 0:06:33 | 0:06:36 | |
is just a taste of what's to come | 0:06:36 | 0:06:39 | |
because Wales has far more to offer the world than just copper ore. | 0:06:39 | 0:06:43 | |
This is a land rich in resources. | 0:06:43 | 0:06:45 | |
There's lead, iron, there's coal of course. | 0:06:45 | 0:06:48 | |
There's a vast fortune to be made | 0:06:48 | 0:06:50 | |
and these resources will be exploited on a global scale | 0:06:50 | 0:06:55 | |
thanks to one of the biggest advances in human history. | 0:06:55 | 0:06:59 | |
The Industrial Revolution. | 0:07:00 | 0:07:04 | |
It will dominate the next 150 years. | 0:07:04 | 0:07:08 | |
Scientific discoveries and new inventions | 0:07:08 | 0:07:10 | |
are changing every aspect of daily life. | 0:07:10 | 0:07:14 | |
Water power and steam power drive new machines | 0:07:14 | 0:07:18 | |
that increase production. | 0:07:18 | 0:07:20 | |
This combines with Wales' mineral wealth | 0:07:21 | 0:07:24 | |
to make it an industrial powerhouse of global significance. | 0:07:24 | 0:07:28 | |
Here's the challenge. | 0:07:33 | 0:07:34 | |
To make one tonne of unrefined copper in the 18th century | 0:07:34 | 0:07:39 | |
you need three tonnes of coal for the smelting process. | 0:07:39 | 0:07:42 | |
It makes far more sense of course to bring the copper ore | 0:07:42 | 0:07:46 | |
to where the coal is, | 0:07:46 | 0:07:48 | |
which is how this place becomes the copper capital of the world. | 0:07:48 | 0:07:53 | |
They call it Copperopolis, we call it Swansea. | 0:07:53 | 0:07:57 | |
It's ideally located at the heart of a truly global industry. | 0:07:57 | 0:08:04 | |
Swansea is a unique location. | 0:08:04 | 0:08:08 | |
It has a deep navigable river, | 0:08:08 | 0:08:10 | |
the river Tawe, that leads right up to a rich source of coal. | 0:08:10 | 0:08:15 | |
So copper ore is shipped upstream, | 0:08:15 | 0:08:18 | |
unloaded and smelted right here on the river bank. | 0:08:18 | 0:08:21 | |
And the coal from the nearby pits feeds the furnaces | 0:08:23 | 0:08:27 | |
that smelt the ore. | 0:08:27 | 0:08:29 | |
The copper ingots produced here are exported around the world | 0:08:31 | 0:08:35 | |
to be used as an ingredient to make bronze and brass. | 0:08:35 | 0:08:38 | |
Swansea goes from being a small seaside town | 0:08:40 | 0:08:43 | |
to a sprawling centre of industry and a global phenomenon. | 0:08:43 | 0:08:48 | |
The growth of Copperopolis was the first large-scale industry in Wales. | 0:08:48 | 0:08:52 | |
A heavy industry that transformed the landscape, | 0:08:52 | 0:08:56 | |
attracted huge numbers of people from rural Wales to work there. | 0:08:56 | 0:08:59 | |
The river would have been busy with ships and the whole place | 0:08:59 | 0:09:04 | |
would have been shrouded with sulphurous smoke from the ore smelting. | 0:09:04 | 0:09:07 | |
And the overall effect to a newcomer, particularly from a rural area, | 0:09:07 | 0:09:11 | |
would be absolutely shocking. | 0:09:11 | 0:09:13 | |
Many who stay become some of the most skilled | 0:09:22 | 0:09:25 | |
copper smelters of the age. | 0:09:25 | 0:09:27 | |
And part of the most technologically advanced copper plant in the world. | 0:09:27 | 0:09:32 | |
One of the key things that distinguishes Copperopolis | 0:09:32 | 0:09:34 | |
and the story of the growth of the Swansea copper smelting | 0:09:34 | 0:09:37 | |
was that it was the first global industry, | 0:09:37 | 0:09:39 | |
the first industry to export this product truly internationally, | 0:09:39 | 0:09:42 | |
all around the world, both to Asia, the Americas and across Europe, | 0:09:42 | 0:09:45 | |
to Africa, and it's here at Swansea that this process first began. | 0:09:45 | 0:09:49 | |
As business expands, copper ore from as far away as Cuba, Chile | 0:09:51 | 0:09:56 | |
and North America is shipped to Swansea. | 0:09:56 | 0:09:59 | |
By 1820, more than half of the world's copper smelting industry | 0:10:01 | 0:10:05 | |
is focused on Copperopolis. | 0:10:05 | 0:10:07 | |
The Lower Swansea valley is a vision of a new industrial age. | 0:10:11 | 0:10:16 | |
Furnaces glow and chimneys belch fumes and smoke. | 0:10:16 | 0:10:21 | |
Copperopolis is the beating heart of Wales' industrial revolution. | 0:10:24 | 0:10:29 | |
Overgrown and derelict today, | 0:10:30 | 0:10:33 | |
you can still see the remains of Hafod, | 0:10:33 | 0:10:36 | |
once the largest copper works in the world. | 0:10:36 | 0:10:38 | |
But for all the greatness of Copperopolis, | 0:10:40 | 0:10:43 | |
this valley and its people would pay a heavy price. | 0:10:43 | 0:10:46 | |
The copper works pump out sulphurous gases and arsenic by the tonne. | 0:10:48 | 0:10:54 | |
Workers suffer chronic bronchial diseases. | 0:10:54 | 0:10:58 | |
Crops wither in the acid rain and livestock perish. | 0:10:58 | 0:11:03 | |
Farmers lodge court cases against the owners of the works | 0:11:04 | 0:11:08 | |
for ruining their once fertile soil. | 0:11:08 | 0:11:10 | |
By the late 19th century, what Copperopolis leaves behind | 0:11:12 | 0:11:16 | |
is the largest derelict industrial landscape in Western Europe. | 0:11:16 | 0:11:21 | |
There is another dark side to Wales' first global industry. | 0:11:24 | 0:11:29 | |
Copper is an integral part of the slave trade. | 0:11:29 | 0:11:33 | |
One of the few finished products made were manillas. | 0:11:37 | 0:11:41 | |
These were brass and copper bangles made to a tradition African shape. | 0:11:41 | 0:11:44 | |
Around three to four dozen manillas such as this would have purchased | 0:11:44 | 0:11:49 | |
an adult African slave, which would then be transported to | 0:11:49 | 0:11:51 | |
the Caribbean and to the southern part of the USA | 0:11:51 | 0:11:54 | |
where they would then work on sugar, cotton and tobacco plantations, | 0:11:54 | 0:11:58 | |
and of course the products of those slave economies were then consumed | 0:11:58 | 0:12:01 | |
across Western Europe including, of course, here at Swansea. | 0:12:01 | 0:12:04 | |
People dressed in cotton clothes, they smoked tobacco, | 0:12:04 | 0:12:07 | |
they put sugar in their drinks. | 0:12:07 | 0:12:08 | |
So really there was a two-way connection with the slave economies | 0:12:08 | 0:12:12 | |
and the slave trade of West Africa. | 0:12:12 | 0:12:15 | |
The manillas made in Wales would remain a legal currency | 0:12:15 | 0:12:18 | |
in some West African colonies until the start of the Second World War. | 0:12:18 | 0:12:23 | |
By 1790 the Welsh industrial revolution is unstoppable. | 0:12:27 | 0:12:32 | |
Slate from the North West, coal from Flintshire | 0:12:32 | 0:12:36 | |
and textiles from Bala are all sold in Europe. | 0:12:36 | 0:12:41 | |
Despite this transformation | 0:12:44 | 0:12:46 | |
the places we think of as centres of population | 0:12:46 | 0:12:49 | |
are lacking some important things. | 0:12:49 | 0:12:51 | |
There are no libraries, no universities, no civic centres. | 0:12:51 | 0:12:56 | |
So even as industry thrives, | 0:12:56 | 0:12:58 | |
bright young people in Wales who want to explore new ideas | 0:12:58 | 0:13:02 | |
and pursue an intellectual life have to move elsewhere. | 0:13:02 | 0:13:06 | |
London, the largest city in 18th-century Europe | 0:13:12 | 0:13:15 | |
is a cauldron of new ideas | 0:13:15 | 0:13:17 | |
and the Welsh intellectuals flock to it. | 0:13:17 | 0:13:19 | |
A remnant of that history still survives today. | 0:13:21 | 0:13:25 | |
The Honourable Society of the Cymmrodorion is set up in 1751 | 0:13:25 | 0:13:30 | |
to debate all things Welsh, from history, arts, science to politics. | 0:13:30 | 0:13:35 | |
If you want to think about what Lloyd George's real attitude was towards Wales, | 0:13:35 | 0:13:40 | |
I think it's very similar to his attitude towards his family. | 0:13:40 | 0:13:44 | |
The Cymmrodorion society was set up by Welshmen, | 0:13:44 | 0:13:47 | |
and they were mainly men, in fact, totally men, who came to London. | 0:13:47 | 0:13:52 | |
Indeed I would imagine it was a coming together of people who had | 0:13:52 | 0:13:56 | |
keen literary interests, | 0:13:56 | 0:13:58 | |
keen to learn know more about the history and traditions of Wales | 0:13:58 | 0:14:02 | |
and people who played a key part in political life as well. | 0:14:02 | 0:14:07 | |
They were all sorts, obviously we had the intelligencia, | 0:14:07 | 0:14:11 | |
people who had been educated out of Wales, | 0:14:11 | 0:14:13 | |
had gone to Oxford and Cambridge and became lawyers, doctors, etc. | 0:14:13 | 0:14:16 | |
But we also had people from the artisan class, | 0:14:16 | 0:14:19 | |
people who were candle makers, things like that. | 0:14:19 | 0:14:22 | |
In the 18th century, the Honourable Society Of The Cymmrodorion | 0:14:23 | 0:14:28 | |
is a club for those who want to assert their identity | 0:14:28 | 0:14:31 | |
by delving deep into their history. | 0:14:31 | 0:14:33 | |
The name Cymmrodorion in Welsh | 0:14:34 | 0:14:37 | |
means aborigines, and it was meant to try to | 0:14:37 | 0:14:40 | |
find a phrase that would describe what the Welsh | 0:14:40 | 0:14:44 | |
in the 18th century wanted to prove about themselves, | 0:14:44 | 0:14:48 | |
that you can't really consider British culture or English culture | 0:14:48 | 0:14:54 | |
unless you go back to the original population of the British Isles, | 0:14:54 | 0:14:58 | |
which was the Welsh. | 0:14:58 | 0:14:59 | |
One enthusiastic member of a London Welsh society | 0:15:01 | 0:15:05 | |
is about to embellish history to great effect | 0:15:05 | 0:15:08 | |
and leave Wales with one of its most defining traditions. | 0:15:08 | 0:15:12 | |
The Gorsedd ceremony is performed by bards | 0:15:18 | 0:15:21 | |
at the annual National Eisteddfod. | 0:15:21 | 0:15:24 | |
Musicians, poets and writers are draped in druidic robes | 0:15:24 | 0:15:28 | |
and perform rituals that hark back to pre-Roman times. | 0:15:28 | 0:15:32 | |
But far from being an ancient Celtic tradition, | 0:15:34 | 0:15:37 | |
the Gorsedd is invented in the 18th century | 0:15:37 | 0:15:42 | |
by Edward Williams, a stonecutter and poet from Glamorgan. | 0:15:42 | 0:15:45 | |
He's better known by his pen name, Iolo Morganwg. | 0:15:45 | 0:15:48 | |
Mary-Ann Constantine has studied his life and works. | 0:15:51 | 0:15:55 | |
Iolo Morganwg is one of the main architects of Welshness if you like. | 0:15:55 | 0:16:00 | |
A lot of the ingredients that he threw into the pot | 0:16:00 | 0:16:03 | |
at around this time have stayed as essential elements | 0:16:03 | 0:16:07 | |
of what it means to be Welsh. | 0:16:07 | 0:16:09 | |
What he does discover is that people are interested in this ancient Welshness | 0:16:09 | 0:16:14 | |
because there's a big revival in all things Celtic. | 0:16:14 | 0:16:17 | |
Iolo is obsessed with Wales, | 0:16:19 | 0:16:21 | |
its language, its beauty and its history. | 0:16:21 | 0:16:27 | |
He wants to create a romanticised mystical Welsh past, | 0:16:27 | 0:16:31 | |
one that never actually existed. | 0:16:31 | 0:16:34 | |
One of the things he does is, | 0:16:38 | 0:16:40 | |
he walks across Salisbury Plain and he sees Stonehenge. | 0:16:40 | 0:16:43 | |
And that's the key moment in his life | 0:16:43 | 0:16:45 | |
because the big stones at Stonehenge which are still deeply mysterious | 0:16:45 | 0:16:49 | |
to people at the time, they set him thinking, | 0:16:49 | 0:16:51 | |
and he does everything he can to find out the ancient British past, | 0:16:51 | 0:16:54 | |
and the part that Wales could have played in that. | 0:16:54 | 0:16:56 | |
With the help of his vivid imagination and some laudanum, | 0:17:00 | 0:17:05 | |
the opium of its day, he falsifies an ancient language. | 0:17:05 | 0:17:10 | |
He carves the script onto sticks, claiming that this wooden book | 0:17:10 | 0:17:14 | |
or Peithynen was used by ancient Welsh poets | 0:17:14 | 0:17:17 | |
descended from druids 2,000 years ago. | 0:17:17 | 0:17:21 | |
One of Iolo's most inspired inventions was an alphabet, | 0:17:21 | 0:17:26 | |
which effectively proved that the ancient British were literate | 0:17:26 | 0:17:32 | |
and learned and educated just as the Greeks and Romans were | 0:17:32 | 0:17:37 | |
way back in the mists of time. | 0:17:37 | 0:17:39 | |
It's a series of little sticks really, | 0:17:39 | 0:17:42 | |
inscribed with various important bardic mottos | 0:17:42 | 0:17:45 | |
in the "ancient" alphabet. | 0:17:45 | 0:17:48 | |
It's almost like a child's invented alphabet, your own secret code. | 0:17:48 | 0:17:52 | |
Having claimed he's the discoverer of an ancient bardic tradition, | 0:17:54 | 0:17:58 | |
Iolo then invents a theatre in which to perform this tradition. | 0:17:58 | 0:18:03 | |
So he makes his own druidic circles with pebbles. | 0:18:03 | 0:18:06 | |
He gathers some literary friends, | 0:18:06 | 0:18:09 | |
re-enacting the supposedly ancient custom of the bards. | 0:18:09 | 0:18:15 | |
THEY SPEAK WELSH | 0:18:15 | 0:18:18 | |
In the 1790s, this little band of Georgian Welshmen | 0:18:18 | 0:18:23 | |
is the first true Gorsedd. | 0:18:23 | 0:18:25 | |
This is the very first place where he can welcome other people | 0:18:29 | 0:18:33 | |
into this fraternity, but once people have bought into the idea, | 0:18:33 | 0:18:36 | |
the thing grows, and you start having Gorseddau around Wales. | 0:18:36 | 0:18:41 | |
The thing takes on a life of its own. | 0:18:41 | 0:18:44 | |
HE SPEAKS WELSH | 0:18:44 | 0:18:46 | |
Iolo's Gorsedd starts to be performed in local Eisteddfods. | 0:18:52 | 0:18:56 | |
Over time the ceremonies grow more elaborate | 0:18:58 | 0:19:01 | |
and new rituals are invented. | 0:19:01 | 0:19:03 | |
By the 19th century it is the centrepiece | 0:19:07 | 0:19:10 | |
of the National Eisteddfod and remains so to this day. | 0:19:10 | 0:19:13 | |
Iolo and his forgeries aren't rumbled until long after his death | 0:19:17 | 0:19:21 | |
in 1826, but during his lifetime the public lap it up. | 0:19:21 | 0:19:25 | |
Iolo has started a cultural reawakening at a crucial time. | 0:19:28 | 0:19:32 | |
As industrialisation takes root and gains ground, | 0:19:34 | 0:19:39 | |
and literally starts to change the landscape and territories of people's homelands, | 0:19:39 | 0:19:44 | |
people start to feel that they're losing something, | 0:19:44 | 0:19:48 | |
Iolo is part and parcel of that big European movement | 0:19:48 | 0:19:51 | |
to retrieve the past before it's too late. | 0:19:51 | 0:19:55 | |
And simultaneously, desperately trying to promote and rescue | 0:19:55 | 0:19:59 | |
Welsh culture from what they felt | 0:19:59 | 0:20:02 | |
was an inevitable ruin and decline as industrialisation took over. | 0:20:02 | 0:20:07 | |
While Iolo Morganwg gives Wales a dignified story of its past, | 0:20:09 | 0:20:13 | |
the wheels of industrialisation thunder on. | 0:20:13 | 0:20:17 | |
And one particular industry will forge a new era for Wales. | 0:20:17 | 0:20:22 | |
It will bring vast wealth, aching poverty and terrible slums. | 0:20:22 | 0:20:28 | |
Iron. | 0:20:30 | 0:20:31 | |
From 1756 onwards, Britain is involved in naval conflicts | 0:20:40 | 0:20:44 | |
around its ever-expanding empire | 0:20:44 | 0:20:46 | |
and its Navy is hungry for iron to manufacture its weapons. | 0:20:46 | 0:20:51 | |
So English ironmasters are on the hunt for coal | 0:20:51 | 0:20:53 | |
to fuel their furnaces. | 0:20:53 | 0:20:55 | |
South Wales has that, and much more than they expect. | 0:20:56 | 0:21:00 | |
What the English ironmasters find in south Wales | 0:21:01 | 0:21:04 | |
is a money-making paradise. | 0:21:04 | 0:21:07 | |
Plenty of coal, fast moving streams for water power. | 0:21:07 | 0:21:12 | |
Limestone, iron ore, all the raw materials for making iron, | 0:21:12 | 0:21:17 | |
in one place. | 0:21:17 | 0:21:18 | |
It's as if the hills around the small village of Merthyr Tydfil | 0:21:18 | 0:21:24 | |
are made for the iron industry. | 0:21:24 | 0:21:25 | |
The iron masters who arrive here in the 18th century | 0:21:29 | 0:21:32 | |
have hit the jackpot | 0:21:32 | 0:21:34 | |
and Merthyr Tydfil is about to feel the impact of their discovery. | 0:21:34 | 0:21:38 | |
Richard Crawshay is an iron merchant who's made his fortune in London. | 0:21:38 | 0:21:42 | |
With an eye for a good investment, | 0:21:42 | 0:21:44 | |
he buys one of ironworks around Merthyr. | 0:21:44 | 0:21:47 | |
Over the next 30 years, | 0:21:47 | 0:21:49 | |
Cyfarthfa becomes the most profitable ironworks in the world. | 0:21:49 | 0:21:53 | |
Today, what remains of it is still impressive. | 0:22:00 | 0:22:04 | |
Historian Chris Evans is going to show me | 0:22:04 | 0:22:07 | |
why Cyfarthfa is so important. | 0:22:07 | 0:22:10 | |
I'm astonished by the scale of this place. It is immense. | 0:22:10 | 0:22:15 | |
It is. But you've got to imagine when the works were in their heyday | 0:22:15 | 0:22:18 | |
this space would have been occupied by a blowing engine, | 0:22:18 | 0:22:21 | |
a really vast piece of machinery | 0:22:21 | 0:22:24 | |
that would have driven air into the furnaces themselves. | 0:22:24 | 0:22:27 | |
When you say furnaces, how many? | 0:22:27 | 0:22:28 | |
Oh there's plenty, we're looking at one here, | 0:22:28 | 0:22:31 | |
one there and further down there would have been | 0:22:31 | 0:22:34 | |
another four in a rank. | 0:22:34 | 0:22:35 | |
A lot of furnaces consuming a lot of air. | 0:22:35 | 0:22:38 | |
So if we go this way we can see how it worked. | 0:22:38 | 0:22:42 | |
Today it's only the access tunnels to the furnaces that remain. | 0:22:44 | 0:22:47 | |
They once drew air into the kilns, 60 feet high. | 0:22:47 | 0:22:52 | |
Back then these passageways could reach temperatures | 0:22:52 | 0:22:56 | |
over 1,000 degrees centigrade. | 0:22:56 | 0:22:58 | |
It's like being in the heart of a giant oven. | 0:22:58 | 0:23:01 | |
Chris, why are these works so important? | 0:23:01 | 0:23:05 | |
These works, at the end of the 18th century, | 0:23:05 | 0:23:08 | |
were the largest in the world by some considerable distance. | 0:23:08 | 0:23:13 | |
The reason why these works are important, | 0:23:13 | 0:23:16 | |
is not just the blast furnaces, | 0:23:16 | 0:23:17 | |
it's the fact that the pig iron that was made in these blast furnaces | 0:23:17 | 0:23:21 | |
was then processed by a revolutionary technique - | 0:23:21 | 0:23:24 | |
puddling and rolling - what became known as the Welsh method. | 0:23:24 | 0:23:28 | |
Puddling, or the Welsh method, is hot, dangerous work, | 0:23:30 | 0:23:33 | |
stirring molten iron to refine it and increase productivity. | 0:23:33 | 0:23:38 | |
But it takes Crawshay and his men three years of experiments | 0:23:38 | 0:23:41 | |
before it is commercially viable. | 0:23:41 | 0:23:44 | |
The Welsh method produces iron that is strong and cheap. | 0:23:44 | 0:23:48 | |
-So Crawshay was a ground-breaking pioneer? -He was indeed. | 0:23:48 | 0:23:53 | |
He was able to do so because he had money to devote to it. | 0:23:53 | 0:23:57 | |
He was an extremely rich London merchant. | 0:23:57 | 0:24:00 | |
He could afford to throw resources and time | 0:24:00 | 0:24:03 | |
at developing a technique that was hard to crack. | 0:24:03 | 0:24:07 | |
So it's his money made in London, | 0:24:07 | 0:24:09 | |
deployed in Merthyr, that makes the big difference. | 0:24:09 | 0:24:13 | |
He got pots of money. | 0:24:13 | 0:24:14 | |
Loads if it. Once he'd cracked it he made pots more. | 0:24:14 | 0:24:17 | |
Crawshay has perfected the Welsh method. Not bad for an Englishman! | 0:24:19 | 0:24:24 | |
It revolutionises the iron industry in Merthyr and beyond. | 0:24:24 | 0:24:29 | |
In the mid 19th century, if we went to Ruhr in Germany | 0:24:29 | 0:24:33 | |
or Pittsburgh, Pennsylvania, we would find that technique being used there. | 0:24:33 | 0:24:37 | |
It becomes a global technique. The global success story. | 0:24:37 | 0:24:40 | |
By 1802, Cyfarthfa iron is at the forefront | 0:24:43 | 0:24:46 | |
of the Napoleonic War effort. | 0:24:46 | 0:24:48 | |
It attracts a visit from the greatest naval figure of the day, | 0:24:48 | 0:24:52 | |
Admiral Lord Nelson. | 0:24:52 | 0:24:55 | |
Just three years later, with his Welsh-made iron, | 0:24:55 | 0:24:58 | |
he wins one of the most decisive British naval battles in history, | 0:24:58 | 0:25:02 | |
Trafalgar. | 0:25:02 | 0:25:03 | |
This new commercial Wales needs a new transport system | 0:25:12 | 0:25:16 | |
to carry the heavy cargoes of its industries. | 0:25:16 | 0:25:19 | |
Canals replace wagons and horses. | 0:25:19 | 0:25:22 | |
They are the motorways of the 18th century. | 0:25:22 | 0:25:25 | |
Great engineers display their inventive genius in north Wales | 0:25:28 | 0:25:32 | |
completing the Pontcysyllte Aqueduct in 1805. | 0:25:32 | 0:25:36 | |
It is a monument to the confidence and wealth of this new era. | 0:25:39 | 0:25:44 | |
But the most revolutionary transport of this time is about to be born, | 0:25:44 | 0:25:49 | |
right here in Wales. | 0:25:49 | 0:25:51 | |
In 1804, the owner of the Penydarren Ironworks, Samuel Homfray, | 0:25:53 | 0:25:57 | |
makes a bet with his fellow ironmaster Richard Crawshay. | 0:25:57 | 0:26:01 | |
The wager is 1,000 guineas, an absolute fortune in today's terms, | 0:26:01 | 0:26:06 | |
and he bets that he can build a steam engine that will take | 0:26:06 | 0:26:10 | |
ten tonnes of iron from Merthyr to Abercynon, that's about nine miles. | 0:26:10 | 0:26:14 | |
True to form, Crawshay can't resist the challenge. | 0:26:14 | 0:26:18 | |
Homfray enlists the help of a Cornish Engineer, | 0:26:22 | 0:26:25 | |
Richard Trevithick. | 0:26:25 | 0:26:26 | |
He builds the world's first working steam engine that runs on rails. | 0:26:26 | 0:26:31 | |
On the 21st of February 1804, | 0:26:34 | 0:26:36 | |
people come from far and wide to witness the great experiment. | 0:26:36 | 0:26:40 | |
Five trams set off, loaded with iron and 70 men. | 0:26:47 | 0:26:51 | |
But it isn't long before disaster strikes. | 0:26:57 | 0:27:00 | |
The chimney of the locomotive collides with a low bridge. | 0:27:00 | 0:27:03 | |
There's a lot of damage. | 0:27:03 | 0:27:04 | |
Well, Trevithick repairs the engine, clears away the rubble, | 0:27:04 | 0:27:07 | |
patches up the chimney, and before long, | 0:27:07 | 0:27:10 | |
he's on his way again at the hair-raising speed | 0:27:10 | 0:27:13 | |
of five miles an hour. | 0:27:13 | 0:27:14 | |
Nine hours later, Trevithick, his engine | 0:27:20 | 0:27:24 | |
and cargo reach Abercynon still intact. | 0:27:24 | 0:27:27 | |
The ironmasters' wager proves that steam locomotion is possible | 0:27:27 | 0:27:31 | |
and that railways are the future. | 0:27:31 | 0:27:36 | |
But the revolutionary changes of this time | 0:27:36 | 0:27:39 | |
are not confined to trade and transport. | 0:27:39 | 0:27:42 | |
This is also a time for revolutionary ideas. | 0:27:42 | 0:27:46 | |
One Welshman, Dr Richard Price, has ideas about liberty and freedom | 0:27:48 | 0:27:53 | |
that will help ordinary people fight for their rights. | 0:27:53 | 0:27:56 | |
His controversial ideas spread not only in Wales, but to England, | 0:27:56 | 0:28:01 | |
to Europe and even to America. | 0:28:01 | 0:28:03 | |
He's been described as the greatest thinker Wales has ever produced. | 0:28:03 | 0:28:08 | |
And he's buried at Bunhill Fields in London, | 0:28:11 | 0:28:14 | |
a resting place of many famous radicals and dissenters. | 0:28:14 | 0:28:19 | |
When Price dies in 1791, the funeral route is so crowded | 0:28:22 | 0:28:27 | |
that the cortege is five hours late | 0:28:27 | 0:28:30 | |
when it arrives here at the burial ground. | 0:28:30 | 0:28:33 | |
In France they declare a day of national mourning. | 0:28:33 | 0:28:36 | |
In America he is held up as a great thinker | 0:28:36 | 0:28:40 | |
who inspires the American Revolution. | 0:28:40 | 0:28:42 | |
And all this because the man laid to rest right here | 0:28:42 | 0:28:47 | |
is recognised as a true libertarian, | 0:28:47 | 0:28:50 | |
someone who spends his life trying to extend | 0:28:50 | 0:28:53 | |
the religious and political freedoms of all people. | 0:28:53 | 0:28:56 | |
Price is a Nonconformist chapel minister from Llangeinor | 0:28:58 | 0:29:02 | |
near Bridgend, and famed for his charismatic sermons. | 0:29:02 | 0:29:07 | |
Politicians, reformers, | 0:29:07 | 0:29:08 | |
even the Founding Fathers of the United States want to hear | 0:29:08 | 0:29:12 | |
what he has to say about the rights of ordinary people. | 0:29:12 | 0:29:17 | |
Price's reputation is established by a book he publishes in 1776. | 0:29:17 | 0:29:22 | |
It's called the Observations On Civil Liberty, | 0:29:22 | 0:29:25 | |
it's basically a manifesto for freedom. | 0:29:25 | 0:29:28 | |
The big idea is that communities everywhere | 0:29:28 | 0:29:31 | |
have the right to govern themselves. | 0:29:31 | 0:29:33 | |
And when it comes to members of parliament, | 0:29:33 | 0:29:36 | |
he sees them as trustees, | 0:29:36 | 0:29:38 | |
people who are there to do the will of the people. | 0:29:38 | 0:29:41 | |
We might think that's quite reasonable today. | 0:29:41 | 0:29:44 | |
In those days it was a revolutionary thought. | 0:29:44 | 0:29:48 | |
Price wants power to be in the hands of the people, | 0:29:50 | 0:29:53 | |
not with self-appointed governments or monarchs. | 0:29:53 | 0:29:57 | |
He has his finger on the pulse because this is a time | 0:29:57 | 0:30:00 | |
when wars against oppression are being waged. | 0:30:00 | 0:30:02 | |
In America, colonists are fighting for their independence | 0:30:02 | 0:30:07 | |
from the English crown. | 0:30:07 | 0:30:09 | |
But it's at the start of the French Revolution in 1789 | 0:30:09 | 0:30:12 | |
that Price causes a real stir | 0:30:12 | 0:30:15 | |
with a sermon at his church in north London. | 0:30:15 | 0:30:18 | |
Richard Price steps into this church, | 0:30:23 | 0:30:26 | |
the church he leads for 26 years, and this is where he delivers | 0:30:26 | 0:30:31 | |
an explosive message to the waiting congregation. | 0:30:31 | 0:30:33 | |
The French Revolution is under way, the mob is in control, | 0:30:33 | 0:30:38 | |
and with all of this going on, | 0:30:38 | 0:30:40 | |
Richard Price delivers an apocalyptic warning. | 0:30:40 | 0:30:44 | |
His words are aimed at governments and kings who oppress their people. | 0:30:45 | 0:30:50 | |
"Tremble all ye oppressors of the world! | 0:30:51 | 0:30:54 | |
"You cannot hold the world in darkness. | 0:30:54 | 0:30:58 | |
"Restore to mankind their rights, and consent to | 0:30:58 | 0:31:01 | |
"the correction of abuses, | 0:31:01 | 0:31:04 | |
"before they and you are destroyed together." | 0:31:04 | 0:31:07 | |
Price openly supports the French Revolution. | 0:31:13 | 0:31:16 | |
He says that British people also have the right to fight for liberty. | 0:31:16 | 0:31:21 | |
But at home he is dismissed by the establishment, | 0:31:21 | 0:31:23 | |
lampooned in the press | 0:31:23 | 0:31:25 | |
and accused of stirring up bloodshed and anarchy. | 0:31:25 | 0:31:30 | |
In fact his ideas are a milestone on the road to a modern concept | 0:31:30 | 0:31:33 | |
of civil rights and democracy. | 0:31:33 | 0:31:36 | |
In the midst of the hardships of industrial Wales | 0:31:40 | 0:31:43 | |
these big ideas will eventually lead to big trouble. | 0:31:43 | 0:31:47 | |
Back in the hills around Merthyr Tydfil, | 0:31:51 | 0:31:55 | |
a chain of enormous ironworks stretch along the edge | 0:31:55 | 0:31:58 | |
of the south Wales coalfield. | 0:31:58 | 0:32:00 | |
And with them spring up several new towns. | 0:32:02 | 0:32:06 | |
By far the largest is Merthyr itself. | 0:32:06 | 0:32:09 | |
Once a village of just 40 houses in 1760 | 0:32:11 | 0:32:15 | |
it is now the iron capital of the world | 0:32:15 | 0:32:18 | |
with a population of 8,000 and growing. | 0:32:18 | 0:32:21 | |
The iron industry attracts workers from rural Wales, | 0:32:22 | 0:32:25 | |
Ireland, England and Scotland. | 0:32:25 | 0:32:28 | |
This is Chapel Row, | 0:32:29 | 0:32:31 | |
cottages built in the 1820s for the Cyfarthfa ironworkers. | 0:32:31 | 0:32:35 | |
It's the rate of expansion that is astonishing | 0:32:35 | 0:32:39 | |
and it throws together a mass of urban immigrants | 0:32:39 | 0:32:42 | |
who live in terribly over-crowded, filthy, often primitive conditions. | 0:32:42 | 0:32:49 | |
But there are differences. | 0:32:49 | 0:32:51 | |
It depends what kind of job you do | 0:32:51 | 0:32:53 | |
and if you work in the iron industry for example | 0:32:53 | 0:32:56 | |
you might get lucky, you might live in one of these. | 0:32:56 | 0:33:00 | |
The size of the house is a status symbol. | 0:33:06 | 0:33:09 | |
There's nothing new about that. | 0:33:09 | 0:33:11 | |
Unskilled workers would live in just two rooms. | 0:33:11 | 0:33:15 | |
This house is rather different, there are four rooms here, | 0:33:15 | 0:33:18 | |
two upstairs and two downstairs | 0:33:18 | 0:33:20 | |
and what you find is that this little room can be set aside | 0:33:20 | 0:33:25 | |
for lodgers, as many as five of them squeezed into this tiny space. | 0:33:25 | 0:33:31 | |
The lack of housing attracts greedy speculators | 0:33:31 | 0:33:36 | |
who build temporary homes on top of iron slag heaps and waste. | 0:33:36 | 0:33:40 | |
Merthyr's slums are a tumbledown network of hovels | 0:33:40 | 0:33:43 | |
nicknamed Little Hell. | 0:33:43 | 0:33:46 | |
A report from the 1840s describes one home that measures | 0:33:51 | 0:33:55 | |
just 4.5 feet by 7 feet. | 0:33:55 | 0:33:58 | |
Now just imagine living in a room this size, there we go. | 0:33:59 | 0:34:06 | |
Husband, wife, children, cooking, eating, sleeping, | 0:34:07 | 0:34:12 | |
all kinds of other things, in a room as small as this. | 0:34:12 | 0:34:16 | |
And then next door, another family and another family and then another. | 0:34:16 | 0:34:21 | |
In 1841 in Merthyr, | 0:34:21 | 0:34:23 | |
there are 1,500 people living in stone huts this size. | 0:34:23 | 0:34:28 | |
It's one of the biggest slums in Wales | 0:34:28 | 0:34:31 | |
and the conditions are unimaginable. | 0:34:31 | 0:34:34 | |
That doesn't put people off. | 0:34:35 | 0:34:37 | |
Merthyr is a frontier town that promises to fulfil the dreams | 0:34:37 | 0:34:41 | |
of those desperate to be part of an exciting modern age. | 0:34:41 | 0:34:46 | |
But the reality is very different. | 0:34:46 | 0:34:49 | |
For most who arrive here, Merthyr is filthy, crime ridden and dangerous. | 0:34:49 | 0:34:55 | |
The overcrowding in industrial towns like Merthyr | 0:34:57 | 0:35:00 | |
is a public health disaster. | 0:35:00 | 0:35:02 | |
There are no toilets, the roads are open sewers, | 0:35:02 | 0:35:05 | |
people are infested with lice, and in these squalid conditions, | 0:35:05 | 0:35:09 | |
infection and disease can spread at a terrifying speed. | 0:35:09 | 0:35:14 | |
Without sewers or a clean water supply, | 0:35:17 | 0:35:19 | |
typhus, dysentery and cholera torment Wales' industrial towns | 0:35:19 | 0:35:24 | |
to devastating effect. | 0:35:24 | 0:35:26 | |
Between 1800 and 1850, cholera, known as the King of Terrors, | 0:35:28 | 0:35:32 | |
kills several hundred each summer. | 0:35:32 | 0:35:35 | |
Outside the iron town of Tredegar, at the Cefn Golau cemetery | 0:35:39 | 0:35:44 | |
lie the remains of more than 200 victims of cholera. | 0:35:44 | 0:35:48 | |
The bleak isolation of this place tells its own story. | 0:35:53 | 0:35:58 | |
Cholera is a horrifying illness. | 0:35:58 | 0:36:01 | |
Families who appear fit and well in the morning | 0:36:01 | 0:36:03 | |
can all be dead by that evening. | 0:36:03 | 0:36:06 | |
There is no known cause or cure. | 0:36:06 | 0:36:09 | |
The usual burial grounds are out of bounds | 0:36:09 | 0:36:11 | |
so cholera victims are laid to rest in lonely spots like this, | 0:36:11 | 0:36:16 | |
high on mountain tops, far from society. | 0:36:16 | 0:36:20 | |
So weathered are the gravestones, the inscriptions are barely legible. | 0:36:24 | 0:36:29 | |
In the early 19th century it isn't yet known that cholera is | 0:36:29 | 0:36:33 | |
spread by contaminated water. | 0:36:33 | 0:36:35 | |
Those affected suffer vomiting, diarrhoea and cramps. | 0:36:35 | 0:36:39 | |
In severe cases death comes in a matter of hours. | 0:36:39 | 0:36:43 | |
A quarter of those who die are infants. | 0:36:45 | 0:36:48 | |
Those who survive are struck by fear and panic, | 0:36:49 | 0:36:53 | |
they turn to God for their comfort. | 0:36:53 | 0:36:57 | |
When funeral processions pass by, people hide in their homes, | 0:37:01 | 0:37:06 | |
closing doors, terrified that they might become infected. | 0:37:06 | 0:37:09 | |
The homes of the dead are boarded up | 0:37:09 | 0:37:12 | |
and the families of victims will do anything to avoid the stigma. | 0:37:12 | 0:37:16 | |
They bury their dead at night, and if they can afford it they leave town. | 0:37:16 | 0:37:20 | |
For many, life in the industrial towns of Wales | 0:37:22 | 0:37:27 | |
is a struggle for survival. | 0:37:27 | 0:37:29 | |
But for a few, industrialisation brings great fortune | 0:37:29 | 0:37:34 | |
and vast wealth. | 0:37:34 | 0:37:35 | |
As the iron industry expands, the ironmasters establish themselves | 0:37:37 | 0:37:42 | |
in the grandest possible manner. | 0:37:42 | 0:37:44 | |
In 1825, William Crawshay, the third owner | 0:37:44 | 0:37:48 | |
of the biggest ironworks in Britain | 0:37:48 | 0:37:51 | |
decides to outdo all of his rivals and he builds himself a castle. | 0:37:51 | 0:37:55 | |
Cyfarthfa Castle, with its mock battlements and 72 rooms, | 0:37:59 | 0:38:02 | |
cost Crawshay £30,000, that's over £3 million in modern money. | 0:38:02 | 0:38:09 | |
Once a family home, it's now a museum of an extravagant lifestyle. | 0:38:10 | 0:38:17 | |
This is the centre of power. | 0:38:23 | 0:38:26 | |
This is the room from which Crawshay runs his empire | 0:38:27 | 0:38:31 | |
and from these windows he can keep a sharp eye | 0:38:31 | 0:38:35 | |
on his long suffering workers in the iron works below. | 0:38:35 | 0:38:38 | |
He can spot problems and can sort them out. | 0:38:38 | 0:38:41 | |
I suppose you could say he's living above the shop, in some style. | 0:38:41 | 0:38:46 | |
Now somewhere in this room is graphic evidence | 0:38:50 | 0:38:53 | |
of Crawshay's wealth. | 0:38:53 | 0:38:57 | |
Not there. | 0:38:57 | 0:38:58 | |
Ah, here we are. | 0:39:00 | 0:39:02 | |
This is the office safe, it's more like a bank vault. | 0:39:02 | 0:39:06 | |
This is where Crawshay kept all the cash to pay his workers. | 0:39:06 | 0:39:10 | |
I'd love to have a look inside but I'm told they've lost the key | 0:39:10 | 0:39:14 | |
but it does tell you everything you need to know about | 0:39:14 | 0:39:18 | |
the immense fortune that this family made. | 0:39:18 | 0:39:21 | |
And when celebrations are in order, not a penny is spared. | 0:39:24 | 0:39:28 | |
For a family wedding in 1847, | 0:39:28 | 0:39:31 | |
the ironworks are dressed for a grand banquet and ball. | 0:39:31 | 0:39:34 | |
More than 1,000 guests are offered 10,000 quarts of beer | 0:39:34 | 0:39:39 | |
and an array of 29 different dishes. | 0:39:39 | 0:39:42 | |
All over Wales, the vast wealth of industrialisation is on display. | 0:39:43 | 0:39:48 | |
Most extravagant of all is Penrhyn Castle in north Wales, | 0:39:52 | 0:39:57 | |
built on fortunes made from Welsh slate and Jamaican sugar. | 0:39:57 | 0:40:02 | |
But all this is in stark contrast to the lives of the workers. | 0:40:07 | 0:40:12 | |
Even children as young as five work in terrible conditions. | 0:40:12 | 0:40:15 | |
Not only poorly paid, | 0:40:15 | 0:40:17 | |
workers also face the daily risk of industrial accidents. | 0:40:17 | 0:40:20 | |
None more so than in the ironworks. | 0:40:20 | 0:40:22 | |
Actually making wrought iron is one of the hardest things | 0:40:22 | 0:40:26 | |
in the Industrial Revolution. There is nothing harder. | 0:40:26 | 0:40:29 | |
Anybody who saw it said it was the cruellest work that they ever saw. | 0:40:29 | 0:40:33 | |
This stuff, wrought iron was made in hundredweight lumps by teams of men. | 0:40:33 | 0:40:38 | |
It's not mass steel production. It was all hand work. | 0:40:38 | 0:40:41 | |
All by the skill of the operators in the team | 0:40:41 | 0:40:44 | |
handed down from father to son. | 0:40:44 | 0:40:47 | |
The working life of a puddler who stirs the molten iron | 0:40:47 | 0:40:50 | |
is usually over by the age of 40. | 0:40:50 | 0:40:53 | |
You work really hard, you get incredibly sweaty, | 0:40:53 | 0:40:56 | |
you lose a lot of body fluid, then of course you stop | 0:40:56 | 0:40:59 | |
and your body chills out and you got a lot of rheumatic problems. | 0:40:59 | 0:41:03 | |
Also, people looking at the furnace | 0:41:03 | 0:41:05 | |
were staring into effectively a white heat. | 0:41:05 | 0:41:09 | |
You can tell the temperature of the iron just by looking at it. | 0:41:09 | 0:41:12 | |
But if you spend a lifetime looking at it, you quickly go blind. | 0:41:12 | 0:41:15 | |
With all these hardships, people feel powerless and trapped. | 0:41:17 | 0:41:23 | |
These feelings will culminate in one of the bloodiest incidents | 0:41:23 | 0:41:27 | |
in Britain's industrial history. | 0:41:27 | 0:41:29 | |
When wages are cut and workers laid off in May 1831, | 0:41:36 | 0:41:41 | |
the work force erupts in anger. | 0:41:41 | 0:41:43 | |
The ironmasters can only look on | 0:41:47 | 0:41:49 | |
as a crowd of 10,000 seizes Merthyr by force. | 0:41:49 | 0:41:53 | |
Using armed blockades they fight off regiments of troops | 0:41:57 | 0:42:00 | |
for a whole week. | 0:42:00 | 0:42:02 | |
Inspired by a potent symbol of revolution, | 0:42:04 | 0:42:08 | |
the workers take a rag and soak it in cow's blood. | 0:42:08 | 0:42:12 | |
It is during this uprising that a red flag is raised | 0:42:17 | 0:42:21 | |
by British workers for the very first time. | 0:42:21 | 0:42:25 | |
It becomes a symbol of solidarity. | 0:42:25 | 0:42:28 | |
This uprising isn't some spot of local bother, it is organised, | 0:42:28 | 0:42:33 | |
it is connected, and after years of unrest, | 0:42:33 | 0:42:36 | |
the working class of Wales have an appetite for revolution. | 0:42:36 | 0:42:40 | |
When the authorities regain control, 20 are dead. | 0:42:49 | 0:42:54 | |
One protester known as Dic Penderyn is hanged | 0:42:54 | 0:42:57 | |
for allegedly wounding a soldier. | 0:42:57 | 0:43:00 | |
He is long remembered as a working-class martyr and hero. | 0:43:00 | 0:43:04 | |
The industrial revolution is sharply dividing Welsh society, | 0:43:06 | 0:43:11 | |
the rich and the poor. | 0:43:11 | 0:43:14 | |
And the rebellious mood this inspires isn't just confined | 0:43:14 | 0:43:18 | |
to the new iron towns. | 0:43:18 | 0:43:20 | |
Rebellion is also brewing in rural Wales. | 0:43:23 | 0:43:26 | |
On the night of 13th May 1839, a group of men descends | 0:43:33 | 0:43:38 | |
on this small village in Carmarthenshire. | 0:43:38 | 0:43:41 | |
It's called Efailwen. | 0:43:41 | 0:43:43 | |
They're armed with axes and sledgehammers and big sticks | 0:43:43 | 0:43:46 | |
and they destroy the new toll gate that's just been installed. | 0:43:46 | 0:43:50 | |
Then they move on to the tollhouse and burn it down. | 0:43:50 | 0:43:54 | |
The attack at Efailwen is just the beginning | 0:44:00 | 0:44:03 | |
of an underground movement of protest | 0:44:03 | 0:44:06 | |
that sweeps across west Wales. | 0:44:06 | 0:44:08 | |
Poverty-stricken farmers are angry that new private companies, | 0:44:08 | 0:44:12 | |
the turnpike trusts, are charging too much to use the roads. | 0:44:12 | 0:44:16 | |
There will more than 200 attacks on tollgates | 0:44:18 | 0:44:21 | |
over the next five years. | 0:44:21 | 0:44:23 | |
Just imagine the lot of the tenant farmers | 0:44:26 | 0:44:30 | |
here in west Wales in the early 19th century, | 0:44:30 | 0:44:33 | |
paying shockingly high rents to the land owners, | 0:44:33 | 0:44:36 | |
paying a tax to the Church of England, | 0:44:36 | 0:44:38 | |
a church he doesn't even attend as a chapel-goer, | 0:44:38 | 0:44:41 | |
paying more taxes to build workhouses, | 0:44:41 | 0:44:44 | |
which are prisons for the poor. | 0:44:44 | 0:44:46 | |
And then on top of all of that, to get his produce from A to B | 0:44:46 | 0:44:50 | |
he needs to pay a toll to use the roads. | 0:44:50 | 0:44:53 | |
Those toll gates are run by some greedy and unprincipled people. | 0:44:53 | 0:44:58 | |
Is it any surprise that the tenant farmer resorts to violence? | 0:44:58 | 0:45:02 | |
For the second attack, | 0:45:04 | 0:45:06 | |
the farmers adopt what seems to be a bizarre tactic - | 0:45:06 | 0:45:09 | |
they dress up in skirts, | 0:45:09 | 0:45:13 | |
and in aprons... | 0:45:13 | 0:45:15 | |
..and even in bonnets... | 0:45:17 | 0:45:19 | |
..and then they blacken their faces. | 0:45:22 | 0:45:26 | |
After this, they descend on the now rebuilt toll house at Efailwen, | 0:45:31 | 0:45:34 | |
and chant a woman's name, Rebecca. | 0:45:34 | 0:45:39 | |
THEY CHANT | 0:45:39 | 0:45:42 | |
They demolish the toll gate and disappear into the night. | 0:45:45 | 0:45:48 | |
Their distinctive guerrilla-style attacks will come to be known | 0:45:55 | 0:46:00 | |
as the Rebecca Riots. | 0:46:00 | 0:46:02 | |
The costumes the farmers use are a symbol based on local folklore. | 0:46:04 | 0:46:08 | |
There's one ritual which tells us a lot | 0:46:11 | 0:46:14 | |
about local tradition in this part of Wales. | 0:46:14 | 0:46:17 | |
It's a humiliation, a form of punishment for wrong-doers. | 0:46:17 | 0:46:21 | |
For example, men who beat their wives. | 0:46:21 | 0:46:24 | |
They're tied to a wooden chair, sometimes it's a wooden horse, | 0:46:24 | 0:46:28 | |
and then they're paraded in front of the community. | 0:46:28 | 0:46:31 | |
And the men dispensing this justice, | 0:46:31 | 0:46:33 | |
for reasons we don't quite understand, | 0:46:33 | 0:46:36 | |
have blackened faces and they wear women's clothes. | 0:46:36 | 0:46:39 | |
By dressing up, | 0:46:41 | 0:46:42 | |
the rioters attacking the tollgates evoke a sense of local justice | 0:46:42 | 0:46:47 | |
and it becomes a potent symbol in Welsh history. | 0:46:47 | 0:46:50 | |
But who is Rebecca and where does she come from? | 0:46:51 | 0:46:56 | |
It could be that one of the leading protesters has a close relative | 0:46:59 | 0:47:03 | |
or friend called Rebecca, that's always possible. | 0:47:03 | 0:47:07 | |
But I think there's a more likely explanation. | 0:47:07 | 0:47:10 | |
And the clue is here in the Bible. | 0:47:10 | 0:47:13 | |
We are talking about people who know their Bible inside out. | 0:47:13 | 0:47:18 | |
There is a passage in the Old Testament in the book of Genesis | 0:47:18 | 0:47:21 | |
and it says this, | 0:47:21 | 0:47:23 | |
"And they blessed Rebekah and said unto her, | 0:47:23 | 0:47:25 | |
"Thou art our sister, | 0:47:25 | 0:47:28 | |
"be thou the mother of thousands of millions, | 0:47:28 | 0:47:31 | |
"and let thy seed possess the gates of those which hate them." | 0:47:31 | 0:47:36 | |
So could this Rebecca be the one who inspires the rioters? | 0:47:36 | 0:47:40 | |
"May Rebecca's descendants conquer the property of their enemies." | 0:47:44 | 0:47:50 | |
It is the sentiment of an oppressed peasantry. | 0:47:50 | 0:47:54 | |
Over the months a hidden wave of support grows | 0:47:54 | 0:47:57 | |
through the parishes of west Wales. | 0:47:57 | 0:48:00 | |
There are several Rebeccas, riot leaders whose identity is unknown. | 0:48:00 | 0:48:06 | |
For three years they elude the military and the London police. | 0:48:06 | 0:48:10 | |
As the riots spread, | 0:48:10 | 0:48:12 | |
it's believed that even some of the local gentry support the cause. | 0:48:12 | 0:48:16 | |
They target other symbols of oppression, | 0:48:16 | 0:48:19 | |
workhouses where the poor and infirm are badly treated. | 0:48:19 | 0:48:23 | |
On 19th June 1843, the protests reach a bold climax. | 0:48:23 | 0:48:29 | |
And this is the scene of the biggest disturbance of that time. | 0:48:30 | 0:48:34 | |
It involves 2,000 people, it takes place in broad daylight | 0:48:34 | 0:48:38 | |
and they converge on this place. | 0:48:38 | 0:48:40 | |
This is the Penlan workhouse in Carmarthen. | 0:48:40 | 0:48:44 | |
It is full of the most unfortunate members of society. | 0:48:44 | 0:48:47 | |
The protest, which is all about genuine grievances, | 0:48:47 | 0:48:50 | |
is hijacked by some rather unsavoury characters | 0:48:50 | 0:48:54 | |
and suddenly it all turns rather nasty. | 0:48:54 | 0:48:57 | |
It is the violence of this protest | 0:49:00 | 0:49:02 | |
and the clash with the authorities that brings | 0:49:02 | 0:49:04 | |
the plight of the tenant farmers to the attention of the London press. | 0:49:04 | 0:49:09 | |
This is the turning point for the Rebecca Riots. | 0:49:09 | 0:49:12 | |
By the autumn of 1843, there are police and soldiers | 0:49:17 | 0:49:20 | |
roaming the countryside and at last the government acknowledges | 0:49:20 | 0:49:26 | |
that the rioters have legitimate concerns. | 0:49:26 | 0:49:28 | |
A commission is set up to look into these turnpike trusts. | 0:49:28 | 0:49:32 | |
And guess what. They uncover malpractice and corruption. | 0:49:32 | 0:49:37 | |
So those trusts are reformed and roads are improved. | 0:49:37 | 0:49:40 | |
Ultimately, the Rebecca Riots are a victory. | 0:49:44 | 0:49:49 | |
The authorities struggle to track down the riot leaders. | 0:49:49 | 0:49:52 | |
The few that are caught face hanging | 0:49:54 | 0:49:56 | |
or transportation to the other side of the world. | 0:49:56 | 0:49:59 | |
So what does Rebecca represent? | 0:50:03 | 0:50:06 | |
The terror that stalks this countryside is unavoidable. | 0:50:06 | 0:50:10 | |
When you have profound injustice and no lawful means of tackling it | 0:50:10 | 0:50:15 | |
you get an explosion of people power. | 0:50:15 | 0:50:18 | |
And for me the Rebecca Riots are all about self respect. | 0:50:18 | 0:50:22 | |
Welsh people refusing to tolerate blatant abuse | 0:50:22 | 0:50:26 | |
and demanding their share of justice and fair play. | 0:50:26 | 0:50:32 | |
That search for fair play and the people's quest for power | 0:50:34 | 0:50:39 | |
are gathering momentum across Britain. | 0:50:39 | 0:50:42 | |
Industrialisation has created a working class. | 0:50:42 | 0:50:46 | |
People are becoming politicised. | 0:50:46 | 0:50:48 | |
And in the 1830s that means a fight for the right to vote. | 0:50:48 | 0:50:53 | |
This struggle for democracy reaches a violent climax | 0:50:55 | 0:50:58 | |
in the industrial heartlands of Wales, at Newport. | 0:50:58 | 0:51:02 | |
On the evening of Sunday 3rd November 1839, | 0:51:07 | 0:51:11 | |
a cabinetmaker from Pontypool writes a letter. | 0:51:11 | 0:51:16 | |
"Dear Parents." | 0:51:16 | 0:51:19 | |
His name is George Shell and he is 19 years old. | 0:51:19 | 0:51:22 | |
"I shall this night be engaged in a struggle for freedom | 0:51:24 | 0:51:30 | |
"and should it please God to spare my life, I will see you soon." | 0:51:30 | 0:51:35 | |
George doesn't know the significant part he's about to play | 0:51:38 | 0:51:41 | |
in the story of Wales. | 0:51:41 | 0:51:44 | |
The following morning George Shell is one of 5,000 people | 0:51:48 | 0:51:51 | |
walking down this hill into Newport. | 0:51:51 | 0:51:54 | |
They have a common cause - they want the right to vote, | 0:51:54 | 0:51:57 | |
they want better lives and they're part of a much bigger movement, | 0:51:57 | 0:52:01 | |
a movement that's going to transform the battle for democratic rights | 0:52:01 | 0:52:05 | |
in this country. | 0:52:05 | 0:52:06 | |
George is part of a revolutionary struggle called Chartism. | 0:52:08 | 0:52:12 | |
There is huge discontent across Britain | 0:52:13 | 0:52:16 | |
that only those with property have the right to vote. | 0:52:16 | 0:52:19 | |
The Chartists want to change this and they have the support | 0:52:19 | 0:52:23 | |
of thousands of Welsh industrial workers. | 0:52:23 | 0:52:26 | |
But the authorities want to ban Chartist meetings | 0:52:26 | 0:52:30 | |
and stamp out their cause. | 0:52:30 | 0:52:33 | |
The Chartist leaders here in south Wales feel aggrieved. | 0:52:34 | 0:52:38 | |
They petition parliament, it's the right thing to do, | 0:52:38 | 0:52:42 | |
and yet parliament delivers a snub. | 0:52:42 | 0:52:44 | |
But the campaign for the right to vote | 0:52:44 | 0:52:47 | |
and a measure of power over their own lives is unstoppable | 0:52:47 | 0:52:50 | |
so the Chartists are driven to the last resort, the use of force. | 0:52:50 | 0:52:56 | |
Which is why the Chartists on the march are armed. | 0:52:56 | 0:53:01 | |
Their intent is to take over Newport and overthrow the authorities | 0:53:01 | 0:53:06 | |
who have set up headquarters at the Westgate Hotel. | 0:53:06 | 0:53:10 | |
Months of planning and endless hard work lead up to this moment. | 0:53:10 | 0:53:16 | |
Secret identities, secret meetings, secret funding. | 0:53:16 | 0:53:21 | |
Weapons made and kept at home. | 0:53:21 | 0:53:23 | |
Weapons stolen and hidden in caves in the surrounding area. | 0:53:23 | 0:53:28 | |
It is thought that across Britain | 0:53:31 | 0:53:33 | |
other groups of Chartists wait with bated breath. | 0:53:33 | 0:53:36 | |
Victory in Newport might trigger uprisings around the whole country. | 0:53:36 | 0:53:42 | |
All of which drives the employers, the captains of industry, | 0:53:42 | 0:53:47 | |
the leaders of society into a blind panic. | 0:53:47 | 0:53:51 | |
One mine owner hides in his own pit. Landowners flee with their families. | 0:53:51 | 0:53:55 | |
One clergyman even hides in a pond. | 0:53:55 | 0:53:58 | |
And all because the Chartists are coming. | 0:53:58 | 0:54:01 | |
Originally 20,000 Chartists set off from nearby industrial towns | 0:54:03 | 0:54:09 | |
on the overnight march to Newport. | 0:54:09 | 0:54:12 | |
But things go wrong. | 0:54:12 | 0:54:14 | |
Troops are moved into the Westgate Hotel. | 0:54:19 | 0:54:22 | |
That is unexpected | 0:54:22 | 0:54:23 | |
and it's one of things that undermine the Chartists' plans. | 0:54:23 | 0:54:26 | |
The weather is terrible, it's soaking wet | 0:54:26 | 0:54:29 | |
and lots of the marchers are late arriving | 0:54:29 | 0:54:32 | |
and by the time they come to this place in the heart of Newport, | 0:54:32 | 0:54:34 | |
only a quarter of the original marchers are left | 0:54:34 | 0:54:37 | |
and they're exhausted. | 0:54:37 | 0:54:39 | |
On reaching the hotel, they face 30 soldiers | 0:54:42 | 0:54:44 | |
supported by special constables | 0:54:44 | 0:54:46 | |
who are armed and ready for trouble. | 0:54:46 | 0:54:50 | |
Most accounts seem to suggest that the Chartists fire the first shot | 0:54:53 | 0:54:57 | |
but we don't know whether it was accidental or deliberate. | 0:54:57 | 0:55:02 | |
What we do know is that the round of shooting that follows | 0:55:02 | 0:55:06 | |
lasts 25 minutes. | 0:55:06 | 0:55:08 | |
It's a short, bloody battle, | 0:55:14 | 0:55:16 | |
at the end of which, the soldiers manage to defend the Westgate Hotel | 0:55:16 | 0:55:20 | |
and the Chartists throw down their weapons and flee. | 0:55:20 | 0:55:24 | |
20 lie dead and even more are wounded. All of them Chartists. | 0:55:29 | 0:55:33 | |
Some of the bodies are laid out in the hotel stables to await burial. | 0:55:37 | 0:55:43 | |
Among them is George Shell, the youngest victim. | 0:55:44 | 0:55:49 | |
"I shall this night be engaged in a struggle for freedom, | 0:55:49 | 0:55:54 | |
"and should it please God to spare my life, I will see you soon. | 0:55:54 | 0:56:00 | |
"But if not, grieve not for me. I shall fall in a noble cause." | 0:56:00 | 0:56:05 | |
George Shell is now remembered as a Chartist hero. | 0:56:08 | 0:56:12 | |
When troops examine the bodies, they discover | 0:56:14 | 0:56:17 | |
an enormous array of weapons | 0:56:17 | 0:56:20 | |
and the full extent of the Chartists' planning. | 0:56:20 | 0:56:23 | |
Newspaper reports marvel at the level of organisation | 0:56:23 | 0:56:27 | |
of these ordinary working people. | 0:56:27 | 0:56:29 | |
Some of the Chartists from that uprising are buried | 0:56:32 | 0:56:35 | |
at Saint Woolos Cathedral on the route of their final march. | 0:56:35 | 0:56:39 | |
George Shell is one of ten Chartists whose bodies are brought here | 0:56:41 | 0:56:46 | |
to this church yard in the dead of night by the military | 0:56:46 | 0:56:50 | |
and placed in unmarked graves. | 0:56:50 | 0:56:52 | |
The authorities clearly want this campaign to be forgotten. | 0:56:52 | 0:56:55 | |
But these are people prepared to die in a noble cause. | 0:56:55 | 0:57:00 | |
Not only do they want democratic rights, | 0:57:00 | 0:57:02 | |
they want a basic measure of happiness | 0:57:02 | 0:57:05 | |
and dignity in their troubled lives. | 0:57:05 | 0:57:08 | |
And the Newport Rising is all about that irresistible need for change. | 0:57:08 | 0:57:12 | |
The three leaders of the rising are charged with high treason | 0:57:16 | 0:57:20 | |
and transported to Australia for life. | 0:57:20 | 0:57:23 | |
The Newport Rising is a popular protest | 0:57:23 | 0:57:27 | |
by the working classes of Wales, | 0:57:27 | 0:57:29 | |
the beginning of a political awakening that will dominate | 0:57:29 | 0:57:33 | |
the next 100 years in the story of Wales. | 0:57:33 | 0:57:37 | |
It takes one turbulent century to change the face of Wales. | 0:57:39 | 0:57:44 | |
A predominantly rural economy | 0:57:44 | 0:57:46 | |
becomes an overwhelmingly industrial one. | 0:57:46 | 0:57:49 | |
And it brings with it a new class of person. | 0:57:49 | 0:57:52 | |
A spirited working class whose poverty and suffering | 0:57:52 | 0:57:56 | |
will create a new politics. | 0:57:56 | 0:57:58 | |
Our story of Wales is now about rapid change. | 0:57:58 | 0:58:00 | |
The Industrial Revolution, the social turmoil, | 0:58:00 | 0:58:03 | |
they're only just beginning. | 0:58:03 | 0:58:05 | |
The Open University has produced a free booklet | 0:58:13 | 0:58:16 | |
for you to learn more about the history of the people of Wales. | 0:58:16 | 0:58:19 | |
You can call... | 0:58:19 | 0:58:22 | |
Or go to... | 0:58:24 | 0:58:27 | |
Follow the links to the Open University. | 0:58:29 | 0:58:31 | |
Subtitles by Red Bee Media Ltd | 0:58:35 | 0:58:38 |